PAM - Pattern Based Audio System

video upload by Richard Devine

"PAM is an 8-track modular sampler. Build patterns across eight cells, route audio, and modulate parameters via flexible envelope and LFO mapping."

https://map.audio/


video uploads by map audio

Playlist:

1. PAM Overview
2. MAP Audio presents PAM | map.audio
3. Jungle Breaks in 5 Minutes with PAM

M-Audio Introduces the Trigger Finger Pro

Trigger Finger Pro USB Controller with Step Sequencer

Includes the M-Audio Arsenal; 8+ GB of instruments, one-shots, loops & more
Built-in step sequencer for building jaw-dropping grooves
16 ultra-responsive pads with illuminated RGB feedback
Customizable, backlit controls with instant automapping
High-resolution display lets you focus on the music, not the computer
Slimline design travels from studio to stage with ease
Detachable, 3-position rugged metal stand for angled use
Extensive expression controls; pitch bend, modulation & more
USB-MIDI connection to a Mac or PC
Arsenal includes Hybrid 3 High Definition Synth by AIR Music Tech
16 custom drum kits from Black Anomaly (Timbaland, Justin Timberlake, Chris Brown)
Arsenal also includes 10 Prime Loops Expansion Packs:
TrapTranceProgressiveNudiscoMinimalHard DanceElectroDubstepDrum N BassDeep House
Includes 5 ToolRoom Records artist sound packs from:
Mark KnightReve AmeszTocadiscoMacro LysD Ramirez
Over 2000 combined artist patches and presets for Hybrid 3 and Prime Loops content

Press release:

"M-Audio Introduces the Trigger Finger Pro

Legendary computer interface and studio integration manufacturer debuts an advanced performance pad controller with onboard sequencing and software integration.

Cumberland, RI, USA – January 22, 2014. M-Audio (www.m-audio.com), industry-leading manufacturer of award-winning computer interface and studio integration solutions, announces the debut of Trigger Finger Pro, an advanced performance pad controller with onboard sequencing and software integration.

Trigger Finger Pro is a fully encompassed performance instrument and software control station in the form of a portable, 16-pad (4x4 configured) instrument with onboard sequencing. Nearly a decade ago, M-Audio revolutionized the industry by introducing the first performance pad controller and effectively set the stage for the MIDI controller market with the Trigger Finger. The Trigger Finger Pro draws from its predecessor’s performance pad roots but features an entirely new hardware design, user experience, and creative functionality to serve both the live performer as well as the music producer. It’s modern design features 16 ultra-responsive RGB illuminated pads, 16 backlit step sequencer key controls, a road-ready chassis with brushed aluminum faceplate, and a high resolution screen.

The all-new Arsenal software integrates with popular DAWs, hosts VSTs and includes automatic mapping, providing seamless integration between the hardware and software. Along with AIR Drums and Hybrid 3 plug-ins, Trigger Finger Pro includes 8 GB of ready-to-play sounds, loops, one-shots with exclusive content from Black Anomaly, Prime Loops, Toolroom Records, and more.

Highlights:
• 16 Ultra-Responsive Pads – velocity sensitive, illuminated pads with RGB feedback
• Onboard Step Sequencer – accompanied by 16 backlit keys, and high-res screen
• Extensive Expression Controls – 48 assignable controls are offered between 4 faders, 4
knobs, and 4 buttons with 4 banks each, and includes pitch bend, modulation and more
• Arsenal Software – allows for instant DAW/VST integration with full tactile control
parameters; or operates as a standalone program with powerful presets & VI’s
• AIR Drums and Hybrid 3 – includes two dynamic VST instrument programs, a drum
sample player/editor compatible with REX files and a high definition analog synth suite
• Built-in Instruments – 8 GB of sounds, one-shots, loops, and exclusive content
• Customizable Controls – backlit controls instantly map to popular DAWs on the market
• Road Ready Chassis – brushed aluminum faceplate with detachable 3-position stand

'We’re excited with the Trigger Finger Pro because it offers true hands-on control for today’s multi-talented musicians who require software integration as part of their live performances – and we’re equally thrilled with its place in the studio environment providing seamless DAW integration,” said M-Audio Product Manager JC Sutherland. “The addition of the new onboard M-Audio Arsenal software makes for a powerful package onstage or in the studio.'

Trigger Finger Pro will be available Spring 2014, distributed worldwide with a $399 USD street.

M-Audio will unveil Trigger Finger Pro in Hall A, Booth 6700, at the 2014 NAMM Show, January 23-26 in Anaheim, California. For more information, visit: www.m-audio.com/wnamm2014"

Update: Discussion on The MATRIXSYNTH Lounge here & NAMM floor videos:

[NAMM] M-Audio Trigger Finger Pro

Published on Jan 22, 2014

"Here's a presentation of the new M-Audio Trigger Finger Pro at the NAMM Show 2014."

NAMM 2014: M-Audio Trigger Finger Pro

Published on Jan 22, 2014 sonicstate·599 videos

"NAMM 2014: M-Audio Trigger Finger Pro Updated pad controller"

NAMM 2014: M-Audio Trigger Finger Pro

Published on Jan 23, 2014 Future Music Magazine·342 videos

"At NAMM 2014, Future Music get a video demo of M-Audio's new Trigger Finger Pro and Arsenal software."

Akai Introduces MPCX and MPCLIVE Standalone Music Production Centers & MPC Software v2.0

Published on Jan 9, 2017 AkaiProVideo

Playlist:
Introducing the Next Generation of MPC: X and Live
Standalone Challenge: Bryan Michael-Cox
MPC Lounge: Clip Launch
MPC Lounge: Audio Tracks
Standalone Challenge: Zaytoven
Sound on Sound Akai Pro — MPC X Overview & Demo
Sound on Sound Akai Pro — MPC Live Overview & Demo

"The next generation of MPC is here. Introducing the MPC X and MPC Live, brand new standalone Music Production Centers powered by MPC 2.0 software. Separate from the Pack. Standalone.

