Did Moog ruin synths? Suzanne Ciani reveals analog's original sin.

video upload by SpectreVision Radio and Phantom Power Podcast

"Today we talk to modular synth pioneer Suzanne Ciani and MIT Spatial Sound Lab researcher Kamran V. Suzanne and Kamran both love quadraphonic sound, and they have a new quad release coming out on June 4th called Ciani/Orkest. They are on a mission to make quadraphonic music accessible to both musicians and to listeners, and in this interview, Kamran will explain how, you, with no special equipment, can listen to their new album in quad.
We'll also get into how analog synthesizers actually work, the early history of Buchla synths versus Moog synths, why Suzanne thinks keyboards diminish the potential of synths, and how Suzanne designed some of the most recognizable sounds of the 1980s.
Suzanne Ciani is a Grammy Award nominated composer, electronic musician, and neoclassical recording artist who has released over 20 solo albums, including Seven Waves and The Velocity of Love. Her work has been featured in Hollywood films, video games, and countless commercials. She was inducted into the first class of keyboard magazine's Hall of Fame, alongside Bob Moog, Don Buchla, and Dave Smith. And she was the subject of the feature documentary, A Life in Waves.
Kamran V is an arts technologist and MIT Spatial Sound Lab researcher, and he's a National Endowment for the Arts grant recipient. He's worked at Interscope Records, produced immersive music releases for Nine Inch Nails, Sting, and Beck, and he ran the music tech fest, Moogfest. He's also on the board of Dub Lab.

Cited Media:

Music & Albums:
⁠Suzanne Ciani - Ciani/Orkest (2025)⁠⁠Suzanne Ciani - Live Quadraphonic (2016)⁠⁠Suzanne Ciani - The Velocity of Love (1986)⁠⁠Suzanne Ciani - Seven Waves (1982)⁠⁠Wendy Carlos - Switched-On Bach (1968)⁠⁠Stevie Wonder - Talking Book (1972)⁠⁠The Rentals⁠
Film & TV:
⁠3-2-1 Contact, PBS (1980–1988)⁠⁠Brett Whitcomb - A Life in Waves (2017)⁠⁠Suzanne Ciani on David Letterman (1980)⁠
Events & Festivals:
⁠Moogfest⁠⁠AES Convention⁠⁠Amsterdam Dance Event⁠⁠NAMM⁠
Tools & Plugins:
⁠Kamran V - QUARK Plugin (free)⁠
Record Labels & Archives:
⁠Finders Keepers Records⁠

Chapters:

0:00 Intro
5:45 Meet the Guests
6:28 Sound Design & Commercials
13:45 High Art vs Low Culture
19:03 Ciani Orkest
24:42 Moog vs Buchla
26:36 How Modular Synths Work
36:15 Quadrophonic Sound
45:13 The QUARK Plugin
50:24 Seven Waves"

'Jazz In The Garden' at MoMA, NY... 1969

video upload by noddyspuncture

"The first performance of a quartet of all Moog instruments at the museum of modern art.

The Herb Deutsch Quartest with Jim Pirone, Herb Deutsch, Hank Jones and Artie Doolittle

Compiled by Noddy's Puncture"

Moog Muse: 64 Retro Cinematic Ambient Presets. Sound Demo

video upload by Anton Anru

🌃 'Echoes Of Machines' is a collection of 64 atmospheric cinematic presets for Moog Muse.
🗂 It includes: 19 Keys, 9 Leads, 5 Pads, 9 Strings, 12 Synths, 4 Drones, and 6 Textures.
📺 The soundset draws inspiration from sci-fi movies, cinematic soundtracks, dystopian worlds, urban landscapes, retro electronica, noise ambient albums, experimental modern art, and contemporary sound design.
📼 Built around the concept of imperfection, the collection blends gritty, lo-fi textures with constantly shifting timbres shaped through deep modulation.

📦 The download link: https://antonanru.sellfy.store/p/muse...

