Showing posts sorted by relevance for query the passenger. Sort by date Show all posts
Showing posts sorted by relevance for query the passenger. Sort by date Show all posts
Friday, November 23, 2012
Self Destruction - DJ Lace vs RC Dahle & The Passenger
via Lace Dj on The MATRIXSYNTH Lounge. More pics here.
"An electronic rock track using a custom built electric cigar box bass guitar, a Sequential Circuits Pro 1, Roland TR-606, Korg MS-20, a custom eurorack modular synth & intersound spring reverb. Vocals were recorded using a 1995 groove tubes MD1 tube mic, into a focusrite ISA one preamp with digital out. Recorded into ableton live 8, mixed on a Tascam DM4800 with yamaha HS80 monitors.
The track started out as a quick jam to a 77 bpm beat using the box bass & the song developed from there.
The box bass has an oak neck and poplar box. It’s nailed together so it resonates, the string is a spare low string from L&M. The pickups are a pair of dimarzio Twang kings. Their are placed to the side of the string, facing each other and offset. The top pickup is on a hinge.
The bass was plugged into the Focusrite ISA one with the gain all the way up. The ISA can take a lot of drive and sounds great squared off.
Ryan Dahle played the bass string with power, forcing it to hit the non moving coil at times, to great effect. While playing he would also vary the distance of the second coil. During the breakdown he rubs and strikes the moving coil against the string and jumps back into the guitar riff by plucking normally and moving the coil back again.
At mix down the guitar is run through a tube screamer plugin and an ssl vst channel pulling back 350 and pushing 5k up. It is panned hard right and left dry. An effect send from the guitar channel feeds an intersound spring reverb with 1k pulled back about 6db. The dry guitar signal and reverb return are matched back to stereo in a late 60s fashion.
The mechanical noises in the background of the track were created as a modular sequence that had to be restarted until it started on a part of the pattern that sounded right.
For this sequence, The TR 606, MS 20 module, and Modular are all wired together as one system. The 606 receives dinsync from the DAW via a roland SBX10 sync box. From the 606 the high tom output triggers the clock input of the MFB trigger sequencer in the modular which is making a 32 step pattern triggering a clock divider that controls the envelopes used in the system. One of the clock divider trigger outs controls the a105 filter which filters the output of an A117 noise source. The resonance of the A105 is wide open and modulate by the animated pulse out of the Livewire AFG (VCO). The frequency of the AFG is itself modulated by one of the LFOs on the A143-3 (quad lfo).
This is what creates the low volume noise in the track treated to sound like sample distortion artifacts.
Another of the the clock divider outputs feeds the MS 20 trigger input. The pink noise generator on the MS 20 is patched back into it's own external input. This noise runs through the ms 20 filter sections under control by envelope generator 2, and the on board LFO.
This is what creates the tom like sounds and the helicopter warble synth noises when the song picks up at the end.
Yet another output of the clock divider feeds an A140 envelope generator which is triggering the spare VCA on the ms20. The white noise of ms 20 goes into the audio input of this VCA and into the analog input mod of the TR 606. Inside the 606, this rhythmic noise pattern is cross modulated by the high hat pattern and you can hear the result in the track. The swung out effect of the high hats is a direct result of this, as the 606 has no swing function.
The drums are distorted 909 samples, run as a stereo drum mix into a Duende SSL bus compressor. The background vocals are a 5 part harmony, sung in 6 duplicates each mixed down to mono comps, then spread out into a 70s rock opera stereo field. There is a 375ms ping pong delay on the two high vocals and a long reverb on the two low ones. The middle ones are dry. The chorus lead is sung twice and double tracked, shifted by hand in various parts of the song to pull the effect forward and backwards. The front verse and the chorus share the same tempo delay. The delay is slightly bit crushed.
In order to give the idea of the background vocals slowly destroyed under the pressure of the drums, they shift to vocoded versions of themselves losing a bit of pitch tracking in the process and get bit crushed into nothing by the time the last chorus ends. This is done with 5 individual vocoder plugins and 5 bit crushers and automated ramps.
The desperation vocal in the break down and rebuild is mostly dry albeit for a small amount of TC reverb that sits behind the whole mix. The vocal has one effect on it, a boss ds1 plugin with mild gain. An SSL channel is used to shelf the bottom out completely and bring the top end up a bit, giving the vocal a “small” feel.
