Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts
Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts
Sunday, July 13, 2025
Clockwork PI, ESI XSynth - when these work together, it's awesome (lots of sound examples)
video upload by
"The ClockworkPI u console is a so-called Cyberdeck (think oversized Blackberry) powerful enough to run DAWs. The ESI XSynth is a digital synthesizer that registers both as an audio interface and as a MIDI keyboard. Now this should be the perfect match, right? Table of contents:
00:00 sound example
00:05 hi
00:20 what on earth is this
01:19 what is the XSynth?
02:07 hello linux
03:13 patch examples: A001 XSynthGo (Poly AT demo)
03:37 A006 LoFiPicks
03:54 A008 Fatness
04:13 A009 Whales
04:26 A015 On Clouds
04:47 A028 7Flower
05:42 A074 Pianism
06:05 A102 LeGrand
06:45 B060 EP Pad
07:18 B075 RevPad
07:48 some patches I made: C001 Nostalgia
08:40 C002 David
09:07 C003 Warm Pad
09:42 C004 Chaos
10:00 C005 TR909L
10:14 XSynth Architecture: Creating a patch with FM, PWM and Ring Modulation, Mod Matrix, Effects, ...
15:25 Layering tracks on the ClockworkPi to create this track (XSynth only)
17:16 some thoughts on this setup
18:35 bye, subscribe, support
Links:
ClockworkPI https://www.clockworkpi.com/home-ucon...
Clockwork OS https://wiki.clockworkpi.com/ClockworkOS
Reaper https://www.reaper.fm/
Novation Drum Station - 808 909 clone + Din Sync
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
Check out the recent demo of a yellow accent one recently posted here.
"Perfectly working Drumstation - orange colorway - the first 808/909 clone! Very versatile, expansive midi control, 6 individual outs plus stereo mix, Din sync out (!)
The only difference in the versions is colorway and packaging; all drum stations are the same inside.
We don't see these often - Great box at a great price. Process those puppies!"
via this Reverb listing
Check out the recent demo of a yellow accent one recently posted here.
"Perfectly working Drumstation - orange colorway - the first 808/909 clone! Very versatile, expansive midi control, 6 individual outs plus stereo mix, Din sync out (!)
The only difference in the versions is colorway and packaging; all drum stations are the same inside.
We don't see these often - Great box at a great price. Process those puppies!"
Saturday, July 12, 2025
KORG M1R + 2 CARDS - Original box, manuals & cables
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"Vintage Korg M1R in stunning cosmetic and fully working condition. This unit comes straight from the golden era of the ’90s, complete with its original box, manual, and audio/MIDI cables.
What's included :
Korg M1R
MSC-1S Card Set
Rack Ears
Original Box
Audio + MIDI Cables
Korg M1R
The Korg M1R is the rackmount version of the legendary M1 synth/workstation -- a machine that truly needs no introduction. It features Korg’s built-in AI Synthesis system, delivering full digital sound generation and processing using 4MB of PCM-based sampled and synthesized waveforms. These sounds can be shaped with analog-style editing for added flexibility. The M1R excels at producing clear acoustic instruments, rich digital tones, and punchy, buzzy techno sounds.
The M1R has been used by 808 State, Banco De Gaia, Ken Ishii, Depeche Mode, Fluke, The Cure, The Orb, The KLF, Plastikman, Bomb The Bass, Gary Numan, Robert Miles, Mike Oldfield, Kitaro, Rick Wakeman, Rod Argent, Joe Zawinul, Patrick Moraz, Pet Shop Boys, Vangelis, the Cranberries, Sin and Jellyfish.
'Variety' sound card set
The Korg MSC-1S "Variety" is the first expansion set released for the Korg M1 series in 1989. It includes two cards: the MPC-01 for program/combi data and the MSC-01 for PCM waveforms.
With this expansion, the M1 gains 100 new programs + 100 combinations, doubling the standard 50+50 offered by following expansions. The set offers a wide range of sounds including expressive orchestral strings (with aftertouch-controlled vibrato), punchy brass, mallet instruments like marimba and glockenspiel, flutes, organs, digital effects, and much more -- expertly programmed to take full advantage of the M1’s synthesis engine."
via this Reverb listing

What's included :
Korg M1R
MSC-1S Card Set
Rack Ears
Original Box
Audio + MIDI Cables
Korg M1R
The Korg M1R is the rackmount version of the legendary M1 synth/workstation -- a machine that truly needs no introduction. It features Korg’s built-in AI Synthesis system, delivering full digital sound generation and processing using 4MB of PCM-based sampled and synthesized waveforms. These sounds can be shaped with analog-style editing for added flexibility. The M1R excels at producing clear acoustic instruments, rich digital tones, and punchy, buzzy techno sounds.