MPC X Features:
• Standalone MPC – no computer required
• 10.1” full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 MIDI inputs, 4 MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates

MPC Live Features:
• Standalone MPC – no computer required
• 7-inch full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates

MPC 2.0 Software Features
• New graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control"

And the press releases:

"AKAI® PROFESSIONAL REIGNS SUPREME WITH NEW MPC® XTM, THE ULTIMATE STANDALONE BEAT PRODUCTION EXPERIENCE

Standalone Music Production Center goes back to the future to deliver the most powerful beat production machine to date

Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC X. In creating the X, Akai Professional has taken the lessons from every MPC that preceded it to engineer a production centerpiece truly fit to be the flagship Music Production Center of the future.

The new MPC X is a standalone MPC featuring a beautiful, full-color 10.1” multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads. Rounding out the controls are dedicated menu buttons, a large master encoder knob and 16 touch-sensitive 360o assignable pots (Q- Links) with OLED displays, perfect for precisely automating individual parameters and delivering expressively nuanced recordings.

Powering the mighty X is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on the MPC X in standalone mode, MPC 2.0 can also be run from a Mac or PC with the X tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.

Features
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 full-size MIDI inputs, 4 full-size MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
“In creating the concept for the MPC X we wanted to preserve the classic MPC feel and workflow that people love,” said Dan Gill, Product Manager for Akai Professional. “But we turned the idea on its head and incorporated the best of what a modern touch-screen interface can offer. What we have now is the most powerful MPC production experience ever.”
MPC Live will ship with an MSRP of $2999/$2199 MAP and will be available Q1 2017."

"AKAI® PROFESSIONAL ELECTRIFIES BOTH STUDIO AND STAGE WITH GAME-CHANGING MPC® LIVETM

Standalone Music Production Center combines power and portability to deliver pound-for-pound the best MPC to date
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC Live. Starting with the immersive production workflow and game-altering performance breakthroughs introduced by the MPC Touch, Akai Professional ratchets up the stakes with MPC Live by adding standalone functionality.

At the heart of the new MPC Live is a beautiful, full-color 7-inch multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads, and a large, clickable master encoder knob. Featuring 2GB of RAM and 16GB of on-board storage, Live is as powerful as any MPC that has preceded it. But weighing in at just 5.5 lbs., MPC Live is compact enough to easily transport from studio to stage. The portability is taken even further with this MPC’s ability to run battery-powered via the internal, rechargeable lithium-ion battery.

Powering Live is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on MPC Live in standalone mode, MPC 2.0 can also be run from a Mac or PC with the Live tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.

Features
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot

'The MPC Live is an absolute beast. It truly represents a huge step forward in the product category,” said Dan Gill, Product Manager for Akai Professional. “MPC Live is the most powerful MPC we’ve made to date and yet it’s portable enough to take anywhere.'

MPC Live will ship with an MSRP of $1999/$1199 MAP and will be available Q1 2017."

---

"AKAI® PROFESSIONAL DRIVES CREATIVITY TO NEW HEIGHTS WITH MPC® 2.0 MUSIC PRODUCTION SOFTWARE

Latest version of acclaimed composition software features audio track recording, clip launching, real- time audio warping, Audio and MIDI drag-and-drop, along with enhanced QLinkTM control.
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, is showing their MPC 2.0 at Winter NAMM, the latest version of their acclaimed music production software. Compatible with Mac and PC, MPC 2.0 works either alone as your main DAW or integrates seamlessly with your current DAW as a VST or AU plug-in. It’s available with Akai Professional’s MPC X, MPC Live, MPC Touch and MPC Studio Black.

Reimagined GUI:
MPC Software 2.0’s redesigned GUI offers a vastly improved creative experience that enhances MPC’s revered workflow. Combining a reimagined mixer layout outfitted with resizable faders, an adaptive channel strip, a dedicated audio track editing window, resizable waveform view and much more, MPC Software 2.0 presents the ultimate platform for unrestricted creative versatility alongside must-have tools that deliver unprecedented surgical control.

Audio Tracks:
Capture, edit and mix up to 8 studio-grade resolution audio tracks in standalone mode (MPC X and MPC Live), or expand your track limit to an immense 128 tracks in controller mode. Furnished with critical audio recording functionality - including multi-track capture, selectable monitoring options (Off, On & Auto), monitoring via effects, Punch In/Out Recording and Record Start options – MPC Software 2.0 empowers producers, musicians and performers with core audio-capture and the convenience of full-featured standalone operation.

Edit, Mix, Create:
Used in conjunction with an Akai Professional MPC unit, performers and producers will find that MPC 2.0 will Edit, Mix and Create in a manner unmatched by any other production software. There is a comprehensive suite of audio editing tools: Pointer, Eraser, Audition, Scissors, Fade In, Fade Out, Reverse, Mute, Pitch Adjust and BPM Adjust. For mixing, users can automate any effect, instrument or mixer parameter. With its advanced signal routing capability—submixes, FX returns, multi-output plugin support (up to 16 stereo outputs) and more—there is virtually no limit to the versatility on tap for the artist.

Manipulate Tempo or Pitch:
With MPC Software 2.0, total-command of user’s audio is possible courtesy of a new real-time time- stretching and pitch shifting algorithm. Change the duration of any audio region, drum/keygroup sample or clip to match the tempo of your project with MPC Software’s real-time time-stretching or, use real- time high-quality pitch shifting to change the pitch of any audio region, drum/keygroup sample or clip for creative manipulation or to change the key of the source material. MPC 2.0 makes it easy to manipulate the time and pitch of any source material: a chopped vocal in an audio track, a drum loop in a clip program or an orchestral phrase loaded into a chromatic sampler program.

Perform:
For performers, MPC 2.0 brings their presentation to the next level. MPC Software’s XYFX and a Phrase Looper now combines with an all-new Clip Program mode powered by MPC’s real-time warping algorithm, providing users with an intuitive clip launch workflow and the ultimate platform for creative versatility. Features like Enhanced Q-Link functionality for precision control mapping of MPCs editable functions and selectable hardware outputs providing seamless assimilation into multiple usage scenarios make MPC 2.0 a powerful creative tool.

