Introducing DMNO ON — Desktop Synthesizer

video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

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Critter & Guitari Organelle S Programmable Digital Synthesizer (Black)

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Nibbler mess around your sequencer

video upload by SCHLAPPI ENGINEERING and Stazma

"This is the Schlappy Minute.

Today I quickly show you how to use the Nibbler "carry" output to mess around with a sequencer "reset" input to remix your sequence(s) on the fly with the switches."

Sunset SynthJam, with Novation Circuit Tracks.

video upload by Linz Kirk

"SynthJam featuring the Novation Circuit Tracks, Roland S-1 & Volca Bass.
Filmed at St Ouens bay in Jersey.

My 1st Dawless SynthJam & 1st in an outdoor location."

9/27/26 Testing the Bard Frequency Vault + 2050 + TX-1 clone + (…)

video upload by Cfpp0

"9/27/26 Bard Frequency Vault + 2050 + TX-1 clone + Alesis MIDIVERB II + Ladik S-143 & U-202 + MFB dual LFO & dual ADSR + Peavey DDL-3 + ALM Pamela’s New Workout

The racks are ridiculously high now and I think we’ve finally reached our limit. We’ve pretty much got everything Metasonix and Zerosum Inertia have made, and we don’t really need more tube modules. But all of the sudden we started selling again on Reverb, so we got a used Bard Frequency Vault on Modwiggler. I was curious how it compares to the Metasonix RK8 Filterwall. This particular Frequency Vault is wired to a tiny power module and an external power supply to heat the tubes, so we’re able to run it off of a 4ms power supply, along with the 2050 module and the TX-1 clone, which also have external power supplies for the tubes. This video is the first test of the module, with the 2050 audio output running into the main audio input on the Frequency Vault and one of the stereo outputs on the Frequency Vault running to the TX-1 clone."

FREEDOM by Davide Micheli

video upload by Davide Micheli

You can find an English translation of the following video description further below.

"Freedom è un brano di musica elettronica prodotto da Davide Micheli utilizzando sintetizzatori elettronici tra cui alcuni Italiani moderni come il 'GRPA4', ma anche vintage anni 80 come 'Elka Twin61' e 'CRB Diamond 910 Gold M'. Altri sintetizzatori utilizzati sono il 'Moog Voyager XL', il 'Waldrof Quantum', e per ultimo 'Oberheim OB-X8'. La Drum Machine è una Drum degli anni 80 molto famosa ai sui tempi la 'Dynacord P20' 8-Bit Drum Machine.

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Jaap Vink and Cascading Multiplication

video upload by La Synthèse Humaine

"Jaap Vink was a technician and teacher at the Institute of Sonology in Utrecht from 1967 until his retirement in 1993. During that time he pioneered numerous techniques for the analog realization of dense electronic sounds and was a key collaborator of Roland Kayn in the 1970's and 1980's. Vink was always in search of sounds that would break the inherent periodicity of electronics, and found that feedback was the key.

This video is the second in a mini-series looking at Vink's techniques which were documented by the fantastic retrospective double LP on Recollections GRM. We look at two patches which are structured around cascades of ring modulators - creating many sidebands and dense tonal clusters out of simple sources.

Jaap Vink Recollections GRM LP:



Support this work on Patreon: / lasynthesehumaine

[video timeline]
00:00 Jaap Vink's Patch Diagrams
01:33 Cascades of Ring Modulators
03:27 Patreon Pitch

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Lo-Fi Electronica with Piano Fragments and Glitch Textures | Forgotten Keys 2026-09-29 by atnr

video upload by atnr

"An electronica piece built from fragmented piano sounds and layered lo-fi textures.

This piece was created with the EP-133 K.O. II and microKORG S.

Twelve piano samples are loaded into the EP-133 K.O. II. An eight-bar loop is played while Punch-in FX adds noise and glitch effects. The output is also processed through the MICROCOSM with reverb while sounds from the PHRASE LOOPER are layered over the loop.

The microKORG S is processed through the Chase Bliss LOST+FOUND with delay and reverb, creating sustained tones with a lo-fi texture.

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New EMW S-8000 Sample Synthesizer

TEST SOUNDS - O SINTETIZADOR MAIS COMPLETO QUE JÁ TOQUEI.S-8000. BY TIAGO MALLEN ‪@emwsynthesizers‬
video upload by Tiago Mallen

"The EMW S-8000 is an 8-voice polyphonic sample-based synthesizer with stereo audio, multimode filtering, envelopes, modulation, effects, and extensive sound-shaping capabilities. It also comes with a large built-in sample library, ready to explore right out of the box."

via EMW

Explore a new world of sampling with the power and flexibility of modern technology.

The S-8000 combines a compact sample player, synthesizer and effects processor in a single instrument, allowing you to create complete instruments from WAV files using single samples or multi-samples. With pitch, gain, Root Key, start point and loop controls, the S-8000 gives you everything you need to shape and play your own samples.

Its powerful synthesis section features a resonant VCF with dedicated envelope, VCA with ADSR and LFO with multiple waveforms, along with Velocity, Mod Wheel and Aftertouch modulation. A wide range of effects, including Chorus, Phaser, Delay, Reverb, Bloom and Stereo Spread, further expands its sonic possibilities.

Samples are stored on a microSD card, making it easy to build and organize large sound libraries. The S-8000 also includes MIDI IN/THRU, a color graphic display and high-quality stereo audio output, with many synthesis, performance and effects parameters available for external control via MIDI CC.

The S-8000 also comes with a growing library of samples organized by instrument and equipment. EMW regularly expands this collection with new sounds and updates, allowing the S-8000 to continuously grow with new instruments and sonic possibilities.

S-8000 — powerful sampling and synthesis in a compact instrument.

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Knock Out 🎚️(Teenage Engineering K.O.-Sidekick EP-136 // MFB Tanzbar // Roland S-1 // J-6)

video upload by 2-Minute Warning

"A new little piece of gear joins the setup! 🎛️

This time, I'm introducing the Teenage Engineering KO II Sidekick EP-136 , a small but surprisingly powerful little mixer, and a very welcome addition to the setup.

And this one is a little different from my last jams: there's no external sequencers like the Squarp Hapax or Arturia Keystep Pro involved! 😄

Instead, I'm using the built-in sequencers of all 3 instruments in the setup: the MFB Tanzbär , Roland S-1 and *Roland J-6*. It's actually quite refreshing to let the instruments take care of their own sequences for once.

The Tanzbär is on Channel 1 , bringing its punchy analog drums to the party. Channel 2 is shared by the Roland S-1 and *Roland J-6*: the J-6 handles the bass and chords, while the S-1 also provides the lead chimes during the intro.

The problem? The Sidekick only has *2 stereo channels*.

So, naturally, I had to cheat a little. 😄

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Synthetic Sound Labs Announces Wave Oracle™

Synthesizer module review of the the Wave Oracle video upload by Synthesizer Sound Design

"Synthetic Sound Labs Wave Oracle Model 1910

This video is a review of the 5U / MU multi-function module from Synthetic Sound labs - The Wave Oracle.

The Wave Oracle exists to inspire curiosity about signals—and creativity in what you do with them. Your synthesizer makes voltages, but you usually experience the result through your ears. Wave Oracle adds another way to explore: you can see what is happening while you listen.

Time Index

00:42 Title
00:45 What is the Wave Oracle01:22 What I like about the Wave Oracle
02:56 How I will use the Wave Oracle
03:38 Review of the functions or the Wave Oracle
05:05 Examples
05:08 Understanding Modules Better
05:45 Inverted Envelopes Made Easy
08:26 Examining Harmonics
09:48 Through-Zero FM
10:54 Lissajous figures
12:33 Final Thoughts

** THIS VIDEO IS SPONSORED BY SYNTHETIC SOUND LABS ** they have funded the creation of this video."

Press release follows:

Synthetic Sound Labs announces Wave Oracle™, a multi-function signal visualization and learning instrument designed specifically for modular synthesizers. See and explore your sounds.

Wave Oracle™ combines oscilloscope, XY, spectrum analysis, tuning, metering, audio-responsive visualization and integrated learning functions in a single module. Four signal inputs allow several points in a synthesizer patch to remain connected simultaneously, with channel selection available within applicable modes.

Wave Oracle™ is designed to be easy to learn and use, without requiring a background in electronics or test equipment.

SCOPE
Wave Oracle™ can display signals from oscillators, envelopes, LFOs, modulation and complete voices.

The oscilloscope views these as voltage changing over time, revealing the actual shape and timing of a signal. Laboratory-style adjustable timebases, vertical scaling, positioning and triggering allow visualization and measurement of up to four independent synth signals at once.

XY
Plots two signals against one another to display phase and frequency relationships, modulation and Lissajous figures. XY uses Channels 1 and 2 as its X and Y signal sources.

FFT
Where SCOPE shows voltage over time, Wave Oracle™’s FFT modes reveal frequency content and how it changes over time. Multiple spectrum displays provide different views of fundamentals, harmonics, noise, filter response and the evolving spectral content of complex sounds and complete voices.

Automatic and manual display scaling accommodate signals ranging from individual oscillators to dynamic musical material.

TUNER
Measures frequency and musical pitch for oscillator tuning, matching pitches and checking oscillator tracking.

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Moog Taurus Bass Pedals in Genesis Songs and more - The Legendary Prog Rock Sound!

video upload by RetroSound

"The legendary Moog Taurus Bass Pedals played a huge role in the powerful low-end sound of progressive rock — and Genesis used that sound in some truly iconic songs.

In this video, we take a closer look at the Moog Taurus bass pedal and its role in the Genesis and the Phil Collins, Steve Hackett solo works, exploring those deep, massive bass frequencies that became a signature of progressive rock.

From the classic Genesis era to the unmistakable sound of the Taurus pedals, we'll look at how these legendary analog bass pedals were used and why the Moog Taurus became such an important instrument in rock music.

If you're a fan of progressive rock, Moog synthesizers, analog synths, bass pedals or classic 1970s rock sounds, this video is for you.

🎧 Listen with headphones or a good sound system to really hear those deep Taurus frequencies!"

The song list: 0:06 Afterglow 0:47 I Don`t Care Anymore (P. Collins) 1:16 Dance On A Volcano 1:54 Squonk 2:22 Clocks (S. Hackett) 2:50 Los Endos 3:10 Musical Box 3:35 Mama 4:31 Entangled 4:56 Firth Of Fifth 5:20 I Know What I Like 5:42 Shadow Of The Hierophant (S. Hackett) 5:55 Suppers Ready 6:18 Tonight Tonight Tonight

Quand un flanger modulé par un signal à front raide se prend pour un Karplus-Strong

When a flanger modulated by a steep-edge signal thinks it's a Karplus-Strong

video upload by Laurent Baloran

"Les joies du développement 😉 Le Flanger avec une modulation carré ou S&H devient un quasi excitateur Karplus-Strong. Inattendu et réjouissant 😉"

"The joys of development 😉 The Flanger, with square-wave or S&H modulation, turns into a sort of Karplus-Strong exciter. Unexpected and delightful 😉"

Quand The River II s'intéresse aux langues étrangères - When The River II turns its attention to foreign languages

video upload by Laurent Baloran

"Le DSP maison héberge un outil pour 'voyelliser' le son. Le bruit blanc réagit merveilleusement avec ces filtres formantiques."

"The custom DSP hosts a tool for 'vowelizing' the sound. White noise interacts wonderfully with these formant filters."

Jaap Vink and Recursive Sound

video upload by La Synthèse Humaine

"Jaap Vink was a technician and teacher at the Institute of Sonology in Utrecht from 1967 until his retirement in 1993. During that time he pioneered numerous techniques for the analog realization of dense electronic sounds and was a key collaborator of Roland Kayn in the 1970's and 1980's. Vink was always in search of sounds that would break the inherent periodicity of electronics, and found that feedback was the key.

This video is the first in a mini-series looking at Vink's techniques which were documented by the fantastic retrospective double LP on Recollections GRM."

00:00 Kayn in Utrecht
01:11 Jaap Vink's Background
02:37 Nonperiodicity
03:40 Objets Distants
04:39 Decoding the Diagram
06:09 Delay, Feedback, and Ring Modulation
09:36 Understanding the Feedback System
12:52 Building the Patch
14:30 Giving the System a Kickstart Like the Fonz
16:41 Inserting a Resonant Equalizer
18:53 Adding the Comparator Control Scheme
20:33 Letting It Breathe...

Jaap Vink Recollections GRM LP:



Ring-Modulated Feedback in BEA5

video upload by MrSonology

"This video shows a feedback patch that includes a delay (Studer A80 tape recorder), a ring modulator, a reverb (Lexicon PCM 90) and a modified Bruel & Kjaer third-octave filter. The technique was developed by Jaap Vink in the 1970s at the Institute of Sonology in Utrecht and can be heard in works by many composers, particularly those of Roland Kayn.
This video is dedicated to Jaap Vink and was recorded and edited by Siamak Anvari."

Previously:

Serge Cybernetics - Reverb Ring Modulator Feedback (Continued)

video upload by La Synthèse Humaine

"an expansion and longer exploration of the jaap vink reverb ring modulator patch featured in the last video (cybernetics V). no talking in this one and very minimal intervention on my part - letting the sounds organize themselves"

Darkglass Electronics Axioma: Monophonic Synthesizer

video upload by Darkglass Electronics

"An axiom needs no proof and a voice needs no permission to change history. Both are driven by conviction. Axioma, our long awaited mono synth plugin for the Anagram platform, is made of it.

More on Axioma: https://www.darkglass.com/en-eu/pages...
More on Anagram: https://www.darkglass.com/en-eu/produ...

Track:
Composed, interpreted, and produced by Sebastian Pinilla:
Soundcloud: / kylo-rec
Instagram: / kylorec

Co-writer: Jesse Mäläskä
Instagram: / jessemalaska
Youtube: / @jessemalaska"
Anagram´s AXIOMA Synth! Deep dive

video upload by Bass Fox aka Quincas Moreira

"Everything you need to know about the long awaited, highly anticipated new SYNTH block for the Darkglass Anagram!"

"Inspired by vintage synthesizers, our monophonic synthetizer plugin for Anagram lets you explore the sound of blending different wave shapes, mixing two oscillators, sub oscillator, shape the overall response with multiple filters, and turn notes into repeating patterns with the arpeggiator."

【日本語解説】P4L Dual Stereo Looper ／デュアルステレオルーパー #モジュラーシンセ #modularsynth

video upload by MY FIRST SYNTH TOKYO

Google translation (original Japanese below):

The Dual Stereo Looper, released in July 2026, is a collaborative effort between P4L and Ambivalent Instruments.

It is a 2-channel stereo looper in Eurorack format.

In addition to basic recording and playback functions, it is equipped with features such as pitch shifting, reverse playback, filtering, and reverb. CV control allows for sound design characteristic of modular synthesizers.

In this video, we will take a deep dive into everything from the module's basic functions to practical applications using CV.

Table of Contents:
00:00 Intro
01:09 Looper recording and playback
02:04 Mix knob
02:58 A/B channel switching
04:17 Loop balance knob
06:23 Pitch shifting
08:18 Reverse playback
09:57 Overdubbing
11:48 Undo/Redo recording
12:50 Feedback
16:39 Reverb
17:27 CV IN
17:58 External clock
18:44 Setting recording length (bars)
19:57 CV control
22:47 REC IN / RESET IN
24:48 Outro

CLICK FOR MORE »

S-770: Roland's Flagship Sampler from 1990

video upload by Alex Ball

"A look at the Roland S-series samplers of the 80s and 90s with the S-770 being the unit demonstrated.

0:00 Intro
1:38 History
5:18 Musical Interlude
6:19 Making Sounds with the S-770
9:41 Resampling
11:45 Time Stretching
13:58 A-ha's S-770 with Anders Enger Jensen
18:27 Roni Size and the S-760
19:24 The Hetoris Easter Egg
21:57 Summary and Patron Outro

Huge thanks to my Patrons on Patreon, Eric Persing, Ryeland Allison, Anders Enger Jensen and the lovely person who donated this S-770 to the channel."

Korg 03R/W - SynthCorner Presets (Sounds Only)

video upload by wolfgang S vukan

"Korg 03R/W - SynthCorner Presets (Sounds Only)

If you like these sounds, you can buy the complete 03R/W SysEx bank from me with all 80 presets for 10 Euros (contact me at: vukansto at gmail dot com).

So, this is an old KORG ROMpler from 1991, a cut-down version of the flagship 01R/W. The 03R/W has less sample ROM (5 MB vs. 6 MB on the 01R/W) and lacks the Waveshaping and Emphasis features. Korg named this digital synthesis engine AI2, which stands for Advanced Integrated Synthesis (second generation). The first AI generation was featured in the M1 and T series.

Actually, I planned to sell this 03R/W, but now I'm not so sure. It reminds me of some mystic, dark sounds I created on the T2ex that I sold a decade ago. Now, I have those similar sounds in a compact 1U rack unit.

Recorded directly form 03r/W audio output to Tascam DR05x recorder (24bit / 48 khz)

Korg 03R/W specifications:
32 polyphonic (16 poly in dual Osc mode presets)
8 parts multitimbral (16 parts in General MIDI mode)
255 multi samples (5mb ROM of 16bit samples)
Single or dual oscilator structure per program/preset
Digital low-pass filter (VDF) per oscillator
2x digital effects processor (reverb, delay, chorus, distortion, etc.)
229 programs-presets (100 RAM + 129 ROM GM) and 100 multi combinations
PCM and RAM data cards expansions
4 analog audio outputs"

9/15/26 (2050 test) 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + MIDIVERB II

video upload by Cfpp0

"9/15/26 (2050 test) Jakub Jasiński 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + Alesis MIDIVERB II

If you came for metallic falcon screams, jump to 1:19. This unbranded 2050 module was made custom by Jakub Jasiński for the previous owner. It’s plugged in a 4ms pod, but it’s getting 5v DC externally. It’s not a clone, but it seems to have been based on the Zerosum Inertia 6550-99, which is probably the greatest voltage controlled oscillator of all time. The Ladik S-143 (through the U-202 and multiplied) is sequencing the 2050 tune input and pulse input, as well as the MFB OSC-2 CV1. The triangle on the OSC-2 is running to the sync input on the 2050. An envelope from the MFB dual ADSR is running to the 2050 drive input. The delay is from the Peavey DDL-3 and the reverb was blended on CXM 1978."

Samplotron Keypad Version – DIY ESP32 Sampler & Loop Player | Live Demo

video upload by Illegal State Of Mind

"Meet the keypad version of Samplotron — my DIY hardware sampler and loop player built around the ESP32.

In this demo I’m using Samplotron to trigger samples and loops live. Some of the sounds are my own recordings, while others come from publicly available sample sources.

What you hear is the direct audio output from Samplotron — no post-processing, EQ, compression or additional effects were added to the recorded audio track.

You can also see another one of my DIY projects in action: a small oscilloscope I built, displaying the audio waveform in real time.

Want one? Build your own!
Full interactive build guide:
https://jakubthedeveloper.github.io/S...

Source code and project files:
https://github.com/jakubthedeveloper/...

Hashtags:
#Samplotron #DIYSampler #HardwareSampler #Sampler #LoopPlayer #ESP32 #ESP32Audio #DIYSynth #SynthDIY #DIYMusic #ElectronicMusic #SampleBasedMusic #LiveSampling #MusicTechnology #AudioElectronics #EmbeddedAudio #OpenSourceHardware #OpenSource #DIYElectronics #Oscilloscope #HardwareMusic #ExperimentalMusic"