The M1R has been used by 808 State, Banco De Gaia, Ken Ishii, Depeche Mode, Fluke, The Cure, The Orb, The KLF, Plastikman, Bomb The Bass, Gary Numan, Robert Miles, Mike Oldfield, Kitaro, Rick Wakeman, Rod Argent, Joe Zawinul, Patrick Moraz, Pet Shop Boys, Vangelis, the Cranberries, Sin and Jellyfish.
'Variety' sound card set
The Korg MSC-1S "Variety" is the first expansion set released for the Korg M1 series in 1989. It includes two cards: the MPC-01 for program/combi data and the MSC-01 for PCM waveforms.
With this expansion, the M1 gains 100 new programs + 100 combinations, doubling the standard 50+50 offered by following expansions. The set offers a wide range of sounds including expressive orchestral strings (with aftertouch-controlled vibrato), punchy brass, mallet instruments like marimba and glockenspiel, flutes, organs, digital effects, and much more -- expertly programmed to take full advantage of the M1’s synthesis engine."
TUTORIAL: Novation Drumstation
video upload by Hd Substance
Click CC on the bottom of the player for subtitles.
"En este vídeo recuperamos uno de los primeros emuladores de las míticas cajas de ritmos #808 y #909. La marca británica @Novation utilizó la tecnología #ASM Analog SOund Modelling para crear una de las mejores emulaciones delos sonidos clásicos de Roland disponibles hasta el momento. E formato rack de 19", con salidas individuales de audio asignables y extensivo control MIDI vía Sysex, además de contar con un botón físico por función."
Googlish:
"In this video we recover one of the first emulators of the legendary #808 and #909 drum machines. The British brand @Novation used #ASM Analog Sound Modeling technology to create one of the best emulations of classic Roland sounds available to date. In 19" rack format, with individual assignable audio outputs and extensive MIDI control via Sysex, as well as having a physical button per function."
Fixing up a 1985 Oscar clone
video upload by Craig Barnes
"This is the repairs to my 1985/86 hand made Osc Oscar clone, the famous Moog Oscar from Sound on Sound June 2004. I finally received it back after around 38 years apart. It's had some refurbs and mods and travelled extensively. Europe and the states and eventually wound up in Berlin. I received it dead with no boot. MIDI board was loose, but it couldn't be that simple. No sound from the synth and after getting it to the panel mode and tweaking a few knobs I eventually got it to make a weak sawtooth sound. Lower half of the keybed was dead so I replaced the 5x 4051 chips that read the keyboard and the 7 that read the front panel. Then I removed the aux input mod and upgraded to the Tauntek midi board. A little scratchy in places but nothing that can't be fixed."
OB-Xd 3.10 released
video upload by discoDSP
https://www.discodsp.com/obxd/
OB-Xd is a classic synthesizer that captivates musicians with its rich, full-bodied tones and expansive sound design.

What's New in OB-Xd 3
Advanced Preset Search System: 3.10 has a new search functionality that scans all disk preset folders recursively with intelligent duplicate detection. Search across your entire preset library instantly, with smart indexing that handles duplicate preset names by showing "(1)", "(2)" etc. Navigate through search results with seamless index-based browsing.
Enhanced Performance & Optimization: 3.10 offers major performance improvements including AVX2 support now enabled on Intel macOS and Linux platforms with universal binary compatibility. Advanced CPU feature detection ensures optimal performance across different processor architectures while maintaining compatibility.
