"This beautiful 80’s vintage synth, the Korg Polysix, had been previously upgraded with the Kiwisix Mod and a Kiwisix Power Supply. So basically, classic Polysix sounds with a modern touch! Will be packaged very securely for shipment.
Also comes with a very rare vintage Korg hard case that was designed specifically for the Polysix.
— Kiwisix Mod & PSU Upgrade —
Eliminates voltage inconsistencies, noise, and the infamous leaked battery issues that plague the classic Polysix.
Adds MIDI in/out, master clock control, key transpose, built-in sequencer, enhanced arpeggiator, etc.
Comes preinstalled with Korg’s original 64 stock presets. The mod now allows you to store a total of 512 total presets."
Disclaimer: This is an unofficial add-on to the M user manual, describing some of extra features added from firmware 1.05 up to firmware 1.11. This add-on also covers some complex aspects of the Multi Mode, which remains somewhat unusual.
Author: Vladi Salnikov aka VladiS.
Algorithms of FW version 1.11:
Varysaw: A VA oscillator ranging from SAW through PULSE to TRI.
Wave (red encoder): Mixes from 0 to 31 from SAW to PULSE; 32 is pure PULSE, and 33 to 63 mixesfrom PULSE to TRI.
Meta parameter: Pulse width for PULSE, adjustable from 5% to 95%.
CSAW: A famous Yamaha CS-80 saw oscillator with mutation towards a parabolic oscillator.
Wave : Controls the amplitude of the “step” component of the saw wave.
Meta parameter: Mixes between this saw wave and the parabolic saw wave.
Waveshpr: A SAW to TRI oscillator fed into a mild waveshaper.
Wave : 0 is pure SAW, 1-62 mixes between SAW and TRI, and 63 is pure TRI.
Meta parameter: Depth of the waveshaper.
TriplSaw: A stack of three SAW oscillators; two are detuned slightly higher and lower than the third.
Wave : Controls the amplitude of the “central” SAW oscillator relative to the two “side” SAWs.
Meta parameter: Detuning factor, from 0 to maximum detune.
S/T Fold: A SIN wave folding oscillator that folds the chosen crossmixed wave between SIN and TRI waves.
Wave : 0 is pure SIN, 1-62 mixes between SIN and TRI, and 63 is pure TRI.
Meta parameter: Folding depth.
FM 2 OP: Classic simple two-operator FM synthesis. OP1 (modulator) generates a sine wave that modulates the phase of OP2 (carrier). Both operators generate sinewaves; the algorithm's output is the carrier signal.
Wave: Maps values from 0 to 63 to harmonics ratios of 1 to 8 in stepped increments.
Meta parameter: Amount of phase modulation applied to the carrier.
"This Rhodes Chromas is in perfect working order, sounds absolutely great, and has been thoroughly updated & reconditioned:
• CC+ Kit Installed – The original CPU board has been removed and replaced with the fabulous CC+ kit. The Chroma CC+ Kit (CPU Plus) significantly upgrades the original Rhodes Chroma synthesizer by adding essential modern features like integrated MIDI, much more program storage (200 programs in 4 banks) instead of the original's limited space, better control over parameters, and expanded MIDI functionality. It essentially modernizes the vintage keyboard, making it fully controllable via MIDI and allowing for complex patch management. It also replaces the original battery-backed memory with non-volatile RAM, eliminating the need to replace the batteries, and removing the danger of battery acid damage.
• MIDI Adapter Included – The Chroma can now send and receive MIDI. With its wooden, velocity-sensitive keyboard, it becomes a fantastic MIDI controller.
• New Power Supply Installed – The original power supply included a large, heavy transformer, and generated a lot of heat. The new switching power supply, designed in Italy specifically for the Chroma, is energy-efficient, reliable, and regulated, ensuring that the Chroma will be stable and noise-free.
• Serviced – All voice cards have had new capacitors installed. All faulty 4000-series logic chips have been replaced, along with several faulty op-amps. Faulty traces and connectors have been replaced.
All voices pass auto-tune test and play perfectly. We’ve burned in the Chroma for 8+ hours and it works perfectly and stays in tune. All keys have been removed and cleaned, and the action feels great. All key contacts have been cleaned and work correctly, with good velocity response.
Cosmetically, the Chroma has some scratches and marks from its 40+ years of use, but overall it’s quite presentable as you can see in the photos.
The Chroma includes the original flight case – however, the foam has gone bad, and has been removed. The flight case would need to be re-foamed to be used to transport the instrument.
The Chroma is available for pickup in Las Vegas, Nevada. We can also personally deliver the Chroma to the Los Angeles, Phoenix, or St. George areas for $150.
The attached video demonstrates the Chroma playing three of the factory preset sounds.
I also have a video showing all 8 voice cards (16 oscillators, 16 filters, 16 VCAs) passing auto-tune without any errors that I can send upon request."
Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.
All sounds in this video are 100% made with Junior without effects."
"Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.
Not only is Junior the perfect lo-bit playground but also a completely unapologetic synthesizer with a unique palette that holds a very special place in many of our hearts. Perhaps it can find its way into yours too.
Based on the limitations and characteristics of the Nintendo Game Boy™ soundchip, Junior emits raw and harmonically rich 4-bit values that will cut through anything. From 0 to 15, there is nothing more and nothing less.
The tone generator in Junior plays back a custom wave buffer of 32 4-bit values which gets transformed by different sound shaping controls. Paired with a 7-bit LFSR noise generator, they form the perfect lo-bit palette.
Junior has four flexible modulators inspired by modulation sequencers often used in trackers (LSDj, Defmon, M8 ..) called Tables. The 16-step modulation table in Junior can be configured as an LFO, envelope, arpeggiator, MIDI input mapper and more.
While Junior simulates the Game Boy™ sound, it's not a strict emulation by design. It expands upon the original capabilities with a modern feature-set and control while staying true to the original. The balance between accuracy and fun is just right.
"If you’ve ever struggled with MIDI jitter, sloppy DAW clocking, or keeping vintage synths and drum machines locked in time, the Innerclock Systems Gridlock II might be the ultimate solution.
In this video I take an in-depth look at Gridlock II, a professional MIDI, DIN Sync, USB and CV/Gate timing hub from Australian company Innerclock Systems, designed to deliver rock-solid timing with jitter as low as 20 microseconds. Rather than relying on unreliable DAW MIDI clock, Gridlock II generates its own ultra-accurate timing using an audio-based plugin approach — and the results are immediately audible.
I demonstrate how Gridlock II integrates vintage non-MIDI synths like the ARP Odyssey, Minimoog, Prodigy, Promars, Juno-60, alongside modern USB and MIDI gear, all appearing cleanly inside Logic as named instruments. You’ll see how MIDI, DIN Sync, USB MIDI and CV/Gate can coexist in one system, with every device locked tightly to the beat.
Key topics covered:
Why DAW MIDI clock drifts — and how Gridlock II fixes it
Audio-based clock generation for near-zero jitter timing
Syncing MIDI, DIN Sync, USB MIDI, CV & Gate together
Using vintage synths like modern MIDI instruments
TR-909 timing comparison: DAW vs Gridlock II
MIDI filtering, clock offsets, PPQN and transport control
CV pitch scaling, volt-per-octave & gate voltage options
Standalone operation for live performance reliability
Who Gridlock II is really for (and who it isn’t)"
0:00 Introducing the Gridlock II
4:39 The Hardware
7:04 Gridlock II Control Overview
9:02 Creating a Connection
11:12 MIDI Configuration Setting s
11:56 USB Hubs
12:31 CV Synths played as MIDI
13:21 MIDI Filters
14:06 CV Settings
15:12 Multiple Session s
17:48 Any Limitations?
"The SoundForce SFC-mini V4 is a new dedicated physical hardware controller for Minimoog-style VST plugins. This video introduces the device and how it works, what's new in this model, the special bonus features that work with the Arturia Mini V4 plugin, and much more.
This video serves as an official intro to the SFC-mini V4, and was funded by SoundForce. Based in the Netherlands, SoundForce have been in business for more than 10 years making controllers and eurorack modules."
CHAPTERS: 00:00 - Why Does this Exist? 02:23 - Minimoog: From Bass to Pad 04:39 - Whats new in V4? 06:59 - Build and Feel 07:25 - How does the integration work in a DAW 08:02 - Mini V4 Smoothing Catchup 08:55 - Mini V4 Jump & Pick-up Catchup Modes 09:43 - Hopping between plugin instances 10:28 - How do you set up a Plugin? 10:52 - UA Minimoog 11:34 - Dump (Manual Control) 11:56 - UA Minimoog Play 14:01 - Extra Control at the Bottom 14:54 - Changing Presets (Mini V4) 15:46 - User 1 & 2 Mapping 16:41 - Mapping Another Plugin (MS-20)
Press release follows:
SoundForce is introducing the SFC-Mini V4, a high-end, dedicated MIDI controller designed for the world’s leading Minimoog software emulations. Featuring more than 65 hands-on controls arranged in an authentic Minimoog-style layout, it delivers a true analog-inspired workflow for modern producers. Representing over a decade of SoundForce MIDI-controller innovation, the SFC-Mini V4 is the most advanced and accurate Minimoog-focused controller yet.
Build quality The SFC-Mini V4 is assembled in the Netherlands using high-quality components sourced from Europe and Asia. Its case is built entirely from powder-coated sheet metal. Both sides are fitted with elegant 8 mm walnut wood panels for a vintage-inspired look.
Backed by over ten years of MIDI-hardware expertise, the SFC-Mini V4 is part of SoundForce’s newest generation of controllers. Its pots, sliders, and switches were chosen after extensive research and experimentation to deliver outstanding tactile response, long-lasting performance, and rock-solid reliability during assembly.
Plugin support: Because the SFC-Mini V4 outputs standard MIDI CC messages, it can be paired with any software or hardware that supports MIDI CC mapping. However, since each plugin has its own UI and MIDI implementation, the firmware provides dedicated plugin modes to ensure proper integration. The SFC-Mini V4 has specific plugin modes supporting the following plugins:
Arturia Mini V4 (incl 2-way) Arturia Mini V3/iMini GForce Minimonsta 2 Cherry Audio Miniverse UA Minimoog Softube Model 72 NI Monark Synpase Audio The Legend HZ Plugiator Minimax
2-way communication: Two-way communication means the SoundForce controller and a supported plugin can talk to each other in both directions, instead of the controller only sending MIDI data one-way. At this point, this feature is supported with the Arturia Mini V4.
In practice, that creates a far more “hardware-like” experience when using software synths. Change a preset, load a new instance on another track, move a parameter with your mouse and the controller automatically syncs its LED switches, and ingest the pot data in memory. When the received pot data from the plugin differs from the actual pot position on the controller, 3 options similar to Ableton take over modes can be chosen from: jump, pick-up and smoothing.
"The WAEVE82 is not only a polyphonic wavetable oscillator, but actually a complete 8-voice polysynth! It combines the unmistakable charm of early digital wavetable instruments with a modern, performance-oriented workflow and a clear, page-based interface that invites exploration.
Its conceptual DNA is inspired by the PPG Wave 2 synthesizers of the 1980s — iconic instruments known for glassy timbres, animated spectra, and futuristic character.
Yet, the WAEVE82 is far from being a clone.
It draws inspiration from that lineage but follows its own path, with a unique audio engine, expanded modulation options, modern randomization tools, and a streamlined interface tailored for the AE modular format.
At its core, WAEVE82 provides: · Two independent wavetable oscillators, with 64 internal wavetables plus support for external tables loaded from micro-SD card. · Three envelopes and four LFOs, each with defined primary and secondary roles; LFOs can be free-running or tempo-synced · An extensive modulation matrix, enabling both traditional and experimental routing. · Dual operating modes: Edit Mode for deep sound design Perform Mode for live playability with direct access to eight favorites · A powerful Randomize & Mutate system that generates entirely new sounds or gently transforms sounds while keeping them musical; always with restorable history. This absolutely hot; endless inspiration, endless fun! · Save/load presets from micro-SD card · Full IMDI/MIDI and CV/Gate integration, including an eight-voice MIDI engine and flexible chord generation from CV,, plus additional CV/Gate inputs for additional control. IMDI and CV control can run parallel.
"I'm sending the same pattern to eight different kits that I programmed on the Melbourne Instruments Nina. Pattern information is sent via MIDI from Ableton, to four different channels. Each kit that I load on the Nina consists of four parts respectively. Basic mastering applied, but sounds from these Nina kits only."
Today, we are excited to officially announce the CME H12MIDI Pro, a next-generation USB Host MIDI hub created hand-in-hand with our global community of musicians, engineers, producers, and gear enthusiasts.
The H12MIDI Pro is the latest evolution in CME’s standalone MIDI ecosystem — a compact, portable, ultra-fast USB Host + TRS MIDI interface designed to bring complete flexibility to modern hybrid setups.
Whether you’re working exclusively with hardware instruments or combining synths, pedals, controllers, and DAWs, the H12MIDI Pro provides a unified foundation for your entire MIDI workflow.
A Crowd-Created MIDI Brain
The H12MIDI Pro began as a user-driven idea inside our CME community. Members asked for more ports, more presets, more routing options, and a more compact form factor.
Together, we turned those requests into reality.
This device is not just built for musicians — it’s built with them.
Key Features 6× USB-C Host ports (expandable to 16-in / 16-out with a USB hub) 6× TRS MIDI IN + 6× TRS MIDI OUT - 3.5mm (1/8”) - Type A/B selectable) 1× USB-C Client port providing 8×8 USB MIDI connectivity for macOS, Windows, iOS, Android, Linux, and ChromeOS. Up to 480 MIDI channels across host, client, and TRS ports Near-zero latency performance, opto-couplers, and 32-bit processor Dual-power support: USB-C 5V or 9V DC 25-LED feedback system for instant visual monitoring Compact 148 × 60 × 33 mm chassis, only 208 g Standalone routing, filtering, mapping, and up to 6 presets, all configurable through the HxMIDI Tools software (Win/Mac/Android/iOS/Linux) for deep customization and control. Presale Information The first production run will be limited to 400 units. Presale begins January 2026, with shipping scheduled to begin February 2026.
Early registrants receive: 24-hour early access Special presale price: US$139 (regular US$199 MAP/MSRP) Free local shipping with no import fees to the US, UK, EU, CA, JP, and AU
"Meticulously refurbished over approximately 22+ hours to be as good as it could possibly be, with a new set of modern faders that are way better than the originals and their copies, this unit is a real pleasure to play and is fully functional, with one exception - we disabled the guitar interface. This unit can still be controlled via CV and gate.
Why did we disable to guitar interface? This unit, like most, did not come to us with the guitar pickup and cable, so we weren't able to test it with a guitar. That said, the guitar interfaces are usually broken and beyond repair at this point. The manufacturer sealed the interface circuitry in epoxy, so if (and when) a component inside that black epoxied box goes bad, as they almost always do, they're impossible to open and repair by practical means. Also, even when the guitar interface is working, you'll need the pickup and cable, which have often disappeared over the decades. So, if you're looking for a unit that will work with your guitar, this one won't, and it's likely many others won't either, based on what we've seen - please search our listings to see if we have another in stock that does. This one contains the same synth engine as the ARP Odyssey Mk3 (with a couple very minor differences in the modulations) and can be controlled via a midi-to-cv converter or compatible vintage keyboard or sequencer. Be careful if you're considering buying one of these elsewhere - most sellers don't test them properly and don't know enough or care enough to identify and report problems, especially with the guitar section. Any avatar or odyssey that still has its original faders will almost definitely need them replaced, so consider that too. And then there are the ones that use the low quality copies of what were already low quality original faders. We already did this work, and it's expensive. Cost was around $300 for the new faders, plus additional parts, plus 22 hours of skilled labor, plus additional labor to route the sample and hold mixer output to modulate VCO2 and the filter for oscillator and filter FM as you'd have on an Odyssey (which is being performed as I type this so I don't know the total time yet)."
Check with dealers on the right on availability and price.
Playlist:
1. Waldorf Protein Trailer
2. Waldorf Protein Sounddemo
3. Protein - Deep Dive - Tutorial with CTO Rolf Wöhrmann
User Videos:
Playlist:
1. New Wavetable Synth: WALDORF PROTEIN - Sound Demo (no talking) - Limbic Bits
2. Waldorf Protein Demo (no talking) - New Wavetable Synth from Waldorf! - Bonedo Synthesizers
3. Waldorf Protein - Sounds, walkthrough and sound design - Martin Stürtzer
Protein is an affordable and compact 8 voice polyphonic Wavetable synthesizer based on the original Microwave 1 ASIC oscillators combined with modern features of Iridium heritage like the sophisticated arpeggiator, step sequencer, chord mode, effects and more. Protein links back to the very beginnings of Waldorfs instrument makings but interprets the original ideas in a contemporary and surprising way.
With handy dimensions of 252 × 170 × 48 mm (including controls) and a weight of 0.9 kg, the Protein is a true powerhouse packed into a compact and portable new form factor that stands as the first statement of a new upcoming product line.
Specifications
Oscillators • Two oscillators based on unique Waldorf Microwave ASIC chip. • Internally running with 250 kHz sampling rate to match original ASIC sampling rate. • Modeling of digital-to-analog converters for each voice (DAC). • Unique digital noise generator based on ASIC technology.
Wavetables • All original wavetables of Microwave 1 based on the original coding and bit-identical to original. • Including algorithmic and speech wavetables. • Beautiful recreation of 8-bit quantization and aliasing. • Full waveform catalogue of original Microwave.
Filter • Faithful modeling of CEM analogue filters. • Adjustable de-calibration of cutoff and resonance to model detuned hardware. • Cutoff and resonance modulations. • Additional „Dirty“ types: Noise, crackle, click, geiger and bursts.
Modulation • 3 Envelopes • 2 LFOs with tempo sync and sample & hold • 8 slot modulation matrix • Poly-aftertouch capable • MPE modulation sources.
Performance features • Advanced Arpeggiator • Step-sequencer with up to 32 steps • Chord & Scale modes • MPE Compatible • MIDI CC Learn
Patches • Over 150 factory patches • Capacity of 250 patch memory slots • Category filter for patch list • Import- and export of patches via MIDI Sysex
Connections • Stereo Audio Out with 6.35 mm jacks with optional mono and TRS stereo connections • Headphones mini TRS output • DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included) • USB Type C for power supply and USB MIDI connection • Firmware updates via USB
Overall • Sturdy metal front plate on a colorful plastic case • Dimensions: 252 mm wide by 170 mm depth by 48 mm height (including controls) • Weight: 0.9 kg • Power Supply via USB (not in the box)
What’s In the Box? • Waldorf Protein Synthesizer • Two MIDI adapters: mini TRS to DIN sockets • USB C to C cable • Printed Quick Start Guide
"This is the big boy 8-voice Maximus. It's in superb condition and includes everything it would if you purchased it new. Analogue Solutions makes the most 70's sounding synths in the modern era IMO. Raw, present, fat, but with all the modern accoutrement (modern MIDI, connectivity, etc). I have owned all the legendary vintage big boy polys at some point or another and the Maximus is on another level. Most would agree the 8-voice Oberheim is (EVS) is one of the greatest vintage polys of all time. The Maximus is essentially the modern equivalent but with a dedicated sequencer per voice, more global controls, built in delay per voice, and a superior mixer section. This is unit 15, but serial #22 by special request. I suspect no one will ever build an analog synth like this again as it's a labor of love and costly.
I recommend local pick-up here in Vegas, but I have the original crate it shipped in from England. These rarely come up for sale, especially Stateside, and now with tariffs the way they are you're gonna get hammered buying a high ticket import like this. If you were considering a Maximus, here's your chance.
"Mercury-8 synthesizer builds on Cherry Audio's renowned Mercury legacy with a passionate focus on detail and modern technical advancements. Every aspect of the original hardware has been carefully modeled to capture the sound and behavior that made the JP-8 so legendary. Furthermore, Mercury-8 goes "beyond Jupiter" by offering expanded polyphony, versatile modulation options, studio-quality effects, and expressive performance capabilities. It not only captures the distinctive essence of a JP-8 but can even exchange SysEx data with MIDI-modified hardware.
Cherry Audio and @TimShoebridge have collaborated once again to share an in-depth introductory video for Mercury-8. This comprehensive guide demonstrates how simple it is to create powerful sounds from scratch, maximize the modulation matrix, and get the most out of splits and dual layers. Additionally, the video highlights the new effects and Mercury-8's remarkable capability to import original JP-8 patch bank SysEx data via a drag-and-drop feature.
00:00 - Mission Mercury! by Mal Meehan, James Terris, and Robert Saint John
01:16 - Introducing Mercury-8 with Tim Shoebridge
02:48 - A Little Experiment
05:20 - Music: "From Scratch"
07:26 - Front Panel: VCOs and LFO
11:45 - Music: "Two Notes"
12:05 - Filters and Envelopes
15:00 - Music: "Plucks"
15:20 - Mod Matrix
16:35 - Layers, Dual and Split
18:05 - Effects
25:45 - Music: "Lo-Fi"
26:27 - Quick Tour: Sequencer, Arp, Performance, Assign Mode, and the Digital Display
27:43 - Digital Display and Expanded Settings
34:41 - Mercury-8 and JP-8: Factory Presets and SysEx Data Exchange
37:37 - Conclusion and Music: 'Timeline'"
Playlist of videos (note the desciption above is for the first video):
1. Cherry Audio | Introduction to Mercury-8 with Tim Shoebridge
2. Cherry Audio | Mercury-8 Synthesizer - NEW! - Cherry Audio and Michael Oakley Official
3. Cherry Audio | The Grid Preset Pack for Mercury-8 by Michael Oakley
4. Cherry Audio | Mercury-8: A Tour of the Presets with Mike Martin
5. Cherry Audio | JUPITER-8 x MERCURY-8 - Factory Presets Compared
6. Cherry Audio Mercury-8: Artist Demo - James Dyson
7. Cherry Audio Mercury-8: Artist Demo - Jezz Woodroffe
And two user videos:
Cherry Audio Mercury-8 Jupiter-8 Strings Pads FX VST Virtual Analog Synthesizer Rik Marston
"Join me for a one-of-a-kind musical experience filmed inside the iconic Mickey Hargitay Plants in Hollywood. In this special session, I’m improvising on the legendary 1969 Moog IIIc “Plantasia” Modular Synthesizer—the same model used on Mort Garson’s Mother Earth's Plantasia—along with my Groove Synthesis 3rd Wave, while the plants themselves generate melodies through PlantWave.
How PlantWave Works
PlantWave is a bio-music device that connects to a plant’s leaves and measures subtle changes in electrical conductivity. Those fluctuations are translated into MIDI data, which then becomes musical notes, rhythms, and patterns. It’s not “the plant playing an instrument” in the human sense—it's more like the plant’s natural signals being converted into music we can hear and respond to.
The Jam
As PlantWave transforms real-time electrical signals from the plants into beautiful, evolving musical patterns, I’m tuning in, responding, and improvising on the Moog IIIc and 3rd Wave—matching their phrases with my own melodies and rhythms. Every moment emerges organically, completely unique, and impossible to recreate the same way twice.
About the Location
Mickey Hargitay Plants has been an LA landmark for decades, and creating this performance surrounded by their lush greenery made the experience even more magical.
This is a rare combination of vintage analog synthesis, modern wavetable power, plant-generated musical data, and real-time human improvisation. I hope you enjoy this unique collaboration between nature and machines."
"Waldorf Music has released the Protein, a new 8-voice polyphonic wavetable synthesizer. The instrument combines the technology of earlier Waldorf instruments with modern features in a compact and portable design.
The Protein utilizes the original ASIC oscillators of the Microwave 1, reproducing its characteristic digital vintage sound at a 250 kHz sample rate and retaining the original 8-bit quantization and aliasing characteristics. Its design and architecture are particularly noteworthy. The Protein boasts a new, portable form factor. Measuring 252 x 170 x 48 mm and weighing just 0.9 kg, it is designed for both studio and mobile use.
The user interface is designed for intuitive operation and direct access. At its core, the Protein offers 8 voices and a flexible 4-layer concept that enables complex sound layering, round-robin modes, and polytimbral operation via MIDI. The Load Layer function allows for quick recombination of existing layers from the library. The device stores over 150 factory presets and up to 250 user presets. Each layer has access to an 8-slot modulation matrix for sound design, complemented by modern support for polyphonic aftertouch. A special feature is the "Flavor" control, which adds organic micro-fluctuations to digital sounds.
Modern features from the Iridium family are also integrated, including an arpeggiator, step sequencer, and various effects. The Protein aims to offer an affordable entry into the world of classic Waldorf wavetable synthesis. The official launch of the Protein will take place on November 27, 2025, at 8 p.m. in Berlin. Following the launch, the artist Zavoloka will perform a 30-minute live set using the Protein."
"In this video, we’re building a Teensy-powered synth inspired by the iconic Minimoog Model D, and exploring what made the original design so legendary. We’ll walk through all-the-things: oscillators, mixer, filter, envelopes, hidden features, presets, the Teensy’s USB audio setup, and how Bob Moog’s Minimoog helped shape modern subtractive synthesis.
This is my biggest project to date, and I couldn’t be happier with how it turned out! The Teensy 4.1’s built-in USB audio is sending power, MIDI, and audio over a single cable. What a time to be alive, haha! All code and build files are available on GitHub if you want to make your own. Cheers!
A 6-voice polyphonic virtual analog synthesizer built with the Teensy 4.1 microcontroller, inspired by the classic Minimoog. Features comprehensive synthesis with USB audio/MIDI and intuitive menu control.
Key Features: 6-voice polyphony with 3 oscillators per voice (18 total) 6 waveforms per oscillator Noise shared white/pink noise 24dB Moog-style ladder filter with ADSR envelopes Independent LFO with pitch/filter/amp targets Macro knob system - remap filter knobs to LFO controls USB Audio + MIDI - single cable to computer 20 hardware encoders + LCD for real-time control 20 Presets - 80s Brass, Saw Keys, Bass sounds, Pads, and more Multiple play modes - Mono, Poly, Legato with glide
"Mystrix is an open-source, smart controller that has a lot of features. Our website is https://203.io/ , and more detailed information is in https://matrix.203.io
We just recently launched an OS 3.0 update for the device and are planning to release a Mystrix 2 soon. It would be great if you could help us and spread the word! I can’t appreciate that enough!
With Matrix OS 3.0, Mystrix got the following features:
Note App V2 with New Layouts, Control Bar, Pitchbend, Custom Scale, Modern Diatonic Scale, Arpeggiator, Chord, Note Latch, and more.
Python User Application Support
And a lot of QoL updates
On top of a suite of existing powerful features like
Customizable Control Map with advanced MIDI command, keyboard, and gamepad
Computer Software Integration
Chord Strumming
For Mystrix 2. It’s currently still under development, and we expect to launch it by the end of the year. It will have a few improvements on the existing one, like MPE surface, 6-axis gyro, new design, more IO options, etc.
"After a year of design, testing, and feedback from our amazing Kickstarter backers — Timepod is finally real.
In this video, we’re giving you the first full look at the finished product — the design, the features, and the journey that brought us here.
Limited Time $100 Off Preorder Sale 👇
https://www.modernmidi.io/products/timepod
0:00 Intro
0:25 Next-Gen Knobs
0:55 Modern LED rings
1:06 Innovative Snapshot System
1:51 Auto Morph
2:10 Manual Morph
2:43 Random Morph
3:21 Desktop App
3:30 Outro"
Next-Gen Resolution 16 ultra-high resolution (1024 steps per revolution—8x the resolution of standard encoders) endless knobs with touch-sensitivity for unmatched precision and control.*
Perfected Feel Custom-tuned knobs for optimal torque, uniform resistance, and silky-smooth response for a truly premium feel.
Sleek Visual Feedback Seamless LED rings powered by high-quality LEDs for rich colors, crisp feedback, and outdoor-visible brightness.
Deep Control 8 banks of 16 mappable knobs give you complete tactile control over your projects.
Innovative Snapshot System Save, recall, and morph between sound sets creatively and effortlessly, with up to 8 snapshots per bank and 3 different morph modes.
Frictionless Workflow Play Timepod like an instrument with its streamlined interface, intuitive controls, and creative features.
Customize Everything Use the companion desktop app to configure colors, mappings, brightness, and more.
Connect Anywhere USB-C and TRS-A In & Out ports unlock new creative possibilities in any setup.
Engineered with Passion Timepod is the product of years of community-driven development, refined through countless iterations and meticulous attention to detail.
Each Timepod is hand-assembled in the United States.
*14-bit MIDI CC communication is natively supported by Timepod and most DAWs, allowing you to take advantage of the higher resolution with minimal setup.
Check with dealers on the right for pricing and availability.
"The KeyStep DNA, evolved. With expanded connectivity, real-time generative tools and hands-on OLED control, KeyStep mk2 refines every detail of the original - letting you shape, transform, and perform ideas faster than ever."
"Join Brendan for an introductory tour of KeyStep mk2. Discover its core features from advanced sequencing and generative sound creation to OLED control and deep CV/MIDI/USB-C connectivity - a centrepiece for hybrid setups and keeping your ideas evolving.
_CHAPTERS
00:00 Intro
00:54 Front Panel
01:51 Sequencer
03:50 Sequencer & Mutate
06:04 Scale Mode
06:22 Chord Mode
06:57 Arpeggiator
10:11 Extra Features & Back Panel"
User videos:
Playlist:
1. Talking New Keystep MK2 with Arturia’s Product Manager | Generative Arp, Mutate & Sequencer Upgrades - Noisegate
2. Arturia KEYSTEP MK2 // It's not an update, it’s a new composition workflow // v2 Review, tutorial - loopop
3. Arturia KeyStep Mk2 Review - Did they ruin it? - Molten Music Technology
4. Is this cheating? Arturia Keystep MKII // Generate and Mutate at will!! - Starsky Carr
_Step into your next idea
The original KeyStep became a modern classic by giving musicians a simple, reliable way to bridge modular, hardware, and software instruments.
With KeyStep mk2, that formula has evolved in every way that makes sense - becoming more creative, more connected, and more immediate than ever. It introduces Mutate and generative tools, a bright OLED display, and a redesigned sequencer and arpeggiator that make idea generation effortless. KeyStep mk2 is priced at $139 in the USA and 129 € (or $129) in other regions.
_What’s new with KeyStep mk2
Patch into modular, trigger drum machines, and control synths from past and present. With USB-C reliability, DIN MIDI I/O, assignable CV outs, and pedal support, KeyStep mk2 is ready to command any setup - live, in the studio, or on the move.
More creative idea generation
Mutate, Spice/Dice, and real-time transforms for instant variation.
Hardware-first control
OLED display + clickable encoder reduces reliance on MIDI Control Center.
Better connectivity
USB-C, power switch, and an extra CV out (Mod 2) alongside MIDI DIN, Sync I/O, and pedal input.
Upgraded sequencer
8× more memories, unquantized recording, Bend & Mod automation, Undo, step edit, pattern chaining.
Smarter arpeggiator
Classic Arpeggios, Arp Reset to turn arps into phrases, Generative "Arp Pattern" mode provides all sorts of fresh melodies, basslines, chords, using the keys that are pressed.
