We have officially sold half of our limited edition CD; we are also going to end our introductory 'Name Your Price' for downloads on BandCamp soon, so don't hesitate to purchase today!
Praise from BandCamp (Alan R Pearlman Foundation and Projekt Records )
"A tribute to the creator of my favorite music instruments. I Like the sound of the ARPs in classical electronic albums. Great record with many great contributions!"
"No favourite track, just indulging in the sonic wash of this amazing album. Just wonderful."
"...what an AMAZING collection!! ..."
"A ritual offering—ARP as oracle, muse, and monument. The machine has a soul. And here, it sings."
"It's hard to pick a favorite track off of this compilation... Lots of groovy music by a lot of artists.I had never heard of, but there are a few artists.I am familiar with. this is pretty groovy stuff... "
"Awesome tribute and collection. Mr. Roach has somehow found time to be an archivist. would love a second volume. get this as both sampler and tribute..."
Purchase from BandCamp
"Trouble is blues jazz at its most soulful — driven by the rare Oberheim OB-1 analog synth, warm Wurlitzer 200A, and expressive guitar solos. Recorded live with no overdubs, this session from AWJI Void captures real emotion and vintage tone.
🎵 Musicians & Credits
• Yamaha CS80, Roland Jupiter 4, Oberheim OB-1, Wurlitzer 200A – Andy Whitmore
• Fender Telecaster, Gibson 335 – John Isle
• Fender Precision Bass – David Whitmore
• Pearl Drum Kit – Alun Harries
Engineered by Stepan Honc
Mixed by Andy Whitmore & Ed Stokes at greystokestudio.com
⏱️ Chapters
0:00 – Intro / Main Theme
0:55 – Guitar Solo (Gibson 335)
2:38 – Synth Solo (Oberheim OB-1)
4:20 – Main Theme
5:11 – Bass Solo (Fender Precision)
5:38 – Drum Solo (Pearl Kit)
6:02 – Main Theme"
The Smooth Jazz Track You’ll Play on Repeat 💫 | AWJI Void – Sleepless in Cala Pi
"Smooth jazz blues instrumental music for relaxing, working, or late-night driving. “Sleepless in Cala Pi” by AWJI Void is a laid-back, melodic track with echoes of George Benson’s Lady.
AWJI Void “Sleepless in Cala Pi”
Recorded June 2023
🎹 Yamaha CS80, Roland Jupiter 4 & programming – Andy Whitmore
🎸 Fender Telecaster American – John Isle
🥁 Gretsch Catalina Drum Kit – Gabor Dornyei
Recorded & Mixed by Andy Whitmore, John Isle, Bernard Dyerson & Ed Stokes
⏱️ Chapters
0:00 – Intro / Main Theme
0:38 - Jupiter 4 Solo
3:15 – Fender Telecaster Solo
5:48 – Main Theme
6:27 - Jupiter 4 Solo
8:04 – Fender Telecaster Solo
💡 AWJI Void = Andy Whitmore & John Isle, lifelong friends and collaborators with London’s top session musicians. Every track is live, first takes only – music from the heart.
Andy Whitmore has played keyboards on 50 hit records, produced 14 Top Ten hits, and worked with artists including Elton John, Lemar & Peter Andre.
Press Release
AWJI Void announce the release of their debut album Lovely Day, arriving 30th October 2025. The record features 8 original tracks blending smooth jazz and blues-rock instrumentals, showcasing the band’s unique groove and atmospheric soundscapes. Lovely Day will be available on all major streaming platforms."
Kingston, NY— In 2025, the Alan R. Pearlman Foundation celebrates the centennial of its namesake, the electronic visionary whose marvelous ARP synthesizers changed the landscape of music forever. As part of the ongoing celebrations, the Foundation is announcing the release of Soul Of The Machine, a 36-track musical celebration of the man and his creations as interpreted by a diverse range of recording artists.
Soul Of The Machine is a 36-track collection of tracks old and new, covering everything from innovative electronic, dance, and space music to jazz, funk, and Latin pop, all featuring the signature sounds of classic ARP instruments. The collection includes everything from ARP’s first synthesizer — the massively powerful ARP 2500 modular system — to the instruments that rewrote the rules on how electronics and music came together. The 2600, Odyssey, Pro Soloist, Omni, and many more ARP instruments sing, cry, scream, and soar, in the hands of musical talents both legends and newcomers.
