POLYEND TRACKER MINI PORTABLE AUDIO WORKSTATION

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Additional Signal Sounds listings

"A pre-owned Polyend Tracker Mini in very good condition. It comes with original packaging and accessories.

Manufacturer's description
Discover the ultimate portable music workstation with the Tracker Mini. Designed for seamless composition, sampling, sound design, and performance, this device offers an expanded 16-track sequencer alongside unique synth and drum machine engines for unparalleled flexibility. With support for 14 stereo tracks of USB Audio and USB MIDI, it's perfect for multi-track recording into a DAW or hybrid setups. Enjoy up to eight hours of battery life for on-the-go creativity, and keep your Tracker Mini safe with the included travel case. Whether in the studio or outdoors, the Tracker Mini empowers musicians to create, mix, master, and export their music effortlessly.

Synths and Drum Machines:
The Tracker Mini excels with four advanced synth engines and a new drum machine synth, focusing on superior sound quality. The intuitive Synth Patch Editor speeds up patch creation and customization, offering a vast range of sounds. From lush pads and intricate arpeggios to powerful basses and robust electronic drums, the Tracker Mini is a synth powerhouse that meets all your creative needs. Dive into ACD for iconic monosynth recreations, FAT for rich analog warmth, VAP for complex polysynth designs, and WTFM for unique FM synthesis. The PERC drum instrument covers everything from classic 808s and 909s to experimental glitch effects.

Studio in Your Hands:
The Tracker Mini provides everything required to produce an album. Start with an included sample pack or explore over 250 synth presets. Record your own sounds, convert samples to instruments, and resample synth engines. Control external devices seamlessly, whether crafting simple beats or complex compositions. Mix, master, and export your songs with ease, making the Tracker Mini an all-in-one solution for any musician. Compatible with projects from the original Tracker, you can begin a song in the studio and finish it on the go, ensuring flexibility and convenience in your music production process.

Breathe Life into Your Tracks:
Transform your surroundings into a musical canvas with the Tracker Mini’s high-quality microphone and onboard battery, offering up to eight hours of playtime. Capture sonic memories from a camping trip or your morning commute to create unique sample packs and drum kits. This portable device inspires creativity beyond the studio, enabling you to store, manipulate, and draw inspiration from real-world sounds. The Tracker Mini ensures that wherever inspiration strikes, you're equipped to turn those moments into music."

It's Only Noise - Random Percussion with Sample & Hold, No Sequencer...just for fun #eurorack

video upload by AJH Synth Official

"Messing about with noise and random voltages. This patch is just various noise sources through various filters, frequency-modulated by sample & hold, with envelopes controlling amplitude (VCA) or affecting filter frequency. No sequencer was harmed in the making of this video.

The ‪@solidstatelogic‬ BigSix is used to mix all 4 sounds, with the ‪@vermonagear‬ DSR-3 providing stereo spring reverb for the drone and occasional sound.

Video & performance by ‪@DreamsOfWires‬

Patch Breakdown:

Drone: This is just pink noise going into the FIXED FILTER BANK 914, but with an LFO from the DUAL RVG modulating the mix between the left and right bands of the Filter Bank, creating that slow, breathing effect. The AJH SYNTH 914 has built-in, voltage-controllable mixing/cross-fading functionality, which wasn't present in the original Moog 914 on which it is closely based.

Percussion 1: White noise going to the SONIC XV Diode Ladder Filter, using its band pass output. One channel of the DUAL RVG is sending random voltages to the Sonic's Filter Frequency/Cutoff, whilst a DH-ADSR envelope generator controls its audio level in the TRIPLE CROSS (being used as a triple VCA).

Percussion 2: This starts with noise generated by the LUNAR MODULE - this has 2 noise sources with different character and tone control, and built-in distortion. Its output goes to the MATRIX VCF, which has 16 different filter modes, which I cycle through manually during the video. See out User Guide video for more information: • NEW MODULE! MATRIX VCF User Guide - Vintag...