Versatility:

MPC 2.0 is versatile and adaptable as well. It supports WAV, MP3, AIFF, REX and SND, as well as supporting samples and sequences from any MPC ever made. There is full 64-bit support in all versions: standalone, VST, AAX and AU.
MPC Software v2.0

• Completely new graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view and more
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support (up to 16
stereo outputs) and more
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control

“MPC 2.0 is the next generation of Akai Professional music production software, perfected by over a year of intense R & D,” said Dan Gill, Product Manager for Akai Professional. “This software suite really energizes the creative process for performers and producers alike, and is an indispensable part of our MPC’s amazing capability.”
MPC 2.0 is bundled with Akai Professional MPC hardware, and is available in Q1 2017. It will be available separately as an update for existing MPC customers at a later date, price TBD.
For more information, visit akaipro.com."

PPG MiniMapper Now Available

"PPG MiniMapper is the latest development from the inventor of wavetable synthesis, Wolfgang Palm. It is a next generation synthesizer, building on the heritage of the PPG Wave keyboards.

PPG MiniMapper is an easy to use performance synthesizer with a wide range of sounds for iPhone and iPod Touch.

Compatibility And Hardware Requirements:
iPhone 4, 4S or iPod Touch 4 minimum, iPad users can run it as an iPhone App.

PPG MiniMapper comes with 10 pages:

• Sound Map - Manual Mode
• Sound Map - Accelerator Mode
• Sound Map - Magic Mode


• Arptor - Start/Stop/Record, Range, Up/Down/Random
• Audio Recorder / Keyboard Editor
• Modifiers Page - two X/Y controller with selectable routing

• System Setup - Number of Voices, Sample Rate, other constants
• MIDI Setup - In / Out and controller

• Preset Browser -
• Bank Manager - copy presets between banks

Key Features:
• New Sound map concept - create new sounds playful and experimental
• Map Recorder generates new programs on the fly
• Features the same audio engine that powers the highly popular PPG WaveMapper
• Arptor - a flexible Step Sequencer / Arpeggiator combination
• Schematic touch keyboard - zoom and scrollable
• Build your own keyboard, with the keys you prefer for your music.
• Powerful sound browser - sorting by category, bank management
• Virtual and Hard-MIDI in/out - sending/receiving keys and polypressure
• Sending/receiving the Icon positions and X/Y performers
• Audiobus support
• 10 min Audio recorder and Audio Copy
• Context specific help for all pages
• Easy data exchange between MiniMapper and WaveMapper"

CLICK FOR MORE »

Major Update Comes to Patterning: Drum Machine for iOS

iTunes: Patterning : Drum Machine - Olympia Noise Co.

"What's New in Version 1.1

In this update we’ve added a ton of new features to improve your creative workflow — including audio export, new and improved sync options, a more useful timeline, MIDI mappings, as well as interface improvements that make Patterning even more fun and inspiring to work with. As always, let us know if you have any questions or run into any issues. support@olympianoiseco.com

Audio Export
Patterning now includes a highly configurable audio export function for getting your drum tracks out of Patterning and into the next stage of your process. It’s easy to turn your beats into perfect audio loops or entire songs in .WAV format. Bounce individual tracks or the main mix and save your files to AudioShare, iTunes File Sharing or using “Open in….” to save to Dropbox or other apps.

MIDI Mapping
Map your hardware MIDI controller to control mixer and sample settings, trigger pattern changes, and more. Assign CC’s, notes, or program changes to parameters using the MIDI learn function, and fine tune parameter ranges with the MIDI configuration menu. MIDI mappings can be imported from other songs to easily reuse your favorite mappings.

New & Improved Sync Options
A consolidated Sync menu makes your sync settings easier to configure. In addition to Ableton Link, Patterning now supports Inter-App Audio sync and a completely re-written MIDI Clock implementation. Inter-App Audio sync and transport controls are available when connected to the master Inter-App Audio port.

CLICK FOR MORE »

Auza Audio Wave Packets Module Test - MATTHS #shorts

video upload by MATTHS

via Auza Audio

Enveloped actions. Dynamic oscillations.

Bursts of energy. Capsulated audio.

Wave Packets is the first Eurorack module from design team Auza. Capable of generating complex envelopes, modulation signals and audio, the module allows you to sculpt your sound by producing time-limited signals or “wave packets”. Each wave packet is determined in the four primary dimensions of time, depth, frequency and wave shape. With five distinct unipolar and bipolar outputs, an infinite and unique range of shapes and sounds can be produced: an envelope growing from nothing to wild oscillation, a punchy bass drum with monstrous pitch decay, a ping-multiplied burst generator, an amplitude-varying LFO or timbre-morphing oscillator. Our novel model combines frequency-dynamic oscillation and function generation for crafting modulation and audio signals that fuel creativity. What emerges is a highly versatile production tool kit in 16HP.
‍
The module can operate in three excitation modes: trigger, gate, and cycle. Once animated, the 3 depth sliders sculpt the wave packet’s overall contours, whilst the wave shape, glide and 3 frequency controls determine its oscillations through time. The five outputs map five distinct interactions between the contour function and oscillations. These can be summarised as: the pure contour, the unipolar wave, the resonating contour, the capsulated oscillator and the pure oscillator. As the outputs are simultaneously utilisable the module is fully self-patchable, allowing for new wave packet models to be achieved. Examples include patching a unipolar output into wave shape CV for morphing across timbres, or patching a bipolar output into depth CV to achieve audio-rate modulation. By utilising multiple outputs at the same time, Wave Packets can act as a hub for orchestrating movement across new and exciting patches.

Features

Ability to design novel control voltage shapes, or use as an audio source
5 simultaneously utilisable outputs with distinct models - 3 unipolar, 2 bipolar
24-bit wavetable audio oscillator, voltage-precise LFO
Continuous wave shape morphing, including PWM and skewable exponential in to sawtooth
Contour function drawn from 3 slider controls
Traverses through 3 frequencies with glide control
Colour-frequency representation LEDs
4 time stages, with LED indication, each adjustable between 0s (skip) to 10s, and optional sustain stage
'Linked' stage time mode which allows the ability to sync stage times to the oscillator period
Ability to stretch and shrink the overall wave packet using V/OCT in linked mode
Various excitation/ trigger options, including gated, trigger, cycle, pingable‑stages cycle, and free‑running modes
Ping input frequency/ rate control, with multiplication/ division or offset controls
EOS, EOC outputs
Accurate 16-bit tracking V/OCT input, +-9V range. -V useful for general FM
Depth and wave shape CV inputs, running at oversampled audio rates
Skiff-friendly 25mm, 16HP module

Introducing the All-New M-Audio Code Series Keyboards

Published on Aug 11, 2015 M-Audio

"M-AUDIO NOW SHIPPING INNOVATIVE CODE SERIES KEYBOARDS

Three models—25-, 49- and 61-key versions—deliver professional-feel keybeds, full feature sets and surprising pricing

Cumberland, RI (August 13, 2015)— M-Audio (m-audio.com), synonymous with innovative music production technology, today announced that deliveries have begun of its highly-anticipated Code Series keyboards, a family of three full-featured models. Available in 25-, 49- and 61-key versions, the Code Series combines a remarkably smooth-feeling keyboard with a surprisingly complete feature set to create a keyboard line of unusually professional capability and unexpected value.

