Frap Tools MAGNOLIA – 8-voice analog thru-zero FM synthesizer – OUT NOW

video upload by Frap Tools

Check with dealers on the right for price and availability.

"Magnolia is an eight-voice analog through-zero linear FM synthesizer. Besides the classic analog polysynth sounds, its design allows programming some less conventional timbres closer to the world of modular synthesizers, and especially of the so-called “complex oscillators.”

Magnolia allows to bring modular synthesis techniques in the world of analog polysynths, with all the known advantages of the latter: polyphony, immediacy of use, powerful sound, and those little unpredictable details generally known as “analog warmth.”

Magnolia is a highly playable instrument thanks to its expressive Fatar keyboard with polyphonic aftertouch and encourages sound exploration through its large and relaxing front panel.

CLICK FOR MORE »

#NAMM 2026: Chordcat - this cat can elevate your chord progressions

video upload by CatSynth TV

"We get a tour of the Chordcat. In addition to featuring "cat" in its name, this eight-track groovebox has a large library of chord progressions, and the ability to predict/suggest follow-on chords to your current harmony in a palette from which the composer can then choose. It has built-in sounds as well as the ability to export MIDI to DAWs and other software for further development of compositions.

To find out more, please visit https://alphatheta.com/en/product/pro...


_________
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"

145 Sound Presets + 16 drum kits
Designed for a wide range of genres, you can spark fresh ideas during the creative process by switching between 145 sound presets and 16 drum kits.
Tune your sound presets however you like them using the low-pass filter and amp envelope. These parameters can be automated for each pattern, allowing you to dynamically change the tone as well as the chord progression. This allows you to create lively phrases.

Easily make unique chord progressions

Chord Cruiser Mode
Generate up to 110,000 chord combinations that you can use to create your own progressions.
Put the groovebox in Chord Cruiser mode, and an exclusive algorithm selects and suggests multiple musically compatible chords from its database. You can listen to these chords and assign your favorite to a keyboard, triggering the next suggestion automatically.
With this intuitive workflow at your fingertips, you can enjoy a simple process to create original tracks.

Versatile arrangement features and intuitive instrument control

3 built-in effects
Manipulate 3 built-in effects intuitively using the XY pad:
Arpeggiator: Creates melodies from chords.
Delay: Adds depth to sounds and spatial dimension to your music.
Ducker: Adds dynamics and emphasis, creating a sense of movement in your tracks.

Running Direction Feature
Change the playback direction of 4×4 step-sequenced patterns by pressing a single button.
Choose from 4 options — right, down, clockwise, and counterclockwise — to discover new phrases and rhythms. This feature unlocks new ideas, so you can create innovative chord progressions or explore rhythms across different genres.

Key and scale settings
When you set a key and scale on Chordcat, only the notes that belong to the selected key and scale are mapped to the keyboard.
The compatibility of chords suggested in Chord Play mode or Chord Cruiser mode and the selected key and scale are indicated by LED lights; perfect for beginners and professional musicians.

Versatile connectivity: Expand your creative horizons
It’s easy to integrate Chordcat with external synthesizers and DAW software on PC/Mac computers thanks to its MIDI OUT/THRU, MIDI IN, and USB Type-C ports.
Use Chord Play and Chord Cruiser modes to control and perform with your connected devices effortlessly.

24 Songs/Presets for the Sonicware Liven Evoke

video upload by Sonic Cartography

"A collection of 24 songs/presets for the Sonicware Liven Evoke. The patterns can be downloaded from my Patreon ( / 24-new-songs-147901371 , where you'll also find some notes on some of the songs.

A lot of my music feels to me like a soundtrack to an imaginary movie, so for the visuals for this one, I figured "hey, the music set is about an hour—so why not just pair it with a movie?" And since (a) I don't want to get in trouble for copyright infringement and (b) I have a preoccupation with "past futures" (a sense of nostalgia for the future that was once imagined by the past and that no longer seems possible), this led me to look for public domain Cold War era films, which led me to this one: Battle Beyond the Sun (1962), an Americanized version of Nebo Zovyot (1959), a Soviet science fiction. The person tasked with Americanizing it was a young film student named Francis Ford Coppola.

A big thank you to all my Patreon supporters—especially those who are supporting my channel at the super supporter level: Tomasz and Maria.

Track List:

0:00 - 1. From the Beginning, Until the End
3:16 - 2. Past Future
6:01 - 3. Let’s Go
7:42 - 4. Ride Through the Gate
12:23 - 5. Neon Daydream
16:37 - 6. A Signal in the Dark
18:20 - 7. Haunted
20:03 - 8. Evocation
24:41 - 9. Electric
27:27 - 10. Winter
29:07 - 11. Iceland
30:21 - 12. Liminal Space I
32:05 - 13. Intergalactic Funeral March
35:00 - 14. Disappearing Into the Horizon
36:12 - 15. Nebula I
38:45 - 16. After Life
42:24 - 17. Drifting Away
47:06 - 18. The Years Go By
48:50 - 19. Liminal Space II
50:14 - 20. Final Transmission
51:23 - 21. Looming
52:49 - 22. Nebula II
56:15 - 23. Keep Going
57:46 - 24. Run Amok

Synth: @SONICWARE Liven Evoke

#sonicware #synthmusic #synth #synthesizer"

The Crow Hill Company Introduces VAULTS - TUNED GONGS

video upload by CROW HILL

"There is a cave, near Rome, Italy, and in that cave they make gongs. In this video Christian unveils the latest free offering as part of our vault range. An extraordinary quartet of tuned gongs, designed and used by meditation gurus as part of gong bath setups we decided, in this "first pancake" to leather them. Much to their sonic distress."

Press release follows:


The Crow Hill Company brings beautiful set of tuned gongs to free VAULTS… VI collection as …TUNED GONGS, a downloadable drop with a difference

EDINBURGH, UK: The Crow Hill Company is proud to bring a beautiful set of tuned gongs to its free VAULTS… VI (Virtual Instrument) collection as …TUNED GONGS — germinated as a downloadable drop with a difference, effectively enabling anyone to play an extraordinary quartet of harmonised gongs designed and used by meditation gurus as part of gong bath setups in a way that was never intended by their Italian creator after being bought and sampled by composer Christian Henson, original founder of the Edinburgh-based enterprise, abiding, as always, by its Make Music, Your Music motto — as of January 8…

It is sometimes said — quite often, truth be told — that All roads lead to Rome. And although that popular proverb does not apply to The Crow Hill Company’s VAULTS - TUNED GONGS in the true sense of those words’ intended meaning, Italy’s capital city could be said to have played a passing part in the VI in question’s road to reality. Composer Christian Henson picks up the tentative thread, teasing, “There is a cave, just outside Rome, and in that cave they make gongs; we’re not sponsored by them — they don’t even know we’re making this thing. They do more than you’d expect out of a big cymbal.”

Changing tact, Christian Henson clarifies: “Ask any member of The Crow Hill team about my attention span and they will say that whilst, like most of us musos, I have the capacity for hyper-focus, I’m also easily distracted — especially when it comes to something new. We’re meant to be working on a fascinating new addition to the Origins… series, but, unfortunately, I’m easy prey for an Instagram post featuring an instrument I hadn’t heard before. Correction: I’d heard gongs before; I’ve even had the chance to play one, but none that sounded like these ones. Or rather this one. The big one. So I bought a whole tree of them! That’s what’s so fulfilling about this Crow Hill project; we get to make investments on behalf of the composing fraternity, so we all get a go.”

Get this, though. “This VAULTS… features four incredible-sounding tuned gongs that were designed, I suspect, for gong bath therapy,” theorises The Crow Hill Company’s original founder, following up with some characteristically vibrant verbiage: “Beautiful, bold fundamentals; mystical, engaging harmonics; and also a bottom end that shakes the room. I very much get the feeling that these gongs are not designed to be whacked. They really do complain when they’re abused in this way. The big one… well, she growls like a distant dragon, while the smallest protests in the shape of a scoop up an entire perfect fifth before it reluctantly settles into its fundamental. We’ve basically overlapped them and layered them to give you a quite rudimentary piano-style, chromatic instrument.”

It is fair to say, then, that the sometimes badly behaving VAULTS - TUNED GONGS sounds somewhat different to any of its software siblings. Saying that, though, its intuitive GUI (Graphical User Interface) is comfortingly familiar to anyone who has laid eyes on any VAULTS… release, identical in (almost) all aspects — bar its distinguishing background colour change — to all of The Crow Hill Company’s current collection. “Front end-wise, we’ve got EXPRESSION on CC11,” continues Christian Henson. “On the gongs that are higher in pitch you do get a kind of rumble, so I would recommend being very cautious about the SUB BASS control — particularly when you close the LPF [Low Pass Filter], when there’s a super-wide low end, which is so difficult to achieve; getting that kind of fatness, but also having that stereo width is pretty incredible. If you’re confident with your bass response in your studio or on your headphones, then go for it, but this thing really does shake the room. Then we’ve got some DELAY. You can make it even wider with the REVERB, and, because we’re naughty, there’s a little bit of CRYSTALLIZER in there, which is just incredible. As always with the VAULTS… macros, they’re designed so that you can’t make it sound terrible — everything has a subtle musical quality to it.”

Concludes Christian Henson: “We’re doing something incredibly exciting; a new way of sampling, but also treating these gongs with utmost respect, appreciating their soft, infinitely nuanced harmonics that change on every hit. The distraction has become a serious one, taking weeks as they’re not easy to record. When something is shaking the room and all the air inside it, what do you mic? So we needed a test recording. What better way of ushering in 2026 than with a shuddering tree of room-shaking gongs? There are some lower dynamics in there, which will give you a sense of where we’re headed with this project — a useful tuned metallophone that’s difficult to place, but, really, the purpose of this VAULTS… is to gong these! For that odd time you need a gong for a cue, these are pure class. I also found turning my speakers up and playing at full velocity to be an excellent way of getting my teenagers down for breakfast; they don’t like them at all.”

VAULTS… releases from The Crow Hill Company — including …TUNED GONGS — are free for all to download and make music with for the rest of their lives from here: https://thecrowhillcompany.com/vaults/

For more in-depth information, please visit the dedicated VAULTS - TUNED GONGS webpage here: https://thecrowhillcompany.com/tuned-gongs/"

Thomas Synti 1055 - Vintage Synthesizer 1972

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Pics of the inside below.

The Thomas Synti 1055 is a" monophonic analog synthesizer produced in the 1970s by the Thomas Organ Company, which in 1973 acquired the rights to produce the Moog Satellite, one of the first synthesizers made by the historic American company.The original design was extended and improved by Thomas engineers, who managed to create an instrument that was more comfortable and simple to use live, while maintaining the same character and sonic depth as its predecessor.The completely analog heart of this instrument consisted of a single relaxation oscillator, capable of generating a single sawtooth (or square) wave, which was then filtered and processed by various downstream circuits to shape its harmonic content and envelope. It's clear that these techniques couldn't achieve "realistic" sounds in the modern sense of the word, but they still managed to create unique timbres, still very interesting today, which inspired much of the music of the time."

CLICK FOR MORE »

PlantsSystem - Official Short Playlist

video uploads by PlantsSystem

"We have compiled a playlist of carefully selected songs for smartphones.

This playlist intertwines fragmented images and beats, packing a rich sense of immersion into a short duration.
Looping rhythms, minimal sounds, and sudden grooves—
A collection of sharp, sophisticated electronic music that will stop your scrolling fingers.

Perfect for background music while you work or for a late-night sojourn, this "short but memorable" selection is unique to PlantsSystem."

PlantsSystem-PlantsEcho

video upload by plantssystem

"'PlantsEcho' by PlantsSystem is an organic electro track that quietly blends the smoothness of electronic sounds with the textures of natural objects.

The softly pulsating beat evokes the gentle vibrations of walking on earth, and the sound textures gently carry the feeling of wind and light.

Without a clear melody, the 'touch' of the sound resonates directly as emotion, bringing a gentle sense of calm to the listener's heart. While avoiding overstimulation, the track still has a strong, breathing groove, combining the comfort of breathing in nature with the refinement unique to electronic music.

#plantssystem #synthesizer #techno #prophet5 #echo #plants #organic"

Tiptop Audio Introduces the TRIAX8: An Oscillator like no other

video upload by Tiptop Audio

As always, check with dealers on the right for availability and price.

TipTop TRIAX-8 Polyphonic Thru-Zero FM Oscillator - What is TZFM?

video upload by gattobus

"Here's a quick presentation and audio demo of the new TipTop Audio TRIAX8 Polyphonic Eurorack Oscillator.

00:52 - What is THRU-ZERO FM ?
03:45 - XOR Waveform
05:45 - Music Performance

This video is sponsored by TipTop Audio"


"Meet the TRIAX 8 , an oscillator like no other, featuring 16 analog triangle-core oscillators with full note polyphony and patching. The TRIAX8 is a landmark in synthesis technology, combining true polyphonic patching and full note polyphony with the creative and joyful hands-on workflow of a modular synthesizer. Every function has its own knob, and all modulation inputs are ready for patching with patch cables. Beneath this interface lie 16 true analog oscillators, real circuits built from semiconductors, capacitors, and resistors, each one alive, drifting naturally with temperature and with the magnetic and electric fields they generate. This is the sound of analog: full, warm, organic, and never the same twice.

In this demo, we showcase just a glimpse of what the TRIAX8 is capable of, and how easy it is to design sounds through instant patching. We focus mainly on pads and drones, with a touch of arpeggios. A note about video sound quality:
YouTube plays compressed audio, which significantly affects sound quality. Compared to the original recording, the audio will generally sound muddier and harsher in the highs. However, it still provides a good sense of the character and tone of the demoed device.

Patch Overview for this video: For modulation, we used the OCTOLFO to randomly patching LFO signals into the TRIAX 8’s CV inputs. The audio output was routed through the OCTPASS 24 dB low-pass filter and then into the OCTOGAIN. From the OCTOGAIN’s stereo outputs, the sound was sent to the Z-DSP, where some patches feature reverb or delay from the Z-DSP. For control, we played notes from Ableton through the Octopus, or used G-Mode sequencing on the Octopus and NerdSeq."

Check with dealers on the right for availability and price.

‪@PlantWave‬ Meets the “Plantasia” Moog Modular | Live Jam

video upload by Anthony Marinelli Music and PlantWave

"Join me for a one-of-a-kind musical experience filmed inside the iconic Mickey Hargitay Plants in Hollywood. In this special session, I’m improvising on the legendary 1969 Moog IIIc “Plantasia” Modular Synthesizer—the same model used on Mort Garson’s Mother Earth's Plantasia—along with my Groove Synthesis 3rd Wave, while the plants themselves generate melodies through PlantWave.

How PlantWave Works
PlantWave is a bio-music device that connects to a plant’s leaves and measures subtle changes in electrical conductivity. Those fluctuations are translated into MIDI data, which then becomes musical notes, rhythms, and patterns. It’s not “the plant playing an instrument” in the human sense—it's more like the plant’s natural signals being converted into music we can hear and respond to.

The Jam
As PlantWave transforms real-time electrical signals from the plants into beautiful, evolving musical patterns, I’m tuning in, responding, and improvising on the Moog IIIc and 3rd Wave—matching their phrases with my own melodies and rhythms. Every moment emerges organically, completely unique, and impossible to recreate the same way twice.

About the Location
Mickey Hargitay Plants has been an LA landmark for decades, and creating this performance surrounded by their lush greenery made the experience even more magical.

This is a rare combination of vintage analog synthesis, modern wavetable power, plant-generated musical data, and real-time human improvisation. I hope you enjoy this unique collaboration between nature and machines."

ARTURIA Introduces KeyStep mk2 | Step Into Your Next Idea

video upload by Arturia

Check with dealers on the right for pricing and availability.

"The KeyStep DNA, evolved. With expanded connectivity, real-time generative tools and hands-on OLED control, KeyStep mk2 refines every detail of the original - letting you shape, transform, and perform ideas faster than ever."

Tutorial | KeyStep mk2 - Overview

video upload by Arturia

"Join Brendan for an introductory tour of KeyStep mk2. Discover its core features from advanced sequencing and generative sound creation to OLED control and deep CV/MIDI/USB-C connectivity - a centrepiece for hybrid setups and keeping your ideas evolving.

_CHAPTERS
00:00 Intro
00:54 Front Panel
01:51 Sequencer
03:50 Sequencer & Mutate
06:04 Scale Mode
06:22 Chord Mode
06:57 Arpeggiator
10:11 Extra Features & Back Panel"

User videos:



Playlist:

1. Talking New Keystep MK2 with Arturia’s Product Manager | Generative Arp, Mutate & Sequencer Upgrades - Noisegate
2. Arturia KEYSTEP MK2 // It's not an update, it’s a new composition workflow // v2 Review, tutorial - loopop
3. Arturia KeyStep Mk2 Review - Did they ruin it? - Molten Music Technology
4. Is this cheating? Arturia Keystep MKII // Generate and Mutate at will!! - Starsky Carr

_Step into your next idea

The original KeyStep became a modern classic by giving musicians a simple, reliable way to bridge modular, hardware, and software instruments.

With KeyStep mk2, that formula has evolved in every way that makes sense - becoming more creative, more connected, and more immediate than ever. It introduces Mutate and generative tools, a bright OLED display, and a redesigned sequencer and arpeggiator that make idea generation effortless. KeyStep mk2 is priced at $139 in the USA and 129 € (or $129) in other regions.

_What’s new with KeyStep mk2

Patch into modular, trigger drum machines, and control synths from past and present. With USB-C reliability, DIN MIDI I/O, assignable CV outs, and pedal support, KeyStep mk2 is ready to command any setup - live, in the studio, or on the move.

More creative idea generation

Mutate, Spice/Dice, and real-time transforms for instant variation.

Hardware-first control

OLED display + clickable encoder reduces reliance on MIDI Control Center.

Better connectivity

USB-C, power switch, and an extra CV out (Mod 2) alongside MIDI DIN, Sync I/O, and pedal input.

Upgraded sequencer

8× more memories, unquantized recording, Bend & Mod automation, Undo, step edit, pattern chaining.

Smarter arpeggiator

Classic Arpeggios, Arp Reset to turn arps into phrases, Generative "Arp Pattern" mode provides all sorts of fresh melodies, basslines, chords, using the keys that are pressed.

CLICK FOR MORE »

Torso Live Session #1: IDRA

video upload by torso electronics

Torso Live Session #1: IDRA - Top Down Camera


"Torso Electronics presents a new series of live sessions recorded at our office space in Copenhagen.

The first episode features IDRA, guiding us through ambient textures and cinematic explorations, blending noise and melodic collages. Performed on the S4 sculpting sampler and the OP-1.

Enjoy

About IDRA
IDRA , Francesca Pavesi, is a musician, producer, and sound artist from Milan. Her work explores the intersection of ambient and experimental electronic music, where organic textures, modular synthesis, and acoustic elements merge into immersive sonic worlds. Guided by attentive listening, she uses sound as an introspective space for deep, focused listening and a sense of timelessness.

See more at
https://www.idrasound.com/
https://torsoelectronics.com/
/ torsoelectronics

Video by Spektrals
kontakt@spektrals.dk

Soundsystem: Panda Sound"

Torso Live Sessions

Brussels School Diaries, Day 6 : "Draco" | original electronic music jam

video upload by No Lake

"'The Universe is under no obligation to make sense to you'. (Neil deGrasse Tyson)

As far as I'm concerned, 2025 will have been marked by the rise of a musical movement that defines me, that suits me. A movement that I arbitrarily named Brussels School, in a very unmodest homage to the Berlin School movement.

For me, electronic music must above all be a piece that takes you on a journey, a piece with a soul that tells a story, not a technical sound demo or some random AI soup...

So, let me remind you how I define this movement. And again, I'm not claiming it's new or exceptional; it's simply the style of electronic music I like to produce and listen to. The album in early 2026 will simply be the conclusion of all my work in 2025.

'Brussels School' can be defined in this way: "haunting and captivating electronic music. A fusion between trance music and electro-ambient. Hypnotic vibrations that transport you. A paradoxically warm and cold magnetism, a refined sound that lulls the listener into a long, minimalist, repetitive and yet captivating and trippy rhythm"

Headphones 🎧 recommended

My Spotify : https://open.spotify.com/artist/3MAeb...
My Bandcamp : https://nolake.bandcamp.com/"

Ableton Live Presets: 25 Free Arpeggio Racks. Sound Demo

video upload by Anton Anru

"🌌 Milky Waves is a collection of 25 arpeggiated presets for Ableton Live Instrument Rack (based on the Meld synth + effects). Each patch explores cosmic, deep, and spacious textures—designed to stretch the boundaries of a seemingly simple synth.
Milky Waves was born from a desire to unlock the creative potential of Meld, Ableton Live’s built-in synth. The aim: to show what Meld can do—transforming simple waveforms into cinematic, spacey, and deeply musical arpeggiators.

📦 Get these presets: https://antonanru.sellfy.store/p/able...
🛎 The pack is free, but any donation is appreciated.
👤 The author of the soundset is useful.

CLICK FOR MORE »

2025/10 - 1010Music Lemondrop realtime CC playing

video upload by Stereoping

"A realtime session on the Lemondrop granular sampler being controlled by Midi CC with a Synth Controller. Bass, tabla and drums from MPC One. I simply love to manually travel through a sample having the playhead position directly on a knob - especially if it's a voice or the sample contains different chords.

BLACK parameters are always available. The three color layers are distributed to RED for GR1 settings, GREEN for GR2 and BLUE for FX, Envelope1 and OSC Pitch.

Filter is set to PER OSC: GR1 runs through Filter 1, GR2 though Filter 2. Both samples are set to playmode FIXED. If MOVING would support the playhead to run backwards if the modulation becomes negative this also would be fun to play with. But currently it's only stopping when receiving -100% modulation.

Important: at the time i shot the video (2025/10, Beta V1.2.26) the Lemondrop does not offer default CCs. All CCs are manually learnt by hand. Means: changing to another preset stops the remote editing from working - until you learn them all again :-) Hopefully 1010 Music offers an update supplying a default CC scheme in the future. Until then it does imho not make that much sense to offer this LEMONTREE edition for the Synth Controller officially. In the 1010music forum there is a capable guy offering a free webservice to convert all presets to supply a special CC mapping but i did not try it yet. Still learning about this funny little sampler."

PlantsSystem-Pulsar

video upload by plantssystem

"'Pulsar' is a non-beat electronica piece.
Eliminating the framework of rhythm, it is constructed around the breathing and spatial movement of the sound itself. Subtle glitches, fluctuations created by granular synthesis, and delicate reverberation processing overlap to form a static yet internally pulsating acoustic body.

Permeating the entire work are flashes of sound that, despite having no set tempo, somehow feel periodic. These repetitions and intervals reconstruct 'time' in the listener's mind.

Acoustically, the center of gravity of the low frequencies is intentionally blurred, creating a floating spatial depth. High-frequency particles spread like countless points of light, enveloping the entire piece with gently shifting noise textures.
The result is an experience in which one is drawn in not by rhythm but by the 'gravity of sound.'

"Pulsar" is an attempt to rethink the structure of electronic music,
and also an acoustic experiment to visualize the quiet vibrations that lie between hearing and our sense of time. #pulsar #prophet5 #tardigrain"

Ocean Swift releases Zebra Zen Bundle - 329 Dynamic Energy Presets for U-He Zebra

Zebra Zen Bundle for U-He Zebra 2 - Hard Hitting Leads and Arpeggios - Preset Demos
video upload by Ocean Swift / Faxi Nadu

Zebra Zen Bundle for U-He Zebra 2 - Cinematic Ambiences & Downtempo Atmospheres - Preset Demos

video upload by Ocean Swift / Faxi Nadu



Grab it here: https://oceanswift.net/product/zebra-zen-bundle/

Intro Offer 32% Off - €30 until October 17 2025

Zebra Zen Bundle features the complete series of "Zebra Zen", two volumes of obscure and psychedelic-like sounds for U-he Zebra 2 (also known as Zebra Legacy) and compatible with Zebra HZ.

Packed with 329 presets, this collection delivers a diverse mix of complex, engaging soundscapes, cinematic textures, with vibrant and hard hitting melodies, punchy basslines, and energetic arpeggios.

Out of the ordinary sounds that strike a balance between tranquility and dynamism – of stillness and energy.

Zebra Zen offers full NKS support, audio previews for Maschine & Komplete Kontrol, Aftertouch & modwheel support and full use of the Zebra Macro system ("Performance" mode) making it both easy and fun to control the best sonic aspects of each preset.

Contents
2 Soundbanks: Zebra Zen Vol I and Vol II.
329 Presets delivered in .h2p and .nksf.
For Zebra 2 (known as Zebra Legacy), compatible with ZebraHZ.
NKS support, including audio previews when hosted in Maschine or Komplete Kontrol.
Presets are properly organized and tagged for a better workflow.
Full use of Zebra macro system - performance friendly and easy tweaking.
Mod wheel and After Touch support.
Detailed macros and modulations in Performance mode
Full use of the macro system - Performance Mode
Making it easy to tweak the sweet spots of each preset. The support for after-touch & modwheel make these sounds even more dynamic and expressive – A blast to play and explore.

Obscure and alluring soundscapes
Obscure, alluring soundscapes and sonic environments that manifest a sense of mystery and intrigue. These intricate presets are exceptionally well-suited for sound design, chillout music, downtempo, and ambient genres - or to greatly enhance cinematic compositions. Complex arrangements, ambiences, pads and drones meticulously crafted to provoke introspection or tension... aiding your story and narratives with depth and sophistication.

Vibrant and energetic melodies
Besides obscure sonic landscapes that transcend traditional musical boundaries. Zebra Zen is jam-packed with hundreds of hard hitting mono and polyphonic melodies, punchy basslines, vibrant and energetic arpeggios – tailored towards EDM productions.

Full NKS support
NKS support, including audio previews when hosted in Maschine or Komplete Kontrol. The soundbank and presets are properly organized and tagged for a better workflow.

Unexpected item: Tilde Elektriske Kretser Fjaerlett

video upload by Uncertain Music Corps

Also see: Tilde Elektriske Kretser - Fjærlett

"With my love of spring reverb feedback, the Fjaerlett was a complete no brainer for me and as soon as I heard about it I put my name on the wait list.

That was 4 years ago.

I completely forgot about it until last month when the invoice for instrument number 162 dropped.

It was delivered today.

This is the first run out for it recorded direct to camera. Reverb (offscreen) is provided via an instance of Galactic 3 running on the 4ms Metamodule. There is no eq or compression on the output.

First impressions? This is an elegant, delicate instrument that will take time to learn. The interrelationships between the three springs, the equaliser bands and the feedback level are complex and varied. They are not necessarily repeatable during a session - what looks like the same slider settings will not always provide the same outcomes. At least not at first.

As ever with spring reverb feedback, it's not hard to drive it into standing, sine wave like oscillation. But the more interesting stuff happens on the edges when you can find them. My sense is that there are many edges to be discovered.

I was monitoring this at a fairly low level. High on my to do list is monitor a session at much higher levels to encourage feedback on my feedback.

Let the games begin...."

DELIA Phrase Looper Guide with Mikki From Preston

video upload by Melbourne Instruments

"Mikki From Preston aka Michael Cooper demonstrates the DELIA hybrid polysynth and how he uses the 'Phrase Looper' feature to develop music and sound design ideas. Mikki takes you on a funky music journey demonstrating how quick and easy it is to craft an idea using DELIA's phrase looper. Michael is a fantastic keyboard player with a passion for music, and a wonderful sense of humour. Attention to detail is core to his work, watch how he produces great ideas in a flash on DELIA.

All sounds created in this video are from DELIA and available as part of Mikki's DELIA preset pack.

Check out DELIA here: https://www.melbourneinstruments.com/...

00:00 Intro
00:20 First Jam - Sizzling!
01:57 West Coast Funk
03:07 Take Me to the Club Jam
04:18 Using a Bi-Timbral Split
06:01 Outro Jam

Download the 'Mikki From Preston' DELIA preset pack here: https://www.melbourneinstruments.com/...

ABOUT Mikki From Preston:
Michael Cooper is a versatile producer, musical director, songwriter, and mix engineer based in Melbourne, Australia. With more than 15 years of experience, Michael has made his mark in the music industry, contributing to over 100 songs across a wide range of genres. Mikki has collaborated with acclaimed artists such as Kaiit, The Dili Allstars, Anthony B, Thando, Dub Princess and Kian, helping shape their unique sounds and elevating their music to new heights. In addition to his work with artists, Michael has partnered with leading brands such as Libra, Aldi, and Carlton Football Club, providing expert music production and sound design. His talents also extend to the world of film, where he has composed scores and handled audio editing for various projects, demonstrating his broad skill set and ability to adapt to different creative mediums. Michael’s passion for music and attention to detail are at the core of his work, ensuring that every project he touches resonates with precision and authenticity.

Follow Michael here:
/ mikkifrompreston
/ @howtosynth
/ mikkifrompreston

Discover more at Melbourne Instruments
https://www.melbourneinstruments.com/"

Back at it again- Live looping in the studio 2025 and an Interview with MR TUNA Music

video upload by MR TUNA Music

"My friends I am sorry to leave you hanging all summer with no jams, but its a beautiful sunny world out there and I've got to be out IN IT! So in the meantime I have a few jams backlogged that have **never before been released** and expect some weird b-sides that I was too embarrassed to post when I had content to spare !

Anyways- lots going on here, we got some Hydrasynth deluxe, classic analog pads from the JX-8P... and lots of super pump-jumping with the MX-1 sidechaining and doing some beat effects. Jupiter-80 muted trumpet is the funnest sound in the world.

Stay a while, and listen!"

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And an interview with MR TUNA Music by Ivan Trajkovic aka dejayiwan editor and journalist (and sometimes producer and DJ):

Q: Have computers and DAWs, in a sense, destroyed creativity – why do we have so many “DAWless” setups today?

A: I think a really big part of it is a desire to get away from 'the screen'. Staring at a computer all day for work, clicking away on a mouse and keyboard can become exhausting after a long day, and to break away from the rigidity and comforts of software simply makes it more fun.... and thats a really big part of why I do what I do. There is some minor advantage to the near-unbeatable quality of analog circuitry you cant quite replicate working purely within a DAW, but that point is being made more and more moot by incredible emulations and virtual analog softsynths.

Q: Today we have apps like BandLab that are complete studios on a phone – have we reached “peak technology”?

A: It staggers me to think about what the future might hold now that music production can be with someone anywhere anytime so long as they have their phones. You can literally be on the bus making a hit track with your thumb. That’s crazy. But I don’t think it’s peak.... Tech is always moving and it doesnt stop for anyone... AI is going to be the next big thing whether we like it or not and we need to find a way to keep in check so we're still doing the creating and imagining and the technology is just an extension of that.

Q: Why are new producers so mesmerized with 80s synths and samplers, even though they’re obsolete tech?

A: Things were built differently. Things were built for professionals. Instruments had a quality of sound and build that is still unmatched today. Some of my gear is 40+ years old and sounds better than the stuff from 2025 thats trying its best to emulate it all today. Why dont we build synths like that anymore? Because its all about money and the manufacturers want to make as much of it as possible while spending the least amount.

Q: With so much new electronic music today, how can anyone “find” an audience?

A: Maybe it's lame to say, but the best path is to be authentic to yourself. When i started finally sharing my music it was more of a personal diary than something i was using to 'get famous' or 'find an audience', but by being true to what I wanted and my own personal vision (and having trust in that over some time), people started to see what I was doing and it all came together. People connect with personality, but it's obvious when you're not being yourself... not just tracks. Its routine to say because its true: be consistent, put your stuff out there. The internet is huge — your crowd is out there, just waiting to stumble onto your page at 3AM.

Q: You have one of the most interesting studios – what was the idea behind its creation?

A: My studio was built with one idea in mind... live looping. When I started dreaming up how I *wanted* to make music there wasnt even the right tools to do it properly.... sequencers were still fairly limited and there wasnt a lot of people in the live-looping jam space. I was really discovering it all and making it work on my own. It all came together with the introduction of the Squarp Pyramid sequencer--- what it allowed me to do, the freedom it allowed me to create with... it was the breakthrough piece of gear I needed to bring everything together and start building and building... and BUILDING. I love the music I get to create, but I am more proud of my studio as a form of art in the beauty of it's function and how it's designed to jam with friends, than I ever have been of the music that I create in it.

Q: What’s the future of electronic music – maybe apps and DAWs in virtual reality?

A: The virtual space is here to stay and it will only get more and more indistinguishable from the real world.... We might be already living in that simulation, but like I said earlier I think the real future is going to be (for better or for worse) in AI production techniques, editing, and complete song production. We're already at the point where AI can create a song for us instantly with our own voices, but how long will it be before AI is doing our chores and boring tasks so that we are free to be creative and put our energy into real art rather than the opposite world we live in now! AI should save us from the hard stuff and let us work on the 'fun stuff', the worthy stuff, the music stuff!

VHIKK X by Forge TME - Why modular will always be real and digital music will not.

video upload by Cinematic Laboratory

"Modular synths are more than tools, they're reality itself.
This video explores why digital music can never truly be real, and why analog gear remains the only way to feel sound at the source.

The world is in transit, like it or not.
Music evolved from the stage into the box, from real media to streams, and now from streams into learning models, weights, and rewards.
We can endlessly debate whether AI is OK or not, but we can’t put the demons back into their bottles.

It’s a non-religious blessing to patch a real machine with real voltage.
Every sound I make is Karma: cause and effect, wrapped in a false sense of choice and control.
I love it. It’s a sanctuary.

And the VHIKK?
Everything I say about it will only give you GAS.
It’s one of the finest modules Eurorack has to offer, and currently my #1 module.
So maybe don’t watch this video if you’re on a tight budget.
Or… maybe watch it very carefully.
Because you might just build the ultimate tiny case with it.

All you need is VHIKK and Pam Pro.
Don’t forget power, but you won’t even need an output module.
VHIKK X can run on USB power.
Build a tiny wooden case. Maybe I will too.

We modular people are still a niche.
A tiny community moving upstream and uphill — while the world flows downward.
And it’s an honor to be part of it."

Check with dealers on the right for availability.