Occasional Sound: Here I'm using the SAMPLE & HOLD module to randomly trigger the MULTI BURST ENVELOPS module. The Colour control on the Sample & Hold determines the range of random voltages generated. It is a combination of Low Pass and High Pass filter over the onboard noise that is used to derive the voltages, so turning it anti-clockwise from the centre acts as a low pass filter, reducing voltages produced to be in the lower range, whereas turning it clockwise of the centre position acts as a high pass filter, meaning voltages in the higher range. Since it is generating lower voltages here, it is only occasionally producing enough of a voltage change to trigger the Multi Burst Envelopes. If I raise the Colour control it will trigger more often.
The Multi Burst Envelopes produces a chosen number of bursts of the selected envelope shape. The built-in LFO controls the speed of the bursts, as does the Clock input, but both can be used together or independently. I'm using it to control the frequency of the ENTROPIC DOOM's low pass filter, to generate an occasional burst of filtered noise."

JMT SYNTH / SRV-1b

video upload by beatsville store

https://beatsville.jp



A desktop spring reverb unit featuring a built-in miniature spring.

You can use its high-quality, authentic spring to achieve a beautiful, classic reverb—or you can dive headfirst into the lush, vibrant resonance of a wildly oscillating spring, letting yourself drift and drown in its saturated wetness. It gets absolutely drenched.

And while nobody explicitly told you to shake it, smack it around, or slam it against the table... well, naturally, you’re going to do it. After all, there’s a real spring inside that actually shakes! It’s the thrill of the authentic.

Mix the clean-boosted signal (GAIN) with the spring-reverb-processed signal (REVERB), then adjust the overall output volume using the LEVEL control.

When the switch is in the down position, the signal bypasses the effect, passing directly from IN to OUT. The LED illuminates when the effect is active.

*Powered by a DC 9V power adapter (center-negative / Tip = -); sold separately.

Starsky Carr's Studio: Vintage & Modern Synth Setup Explained

video upload by Starsky Carr

"Welcome to a full synth studio tour — a look inside my hardware setup featuring vintage analog synths, modern wavetable instruments, modular gear and classic drum machines.

See how a mix of vintage synths, modern instruments, modular gear and drum machines all come together in one integrated setup. In this video I walk through the studio, explain how everything is connected, and show some of the instruments that regularly appear on the channel.

The studio is constantly evolving as new synths arrive, others get repaired, and different setups are tested for videos. In this walkthrough you'll see how classic gear like the Juno-60, Prophet series, Minimoog, TR-808, TR-909 and Jupiter synths sit alongside modern instruments such as the UDO Super 8, Groove Synthesis 3rd Wave, Waldorf M, Arturia PolyBrute and Roland System-8.

I also explain how everything is routed through the studio — from CV-controlled vintage synths integrated with MIDI, to the AudioFuse interface and Neve summing mixer that handle the audio side of things.

If you've ever wondered how to organise a hardware synth studio, integrate vintage CV instruments with modern DAWs, or just want to see a room full of iconic synths and drum machines, this video gives you a behind-the-scenes look at the setup behind the channel.

You’ll also hear a few stories along the way — including the slightly ridiculous “six degrees of separation” link from my studio gear to Charlize Theron and Kevin Bacon through the Lock, Stock and Two Smoking Barrels soundtrack.

Whether you're into analog synthesis, wavetable synths, modular gear, or classic drum machines, this studio tour is packed with gear, ideas and inspiration.

Gear featured (selection)

• Roland Juno-60
• Roland Jupiter series
• Moog Minimoog, Voyager % Sub37
• Sequential Prophet synths
• Oberheim OBX8 and OB6
• UDO Super 8
• Groove Synthesis 3rd Wave
• Waldorf M
• Arturia PolyBrute
• Roland System-8
• TR-808 / TR-909 drum machines
• Analog Solutions Leipzig & Fusebox
• Modular & Eurorack gear"

SISTERS - Ambient session #29 // Mannequins Three Sisters, Arbhar, Panharmonium, Subharmonicon

video upload by David Falcon

"First sounds with the Mannequins Sisters, such an interesting little module. In its core is a triple filter (Hi, Low and Band Pass) but it works great as an spectral mixer. I am slowly modulating the frequency cutoff so that the different sounds come and go progressively. Very little resonance added, it can be very resonant!