The Code Series builds upon M-Audio’s legacy of innovative workflow and playability. Their comprehensive controls automatically map to popular DAW’s such as Ableton Live, Apple GarageBand, Logic Pro X, Pro Tools, and Cubase, so artists can easily convert their creativity into immediate, tangible results.

The Code Series delivers top-of-the-line performance with their professional-feel keybeds, very complete feature sets and included software, yet they are priced far below what might ordinarily be expected for this level of capability.

All Code Series keyboards feature:
• Smooth-feel, semi-weighted keybed with aftertouch
• 16 velocity-sensitive pads with LED feedback
• Touch pad for X/Y axis control
• USB Bus powered for portability and ease of use
• 5 Pin MIDI Input, and Output jacks allowing you to control your favorite synths
• Assignable pitch & mod wheels, knobs, faders, buttons (with macro ASCII support), and transport control with Mackie Control and HUI modes
• Split keyboard with four assignable zones
• Expression and Sustain pedal inputs
• 6 digit LED display

In addition, a comprehensive software package is included—Ableton Live Lite, AIR Music Technology Loom and Hybrid 3—that ensures the artist has unrestricted access to the best creative tools.

“The new Code Series keyboards offer a professional level of performance and keybed feel, combined with an unusually comprehensive set of features and included software,” said J.C. Sutherland, Product Manager for M-Audio. “All this adds up to one of our most eagerly-awaited new product introductions ever.”

For more information, visit: m-audio.com/code

Retail pricing for the Code Series is as follows:
Code 25—$299
Code 49—$349
Code 61—$399

The Code Series is available at M-Audio dealers nationwide."

WVR : modern, open source, embedded audio for $25

Currently on Kickstarter here.

Quick details via WVR:

"WVR is an ESP32 with a nice DAC and 8GB of fast eMMC memory. 18 stereo voices of simultaneous playback (at CD quality), which I think is something really needed in this space, in an open source project, at this price point.

The project also includes
a USB MIDI HOST add-on board,
a neat JavaScript library called RC.JS designed to help Arduino folks build GUI's, using React Native and Expo
the ability to store multiple firmware binaries in the eMMC, with the ability to boot from any of them
some tools to make building multi-sampled instruments a snap
2 dev boards
a stompbox version
etc, etc."

via the Kickstarter campaign:

"WVR is an open-source embedded solution for audio, with surprising capabilities. It includes everything you need to get started with embedded audio, with no soldering, and no coding necessary. WVR arrives ready to operate.

WVR is also a highly versatile device, capable of powering a new generation of embedded audio design, thanks in part to its wifi and bluetooth radio, providing all the power of a versatile and extensible Graphical User Interface ( GUI ), without the need for a screen or other interface. Users can upload samples, manage firmware, set configurations, build sequences, or control any other data imaginable, both wirelessly, and intuitively, using their laptop, or mobile device, inside a web browser, or even on a native mobile app on Android or iOS.

Capabilities:

Playback up to 18 stereo wav files simultaneously, with ~1ms latency

Accepts virtually every audio file format, at any resolution, and any size, including wav, mp3, ogg, acc, flac, pcm, aiff, and many more

Upload audio, map samples to MIDI notes, configure pin functionality, apply FX, manage files, etc, all over WIFI, with the default firmware that WVR ships with, and without writing any code

Holds over 12 hours (8 GB) of stereo audio, at 16bit 44.1kHz resolution

Can buffer over 1.5 minutes (16 MB) of stereo audio in RAM alone, at 16bit 44.1kHz resolution
Optically isolated MIDI input, provides to-spec MIDI input implementation without any additional circuitry

14 GPIO pins, 8 of which can be analog inputs, and 4 of which can be capacitive touch inputs, plus the many peripherals available on the ESP32 .

WVR's Wifi can function either as a Station or Access Point (it can login to an existing wifi network, or can create its own network and accept connections directly from devices in range, without a router or local network of any kind)

write firmware in Arduino, and upload over wifi. Stores multiple firmwares onboard, selectable via the UI. Fully compatible with the extensive, and battle-tested ESP Arduino library, and the exceptionally powerful ESP-IDF framework.

use RC.js JavaScript framework to modify, or custom build, the User Interface that WVR serves to users, without prior knowledge of CSS, HTML, Babel, Node, etc. Even build and deploy native mobile apps for iOS or Android from the same code base. You can play with RC.js in this REPL, try modifying the existing code, to see how it's intuitive, and highly portable, component-based syntax works, and check out the README.md file to learn more.

onboard Ultra Low Power (ULP) co-processor means WVR consumes only ~10uA in sleep mode

Heritage Audio Introduces SYNTH BUDDY - World’s First Desktop 10 to 1 Reversible Passive Stereo Switch

video upload by Heritage Audio

Press release follows:


Heritage Audio announces availability of SYNTH BUDDY as world’s first desktop 10 to 1 reversible and fully passive stereo switch

MADRID, SPAIN: European pro audio manufacturer Heritage Audio is proud to announce availability of SYNTH BUDDY — billed as being the world’s first desktop 10 to 1 reversible and fully passive stereo switch as a cost-effective, essential studio solution for seamlessly connecting up to 10 stereo (or 20 mono) line level sources, such as synths, drum machines, or samplers, and toggling between them with the twist of a knob — as of January 15, 2025…

It is fair to say that anyone who has ever dreamed about an inexpensive solution to help have multiple synths, drum machines, samplers, and other line level instruments connected and available with the twist of a knob can wake up and smell the coffee, courtesy of Heritage Audio’s SYNTH BUDDY. Indeed, its top panel-positioned 10 x1 STEREO PASSIVE SELECTOR wording gives the game away as it is possible to seamlessly connect 10 stereo (or 20 mono) line level sources to its 10 stereo/20 mono TS jack inputs and toggle between them with the twist of a knob (outputting via one stereo/two mono TS jacks) — simple as that! Talk about a dream becoming reality. And an all-passive design ensures crystal-clear line level signals with no added colouration — straight from the user’s musical mind to the song with no power source needed.