Soul Of The Machine is a treasure trove of musical exploration. Martin Gore’s “KIno" combines Depeche Mode’s signature rhythmic power with a uniquely lyrical and sweet atmosphere. “Mr. No” is a celebration of the classic proto-techno sound of John Foxx. Award-winning soundtrack composer Mark Isham showcases his signature pulsating energy and evocative moodscapes in the mini-suite “Musings – in Two Parts”. Lisa Bella Donna takes listeners on a journey into timeless wonder in the epic “Conclusions.” JG Thirlwell’s “Sphere” is a synth freakout ricocheting between ominous sci-fi atmospheres and searing beats. Panic Girl offers "Drifting Whispers," a somber and uplifting neo-retro journey into a past that never was.
Other artists on the collection include Michael Brückner, Phil Cirocco, Rupert Greenall, LaMar "Kronick" Mitchell, Jeff Rona, Drew Schlesinger & David Torn, Don Slepian, and many others, as well as tracks by the collection's curators Steve Roach and Chris Meyer of Alias Zone.
Famed ambient / electronic pioneer and ARP user since 1978, Steve Roach shares his thoughts on Soul Of The Machine: "In 2024 I had the honor of meeting Dina Pearlman-Ifil — the director of the Alan R Pearlman Foundation — in person. Over the course of several phone conversations we discussed ways to celebrate the centennial year of her father's life and his place in history. My idea for a compilation of music using her father’s creations grew out of those conversations, presenting a perfect way to directly experience the vast range of music that was birthed by the family of ARP synthesizers. This compilation is just a small taste of the universe Alan inspired in sound explorers and artists across a vast range of genres."
Steve mapped out the music so that CD 1 represents a sonic journey and CD 2 provides a showcase of the depth and breadth of what ARP synths can do. After both CDs were finalized, there were more tracks than room on the CDs. These additional songs are available as a bonus digital supplement to the physical CD set.
Says Dina Pearlman-Ifil: “I have long-dreamed of a multi-genre collection that would illustrate the depth and breadth of the possibilities of my father's instruments. This collection is the embodiment of what my father treasured most: The creative spirit. As the old ARP tagline used to say: ‘The most creative part of an ARP Synthesizer is you.’”
The Alan R. Pearlman Foundation is dedicated to the empowerment of young and burgeoning artists into the future. When we look at classical instruments born hundreds of years ago, we see that Alan Pearlman's synthesizers stand tall, earning their place in the evolution of musical history. Acoustic or electric, their common ground is the enduring inspiration for creativity and sonic innovation that inspires the hearts and minds of musicians, performers, and sound explorers worldwide.
Soul Of The Machine will be available for streaming on October 17, 2025. The special limited edition CD will be available for purchase in early-to-mid-November.
Proceeds go the Alan R. Pearlman Foundation
The Alan R. Pearlman Foundation is a 501(c)(3) not-for-profit organization. Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman, by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create.
ARP Centennial Compilation Concept: Steve Roach Project Directors: Steve Roach, Chris Meyer, and Dina Pearlman-Ifil Mastered by: Robert Rich
Cover concept and design by Dina Pearlman-Ifil, production by Sharon Wasko
This compilation wouldn't be possible without the support of our incredible sponsors: Cherry Audio, Korg USA, Moog Music and Steve Roach. Also HUGE thanks to Chris Meyer / Alias Zone, Mark Marshall / interage.com for all things web, Dr. Mike Metlay/ atomicwords.net for creative input on the liner notes, and Sam Rosenthal / Projekt Records.
The Seventh Wave Festival of Electronic Music: Number Sixteen
Music festival delivers one of its best line-ups yet!
Edition 16 of an Electronic Music Festival established in 2016 takes place in Birmingham in October of this year.
In October 2025 the sixteenth ‘The Seventh Wave Festival of Electronic Music’ takes place across three days at The Castle and Falcon.
For a relatively small festival The Seventh Wave continues to get some of the biggest names in electronic and progressive music.
The stellar line-up for #16 includes Plaid, Ultramarine, Richard Norris (The Grid), Mark Van Hoen/Locust, White Noise (featuring the legendary David Vorhaus) & much more.
Tickets can be purchased for individual events at Skiddle and SEE tickets.
"Ambient, kosmiche synth Christmas music inspired mainly by old synthesizer New Age holiday music cassette tapes. We wanted to make a Christmas concept album but maybe less cheesy. We tried to make it accessible for friends and family but it kinda turned into weird experimental Christmas music anyway. Probably because we are weird.
