Formant: pro custom-built by JVR

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"This is a custom built synth made for me by Jos Van Ras who is an ex-Phillips engineer in the Netherlands who builds Elektor modules and cases.

The synth consists of the following modules: 3 x VCO - very powerful VCOs with a Moog vibe and unlike most Elektors, these have Sync inputs and the sync sound is really powerful. 3 x VCF - 3 different VCFs, two based on the original Elektor designs (a 12dB multiode filter, and another filter switchable between 24/18/12/6 dB/octave with LP and HP outputs) and a third based on the Steiner Parker filter which is really nice sounding. 1 x triple LFO - 3 simple LFOs without voltage control but with a variety of waveshapes. 1 x NOISE / RANDOM VOLTAGE 4 x ADSR 2 x VCA 2 x MIXER 1 x quadruple MULTIPLES 1 x RING MOD 1 x S&H / Inverter 1 x COM which is an output module with a 3 band EQ which is surprisingly useful 1 x MIDI to CV converter

This synth offers tremendous bang for the buck, I think it gives quite a Moog feeling in sound. It contains everything you need for a great variety of sounds but you can always patch it with Eurorack or other modular gear. I will post some sound examples as there aren't many good demos online.

The negatives are that the cabinet is just functional MDF, no fancy timber, and the MIDI interface is very basic. I usually use a Kenton for more complex MIDI control."

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Hacking Omnisphere 3: User MULTIsamples are a Thing!

video upload by Keith Crosley

"TLDR: You can make your own multisamples for Omnisphere 3. Why is this hidden? I don't know! But come along with me as we hack Omnisphere to play some of the world's greatest recorded sounds. (Also, my own "Varieties of Noise" sample library.) Grab your XML parser and get ready for a multi-samples-a-go-go episode of your favorite talky synthesizer content show!"

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

Aggression Therapy | Looking for mean and vicious sounds in Eurorack

video upload by Cinematic Laboratory

"The word 'aggression' is used in this video to express a certain quality of sound and music. It's not indended and should not be associated with any form of violence. In music, it can emphasize the emotion or reveal what's happening in an actor's mind. It's an element of storytelling. Use it wisely.

For some reason, people love aggressive sounds and we wouldn't be having heavy metal, noise muisic and industrial grunge without it. Some brands, not calling names, specialize in it. So I've been thinking. Does an 'aggressive' VCO exist? Modules like Three-Body, Plasma Voice, Loquelic Iteritas Percido and WaveRazor came to mind, but the level of rudeness completely depends on who's patching it. Not calling any names again. I think 'aggression' - it's a bad word, I know - is a recipe where you'd drive your gear into distortion, self oscillation and cross modulation. However, it's often about grit, dirt, filth and grunge. You don't need violence to enjoy it, it's just 'colors' and many of these colors are all over mother nature.

The ultimate showcase would be Noise Music, but I think that noise doesn't tell a story and emotions need to develop. So it needs some kind of storytelling. In this video, I'll explore some VCO's and combos that will balance the edge of noise, and then try to manage it. Even the most brutal noise becomes percussion when you sculpt it, and even the most civilized module can reap havoc and bring chaos."

When the Spec Becomes Code: Building a Norns Instrument with AI

video upload by Lesjamusic

"Building PolyNexus: A Complete Norns Instrument, using Claude AI

I used to struggle with "vibe coding" - throwing prompts at AI and hoping for working software. Then I discovered the article "When the Spec Becomes the Code," and everything changed.

Spec-driven development (SDD) transformed my workflow. Instead of generating code through endless prompts, I focus on creating clear specifications first. The spec becomes the blueprint, and Claude AI helps compile it into working code.

PolyNexus is the result of this approach - a complete generative polyphonic instrument for Monome Norns that evolved far beyond my initial vision. What started as a chord sequencer grew ambitious: I built PolyVoice, a custom 6-voice synthesizer engine in SuperCollider, based on three Plaits oscillator models with wavefolding, sample rate reduction, and comprehensive modulation.

The best part? Spec-driven development gave me the confidence to tackle SuperCollider synthesis, something I wouldn't have attempted with traditional "vibe coding."