Friday, July 11, 2025
Intellijelly
video upload by Ebotronix
Intellijel Designs,
2x ,Dubmix with Expander, Azimuth 2 , Quadrax,Tetrapad,Tete,
Shapeshifter , 2x Amps , 4x Planar 2 , 4x Polaris Multi Mode Filter,
5x Dixie II +, 2x Plonk , 2x Multi FX 1u, 2x Mixup, 2x Tangrams,
2x Quadratt 1u, 2x passive LPG, Dr. Octature 1 & 2, Steppy,
Scales, Bifold, Flurry , Quad VCA,Metropolix Solo,
Sealegs, Quad Inverter, µMod V1 , ADSR,
2x 104 ~ 7 U Case,104 ~ 4U Case,
Cylonix - Cyclebox II, with expander,
Ornament and Crime, (minor scale),
Doepfer R2m ,
4ms Peg,
Strymon Big Sky MX, in Dual Mono Mode controlled with
Midi CC ( 16 channels) by, 16n Faderbank, AtoVproject ,
11.07.2025
video# 2555
360 Systems MIDI Bass Sound Module (Eprom Based)
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
Additional SYNTH CITY Listings
Pics of the inside below.
"Fully tested and ready to play those "real bass" sounds you've been looking for! Unit has two EPROMS installed; "SNAPPY" and 'PICK RW JAZZ 2' as shown.
Systems used the 'Real Bass In A Box' slogan for their advertising of this player due to the fact that it has "real" and not synthesized bass sounds. The MIDI Bass produces the exact sound of acoustic and electric basses and boasted some of the most popular bass sounds of its time. The included library of sounds had everything from Slapped & Popped Funk Bass, Flat Picked Roundwound Jazz Bass, Stand-Up Acoustic Bass, Bowed Bass, and much more. 360 Systems also praised the realism of the MIDI Bass as it is touch-sensitive, follows pitch bends, and responds to MIDI patch changes. As a result, it was marketed as the natural complement to digital drum machines and MIDI sequencer/synthesizer systems."
via this Reverb listing
Additional SYNTH CITY Listings
Pics of the inside below.
"Fully tested and ready to play those "real bass" sounds you've been looking for! Unit has two EPROMS installed; "SNAPPY" and 'PICK RW JAZZ 2' as shown.
Systems used the 'Real Bass In A Box' slogan for their advertising of this player due to the fact that it has "real" and not synthesized bass sounds. The MIDI Bass produces the exact sound of acoustic and electric basses and boasted some of the most popular bass sounds of its time. The included library of sounds had everything from Slapped & Popped Funk Bass, Flat Picked Roundwound Jazz Bass, Stand-Up Acoustic Bass, Bowed Bass, and much more. 360 Systems also praised the realism of the MIDI Bass as it is touch-sensitive, follows pitch bends, and responds to MIDI patch changes. As a result, it was marketed as the natural complement to digital drum machines and MIDI sequencer/synthesizer systems."
Roland Jupiter 8 8-voice DCB Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

via this eBay listing
Thursday, July 10, 2025
New Loopy Pro 2 Demos & Artist Spotlight
video uploads by Loopy Pro
Playlist:
1. Loopy Pro 2: Polyphonic Clip Playback with MIDI
Explore one of Loopy Pro 2’s most powerful new features: polyphonic clip playback. This tutorial shows how to trigger audio clips using MIDI — either pitched, where each note plays a different pitch of the clip, or sliced, where each note plays a different part of the audio. You’ll learn how to set up MIDI routing to clips, configure playback modes, and fine-tune behavior with features like fade-out-based note decay. We’ll also cover how to use loops as polyphonic targets, letting them sustain while held, and how to add an intro section to act as a sample’s attack before the loop takes over.2. Loopy Pro 2.0: MIDI Loops & Signal Flow Explained
Learn how to harness the power of MIDI loops in Loopy Pro 2.0. This tutorial walks you through connecting a MIDI controller — whether it’s an external keyboard or the new on-screen keyboard — to a MIDI loop for recording and looping MIDI performances. You’ll also learn how to route that loop to an AUv3 instrument or any other MIDI destination to bring your loops to life. Plus, we’ll take a look at the redesigned mixer and demystify the new signal flow system so you can take full control of your setup.3. Loopy Pro 2: Organize Your Mixer with Collapsible Sections & Rows
Loopy Pro 2 introduces powerful new ways to keep your mixer tidy. In this tutorial, you’ll learn how to collapse entire sections — like Inputs, Outputs, or Groups — to hide them until you need them. You’ll also see how to collapse individual rows to save space and reduce visual clutter, making it easier to focus on what matters in the moment.