Needless to say, when creativity hits, there is no time for plugging in cables and switching gear. After all, many have experienced the creativity-killing scenario of having a great musical idea seemingly arrive out of nowhere, only for it to disappear by the time everything is set up and ready to record; no such worries when working with SYNTH BUDDY, of course, since everything is connected and available at the twist of a knob.

It is even possible to use SYNTH BUDDY ‘backwards’ by turning it into a one-input/10-output selector, so users can, for example, easily run one guitar or bass into several amps or effects — applications are (almost) endless! Either way, SYNTH BUDDY is built like a tank with an elegant desktop design — measuring merely 190mm (W) x 105mm (D) x 80mm (H) while weighing in at only 988g — that lends itself to studio or stage usage... and all without breaking the bank!

SYNTH BUDDY is shipping and available via Heritage Audio’s growing global network of dealers (https://heritageaudio.com/where-to-buy-international/) with an SSP (Standalone Selling Price) of €199.00 EUR (including VAT) in the EU and a MAP (Minimum Advertised Price) of $199.00 USD, US distribution being handled via RAD Distribution (https://raddist.com/en/brands/heritage-audio).

For more in-depth information, please visit the dedicated SYNTH BUDDY webpage here: https://heritageaudio.com/synth-buddy/

Eurorack Audio & CV Sampling that's Powerful but Simple to use! // VENO ORBIT from Venus Instruments

video upload by DivKid

Check with dealers on the right for availability. Pics and additional details below.

"Fantastically fun, feature packed, powerful yet simple to use Venus Instruments have brought a tonne of flexibility to Eurorack sampling and looping with the VENO ORBIT.

There's multiple bonus patch from scratch uncut videos exclusive to / divkid supporters - head there to join the community and gain access."

CLICK FOR MORE »

Introducing GForce MAP

video upload by GForce Software

GForce MAP Walkthrough


"More info at https://www.gforcesoftware.com/produc...

Born from the lineage of Serge©, Buchla©, and modular synthesis, MAP reimagines the fearless experimental spirit of the 1970s for today’s creators. Blending vintage character with modern innovation, MAP is a sound design playground for artists who see synthesis not as programming, but as exploration.

At its core, MAP features three powerful oscillators, a dual-filter architecture, and a deep modulation system with MPE support. Every sound invites hands-on discovery—from shimmering tones and gritty textures to sprawling ambient soundscapes.

Credits
Audio Tracks - Reverb Machine and K/V
Produced and Directed by AWD - All We Do
Creative Lead Team @allwedonow www.allwedonow.com

Note: During development, MAP’s design team studied historical modular systems, including those created by Serge Tcherepnin, Random*Source, and Buchla USA. MAP is an independent product and has no affiliation with, sponsorship from, or endorsement by these parties. Any references are made solely for historical and educational context."

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NAMM 2013: New M-AUDIO Axiom Air 61, 49, 25, Mini 32 & Ignite by AIR

Full press release below.  Highlights:
"Axiom AIR 61
Premium Keyboard Controller

61 TruTouch® semi-weighted piano-style keys with aftertouch
12 trigger pads respond to pressure and velocity
Roll button aids in creating realistic drum parts
Assignable controls offer front-panel programming:
8 rotary encoder knobs; 9 long-throw 70mm faders; 9 buttons
3 banks of pad and controller assignments with color-coded illumination
HyperControl automatically maps controllers to popular software
Drum Pad Learn feature and Identify button
Dedicated transport and navigation buttons make recording easy
Octave/Transpose buttons access the entire note range, in any key
Assignable pitch bend and modulation performance wheels
Selectable velocity curves to match any playing style
128 memory locations for saving custom settings
Functional design provides backlit LCD plus under-keyboard cable routing
Includes AVID Pro Tools® Express and Ignite™ by AIR"

"Axiom AIR 49
Premium Keyboard Pad Controller

49 expressive synth-action keys with aftertouch
12 trigger pads respond to pressure and velocity
Roll button aids in creating realistic drum parts
Assignable controls offer front-panel programming:
8 rotary encoder knobs; 9 long-throw 70mm faders; 9 buttons
3 banks of pad and controller assignments with color-coded illumination
HyperControl automatically maps controllers to popular software
Drum Pad Learn feature and Identify button
Dedicated transport and navigation buttons make recording easy
Octave/Transpose buttons access the entire note range, in any key
Assignable pitch bend and modulation performance wheels
Selectable velocity curves to match any playing style
128 memory locations for saving custom settings
Functional design provides backlit LCD plus under-keyboard cable routing
Includes AVID Pro Tools® Express and Ignite™ by AIR"

"Axiom AIR 25
Premium Keyboard and Pad Controller

25 expressive synth-action keys with aftertouch
16 great-feeling trigger pads respond to pressure and velocity
Roll button aids in creating realistic drum parts
Assignable controls offer front-panel programming:
8 rotary encoder knobs plus 1 long-throw 70mm fader
3 banks of pad and knob assignments with color-coded illumination
HyperControl automatically maps controllers to popular software
Drum Pad Learn feature and Identify button
Dedicated transport and navigation buttons make recording easy
Octave/Transpose buttons access the entire note range, in any key
Assignable pitch bend and modulation performance wheels
Selectable velocity curves to match any playing style
128 memory locations for saving custom settings
Functional design provides backlit LCD plus under-keyboard cable routing
Includes AVID Pro Tools® Express and Ignite™ by AIR"

"Axiom Air Mini 32
Mobile Keyboard and Pad Controller

32 low-profile, velocity-sensitive mini keys
8 assignable velocity-sensitive drum pads (x2 banks)
8 assignable knobs deliver immediate control
HyperControl® interactive controller mapping
Dedicated transport and navigation buttons
Sustain, pitch bend, and modulation buttons
Octave +/- buttons access the entire note range
Velocity curves to match your playing style
Includes Ignite™ by AIR and Ableton® Live Lite"

"Ignite by AIR
Music Creation Software

Capture ideas quickly—with professional results
Easily combine and arrange individual recordings
Unique non-technical, musician-centric workflow
Intuitive graphic interface speeds production
Smart MIDI chord & phrase creators aid composition
275 superior instrument sounds created by AIR
Instant, hassle-free M-Audio integration
Collaborate and share songs via SoundCloud
Export MIDI and audio files for use in any DAW"

PRESS RELEASE:

"AXIOM AIR MODELS EXTEND M-AUDIO CONTOLLER LINE
Premium keyboard and pad controllers created for superior software integration
Cumberland, R.I. (January 24, 2013)—M-Audio has added three new Axiom AIR models to the upper echelons of their popular Axiom USB/MIDI keyboard and pad controller lineup: the Axiom AIR 61, Axiom AIR 49, and Axiom AIR 25. Created in conjunction with AIR Music Technology, these keyboards were designed to deliver a high level of integration with a broad array of music software titles. These new models join the previously released and compact Axiom AIR Mini 32.
Unlike other keyboard controllers that include trial and demo versions of music software, M-Audio’s strong partnerships with AIR Music Technology and Avid® allow each Axiom AIR 61, 49 and 25 model to come complete with two exclusive and complementary music creation applications: Ignite by AIR and Pro Tools® Express from Avid.

By removing many of the hurdles associated with computer-based music-making, Ignite delivers the most streamlined means to quickly capture your best musical ideas. According to AIR Product Manager Samara Winterfeld, 'Ignite was designed from the ground up to provide instant integration and controller mapping with Axiom AIR and every M-Audio keyboard. This is one less thing a musician has to worry about when inspiration strikes.'

From Ignite, musical ideas can be easily migrated to the included copy of Avid Pro Tools Express, providing customers with access to the production capabilities of the industry- leading DAW software. Avid Pro Tools Express includes the required iLok USB key—a $49.99 retail value.

The bold white and brushed metal design of the Axiom AIR series features many aesthetic and ergonomic enhancements not found in previous generations of controllers. These features include illuminated knob and pad controls, angled backlit display, longer- throw faders, and clearance under the body providing a path for cabling, keeping studio and workspace tidy.

Pitch bend and modulation wheels allow for spontaneous expression, while octave/transpose buttons allow the keyboard to cover the entire note range, in any key. In addition to measuring how hard you strike, the pads also respond to pressure for enhanced control. Both keys and pads feature a wide range of touch curves to match any playing style.

The pads, buttons, and rotary encoder knobs feature three banks of controller assignments; the current bank is indicated by tri-color illumination. All controllerassignments can be freely made from the front panel and easily identified using the dedicated Identify button. The unique Pad Learn function makes it easy to assign instrument sounds to pads. Best yet, each Axiom AIR model features M-Audio’s HyperControl to automatically map the controllers to popular recording software and virtual instrument titles.

Although all three Axiom AIR models share some family traits, each one is designed with a specific user in mind:

Axiom AIR 25
Ideal for the modern beat-making musician, the Axiom AIR 25 offers a generous 16 pads and 25 synth-action keys—with aftertouch. Assignable controls include 8 rotary encoder knobs and 1 long-throw 70mm fader.

Axiom AIR 49
Balancing size and features to satisfy a broad range of players and composers, the Axiom AIR 49 features 12 pads and 49 synth-action keys—with aftertouch. Assignable controls include 8 rotary encoder knobs, 9 buttons, and 9 long-throw 70mm faders.

Axiom AIR 61
Providing the accomplished keyboardist with an inspiring playing experience, the Axiom Air 61 delivers 61 TruTouch, semi-weighted keys with aftertouch. Assignable controls include 8 rotary encoder knobs, 9 buttons, and 9 long-throw 70mm faders.

M-Audio will be exhibiting at Booth 6700 at the 2013 Winter NAMM show, January 24-27 in Anaheim, California.

Pro Tools Express© 2012, Avid Technology, Inc. Use of Pro Tools Express is subject to a related license agreement. Avid and Pro Tools are registered trademarks of Avid Technology, Inc. in the U.S. and other countries. All other trademarks contained herein are the property of their respective owners."

Wolfgang Palm's PPG WaveMapper for iPad Now Available

WaveMapper - Wolfgang Palm

"PPG WaveMapper is the second next-generation iOS based synth from Wolfgang Palm, who in 2012 released the PPG WaveGenerator to critical acclaim from both press and public.

In final development the PPG WaveMapper offers iPad users a second synthesiser to compliment the already loved PPG WaveGenerator from Wolfgang Palm. PPG WaveMapper allows the user the opportunity to create limitless sounds from this unique and powerful new technology.

PPG WaveMapper features the Sound Map, which maps the various sounds in a way to easily access and experiment with them, more importantly the PPG WaveMapper features a new synthesis system which maps the waveforms of a sound into a new kind of wavetable which preserves the sound characteristics better than classic Wavetable synthesis and at the same time allows for the manipulations which make WT synthesis so unique.

The Mapping window is the visualisation of a pool of programs on which “modules” float. Those modules represent certain parameters of the synthesiser engine and each module can be placed on one of 32 programs. The moment an item is placed on map then the parameters of that module will take on the settings of those parameters in the underlying program on the Mapping window.