Bandcamp version:
00:00 Sleigh Ride (When Stressings Turn to Blessings) 04:14 Myrrh Ye Genteel (God Rest Ye Merry Gentlemen) 11:01 LDB/POE (Little Drummer Boy / Peace on Earth) 15:15 Lullaby (MKDVB original) 18:01 Hark! The Herald Angels Sing 21:04 Child, What Song is This? (What Child Is This?) 25:34 Auld Lang Syne (Elf Party) 27:51 Cosmic O (MKDVB original) 33:07 Turn Your Blessings Into Bliss (MKDVB original)
"Welcome to an in-depth musical journey where we recreate the iconic sounds of Pink Floyd's 'On the Run' from their best-selling album, 'Dark Side of the Moon.' Using the legendary EMS Synthi AKS, we bring to life every synth part that made this track a groundbreaking piece of music history. 🎹 Recreated Parts:
0:00 - Sample of video 0:25 - Intro 0:42 - The main VCS3 synth sequence 1:07 - Introduce Resonance Melody 2:04 - Different waveforms 2:28 - Dramatic gated white noise sounds 3:01 - Gated Noise plus Resonance 3:18 - Noise plus Main sequence line 4:05 - Spring Reverb 5:35 - Summary 5:49 - Bass drone at the song beginning 6:05 - Noise FX 6:28 - Bass Attack 7:18 - Full 'On the Run' sequence
On the album cover, the Synthi AKS is wrongly credited as the VCS3, which is essentially the same synth—the difference lies in the box and the name.
📖 History of 'On the Run': 'On the Run' is a progressive instrumental track created by Roger Waters and David Gilmour. Known for its pioneering use of synthesizers, it's a testament to the innovative spirit of Pink Floyd. The track plays a crucial role in the album’s concept, evoking themes of travel and existential anxiety.
🔦 History of the Synthi AKS: The EMS Synthi AKS is a compact, portable synthesizer, first released in 1972. Famous for its distinctive sounds, it was used extensively throughout the 1970s by various artists. It’s known for its patch pin matrix and portability, making it a favorite for musicians looking for both creativity and convenience in their synthesizers."
In 2003, I flew to Paris for my second visit with the legendary French electronic music pioneer, Jean Jacques Perrey. I was working on an solo electronic music album of my own, and I had asked Mssr. Perrey to play his Ondioline on my version of a tune he had once recorded in 1960, called "Chicken on the Rocks". I brought the new backing track with me, that I had previously started in my home studio, and David kindly agreed to record JJ's Ondioline in his own home studio. I filmed part of the session with my little camcorder. After we had finished the song, I traveled with JJ to his home in Lausanne, Switzerland, and on the train trip there he told me, "I would love to record an entire album with you!" So, I saved this song for our first duo album, "The Happy Electropop Music Machine", which was released in 2006 by Oglio Records in Los Angeles. A few years later, the song was used in an episode of "South Park", which brought in a substantial amount of money for all involved. That led to JJ and my performing many concerts, both in Europe, Canada and America. This video documents the start of it all!
See the Ondioline label below for additional posts featuring the Ondioline.
The Ondioline was first concieved by Georges Jenny in 1939. Via Wikipedia on the Ondioline: "First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975."
"A discussion with Arp Instruments Dave Fredericks on the song Stinger from the 'Red' Arp demo record. This conversation between David Frederick and his father David Frederick Sr. (Dave Fredericks) discusses the origins of this song, recording the iconic song on the Arp "Red" demo record, and using the Arp 2600, Arp Odyssey, and Arp Pro Soloist in the performance. A great conversation on this song, Arp history, synthesizers, and more!
Interview note & correction: "East Meets West" was recollected to being in 5/4 time signature when in fact, it was in 4/4. At the time of recording this interview, East Meets West was recorded 56 years ago!"
"My dad who was one of the original founders of Arp Synthesizer, VP of Global Sales and Marketing, and visionary behind such Arp synths as the Odyssey, Pro Soloist, String Ensemble, Omni, Explorer, Axxe, and Little Brother, wrote this song back in the late sixties around the time I was born. He initially released it on his first album "Mr. Talent - Dave Fredericks" where he played the organ and my uncle Bruce played the drums.
My dad reintroduced Stinger on Arp's "The ARP Family of Synthesizers" record (the red record), using the Eminent Organ, Arp Pro Soloist, Arp Odyssey, and Arp 2600 with Cleve Posar on Drums.
One day I decided for fun and nostalgia to quickly whip up a new 21st-century arrangement of my dad's song and I thought I would share.
Hope you dig it! David
TRACK NOTES David Frederick - Keyboards - Arp 2600, Hammond B3, Steinberg Horns, Steinway Grand Piano, Roland Jupiter 8 (pads), Spitfire Audio Drums, and Kontakt Percussion.
Recorded: Direct into Steinberg Cuebase, processed and mastered with Waves Abby Road Mastering Chain."
Although it went largely unnoticed at the time, the 2500 became one of the most famous synthesizers in history when it was featured prominently in the film Close Encounters Of The Third Kind, where it was used to communicate with an alien spaceship.