Loopy Pro Artist Spotlight #1: Dub FX
video upload by Loopy Pro
"Welcome to the first episode of the Loopy Pro Artist Spotlight — a new series where I sit down with musicians who use Loopy Pro to talk gear, creative process, and the magic of building music live.
In this premiere episode, I’m catching up with none other than Dub FX — looping legend, street-performer-turned-festival-headliner, and longtime Loopy Pro user. He has been pushing the limits of live vocal looping for over a decade, and we dive deep into how he’s using Loopy Pro 2.0 to run his full live show.
🍩 Loopy Pro 2.0 is out today — July 11!
If you’re new here: Loopy Pro is the most powerful and flexible looper DAW around. Whether you’re on stage, in the studio, or building beats in your bedroom, it’s built for musicians who want total control.
—
🔍 In this episode, we cover:
• How Ben got into live looping and built his first busking rig
• The (very weird) story of how we met — and how he discovered Loopy Pro
• Why he replaced his RC-505 and Akai Force with just an iPad and Loopy Pro
• How he controls his vocal effects, pedals, and sequencer entirely from the APC40
• The plugins and processing chains he uses for live sound design
• Touring insights: his approach to backups, reliable USB hubs, and hardware quirks
• His approach to the full artist cycle — from writing and releasing, to content, clubs, and festivals
• His philosophy on collaboration — and how looping opens up space for others
—
🎛️ Dub FX Loopy Pro Rig – Hardware
• iPad Pro (USB-C model, running Loopy Pro)
• Akai APC40 MKII (USB MIDI controller)
• Line 6 Helix (multi-FX pedal & USB audio interface)
• Allen & Heath Qu-Pac (16-channel digital mixer/interface with 10 outputs)
• Miktek PM9 mic
• Custom stand rig (drum stool + road case + velcro for compact stage setup)
• Kopplen powered USB hub
🔌 Plugin Chain – Used in Loopy Pro
• FabFilter Pro-Q 3 – EQ / filtering (incl. ducking delay control)
• FabFilter Pro-R – Reverb
• FabFilter Saturn 2 – Multiband saturation
• Dubstation 2 (Audio Damage) – Analog-style delay
• Effectrix (Sugar Bytes) – Loop glitch/fx sequencing
• FAC Transient – Tightens beatbox sounds
• FAC Phaser & Chorus – Modulation effects
• Devil Spring Reverb (Julien Faure) – Spring reverb emulation
• Knock (by Decap) – Drum transient enhancer (used selectively)
—
🍩 Loopy Pro: https://loopypro.com
🌐 Find Dub FX: https://dubfx.com"
Teardrop/Massive Attack (Circuit Rhythm Version)
video upload by Guinan
"This week’s track is the ever wonderful ‘Teardrop’ by Massive Attack. Time to light a few candles, run a hot bath and get ready to chill out…..
I first attempted a version of this a couple of years ago in Logic after seeing the excellent breakdown by @GyuBeats . See his video here; • MASSIVE ATTACK - Teardrop - How Was It Mad...
Try as I might I still haven’t perfected this, but I thought it would be fun to do a ‘proper’ version using the Novation Circuit Rhythm. I’ve chopped and loaded as many phrases from the accappella version of the track as I could fit in the sample memory of the Rhythm. I think the Liz Fraser vocal is what makes 'Teardrop' so special. You can find the vocal track here (not sure how ‘official’ as it claims to be though)… • Massive Attack - Teardrop Official Acapell...
Everything you hear was programmed into the Circuit Rhythm and played live without any extra effects or synths.
I hope you enjoy my recreation (and on a Circuit Rhythm for a change). Check back soon for more tunes.
More details for synth nerds.