People who do not posses synth-programming skills can use this mapping technology as a starting point to create complex sounds. For example a user can drag a string sound source onto a drum envelope, or a guitar sound onto a string envelope – the concept is simple, yet incredibly powerful.
Power users can delve deep into the back end of any sound using a full set of professional features;

▪New Sound map concept – create new sounds playful and experimental
▪3 types of synthesis – the optimal type for kind of each sounds
▪Classic wavetables – for the typical PPG sounds
▪Time compressed samples – more authentic sounds, allowing analysis of user samples
▪Pure samples – classic sample playback Analyzer – convert your own samples into the new format or into wavetables
▪3 oscillators capable for totally independent sound sources
▪90 sound resources – a huge sound palette, from real instruments to abstract wavetables
▪4 parameter editor pages – comfortable and detailed access to all the parameters
▪3 Noise generators, for audio and modulations
▪Ringmodulator
▪Classic 24 dB Lowpass Filter, combined with an overdrive simulation.
▪Dual amplifier, for versatile control of 2 audio signals as well as panning.
▪13 Envelopes, for independent control of pitch, waveform, filter and noise
▪gain and panning
▪4 LFOs – with 5 waveforms
▪Delay/Reverb effect
▪Flexible Step Sequencer / Arpeggiator combination
▪Schematic touch keyboard – Build your own keyboard, with the keys you prefer for your music.
▪Powerful sound browser – sorting by category, bank management
▪Virtual and Hard-MIDI in/out – sending/receiving keys and controllers.
▪Audiobus support.
▪10 min audio recording and Audio copy.

iTunes:
WaveMapper - Wolfgang Palm
iOS Devices on eBay - Daily Tech Deals

Erica Synths In-Store Event & Kodek Live Performance 2018 at Perfect Circuit Audio

Published on Jan 31, 2018 Perfect Circuit Audio

"Girts Ozolins from Erica Synths showing us their latest eurorack modules and the reason they put Latvia on the map! At Perfect Circuit Audio, January 29th, 2018.

Erica Synths products available here:
https://www.perfectcircuitaudio.com/e..."

Kodek Live Performance 2018

Published on Jan 31, 2018 Perfect Circuit Audio

"Kodek from Erica Synths tearing' it up live in-store! Featuring the upcoming drum modules from Erica Synths. At Perfect Circuit Audio, January 29, 2018."

---

Supporters of MATRIXSYNTH get %10 off at Perfect Circuit Audio!

What is an iKeyDOCK?

YouTube via musiccomputing | December 11, 2010 | 1 likes, 0 dislikes

www.MusicComputing.com

iKeyDOCK™ keyboard production station docks are a refreshing new take on music production. They instantly turn any laptop computer into a full-blown keyboard production station.

What is a Keyboard Production Station? Keyboard production stations can be loosely defined as keyboard workstations that are connected to a computer, which is needed to provide additional processing power and features. While keyboard workstations are suited for live performance and sketching out ideas for a song, keyboard production stations, with built in high-power computer cores, allow users to go from composition to recording to mixing and finally mastering of songs that are ready for radio or direct Internet distribution.

Tailored for Macs® but great with PC's too: iKeyDOCKs are tailored for Apple® MacBook® Pros and will accommodate 13" models up to 17" models. Built with high-quality anodized aluminum, the finish matches nicely with the Apple MacBook, iPad® as well as the iPhone® 4. However, iKeyDOCKs are equally striking with virtually any other brand of laptop computer, no matter what the color and finish may be.

Easy to install and use: To use the iKeyDOCK, simply place the laptop computer into the dock platform, connect either two (2) USB cables, or one (1) USB and one (1) Firewire cable (depending on audio i/o option) and you're ready to go. It's just that easy.

More Keys: iKeyDOCKs are available in 61-key and an 88-key versions, perfect for live or studio use. The velocity-sensitive, semi-weighted, synth-action keys are professional in feel and ultra roadworthy. Pitch and Mod wheels as well as octave up and down buttons with indicators are included to complete the playing experience.

Controls with Feedback: Built into each iKeyDOCK are Music Computing's ControlDAW™ midi controller and GeoMIDI™ midi mapping software. ControlDaw presents the user with four (4) banks of eight (8) plus one (1) master channel strips each with three (3) mappable encoders with LED indicator light rings, one (1) knobs for panning, solo and mute buttons and a high-quality fader. An 8X8 grid of lighted pads (64 total) is also provided that can be used as drum trigger pads, a Monome (with appropriate software) or as a trigger pad for sequences, etc. Controls for note-repeat enabled software and transport buttons are included as well as real-time feedback between the controllers and software making ControlDAW the ultimate midi controller for music production.

Hear the Difference: The standard configuration for iKeyDOCK include a 24bit-48 kHz audio I/O with two (2) combo XLR & ¼" mic/instrument 48V phantom power inputs, two (2) balanced outputs and a stereo headphone jack. The optional upgrade gives you a 24bit-96 kHz audio I/O with two (2) combo XLR & ¼" mic/instrument 48V phantom power inputs, six (6) ¼" balanced inputs (line-level), two balanced outputs and a stereo headphone jack. StudioBlades also offer Firewire ports in the event outboard audio I/O or other Firewire devices are needed.

Play That Sample: Music Computing's TriggerGrid™, included with each ControlDAW, is a sample player that allows the user to trigger sampled sounds via controllers such as the ControlDAW or ControlPLAY™. Unlimited number of banks each containing sixty four (64) samples can be loaded and played. Per pad controls included: Frequency, Attack and Release, Gain, Pan and Reverse. Per pad wave editor allows for simple drag to trim/truncate samples. 16 -- audio outs for use in a DAW. File formats include: wave and mp3. Save feature allows all 64 pads to be saved as a kit. Unlimited number of kits can be saved that can be instantly loaded for playback. Simple drag and drop interface to populate pads.

MIDI map presets: Music Computing's GeoMIDI™ MIDI mapping software provides an interface for changing the MIDI assignments of the ControlDAW and ControlPlay's buttons, knobs, and sliders. Each slider or knob can send out a variety of combinations of control or pitch-bend data. An unlimited number of MIDI map presets can be created, saved and loaded for use.

Compact and light: Traditional production stations are big and heavy, by using the latest technologies and manufacturing processes, iKeyDOCK keyboard production stations docks are portable enough to go just about anywhere.

Ground-Breaking Value: In the past, keyboard production stations or keyboard workstations outfitted with external computers were relatively expensive, leaving the average person to only dream about owning one. Well-equipped iKeyDOCKs start at only $1,499, making them an affordable tool virtually any musician can afford.

www.MusicComputing.com"

Using iKeyDOCK with Ableton Live

Aodyo Instruments Anyma Phi: Version 1.0 Sneak Peek

video upload by Aodyo Instruments

"This trailer shows some of the new features of the upcoming version 1.0 update for the Anyma Phi, the physical modelling synthesizer by Aodyo Instruments. Among the new features, you will find: drum trigger and timbre follower modulators, tools for paraphonic patches, granular processor, three exciters, snare drum resonator, internal arpeggiator, MIDI clock sync, microtuning support with onboard editor, patch randomizer, and much more.

