"I've just rebuilt my site which collects my generative instruments in one place:
- Browser (Web Audio, no install): PROPHETIQUE (a 5-voice sampler built from a single Prophet-5 note, with a generative melody engine), Register (a minimal sine/noise/LFSR piece with barcode and 3D wireframe visuals), RAINTREEFREQ+ (a generative piano roll based on my own track), KORPER (an instrument dedicated to Electronic Body Music), and SYSTEM-83 (a PPG/Fairlight-flavoured synth/sampler and MIDI player; no MIDI is bundled)
- PS Vita (VPK, for modded consoles): AZIMUTH, Register, PROPHETIQUE
- Linux: SYSTEM-83 (AppImage), plus LMD649 and KORPER as VST3/CLAP/LV2 plugins
"Saadet 1.0 is out: synthesizer firmware for the M-VAVE FM-1, now with six engines. HYDRA has three oscillators on 56 waves, two of them scanning lists of eight, with mutants, ring, noise and two filters, eight named macros on every sound and a WAVE LAB for your own waves. PPG Wave 2.2 plays the original wavetables and all 100 factory programs, two groups layered or split, and the sampled grand piano and saxophone of table 31. Two parts play by MIDI channel, split or layered, and save as 12 named performances. Hold ARP for a drone. A stolen voice now fades out over 23 ms under the new note instead of being cut. Saadet also runs on the M-VAVE SMK-37, in beta, and Saadet Studio is a new editor in the browser.
To install, open the web installer in Chrome or Edge, connect your FM-1 and follow it. Back up your sounds first. Bug reports and ideas are welcome.
How this was made: the units' screens and all the audio were rendered from Saadet's own source running on a computer, driven by scripted buttons, knobs and keys. It isn't camera footage, and the FM-1 and the SMK-37 on screen are drawings. The music is Saadet's HYDRA and PPG engines played over MIDI by a script: the unit on screen plays the pad, and three more runs of the same firmware play the bass, the bells (their echoes are played as notes) and the choir. Levels between engines were evened out in the mix; nothing else was added. The engine waveforms in the opening are drawings of each engine's character, not measured audio. Saadet Studio's screens are stills of a local build of the editor, driven in a browser with its demo unit, which was recorded from the 1.0 firmware.
Jarrod from Heisenberg told us about the OFAI Music Workstation and a handmade wooden MIDI controller.
The workstation is a custom small Linux-based unit with audio outputs and MIDI. It runs open-source software from the Zynthian platform, with additional presets made by Jarrod. The hardware is a a custom development by the team, and it supports MIDI synths, plug-ins and multi-timbral sequencing.
The wooden controller works as a generic control surface and is not for sale, more just as a DIY project by Jarrod. Parameters are assigned with MIDI Learn, so knobs and buttons can control selected synth or effect parameters. In the demo, a USB MIDI cable connects the controller to the workstation. The system can run drums, hi-hats and riffs on separate tracks, and selecting a track gives access to further parameters. A MIDI latch function holds notes while parameters are adjusted.
The OFAI Workstation is sold in China for 3,700 RMB. The wooden controller is handmade and is not for sale.
More Info: https://zynthian.org
2. 30k - Nyoka - Magnetic Field Noise Generator - Beijing Modular 26
Yang from 30K told us about their NYOKA Magnetic Field Noise Generator, a small experimental sound device that turns electromagnetic interference into audio control signals.
The unit senses magnetic field signals and uses them to modulate an internal oscillator. It can also be played by touch, with fingers routing signals to different points in the circuit. The device includes multiple switches for changing operating modes, selecting oscillator or inductor output, choosing where the magnetic field signal routes, and altering routing inside the oscillator.
The unit runs from USB-C power and outputs audio via a 3.5mm TRS jack. It responds strongly to nearby power sources, with different electrical equipment producing different responses. Yang also mentioned that it works well with external reverb and delay.
The device is available for 229 RMB.
He also showed a magnetic field amplifier with 1000x gain and a small Meow Box synthesizer that produces cat sounds - I mean, why not?
3. 203 Systems - Mystrix 2 MPE Grid, Cardenza - tiny hackable music computer- Beijing Modular 26
Nengzhuo Cai from 203 Systems had some pretty cool units to show, first up is about Mystrix 2, a wireless MPE grid controller, and two compact music devices. Mystrix 2 is the latest generation and runs its own OS, so applications can be installed directly on the hardware without a computer.
Mystrix 2 acts as a MIDI and control-data source. It includes MPE keyboard apps, chord, arpeggiator, scale and custom scale tools, split-screen operation, an eight-track sequencer, clip mode and a mixer. The sequencer supports 16 patterns with 16 steps. It has three full-feature USB-C ports for charging, computer connection or accessory boxes, plus CV and MIDI adapters. A hidden side touch slider supports functions such as strumming.
Next up is *Cardenza, *a $20 open-source ESP32 S3 music computer with Wi-Fi, Bluetooth 5, microphone, SD card, app installation and web coding support. You can run your own programs on it, and even browse the web (assuming you can code your own browser!)
Then the NULLperator is a tiny eight-track tracker with audio I/O, TRS MIDI I/O, microphone, speaker and battery. Mystrix 2 is expected for Kickstarter at around $500, while NULLperator is expected around $300, with free iOS and Android apps available.
More Info:
https://203.io/ |--------|
4. SPI1: Mini Multi-function Game-style Modules - Beijing Modular 26
We spoke to Lei and the team behind *SPI1*, a compact modular music workstation built around a “micro universe” concept. They explained that the project uses a game-like interface for creating music, with visual design, touch controls and interchangeable hardware modules forming part of the workflow.
SPI1 features a square-format touch bar with 12 control keys. Projects can start from blank templates or preset styles, and the system supports user-made templates. The team plans to release an SDK for third-party development, covering modules and internal software.
The instrument includes a DSP synth system where timbres are organised as “plants”, with scale selection, generative music modes and four-channel pattern recording. A map-style interface contains sound machines, including chord and wave-based devices. External interaction comes through probes for wind, magnetic signals, audio signals and other inputs.
The modular hardware includes interfaces such as joystick, DJ turntable, drum pad, fader and marble-based controllers. An audio sequencer module can trigger external devices and lights. SPI1 is currently a prototype, with a Kickstarter planned for spring next year. Pricing has not yet been confirmed.
Ģirts from Erica Synths gave us a look at the Graphic Sequencer a new Eurorack module currently in production.
The Graphic Sequencer is a compact hub for sequencing and modulation. It has 10 steps (with a planned 16-step expander) plus CV and gate outputs and three modulation outputs. Those outputs support envelopes, delay-based envelope types, user-drawn multistage envelopes, LFOs, random walk, Euclidean sequencing and chord CV duties across multiple oscillators.
Magic mode changes an existing sequence in real time, with controls for note variation, octaves, density, gates and slides. Returning from that mode clears the edit buffer.
The Euclidean section works with an 8-channel expander, and hits can be added manually with the encoder.
The module is expected in about a month, priced around €300.
6. Theresyn - Beijing Modular 26
We spoke to Nori about Theresyn, a handmade fully analogue theremin synthesizer. He explained that it uses the familiar theremin approach, with the left hand controlling amplitude and the right hand controlling pitch, but adds extra control and acoustic elements.
Xin then demo'd the pressure-sensitive touch pad, which controls oscillator amplitude and can also trigger an ADSR envelope. Theresyn has two oscillators, with mixing between the theremin voice and an internal oscillator. Antenna tracking can be set to none, partial or full, allowing one oscillator to act as a drone or follow the pitch hand.
The synth also includes selectable waveforms, filter modes including low-pass, resonance, pitch-to-filter tracking and amplitude modulation of the cutoff. Its speaker system includes a front loudspeaker and rear resonating strings, with a pickup for the string output. There is no pitch quantizer, and pitch remains continuous. The pitch range can be tuned to the player's body capacitance.
Theresyn is handmade, available to order from the website, and the full version with bag costs €3,000.
We spoke to the team behind Puff V3 about the Puff breath controller project, which began in 2024. They explained that the current wired V2 has the same core functions as the planned V3, while the V3 moves to wireless operation.
Puff converts breath into control voltage for modular systems and synthesizers. It can control pitch, cutoff, resonance and other modulation destinations, depending on the patch. The system supports up to four CV outputs and one MIDI output. USB-C connects to a computer or laptop for MIDI, so it can control software and hardware at the same time.
The controller is held in the mouth, leaving both hands free for instruments such as guitar or piano. The team also discussed a future mouth ring or bite control for sustain-style input. The prototype is built, with release planned for June next year, and the project launches on Kickstarter.
"https://patttf.github.io/fm-106/
FM-106 turns the M-VAVE FM-1 into a polyphonic synthesizer modeled on the Juno-106. Saw and pulse oscillators, a sub oscillator, noise, resonant filtering, envelopes and stereo chorus support classic analog-style sounds."
HYP-1 turns the M-VAVE FM-1 into a hypnotic techno and acid machine. It plays from the moment it's switched on: a breathing pad, a deep drone, a generative 303 line and grain, over drums you sequence. You shape the voices like a small modular, flip patterns on the bar, break it down, build it up, and record the whole performance into your DAW.
"What if a pocket synth behaved less like a tool and more like an organism? JIANT FM is a free, open-source alternative firmware for the M-VAVE FM-1, made for playing live and building whole songs without a computer. The screen works like a thermal camera: every engine is a living being drawn in lines that swells, glows and changes shape with what you play. HOME is an ecosystem of four creatures, one per track. What's inside: 🧬 8 synthesis engines, no samples: ANALOG, FM6 (Dexed, imports .syx), PHASE, LOFI with bytebeat, VOICE, WHEEL, NOISE and DRUM-X 🥁 DRUM-X: Microtonic-style synthesized drums with A/B morph, FOLD and FM 🎲 Dice everywhere: SELECT rolls a new sound, and macros land only on what's playing 🎛 A filter on every engine: LP, HP, BP and a COMB tuned to the note ✨ Five reverbs: ROOM, SPRING, SHIMMER, RESO tuned to your scale, and a granular CLOUD that freezes ⚡ Punch-in FX you play on the keys and record as automation 🎼 8 songs with sections, scenes and live chaining, recorded while you play 🔊 An always-on master leveler, so every patch sits at a consistent volume ▶ Try it in your browser (same code, with sound): https://juanjiant-bit.github.io/JIANT/ 💾 Web installer: https://juanjiant-bit.github.io/JIANT... 📖 Source and manual: https://github.com/juanjiant-bit/JIANT A fork of Felucca by Hügelton Instruments, with its song system from SLOOP. GPL-3.0. ⚠️ In development (v0.5): back up your flash before installing. #synth #firmware #MVAVE #FM1 #opensource #synthesizer #bytebeat #granular"
It started as a simple synth-tom experiment, but gradually evolved into a much more flexible percussion synth capable of producing deep kicks, toms, short noisy hits, laser-like sounds and all kinds of strange electronic percussion.
RudeBox is played dynamically from an external drum pad, with hit velocity affecting the generated sound. Its controls allow shaping the oscillator, pitch envelope, amplitude decay and transient click/noise:
• *Novation Bass Station II* — bass / synth lines • *Korg Volca Sample* — additional drums and samples • *Allen & Heath ZEDi-10* — mixing everything together
The idea behind RudeBox was to build something simple, immediate and playable rather than another menu-driven digital instrument. Despite running on an ESP32, it behaves much more like a small piece of dedicated hardware: plug in a pad, turn the knobs and play.
Metropolix 1.6.2.3 beta firmware update allows you to derive triggers or gates from the 8 Mod Lanes - adding some extra sequencing power to this already jam packed sequencer. These can be output from the A & B Mod Outputs, the Gx (or Qx) Expander Module, or via MIDI.
In this video, we explain how to set this up, followed by a patching demo of how you might want to use those extra trigs or gates.
Chapters
00:00 - New Firmware Features Explained
01:21 - Patch Demo Setup
02:54 - FX Chain (Sealegs, Swells & X-Fade 1U)
04:24 - Atlantix - Beefy Kick
05:06 - Plonk - Switching percussion sounds
07:18 - Flurry - Morphing Noise
09:52 - Multigrain - GATE & NEXT sequencing
11:25 - Bifold - Wavefolding Bass
15:20 - The final patch
16:28 - Outro Jam"
"This series' first synthesizer simulation is of a rare Japanese-made bass synthesizer.
This synthesizer possesses features rarely seen in modern synthesizers, such as a unique traveler and simplified oscillator sources.
We has poured its passion for this hard-to-find synthesizer into this simulation software.
Features
・Monophonic synthesizer architecture
・Triangle, Square, Saw, Pulse and Phaser modes
・4’, 8’ and 16’ octave ranges
・Classic Traveler filter
・Twelve factory presets
・Full MIDI CC control
・Separate modern modification section
SynBe is a monophonic bass synthesizer inspired by a 1975 Japanese Synth Bass.
I had wanted one for a long time, but finding one is difficult. Rather than wait for the right unit to appear, I started with what was still available: surviving technical documentation, published circuit information, material from related instruments, and other technical references.
Some sections are well documented. Others are incomplete. Where the original circuit cannot be fully determined, SynBe uses the available evidence, related designs, conventional modelling techniques, and listening tests.
Features
Monophonic synthesizer architecture Triangle, Square, Saw, Pulse and Phaser modes 4’, 8’ and 16’ octave ranges Classic Traveler filter Twelve factory presets Full MIDI CC control Separate modern modification section 2x internal oversampling Versioned DSP kernel Special nice & great graphics by ME! Archaeology
Most of my previous reconstruction projects started with an instrument sitting in front of me.
SynBe did not.
The reconstruction began with surviving technical documentation and circuit information. I also studied material from contemporary and related instruments where the available information was incomplete.
The signal path was reconstructed section by section, from the oscillator and waveform circuitry through the Traveler filter and VCA.
"Trix is a software recreation of a Japanese rhythm machine from 1973, built through hands-on analysis of an original unit and its analog circuitry.
Trix uses no samples. Every sound is generated in real time by models based on the original electronic circuits, from the resonant drum voices to the metallic percussion and noise-based sounds.
Features
• 100% synthesized
• Built-in rhythm patterns and sequencer
• Step sequencer and pattern editor
• Individual controls
• Master Tone and Over Drive
• Internal / Host / MIDI clock
• macOS AUv2 / VST3
• Windows VST3
Available for macOS (AUv2 / VST3) and Windows (VST3).
"Get the update via itch.io – either log into your account or download from your original purchase email.
To update FMS, simply replace the FMS.gba file with the new one. Sav files (.sav) will automatically upgrade to the new version on startup.
(note: sound improvement sections are quite technical and nerdy :-))
00:00 Intro
00:33 Track direction
06:00 Transpose toggle per step
07:37 Microtiming (Wait)
13:23 FM End Level
19:20 Sound palette (presets)
22:53 Unmute all
24:25 FM Fbk in Echo
26:56 Sound improvements
27:22 LESS NOISE
29:31 Improved quantization
30:11 Improved sine resolution
33:03 Feedback averaging"
"DS8 Drumstream is a homebrew drum machine and advanced groovebox for the PlayStation Vita, built around fast step sequencing, real-time drum synthesis, automation, and hands-on performance using the Vita’s physical controls.
DS8 turns the Vita into a compact drum instrument with eight drum tracks, up to 64 steps per pattern, real-time drum voice generation, per-step automation, insert/send/master FX, and pattern tools including Euclidean rhythms and random generation. The sound engine is synthesis-based, with no samples or wavetables.
The project is currently in active development and the first public build is available as v0.1 for homebrew-enabled PS Vita consoles as a free download."
"DS8 Drumstream is a drum synthesizer and groovebox for the PlayStation Vita.
It turns the Vita into a compact drum machine for sketching ideas, building grooves, and performing anywhere. The app is built around eight drum tracks, a step sequencer with up to sixty-four steps, and direct control through the Vita’s physical buttons.
All sounds are generated in real time. No samples, no wavetables. Each drum voice can be shaped directly, with controls for tuning, decay, drive, pitch, noise, level, and more.
The sequencer supports mute, solo, per-step automation, pattern length control, step copy and paste, metronome, and pattern generation. Individual steps can have their own parameter changes, allowing for accents, ghost notes, tuned percussion, glitch fills, and evolving rhythms.
Pattern generation includes Euclidean rhythms, random patterns, alternating steps, every-N triggers, and preset templates.
DS8 Drumstream is currently in active development. This is an early v0.1 release, so bugs, missing features, performance issues, and interface changes should be expected."
"This is a fully functioning Polysynth using an ESP32-S3 to model the audio in real time, from an initial single Sine wavetable calculated on power up. The control panels for the oscillators and common controls all use CAN bus to communicate parameter changes to the audio engine - rather than wiring up a lot of IO, it just sends a message like 'Change oscillator 3 to Sawtooth'
Basic spec so far:
6 oscillators in 3 pairs that have Sine / Triangle / Saw / Pulse / Noise and Chaos waveforms. There are then independent wave folding modifiers and Sample and hold modifiers. Each oscillator pair can also be hard sync'd to it's partner for mono use, or FM modulated.
Common controls have ADRS envelope control, High / Low / Band pass filter with Envelope and tracking control. Ring modulator and Play mode selector for Unison / Duo / Poly. 2 re-triggerable LFO's with delay.
Currently working on the routing section that will allow pretty well anything to modulate anything else stored as separate routes - up to 12 routes can be applied at once. Then patch storage and recall, and hopefully some nice analogue FX at the end.
In the clip, all the audio is straight out the back of the DAC with no processing or FX."
Teuri’s “Cellular Distortion” system puts multiple distortion models at different points on an XY pad and lets you live in the tension between them. Drag through the grid and blend through textures that were never meant to coexist. ragged fuzz bleeding into clinical overdrive, soft saturation collapsing into bitcrush.
No snapping, no quantizing, just continuous, organic layers of deterioration.
Since the different models can produce sound at different levels, Teuri internally handles these differences to give you a smooth morphing experience.
Highlights Model Selection
Teuri comes with a broad palette of distortion characters; from analog circuit models to experimental processes that have no hardware counterpart.
Whether you’re reaching for the warmth of a pushed tube stage, the grind of a germanium fuzz distortion, or something that treats your audio less like a signal and more like a material to be torn apart, Teuri’s model selection is built to cover the full range of what distortion can mean.
Distortion Cells
Different distortion models are added on an XY pad, and the internal “Positional Blending” system handles smooth blending between them, regardless of model. The “blender” also attempts to balance between the gain differences that the models have in real-time.
Modulate More
Teuri has a modulation system, similar to the one in Glow and Smear. Offering up to four modulators which can be optionally synchronized to the DAW’s BPM & retriggered by the DAW’s playback state.
Morphor marks upcoming availability of ECHON 6 as world’s first polysynth based around analogue BBD resonators by announcing opening of pre-orders
GHENT, BELGIUM: having twice turned heads and opened ears thanks to show-stealing showcases at SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany and Machina Bristronica 2025, September 27-28, Bristol, UK, Morphor marks upcoming availability of its eagerly-awaited ECHON 6 — being billed as the world’s first polyphonic synthesizer based around BBD (Bucket-Brigade Delay) resonators, building upon the Belgium-based collective of artists, engineers, and musicians with a passion for creative sound experience and radical acoustic ideas’ illustrious Eurorack expertise in that area as its inaugural standalone (rack-mountable) desktop design — by announcing the opening of pre-orders as of October 23…
As an ANALOGUE POLYPHONIC MULTI-TIMBRAL BBD SYNTHESIZER — helpfully highlighted by the on point wording worked tastefully into its fitting front panel design’s execution, ECHON 6 brings the principals of modal synthesis into the analogue domain. Far from reimagining a digital concept with modern analogue circuitry, it readily redefines how resonance and excitation can interact. And as the world’s first polyphonic synthesizer based around BBD resonators, no less, each of its six voices features a discrete BBD RESONATOR that tracks the keyboard, producing organic overtones and complex harmonic depth. Duly allowing its users to excite those resonators in creative ways, ECHON 6 can generate anything from plucked and bowed strings over leads and basses to big pads and evolving soundscapes. Combining comprehensive multi-timbral capabilities, a 9 x 32 modulation matrix, a full analogue signal path, and a one-knob-per-function approach, ECHON 6 ultimately unites experimental sound design with classic polyphony. Indeed, its architecture invites exploration at every stage of that analogue signal path.
"In this video, we take another look at UTF-8 SAMPLIFIED – the fully open-source 8-bit Eurorack drum module I released with ASCII Synth. It’s made its way into racks all over the world, and even into DIY workshops like the one run by mzourack at Noise Kitchen in Prague.
Now it’s getting even better:
Thanks to a pull request by community member poetaster, three new kits have been added: 808, Jungle, and Beatbox – plus a handy wav2c.py script that lets you convert your own samples into custom kits!
"In this video we are building a tiny - almost credit card sized - drum machine called UTF-9 SAMPLIFIED. It is based on the bleep drum. Check out my version on GitHub:
1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping
We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.
The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.
At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.
Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.
At Machina Bristronica 2024, we caught up with Arran from @archaea_modular_synthesis who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.
Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.
As technology has improved, it has become possible for manufacturers to produce
increasingly complex synthesizers. This has led to the creation of synths that trade off easeof-use for maximum sound design potential, spreading hundreds upon hundreds of options
and parameters throughout dizzying interfaces, full of tabs and menus. They provide oscillators
and filters with such immense algorithmic precision that any soul or character is stripped away
before it has a chance to flourish in the sound. Integrate is not like that.
Integrate has been designed with the goal of creating an old-school virtual analog that has
just as much personality as any of the classics, paired with a fantastic user interface that makes
exploring the sonic possibilities an effortless pleasure. It cannot do everything, but this is
intentional; limitations breed creativity. No longer will you spend hours scrolling through lists
of wavetables, paralyzed by the impossible task of deciding which is the best to use – a
question that has no right answer. Instead, Integrate has a simple two-page layout where
every parameter has been selected for its unique axis of inspiration. Every dial, slider and
button is waiting to delight you as you delve into a world of aural possibilities.
Many thanks to fdigl for providing me a NFR license for this plugin! Next video will feature some custom patches made by me.
"The old-school virtual analog synthesizer: reimagined and perfected, optimized for creativity. Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine."
"The old-school virtual analog synthesizer: reimagined and perfected.
A synthesizer optimized for creativity.
Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine.
Four mighty oscillators. The four main oscillators come equipped with a selection of 74 waveforms and a flexible noise generator. The traditional waveforms (sine, sawtooth, square and triangle) all have a specially chosen parameter that can be modulated, allowing you to creating evolving sounds. The noise generator has tweakable color, and it also supports key tracking for an effect reminiscent of early game consoles. Also featuring FM, RM and hard sync, there's a world of possibilities waiting to be unlocked in these oscillators. There's also a sub oscillator sporting three waveforms, ready to quickly beef up your patch.
Have it your way. Integrate lets you configure the character of the oscillators, giving you the power to shape the sound of your patches from the very start of the signal path.
Pick between the “Clean” rendering mode for a modern touch, or the “Digital” mode to add a gritty punch to your sound.
Make anything super. Oscillators A and B both sport a unison section, letting you turn a simple waveform into a 7 voice beast. Configure the detune and mix, or enable “Stereo” to spread the voices across the channels. You'll soon discover how much of a monster Integrate is at fat, anthemic sounds, perfect for mesmerizing listeners of any genre.
The latest technology. Integrate is available in the new CLAP plugin format, boasting advanced features like non-destructive polyphonic parameter modulation and note stacking. We're proud to join its community of developers who are pioneering the latest in audio technology.
Information, only when you need it. To keep the interface compact and free from distractions, Integrate keeps extra information about parameters neatly tucked away in popups that only show when you're interacting with the relevant controls.
Waveforms, envelopes, frequency spectrums all pop up as soon as you need them, and then instantly hide away once you're done with them.
Explore new territory. Integrate isn't an emulation of an existing synth. Instead, it's a brand new design, waiting for you to explore what it's capable of. Dive into a world of characterful oscillators, screaming filters, chaotic LFOs, and dreamy reverbs. There's bound to be something that'll captivate your imagination.