📻 The timbral range is wide and diverse, covering dark, noisy, lo-fi, warm, deep, retro/vintage, melancholic, atmospheric, detuned, cold, distant, dull, massive, epic, bright, distorted, metallic, tense, atonal, non-harmonic, FX-like, evolving, and sweeping textures.

🎛 All patches are Velocity-sensitive. The ModWheel enhances expressiveness by adding motion and tonal variation—brightening the sound, introducing vibrato, shifting timbre, or adding extra movement for dynamic and engaging performance.

Aftertouch introduces distortion, increases sustain, or speeds up modulations.
The Macro Knob introduces additional changes—it enhances the stereo effect or detuning, adds bright overtones, or adds modulation to the filter or oscillators.

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Modular dream /Art of analog sequencing: 9VCOs, 4LFOs, 4Noises, 4Filters #modularsynth #analogsynth

video upload by KurtzMindfields

"I present to you a demo of synthesizers made by French luthiers, for whom I develop and explore musical possibilities. Whether they are Moog clones or modern analog instruments, the idea is to rediscover the possibilities of the old modular synthesizers, the sound, and the pleasure.
The Ancestor Moog NRsynth is extremely sensitive and features the original VCOs (3), filters (1 Moog + 1 Steiner Parker), VCAs, and mixers. It also has 2 LFOs + 1 noise generator.
The SynthR 4 is a semi-modular multi-tasker, equipped here with a Moog Ladder filter and the famous 4012 ARP (Moog clone). 3 LFOs + 2 noises... it also has 4 VCOs and 2 SUB VCOs.
The whole thing is controlled in real time through the powerful SynthR4 sequencing software.

https://kurtzmindfields.bandcamp.com/
https://nrsynth.fr/
https://synthr.fr/"

Discovery Pro 8.14 - New Features Demo

video upload by discoDSP

"Explore the latest updates in Discovery Pro 8.14, our most significant release featuring major sound design enhancements and workflow improvements.

🎛️ What's New in 8.14:
Factory I Preset Bank Overhaul
128 professionally crafted presets by Kulshan Studios
Complete refresh of the Factory bank with modern, production-ready sounds

New Filter Models
Moog Ladder Filter - State-of-the-art analog modeling
Oberheim SEM Filter - Authentic multimode filter with two variants:

Classic mode for vintage warmth
Raw mode for increased resonance and saturation

CLICK FOR MORE »

The perfect semi-modular synths set : SynthR4 & NRSynth MOOG 55

video upload by STUDIO Nuage7 - Domaine de Sourzy

"Let me introduce you to my modular synth system. SynthR4 stereo sequencer (4012 filter + S.E.M) & NRSynth Moog 55 clone (3 vcos 921, cp3 mixer, a lpf 904A, vca 902, 2 ADSR 911)"

ART OF SEQUENCING : SynthR4 (ARP/SEM OB) & NRSynth Ancestor M55 (Moog & Steiner parker filters).

video upload by STUDIO Nuage7 - Domaine de Sourzy

"Presenting my new big analog configuration : SynthR4 semi-modular analog synth with memory patches (with ARP 4012 & SEM Oberheim filters) & NRSynth Ancestor semi- modular Moog 55 clone.
Sequencing one line with complex VCOs configutation : Seq mode is step sequencer (960 like)
left : ARP 4012 main line 1 & 2, Right : SEM second line 3 & 4; center : Moog 55 main bass line, adding Steiner Parker filter! midi connected to StudioLogic SL-161 master keyboard.
This work is connected to Kurtz Mindfields univers."

https://kurtzmindfields.bandcamp.com/

The Art of Electronic Music

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"The Art of Electronic Music BOOK. By Tom Darter, Greg Armbruster, with foreward by Bob Moog. It is a rare, large, paperback book with a 1984 copyright and 315 pages. Very good to excellent condition. Tight spine. This is another must have book for the synthesizer book library. Not a library copy. One small mark out inside front cover, Vintage original, no writing, no highlights, no stains, USED. Time keeps on slipping into the future."

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Vanilla Synth by muSonics – Boutique Analog Beauty at Superbooth 2025

video upload by Jonathan Knightsnare

"At Superbooth 2025, I had one of those “stop in your tracks” moments when I stumbled across muSonics' Vanilla Synthesizer — and luckily, got to hang out with the incredibly thoughtful creator, Amos, who walked me through the philosophy and craftsmanship behind this stunning instrument.

The Vanilla Synthesizer is a 5U modular analog synth, but don’t let the minimalist look fool you — under the hood, this thing is loaded with sonic personality and beautifully engineered references to vintage legends:

🎛️ The filter takes inspiration from the SEM/Oberheim lineage, offering that sweet, musical, slightly gritty character that feels alive at every knob turn.

🎚️ The mixer section is modeled after a vintage Moog CP3, giving your waveforms a subtle analog saturation that glues sounds together in a way no plugin can touch.

🔁 Normalized patching means you can play without any cables, but every section can still be overridden, so it's flexible for both beginners and modular veterans.

🌰 All of this is housed in a gorgeous solid walnut enclosure, handcrafted and finished in Illinois — it’s a tactile joy that looks like a piece of mid-century art as much as a synth.

What struck me most wasn’t just how good it sounds — which it does — but how thoughtful the whole instrument feels. It’s clear that Amos isn’t just an engineer, but a true musician and synth lover who’s building tools meant to inspire.

This isn’t mass-market gear. It’s boutique, handcrafted, analog music woodwork. And if you’ve ever wanted a synth that feels like an heirloom, this is it."

1962 Moog Melodia Theremin

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Power Requirements: Original antiquated internal battery was replaced with a hardwired "wall wart" power supply by a professional technician in Chicago

Origin: USA

Operational Condition: Fully-Functioning

Cosmetic Condition: Very good with the aforementioned modification to the power source and some other light marks, signs of its age. 8.5 out of 10 condition

Description: This rare Moog Melodia Theremin is the first instrument that Bob Moog built and released to the public. Its historic significance aside, it's a beautiful, functional piece of art with a lovely sound (well, not when I'm playing it but when someone who knows how to play does) that has been upgraded for modern use and ready to delight for decades to come! Your studio needs this fantastic and historic instrument!"

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The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music

video upload by ITSPmagazine

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.

basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.

Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]

How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett

video upload by ITSPmagazine

"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...

Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/

Show Notes

Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.

The Legacy and Mission of the Computer Music Center

The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.

The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.

One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.

Exploring the Labs and Studios

The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.

CLICK FOR MORE »

Cool New Bob Moog Foundation Grasshopper T-Shirt

via the Bob Moog Foundation

"This electrifying Grasshopper design was originally created for the SYNTH Art Show by Jenny Fares of Sound Mind Creative. The original design has been updated by the artist and now features a golden grasshopper playing a red and gold Minimoog synthesizer.

This classic fit short-sleeved t-shirt is available in sizes S-3XL.

Preshrunk 60% cotton 40% polyester
Seamless collarette
Double-needle stitching on neck, sleeves, and bottom hem"

Korg Wavestate Vangelis Vintage Analog Presets. Sound Demo

video upload by Anton Anru

"Analog Era is a collection of 50 presets for the Korg Wavestate synthesizer, featuring 9 arpeggios, 6 brasses, 6 basses, 6 keys, 9 leads, 5 pads, 2 sequences, and 7 strings.
📼 This sound bank draws inspiration from the iconic sound of Vangelis, the legendary composer behind numerous film soundtracks, most notably Blade Runner. Vangelis' signature style is also prominent in his works from the 1970s, such as Spiral, Albedo 0.39, Earth, and others.

📬 Get the soundset: https://antonanru.sellfy.store/p/wave...