Read more about the new features and download the public beta here: https://community.aodyo.com/topic/114... [captured below]

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modeling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal."

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M-Audio Venom Review and Interview with Product Manager Taiho Yamada

A quick note: This review is long. You can jump to sections that interest you vs. reading it straight through if you prefer. This review focuses primarily on the synth engine for one single patch on the Venom. The Venom supports Multi mode with up to four multitimbral parts. Not only can you layer sound programs but you can set global parameters for the set. Be sure to see the Multi mode section of "Tips and Tricks via Taiho Yamada" at the end of this post. Taiho is the Lead Project Manager of the Venom and served as my contact during the review. I want to thank Taiho for his help and enthusiastic generosity. He is a true synthesist and the Venom is his baby.

Synth connections: Taiho previously worked at Alesis on the Andromeda A6. The DSP developer of the Venom worked on Radikal Technologies' Spectralis and the Accelerator. People that contributed to the presets via sound design include Richard Devine, Francis Preve, Mark Ovenden (Avid's AIR Instruments, ProTools VIs), Joerg Huettner (Waldorf, Access, Alesis), and of course Taiho Yamada.

*Don't miss the "Q&A with Taiho" section towards the end of the review. Also keep an eye out for "Taiho's Tips and Tricks" throughout the review in grey. You can find the consolidated list below the Q&A section.

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Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

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Dave Smith Instruments Introduces DSM03 Feedback Module

via Dave Smith Instruments

"Third Eurorack Module for Modular Systems Now Available from Acclaimed Synth Designer

San Francisco, CA—October 13, 2016—Dave Smith Instruments today introduced the DSM03 Feedback Module, their third offering for modular synthesizers. At the heart of the Eurorack-format module is a tuned feedback line with adjustable parameters for Amount and Tuning. It also features a newly-designed, resonant, low-pass filter for further signal processing. A noise source is also provided with Trigger In as well as Attack and Decay envelope controls to allow Karplus-Strong-type plucked string synthesis.

According to Dave Smith: “We adapted the feedback feature originally found in our Evolver, Pro 2, and Prophet 12 synths. The idea is that you have a tuned feedback loop that takes the audio output, runs it back through the filter, then through a delay line so you can perform Karplus-Strong synthesis—or just use it for mangling sounds.”
With regard to the filter, Smith added: “The 4-pole, resonant, lowpass filter is a new digital design, based partially on classic analog filters of the past, but with over-sampling and numerous tweaks in the signal path. There was no attempt to copy or duplicate a specific, existing filter. We simply wanted to provide a great-sounding design that works well both in the feedback context and as a stand-alone tone-shaping tool.”

The DSM03 module is a 10HP wide, standard Eurorack-format device with interconnections made using 3.5 mm phone jacks. A set of inputs allow individual voltage control of feedback amount, tuning, low-pass filter frequency, and filter resonance. The module provides one audio input and one audio output as well as an audio trigger input for the noise source. The digital filter’s signal path provides full 24-bit, 96 kHz resolution for superior audio fidelity.

Said Smith: “When it comes to designing our modules, we like to provide things that are slightly esoteric, but still fundamental to the Dave Smith sound. Tuned feedback has been a part of the tonal palette of our synthesizers since the Evolver, so we wanted modular users to have access to it, too. It offers a lot of really fun, creative possibilites.”

The DSM03 module is available now with a MAP of $275."

GLT Audio PM-80 Yamaha CS-80 MIDI Controller

via GLT Audio

For many musicians, owning a CS-80 synthesizer is a dream that’s out of reach - both financially and in terms of required maintenance. While today’s VST replicas sound remarkably close, the true spirit of the CS-80 only comes alive when you have all controls at your fingertips. That’s why GLT Audio created the “Poor Man’s CS-80” — the PM-80, featuring 75 dedicated faders and a ribbon controller, offering an inspiring hands-on experience.

75 silk-smooth faders

30 cm ribbon controller

6 high quality waveform toggle switches

Slim table-top metal enclosure

Well connected

Power and MIDI-out over USB-C

MIDI-out over 3.5mm jack

Expression pedal input (converts to MIDI)

CV and Gate out, assigned to the ribbon controller

Magnetic overlays to play other virtual instruments

Use cases
Map the PM-80 to your favorite CS-80 VST, such as Cherry Audio's GX-80, Softube's Model 77, Arturia's CS-80 V, Xils Lab's The Eighty, Morphoice's Unstable or Memorymoon ME80.
Use the PM-80 for other VSTs, by adapting it's parameters using magnetic labels.
Control a virtual audio mixer. (eg. 24 x level, 24 x pan, 27 faders for effects)
Control hardware directly in a DAWless setup, using the MIDI DIN output (even allowing SysEx on customized firmware).
Connect to your Eurorack: the ribbon controller outputs to CV and Gate.
As a powerful generic MIDI controller, the PM-80 can even be used for applications like DMX light control and VJing.
Product details
75 high quality silk-smooth 30mm faders by Alps Alpine (all without detents).
30 cm ribbon controller.
6 high quality waveform toggle switches and 3 slide switches.
1 special switch: while pressed you control 75 additional CCs.
Slim table-top metal enclosure with screen printed metal faceplate and rubber feet.
We will share the source code, allowing firmware customization by the user.
Dimensions of the enclosure: 410mm x 205mm x 20mm.
Designed and assembled in the The Netherlands.

Connections
Power and MIDI over USB-C
3.5mm TRS MIDI-out (Type A)
3.5mm TRS CV & gate out (assigned to the ribbon controller)
3.5mm TRS expression pedal input (value sent out over MIDI)

Additional items
Magnetic overlay labels for:
a famous 1977 poly synth
a famous ladder filter mono synth
blank (for handwriting)
more to follow…
3.5mm TRS to MIDI DIN converter.
3.5mm to 6.3mm TRS converter for expression pedal input.

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