ARP instruments founder Alan Robert Pearlman was a Nasa scientist. Between 1970 and 1981 only 100 ARP 2500's were ever made, each a custom order, no standard configurations. ARP 2500 one of Jean-Michel Jarre's favourite instruments. All the sounds are completely unique. You pretty much need a degree in physics to operate one!
Pete Townsend "Mine plays six notes at once, can have 20 sets of preset control voltages available, six audio signals mixed and instantly usable at various levels. The most incredibly subtle tone colours can be produced
using the multimode resonator in conjunction with a normal filter, and the sequencer will provide exhilarating cascades of arpeggios."
David Baron "The Arp 2500 was the only sound source. I sequenced one or two patches at a time and then built the compositions in layers. A lot of the audio FX were created through the use of pedals. The reverberation came from the Bricasti, EMT 240 Plate, Roland Space Echo 501, and a Vermona Spring Reverb. The Arp 2500 always ran through the Avedis Key Pre. I used very little dynamic compression/limiting. Time delay effects were mostly created ‘in the box’ but also with rack mount outboard including the AMS Tape Phase Simulator, an Eventide Instant Flanger, and a MXR Flanger/Doubler. The instrument stays in tune (for the most part). The filters can distort so some care has to be used when gain staging. The envelopes are very snappy. The sound is beautiful and creamy yet percussive and forward."
About David Baron
Record producer, film composer, musician, arranger, engineer located in the historic Woodstock, New York area. An avid collector of vintage analog synthesizers and recording gear. He owns a private recording studio called Sun Mountain Studios located on top of a mountain overlooking the Ashokan Reservoir.
Some artists he has worked with: Lumineers, Shania Twain, Jade Bird, Shawn Mendes, Vance Joy, Meghan Trainor, Lenny Kravitz, Jeremiah Fraites, Josin, Matt Maeson and Lana Del Rey.
He blends retro and modern, orchestrated and raw. The contrast that brings out the emotion of a scene or in a song.
Album cover designed by Dina Pearlman-Ifil derived from an old ARP 2500 brochure originally designed by Margaret Shepherd in 1970 for Tonus, Inc / ARP Instruments.
Photograph courtesy of the Alan R Pearlman Foundation alanrpearlmanfoundation.org
About the Alan R Pearlman Foundation
The ARP Archives & The Alan R. Pearlman Foundation is a small, 501(c)(3) non-profit organization.
Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman,
by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create.
The Chilton Talentmaker is one of the first samplers, or rather loop players. Like the slightly more famous Mellotron, it allows playback of recorded instruments, but it can play them back as loops. This allows for all kind of endless playback of music, from 'German Band' and 'Polka Band' to 'Waltz Guitar', made famous through Michel Gondry's 'Eternal Sunshine Of A Spotless mind' soundtrack.
The Chilton and its close relatives, the Optigan and Orchestron, were used by Kraftwerk, David Lynch, Tom Waits, The Clash and many more."
"We are deeply saddened to hear about the passing of Ryuichi Sakamoto. He was a trailblazing composer and producer who scored films such as the 'Last Emperor' and 'The Revenant' to name a few. He was a pioneer of electronic pop music by founding the 'Yellow Magic Orchestra' which produced hits on synthesizers and sequencers in the 70s and 80s. He will be missed 😔"
"Ryuichi Sakamoto (坂本 龍一[a], Sakamoto Ryūichi, January 17, 1952 – March 28, 2023) was a Japanese composer, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978. Two years later, he released the album B-2 Unit. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympics, and his composition "Energy Flow" (1999) was the first instrumental number-one single in Japan's Oricon charts history.
As a film-score composer, Sakamoto won an Oscar, a BAFTA, a Grammy, and 2 Golden Globe Awards. Merry Christmas, Mr. Lawrence (1983) marked his debut as both an actor and a film-score composer; its main theme was adapted into the single "Forbidden Colours" which became an international hit. His most successful work as a film composer was The Last Emperor (1987), after which he continued earning accolades composing for films such as The Sheltering Sky (1990), Little Buddha (1993), and The Revenant (2015). On occasion, Sakamoto also worked as a composer and a scenario writer on anime and video games. In 2009, he was awarded the Ordre des Arts et des Lettres from the Ministry of Culture of France for his contributions to music."
Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence
Node vintage modular, Paddington Station and Master rock studio 1994 video upload by David Bessell
"Full album available here https://din.org.uk/album/singularity-...
Retro video footage taken from a live performance on Paddington Station and recording sessions at Master Rock studios London in 1994. The footage from Master Rock was filmed by Mat Osman of Suede. The track 'Continental Drift' appears on the latest DiN release of material from the 1994/5 Node archive. Previously unreleased apart from the track Terminus it features the original line up of Node which included Gary Stout. alongside Dave Bessell, Ed Buller and Flood."
