1. Kastle 2 Alchemist 🧪 Compact Hybrid-Synthesis Instrument
2. No talking, just sounds - Kastle 2 Alchemist Hybrid-Synthesis Instrument
3. The most fun I've had making a video - Oscillator Sink and Bastl Instruments
4. ALCHEMIST: Bastl's super fun Kastle synth - Turbo Tambourine and Bastl Instruments
5. Bastl Alchemist Beginner’s Guide – How to Get Started - Shimmery.mp3 and Bastl Instruments
"We are stoked to introduce the Kastle 2 Alchemist – a patchable, hybrid-synthesis
instrument that empowers you to explore melodies and even harmonic textures, despite
being monophonic.
The Alchemist offers a range of Bastl-brewed Synth Modes – Filter, FM, Supersaw,
Hypersine, and GlitchNoise – which can be combined with its internal effects and the
versatile Pattern Generator. Rhythms and scales are fully customizable via the web-based
app, and expanded MIDI USB compatibility adds even more flexibility.
The Kastle 2 Alchemist is the third firmware release for the Kastle 2 hardware platform,
joining the FX Wizard multi-effects processor and the Wave Bard stereo sample player. The
firmware is fully cross-compatible across all devices in the Kastle 2 Series – meaning the
Alchemist firmware can be loaded onto previous Kastle 2 units and Citadel modules, and
vice versa.
The Kastle 2 Alchemist is the spiritual successor to the original and widely popular Kastle
Synth, introduced in the fall of 2016 and later updated to Kastle 1.5 in late 2017. It also
inherits the DNA of the Kastle Arp from 2023, resulting in expanded musicality.
The Kastle 2 Series is often described as experimental and funky — and while the Alchemist
certainly carries that spirit, this third medieval-themed instrument pushes the platform further.
With carefully crafted synth modes and intuitive controls, the Alchemist expands the musical
range, making it valuable in both beginner setups and complex studio environments."
Voices , are sampled radio on the casset player to typhoon
'bell' is element
Bass is 2fm op, one FM the other mixed with noise to vacium tube drive and feeebback to centaur gate for filtering
Noise is parralelle procesing of the bass voice to resonanant FB to ikarie
Voice 1 is Carbon as oscilator with noise to centaur gate vca
Voice 2 is warp internal oscilator with noise wavefolde to an LPG
The generative part is prodiuce by Zadar and Juniper , respectivly creating VCA/VFC modulation and quantizing voltage
Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
"From legendary analogue synthesizers to genre-defining digital powerhouses, Korg has sat at the heart of synth innovation for generations."
This one comes up via a KORG newsletter I just recieved with a video for "a deep dive into the multi/poly with Luke from Korg." I was about to post it and then realized it was from 11 months ago. I checked to see if I posted it before and couldn't find it. I've been posting the US videos. So... Here's KORG UK's synth playlist in case you missed any like me. You can use the player controls to skip around. It's a fun and interesting look back in time. You'll find Korg's Tatsuya Takahashi, aka Tat's, showcasing the Volca series.
As always, check with dealers on the right for availability.
Playlist:
1. Discover Opsix mkII with Luke from Korg
2. Getting started with the Opsix mkII - your first five minutes
3. Opsix mkII - redefine your sound
4. Getting started with the Modwave mkII - your first five minutes
5. Discover Modwave mkII with Luke from Korg
6. Modwave mkII - a modern monster synth
7. Explore the Volca Modular - overview
8. Volca Modular - Modular meets Volca
9. Meet the NTS-1 Digital mkII - Build your sound
10. Get started with the Korg Minilogue XD - your first five minutes
11. Explore the Korg Minilogue XD - overview
12. Korg Minilogue XD performance - Analogue Evolved
13. Get started with the Korg Wavestate mkII - your first five minutes
14. Explore the Korg Wavestate mkII
15. Korg Wavestate mkII - Synthesize the Extraordinary
16. Discover the Korg Volca Beats - overview
17. Volca Bass overview - Analogue bass in the palm of your hand
18. Explore the Korg Volca Keys - overview
19. MS-20 Mini overview - all the power, 86% the size!
20. Opsix SE overview - six-in-one synthesis through altered FM
21. Korg Opsix SE - a digital synth like no other
22. Korg Wavestate SE - performance unleashed
23. Getting started with the ARP 2600 M - your first five minutes
24. Introducing the Korg Wavestate mkII 🎹
25. Introducing the Korg Wavestate SE - Organic, inspirational, and mind-blowingly powerful 🎹
26. miniKORG 700FS overview - go back to the future!