// Patch Notes //
Voice 1- Arbhar recording of my voice and ambient sounds with the internal microphone. High input of Sisters.
Voice 2 - Maths Tom sound into Rings. Center of Sisters.
Voice 3 - Panharmonium with a Random sequence from Pams into the Low input of Sisters.
These 3 voices go into the Xaoc Praga mixer, with Mimeophon and FX Aid in the sends. I am modulating the volume and panof
Voice 2 from Øchd and Pams, and the panning of Arbhar from Pams too. The mix goes through Qubit Mojave for the occasional reversed granular bleep.
Voice 4 - Subharmonicon through Blooper as a delay and Mercury 7 as Reverb.
Voice 5 - Low kick from DFAM


Recorded in a single stereo mix and mastered in Ableton."

Prophet-10 in the Studio: 10 Voices, Aftertouch, and Why It's Better Than You Think

video upload by Doctor Mix

"🔥🎹👉 Explore the Sequential Prophet-10: https://sequential.com/product/prophe...
👈🎶🔥

✨ The Sequential Prophet-10 is a modern revival of one of the most legendary analog synths ever made — now with 10 voices, vintage Rev1 & Rev3 filters, poly mod, unison, and expressive aftertouch.

In this video we bring the Prophet-10 straight into the studio and explore what it really sounds like — no manuals, no overthinking, just switching it on and playing.

We start with the raw analog sound, completely dry with no effects, then explore unison power, poly mod textures, expressive aftertouch, and the character of the Rev1 and Rev3 filters.

Along the way we create sounds live and see why the Prophet-10 remains one of the most inspiring analog synths ever made.

What you'll see and hear in this video:

• First hands-on exploration of the Sequential Prophet-10
• 10-voice analog architecture explained
• Raw Prophet-10 sound with zero effects
• Expressive playing with aftertouch
• Poly Mod magic and evolving analog textures
• Rev1 vs Rev3 filter character comparison
• Huge unison sounds and thick analog bass
• Pads, leads, and classic Prophet tones
• Real studio workflow and performance testing
• Why the Prophet-10 is such an inspiring instrument

🔥 Visit my Doctor Mix website for sound packs, courses, merch & more
👉 https://doctormix.com"

Sequential 02 : Oberheim OB-6 Sound Demo : " Massive Mod " user bank preview by I.H.R

video upload by I Hate Robots

"Sequential Oberheim OB-6 (module) - sound demo of few user programs, this is not a jam, and the video is a loop, not in realtime.

00:00 Duality
04:20 X-Rhodes
08:15 Gate 1
10:05 Lux
12:15 Alien 1
14:06 Sun
15:10 Coma
17:02 Gate 2
18:22 Nop
19:31 Dark Phaz
22:40 Omniarp
25:00 Alien 2
26:25 Berlin Mod
29:35 Crispy Pad

In practical terms, the OB-6 (keyboard or module version) is a modern and refined embodiment of all the experience and expertise of Dave Smith (Sequential) and Tom Oberheim. Its sound engine sits somewhere between the Sequential Prophet-6 and the Oberheim OB-Xa; it's essentially a fusion of the two!

It's high-end, old-school analog in the purest tradition—the sound is big, fat, deep, and powerful—but with modern digital assistance that allows it to fully exploit its capabilities and push its boundaries.

This is precisely the subject and purpose of this preset bank, which I designed entirely myself.

This is my main OB-6 bank, which I use very often for my sound design work in the studio or for my training sessions. User Bank #3 (Massive Mod), it contains a total of 96 custom presets. I'm not presenting them all here, the demo would have been far too long, but I've prepared this short demo with a few of them to give you a sonic preview of the synth and its modulation capabilities!
Sometimes I use a single preset with its modulations, either played directly on the keyboard or sequenced with a keyboard layer on top, and other times I mix two presets together (the OB-6 is monotimbral).

Everything you hear comes from the OB-6; there are no added effects, no post-production processing !

