EZBOT's NEW Tonverk Workflow

video upload by EZBOT

"In today's episode we explore how one might integrate the Tonverk into their existing setup. Taking advantage of the multiple outputs, we can create two distinct busses that correlate to our drum and melody busses.

Download the Octatrack Hybrid 4X4 Performance Mixer (v1.1) here: one-time purchase https://ko-fi.com/s/82279613bb and here for ongoing support / hybrid-4x4-1-0-140477341"

AdditionalEZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com"

Nervy jam w/ Torso T-1, Moog Matriarch, Micromonsta 2, Drumbrute Impact

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

After my recent work with the S-4, Torso reached out to see if I'd like to borrow the T-1 for a couple of months, with no expectations on me making a video or doing anything publicly with it. I found the T-1 to be an exceptional sequencer for noodling around, for both better and worse. Better: you quickly start writing song ideas you wouldn't otherwise come up with, and arranging multiple parts across different instruments is extremely fast. Worse: it was challenging for me to shape the output into a finished song; to get to the finish line, I had to work against (or ignore) some of the T-1's best features.

Together, it makes me think the T-1 would shine most as an idea generator with another sequencer (e.g. the DAW), where you could take output from the T-1 and then further refine it. Really enjoyed my time with it, though.

This also marks the return of the Moog Matriarch. I had sold off the Matriarch because it was too large for my smaller studio, or maybe too large to justify keeping around as a mono device for the table. Then I got a larger studio and immediately missed it. Happy to have it back, even if it still feels too big for what it does.

As for the rest, well, they do what they do well. The Micromonsta 2 is a great synth for filling in the gaps, and is bitimbral; the Arturia Drumbrute Impact is a superb drum machine for live performance; and the Chroma Console is a perfect little sweetener, here taking a mono instrument into the stereo space.

Performed and recorded live to a multitrack output, with EQ, compression, and limiting on the master.

Thanks for listening.

https://jayhosking.bandcamp.com"

GAME BOY & Music Easel Ambient Electronica session : Whitecaps 2025-10-14 by atnr

video upload by atnr

"A piece created with Nintendo Game Boy, ‪@buchlausa‬ Music Easel, and ‪@KORG_INC‬ microKORG S — an ambient electronica track where looping sequences intertwine with random phrases and hand-played harmonies.

The Game Boy runs LSDj, repeating a simple sequence while adding delay using the TIMELINE.

The Music Easel plays arpeggiated phrases, processed through the MOOD MKII with pitch-shift and SLIP effects.

The microKORG S performs synth pads using a long-release tone.

Additionally, in Ableton, field recordings are loaded into the Wavetable synth to create layered pad textures that blend into the performance."

Similis - Chords

video upload by DecadeBridge

"Similis is a lofi synthesiser that has 6 different presets.

This is an example of the 'chord' preset.
The first control sets the root note of the chord. The second selects 1 of the 10 chords available (5 major variations and 5 minor). The third control sets the volume of the notes that make up the chord except the root. Each of these controls has a CV input.
Here the root note is controlled by the keystep pitch. The VCA is being gated by the keysteps gate out. The volume of the chord notes are controlled using the mod wheel."

https://decadebridge.etsy.com/



"Similis is a lofi chip tune synthesiser that uses basic waveforms to generate it's sound.

Features:-
6 different settings (TYPE) from stacked oscillators to chords to self sequencing.
The setting selection can also be stepped using a trigger/gate signal for some odd patch skipping.

Each control can also has a CV input for connecting external gear.

Settings 1-3 deal with stacked oscillators.
3 oscillators with independent pitch. Sine, Saw and Triangle waves.
3 stacked oscillators. The first sets the root note and the other two are detuned plus and minus from the root.
The two detuned oscillators can be faded in.
Chords. The first oscillator sets the root note. The second control sets the chord (5 major chord variations and 5 minor) The amount of voices in the chord can be altered using switch C. The chord notes can be faded in to give a swell effect.
Settings 4-6. Simple sequencing.
The last three patches are random sequencers. The first is free running. Select between, chromatic, major and minor scales. The range and rate of the sequence can be altered and a second oscillator can also be brought into the sound.
The last two patches substitute the rate control as a mix for other voices. A short trigger signal is needed to tell Similis to choose a new random note/s within it’s selected scale.

The output is run through a 3 position passive LPF which turns into a Low pass gate when the VCA switch is down and a CV signal is connected to the VCA input."

descend ... Torso Electronics S-4 ... ambient

video upload by substan

"A performance on the Torso Electronics S-4.
Recorded in one take into Zoom M4
Mastered in post.

As always ... music and project file on my Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan

Substan Bandcamp Page: https://substan.bandcamp.com

Get substan sound packs here:
/ shop
https://substan.gumroad.com"

Neuzeit Drop For The Octatrack

video upload by EZBOT

"In today's episode we explore the Neuzeit Drop with the Octatrack. The Drop is a powerful MIDI controller with routing, scenes, faders, buttons, and plenty of macros for you design your own live effects."

Download the Octatrack Hybrid 4X4 Performance Mixer (v1.1) here: one-time purchase https://ko-fi.com/s/82279613bb and here for ongoing support / hybrid-4x4-1-0-140477341"

AdditionalEZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

LoFi Future SUPER VEC 1060 Audio Reactive Analog Video Glitch FX Processor

video upload by LoFiFuture



"Available to order here: https://www.lofifuture.shop/product/s...

The SUPERVEC is a heavily modified / circuit bent video FX processor with audio reactive capabilities.

It is based on the VEC1060 video processor / enhancer. The circuit board of the VEC1060 is completely stripped of any unnecessary components from its audio mixer section and corresponding connectors / faders are removed. Every one of the original potentiometers is fully disassembled, cleaned professionally and reassembled with some high quality silicone lubricant so they operated noise free and feel smooth. Lastly the power input and power regulation circuitry is modified to use a standard 12V switching power supply.

This processor is audio reactive via its built in microphone or via the 1/4" line input. There are 3 selectable decay speeds that result in smooth audio reactivity.

The unit features 12 circuit bent effects that can be combined for a seemingly endless amount of variation. With all of the effects off the unit retains all of its original functionality."

CLICK FOR MORE »

Echograin Tranzwave 2 Software Synthesizer Inspired by the Ensoniq Fizmo

video uploads by Echograin


video upload by AMAZONA Music Mag



via Echograin

Introducing Tranzwave, a powerful wavetable Synthesizer, inspired by an unsung hero from the late 90’s: The Ensoniq Fizmo.

The flexible modulation engine, coupled with creative editing and randomization features, simplifies the creation of new, innovative sounds. Tranzwave brings all the wavetables from the Fizmo into the modern age for new creative explorations. With its user-friendly interface, Tranzwave provides complete control over wavetable and effect controls, making the creation of new sounds both fun and easy.

Tranzwave – A Tribute to Fizmo’s DNA

In the late 1990s Ensoniq pioneered “Transwaves”, a unique form of wavetable synthesis notably featured in their Fizmo synthesizer. Unlike earlier forms of wavetable synthesis, which could sometimes produce more static or stepped sounds, Ensoniq’s technology facilitated fluid transitions between different waveforms within a wavetable.
This innovation led to the creation of evolving, dynamic soundscapes. Ensoniq’s approach allowed for a more seamless and organic morphing of sounds, enabling musicians to craft rich, textured audio experiences that changed over time. This method offered a fresh and novel way to explore sonic possibilities, distinguishing it from the more digital and discrete transitions of previous wavetable synthesizers like the PPG Wave. Although the Ensoniq Fizmo, which utilized Transwaves, did not achieve widespread fame, its distinctive approach to wavetable synthesis marked a significant development in the evolution of electronic sound and influenced modern synthesis techniques.

Tranzwave brings this older, unique wavetable concept, known as Transwaves, into the modern era of music production. By sampling each frame of these Transwaves, Tranzwave offers a rich and dynamic sonic palette that captures the essence of these early digital synthesizers. It’s akin to having a vast library of colors and shades at your disposal, offering endless possibilities for creating new and innovative sounds.

CLICK FOR MORE »

Octatrack Hybrid 4X4 Performance Mixer by EZBOT

video upload by EZBOT

"This new template for the Octatrack Mk1/Mk2 includes classic techno effects and many experimental effects inspired by the Hyper FX template and Performance Mixer 3.0, though none of the effects are quite the same. The superpower of this template is the 4X4, which has multiple meanings. 64 performance effects in total and 4 tracks for audio processing. A total powerhouse!

First, four Free Flex Tracks are preassigned and ready for sampling. They are prepared on all parts across all banks and patterns. The flex tracks can and should be routed through the Hybrid 4X4 template's effects via the CUE output and back into the Octatrack inputs.

Second, the effects are set up in four blocks of four effect types. These effect types are consistent across all PARTS. The PARTS are named EARTH, AIR, FIRE, and WATER.

Download the Octatrack Hybrid 4X4 Performance Mixer (v1.1) here: one-time purchase https://ko-fi.com/s/82279613bb and here for ongoing support / hybrid-4x4-1-0-140477341"

AdditionalEZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

TOM-1501 Soviet Analog Synthesizer - Restored Beauty

video upload by LFOstore

"Russian synths are awful and making terrible harsh and strange sounds?

If you think so, then this will surprise everyone who is familiar with those synths. This is really fat, warm, beautiful sounding real analog, preset string machine.

It's a string machine with 5 preset sounds: Piano, clavesin/Harpsichord, Alto, Violin and Brass.

Alto and Violin are exactly same sound but violin is one octave higher than alto, so you can make "string orchestra" sound.

Mainly I discovered this to be like Crumar Orchestrator/Multiman-s clone. Piano and clavesin/harpsichords are pretty identical sounding, but... Strings aren't typical "Italic" sounding which can be found on all crumar and some others string machines, Neither european (solina) or american (Moog opus) sounding.

They are Unique! They are Fat! They are Warm! They are very beautiful sounding strings. Well... comparing to others, solina is the closest sound to it.

Brass is also pretty identical to Crumar Orchestrator, but it have identical filter from Crumar Performer (very weak resonance). Too bad because in orchestrator it could make such a great sweeps, but this cannot do same. But the cutoff is powerful.

Also, this string machine isn't commonly available. I don't know how many was produced, but the original retail price was $1500!!! So maybe this is indeed very rare, uncommon at least. These were made about in middle or end of 80's.

See these virtual soundsheet of Crumar Orchestrator and peformer. The sounds of Orchestrator's piano and clavesin/harpsichord and brass is identical to this TOM-1501. And the filter from Crumar performer is also identical."

Korg PE-2000 K-5 Poly Ensemble S Vintage Analog Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »

Octatrack Hybrid 4X4 Performance Mixer by EZBOT (v1.2)

video upload by EZBOT

"This new template for the Octatrack Mk1/Mk2 includes classic techno effects and many experimental effects inspired by the Hyper FX template and Performance Mixer 3.0, though none of the effects are quite the same. The superpower of this template is the 4X4, which has multiple meanings. 64 performance effects in total and 4 tracks for audio processing. A total powerhouse!

First, four Free Flex Tracks are preassigned and ready for sampling. They are prepared on all parts across all banks and patterns. The flex tracks can and should be routed through the Hybrid 4X4 template's effects via the CUE output and back into the Octatrack inputs.

Second, the effects are set up in four blocks of four effect types. These effect types are consistent across all PARTS. The PARTS are named EARTH, AIR, FIRE, and WATER.

Download the Octatrack Hybrid 4X4 Performance Mixer (v1.1) here: one-time purchase https://ko-fi.com/s/82279613bb and here for ongoing support / hybrid-4x4-1-0-140477341"

AdditionalEZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

Univox (Crumar) Multiman analog string synthesizer SN 362

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

You can find a demo of this actual unit previously posted here.

"Quite uncommon analog string synth/piano here. It’s the Univox branded version of the original Crumar Multiman (pre-S model).

Great brass sound with adjustable ADSR/filter, piano, clav, violin, cello. All sounds can be individually volume adjusted and split on one or both sides of the keyboard.

DISCLOSURE: I sold this once, and purchaser decided they didn’t like it, said they thought volume levels of some settings were uneven. They shipped it back loose in a box with no packing and it had a hard ride. High F key was broken off, several slider knobs were crushed and switches dislodged. Switches and keys have since been fixed (bottom of key has a chip out of it, and slider knobs are unobtainable). It sounds good, exactly like the attached video. It’s an unrestored vintage string synth that will arrive exactly like you hear and see in pictures, no more or less."

CLICK FOR MORE »

Nonlinear Labs C15 - the new Sound Designer Bank by Mark Wilcox - PART TWO

video upload by Nonlinear Labs

PART ONE here

"In this video, Tim Sund introduces a selection of new presets by Californian sound designer Mark Wilcox. In these presets, Mark frequently utilizes the bi-timbrality of the C15 to create sounds from two completely different components, between whose characteristics one can then morph back and forth using modulations (expression pedals and ribbons).

In all examples the ribbons display the movement of the two expression pedals. The sound was recorded directly with the C15's internal recorder and was not processed in any way.

Mark´s bank as well as the banks of the other sound designers, who have created sounds for the C15, can be downloaded here: https://www.nonlinear-labs.de/support...

Video recording, editing and presentation: Tim Sund"

Hughes & Kettner Tube Rotosphere Plugin

video upload by Nembrini Audio

Press release follows:

"Nembrini Audio Launches The Hughes & Kettner Tube Rotosphere Plugin

Classic Rotary Sounds With Rich Tube Warmth And Easy Rotor Speed Control

3rd October 2025: Nembrini Audio is pleased to launch the Hughes & Kettner Tube Rotosphere plugin, an authentic digital emulation of the acclaimed Hughes & Kettner Tube Rotosphere MKII Rotary Speaker* simulator. Listen to it here and see it here.

In the 1960’s the Leslie Speaker System*, originally developed in the 1930’s for the Hammond Organ, began to be used for guitars by The Beatles, Eric Clapton, David Gilmour and more. In the 1990’s Hughes & Kettner, a highly respected manufacturer of instrument amplifiers, cabinets and effect boxes, created the Tube Rotosphere pedal, an extremely accurate, analog reproduction of the Leslie Speaker System.

More than thirty years later, Nembrini ‘s new plugin breathes fresh life into this cool sound with the introduction of a realistic digital simulation of the much admired Hughes & Kettner Tube Rotosphere. Celebrated for its rich tube-driven character and highly musical rotary modulation, the original hardware was used keyboardists and guitarists seeking the iconic swirling depth of a classic rotary cabinet, with the warmth of real tube saturation. The new Hughes & Kettner Tube Rotosphere plugin faithfully captures every nuance of its analog counterpart, offering everything from subtle to dramatic Doppler-infused motion, with can be seamlessly integrated into any rig.

Nembrini’s advanced modelling technology captures all of the lush swirl, warm tube saturation and authentic rotary motion of the original pedal. The key features of the new plugin include true to life emulation of the analog circuitry and tube preamp behaviour, independent rotor speed simulation with separate LF and HF controls allowing precise adjustment and a breaker switch for realistic ramp-up/down and rotor stop effect. There is also tube saturation modelling with visual feedback, rotor balance control for fine tuning the blend and a stereo signal path for wide, immersive rotary modulation.

The Hughes & Kettner Rotosphere plugin desktop version is available at the introductory price of $29.99 (normally $99) until the October 31st 2025.

To find out more and download the Hughes & Kettner Rotosphere plugin please go to www.nembriniaudio.com/products/hughes-kettner-tube-rotosphere"

Moog MemoryMoog / Midi / Restored by VS& Co

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Work done :

- Replacement of all electrolytic/polarized capacitors
- Replacement of all mylar capacitors S/H section
- Replacement of mylar caps of each CEM3340
- Replacement of all CMOS/TTL and OpAmps ICs
- Replacement of all calibration trimmers
- Replacement of all IC sockets and DIP connectors with new ones
- Replacement of CEM 3310 /3360 chips with new ones
- Replacement of MTA connector headers
- New power supply (silent, and no heating)
- Complete calibration
- Restoration of all tactile switches and potentiometers
- New battery & factory patches loaded
- All DIP ribbon connectors will be replaced with new identical ones
- New contact strips for the keybed
- New paired resistors on the voice cards
- Cosmetic clean"

CLICK FOR MORE »

How to use Torso S-4 to enhance tracks #techno

video upload by Yan Cook

"Here's one of many ways to use an S-4 in your setup 🎛️
I also enjoy using it as an FX unit, purely for processing incoming signal by bypassing the MATERIAL page."

00:00 - Setup
03:20 - Layer A
09:20 - Layer B

Nonlinear Labs C15 - the new Sound Designer Bank by Mark Wilcox - PART ONE

video upload by Nonlinear Labs

PART TWO here

"In this video, Tim Sund introduces a selection of new presets by Californian sound designer Mark Wilcox. In these presets, Mark frequently utilizes the bi-timbrality of the C15 to create sounds from two completely different components, between whose characteristics one can then morph back and forth using modulations (expression pedals and ribbons).

In all examples the ribbons display the movement of the two expression pedals.
The sound was recorded directly with the C15's internal recorder and was not processed in any way.

Mark´s bank as well as the banks of the other sound designers, who have created sounds for the C15, can be downloaded here: https://www.nonlinear-labs.de/support...

Video recording, editing and presentation: Tim Sund

www.nonlinear-labs.de"

NoisyFruitsLab DCO - Dual Wavetable Oscillator for Eurorack Synthesizer

video upload by NoisyFruitsLab



"DCO stands for 'Detox Controlled Oscillator' and is a dual wavetable sound source for creating big things on a small footprint

Designed for stereo or duophonic fun as giant wavetable for each oscillator, containing 30 waveforms for each.

With an own output for each oscillator and an accurate frequency range from 0.01Hz to around 10KHz it´s an excellent audio source, LFO and reference as well.

CV control for each wavetable (-5V – +5V)
Shared 1V / octave input, covering 10 octaves (-5V – +5V), FM friendly

Bipolar LEDs as negative and positive indicators.

Frequency and wavetable control for each oscillator with smooth endless rotary encoders including buttons.

Covering fine or stepped frequency adjustments for detuning, harmonizing and chordifying.

Blend smoothly through a giant wavetable with 30 different waveforms for each oscillator with the encoders or over CV.

Switch between sync modes, so oscillator 2 get´s independant cv control over waveblending and frequency, or choose the “no CV” mode for highly accurate reference frequencies.

User friendly 11-point calibration mode.

Update friendly and designed as partially open source project and development platform."

CLICK FOR MORE »

Instruõ - ceithir | Project Overview

video upload by

"Welcome to the instruōduction of the ceithir.
This is the largest module I have designed to date. Measuring in at 58HP!
It’s been a design project I’ve been tapping away at in the background since Christmas Eve 2024. (It was my holiday entertainment)

I’ve been keen for a while to do a design project reminiscent of my approach ~10 years ago when I was designing the troika.
That was the original Instruō module and came about entirely because I wanted more oscillators in my rack! I actively Timelapse recorded the troika design process and scored it using that original troika to be an extremely nerdy music video!
I did a similar video document project when I designed the tràigh filter later that year.
I did actually record the harmonàig PCB design as well… but that never made a cut because I ended up getting too busy focussing more on the module development side of things more so than the documenting.

For ceithir I have gone a little bit further… I ran timelapse recording for the majority of the process, but also “vlogged” the process and did my best to record key milestones stages.
Over the coming weeks I am going to be publishing these as focussed mini documentaries that focus in on particular design stages.
Some of these include:
• sketching the interface layout/hardware components and then designing the interface graphics
• hardware layout considerations
• troubleshooting initial prototypes
• first power up and then calibration/testing of the first full hardware iterations

As Instruō has grown over the years I have enjoyed collaborating with this team of designers. Sharing ideas and learning from each other is a big part of how we create. I hope some of this series might serve as some form of reference to anyone interested in module design. I feel like it’s becoming more and more common for bands/artists to produce some behind the scenes content surrounding writing and production of new albums. I’m hoping the format translates to some module design bts content. It is perhaps not a step by step tutorial, but I have tried to capture the process quite comprehensively.

This module is a ridiculous one! I don’t know what the current next step is beyond a handful of them existing for my own personal rack(s).
If there is interest, please let me know and I can see what’s possible. This thing is definitely not suited for large scale production! But I am very excited to see what people do with it.

Thanks for reading.
Please feel free to join us on Discord and say hi!
~ Jason"