The Crow Hill Company Introduces POCKET STRING no-barrier-to-entry-styled string library plug-in
video upload by CROW HILL XTRAS
Press release follows:
"The Crow Hill Company creates POCKET STRINGS as no-barrier-to-entry-styled string library plug-in produced without compromise… with added ‘synthy spice’
EDINBURGH, UK: having recently rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company continues its journeying into ‘Season Two’ as a producer of resources and tools to protect, inspire, support, and provide opportunities for music-makers the world over, believing that music is, and should remain, a wholly human experience, one that is by far one of the most powerful forms of expression, escape, comfort, and remembrance, of which its newly-created POCKET STRINGS — styled as a definitive string library plug-in that opens the doors to collaboration between anyone anywhere, creatively combining live cinematic orchestral recordings with some rarefied vintage synth classics made to measure for added body, depth, and character — readily represents the cornerstone of this ethos, as of July 10…
“A string library that’s accessible to all without compromise — a distillation of the last 25, nearly 30, years that I’ve been working as a media composer, which means that I write music for film, TV, and computer games, giving you the very basic necessities to write pro-end string arrangements. Whether that be adding to productions, songs, collaborating with others, or, indeed, creating professional film scores — whether that be to demo for an orchestra to play, or, indeed, to go to broadcast, there’s been no compromises here. But accessibility is the key — not just with the price point, but with usability.” So says Christian Henson himself, perfectly positioned — as The Crow Hill Company’s original founder, forging forward by building upon his extensive experience gained from founding Spitfire Audio to originally offer a palette of sounds he had created for his own use as a professional composer to his film world colleagues by invitation only, though the rest, as they say, is history — to proudly introduce POCKET STRINGS as a never-tried-before strings library plug-in that aims to bring broadcast-grade string possibilities to everyone.
Wednesday, July 09, 2025
UNBOXING // IK Multimedia UNO SYNTH PRO X // Part 3 // TWEAKING Presests // No Talking
video upload by LESINDES
"UNBOXING // IK Multimedia UNO SYNTH PRO X // Part 2 // TWEAKING Presests // No Talking
Just arrived here. I could not dive deep into the synth. So I am scatchning only the surfice in this video and my short FIRST IMPRESSIONS of the new kid.
Very versatile little machine with paraphonic mode to play triads and program triads in the step sequencer. 2 independet filter. 1 OTA HP/LP, 1 SSM style, parallel or in series.
Now a few shortcomings:
DISTORSION is welcome but has to be that harsh?
Also: A programmable DISTORSION is a good feature but without a programmable overall level BEHIND the DISTORSION it makes the synth almost unsuitable for a live performance as for huge unsustainable loudness gaps between different patches.
DELAY and REVERB are only average and far away industry standard.
Flexible MODULATION ROUTING but it is quite a mess to readjust levels as there are for instance no dedicated attenuaters for LFO mod levels for the VCF. I understand that there is not much space on the panel 1. But LFO WAVE knob could get a 2nd shift function. Main job: LFO amount, shift-job: wave....
AND it does not feature a power switch. That's really bad when you hooked directly on your computer via USB-C. Every time when you'redone you must tear the plug or the UNO sucks your computer batterie empty.
This could be solved. By a hint of a user. Pressing the hold button for a second or two switches the unit off. So at least an OFF SWITCH!
The tune knob for the oscillators is multirange: The first 10 minutes plus and minus it increses and decreases in CT steps and in half tones. So you cannot detune the oscillators when shifted in the halftone range.
The pots controlling plus and minus CVs could better feature a DENTED CENTER POSITION. For the TUNE knob it is not a big problem as it first advances in cents but adjustment FILTER ENV amount is sometimes very delicate and a quick cancelling of the ENV is not possible without a dented center position.
Units with built in sequencer are often hooked up to computers and other machines as via MIDI or USB as slaves. And here this unit badly need a well functioning AUTO MODE so that it switches to slave automatically when an EXTERNAL CLOCK is detected at the input. Most other gear features this.
So these were my fist impressions."
Oxford Synthesizer Company OSCar 37-Key Analog Monophonic Programmable Music Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"A rare synthesizer an iconic powerhouse for true connoisseurs from the Oxford Synthesizer Company.
This is not your average monophonic synth, and if you know your stuff, you already know exactly what this is.
🔔 This is your chance to own a piece of history and a truly unique instrument in the world of synthesizers.
Artists like Underworld, Orbital, Simon Posford, and Shpongle have used and still use this absolutely stunning machine.
If you’re looking for a versatile and inspiring sound design tool, this is the one for you.
The OSCar is renowned for its unique and powerful sound, and features:
✳️ 2 DCOs + Additive Synthesis options
✳️ 1 LFO (triangle/sawtooth/square/sample & hold)
✳️ 1 Resonant Analog Multimode Filter
✳️ 2 ADSRs
✳️ Arpeggiator and Step Sequencer
✳️ 24 Patch Memory
✳️ MIDI Compatibility
✅ The synth is in mint condition works perfectly"
via this Reverb listing
"A rare synthesizer an iconic powerhouse for true connoisseurs from the Oxford Synthesizer Company.