"Singularity is the legendary “lost” Node album. Recorded at the same time as their original sessions in 1994 this has DiN stalwart Dave Bessell join Ed Buller & Flood alongside original member Gary Stout. Presented here for the first time, mastered to modern standards but otherwise untouched and in its original form, recorded to two track with no overdubs. As a bonus the track “Terminus” is included with this release. A fascinating insight into one of the bands that helped spark the analogue revival back in the mid 90's. Mainly unreleased material sees them formulating their take on the classic Berlin school sound using their trademark mountain of vintage analogue modulars. Intriguingly this could almost be an early take on Berlin style techno in places too. An influential group of producers setting their controls for the heart of the sun.
Available now on limited edition Digipak CD (with 8 page booklet) in the DiN Bandcamp Store
"Some sounds from the Osmose. An initial impression of what it sounds like straight out of the box. This will no doubt be making an appearance on my next solo album on DiN records."
"This is different. It's a new journey to embark on. and I love it. Please hang out with me on my first proper sit down with the production model Osmose. I love how expressive you can be with every patch."
"After a perfect storm of COVID and global parts shortages. The Osmose instrument from Expressive E is now shipping to the backers, next step is full production.
The instrument has an incredibly sensitive playing action with a custom keybed combined with the Eagan Matrix - a highly expressive and complex sound engine offering physical modelling, FM and a lot more besides.
We had a visit from Christopher who's the main product guy for the Osmose to show Gaz Williams where this exicting new instrument has got to.
00:00:00 Start
00:01:59 GPU Sponsor Mac Support
00:02:51 Overview
00:06:15 Eagan Matrix
00:09:01 Sounds
00:11:52 Controller?
00:15:42 Pedals
00:17:56 Control Section
00:22:18 Macros
00:25:59 Sensitivty
00:33:12 Portamento and Arp
00:36:49 Percussive voices
00:41:47 MPE
00:45:09 Case and Wrap"
And the press release with pics:
"Expressive E is proud to announce Osmose, the new universal standard for musical expressivity. Osmose is a polyphonic synthesizer that unlocks new ways to control sound and features a powerful sound engine created in collaboration with the leading-edge audio company, Haken Audio.
The conclusion of an epic adventure
Three years ago, Expressive E embarked on an ambitious adventure by opening the pre-orders for their standalone synthesizer, Osmose.
Osmose elevates a playerʼs experience by introducing a new landscape of features for musicians to interact with sound and produce music in new ways. It does this while not only respecting, but also enhancing the playerʼs existing keyboard skills. Every note can be articulated independently with unique expressive possibilities, such as those seen in this Osmose gesture compilation video: https://youtu.be/AA5xe7k4OrM
To achieve that goal, the Expressive E engineers set out to industrialize a new generation of expressive keybed which is at the core of Osmoseʼs playing experience. The biggest challenge was to implement all expressiveness-related technologies into the familiar keybed form factor of the piano that musicians have been using for centuries. Creating a new kind of keybed generated many industrial production obstacles and ultimately required a total symbiosis between DSP and hardware to connect all players to Omoseʼs sound through the use of natural gestures.
Expressive E engineers conducted hundreds of on-field test sessions to fine-tune the complex design of the synthesizer. Artists played a tremendous role in the refinement of Osmose by providing precise feedback about playing sensations and helped shape a new ergonomic tool, relevant for musicians from various music scenes and cultural horizons. Thanks to their support as well as the early adopters and partners, the wait is finally over: Osmose has now started to ship.
First deliveries and re-opening of preorders Expressive E are thrilled to announce the delivery of the first Osmose units to early adopters of the project. The first products had already been delivered in late 2022 and early backersʼ shipments will keep flowing continuously.
Expressive E have thus decided to reopen pre-orders on January 5th 2023 for all musicians interested in purchasing Osmose. The pre-order scheme has been reconducted to allow Expressive E to anticipate demand as efficiently as possible and organize their production schedules accordingly. Despite a tense economical environment driven by inflation, component shortages and the resurgence of epidemics, the company will still commit to guaranteeing a $/€1,799 retail price, within the limits of allocated stocks.
Interested musicians can now pre-order their Osmose on Expressive Eʼs website or through an affiliated dealer. [see the dealers on the right]
A new kind of synthesizer From its inception, Osmose was designed as a solution to connect musicians with electronic instruments more intimately while still retaining the sound-design abilities of modern-day and vintage synthesizers.
Backed by a powerful sound engine made in collaboration with pioneering audio company Haken Audio, Osmose offers more than 500 creativity-boosting presets. Each of them was fine-tuned to offer performance and recording-ready macros. Preset curation covers many musical genres including modern pop, urban, film scoring, electronic music, sound design, and traditional instrumental music. Made to inspire, Osmose offers a playful experience based on familiar features and thus presents a gentle learning curve. It offers the benefits of MPE instruments without the need to relearn the instrument entirely.
From the beginning, Osmose has been a collaborative project with artists from many musical backgrounds. They have been involved in the development of Osmose to make it a musical companion to fit their creative and ergonomic needs. Expressive E celebrates these artist collaborations with the release of a video series recapping the Osmose adventure and the reaction of artists to the new, dynamic, inspiring synthesizer.
Shot in Chennai (India), Paris (France), and Los Angeles (USA), the video series features musicians and producers like Flying Lotus, AR Rahman, Jean-Michel Jarre, Mike Dean, Cory Henry, André Manoukian, and Tarik Azzouz. It shows their approach to musical expression, how they interact with Osmose, and how this new synthesizer has influenced the way they play. A trailer for the series is now available on YouTube.
During Q1 and Q2 2023 Expressive E will regularly release clips focusing on each individual artist from the main trailer video. The first three episodes of the series are now available on YouTube. They feature musical icon A.R. Rahman (Grammy winner and film scorer for 127 Hours and Slumdog Millionaire), jazz virtuoso J3PO (a prolific solo artist and keyboardist for Marcus Miller), and trap beatmaker veteran Tarik Azzouz (a Grammy winner who has worked with Jay-Z, DJ Khaled, 2 Chainz, and many more)."
"Ambient, kosmiche synth Christmas music inspired mainly by old synthesizer New Age holiday music cassette tapes. We wanted to make a Christmas concept album but maybe less cheesy. We tried to make it accessible for friends and family but it kinda turned into weird experimental Christmas music anyway. Probably because we are weird.
00:00 Sleigh Ride (When Stressings Turn to Blessings) 04:14 Myrrh Ye Genteel (God Rest Ye Merry Gentlemen) 11:01 LDB/POE (Little Drummer Boy / Peace on Earth) 15:15 Lullaby (MKDVB original) 18:01 Hark! The Herald Angels Sing 21:04 Child, What Song is This? (What Child Is This?) 25:34 Auld Lang Syne (Elf Party) 27:51 Cosmic O (MKDVB original) 33:07 Turn Your Blessings Into Bliss (MKDVB original)
01. Sleigh Ride (When Stressings Turn to Blessings) This is the first track from our Cosmic Christmas album. Recorded with Synthstrom Deluge, Sequential Prophet Rev2, Roland V-Synth XT (D50 card).
02. Myrrh Ye Genteel (This is our version of "God Rest Ye Merry Gentlemen") Recorded with Synthstrom Deluge, Sequential Prophet Rev2, Roland V-Synth XT (D50 card), Elektron Analog Keys. Matt Kretzmann - guitar, Miguel G. Miranda - Percussion
03. LDB/POE vPTSD (Our version of the 1977 Bing Crosby & David Bowie Christmas Special song, Little Drummer Boy / Peace on Earth) Recorded with Elektron Analog Rytm, Roland V-Synth XT (D50 card), Synthstrom Deluge, Sequential Prophet Rev2. Matt Kretzmann - guitar, drums. Drums Recorded by Aaron Kretzmann at Phos Studios, Mission Viejo, CA.
04. Lullaby (MKDVB original)
05. Hark! The Herald Angels Sing Recorded with Roland V-Synth XT, Synthstrom Deluge, Sequential Prophet Rev2. Matt Kretzmann - drum programming.
06. Child, What Song is This? (Our version of What Child Is This?) Recorded with Roland V-Synth XT, Synthstrom Deluge. Matt Kretzmann - guitar, samples
07. Auld Lang Syne (Elf Party) Recorded with saxophone, Eventide Eclipse.
08. Cosmic O (MKDVB original) Recorded with Juno 106, Synthstrom Deluge, Sequential Prophet Rev2, Roland V-Synth XT. Live video improvised/synthesized with Vidiot analog video synthesizer.
09. Turn Your Blessings Into Bliss (MKDVB original) Recorded with Juno 106, Synthstrom Deluge, Sequential Prophet Rev2, Roland V-Synth XT. Live video improvised/synthesized with Vidiot analog video synthesizer."
HYDR SYNF is a sixty-four minute drone monolith, coaxed out of the Ashun Sound Machines Hydrasynth - the newest smoke signal from Cootamundra, and the first Noyzelab recording at Psoma Psi Phi since the MYZTRYZ assemblage in May. Like many of Burraston's drone recordings, HYDR SYNF exists in a state of minimalism and maximalism simultaneously, allowing the listener to determine (by way of their volume dial) how much or how little of it to fill the room. HYDR SYNF, for its part in this relationship, works beautifully both ways, as a quiet intimate hum to dot the corners of the wall with, or as an immense structure that is dense enough to dissolve those walls, and replace your surroundings altogether. Noyzelab recordings are like no other, as many frequent listeners here will no doubt attest, in their ability to remove axiomatic information from the world they inhabit. There are no longer discernible directions in space or time, and after long enough of a sustained runtime, it becomes possible to dispense with space and time entirely.