27. Getting started with miniKORG 700FS - your first five minutes
28. ARP 2600 M - overview of the icon 🎹 all of the sound, 60% the size
29. Korg Volca Keys overview with Tatsuya Takahashi
30. Korg Volca Beats overview with Tatsuya Takahashi
31. Korg Volca Bass overview with Tatsuya Takahashi
32. Introducing the Korg microKORG Crystal
33. You asked, we listened. The ARP 2600 FS is back in the UK & Ireland!
34. Introducing Korg Minilogue Bass
[Side Note: The main reason to get a DX200 is for how the knobs are mapped to multiple parameters. Each FM synth maps their controllers differently. You can morph sound in ways you can't easily with other FM synths. The DX200 makes for some intersting Buchla-esque sound morphing and exploration. The groovebox rhythm section is just a distraction, but neverless a tool if you choose to use it.]
"Welcome to Bad Gear, the show about the world’s most-hated audio tools. As a professional music technology clown I have become immune to gear acquisition syndrome, all my purchases are meticulously planned out, based on quantifiable parameters like resale value, repairability and actual utility in music production.
However, today we are going to talk about the 2001 Yamaha DX200, an overpriced contraption notorious for its questionable build quality, sonically surpassed by freeware plugins and riddled with more UI limitations than a Volca. Why did I buy this?
Chapters: 00:00 Intro tune 00:59 Overview DX200 01:29 Yamaha DX200 vs. Elektron Digitone, DX7 Patches 01:52 Front Panel UI 02:54 A DX7 with a Filter ??? 03:12 FX Section, Distortion 03:26 Scenes 03:47 Software Editors 03:57 Sample Player, AWM Engine 04:27 Groovebox Functionality 05:09 Free EG (Automation) 05:35 Build Quality Issues, Workflow Quirks 06:12 DX200 vs. AN200 , Pricing 06:28 H*te Screen 06:56 Jam 1 ( Microhouse ) 07:51 Jam 2 ( DnB ) 08:53 Finale ( FM Organ Funk ) 09:21 Verdict"
*No External Effects used in this demo, what you hear is what you will receive*
You asked, I listened! I continued on and programmed another 80 brand new sounds for the amazing TEO-5! It seems this synth is extremely popular which is great to hear for the Oberheim team. And now the desktop has also been announced, it is also available in an even smaller form factor, but with all the magic that the synth offers. and you will be happy to hear, the patches are compatible on both the synth and desktop :)
"Product expert Reuben Cornell takes you through the innovative features of this new kind of drum machine from cult developer 10 Phantom Rooms. MR1 Valve Data is a new approach to creative drums. Hear its raw analog tube beats and see how its drum sequencer and innovative controls quickly shift, warp, and shape to create compelling beats."
A new kind of drum machine – fun and easy to use with special real-time features 155 presets based on over 300 creative samples, designed with modular tube gear Morph, shift, and transform beats like never before with intuitive performance controls
Raw analog tube beats transformed
From 10 Phantom Rooms’ new Modular Rhythm series, MR1 Valve Data leads the way in a new approach to creative drums. The real-time features let you morph parameters with just one control, for totally fresh sounds.
And that’s not all. Get dirty, deep tube-processed drums with the satisfying analog grit of sampled oscillators, filters, and granular effects. Create distinctive beats fast with intuitive sequencer, randomizer, and mutator features. Then, warp and shape them with "burning" distortion effects, tuning, plus reverb and delay including new sidechaining controls.
Created by 10 Phantom Rooms exclusively for NI
MR1 Valve Data is the first in the new Modular Rhythm series created by 10 Phantom Rooms. Specializing in next-generation Kontakt instruments for film and media composers, the company was founded by sound and instrument designer Tobias Menguser, alongside Paul Haslinger (ex-Tangerine Dream, Underworld). With a career spanning three decades, Tobias has created sounds and instruments for many of the industry’s biggest names, including sounds for more than 600 movie trailers.
At a glance
Product type: Kontakt instrument
For use with: Free Kontakt Player or Kontakt
Sound category: Hybrid modular plugin
Number of snapshots: 155 with 3 variations each
Download size: 300 MB
System requirements: Free Kontakt Player or Kontakt (version 8.4.1 or higher). Please also see the Kontakt Player system requirements and the Kontakt Player FAQ.
"Join Yamaha Synthesizer specialist Katsunori Ujiie as he dives into the exciting new features of the MONTAGE M v3.0 update.
The new operating system includes the following new features and improvements:
• New GS1 Ensemble & Tremolo, M/S EQ Compressor, and CS Ring Modulator effects
• New Clavi waveforms and Performances
• AN-X and FM-X parameters for Part LFO destination
• Increased maximum number of loadable libraries from 16 to 24
• SSS Time support
• Performance Note Shift function
• Keyboard Hold Lock function
• ESP Control for DAW Remote
• Note Limit and Note Shift functions for Scene with External Part support
• Rec’n’Share support
• Various user interface improvements
The OS 3.0 update is available immediately and free of charge for all MONTAGE M owners.
Download it now: https://yamaha.io/3DL9U5k"
Check with dealers on the right for availability and deals on the Yamaha MONTAGE M.
Two LFOs: Expand your sound design possibilities with a second LFO for all voices. It works like the first LFO except that it does not have Attack or Delay parameters. It has no hardwired AM/FM mod on the operator, so it should be used in the mod matrix.
UI Improvement: Volumes for all 6 operators can now be edited at the same time. When you are on the Base tab, operators become color-matched to the encoders that control their volume.
Global > Display > Startup Bank: allows to choose which Patch or Voice bank you want to load on startup.
Mod Matrix: Added each slot's ratio as modulation destination. To produce the intended effect modulations have to be put in the right order (eg. slot 1 modulates slot 2 that modulates another parameter), otherwise modulations will occur across voices (which can be used for more complex effects).
Playlist (use the player controls to skip around):
1. Gnossienne no 1 X FLOW EDIT
2. X FLOW DEEP DIVE INTO XY FM
3. X FLOW TUTORIAL
4. THE POWER OF X FLOW MPE
SSB X-Flow FM Synthesizer available at: https://www.synthesizerstudioberlin.c...
A Revolution in Visual FM Synthesis
Experience FM synthesis like never before with the SSB X-Flow, a groundbreaking instrument for Native Instruments Reaktor.
X Flow reimagines FM with an innovative visual approach, replacing complex matrices with intuitive XY fields, putting the power of FM directly at your fingertips.
Key Features:
Visual FM Matrix:Ditch the confusing charts! X-Flow uses four XY fields to represent the FM matrix, providing a clear and direct way to shape your sound. Each operator's modulation source is visually displayed, making FM synthesis more accessible and creative.
Expressive Performance: X-Flow is designed for performance. Modulate your FM creations live with your mouse, MIDI controllers, or even with the nuanced control of Mono-, Poly-Aftertouch or MPE, for unparalleled sonic expression.
Deep Modulation Capabilities: Dive into a world of intricate sound design with extensive modulation options. X-Flow features 4 FM Envelopes per voice, 2 LFOs per voice (which can be polyphonic, monophonic, key synced or one-shot) for Pitch, Amp, and Filter modulation, and 8 XY LFOs per voice to further animate the FM matrix.
Powerful Sound Engine: X-Flow boasts a 24-voice engine with 4 operators, each offering 5 selectable waveforms (Sine, Tri, Saw, Pulse, Square). Shape your sound further with a dedicated filter section (including Low Pass and High Pass options) and an Overdrive effect for added grit and character. (16 Voices for the MPE version)
Advanced Control: Fine-tune your sound with detailed controls including individual operator Pitch and Level, voice panning with randomization, and comprehensive Voice Mode options for polyphony, monophony, unison, and detuning.
Click CC at the bottom of the player for subtitles.
"Magnolia will be an 8-voice analog through-zero FM synthesizer, which we built to create sounds from the modular world through a classic keyboard interface.
Waveshapers, wavefolders, and, most importantly, analog linear through-zero FM unlock every sound associated with the 'West Coast' synthesis world. But that's not all! Fat resonant filters and powerful analog oscillators allow more traditional subtractive synthesis sounds as well.
A vast and flexible modulation section encourages complex patches with the twist of a knob, but it is always easy to keep track of what's going on thanks to LEDs on every source and destination. An arpeggiator and a sequencer complement the machine.
We are announcing and showcasing two pre-production units. We aim to release the final version at the end of summer, and it will show some differences. It may have a more refined interface, it will feature digital effects, and some of the features currently under evaluation may disappear.
We've been working on it for the last year, and we're eager to show it to the world!"
Follow-up to this post where you'll find additonal pics.
Update: press release follows:
Frap Tools to take on high-end keyboard synthesizer market with ‘West Coast’ MAGNOLIA making its public debut at SUPERBOOTH25
MEDOLLA, ITALY: Frap Tools, hitherto known as a manufacturer of Eurorack modules and accessories alongside professional audio compressors in the 500-Series format, is proud to venture into the world of high-end keyboard synthesizers with its introduction of MAGNOLIA — announced as an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER built to unlock every sound associated with ‘West Coast’ modular synthesis through a classic keyboard interface — anchored around showcasing two pre-production units at SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany…
As an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER, MAGNOLIA unlocks every sound associated with the so-called ‘West Coast’ modular synthesis world with waveshapers, wavefolders, and, most importantly, analog linear TZFM (Through-Zero Frequency Modulation) Indeed, its intentions are made clear from the outset by the on point wording worked tastefully into its (initial) top panel design. No need to necessarily remain there, though, for fat resonant filters and powerful analogue oscillators also allow for more traditional subtractive synthesis sounds. And although a deep and flexible modulation section encourages complex patches with the push of a button and twist of a knob, switching modulations on and off with the TOGGLE function, it is always easy to keep track of what is going on thanks to the inclusion of LEDs (Light-Emitting Diodes) on every source and destination.
Digging deeper, MAGNOLIA features eight analogue voices with two oscillators — carrier and modulator — and 24 dB/oct resonant HIGH-PASS and LOW-PASS filters; the carrier oscillator has a through-zero core for precise, sideband-rich analogue FM (Frequency Modulation) sounds, so crystal-like pads to growling basses are available to all with the greatest of ease, while FM can be applied to the filters. Furthermore, sculpting sounds that have not been heard before on analogue polysynths are now perfectly possible, thanks to MAGNOLIA’s unique signal flow — think continuously variable waveform shapes and a wavefolder circuit per voice!
Those two oscillators are derived from Frap Tools’ BRENSO (https://frap.tools/products/brenso/), a Euroack module readily representing its creator’s primary analogue source of articulated waveforms whose degree of entanglement can be precisely set by the musician. MAGNOLIA’s Oscillator 1 is the ‘West Coast’ one with TZFM, wavefolder, and FLIP SYNC, while Oscillator 2 is the ‘East Coast’ one, with PWM (Pulse Width Modulation) and fine-tune. Whether wanting experimental FM sounds or punchy synth brass, they are always at anyone’s service. Speaking of Frap Tools’ unique modular soul, MAGNOLIA’s filter section is derived from CUNSA (https://frap.tools/products/cunsa/) — itself a quadruple analogue ping-able multimode resonant filter, saturator, mixer, and oscillator, no less!
Musically, MAGNOLIA sports a keyboard from fellow Italians FATAR, with polyphonic aftertouch capabilities for enhanced expressiveness, while a per-part ARPEGGIATOR and per-part 16-step SEQ (sequencer) serve to creatively complement the synthesizer still further. Features briefly worth drawing attention to here by way of ending on some more high notes include MAGNOLIA’s bi-timbral programs (with SINGLE, MORPH, DUAL, and SPLIT MODES); all-analogue signal path; three loop-able DAHDSR (DELAY, ATTACK, HOLD, DECAY, SUSTAIN, and RELEASE) envelopes; three digital LFOs (Low Frequency Oscillators); and 512 preset memory slots.
Anyone attending SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany can get up close and personal with two MAGNOLIA pre-production units by swinging by Booth B049 there. Their creators will be showcasing them personally, eager to show the results of their hard work, while providing a passionate warm welcome. Frap Tools aim to release MAGNOLIA as a production product by the end of summer, albeit with some differences evident by then. The interface will likely be more refined, featuring digital effects, while some features currently under evaluation could conceivably be removed."
Click CC on the bottom of the player for subtitles.
"La nouvelle série Montage M de Yamaha repousse encore plus loin les limites. Les synthèses FM-X et AWM2 se voient complétées par un moteur de synthèse complet AN-X, simulant les circuits analogiques et reproduisant leurs imperfections si musicales. Des écrans contextuels apparaissent à gauche du panneau, et le M8X signe le grand retour chez Yamaha du Polyphonic Aftertouch, longtemps après le CS80. Des commandes supplémentaires et une librairie sonores étendues en font un clavier ultime."
Googlish:
"Yamaha's new Montage M series pushes the boundaries even further. FM-X and AWM2 synthesis are complemented by a full-featured AN-X synthesis engine, simulating analog circuits and reproducing their musical imperfections. Contextual displays appear on the left side of the panel, and the M8X marks Yamaha's return to Polyphonic Aftertouch, long after the CS80. Additional controls and an extensive sound library make this the ultimate keyboard."
"Cyril Colom vous présente le Genos 2, l'arrangeur à la pointe de la technologie de Yamaha, issue d'une longue tradition de la marque.
Si vous pensez savoir à quoi vous attendre avec une démo d'arrangeur, vous risquez d'être surpris, avec la performance époustouflante de Richard Vecchi!"
Googlish:
"Cyril Colom presents the Genos 2, Yamaha's state-of-the-art arranger, a product of the brand's long-standing tradition.
If you think you know what to expect from an arranger demo, you might be surprised by Richard Vecchi's breathtaking performance!"
Click CC in the bottom of the player for subtitles.
"Masami Komuro présente les 2 synthétiseurs de Kodamo:
l'Essence FM Mk2, un puissant synthé FM 6 opérateurs, 300 voix de polyphonie et multitimbral 16 parts, doté d'une interface tactile super réactive, permettant d'agence les opérateurs FM par glisser/déposer, dessiner ses enveloppes, etc...en offrant des affichages dynamiques. Jamais la FM n'a été aussi simple à programmer.
Le Mask 1 est un synthétiseur numérique haut de gamme doté d'un nouveau moteur de synthèse BitMask. Polyphonique 12 voix et multitimbral 4 parts, avec un filtre multimode, il est doté d'un excellent clavier Fatar, d'effet, d'un arpégiateur et d'un looper."
Googlish:
"Masami Komuro presents Kodamo's two synthesizers:
The Essence FM Mk2, a powerful 6-operator, 300-voice polyphonic, 16-part multitimbral FM synth with a super-responsive touchscreen interface that lets you drag and drop FM operators, draw envelopes, and more, while offering dynamic displays. FM has never been easier to program.
The Mask 1 is a high-end digital synthesizer featuring a new BitMask synthesis engine. Featuring 12-voice polyphonic and 4-part multitimbral, with a multimode filter, it features an excellent Fatar keyboard, effects, an arpeggiator, and a looper."
"A little journey with a tiny but aggressive analog synth: Uno Synth Pro X by IK Multimedia. With three oscillators, dual filter, three envelopes, two LFOs, analog drive, fm, sync, rm, three stages of digital effects, patch memory and a 64-step sequencer, it offers a great price/performance ratio.
Since most presets and demos seem to be based on sequencing, in making and playing my patches I tried to focus on playability. All original sounds, programmed from scratch. No external effects.
Un piccolo viaggio con un piccolo ma aggressivo synth analogico: Uno Synth Pro X di IK Multimedia. Con tre oscillatori, doppio filtro, tre inviluppi, due LFO, drive analogico, fm, sync, rm, tre stadi di effetti digitali, 256 memorie e un sequencer a 64 step, offre un ottimo rapporto prezzo/prestazioni.
Dato che la maggior parte dei preset e delle demo sembrano basarsi sul sequencing, nel creare e suonare le mie patch ho cercato di concentrarmi sulla suonabilità. Tutti suoni originali, programmati da zero. Non ho usato nessun effetto esterno."
"Spec run down of ZXXN 📻🔈🔥
What it is and where to get it - below.....
Available at: https://x1l3.bigcartel.com/
ZXXN is a 4HP FM radio and bluetooth receiver. As well as Fm radio and bluetooth, it also has an SD card slot and a USB port for streaming audio files. It also has an audio aux input which when hit with a eurorack level signal will saturate at the output. A remote control comes with the module which on top of allowing you to be lazy, also lets you manually input FM channel frequencies and select a number of EQ presets.
The demo here was created using the ZXXN fed through a drail module. With several takes grabbed by hitting record at what i thought were prime moments that fit with the scene. A section in the second half is recorded using the bluetooth receiver and youtube streamed to it from my phone.
It's a nice compact module that for 4HP serves as a really versatile tool for sound design and the gathering of sounds. Or, you can just use it to turn your eurorack into an audio player if you fancy the inherent light show that might come with that 🙂"
"This is a super un all in one oddity that only the 1970's could produce. If you are not familiar with these, take a closer look. Its an AM/FM radio, an organ w/vibrato, a tape player/recorder, it has a built in drum machine, and the antenna contains a microphone in the tip. You can play the organ and drum machine together while singing through the mic.
Everything works, but the tape deck will need cleaned as it runs slow. I tested it with a tape, and it plays and passes the audio signal just fine. However, the speed is slow and the fast forward/rewind motors are slow. I sprayed the spindle areas with contact cleaner and it helped somewhat, but I think it needs cleaned/lubricated.
The volu me knobs were a bit scratchy when I first tested everything. I hit them with contact cleaner and they are currently working just fine, but I'm not sure if they will remain this way until the pots are actually cleaned.
This thing is SO much fun, and it has a unique and warm sound."
"We are delighted to announce the release of Digitone II. Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights. Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machine - Wavetone, Swarmer, FM Tone and FM Drum - or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Pricing on elektron.se is 999 USD/1049 EUR." Check with dealers on the right for availability.
"Digitone II is a 16 track, 16 voice polyphonic synth capable of unleashing dimensions of exciting sonic possibilities, all framed in a modular workflow. There are multiple forms of digital synthesis to explore, offering deep sound-sculpting satisfaction. Here, Hissquiet and Jeremiah Chiu take turns guiding your eyes and ears around the awesome new features and exceptional sounds on offer.
Digitone II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."
Check with dealers on the right for availability.
User videos (use the player controls to skip around):
Playlist:
Digitone II - a look into a Preset Pattern - tubesockor
Elektron Digitone II (it is fun + can get really weird). - Sarah Belle Reid
Review: DIGITONE II vs OG Digitone // Everything new in Elektron's Digitone 2 // Detailed tutorial - loopop
DIGITONE 2 - First Track! - True Cuckoo
Details:
16 track polyphonic digital synthesizer Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Digitone II unleashes layers of exciting sonic possibilities. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights.
Transcend tonal realms Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machines or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron Sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Machine by machine Synth machines are your route to generating sound with Digitone II. There are four synth machines to play with, each with their own character and every single one stuffed with tweakability.
Dive into Wavetone, a fresh take on the classic 2-oscillator synthesizer. Morph between oscillator shapes, add phase distortion and oscillator modulation, or define with precision the flavor of your noise. Take the buzz to the next level with Swarmer. A super saw-in-origin cluster offering lots of waveform control across the swarm. Pick your shape, combine detune and noise modulation controls, and reach rich, complex textures. FM Tone is the original Digitone FM synthesis engine, and still capable of twisting your sound in all manner of delicious directions. Unleash FM Drum, with heaps of percussive flexibility and fine-tuning on offer to craft your own smacks and booms, and everything in between. And despite the name, capable of melodic magic too.
1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping
We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.
The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.
At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.
Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.
At Machina Bristronica 2024, we caught up with Arran from @archaea_modular_synthesis who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.
Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.
Update: moving this post up once as new videos have been added. Bookmark this post for updates.
Use the player controls to skip around.
Playlist:
1.SynthfestUK 24: Knobula - Synth Modules and Toy Pianos
At SynthfestUK 2024, we met up again with Jason, who gaves us the updates in the world of Knobula. On display was the new 'dark mode' Poly Cinematic module, for more monochrome rigs ;-]
2. SynthFestUK 24: PWM - More Mantis News
At the show we made a beeline for the PWM stand, where Paul gave us the latest Mantis news.
And yes, it's out there in the world now!
3. SynthfestUK 24: Roland Unveils the Juno-D Series with Zen-Core Sound
We caught up with Andrew and Ludwig who showed us around the new updated Juno-D series: Juno-D6, D7, and D8. They have the same keyboard action as the Fantom-O series and a new colour screen, making it easier for performers to navigate on stage. And they can be powered by a USB-C mobile battery, perfect for buskers ;-)
Running Roland's Zen-Core sound engine, they also incorporates features like a 64-step sequencer and a phrase pad for live sample triggering.
Prices range approximately from £949 to £1199.
The above is a playlist of demo videos from Tre Modular. You can use the player controls to skip around. You will find demos for individual modules with system jams dispersed througout. Note the videos are in newest to oldest order dating back to 1 year ago. This is the first post to feature Tre Modular.
Tre Modular - Replicant ADSR is an envelope generator inspired by Yamaha CS80 synthesizers filter envelope section. It has Initial lvl, Attack lvl controls and multi stage decay and release, same as the CS80. In addition to those things Replicant ADSR has sustain control, retrigger function and inverted output that was not present on the CS80 filter envelope, making this a truly unique ADSR.
2. Replicant ADSR first look
Replicant ADSR is a CS80 inspired envelope generator. It has Initial lvl, Attack lvl controls and multi stage decay and release, same as the CS80.
But that's not all, we have expanded on capabilities of this envelope generator by adding sustain control, retrigger function and inverted output making this a truly unique ADSR.