CLICK FOR MORE »

Meet the Akuto Studio Chord Machine AKT-0.1: first jam with Torso S-4

video upload by Freaky Tweaky



"SWITCH BETWEEN 3 DIFFERENT KEYBOARD MODES TO PLAY CHORDS AND MELODIES (TONNETZ, ACCORDION, PIANO)

ADD DEPTH TO YOUR TRACK BY USING THE SCREEN TO MIX UP TO 4 MIDI EFFECTS SIMULTANEOUSLY AND PLAY NOTES IN DIRECT, BIMANUAL OR STRUM MODE

USE THE ROTARY KNOB TO SEAMLESSLY NAVIGATE THROUGH SEMITONES, OCTAVES AND CONTROL THE PITCH TO TRANSPOSE ANY TYPE OF CHORD"

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Xaoc Devices Kamieniec II - new features!

video upload by Xaoc Devices

Check with dealers on the right for availability.

XAOC Devices Kamieniec II Phaser and Allpass Expansion Review

video upload by Molten Music Technology




"KAMIENIEC II
ANALOG RESONANT PHASE ROTATOR

ALLPASS EXTENSION

MODELS OF 1977

Introducing two new Xaoc Devices products: Kamieniec II and its Allpass Expansion sidekick. Kamieniec II is an updated and extended revision of Kamieniec - our analog module inspired by a range of classic phaser effect units from the 1970s. We aimed to preserve the classic sound while making Kamieniec versatile enough to shine with any modular sound source. The newly released module shares the basic specifications with its predecessor: 4 and 6-stage outputs, built in triangle LFO (with a separate output in the true modular spirit), manual resonance control (up to extremely high values), and spicy feedback routing modes. On the other hand, Kamieniec II is a truly new beast with redesigned circuitry and new features, such as voltage control over resonance, a third feedback mode, and an LFO reset input. We have retained the chaining feature and we are glad to say Kamieniec II is fully compatible with the original Kamieniec, so you can easily mix and match both generations of the module should you develop a craving for more stages.

Want even more stages without sacrificing precious HP in your case? We've got you covered. Enter the Allpass Expansion - an optional circuit board installed at the back of Kamieniec II. It adds up to 16 sweepable stages for a total of 22 (!), making Kamieniec II one of the most multidimensional and versatile analog phasers available in Eurorack.

Oh, and one last thing - Kamieniec II is 10HP.

CLICK FOR MORE »

Crazy Chicken Modular SHRIMPY filter musical demonstration

video upload by Fedir Tkachov Music

"Musical exploration of new eurorack filter by Crazy Chicken Modular - SHRIMPY."

Shrimpy is a fully analog multimode voltage-controlled filter with three simultaneous audio outputs: low-pass, band-pass, and high-pass. It was designed with a strong focus on character rather than neutrality.

The resonance is voiced to emphasize midrange frequencies, giving the filter a present, expressive tone that cuts through a mix. At higher settings, it becomes vivid and assertive without collapsing into thinness.

At the heart of Shrimpy lies an unusual distortion chain integrated directly into the filter core. This distortion adds a pleasant crunch, enriching the sound. When pushed further, it can turn glitchy and rustling, introducing rough textures and unstable edges that make the filter feel alive. It should be noted that the distortion sound characteristics will depend on the Shrimpy settings and the input signal, since distortion occurs in the filter core itself, rather than at its input or output.

All parameters are fully voltage-controllable:
Cutoff frequency (with and without attenuator)
Resonance
Distortion amount

This makes Shrimpy a flexible yet opinionated sound processing tool, well suited for experimental patches, aggressive basses, textured leads, drones, and evolving soundscapes."

/ dvqmlc-jjp9 | https://reverb.com/shop/crazy-chicken-mod

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Alisa 1377 - Raw Sound Demo

video upload by LFOstore

"#alisa #1377 #alisa1377 #synth #demo
Rare USSR synthesizer restored by Alex Taber!

It was made in USSR in 1985 at Luberetskiy Military Radioplant "Rodina" near Moscow.

ALISA synthesizers were made especially for experimental electronic music, creating of sound effects in soviet cinema and scientific acoustic researches. This unique instrument has warm, aggressive and absolutely original analog sound!

The synthesizer has 1 OSC with 4 wave forms, ADSR , filter, various modulations, vibrato and portamento effects.

OSCILLATOR: tune; octave +1/+2; portamento; wave forms: triangle, saw, square, odd harmonics; frequency modulation (for all 4 waveforms); impulse-width modulation (for square wave form) with impulse width and depth controls; harmonics (for odd harmonics wave form). You can use individual OSC waveforms (triangle, saw, square, odd harmonics) or mix them together to get unique sounds!

LFO: on/off modulation switch, two waveforms (triangle, square), modulation rate, modulation rate coarse switch - 1Hz/10Hz.

FILTER: cutoff, resonance, vibrato (filter modulation), ADSR, switch between filter control- keyboard or contour OSC (ADSR). The synths filter due to it`s original architecture can be used as additional oscillator when filter`s resonance knob in self-oscillaltion position and it sounds really weird and interesting!

AMPLIFIER: ADSR, main volume, on/off synthesizer."

Phonec3 Synthesizer by Psychic Modulation (No Talking)

video upload by Elektronick Musick

https://www.psychicmodulation.com/pho...

"Evolution of the original Phonec Synthesizer, retaining it's distinctive character while introducing new and expanded features with an improved workflow.

Inspired by the remnants of the video age, Phonec3 embraces the haunting qualities of decay and imperfection, exploring the various facets of aging sound. Drifting tones, fragile textures, faded melodies, distant atmospheres and irregular harmonics form a palette that feels organic and evolving. Aside from it's quirky nature, Phonec3 is a unique and powerful synthesizer, capable of producing a wide range of sounds in the realm of vintage analogue tones, lo-fi synthscapes, ethereal ambiance, minimal techno sequences, retro leads and hard hitting synth basses. It's intuitive GUI attempts to strike a balance between form and function, making it a very practical tool that can be creatively inspiring to work with."


Features:
Dual Oscillators with various combinations: Mix, Ring, X-wave, logic.
Sub Oscillator for beefing up the low end.
Cascading lowpass filter with 4 stages + Milk & Acid Filters.
Post Highpass Filter.
Pre/Post Filter Distortion.
3-Stage Filter Separation.
Melt: A unique feature that adds instant character to any patch with drifting pitch and amplitude fluctuations.
Extended Melt functionality with extra tweaks under the hood.
Arpeggiator that works in conjunction with a set of Note & Modulation Sequencers.
Note Sequencer: 16-step pattern sequencer for pitch ranging -/+ one octave.
Scale Mode: Locks the Note Sequencer to scale for snapping to harmony.
Pitch Wheel Quantizer for note-stepped pitch bending that can snap to Scale Mode.
Modulation Sequencer: 16-step pattern sequencer for amplitude and filter cutoff.
3 LFOs: BPM or Manual modes w/ Keytracking, and Note Retrigger.
HFO (High Frequency Oscillator): FM style audio-rate modulator.
3 Modulation Envelopes for several additional parameters.
Aftertouch and Modwheel control of multiple parameters at once.
On-board FX include:
EQ: A 3-Band Parametric Equalizer.
Chorus: A lush chorus with multi-voice stereo spread.
Echo: A dub-style delay unit with bandpass filter.
Pan-Tracking.
Patch Randomization of Sub-sections.
Sub-presets: load/save settings for sub sections
Preset Import from Phonec2 (bank import coming soon)
Custom GUI scaling.
Intuitive patch management system.
Several presets to get you started.

Equations: Graphing Calculator Synthesizer by Decent Samples

Playing around with the Equations Synth video upload by Peter Kirn

"I am not going to write a Kraftwerk reference here.

This is too awesome. Review -- and more on the TI calculator hardware and how it's been used for music:

https://cdm.link/making-music-on-the-..."

via https://www.decentsamples.com

Where mathematics meets music: a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds.

Equation Synth is a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds. Whether you’re a sound designer seeking unprecedented sonic possibilities or a music producer looking for fresh, distinctive textures, Equation Synth opens up an infinite universe of waveforms limited only by your imagination.

Comprehensive Modulation System

Bring your equations to life with an extensive modulation matrix featuring:

Modulation Sources:

3 Envelopes (ADSR) with tempo sync options
3 LFOs with multiple waveform shapes (sine, square, saw), tempo sync, and delay
Note Velocity for dynamic expression
Modwheel for performance control
MPE Support: Timbre and Pressure for expressive multi-dimensional control
Modulation Destinations:

Route modulation to virtually any parameter including:

Volume, Pitch (Coarse/Fine)
All Equation Parameters (A, B, C, D)
Graph parameters (Scale X/Y, Offset X)
Filter Cutoff and Resonance
Noise Level
Effect parameters (Chorus, Delay, Reverb, and more)

Effects Chain

Polish your equation-based sounds with a professional effects suite:

Delay: Stereo offset, feedback, tempo-synced timing
Harmonic Reverb: Room size, damping, and mix controls
Chorus: Modulation depth and rate
Tape Simulator: Wow, Flutter, Saturation, as well as various tape player emulations
Intuitive Interface Design

Inspired by classic calculator aesthetics, Equation Synth features:

LCD-style display showing equation input and real-time waveform visualization
Tabbed interface organizing Equation, Synth, Modulation, Effects, and Note settings
Integrated help system with context-sensitive guidance
Virtual MIDI keyboard for quick auditioning
Scalable, resizable window
Preset management system for saving and recalling your creations
Advanced MIDI & MPE Capabilities

CLICK FOR MORE »

Tone2 Releases Icarus 3.2

video upload by Tone2 Audiosoftware

"Timeline:

0:00 The most powerful synthesizer on the market
0:22 3D Wavetable synthesis
0:50 Resynthesis
1:40 Granular synthesis
2:18 Vocoder
2:53 Additive synthesis
3:36 Supersaw / Hypersaw
4:21 FM synthesis
5:01 Samples
5:33 Subtractive 7 Analog
6:12 Physical modeling
6:39 Waveshaping
7:02 PWM
7:32 Phase Distorion


Icarus is the most powerful synthesizer on the market. The award-winning audio engine offers a huge sonic range, true high-end sound quality, and the ability to create sounds that are impossible with other synths. The exceptionally versatile audio engine is capable of creating all important synthesizer sounds in high-end quality. Icarus is capable of over 30 (!) different synthesis methods, which can be combined:

3D Wavetables

3D Wavetable Synthesis cn create sounds impossible with other synthesizers and opens up a new level of dynamic expression. Classic wavetable synthesis only allows you to cross-fade waveforms. We have extended it with an extra 'morph dimension'. You can use 54 morph modes to further shape and modulate the sound. The morph modes are not limited to traditional waveshaping methods. We have also included a wide range of innovative and exclusive modes that are not available from other companies. This results in a wide range of unique sounds that cannot be produced by other synthesizers.

Resynthesis

Icarus comes with the most powerful and advanced re-synthesis engine on the market. Unlike competing products, it always delivers good results. With Icarus, anyone can create amazing sounds quickly and easily. Icarus' innovative resynthesis can rebuild sounds with a single mouse click! Just click this button, select a wav file, and Icarus will automatically create a patch that sounds like the original. You can further shape your sound with morphing, time-stretching, filters, effects, or any other module.

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Novation Introduces New Launch Control

Meet The NEW Launch Control: What does it do? video upload by Novation

Find out more about Launch Control - https://novationmusic.com/products/la...
Discover the Launch Control range - https://novationmusic.com/launch-cont...
Explore Launch Control XL - https://novationmusic.com/products/la...

Watch our livestream feature dive walkthrough for the new Launch Control - [BELOW] News Story - https://bit.ly/_Discover_The_NEW_Laun...

"We’re excited to unveil the latest generation of our most compact control surface, Launch Control 3 - available to order now. This video gives you an overview of everything our new Launch Control can do for you and your unique workflow.