Recorded on 19th January 2022 at Noyzelab using ASM Hydrasynth Desktop. Mixed 2nd August 2022 at Noyzelab. Text and design by ABM&D. This is NYZ-XX, #20 in the NYZ subcatalog at Psoma Psi Phi. David Burraston and the Noyzelab logo appear courtesy of Noyzelab.
"Comes with 90 Disks, Emu expression pedal, and Anvil Flight Case. All functions currently work. You can sample into the EMU onto floppy disk if you so desire. Here are the sounds in order: 1. Harp 0:00 2. Musical Saw 0:11 3. Male Choir 0:32 4. French Horns and Flute 0:53 5. Prophet 1:06 6. Synth Wind 1:23 7. Soft Brass 1:33 8. Mountain Lion 1:45 9. Synth Brass 2:02 10. French Horns and Flute (with Filter) 2:25 11. Tabla 2:46 12. Bowed Cymbals 3:00 13. Sitar 3:17 14. Steel Drums 3:26
The E-mu Emulator was a floppy disk-based keyboard workstation which enabled the musician to sample sounds, recording them to non-volatile media and allowing the samples to be played back as musical notes on the keyboard. The 51⁄4” floppy disk drive enabled the owner to build a library of samples and share them with others, or buy pre-recorded libraries on disk.
The Emulator had a very basic 8-bit sampler – ; it only had a simple filter, and only allowed for a single loop. The initial model did not even include a VCA envelope generator. It came in three forms: A two-voice model (only one of these was ever sold), a four-voice model, and an eight-voice model. When the original Emulator was turned on the keyboard was split. It was designed to be played in split mode, so playing the same sound on the full keyboard required loading up the same sound floppy disk in each drive.
Stevie Wonder, who gave the sampler a glowing review at the 1981 NAMM convention, received the first unit (serial number “0001”). Originally 0001 was promised to Daryl Dragon of Captain & Tennille, because he had been a loyal E-mu modular system owner for a long time before that. However, Wonder was more famous. In 1982, the Emulator was updated to include a VCA envelope generator and a simple sequencer, and the price was lowered. Approximately 500 units were sold before the unit was discontinued in early 1984. Other prominent users of the original E-mu Emulator were New Order, Tangerine Dream, and Genesis, and it was among the many groundbreaking instruments used in the production of Michael Jackson’s “Thriller” album. Composer and Writer David Frank of The System used the original Emulator on his productions from “Sweat” to “Don’t Disturb this Groove.” The Residents, who had gotten the fifth Emulator to ever be produced, used the instrument extensively on their album The Tunes of Two Cities.'"
"Seventh Window - A track from the album Imaginator by Dave Bessell and Liam Boyle. You can find the full album here https://davebessellandliamboyle.bandc...
Released on Groove Unlimited.
"Dave Bessell and Liam Boyle first met on Facebook through an interest in Node. Liam has a very wide range of mu-sical interests and skills including the classical avant garde so Dave invited him to a performance of one of his classi-cal modernist pieces for orchestra at Plymouth University. The two hit it off and first collaborated on a track called Theme One from Dave’s solo electronic album ‘Black Horses of the Sun’. It was always on the cards that these two would collaborate further and in 2020 the opportunity arose which resulted in this latest album ‘Imaginator’ their first on Groove Unlimited.
Liam has produced a number of film socres for american independent films as well as recording multiple electronic albums such as ‘Off World’ and more recently ‘Waveforms’ He continues to explore electronic sound design, visuals, guitar and classical compositions
Dave Bessell, founder member of synth group Node, has been releasing a series of fascinating solo and collaborative EM albums over recent years, mainly on DiN records. He also has a lengthy back story involving session playing programming and arranging for a variety of artists and labels including Killing Joke and Suede. Along the way he also picked up a Phd in classical orchestration from the Royal College of Music.
This latest collaboration is the first full album with versatile soundtrack and EM composer Liam Boyle. It is also the first release for these artists on Groove Unlimited. The musical emphasis here is on both melody and sonic explora-tion with an atmospheric soundtrack feel throughout. Not surprising really considering both artists have seperately worked on soundtracks - from independent films to TV. The music is detailed and multilayered repaying close and repeated listening and is realised entirely with analogue hardware, plus a little heavily treated and disguised guitar. Dave also uses an unusual instrument on a couple of tracks called an Aum guitar which is designed to be played with an ebow and sounds nothing like a guitar!
"FYI: As will happen sometimes in live performances, we had some technical difficulties (i.e. the internet decided to be erratic several times in the beginning...). David Van Pelt was a true trooper, though our hostess could have chilled a bit. We will publish an edited version in the next few days!
ARPCHIVES LIVE! is back! Our first guest of the year is David Van Pelt who also plays synthesizer in Acolyte*, a prog band from Australia.
We'll have an interview, some video and demos and talk about the recent addition to his synth family, how he got into ARPs in the first place, his beautiful music, band and the synth scene in Australia.
BOWIE STYLOPHONE - Limited Edition video upload by
Stylophone
"⚡NEW LIMITED EDITION BOWIE STYLOPHONE - OUT NOW ⚡
We are very proud to announce this unique collaboration with @davidbowie
celebrating a career long association between the legendary musician and
Stylophone.
The Bowie Limited Edition White Stylophone with analog sound comes with a
booklet celebrating David Bowie's career and featuring exclusive photos."
Update: the press release:
David Bowie celebrated with limited-edition Bowie Stylophone
David Bowie’s career-long association with the world’s first ‘pocket synthesizer’ is being celebrated with the launch of a Bowie Stylophone.
The limited-edition Stylophone commemorates Bowie’s longstanding association with the iconic instrument, which famously featured on his breakthrough 1969 single “Space Oddity” which was composed around the Stylophone’s unique sound.
The launch is the result of a collaboration between The David Bowie Archive and Dubreq, the British company that makes the instrument. Together they have released a selection of pictures of the music legend using the Stylophone. Whilst legendary American record producer Tony Visconti, who worked closely with Bowie over many years, has gifted the team a Bowie photo from his private collection. (Pictures available here)
“Space Oddity” appeared on Bowie’s second album which was produced by Tony Visconti – who recalls how the young Bowie was ecstatic to be chosen by the makers of the Stylophone to receive a complimentary unit.
Mr Visconti said: “He was one of the first to own one and to discover this new, quite radical way of making music. He immediately put it to work and wrote a song around the unique sound of the instrument, which was of course, Space Oddity.
“For many years to come Bowie and Stylophone were names that were matched in the same breath. He would be very proud of this new incarnation named after him.”
Regarded as one of the most influential artists of the 20th century, Bowie continued to use the instrument throughout his career. As late in his career as 2002 he recorded with the Stylophone for the song “Slip Away” on his Heathen album.
The limited-edition Stylophone goes on sale from www.dubreq.com on 17th September for £29.95/ €34.95/$39.95 and is accompanied by a commemorative booklet that explores Bowie’s music.
John Simpson, managing director of Dubreq, the British company that makes Stylophone said: “There’s a big resurgence in interest in the mini synthesizer from young musicians. This limited edition Stylophone is a great way to commemorate David’s affection for the instrument and to inspire the next generation of musicians to create even more great music with the Stylophone.”
Ground control to Major Tom: introducing the limited-edition Bowie Stylophone, a stylish reimagining of the original pocket synthesizer.
The ultimate collectible for any Bowie fan.
Limited-edition David Bowie-inspired synthesizer
Special white design featuring embossed Bowie logo
Full colour booklet celebrating David Bowie’s work and featuring exclusive contributions and archive photographs
Compact & battery-powered 3 way Octave switch / Vibrato switch Built-in speaker & headphone socket for playing on the go Batteries required: 3 x AA (not included)
"Welcome to our inaugural episode of the Cosmic Tape Music Club monthly Podcast! Join your hosts Jacqueline and Augustus of the experimental pop band The Galaxy Electric as they wax poetic on the topic of Peter Zinovieff, Geologist, Computer and Tape Music Studio Innovator, Electronic Instrument Design Collaborator, Gentleman, and Scholar. We share all sorts of facts starting with his early and family life, buying what he believed to be one of the very first Personal Computers, EMS, the VCS3, Unit Delta Plus, famous folks that rolled through the studio, his obsession with pure randomness, and more.
Timeline: Intro 00:00 Early Life 01:21 Funding EMS 05:45 David Cockerell 08:55 Synchronicity between Synth Designers 11:50 Couldn't be bothered with actually using the Synths 16:08 Is he a tape musician 19:07 Unit Delta Plus 19:53 Carnival of Lights 26:44 EMS Tech Talk 30:23 EMS's Downfall 39:25 Robin Wood and EMS rebirth 42:55 iVCS3 45:03 Spectron Video Synth 46:18 Randomness 50:01 The Implant 53:04 Pete Kember/Electronic Calendar Album 01:01:01"