This is not your average monophonic synth, and if you know your stuff, you already know exactly what this is.
🔔 This is your chance to own a piece of history and a truly unique instrument in the world of synthesizers.
Artists like Underworld, Orbital, Simon Posford, and Shpongle have used and still use this absolutely stunning machine.
If you’re looking for a versatile and inspiring sound design tool, this is the one for you.
The OSCar is renowned for its unique and powerful sound, and features:
✳️ 2 DCOs + Additive Synthesis options
✳️ 1 LFO (triangle/sawtooth/square/sample & hold)
✳️ 1 Resonant Analog Multimode Filter
✳️ 2 ADSRs
✳️ Arpeggiator and Step Sequencer
✳️ 24 Patch Memory
✳️ MIDI Compatibility
✅ The synth is in mint condition works perfectly"
Oberheim SEM Patch Panel
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"THIS is the version for full integration into modular systems: extensive patchbay allows CV/gate control as well as output of a wide array of the SEM's controls. No MIDI! Features additional patch points not available in the SEM pro version."
via this Reverb listing
"THIS is the version for full integration into modular systems: extensive patchbay allows CV/gate control as well as output of a wide array of the SEM's controls. No MIDI! Features additional patch points not available in the SEM pro version."
Computone Lyricon Wind Synthesizer-Driver owned by Grammy winner Paul McCandless?
Note: Auction links are affiliate links for which the site may be compensated.
SN 323 via this eBay listing
"The Computone Lyricon Wind Synthesizer-Driver, owned by Grammy winner Paul McCandless, is a wind synthesizer-driver that offers a unique sound experience. With its analog capabilities and high-quality craftsmanship, this synthesizer is perfect for musicians and audio professionals looking to add a distinctive and professional touch to their music. Made in the United States, the Computone Lyricon Wind Synthesizer-Driver is a reliable and versatile tool for creating captivating sounds and music compositions.
This unit is EXTREMELY RARE!! I acquired this from Paul McCandless himself some 25 years ago and it has been in storage ever since. Paul is a 6 time nominee and 3 time Grammy winning wind player.
Comes with case, power cord and accessory cord. A reprinted owner's manual is also included. The serial number on this incredible instrument is #323.
The build quality of Lyricon instruments is un-matched by any other modern or vintage wind instruments. Utilizing a mat chrome plated brass housing (not plastic) and spring loaded key pivots on metal keys with mother of pearl inserts, the action is similar to acoustic wind instruments. This type of action is familiar to and preferred by many musicians. The Wind Driver is strictly an analog instrument. There is no MIDI on board, though the analog voltages can be used to drive a CV to MIDI converter (not included) if desired.
The Lyricon Wind Synthesizer outputs analog control voltages that must be patched to a separate synthesizer (not included) It will not produce sound on its own. Numerous 1/4” jacks are provided that output control voltages for Pitch, Wind (volume), Gates and Pitch Bend. These outputs can be connected to your synthesizer’s VCO, VCA, Gates and VCF inputs, though only a VCO and VCA are required to produce sound. If you prefer an instrument that has on-board sound generating capabilities, the Lyricon 1 or Lyricon II would be more appropriate."
SN 323 via this eBay listing

This unit is EXTREMELY RARE!! I acquired this from Paul McCandless himself some 25 years ago and it has been in storage ever since. Paul is a 6 time nominee and 3 time Grammy winning wind player.
Comes with case, power cord and accessory cord. A reprinted owner's manual is also included. The serial number on this incredible instrument is #323.
The build quality of Lyricon instruments is un-matched by any other modern or vintage wind instruments. Utilizing a mat chrome plated brass housing (not plastic) and spring loaded key pivots on metal keys with mother of pearl inserts, the action is similar to acoustic wind instruments. This type of action is familiar to and preferred by many musicians. The Wind Driver is strictly an analog instrument. There is no MIDI on board, though the analog voltages can be used to drive a CV to MIDI converter (not included) if desired.