Our new controller packs the most powerful features of Launch Control XL 3 into a smaller footprint and is perfect for adding an extra layer of tactile control to any studio or stage setup. Launch Control is a compact and highly portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a new OLED display.

Launch Control comes bundled with studio-grade software to get you started. Ableton Live Lite lets you record, launch and perform, while Cubase LE is ideal for songwriting and production projects. You also receive a selection of plugins from Klevgrand, Baby Audio and Output.

Chapters:
00:00 - Introducing the new Launch Control
00:24 - Launch Control Feature Overview
00:55 - Launch Control's DAW Integration
01:17 - Launch Control's DAW Control and Mixer Features
01:53 - Launch Control's Hardware Integration
02:08 - Launch Control's Custom Modes
02:19 - Launch Control: The DAW, Plugin, and Hardware Control Surface"

Launch Control | Everything you need to know | Livestream

video upload by Novation

Novation Launch Control MK3 // Here's what's new // Review & tutorial

video upload by loopop

"TIMELINE: 0:00 Intro 1:10 Screen 2:20 Encoders 3:10 RGB LEDs 3:45 vs XL MK3 4:30 Build 5:20 I/O 6:25 DAWs 6:45 HUI (Reaper) 7:10 Ableton 8:55 User modes 9:55 Components 11:35 Synth params 13:50 Write an app! 15:00 Motion rec 16:05 Morph 16:30 Random 18:10 Setup 19:20 Settings 20:00 Pros & cons"

"Launch Control is a compact and portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a crisp OLED display.

Key features

16 endless encoders
Eight assignable buttons
MIDI routing via USB and 5-pin DIN
Store up to seven Custom Modes

The Creative Control Surface
Get hands on with your DAW, plugins, and hardware from a portable-yet-powerful controller with 16 endless rotary encoders; eight assignable buttons; and a crisp OLED display for essential info. Mix and sculpt sounds right out the box, and create up to seven Custom Modes to fit your specific workflow in the studio or on stage.

16 endless encoders
Launch Control’s smooth-feeling endless rotary encoders each feature a dedicated RGB LED that indicates its relative value. Pan tracks, adjust sends, or do anything else you want via Custom Modes — all with adjustable response curves."

You can find additional details at Novation.

CLICK FOR MORE »

BugBrand Frequency Shifter

via BugBrand

"The Frequency Shifter (red) is a powerful and experimental analogue processor. This standalone design springs from my Quadrature Sine and its Frequency Shifter Expander modular designs – all wrapped up with circuitry & features to allow it to fit snugly into more regular studio processing roles.It will transform your audio streams in otherworldly ways – clangorous, tonal, phased, stereofication and swoosh.

CLICK FOR MORE »

Drum Machine plugin preset for Decent Sampler (MaskinTrommer)

video upload by Benjamin Dehli

"MaskinTrommer is a drum sample library for Decent Sampler, featuring electronic drum sounds created from analog synthesizers. Each drum type contains multiple samples per sound to eliminate the typical 'machine gun' effect associated with digital sample based drum machines.

The drum sounds were created using:
Korg MS-20
Roland SH-09
Doepfer Dark Energy
Sequential Circuits Pro-One
The result is a versatile collection of synthetic kicks, snares, hi-hats, cymbals, and toms with a broad tonal range, from tight and percussive to big and sustaining.

User Interface:
The interface is divided into two main areas
Left section: Individual drum controls and sample mixer
Right section: Global settings and effects
The keyboard at the bottom is color-coded to match each drum section, making it easy to identify the mapping.

Drum Settings
The top row of knobs in each drum section controls the primary sound-shaping parameters.

Pitch (Kick & Snare):
Adjusts the tuning of the drum.
Turning clockwise raises the pitch.
Turning counterclockwise lowers the pitch.
Affects both sample types for the kick and the "body" samples for the snare.

Sustain (Snare, Hi-Hat, Cymbal, Tom):
Controls which sustain-length samples are triggered.
For snare and tom, it only affects the "head" samples.
Lower values select shorter, tighter sounds.
Higher values select longer sustaining samples.
Dyn (Dynamic) mode:
Higher MIDI velocity → longer sustaining samples
Lower MIDI velocity → shorter sustaining samples

This allows expressive control directly from performance dynamics.