The pro 1 brings a bit of bass to complement the guitar, but it’s mixed pretty low in the mix, leaving the kick drums to do more work and get to a hard-techno / hard-style sound. The sample at the end is from a loop of the second chorus that just sounded so cool I decided to tag it at the end of the track, taking yet into one more direction before an old school FM radio fade ending.
The track was mixed down on a Tascam DM4800, using the onboard TC reverb and and external intersound reverb unit. Enjoy"
Saturday, November 08, 2014
The Passenger with MATRIXSYNTH T
via exclaim.ca
"Run by CiTR host Gareth Moses, More Than Human is one of Vancouver's most interesting labels. The fledgling outfit already boasts diverse experimental EPs from the likes of German electronic music legend Dieter Moebius, Planet Mu associate Ekoplekz, and London A/V artist Time Attendant. This pagan inspired 'Winter Ritual' gave fans a glimpse at its past, present and future.
Kicking off the evening was frequent Longwalkshortdock and cEvin Key collaborator Phil Western. Sitting in the back corner of the stage, partially obscured by several folding tables covered in electronic paraphernalia, he started with an ambient soundscape that recalled Boards of Canada, building to deeper droning IDM by the end. It had a vibrant metropolitan kosmische sound, with his pulsing bass guitar swimming amidst the layers.
From there, Western assumed the role of sound guy to mix Sinoia Caves and the Passenger. Jesse Creed (aka the Passenger) is a longtime member of the MTH family, having been the name on their very first release, (Negative Object, from 2013, but both Creed and Jeremy Schmidt (aka Sinoia Caves) should be a big part of its future, with the artists slated to release the first two full-lengths on the label in the next year or so..."
Full article here.
http://soundcloud.com/the-passenger
https://www.facebook.com/jesse.creed
"Run by CiTR host Gareth Moses, More Than Human is one of Vancouver's most interesting labels. The fledgling outfit already boasts diverse experimental EPs from the likes of German electronic music legend Dieter Moebius, Planet Mu associate Ekoplekz, and London A/V artist Time Attendant. This pagan inspired 'Winter Ritual' gave fans a glimpse at its past, present and future.
Kicking off the evening was frequent Longwalkshortdock and cEvin Key collaborator Phil Western. Sitting in the back corner of the stage, partially obscured by several folding tables covered in electronic paraphernalia, he started with an ambient soundscape that recalled Boards of Canada, building to deeper droning IDM by the end. It had a vibrant metropolitan kosmische sound, with his pulsing bass guitar swimming amidst the layers.
From there, Western assumed the role of sound guy to mix Sinoia Caves and the Passenger. Jesse Creed (aka the Passenger) is a longtime member of the MTH family, having been the name on their very first release, (Negative Object, from 2013, but both Creed and Jeremy Schmidt (aka Sinoia Caves) should be a big part of its future, with the artists slated to release the first two full-lengths on the label in the next year or so..."
Full article here.
http://soundcloud.com/the-passenger
https://www.facebook.com/jesse.creed
Thursday, April 26, 2012
Village - Stranger Thoughts (the passenger's drift mix) & the Delta Labs DL-2
"sea sick head nod...look out and unfocus your eyes
villagevillage.bandcamp.com"
via Jesse Creed on The MATRIXSYNTH Lounge
"remixed with ableton and a tr808 through a delta labs acoustic computer"
via Lace Dj on The MATRIXSYNTH Lounge
"By request here is the rare deltalab dl-2 from the Canmarc collection. Jesse & I use it all the time. It's a dual digital delay line that can function in serial or parallel mode. It's unique in many ways, the most obvious being in the name. It's one of the few digital devcie that uses delta modulation instead of pcm to sample audio and it's part of the reason it has a unique sound. You can sample the input, hold and randomise the delay, then add eq + reverb and modulate the result with an LFO on delay time and reverb pitch. You can change image and phase on the fly, and it has voltage control inputs on the back for the VCO. Around it are a couple other of our vinatge units, above is another rare Deltalab, The dl-5 Harmonicomputer voltage controlled pitch shifter and below it is the Intersound R100 spring reverb."
Thursday, March 24, 2011
Claudia Triozzi - Ni vu ni connu
Claudia Triozzi - Ni vu ni connu from F.I.S.Co. Festival on Vimeo.
"Video Excerpt - Live @F.I.S.Co. 11 - 12/4/2011
With the new caleidoscopic project, "Ni vu ni connu", Claudia Triozzi continues her research on the voice, that she considers in its physical and choreographic dimension. In this solo she's never alone on stage, as well in her internal world. An acoustic sculpture by the Baschet brothers conceived in the 60’s, a glass harp, an organ, a computer give the music a performative a vision. The voice declines in a succession of unwise monologues, of incomprehensible psalmodies, pretext for a labial choreography.
Claudia Triozzi dancer choreographer, performer, visual artist. She creates iconoclastic pieces from which dance never comes out unscathed. Claudia Triozzi always sets herself the task of putting preconceived ideas one might have regarding choreographic pieces into question."
"From the 8th to the 15th of april, Xing presents in Bologna the 11th edition of F.I.S.Co. Festival Internazionale sullo Spettacolo Contemporaneo, entitled "Segue" (Follow).
Held in various locations, F.I.S.Co.11 hosts spectacles as well as polymorphic experiences of transdisciplinary nature: not stabilized spaces where dance, performance, vision and critical observation flow together.
'I follow, I follow me'
Follow: accounts for the first time a system of returns to Bologna of some of the artists we most admire, offering in-depths to their works that also disclose personal aspects. There isn’t a particular interest in autobiography but in the weaving between individual, professional and human choices; between creations and circumstances; roles and functions; between the grounded knowledge and its reformulations.
The frame of the festival shifts the expectations of the encounter with the artists. One day on stage; another day driving a passenger vehicle; and yet another among the running crew, assuring a redistribution of the roles and degrees of relation between spectator and performer.
As Bruno Latour suggests, an actor is no more than ‘what it transforms, modifies, perturbs and creates’. An actor is what an actor does.
The explorations and personal solutions of these artists are showed in their development (together they constitute the transformation, testimony, and object of a narrated spectacle): from the performance that questions the architecture of the book; to a micro-facial choreography; to the domestic filmic remake; to the re-Butoh working session with Google to incorporate a foreign tradition; to the work about summoning the invisible; to the performance of embodied music, up to an unclassifiable psalming cabaret.
No aesthetic thread. Pluriverse.
F.I.S.Co. will take place in an elegant and dated theatre all’Italiana, the Theatre Duse, overturning it once, to return to its classical axis on a second moment; in two laboratory spaces of the city, Sì and DOM, managed by close independent companies; and in the compartment of the private taxis of Critical Cab: place/time of a critical reflection on the route that could lead to the places of the spectacle. Brainstorming Camera di Decompressione per gli Spettatori will accompany the festival on line in a space suspended between creation and fruition, strongly dependent on public participation.
F.I.S.Co.11: Zachary Oberzan (USA), Antonia Baehr (D), Xavier Le Roy (F/D), Mette Edvardsen (N/B), Claudia Triozzi (F/I), Jonathan Burrows/Matteo Fargion (UK), Cristina Rizzo (I), Michele Di Stefano (I), Massimo Conti (I), Mårten Spångberg (Sw), Luca Trevisani (I), Lucio Apolito (I), Riccardo Benassi (I)/D.
F.I.S.Co. is conceived and created by Xing, a cultural network based in Bologna with the purpose of planning, supporting and promoting products and events characterized by an interdisciplinary approach toward the issues of contemporary culture.
Partners: Ministero per i Beni e le Attività Culturali, Regione Emilia Romagna, Comune di Bologna, Reale Ambasciata di Norvegia, Fondazione del Monte di Bologna e Ravenna. Media partners: Alias, Il Manifesto, Edizioni Zero, Mousse, Kaleidoscope, Nero, Art'o, UnDo.Net, Città del Capo - radio metropolitana, Radio Città Fujiko.
Venues: Sì, DOM la cupola del pilastro, Teatro Duse.
Xing info and reservations: Via Ca' Selvatica 4/d Bologna tel +39.051.331099 info@xing.it
Xing press: tel +39.051.331099 mob +39.339.1503608 pressoff@xing.it
www.xing-fisco.it
www.xing.it"
Friday, June 03, 2011
The Passenger - New Tracks & Synth Pics
"Roland TR606, Roland TR808, Roland SH101, Roland MC202, Modular Synthesizer, Korg Wavestation, Octave Cat, XOXBOX, Tascam DM4800, Roland SDE2500, Delta Lab Effectron 1, Otari MX80"
"Akai S612, Akai AX60, Arp Solus, Octave Cat, SCI Prophet 5, Modular synthesizer, Korg Stage Echo, Tascam DM4800, Otari MX80"
Thursday, October 15, 2009
MATRIXSYNTH Swag & Hall of Fame!!!
MATRISYNTH Ts are $20 in the US and $25 outside the US. This includes the shipping cost, three MATRIXSYNTH cards and one magnet. A set of three cards and one magnet, minus the T, is $5.
The T-Shirts are from Gorilla Screen Printing - highly recommended. If you get Ts done by them, let them know you found out about them here.
Paypal any amount to matrixsynth *at* gmail.com. Be sure to include the shipping address, size and whether you'd like long or short sleeves.
Below are some MATRIXSYNTH Ts and cards spotted in the wild. If you have them, send them in!
The T-Shirts are from Gorilla Screen Printing - highly recommended. If you get Ts done by them, let them know you found out about them here.
Paypal any amount to matrixsynth *at* gmail.com. Be sure to include the shipping address, size and whether you'd like long or short sleeves.
Below are some MATRIXSYNTH Ts and cards spotted in the wild. If you have them, send them in!
LABELS/MORE:
Circuit Bending,
Featured,
MATRIXSYNTH Bling,
Synth Bling,
Synth Clothes,
Synth Ts,
Video
Thursday, February 25, 2016
The Passenger - Daydream Orange - RF036
Published on Feb 25, 2016 Rennie Foster
Some synth spotting with The Passenger aka Jesse Creed who has been known to sport some MATRIXSYNTH swag over the years.
"Vancouver based artist, The Passenger, joins the RF label. This DIY vid peeks into his studio hide-out full of vintage gear, from every era, many pieces restored on site.
Sunrise Requiem EP coming April 14th, 2016.
Stream on SoundCloud : https://goo.gl/FK08OB
Artwork by Pax North.
www.the-passenger.bandcamp.com
www.renniefoster.com"
Wednesday, January 25, 2012
the passenger LP release party synth spotting
via the passenger:
"Album release party tomorrow jan 26th at the waldorf hotel in vancouver. It's gonna be a synth fest. I am playing a cr8000, 909, prophet5, arp axxe, modular, mmt8, yamaha o3d, a pedal, and some cdj800s...cloudface is using a 808, 606, 303, 101, machinedrum, dx100, s612, analog echo's"
http://www.waldorfhotel.com/2012/01/the-passenger-lp-release-party-thursday-january-26/
https://www.facebook.com/events/217769964974366/
http://soundcloud.com/dssr
http://soundcloud.com/mood-hut
http://the-passenger.bandcamp.com/
"Album release party tomorrow jan 26th at the waldorf hotel in vancouver. It's gonna be a synth fest. I am playing a cr8000, 909, prophet5, arp axxe, modular, mmt8, yamaha o3d, a pedal, and some cdj800s...cloudface is using a 808, 606, 303, 101, machinedrum, dx100, s612, analog echo's"
http://www.waldorfhotel.com/2012/01/the-passenger-lp-release-party-thursday-january-26/
https://www.facebook.com/events/217769964974366/
http://soundcloud.com/dssr
http://soundcloud.com/mood-hut
http://the-passenger.bandcamp.com/
Wednesday, September 11, 2013
MATRIXSYNTH T Spotted in the Georgia Straight with The Passenger
Check out the article on the Georgia Straight here.
“The machines I choose kind of define what I’m going to make with them, almost,” says Creed, on the line from his CanMARC studio. They don’t really dictate where to go with the music, but they definitely encourage the kind of music I make—or colour it, anyway.”
via Jesse Creed aka The Passenger: More Than Human Records | Soundcloud | Bandcamp | CanMARC
on The MATRIXSYNTH Lounge
The Passenger has also been featured here on MATRIXSYNTH many times. Thank you Jesse!!!
Monday, April 18, 2011
The passenger - sombre landscape 04
via The Passenger
"made with: Modular synthesizer, SCI Prophet 5, Arp Solus, Korg Stage Echo, Tascam DM4800"
The passenger - sombre landscape 04 by the passenger
"made with: Modular synthesizer, SCI Prophet 5, Arp Solus, Korg Stage Echo, Tascam DM4800"
The passenger - sombre landscape 04 by the passenger
Saturday, March 12, 2011
The passenger - sombre landscape 02
The passenger - sombre landscape 02 by the passenger
ms20, cs30, prophet 5, cat srm
"cs30 droning and sequencing the ms20, cat srm on the little sounds, and prophet 5 for the bell."
Thursday, April 25, 2024
Behringer K-2: Classical Vintage Patches. No Talk Sound Demo
video upload by Anton Anru
"Analog Classics is a collection of 50 patches: 18 Leads, 16 Basses, 16 Plucks for the semi-modular synthesizer Behringer K-2.
It includes famous sounds that are found in many electronic tracks, from vintage to modern, musical solo timbres; basses that will fit into any track or performance.
💈 The patches will add uniqueness to your music, featuring the characteristic sound introduced by the Behringer K-2.
🖲 Plucks are excellent for use with arpeggiators or sequencers. In most examples of this category, I utilize an arpeggiator. K-2 doesn’t have a built in arp/seq, but you may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controller.
📩 Get the soundset: https://antonanru.sellfy.store/p/k-2-...
📻 The presets are suitable for a variety of genres, including: ambient, electronica, IDM, deep, techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, jungle, drum and bass, dub and others.
📚 The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.
🎛 To recreate these patches, you will need up to 2 patch cords.
There are audio examples of all patches inside the folder with the soundset.
Drums and pads from the video demo are not included into the soundset."
Contents:
00:00 PL Bender
01:01 LD Levitation
01:35 PL Moan
02:09 LD Garden
02:43 PL August
03:48 LD Flute
04:33 PL Spinner
05:36 LD Waves
06:43 LD Flutter
07:15 PL Glacier
07:50 BS Poison
08:21 BS Spy
08:52 BS Slider
09:23 BS Kicker
09:56 PL Tiger
11:02 LD Extract
11:27 PL Trance
12:31 LD Volcano
13:06 BS Bait
13:36 BS Deep
14:07 BS Funky
14:37 BS Model
15:09 LD Spy
15:42 PL Secret
16:13 LD Radio
16:47 PL Passenger
17:54 LD Spice
18:25 BS Saturator
18:56 BS Block
19:26 BS Iron
19:57 BS Plane
20:28 PL Boarder
21:00 LD Lightning
21:34 PL Drop
22:05 PL Vibro
23:05 LD Alien
23:41 PL Memory
24:47 LD Wood
25:19 BS Stack
25:51 BS White
26:23 BS Perception
26:55 BS Access
27:28 LD Sepia
Tuesday, December 21, 2010
CanMARC Studio & The passenger
http://canmarc.ca/
The tracks from "The passenger" below, feature the "maxikorg, pro 5, pro 1, ms20, matrix 6, mono/poly, tr606, xoxbox, Jupiter 4, sh101, cat srm, micromoog, möbius sequencer, eurorack modular, cs30..."
Latest tracks by the passenger
The tracks from "The passenger" below, feature the "maxikorg, pro 5, pro 1, ms20, matrix 6, mono/poly, tr606, xoxbox, Jupiter 4, sh101, cat srm, micromoog, möbius sequencer, eurorack modular, cs30..."
Latest tracks by the passenger
LABELS/MORE:
Audio,
Future Retro,
Korg,
MOOG,
Oberheim,
Octave,
Roland,
Sequential Circuits,
x0xb0x,
Yamaha
Tuesday, June 21, 2011
The passenger - mr. similar
The passenger - mr. similar by the passenger
"made with Roland TR808, Roland TR909, Roland SH101, SCI Prophet 5, SCI Pro One, XOXBOX, Tascam DM4800"
Friday, July 27, 2012
The passenger - boddicker acid
The passenger - boddicker acid by the passenger
"TR909, TR707, SH101, FR Revolution, Custom Modular, Arp Solus, Jupiter 4, TC Nova, RE20, SRE555, Eventide H969, Tascam DM4800, Ableton Live, and clarence boddicker"
Friday, December 10, 2010
the passenger
Some synth pics via the passenger. SoundCloud below originally posted on MATRIXSYNTH-C.
Latest tracks by the passenger
Monday, March 28, 2011
The passenger - ballerina music box
The passenger - ballerina music box by the passenger
"Sequential Circuits Prophet 5, Korg Stage Echo, Tascam DM800
Released by: CanMARC
Release date: Mar 28, 2011 "
Wednesday, April 06, 2011
The passenger - sombre landscape 03
The passenger - sombre landscape 03 by the passenger
"korg ms20, yamaha cs30, akai ax60, roland jupiter 4, modular synthesizer"
Thursday, March 10, 2011
The passenger - sombre landscape 01
"Matrix 6, prophet 5, modular synthesizer, dm4800"
The passenger - sombre landscape 01 by the passenger
The passenger - sombre landscape 01 by the passenger
Tuesday, June 07, 2011
The passenger - bright burn
"Roland TR808, Roland TR909, Roland SH101, XOXBOX, Korg Stage Echo, Tascam DM4800, Otari MX80"
The passenger - bright burn by the passenger
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH