Introducing the Synido TempoKEY K32 Play!

video upload by Musical Miscellany & More

"The folks at @synidotech asked me to help launch their latest MIDI controller, the TempoKey K32. It's unique in that it's not just a MIDI controller but also includes a synth engine. In this video, I take a look at a pre-release model."

DISCOUNT CODE (Europe): SYNIDOK32 | Expires:August 30, 2026
Purchase link (Europe): https://www.synido.com/s/k32

Intro - 0:00
Unboxing & Overview - 1:26
Internal Synth Engine - 3:31
Using the Editor - 5:24
Direct Audio - 6:47
Using with Soft Synth - 8:15
Using the Arpeggiator - 10:08
Additional Features - 11:30
Using with Hardware Synth - 12:45
Final Thoughts - 14:24

And one from 2-Minute Warning:

The Key - 4-Minute Jam (TempoKEY K32 Play + Taiga + DFAM)

video upload by 2-Minute Warning

"This video is a little different for two reasons!

First, it's the first time I'm featuring an instrument kindly provided by a manufacturer. Synido sent me the TempoKEY K32 Play to explore in my own workflow and share my honest impressions.

They didn't ask for a scripted review, so I simply approached it the same way I approach every other instrument on this channel: by making music with it.

Secondly... this is exceptionally a 4-minute jam!

Think of it as two consecutive 2-minute performances before I take a short summer break. 😊

Rather than trying to showcase every feature of the K32 as a MIDI controller (Bluetooth MIDI, battery power, USB/MIDI connectivity, pads, knobs, etc.), I wanted to focus on what intrigued me the most: its built-in General MIDI sound engine.

For this performance, the Hapax sequences the entire setup. The Taiga handles the bass, the DFAM takes care of the analog drums (synchronized by the Hapax), while the K32 Play provides everything else: guitars, strings, bells, plucks, additional drum sounds… and occasionally runs through the Eventide H90 for a bit of extra space and texture.

As always, the musical performance itself was recorded in a single take. Mixing/mastering was done afterwards in Ableton Live, but the performance you hear is exactly as it happened.

A sincere thank you to Synido. Without their message, this musical experiment probably wouldn't have happened."

✅ PLAY THE MOMENT INSPIRATION HITS

Most MIDI keyboards need a computer and software to make a sound. K32 doesn't. Built-in sounds and speakers let you play instantly--couch,classroom, anywhere.

✅ 32 KEYS, MORE ROOM

25 keys feel cramped for chords and melody together. The K32's 32-key layout gives your hands space to play naturally.

✅ WIRELESS, GO ANYWHERE

BLE MIDI + Battery. Create from the couch, backstage, in class, or on a plane.

✅ GROWS WITH YOU

Connect another MIDI controller and use the K32 as a standalone sound module. Compact setup, maximum flexibility.

✅ INSTANT SOUND SWITCHING

Save favorite instruments to the KEY Sound buttons. Jump from piano to synth to bass with one press. No menu-diving.

✅ HANDS-ON CONTROL

8 assignable knobs, 8 drum pads, and a clear OLED display. Adjust, beat, and perform in real time—no mouse needed.

✅ FOR EVERY STAGE OF YOUR JOURNEY

From first beat to live performance, K32 adapts to your workflow. Start simple. Grow into it. Create without limits.

✅ FAST WIRELESS PAIRING

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Sculpting the Duos // Live Soundscapes with Torso S-4

video upload by Andre Bregegere

"A raw, live-recorded ambient improvisation using the Hikari Duos synthesizer routed through the Torso Electronics S-4 sculpting sampler for real-time processing and sound design.

This performance was captured entirely live in a single take, presented without any edits or arrangements after the fact. The master audio was lightly mixed and mastered in Pro Tools for clarity and depth.

Signal Flow & Routing:
• Source: Each of the two unique oscillators from the Hikari Duos is sent to its own dedicated channel on the Torso S-4 (Track 1 and Track 2).
• Processing: Both input tracks are actively sculpted live on the S-4 and routed through an Aux Send on Track 4 for shared spatial effects and texture generation.

If you enjoy live electronic music, generative soundscapes, and hardware jams, consider subscribing for more process-driven sessions.
---
`#AmbientMusic #TorsoElectronics #HikariDuos #DawlessJam #SoundDesign #experiment #alelectronicmusic #electroacousticmusic"

7/12/26 Korg SQ-10 sequences Metasonix S-1000 + Paia 6740

video upload by Cfpp0

"7/12/26 Korg SQ-10 sequences Metasonix S-1000 + Paia 6740

The studio is undergoing a few changes this summer. The ElectroComp EML 400 is now above the 401, next to two stacked EML 200s. The Metasonix S-1000 Wretch Machine has been moved to a rack right to the left of the EMLs, where the S-1000 is easier to reach. And it’s above several racked Metasonix TM boxes, the Zerosum Inertia Cenotaph, and the Korg SQ-10 sequencer. This was a test of the SQ-10 and the S-1000 together, with some filter and waveshaper wigging. At 1:47, the waveshaper is switched from flat to flat+pulse and it all gets slightly didgeridoo. The spring reverb used in this video is the Paia 6740."

Torso S-4 POLY Engine: Turning Samples Into Synths (Torso Explorations Vol. 34)

video upload by

"In Volume 34 of my Torso Explorations series, we are diving deep into the POLY engine on the Torso Electronics S-4 sculpting sampler. While the S-4 is an incredible texture and ambient machine, the POLY engine transforms it into an expressive, 8-voice polyphonic synthesizer by arranging samples chromatically across the keys.

I walk you through how to configure and play the POLY engine using two external MIDI controllers: the Keith McMillen QuNexus keyboard for manual playing, and the Korg SQ-1 for sequencing.

The POLY engine gives you per-voice control over amplitude and filter envelopes, allowing you to sculpt raw samples into beautifully playable synth patches.

--

🎵 What's inside this video:

• Track 1: Demonstrating the core mechanics and envelope shaping of the POLY engine using a built-in stock sample.

• Track 2: A quick, live workflow showing how to sample an external acoustic instrument (my mandolin) using the S-4’s internal microphone and instantly flip it into a polyphonic synth patch.

This entire performance was recorded live in one take, with light mixing and mastering finished in Pro Tools. The video is fully annotated throughout so you can easily follow the exact parameters and routing I'm altering in real-time.

If you enjoy these deep dives into the S-4, please consider liking the video, subscribing to the channel, and leaving a comment with how you’re using your S-4!

--

00:00 - Intro
00:37 - Setting up a first POLY track
04:24 - Sending Audio from one track to another
06:12 - Quickly recording, trimming, and saving a new sample
07:05 - Using the new sample to create a second POLY track
08:34 - Let's add some drums?
09:03 - And let's play!"

Arturia Memory V - Melodic Techno | All Colours soundbank by NatLife

video upload by NatLife Sounds

Timeline:
00:00 - 01:02 NatLife - From The Past To Future
01:03 - 02:18 NatLife - Analog Flying
02:19 - 02:53 NatLife - Black Hole
02:54 - 03:26 NatLife - Sona
03:27 - 04:13 NatLife - Drama
04:14 - 04:45 NatLife - See The Dream
04:45 - 05:32 NatLife - OF Future
05:32 - 06:42 NatLife - Memory Of 90s

"Product Link: https://natlifesounds.com/product/art...

Note: - All sounds you hear were used from this library, WITHOUT ADDING THIRD-PARTY EFFECTS OR ENHANCERS!

Get ready for the next-level sound design with Arturia Memory V – Melodic Techno | All Colours.

All Colours – these are all variations of Melodic Techno sounds from its creation by Stefan Bodzin to Afterlife‘s Anyma and Argy sounds. Naturally, I add my own vision of this style in my signature NatLife style.

I have created 51 custom presets and patches from scratch.
Every sound optimized to perfection for immediate, out-of-the-box use.
The collection features modulated LEADS, deep modulated PADS, beautiful space PLUCKS, modular ARP sounds and ultra-elaborate SYNTH effects. These sounds fully exploit the unique capabilities of Memory V. Despite this, these patches also reveal the full power of this emulation – and you will get sounds similar to Blade Runner.

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ST Modular - DII·ONE → USB Interface and MIDI Controller with CV Clock

video upload by ST Modular (Stefan)

"DII·ONE is a compact MIDI controller and routing hub designed for modern hybrid music setups. It combines USB MIDI, hardware MIDI, and a CV clock output in a single device, allowing all functions to operate simultaneously without compromises.

For more information please visit st-modular.de!

00:00 Functions & Features
01:17 Midi Learn with Elektron Model:Samples
04:35 Controlling Torso S-4
05:36 Ableton Live Setup and Control
07:06 Controlling Waldorf Iridium with a single USB cable
07:47 DII ONE Configurator"

key features
Compact USB MIDI controller with hardware MIDI I/O and CV clock output
4 programmable buttons (CC or Note, momentary or latching)
4 programmable knobs (assignable to any MIDI CC)
USB MIDI to and from computer
TRS MIDI In and Out (5-pin DIN compatible via adapter cable Type-A)
CV Clock output for modular synthesizers (0–5 V)
Hardware-based MIDI Learn
Clock division directly from the device
All functions usable at the same time

You can find addtional details at ST Modular.

One Drum Loop, Infinite Soundscapes | Torso S-4 Exploration Vol. 34 #sounddesign

video upload by Andre Bregegere

"Welcome to Volume 34 of my Torso S-4 Explorations.

For this improvised live performance, I set a strict creative limitation: use only one single sample (a drum loop) and one single track on the Torso Electronics S-4. The goal was to push the boundaries of the S-4's granular and sound-design engines to see just how far a single piece of source audio could be stretched, morphed, and reshaped into a variety of sonic landscapes.

The performance was recorded live with only minor edits for pacing. Final audio was lightly mixed and mastered in Pro Tools."

TUBE Emulation CONCRETE / tr-808, monolit, s4 /

video upload by Light Reft [Sasha DZA]

"Use headphones 🎧

MONOLIT and CONCRETE are now available through our retailers. Please ask your nearest store for availability.

In this video, the TR-808 runs through the S-4, using only delay and reverb. ／／／／／／／／／／
Then the signal goes into CONCRETE as the master effect.

MONOLIT controls the sequence, as well as the delay and reverb parameters.

#monolit #concrete setup with #tr808 and #torsos4"

New Ondioline modèle 56 Incoming

video upload by matrixsynth

via Ondioline

"We are proud to annonce the renew of this iconic early synth !

Our Ondioline prototype is running great since months and the first production unit should leave the workshop before winter.

We stay as close as possible to the original Georges Jenny design and philosophy.

Full analogue tube synth (12 in total) as stunning expressivity with suspended/wobbling keyboard and pressure sensitive keys !

Full specifications and price TBA

https://www.ondioline.fr/
https://www.instagram.com/ondioline.fr/"

See Georges Jenny, inventor of the Ondioline, demonstrating one in 1948 here.

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Unusable Engineering Releases Partials & Discrepancies Additive Soft Synth & Effects

video uploads by Unusable Engineering

Playlist:

1. Partials & Discrepancies | Full Walkthrough of an Additive Synth
2. Partials & Discrepancies | Sound Examples
3. Geometry Delay | Full Walkthrough of a Multi-Tap Delay
4. Geometry Reverb | Walkthrough of a Geometry-Based Reverb
5. Binaural Modulator | Full Walkthrough of a Spatial Modulation Effect
6. Partials & Discrepancies | Extremely Long and Incredibly Offhand


via Unusable Engineering

Today marks the release of our second synth, a multi-tap delay, a reverb and a free spatial modulator for both Mac and Windows as AU/VST3.

Partials & Discrepancies is an 8 voice additive poly-synth. The goal was to make additive synthesis accessible through a much simpler abstraction model than what you usually get, and include lots of sonic motion capabilities within a simple interface without modulation matrixes or multi page layouts. As always, we want to build instruments and effects that makes it fun to make music and that won’t slow down the creativity. Partials & Discrepancies is available for 79 euros incl. VAT. Discounts and cross-grade offers may be available on the account page for earlier costumers.

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Ambient From Scratch: Stock Samples & Live Recording | Torso S-4 Explorations Vol. 32

video upload by Andre Bregegere

"Welcome to Volume 32 of Torso S-4 Explorations. In this live-recorded session, I build an immersive ambient soundscape completely from scratch using only the Torso S-4.

This exploration relies entirely on internal S-4 factory samples combined with a short, live vocal phrase captured directly through the S-4’s built-in microphone. The video is structured to take you step-by-step through the creation and processing of each of the four tracks, with detailed on-screen annotations highlighting the specific techniques and effects used to build the tracks.

In the final section of the video, we transition from building to playing—exploring the expressive, generative possibilities of the completed texture.

The performance was captured live, and is presented here with minor edits to tighten the flow and remove redundancies. As a last step, the live recording was lightly mixed and mastered in Pro Tools."

00:00 - Introduction
00:20 - Track 1: Modulating speed in stretch mode
02:13 - Track 2: Generative melody with a single cycle sample
04:45 - Track 3: Capturing voice with the internal mic
08:39 - Track 4: Generative melody with a single note sample
11:34 - Live exploration & performance

Recodrum-S demo

video upload by Arthur Joly

KORG Dispersion v2 – Synth Pluck (with Roland S-1)

video upload by Sinevibes

"Dispersion v2 is a bouncing ball delay effect, designed and developed by Sinevibes. Available as a plugin for a variety of KORG synthesizers: https://www.sinevibes.com/korgdispers..."

Recodrum-S + JP4 + Promars

video upload by Arthur Joly

Recodrum-S :::: Acid Test

video upload by Arthur Joly

Ambient Drone | AKAI S-950 & Make Noise Strega

video upload by Akihiko Matsumoto

"A cinematic atmosphere made of sound, not melody.
https://akihikomatsumoto.sellfy.store...
This is not a collection of loops. It is a carefully curated archive of long-form drone textures, each exceeding five minutes, sculpted for those who create without the need for rhythm, harmony, or resolution.
Designed for deep listeners and sound designers.
From seasoned ambient producers to experimental filmmakers, this pack speaks to those who understand that sound can live and breathe without a beat. Built from legendary hardware units and bespoke digital tools, these drones are not simply sounds. They are environments."

Akai Introduces MPC Key 37 G2 & MPC One G2

video uploads by Akai Professional

"Two ways to create. One MPC mindset. https://inmusic.to/5n8b3m62

The MPC One G2 and MPC Key 37 G2 introduce a new generation of standalone MPCs built around the same core idea: faster workflows and bigger creative potential. Both devices are powered by MPC3 and a new G2 eight-core processor, delivering significantly increased performance for larger sessions, faster load times, expanded track counts, and deeper plugin usage.

For beatmakers and producers who want the classic MPC feel in a compact desktop unit, MPC One G2 delivers next generation standalone power, MPC3’s modern track and arrangement tools, and USB-C hybrid connectivity—making it the most capable and future proof entry point into the MPC standalone ecosystem. https://inmusic.to/2p87e2nv

For producers and players who write on keys but want the speed and focus of an MPC workflow, MPC Key 37 G2 delivers next-generation standalone power, MPC3’s modern track and arrangement tools, and one-cable USB-C studio connectivity in a compact production keyboard that eliminates the laptop dependency. https://inmusic.to/yckvp6ef

Together, they represent two approaches to the same creative system. Whether you start on pads or keys both deliver a complete, modern MPC experience built to create, arrange, and finish music in one place, with the flexibility to plug into your studio setup when needed."

MPC One G2 vs MPC Key 37 G2 // & OS 3.9’s Wild New Oscillators // MPC G2 Review

video upload by loopop

TIMELINE: 0:00 Intro 1:35 Layout 2:00 Pads 2:25 Colorway 2:45 8 core CPU 3:15 RAM 3:35 Storage 4:05 I/O 4:25 USB C news 5:05 Pro pack? 5:40 OS 3.9 Features 6:00 Oscillators 6:20 Osc expansion 7:20 Osc overview 8:15 Osc in a pad 8:35 Osc layers 8:55 Osc types 10:55 FM/RM 12:50 Wavetables 13:30 User waves 13:50 Mod matrix 15:00 Arranger news 16:10 Insert clip row 16:30 Misc new 16:50 Pros & cons 19:30 G2 One vs 37 21:35 Outro

Pics

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OAK Sampler - New Ensoniq ASR-10 Inspired Sampler Workstation Keyboard Synthesizer In the Works

video upload by oak sampler

Meet the upcoming "OAK-S37 Sampling Workstation" keyboard synthesizer.

Playlist with additional details:

1. OAK Sampler Sound Playback and Effects Test

I absolutely love the ASR-10. I’m building a new hardware workstation inspired by the ASR-10 that runs the original OS , effects etc and replicates the HW in a modern form. There will be some updates on the project. This is the boot and general test. Potato speaker recording. #asr10 #90ssampling

2. OAK Sampler (ASR-10 in Hardware) Sequencing & Sample Editing

I love the ASR-10. I’m building a new hardware sampler inspired by the ASR-10. It can run the original Ensoniq ASR-10 OS and effects algorithms. This video shows sequencing and sample editing on the OAK Sampler.

3. OAK Sampler (ASR-10 in Hardware) vs ASR-10 Sound Comparison

This video compares the OAK-S37 and an the ASR-10 using the same sequence, individual samples, filters, envelopes, and effects.

I recreated “93 ’til Infinity” as a test project using identical files across both systems.

I intend to do a limited first run eventually (no dates yet).

Credits
TRACKLIB Sample Breakdown Souls of Mischief - 93 'til Infinity
Heather - Billy Cobham - Sampled From Vinyl
The Jam - Graham Central Station - Sampled From Vinyl

4. OAK Sampler (ASR-10 in Hardware) Loading Original Ensoniq Sample CDs

In this video I load projects from the original ASR-10 Ensoniq Sample CD. It shows proper playback of the complex arrangements, accurate instruments and effects on the OAK. Totally 90’s.

Credits:
Studio Essentials Vol. 1 CDR-3 Ensoniq Corp

5. OAK Sampler (ASR-10 in Hardware) vs ASR-10 Effects

In this video it’s shows an comparison of the OAK-S and ASR-10 internal effects.

The second half demonstrates live effects monitoring. One of my favorite ASR-10 features was using it as a real-time effects processor, and I wanted that preserved in the OAK-S. It uses effects from the Ensoniq CDR-3 CD banks

Credits:
Effects from Studio Essentials Vol. 1 (CDR-3) Ensoniq Corp.

You can find additional details and an FAQ at www.oaksampler.com

New Recodrum - Recodrum S

video upload by Arthur Joly

Behringer JT-2 Demo: 15 Patches for Ambient and Techno

video upload by Limbic Bits

0:00 Quick Overview
1:43 Afterlife Lead
2:28 Dark Wave Bass
3:17 IDM Triangled Lead
4:18 Noisy Arp Cross Mod
5:51 Electro Pulse (short envelopes)
6:51 EBM Bass
7:46 Console Pulse Lead
8:05 Paraphonic Magic
9:34 Killah Bass
9:48 Indie-Cade
10:39 7th Pad
11:36 Psy Alert (FX)
12:06 Kick Bass
12:19 Sonar Noise
13:12 Bubbles
14:20 Paraphonic Outro

____

"Behringer JT-2: My 2 Cents
With all the available 'heavily-inspired-but-not-clones' from Behringer, I’m starting to wonder when the company will introduce original synths again. Anyhow... This time, I’m taking a closer look at the Behringer JT-2, a paraphonic synth inspired by Roland’s Jupiter-8. It comes in similar colours but certainly doesn’t carry over the visual aesthetics of the '80s flagship synth. That’s not necessarily a bad thing, as Behringer can keep costs down by using one chassis for a plethora of different models. At a budget-friendly price point, you get a lot of synth in a unit that doesn’t take up too much valuable studio real estate, either. But first things first...

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