🎹 PolyNexus Features:

PolyVoice Synthesis Engine: • Custom 6-voice polyphonic SuperCollider engine • Three Plaits-inspired oscillator models (morph, waveshaping, wavetable) • Wavefolding for harmonic complexity • Sample rate reduction for lo-fi textures • Independent LFOs and envelope control per voice

Generative Sequencer: • 16-chord harmonic palette (monome Grid row 1) • Probabilistic note retriggering engine • Random chord sequencer for compositional surprises • Bass and sub-bass sequencer for rhythmic foundation • Real-time playable notes (Grid row 5)

Analog-Style Effects Chain: • Tape character: flutter, wow, saturation, tape noise • Tape-style delay with feedback and rate control • Multi-mode filtering for tone shaping

🔗 Resources: • Jean Bovet: "When the Spec Becomes the Code" - / when-the-spec-becomes-the-code • PolyNexus (coming soon to lines community) • monome Norns - https://monome.org • Mutable Instruments Plaits • SuperCollider synthesis language

⏱️ Timeline:
0:00 - Introduction: The Struggle with Vibe Coding
01:51 - Discovery: Spec-Driven Development
04:33 - What is PolyNexus?
12:37 - Live Performance

Want to try spec-driven development? Start by describing what you want to build in clear, detailed language. Iterate on the specification until it's crystal clear. Then let AI help compile it into code. You'll be amazed at what becomes possible."

Unlock Amazing Rhythms with Cheap Foot Pedals — 2-Minute How-To

video upload by Saul Stokes

"Enjoy this video? Purchase a $3.00 download of 5 high-quality loops made from this how-to.

https://buymeacoffee.com/saulstokes/e...

Combining multiple mono delays is not something many people do. Yet, it’s an amazing way to create rhythmic structure that you won’t get any other way. Any delay pedals will work. I prefer to use a mono signal chain to keep things from getting too complex. This concept does work in a DAW—just make sure you turn off tempo sync.

1. Create a simple rhythm. In this quick tutorial, I made a very bland white noise hi-hat loop.

2. Using the first delay pedal, slowly move the repeat knob until you find an interesting rhythmic structure. Make sure you keep the level of repeats down so the rhythm doesn’t get too wet.

3. For the second delay pedal, turn the time knob very slowly. As you do this, you’ll hear moments when the two delays start to play off each other, creating something new and exciting. This works great when the first delay is just slightly off-tempo.

4. As an extra, I added a phaser, which adds a beautiful smeared wash to the rhythm. The phaser's cycle actually adds a third sweeping rhythm.

4. Keep tweaking the repeat and time knobs of each delay—you’ll continually find new rhythmic structures. Go slowly, as there are hidden rhythms that will emerge that you might otherwise miss.

4. Why can't you use one stereo delay to achieve the same thing? It's simple because using two delays gives you two clocks, and the timing will never be perfect. The result is something that has a human characteristic rather than being stiff and perfect.

If you're strapped for cash, look for older pedals on Craigslist or eBay. The phaser in this tutorial was actually found at Goodwill. The Line 6 was purchased for $40 on Craigslist, and the Oceans 11 can often be found very inexpensively.
The cheaper the effect, the better!

Instagram: / saul_stokes_music
Spotify: https://open.spotify.com/artist/2kE0k...
Apple Music: / saul-stokes
Tidal: https://tidal.com/browse/artist/6474747
Amazon Music: https://music.amazon.com/artists/B000...
Bandcamp: https://saulstokes.bandcamp.com/"

Harmonium VST FREE With Crow Hill VAULTS

video upload by CROW HILL

"With Theo off on hols this week Christian opens the lid on one of his favourite instruments, The Harmonium. Think Penguin Cafe Orchestra, think Jon Brion, think a leading (albeit inanimate) character in Punch Drunk Love."

Press release follows:

The Crow Hill Company announces availability of VAULTS - HARMONIUM, bringing bellows to DAWs as latest free VI abiding by its Make Music, Your Music motto

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - HARMONIUM — bringing bellows to DAWs (Digital Audio Workstations) as its latest free VI (Virtual Instrument) monthly drop, allowing anyone to experience the timbral complexities and harmonic layers of its gorgeous and, some might say, quaint instrument namesake for the rest of their lives, abiding, as always, by the Edinburgh-based enterprise creators’ collective Make Music, Your Music motto — as of October 24…

Its iconic appearance in Director/Writer Paul Thomas Anderson’s 2002-released dark romantic comedy Punch: Drunk Love — look it up! — may make many think of the harmonium in a certain way. What is certain, though, is that the small free-reed organ was patented way before, back in 1842 by Frenchman Alexandre Debain. By being smaller and less expensive than traditional pipe organs, it quickly became popular through Europe, India, Africa, and the southern United States. Travelling through the north of the UK, harmoniums can still be found tucked away in the corners of many recording studios. Saying that, those that are there are not just set dressing; after all, the harmonium captured the hearts of artists such as The Beatles, Supertramp, Penguin Cafe Orchestra, and Tori Amos, all of whom featured it in their music.

Making music with a harmonium is easier said than done, however, since the instrument in question generates sound by pumping air — using two foot-operated pedals joined to a mechanism that operates a bellows or by pushing and pulling a handle joined to the bellows back and forth with one hand — past a thin piece of metal in a frame and making it vibrate. Vibrations then resonate through the harmonium’s wooden body, thereby producing the distinctive, church-like sound. Thankfully, The Crow Hill Company has succeeded in capturing this sound to produce VAULTS - HARMONIUM, making it much easier for many more appreciative sound-seekers to experience its musical magic.

Composer Christian Henson — original founder of The Crow Hill Company — freely admits to being a big fan: “It’s got to be one of my favourite instruments. It can bring a simplicity to music — dare I say it, a quaintness, but because of its timbral complexities, it’s also massively expressive.”

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FOUR SEAS // A Multi-Voice Mega Wavetable Oscillator Powerhouse from Ferry Island Modular

video upload by DivKid

"Here we have Ferry Island Modular's first release 'Four Seas', which is designed, engineered and manufactured in Finland. It's a real power house of a sound source, suiting to quickly grabbing some waves to patch with or for deep sound design tweaking. Everything is knob/button per function with no menus, making complex behaviours, modulations and sounds simple to access. There's LOTS of examples in this video, see the timing index below for all that's covered ... yet I'm sure there's lots left to uncover with all the options this presents."

**TIMING INDEX // CHAPTERS**

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The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

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AD ENVELOPE + VCA WITH A BITE | ADDAC System - ADDAC816 Percussion VCA

video upload by DANIELE

"The ADDAC816 Percussion VCA by ADDAC System is a voltage controlled amplifier featuring an integrated AD envelope with a fast attack and adjustable decay, perfect for creating precise and dynamic percussive sounds!"

0:00 Intro
0:24 Envelope gain
1:08 Decay knob and time switch
2:05 Envelope input behavior
2:33 VCA input
2:46 Patch 1
4:02 Patch 2
5:05 Patch 3

"While deep in its soul there’s a standard VCA with exponential response that can be used as such, in its heart pulses an AD envelope with a sharp attack and a variable decay internally connected to the VCA control input. When it opens its mouth it can whisper in your ear but don’t let this soft demeanor fool you, if driven to the extreme it will show its teeth and gnarly bite and chew on your cochleas with all its might.

The AD envelope has a fixed short Attack, just enough to avoid the typical “click” that happens when using a Gate signal to control a VCA, while the envelope Decay can be controlled via its knob or voltage controlled using the CV input and attenuverter.

We named it Percussion VCA as most percussion intruments have sharp attacks with variable decays just as its AD Envelope however it can be used for any purpose where a VCA is needed including for CV signals due to it’s DC coupled signal path.

Furthermore it also allows to be driven from a simple Gate signal while controlling its decay. This way it’s easy to plug a noise source, vco or any audio and turn that source into a percussive element."

Check with dealers on the right for availability.

RARE & modified Metasonix D-1000 Vacuum Tube Drum Machine

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

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New Binary Synth Allows You to Play Binary Code Within Any Given File

video upload by Max Alyokhin

This should go without saying, but don't drop any sensitive, private, or personal files.

"Demo: https://bs.stranno.su

Source code and application principle: https://github.com/MaxAlyokhin/binary...

A web-synthesizer that generates sound from the binary code of any files. It can synthesize sound directly in the browser, or be a generator of MIDI messages to external devices or DAWs, turning any file into a score. All the application code is written in Javascript and along with everything you need is packed into a single .html file of about 750kb. The synthesizer doesn't need internet, it can be downloaded and run locally on any device with a browser.

0:00 Speed changes
0:57 Noise/IDM (with Ableton processing)
3:16 IDM (with Ableton processing)
4:39 Drone/Ambient (without any processing, 5 instances)
15:49 Drone/Ambient (without any processing, 2 instances)
20:17 Drone (with Ableton processing)
21:10 Drone/Ambient (with Ableton processing)
24:46 Postminimalism/Aleatoric (MIDI to Ableton virtual synthesizer)
25:31 Glitch (MIDI to Ableton virtual sampler)

On 24:46 is "Composition for prepared file of the own source code", you can listen full here:"

Composition for prepared file of the own source code

video upload by Max Alyokhin

0:00 I
9:35 II
11:51 III
18:24 IV
20:13 V
23:06 VI
26:08 VII

All data on any computer or smartphone is in the form of files. The contents of these files are ultimately just zeros and ones. And these zeros and ones are basically all the same, so we need an interpreter to extract meaning from these texts. Basically, the file format (.mp3, .docx, etc.) is just a pointer to which interpreter we need to pass the text in order to extract meaning from it.

But what if the file format and the interpreter don't match? In the case of musical experimentation, there have been earlier attempts, for example, to "play" a file through an audio editor, which expectedly produced mostly glitch and noise; it might be more interesting from a conceptual than a musical point of view.

We could go further and write our own interpreter that would look at the files without regard to format, use its own "manner of reading" the original zeros and ones, and on that basis provide a complete system for controlled synthesis of sounds.

The tool, called Binary synth, is available at: https://bs.stranno.su.

The application is a web synthesizer that runs in the browser and is written in Javascript. All the application code along with everything needed is packed into a single .html file of about 750kb.

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Thephonoloop's themkI

video uploads by THEPHONOLOOP

Playlist:

1. themkI | An exploration of a 70s classic
2. themkI | Overview
3. themkI | Presets playthrough

Press release follows:


Thephonoloop tweaks themkI as deeply-sampled, expressive VI exploring electromechanical keyboard classic’s imperfections with colourful Version 1.1 update


KATOWICE, POLAND: Thephonoloop is proud to announce that it has tweaked themkI — already available as a deeply-sampled, expressive VI (virtual instrument) for Native Instruments’ KONTAKT PLAYER platform housed in an MPE (MIDI Polyphonic Expression) compatible engine built for discovery and experimentation, exploring the beautiful imperfections of a Seventies-vintage electromechanical keyboard classic — with a colourful Version 1.1 update introducing sharper contrast for better visibility alongside new GUI (Graphical User Interface) colour options for customising its look, as of October 7…

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Making a 5/4 Beat in Patterning 3 Using Nature Sounds

video upload by Olympia Noise Co.

"Making a 5/4 beat in Patterning 3: Drum Machine using only nature sounds—(almost) no talking, just the creative process.

In this video, I create a rhythm in 5/4 time signature using Patterning 3 : Drum Machine and nature samples. All the sounds were collected in a temperate rainforest in the Pacific Northwest by touching trees, lichen, moss, and ferns. Yup.

Patterning 3 is a circular drum machine for iOS that makes working with unusual time signatures intuitive and fun. The 5/4 meter gives this beat an interesting, off-kilter groove.

Perfect for producers looking for Patterning 3 workflow inspiration
• Anyone interested in unusual time signatures
• Fans of ambient and organic beat-making

#Patterning3 #BeatMaking #MusicProduction #5/4TimeSignature #NatureSounds #DrumMachine #iOS #AmbientMusic #NoCommentary

Patterning 3 on the App Store

Get a limited edition Patterning 3 T-Shirt!
https://olympianoiseco.bigcartel.com/..."

MORE Dark and gritty modular synth set by NE's Stephen McCaul

video upload by Noise Engineering

"Here's another dark and gritty modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects.

Join us on Discord! Invite link: / discord"

NINA Patterns by Mr. Dataline: Analog Motorized Polysynth by Melbourne Instruments

video upload by Melbourne Instruments

"⚡ Step inside the sonic universe of Mr. Dataline with his exclusive Pattern Bank for NINA’s Multi-track Sequencer. Crafted with precision and groove, these patterns demonstrate Nina's many sonic dimensions — from hypnotic sequences and retro video games to raw machine funk. Whether you’re into techno, electro, or left-field machine jams, these patterns showcase Nina's full creative power.

🔗 Nina owners can grab Mr. Dataline's NINA Pattern Bank here:
https://www.melbourneinstruments.com/...

🎛️ ABOUT NINA:
Unlock a standalone groovebox for beatmakers, producers, performers and sound designers with NINA's Multi-Track Sequencer. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or adding some amazing complexity to your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control. Whether you’re crafting tough beats or complex melodic patterns, this next-gen groovebox workflow unlocks an exciting new way to create. And don't forget, NINA is also an incredible standalone 12-voice, 4-part multitimbral hybrid analog-wavetable synth beast!

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Ciat Lonbarde Peterlin & Plumbutter 2

video upload by Akihiko Matsumoto

"Sound: https://akihikomatsumoto.sellfy.store...
116 Oneshots
30 Drones
Crafted from the Unpredictable
This evolving sample pack is a curated collection of sounds generated entirely with the eccentric modular instruments of Ciat Lonbarde. Featuring raw sessions recorded with Peterlin and Plumbutter 2, it offers a unique sonic palette ranging from fractured noise textures to rich ambient drones and abstract one-shots.

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Yamaha DX7IIFD MINT, serviced, with case, cartridge, accessories SN 16426

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

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Born Slippy/Underworld (Circuit Tracks Instrumental)

video upload by Guinan

"This iconic tune (featured in the movie, ‘Trainspotting’) is another classic piece of techno from Underworld. This is a bit of a test if I could get anywhere near the sound using just the Circuit Tracks. The main iconic sound synth was apparently produced using a Waldorf Microwave which is a very different synth architecture than the Tracks.

This version was programmed and recorded straight from the Novation Circuit Tracks.

More details for synth nerds.
140BPM
Synth 1 – Pad sound using Digital Vocal waveforms 1 & 6. The original pad has a very sampled vocal tone from the wavetable used so I mixed in some modulated noise to try and get at least part of the same effect.
Synth 2 – percussive sawtooth chords with delay (apparently dotted 8ths on the original but it didn’t sound right so I’ve used 8th delay (preset 11)).
Drum 1- booming 909 techno bass drum.
Drum 2 – 909 hihats and open hihat.
Drum 3 – this might be contentious but ‘the Internet’ suggests Underworld used a loop from the sample CD ‘Best Service:Dance Mega Jungle Rave’. What you are hearing therefore is sample ‘140 25.wav’ from this set I found by searching online. Opinion suggests that even if it wasn’t from this CD both they and Underworld sampled it from the same source?
Drum 4 – this is reserved for the vocal samples – surprising how essential to the song they are!"

Fairlight Series III

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Hello . I have a Fairlight Series iii that belonged to my husband who was a film composer . I am now looking to sell this Fairlight and would be very appreciative for some advice on what kind of price I should be looking for . It has the original keyboard and user manuals . “A very rare chance to purchase an this music industry Fairlight series 3 for restoration. Only ever 300 made it’s basically part of synth/sampler history, they don’t come up for sale very often! Fairlights were used by Kate Bush, Art of noise, Pet shop boys, and were also used on the sound track of ‘Terminator movie’ try and find another for sale! This is a truly an iconic and unique instrument complete with flight cases and instruction manuals (A better more practical up to date monitor can be purchased online specifically for this rare instrument)..."

Side note according to Google AI: "The Fairlight Series III did not use a light pen; it replaced the older light-pen input with a graphics tablet and stylus for user interaction with the screen's graphics, partly due to user complaints about arm fatigue from holding a light pen."

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Introducing The Mutable Challenge

video upload by Gaz Williams

"The Mutable Challenge is a tribute to the late, great Mutable Instruments, the most innovative of all Eurorack makers, who ended their journey in 2022. In this challenge, participants start with a rack entirely filled with Mutable Instruments modules and have one hour to create anything they like—be it a tune, a riff, a sound effect, or even pure noise—to showcase the unique and creative potential of these iconic modules. With official Mutable patch cables and just two other pieces of gear allowed—an Arturia KeyStep 37 and a Cre8audio Assembler mixer—participants are free to let the Mutable magic unfold.

*utility cables kindly provided by Synthcables.com

Big thanks to Tom Kirton for Yarns and to MonoJack from BeepBoop for the kind loan of Edges"

The Gaz Williams' Mutable Challenge/Tribute - Row 01

video upload by Cinematic Laboratory

"Let's just all celebrate Mutable Instruments. I met Gaz Williams ‪@GazWilliams‬ on Dutch Modular Fest (2025) a week ago. I couldn't do the test myself, but I was really inspired by his inititative. Mutable is probably the most influential brand in Eurorack and beyond. You can easily find clones that suit your budget, and nearly all modules are available in VCV. If you feel like patching along, I will share a few tips and tricks (trips) and hopefully help you find a few new happy accidents.

Opening footage courtesy of ‪@SERUMMM‬"