Drum Mixer
The second and third rows of knobs in each drum section form the sample mixer.
Each knob controls the volume of a specific sample type for that drum.
The knob design visually represents which synthesizer the samples originate from.

Sample Type Blending:
You can blend multiple synthesizer sources for a single drum.
Each active source contributes its own round robin variations.
Combining sources dramatically increases variation and complexity.

Display Indicators:
Some mixer knobs include a small display.
The display shows how the samples assigned to that knob are influenced by either pitch (kick & snare) or sustain (snare, hi-hat, cymbal & tom).
This provides quick visual feedback when shaping the sound.

Global Settings
Located in the rightmost section.

Sensitivity:
Controls how strongly MIDI velocity affects sample volume.
Lower values → More consistent volume regardless of velocity
Higher values → Greater dynamic range
This allows you to tailor the instrument to your playing style or sequencing needs.

Global Effects
Impact:
Controls the level of the transient (initial attack) relative to the sustain portion.
Higher values → Louder attack, quieter sustain
Lower values → More even balance between attack and body
This is useful for tightening drums or making them cut through a mix.

Saturation:
A volume-compensated overdrive/distortion effect.
Adds harmonic content and edge.
Maintains perceived loudness while increasing intensity.
Suitable for subtle coloration or more aggressive processing.

Keyboard Layout
The on-screen keyboard is color-coded to match the drum sections:
Kick (pink): C1
Snare (blue): D1
Closed hi-hat (green): E1
Open hi-hat (green): F1
Cymbal (yellow): G1
Tom (red): A1 to G2
This makes it easy to identify which keys trigger which drums, especially during performance.

Equipment used:
Doepfer Dark Energy
Korg MS-20
Roland SH-09
Sequential Circuits Pro-One

Technical specification:
Sample rate: 48 kHz
Bit depth: 24 bit
Channels: 1 (mono)
Number of samples: 342
File size: 80.4 MB


Website: https://www.dehlimusikk.no/
Store: https://store.dehlimusikk.no/"

Tangible Waves - Discombobulator System

video upload by NOISEBUG

Inquire at https://www.noisebug.net/. Pics and details on the system follow.

"The Discombobulator - a Noisebug-designed Tangible Waves system in the AE Modular format, a great entry to the format and an even better addition to an existing AE Modular rig.

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Marcus Dunn aka lonesoulsurfer DIY Modules

video uploads by Marcus Dunn

Playlist:

1. 7 Channel Mixer For My Modular Synth.
2. Medusa - Sound Effects for Modular Synths
3. Buffered Multi for Modular Synths. Powered by Arduino
4. Digital Delay Module - Powered by Arduino
5. Bleep - Modular Drum Synth - powered by Arduino
6. Solar - A Modular Synth, Powered by Arduino
7. Groove Box Modular Synth - Arduino Nano
8. Freaq FM Synth. My Take on the Awesome MeeBleeps Synth
9. Mutant Generative Synth - Powered by Arduino

Additional details on each:

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Get the TR909 upfront presences from the TR1000 ... or anything else for that matter!

video upload by Starsky Carr

"How Close Is Close Enough? Is the TR-1000 really a TR-909 replacement… or is that missing the point entirely?

In this deep-dive comparison, I also put the Roland TR-1000 head-to-head with my original Roland TR-909 to see how close we can actually get — and more importantly, where the differences really matter.

Roland are clear: this isn’t meant to be a clone. But with TR-909-style analogue circuits, 808-inspired elements, and ACB models under the hood, it begs the question… can you sell your 909 and fund a TR-1000 instead?

After putting these 2 together I realised the biggest tonal difference isn’t to get that live 909 vibe is the main outputs. The TR-909’s main outs are band-limited, with less low-end and a high-frequency tilt that creates that bright, exciting presence. Using Logic’s Match EQ, I recreate that curve so you can apply it to:

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