The Lyricon Wind Synthesizer outputs analog control voltages that must be patched to a separate synthesizer (not included) It will not produce sound on its own. Numerous 1/4” jacks are provided that output control voltages for Pitch, Wind (volume), Gates and Pitch Bend. These outputs can be connected to your synthesizer’s VCO, VCA, Gates and VCF inputs, though only a VCO and VCA are required to produce sound. If you prefer an instrument that has on-board sound generating capabilities, the Lyricon 1 or Lyricon II would be more appropriate."
Tuesday, July 08, 2025
Roland MC-202 with MC-2oh2 Hi-Rez Upgrade
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"Excellent condition MC-202 with Tubbutec MC-2oh2 Hi-Rez upgrade. Even adds a cool 8-bit sampler /drum machine that can load 12 of your own samples via MIDI dump.
Professionally installed by Tubbutec authorized installer Borish Electronics, not a cheap job to have done at $500 labor due to complexity involved with tiny CPU removal and replacement + $400 for actual mod kit itself. Overlay can be removed easily if you prefer.
Comes with rare original bag, Roland/Boss power adapter, and manuals (in Japanese)."
via this Reverb listing
"Excellent condition MC-202 with Tubbutec MC-2oh2 Hi-Rez upgrade. Even adds a cool 8-bit sampler /drum machine that can load 12 of your own samples via MIDI dump.
Professionally installed by Tubbutec authorized installer Borish Electronics, not a cheap job to have done at $500 labor due to complexity involved with tiny CPU removal and replacement + $400 for actual mod kit itself. Overlay can be removed easily if you prefer.
Comes with rare original bag, Roland/Boss power adapter, and manuals (in Japanese)."
[MON2 FW2.0] Sampling Daft Punk - Discovery with a 40-Second Limit (and Breaking It)
video upload by Monkhum craft and creative (ม่อนคํา ซีซี)
See the announcement post from 2024 here.
"What happens when you slice Daft Punk’s Discovery into 40 seconds—and drop it into a MON2?
Say hello to MON2: Soundscape Machine FW2.0 — a compact, hand-built synth + sampler from Chiang Mai, Thailand.
In this video, we used 40-second clips from Daft Punk’s Discovery album to show what MON2’s loop sampler can do. With its 6-oscillator synth engine, vertical OLED interface, 12 sample slots, and sound-sculpting FX (echo, distortion, LPF), you can transform iconic sounds into something totally your own.
💽 Load 12 WAV samples (max 40 seconds total)
🎚️ Sequence with 16 steps and real-time tweakability
🎛️ Layer with synths, FX, and MIDI over USB
—
🛍️ Get yours now:
🌐 Website: https://monkhum.cc
🛒 Etsy: https://bit.ly/3BUZfnw
🛍️ Shopify: comming soon
📸 Instagram: / monkhum.cc
Meet COSMOLAB by Faselunare – Modular DSP Kit for Makers & Musicians | Crowdfunding Soon
video upload by FASELUNARE
"🎛️ COSMOLAB is an open‑source modular DSP developer kit designed for companies, makers, musicians, educators, and anyone who wants to explore and create custom sound tools.
⚡ Powered by @electrosmithco Daisy Seed, Cosmolab lets you:
✔️ Prototype your own synths and audio processors
✔️ Build modular and reusable hardware designs
✔️ Experiment with sound like never before
🛠️ 100% open‑source and fully expandable – you can even design and add your own custom boards to make Cosmolab truly yours.
Cosmolab is made of 8 boards: Audio I/O, MIDI I/O, CV I/O, Display, Pots with double LEDs, and two keyboard options to build your custom synth.
🚀 We’re launching a crowdfunding campaign in September!
👉 Don’t miss out – join our mailing list to get early updates, sneak peeks, and exclusive launch rewards.
🔗 Sign up now at https://cosmolab.faselunare.com/
📢 Be part of the next generation of sound creation!"
Monday, July 07, 2025
How to Connect Erae to Hardware Synths (MIDI & Clock Setup Tutorial w/ Hydrasynth)
video upload by embodme
"In this tutorial, we walk you through how to connect the Erae to external hardware synthesizers, using the Hydrasynth as our example. Whether you're working with MPE-enabled synths or standard MIDI gear, this guide will show you how to:
🎛️ Route different MIDI Out ports on the Erae
⏱️ Set the Erae to send MIDI clock to your external hardware
🎹 Use advanced features with MPE or non-MPE synths alike
The setup process is simple and powerful—perfect for building a hybrid setup with your favorite synths."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH