Waldorf Iridium Desktop mk2 (sound.report deutsch + Sounds)

video upload by Heiner Kruse - The Green Man(TGM) - sound.report

Click CC for subtitles in the player when the video starts.

[Googlish below]
00:00-00:20 Intro 00:20-02:57 Klangerzeugungsmodi - startend mit einem Init-Preset: Wavetable, Waveform, Kernel/FM 02.57-04:19 Particle/Sampler/ Granular 04:19-06:01 Touchscreen-/Menüführungs-Probleme, Round Robin Play mit Samples 06:01-06:28 Resonator-Mode

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SynthFest 2018 - Synclavier History by Jean-Bernard Emond

video upload by SynthFest France

This one is in via Jean-Bernard Emond. Click CC at the bottom of the player for subtitles. This is an older video from 2018 but still interesting. This is also a good reminder that SynthFest France 2026 is happening this weekend: https://www.synthfestfrance.com.

"I invite you to revisit my short 2018 talk (33 minutes), still relevant today, on the history of digital synthesis—specifically FM synthesis. It covers everything from the NED Synclavier to Yamaha’s FM machines, and ends with the audio engines from the Hal Alles family tree (ATT Bell Labs), starting with the Alles Synth, then the Crumar GDS, and finally the DKI Synergy."

Jean-Bernard Emond also sent in the following links:

The latest on WaveFrame’s AudioFrame: https://mustudio.fr/2026/04/17/waveframe-corporation-audioframe-2/

"And another previous piece on audio in NeXT computers, especially focusing on what was developed at the IRCAM and CCRMA research centers: https://mustudio.fr/2024/06/21/sound-on-the-next/"

UVI made a virtual AudioFrame previously featured here.

See the WaveFrame label below for a handful of posts on the site.

Probando el Yamaha DX-1: el sintetizador digital más exclusivo de la historia

video upload by Mauro Brunetti Música

Click CC at the bottom of the player for subtitles.

"En este video exploramos en profundidad el Yamaha DX-1, uno de los sintetizadores más difíciles de conseguir de todos los tiempos.

Considerado el modelo más exclusivo de la serie DX, el Yamaha DX-1 fue diseñado como una verdadera obra maestra de la síntesis FM. Con una construcción premium, teclas contrapesadas y una arquitectura basada en el legendario Yamaha DX7, este instrumento representó el máximo lujo tecnológico de su época."

Googlish:

"In this video, we explore in depth the Yamaha DX-1—one of the rarest synthesizers of all time.

Considered the most exclusive model in the DX series, the Yamaha DX-1 was designed as a true masterpiece of FM synthesis. With premium build quality, weighted keys, and an architecture based on the legendary Yamaha DX7, this instrument represented the pinnacle of technological luxury in its era."

And one on the CS80:

Programando el Yamaha CS-80: el sintetizador más expresivo de la historia

video upload by Mauro Brunetti Música

"En este video exploramos en profundidad el Yamaha CS-80, uno de los sintetizadores más expresivos y míticos de todos los tiempos.

Considerado por muchos como el sintetizador más expresivo de la historia, el CS-80 revolucionó la forma de tocar sintetizadores gracias a su aftertouch polifónico, su ribbon controller y su enorme capacidad para moldear el sonido en tiempo real.

En este recorrido programamos sonidos paso a paso y exploramos las posibilidades expresivas que hicieron del Yamaha CS-80 un instrumento único, capaz de responder al intérprete como pocos sintetizadores en la historia."

"In this video, we take an in-depth look at the Yamaha CS-80—one of the most expressive and legendary synthesizers of all time.

Considered by many to be the most expressive synthesizer in history, the CS-80 revolutionized the way synthesizers are played, thanks to its polyphonic aftertouch, ribbon controller, and immense capacity for real-time sound shaping.

In this walkthrough, we program sounds step-by-step and explore the expressive possibilities that made the Yamaha CS-80 a truly unique instrument—one capable of responding to the performer in a way that few other synthesizers in history ever could."

DiscoDSP Releases Retromulator Based on The Usual Suspects dsp56300 Engine

via DiscoDSP

[Note: although DiscoDSP gives credit to The Usual Suspects, it's my understanding TUS is not happy about it. From a forum:

"He basically took our source, put his own wrapper on it and is trying to sell it and use it to promote his own business. Can't prevent it, but frankly this is reprehensible IMHO.

Yes. He knows he cannot legally "sell" it due to the licensing model our code is published under. Therefore he sells "support" of "his development efforts" to include difficult things like "git clone" and other Arcane and extremely difficult stuff. sigh... I'd strongly advise anyone using it not to actually pay him for it, but that is just my opinion.]

What isn't clear is whether the UI is just the player above or includes the full editors by The Usual Suspects. I'm hearing it's just the player, which in effect might be an upsell for the full editors by The Usual Suspects.

That said:

"Retromulator brings legendary hardware cores back to life through authentic low-level emulation. The virtual analog synths are powered by a faithful recreation of the Motorola DSP 56300 processor, the Yamaha DX7 runs a full emulation of its original chip set, and the Akai S1000 sampler plays your SF2, SFZ, and Bliss sample banks with studio-quality interpolation. Each core runs its actual firmware or sample data — delivering the unmistakable character of hardware that defined electronic music from the early 80s through the 2000s.

Unlike traditional software emulations that recreate synthesizer behavior by approximation, Retromulator emulates the original integrated circuits at the hardware level. The virtual analog synths run on a cycle-accurate Motorola DSP 56300, the Yamaha DX7 runs a full emulation of its Hitachi HD6303R sub-CPU and Yamaha YM21280/YM21290 EGS/OPS chip set, and the Akai S1000 sampler runs on the SFZero v3.0.0 engine with 8-point sinc interpolation supporting SF2, SFZ, ZBP, and ZBB sample banks. Each core executes its authentic firmware or sample data exactly as intended.

Load the ROM firmware from your own hardware or sample banks from your library, place them in the designated folder, and Retromulator takes care of the rest. The result is not an approximation — it is the real hardware running inside your DAW.

Retromulator is built on Gearmulator, an open-source synthesizer emulation project by the dsp56300 team. We are grateful for their extraordinary work in bringing these classic instruments back to life."

You can find demos of the dsp56300 engines in previous posts here.

Featured synths:

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【REAKTOR6】Arktrues DEMO#1 【自作 Software Synthesizer】

video upload by 橋本彦士 - Hikoshi Channel -



"■To purchase, please visit the BOOTH website! (DeviceHigh Official Shop on BOOTH) [User manuals]

DeviceHigh Arktrues is a virtual analog synthesizer for Reaktor 6 by Native Instruments. Please note that you will need the retail version of Reaktor 6 to use it. This product is available for download only.

It can also be used with Reaktor 6 Player, but please note that you will not be able to save sounds and there is a 30-minute time limit.
--
Arktrues is a synthesizer inspired by the legendary synthesizer that YMO fans have seen somewhere.
While its structure is similar to that of a regular synthesizer, it also has some unique features and a variety of additional functions.
Equipped with analog-like modulation, two filters, and various matrix modulations, it allows you to enjoy creating a wide variety of sounds while still maintaining the basic sound creation techniques of an analog synth.
It does not place a high load on the CPU and can be used across multiple channels.

You can create a wide variety of sounds, from pulsating, grandiose pads to FM-like, extreme metallic sounds and sound effects.

Enjoy creating your own sounds!

■Operating environment
Native Instrument's REAKTOR 6 operating system.
Compatible PCs : (Windows, Macintosh)

仕様(Spec.)
2 OSCILLATOR 、NOISE　、SUB OSCILLATOR
1 LOW PASS FILTER
1 MULTI MODE FILTER
1 AMP ENVELOPE
1 FILTER ENVELOPE
1 EXTRA ENVEROPE
OSC A MOD BY OSC B（BAM）
OSCILLATOR SYNC
2 LFO(WITH NOISE MIX)
2 MODULATION MATRIX
POLYPHONIC GLIDE
SELECTABLE FILTER CHAIN
MONOPHONIC/POLYPHONIC AFTER TOUCH　対応
2OP FM MODULATION
.e.t.c..."

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Cherry Audio Fuses Three Classic Synths into New SH-MAX Powerhouse

video uploads by Cherry Audio

Playlist: [Use the player controls to skip around.]


1. Cherry Audio | SH-MAX Synthesizer - NEW!
2. Cherry Audio | Preset Walkthrough with Andrew Longhurst
3. Cherry Audio | MAXIMUM OVERDRIVE Preset Pack for SH-MAX Synthesizer by James Dyson
4. NEW! Cherry Audio LIVE PREMIERE Tuesday, February 10 at 10 AM PST
5. Cherry Audio SH-MAX - Roland's SH series reimagined! (Demo / Tutorial) - CatSynth TV

Press release follows:


Cherry Audio has announced SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synths from the '70s: the SH-5, SH-7, and SH-3A.

Cherry Audio has announced the launch of SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synthesizers from the 1970s: the SH-5, SH-7, and SH-3A. SH-MAX captures the bold sound of the SH-5 while incorporating features and aesthetics from the other models, enhancing the original designs with greater power, versatility, and essential tools for modern music production. Musicians and vintage synth enthusiasts can start using SH-MAX today for the incredibly low price of just $59, available at cherryaudio.com and authorized resellers worldwide.

SH-MAX faithfully recreates the vibrant tones and workflow of the original SH hardware. It features powerful dual oscillators, two LFOs and ADSR envelopes, the dual-parallel multimode and bandpass filter sections, and the five-channel mixer of the SH-5 (1976), plus a ring modulator and sample/hold capability. Also included are autobend, duophony, filter FM, and the syncable VCOs with additional waveforms found in the SH-7 (1978). The extra additive-style oscillator from the SH-3A (1975) further enhances sound design flexibility. Moreover, SH-MAX incorporates and expands upon the expressive touch performance of the SH-2000 (1973) and features an onboard sequencer inspired by the Model 104 of the legendary System 100 semi-modular synthesizer from 1975.

SH-MAX honors its lineage while taking full advantage of modern software capabilities, supporting mono, duophonic, and 16-voice polyphonic operation for rich chords as well as earthshaking unison timbres. It features three unique retro interface themes that pay homage to the aesthetic of the SH-3A, SH-5, and SH-7, providing a visually immersive experience for true vintage synth enthusiasts. Additionally, optional drift and slop controls for the oscillators, filters, amp, and dual envelope generators introduce authentic analog character and warmth to every sound patch.

The highly flexible SH-style stereo mixer and its varied workflow options allow for modular-style signal routing. Each sound source -- VCO-1, VCO-2A, VCO-2B, the ring modulator, and noise -- can be independently routed to the VCF, BPF, or VCA, with each path enhanced with its own chain of studio-quality effects. With 20 effects available to arrange and reuse within its four chains, SH-MAX provides an exceptionally wide sonic palette. Additional features include a four-channel step sequencer capable of parallel playback or extended chaining, along with a touch effects panel that supports channel and polyphonic aftertouch with compatible MIDI controllers.

SH-MAX's legacy traces back to over five decades of synthesizer and electronic music innovation. The SH-series synthesizers have been used by a diverse range of artists, including Kraftwerk, Tangerine Dream, Jean-Michel Jarre, Brian Eno, Gary Numan, Throbbing Gristle, Skinny Puppy, Aphex Twin, Orbital, Mathew Jonson, Pink Floyd, Nine Inch Nails, Kitaro, MGMT, Vangelis, The Human League, Blondie, Yello, and more.

With SH-MAX, users can create everything from massive leads and thick basses to lush pads and exceptional sound effects, making it a true synthesis powerhouse at their fingertips. To inspire musicians right out of the box, SH-MAX includes over 300 expertly crafted presets that showcase its broad capabilities. For those wanting even more, the Maximum Overdrive Preset Pack by sound designer James Dyson is available from Cherry Audio for $9.99, offering 100 additional presets that highlight SH-MAX's raw analog tone, advanced modulation, four-channel step sequencer, and abundant effects.

Furthermore, until February 22nd, customers can take advantage of Cherry Audio's "Build Your Own Bundle" promotion at cherryaudio.com. Choose the Pick 3 bundle for $99 (regularly $129) or the Pick 6 bundle for $149 (regularly $169) to mix and match any of Cherry Audio's award-winning instruments for as low as $25 per plugin.

Cherry Audio's SH-MAX synthesizer is now available for $59 at cherryaudio.com and authorized resellers worldwide. SH-MAX is a virtual instrument for macOS (10.13 and later) and Windows (7 and later), provided as AU, VST, VST3, and AAX plugins, as well as a standalone application. A free 30-day demo is available. For in-depth product details, an introductory video, extensive demos, and system requirements, visit cherryaudio.com.

Bastl Introduces CITADEL Alchemist Eurorack Module

video upload by Bastl Instruments

Check with dealers on the right for availability and price.

Playlist:

1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!

We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."

2. Bastl CITADEL Alchemist - All Synth Modes preview

"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."

Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching

3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments

Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.

Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic.
Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.

5 synthesis modes
The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.

The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds.
The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode.
You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento.
You can customize its rhythms and scales with the web-based editor.
Modulate anything
All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.

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First try at making music for FM synthesis

video upload by MIDI IN

"I'm very happy that Ed Brindley has made this FM sound module for the RC2014 and similar computers. This is the technology used in early PC soundcards and synthesisers like the DX1000. This is my first go at tracking music for this sound card. I used Furnace Tracker, exported to .vgm and ran Ed's music player to play it. You're hearing the capture from the new sound card.

Relevant links:

My track:
https://peacockmedia.software/misc/fi...

Ed's project:
https://maidavale.org/projects/rcbus-...
https://github.com/electrified/rcbus-...

Collection of OPL3 instruments:
https://magmainia.newgrounds.com/news...

0:00 talky bit
1:07 explanation of techniques used
2:16 the music"

Bastl Introduces the Kastle 2 Alchemist 🧪 Compact Hybrid-Synthesis Instrument

video uploads by Bastl Instruments

Playlist:

1. Kastle 2 Alchemist 🧪 Compact Hybrid-Synthesis Instrument
2. No talking, just sounds - Kastle 2 Alchemist Hybrid-Synthesis Instrument
3. The most fun I've had making a video - Oscillator Sink and Bastl Instruments
4. ALCHEMIST: Bastl's super fun Kastle synth - Turbo Tambourine and Bastl Instruments
5. Bastl Alchemist Beginner’s Guide – How to Get Started - Shimmery.mp3 and Bastl Instruments



"We are stoked to introduce the Kastle 2 Alchemist – a patchable, hybrid-synthesis instrument that empowers you to explore melodies and even harmonic textures, despite being monophonic.

The Alchemist offers a range of Bastl-brewed Synth Modes – Filter, FM, Supersaw, Hypersine, and GlitchNoise – which can be combined with its internal effects and the versatile Pattern Generator. Rhythms and scales are fully customizable via the web-based app, and expanded MIDI USB compatibility adds even more flexibility.

The Kastle 2 Alchemist is the third firmware release for the Kastle 2 hardware platform, joining the FX Wizard multi-effects processor and the Wave Bard stereo sample player. The firmware is fully cross-compatible across all devices in the Kastle 2 Series – meaning the Alchemist firmware can be loaded onto previous Kastle 2 units and Citadel modules, and vice versa.

The Kastle 2 Alchemist is the spiritual successor to the original and widely popular Kastle Synth, introduced in the fall of 2016 and later updated to Kastle 1.5 in late 2017. It also inherits the DNA of the Kastle Arp from 2023, resulting in expanded musicality.

The Kastle 2 Series is often described as experimental and funky — and while the Alchemist certainly carries that spirit, this third medieval-themed instrument pushes the platform further. With carefully crafted synth modes and intuitive controls, the Alchemist expands the musical range, making it valuable in both beginner setups and complex studio environments."

Check with dealers on the right on availability.

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Generative chaos

video upload by Meska (Meska)

"Semi generative patch :

Voices , are sampled radio on the casset player to typhoon
'bell' is element
Bass is 2fm op, one FM the other mixed with noise to vacium tube drive and feeebback to centaur gate for filtering
Noise is parralelle procesing of the bass voice to resonanant FB to ikarie
Voice 1 is Carbon as oscilator with noise to centaur gate vca
Voice 2 is warp internal oscilator with noise wavefolde to an LPG
The generative part is prodiuce by Zadar and Juniper , respectivly creating VCA/VFC modulation and quantizing voltage



Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

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KORG UK Synth Vids

video uploads by KORG UK



"From legendary analogue synthesizers to genre-defining digital powerhouses, Korg has sat at the heart of synth innovation for generations."

This one comes up via a KORG newsletter I just recieved with a video for "a deep dive into the multi/poly with Luke from Korg." I was about to post it and then realized it was from 11 months ago. I checked to see if I posted it before and couldn't find it. I've been posting the US videos. So... Here's KORG UK's synth playlist in case you missed any like me. You can use the player controls to skip around. It's a fun and interesting look back in time. You'll find Korg's Tatsuya Takahashi, aka Tat's, showcasing the Volca series.

As always, check with dealers on the right for availability.

Playlist:

1. Discover Opsix mkII with Luke from Korg
2. Getting started with the Opsix mkII - your first five minutes
3. Opsix mkII - redefine your sound
4. Getting started with the Modwave mkII - your first five minutes
5. Discover Modwave mkII with Luke from Korg
6. Modwave mkII - a modern monster synth
7. Explore the Volca Modular - overview
8. Volca Modular - Modular meets Volca
9. Meet the NTS-1 Digital mkII - Build your sound
10. Get started with the Korg Minilogue XD - your first five minutes
11. Explore the Korg Minilogue XD - overview
12. Korg Minilogue XD performance - Analogue Evolved
13. Get started with the Korg Wavestate mkII - your first five minutes
14. Explore the Korg Wavestate mkII
15. Korg Wavestate mkII - Synthesize the Extraordinary
16. Discover the Korg Volca Beats - overview
17. Volca Bass overview - Analogue bass in the palm of your hand
18. Explore the Korg Volca Keys - overview
19. MS-20 Mini overview - all the power, 86% the size!
20. Opsix SE overview - six-in-one synthesis through altered FM
21. Korg Opsix SE - a digital synth like no other
22. Korg Wavestate SE - performance unleashed
23. Getting started with the ARP 2600 M - your first five minutes
24. Introducing the Korg Wavestate mkII 🎹
25. Introducing the Korg Wavestate SE - Organic, inspirational, and mind-blowingly powerful 🎹
26. miniKORG 700FS overview - go back to the future!
27. Getting started with miniKORG 700FS - your first five minutes
28. ARP 2600 M - overview of the icon 🎹 all of the sound, 60% the size
29. Korg Volca Keys overview with Tatsuya Takahashi
30. Korg Volca Beats overview with Tatsuya Takahashi
31. Korg Volca Bass overview with Tatsuya Takahashi
32. Introducing the Korg microKORG Crystal
33. You asked, we listened. The ARP 2600 FS is back in the UK & Ireland!
34. Introducing Korg Minilogue Bass

Bad Gear - Why did I BUY THIS???

video upload by AudioPilz

[Side Note: The main reason to get a DX200 is for how the knobs are mapped to multiple parameters. Each FM synth maps their controllers differently. You can morph sound in ways you can't easily with other FM synths. The DX200 makes for some intersting Buchla-esque sound morphing and exploration. The groovebox rhythm section is just a distraction, but neverless a tool if you choose to use it.]

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. As a professional music technology clown I have become immune to gear acquisition syndrome, all my purchases are meticulously planned out, based on quantifiable parameters like resale value, repairability and actual utility in music production.

However, today we are going to talk about the 2001 Yamaha DX200, an overpriced contraption notorious for its questionable build quality, sonically surpassed by freeware plugins and riddled with more UI limitations than a Volca. Why did I buy this?

Chapters:
00:00 Intro tune
00:59 Overview DX200
01:29 Yamaha DX200 vs. Elektron Digitone, DX7 Patches
01:52 Front Panel UI
02:54 A DX7 with a Filter ???
03:12 FX Section, Distortion
03:26 Scenes
03:47 Software Editors
03:57 Sample Player, AWM Engine
04:27 Groovebox Functionality
05:09 Free EG (Automation)
05:35 Build Quality Issues, Workflow Quirks
06:12 DX200 vs. AN200 , Pricing
06:28 H*te Screen
06:56 Jam 1 ( Microhouse )
07:51 Jam 2 ( DnB )
08:53 Finale ( FM Organ Funk )
09:21 Verdict"

Oberheim TEO-5 - Labyrinth Vol.2 OUT NOW!

video uploads by Scott McAuley Sounds

Note there are two videos in the playlist above. Use the player controls to skip around. Time stamps for each below.

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

*No External Effects used in this demo, what you hear is what you will receive*

You asked, I listened! I continued on and programmed another 80 brand new sounds for the amazing TEO-5! It seems this synth is extremely popular which is great to hear for the Oberheim team. And now the desktop has also been announced, it is also available in an even smaller form factor, but with all the magic that the synth offers. and you will be happy to hear, the patches are compatible on both the synth and desktop :)

Enjoy!
Scott.

© Scott McAuley. All rights reserved."

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Native Instruments Introduces MR1 Valve Data

MR1 Valve Data walkthrough video upload by Native Instruments

"Product expert Reuben Cornell takes you through the innovative features of this new kind of drum machine from cult developer 10 Phantom Rooms. MR1 Valve Data is a new approach to creative drums. Hear its raw analog tube beats and see how its drum sequencer and innovative controls quickly shift, warp, and shape to create compelling beats."

Chapters:
00:00 - Introduction
01:44 - Snapshot Examples
07:25 - Interface Overview
08:09 - Source Sounds Examples
09:19 - Sample Start Examples
10:30 - Randomization
10:44 - ABC Variations
10:58 - Mod Wheel Macro Control
11:18 - Creating Variations
11:43 - Quick Edit Overview
13:07 - Cutoff / Tune / Decay / Burn Dials
13:35 - Burn Processing
14:27 - Cut Macro
14:39 - Time Macro
15:00 - Pump Processing
15:35 - Sequencing Control
17:10 - Pan / Cutoff / Sample Start Sequencing
17:45 - Mutate
18:12 - Global Sequencing Options
19:18 - Mix / Edit / FM Page Summary
19:40 - Conclusion"



via Native Instruments

"Modular tube drum machine

A new kind of drum machine – fun and easy to use with special real-time features
155 presets based on over 300 creative samples, designed with modular tube gear
Morph, shift, and transform beats like never before with intuitive performance controls

Raw analog tube beats transformed

From 10 Phantom Rooms’ new Modular Rhythm series, MR1 Valve Data leads the way in a new approach to creative drums. The real-time features let you morph parameters with just one control, for totally fresh sounds.

And that’s not all. Get dirty, deep tube-processed drums with the satisfying analog grit of sampled oscillators, filters, and granular effects. Create distinctive beats fast with intuitive sequencer, randomizer, and mutator features. Then, warp and shape them with "burning" distortion effects, tuning, plus reverb and delay including new sidechaining controls.

Created by 10 Phantom Rooms exclusively for NI

MR1 Valve Data is the first in the new Modular Rhythm series created by 10 Phantom Rooms. Specializing in next-generation Kontakt instruments for film and media composers, the company was founded by sound and instrument designer Tobias Menguser, alongside Paul Haslinger (ex-Tangerine Dream, Underworld). With a career spanning three decades, Tobias has created sounds and instruments for many of the industry’s biggest names, including sounds for more than 600 movie trailers.

At a glance

Product type: Kontakt instrument

For use with: Free Kontakt Player or Kontakt

Sound category: Hybrid modular plugin

Number of snapshots: 155 with 3 variations each

Download size: 300 MB

System requirements: Free Kontakt Player or Kontakt (version 8.4.1 or higher). Please also see the Kontakt Player system requirements and the Kontakt Player FAQ.

User Manual PDF

You can install this instrument with Native Access – just as you would with any Native Instruments product."

Yamaha MONTAGE M v3.0 Update

video upload by Yamaha Synths Official

Click CC on the bottom of the player for subtitles.

Yamaha | MONTAGE M E.S.P 3.0 | Katsunori Ujiie

video upload by Yamaha Synths Official

"Join Yamaha Synthesizer specialist Katsunori Ujiie as he dives into the exciting new features of the MONTAGE M v3.0 update.

The new operating system includes the following new features and improvements:
• New GS1 Ensemble & Tremolo, M/S EQ Compressor, and CS Ring Modulator effects
• New Clavi waveforms and Performances
• AN-X and FM-X parameters for Part LFO destination
• Increased maximum number of loadable libraries from 16 to 24
• SSS Time support
• Performance Note Shift function
• Keyboard Hold Lock function
• ESP Control for DAW Remote
• Note Limit and Note Shift functions for Scene with External Part support
• Rec’n’Share support
• Various user interface improvements

The OS 3.0 update is available immediately and free of charge for all MONTAGE M owners.
Download it now: https://yamaha.io/3DL9U5k"

Check with dealers on the right for availability and deals on the Yamaha MONTAGE M.

EssenceFM v7.0

video upload by Kodamo

"Discover the new features in this v7.0 firmware for your EssenceFM MK1/MKII.
Full list and download here: https://kodamo.org/firmwares?synth=efm"

v7.0 Contents

Two LFOs: Expand your sound design possibilities with a second LFO for all voices. It works like the first LFO except that it does not have Attack or Delay parameters. It has no hardwired AM/FM mod on the operator, so it should be used in the mod matrix.

UI Improvement: Volumes for all 6 operators can now be edited at the same time. When you are on the Base tab, operators become color-matched to the encoders that control their volume.

Global > Display > Startup Bank: allows to choose which Patch or Voice bank you want to load on startup.

Mod Matrix: Added each slot's ratio as modulation destination. To produce the intended effect modulations have to be put in the right order (eg. slot 1 modulates slot 2 that modulates another parameter), otherwise modulations will occur across voices (which can be used for more complex effects).

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SSB X-Flow FM Synthesizer

video uploads by Synthesizer Studio Berlin

Playlist (use the player controls to skip around):

1. Gnossienne no 1 X FLOW EDIT
2. X FLOW DEEP DIVE INTO XY FM
3. X FLOW TUTORIAL
4. THE POWER OF X FLOW MPE

SSB X-Flow FM Synthesizer
available at:
https://www.synthesizerstudioberlin.c...

A Revolution in Visual FM Synthesis

Experience FM synthesis like never before with the SSB X-Flow, a groundbreaking instrument for Native Instruments Reaktor.

X Flow reimagines FM with an innovative visual approach, replacing complex matrices with intuitive XY fields, putting the power of FM directly at your fingertips.

Key Features:

Visual FM Matrix:Ditch the confusing charts! X-Flow uses four XY fields to represent the FM matrix, providing a clear and direct way to shape your sound. Each operator's modulation source is visually displayed, making FM synthesis more accessible and creative.

Expressive Performance: X-Flow is designed for performance. Modulate your FM creations live with your mouse, MIDI controllers, or even with the nuanced control of Mono-, Poly-Aftertouch or MPE, for unparalleled sonic expression.

Deep Modulation Capabilities: Dive into a world of intricate sound design with extensive modulation options. X-Flow features 4 FM Envelopes per voice, 2 LFOs per voice (which can be polyphonic, monophonic, key synced or one-shot) for Pitch, Amp, and Filter modulation, and 8 XY LFOs per voice to further animate the FM matrix.

Powerful Sound Engine: X-Flow boasts a 24-voice engine with 4 operators, each offering 5 selectable waveforms (Sine, Tri, Saw, Pulse, Square). Shape your sound further with a dedicated filter section (including Low Pass and High Pass options) and an Overdrive effect for added grit and character.
(16 Voices for the MPE version)

Advanced Control: Fine-tune your sound with detailed controls including individual operator Pitch and Level, voice panning with randomization, and comprehensive Voice Mode options for polyphony, monophony, unison, and detuning.

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Frap Tools Magnolia, 8-voice analog thru-zero FM polyphonic synthesizer | Project update

video upload by Frap Tools

Click CC at the bottom of the player for subtitles.

"Magnolia will be an 8-voice analog through-zero FM synthesizer, which we built to create sounds from the modular world through a classic keyboard interface.

Waveshapers, wavefolders, and, most importantly, analog linear through-zero FM unlock every sound associated with the 'West Coast' synthesis world. But that's not all! Fat resonant filters and powerful analog oscillators allow more traditional subtractive synthesis sounds as well.

A vast and flexible modulation section encourages complex patches with the twist of a knob, but it is always easy to keep track of what's going on thanks to LEDs on every source and destination. An arpeggiator and a sequencer complement the machine.

We are announcing and showcasing two pre-production units. We aim to release the final version at the end of summer, and it will show some differences. It may have a more refined interface, it will feature digital effects, and some of the features currently under evaluation may disappear.

We've been working on it for the last year, and we're eager to show it to the world!"

Follow-up to this post where you'll find additonal pics.

Update: press release follows:

Frap Tools to take on high-end keyboard synthesizer market with ‘West Coast’ MAGNOLIA making its public debut at SUPERBOOTH25

MEDOLLA, ITALY: Frap Tools, hitherto known as a manufacturer of Eurorack modules and accessories alongside professional audio compressors in the 500-Series format, is proud to venture into the world of high-end keyboard synthesizers with its introduction of MAGNOLIA — announced as an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER built to unlock every sound associated with ‘West Coast’ modular synthesis through a classic keyboard interface — anchored around showcasing two pre-production units at SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany…

As an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER, MAGNOLIA unlocks every sound associated with the so-called ‘West Coast’ modular synthesis world with waveshapers, wavefolders, and, most importantly, analog linear TZFM (Through-Zero Frequency Modulation) Indeed, its intentions are made clear from the outset by the on point wording worked tastefully into its (initial) top panel design. No need to necessarily remain there, though, for fat resonant filters and powerful analogue oscillators also allow for more traditional subtractive synthesis sounds. And although a deep and flexible modulation section encourages complex patches with the push of a button and twist of a knob, switching modulations on and off with the TOGGLE function, it is always easy to keep track of what is going on thanks to the inclusion of LEDs (Light-Emitting Diodes) on every source and destination.

Digging deeper, MAGNOLIA features eight analogue voices with two oscillators — carrier and modulator — and 24 dB/oct resonant HIGH-PASS and LOW-PASS filters; the carrier oscillator has a through-zero core for precise, sideband-rich analogue FM (Frequency Modulation) sounds, so crystal-like pads to growling basses are available to all with the greatest of ease, while FM can be applied to the filters. Furthermore, sculpting sounds that have not been heard before on analogue polysynths are now perfectly possible, thanks to MAGNOLIA’s unique signal flow — think continuously variable waveform shapes and a wavefolder circuit per voice!

Those two oscillators are derived from Frap Tools’ BRENSO (https://frap.tools/products/brenso/), a Euroack module readily representing its creator’s primary analogue source of articulated waveforms whose degree of entanglement can be precisely set by the musician. MAGNOLIA’s Oscillator 1 is the ‘West Coast’ one with TZFM, wavefolder, and FLIP SYNC, while Oscillator 2 is the ‘East Coast’ one, with PWM (Pulse Width Modulation) and fine-tune. Whether wanting experimental FM sounds or punchy synth brass, they are always at anyone’s service. Speaking of Frap Tools’ unique modular soul, MAGNOLIA’s filter section is derived from CUNSA (https://frap.tools/products/cunsa/) — itself a quadruple analogue ping-able multimode resonant filter, saturator, mixer, and oscillator, no less!

Musically, MAGNOLIA sports a keyboard from fellow Italians FATAR, with polyphonic aftertouch capabilities for enhanced expressiveness, while a per-part ARPEGGIATOR and per-part 16-step SEQ (sequencer) serve to creatively complement the synthesizer still further. Features briefly worth drawing attention to here by way of ending on some more high notes include MAGNOLIA’s bi-timbral programs (with SINGLE, MORPH, DUAL, and SPLIT MODES); all-analogue signal path; three loop-able DAHDSR (DELAY, ATTACK, HOLD, DECAY, SUSTAIN, and RELEASE) envelopes; three digital LFOs (Low Frequency Oscillators); and 512 preset memory slots.

Anyone attending SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany can get up close and personal with two MAGNOLIA pre-production units by swinging by Booth B049 there. Their creators will be showcasing them personally, eager to show the results of their hard work, while providing a passionate warm welcome. Frap Tools aim to release MAGNOLIA as a production product by the end of summer, albeit with some differences evident by then. The interface will likely be more refined, featuring digital effects, while some features currently under evaluation could conceivably be removed."

Yamaha Montage M & Genos 2 | SynthFest 2025

video upload by SynthFest France

Click CC on the bottom of the player for subtitles.

"La nouvelle série Montage M de Yamaha repousse encore plus loin les limites. Les synthèses FM-X et AWM2 se voient complétées par un moteur de synthèse complet AN-X, simulant les circuits analogiques et reproduisant leurs imperfections si musicales. Des écrans contextuels apparaissent à gauche du panneau, et le M8X signe le grand retour chez Yamaha du Polyphonic Aftertouch, longtemps après le CS80. Des commandes supplémentaires et une librairie sonores étendues en font un clavier ultime."

Googlish:

"Yamaha's new Montage M series pushes the boundaries even further. FM-X and AWM2 synthesis are complemented by a full-featured AN-X synthesis engine, simulating analog circuits and reproducing their musical imperfections. Contextual displays appear on the left side of the panel, and the M8X marks Yamaha's return to Polyphonic Aftertouch, long after the CS80. Additional controls and an extensive sound library make this the ultimate keyboard."

Update:

Yamaha Genos 2 | SynthFest 2025

video upload by SynthFest France

"Cyril Colom vous présente le Genos 2, l'arrangeur à la pointe de la technologie de Yamaha, issue d'une longue tradition de la marque.

Si vous pensez savoir à quoi vous attendre avec une démo d'arrangeur, vous risquez d'être surpris, avec la performance époustouflante de Richard Vecchi!"

Googlish:

"Cyril Colom presents the Genos 2, Yamaha's state-of-the-art arranger, a product of the brand's long-standing tradition.

If you think you know what to expect from an arranger demo, you might be surprised by Richard Vecchi's breathtaking performance!"