📻 This sound was heavily shaped by the pre-digital era, where electronic music relied on analog synthesizers like the Moog Minimoog, ARP Odyssey, Yamaha CS series, Roland Jupiter series, Korg MS-20, Sequential Circuits Prophet-5, and more. Unlike the crystal-clear precision of digital sounds, analog is characterized by warmth, detuning, and subtle distortion, creating a rich texture.
I aimed to recreate the essence of this era and sound in the "Analog Era" soundset.

📸 Analog sound remains highly relevant today and is in great demand across various musical styles. Many sound designers strive to emulate it using modern instruments and plugins because it evokes strong nostalgia and emotional connections, taking listeners back to their childhoods, retro music, and classic films.

🎹 Although the Korg Wavestate is a digital synthesizer, it offers a wide range of features that allow for an accurate emulation of vintage analog sounds. It includes an extensive collection of waveforms and timbres, analog filter emulations, and a variety of effects. I worked to maximize these capabilities to craft the "Analog Era" soundset.

🧿 These performances are perfect for genres such as Synthwave, Retrowave, Synth-Pop, Ambient, New Age, Cinematic, Electronica, Pop, Techno, Industrial, Psytrance, Garage, Progressive, House, Experimental, Breaks, and Drum and Bass. They also work well for movie soundtracks, games, apps, digital art, sound art live performances, and VR landscapes, providing the retro atmosphere that many projects require.

CLICK FOR MORE »

1984 The Art of Electronic Music Synth Book

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

"1984 The Art of Electronic Music ~ 300+pgs w/ Foreword by Robert Moog

Scarce title. The instruments, designers, and musicians behind the artistic and popular explosion of electronic music. Compiled by Tom Darter and Edited by Greg Armbruster, with a foreword by Robert Moog. Covers many synthesizer brand names and their designers, both analog and digital: Yamaha (DX7/FM), Bob Moog, Tom Oberheim, Dave Smith, John Chowing, Don Buchla and many famous musicians like Keith Emerson, Isao Tomita, Larry Fast, Wendy Carlos, Vangelis, and many more.

Apart from a little cover wear, the book is in very good condition. Softcover, 315 pages. First edition, copyright 1984. This item ships WORLDWIDE."

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Lyricon Wind Synthesizers

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Lyricon II below via this listing

"Computone Lyricon Wind Synthesizer Driver, Serial # B279. Recently refurbished New Old Stock (NOS), not previously sold. This instrument has been in storage since 1980, and is in beautiful shape. The transducer has been re-built with new, state of the art optical sensors that are more sensitive and reliable than the original 1970's era components. The membrane has been replaced. It has been calibrated and tuned and is ready to ship. It is truly a rare and exceptional instrument. Included is a power cord, users manual, case key and expansion port connector.

The build quality of Lyricon instruments is un-matched by modern (or vintage) wind controllers. Utilizing chrome plated brass housings and spring loaded key pivots on the controller, the action is similar to traditional acoustic wind instruments. This type of action is familiar and preferred by many musicians. It is strictly an analog instrument. There is no MIDI, though the analog control voltages (CV) can be converted to MIDI with the purchase of a CV to MIDI converter, if desired.

The Wind Synthesizer Driver outputs analog control voltages that must be patched to a separate synthesizer (not included). It will not produce sound on it's own. There are many modern and vintage synthesizers on the market that can be controlled by the Driver, including units by Moog, Behringer, and many Euro-Rack modular synths. Numerous 1/4" jacks on the Wind Driver are present that provide Pitch, Wind (volume), Gates, and Pitch Bend (lip) control voltages. If you require an instrument that has on-board sound generating capabilities, the Lyricon 1 or Lyricon II may be more appropriate."

CLICK FOR MORE »

1984 The Art of Electronic Music 300pgs Bob Moog Buchla ARP Analog Synthesizers

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

"Scarce title. The instruments, designers, and musicians behind the artistic and popular explosion of electronic music. Compiled by Tom Darter and Edited by Greg Armbruster, with a foreword by Robert Moog. Covers many synthesizer brand names and their designers, both analog and digital: Yamaha (DX7/FM), Bob Moog, Tom Oberheim, Dave Smith, John Chowing, Don Buchla and many famous musicians like Keith Emerson, Isao Tomita, Larry Fast, Wendy Carlos, Vangelis, and many more.

Apart from a little cover wear, the book is in very good condition. Softcover, 315 pages. First edition, copyright 1984."

CLICK FOR MORE »

Latest Moog Spectravox Demos

video uploads by Moog Music

Moog Music

You can find the first two videos in the series here, and additional Spectravox posts here.

Playlist:

1. Spectravox | Sculptable Synthesizer Voice

"In this video we explore how to use Spectravox as a standalone synthesizer voice.

We begin by configuring Spectravox for keyboard control – patching the Keyboard CV output of Grandmother to the 1V/OCT input on Spectravox and the Keyboard Gate output of Grandmother to the Trigger input on Spectravox. Playing Spectravox this way gives us a unique analog synthesizer voice where the ten filters and Spectral Shift controls allow us to sculpt the sound of Spectravox’s Voltage Controlled Oscillator. We look at using these controls alongside the LFO for both traditional lowpass and hipass filtering as well as unique notch filtering, comb filtering, and phasing effects. Lastly, we look at using the LFO and the VCA input to create tremolo effects."

Spectravox | Filter Pings and Analog Physical Modeling

In this video we explore how to ping the filters of Spectravox to turn it into an analog physical modeling instrument and create percussive wooden sounds like marimbas or xylophones. By replacing the carrier input to Spectravox’s filter bank with a gate or envelope instead of audio and turning the resonance of the filter up, we can ping all ten filters and mix their levels for creating struck percussion sounds. In this video we first turn the VCA mode ON and then patch the Gate output of Grandmother to the Trigger input of Spectravox to use Grandmother to trigger Spectravox’s envelope generator. Patching the EG output to the Program input gives us level control of the envelope, and finally patching the Program output to the Carrier input inserts our decay-only envelope directly into the audio input of the filter bank. Later, we connect the Keyboard CV output of Grandmother to the Shift CV input on Spectravox to move all ten filters for melodic control of the filter bank.

2. Spectravox | Recreating Moogerfooger Effects for Guitar

In this video we explore how to use Spectravox to process guitar and look at recreating some of the Moogerfooger effects pedals with it.

We begin by using the Program section and its preamplifier to bring a guitar signal up to Eurorack levels for processing, and then connect the Program section output to the filter bank’s Carrier input. Here is how to recreate or simulate some of the Moogerfoogers:

MF-103 Phaser – use the filter bank as a comb filter and modulate it with the LFO for resonant phaser tones.
MF-101 Lowpass Filter – use only filter 1 (lowpass filter) and the Program Envelope Follower to get enveloped filtering. Switch to one of the bandpass filters for auto-wah effects.
MF-102 Ring Modulator – modulate the VCA CV with the LFO for tremolo effects and push the LFO to audio-rate for ring modulator-esque amplitude modulation. Explore amplitude modulation of each filter band respectively via their CV inputs
MF-105 MuRF – send an external sequence (from DFAM, Grandmother, or any sequencer) to the Shift input for sequenced resonant filter bank movement. Modulate each filter band individually with independent envelopes for even more MuRF-like behavior.

Spectravox is an open-ended signal processor, so use these as starting points and explore the myriad of unclassifiable effects Spectravox is capable of.

3. Spectravox | Emulating a Vintage Drum Machine

Embark on an exploration of Spectravox's capabilities as we delve into the intricate art of crafting vintage drum machine sounds with a contemporary flair. 🎛️💥 Join us in a meticulous fusion of Spectravox and rhythmic sequencers, aimed at resurrecting the beloved beats reminiscent of the 1970s and the nostalgic rhythms of vintage organs.

Unveil the methodology behind sculpting the quintessential drum machine foundation through the mastery of Spectravox's Carrier section. Our comprehensive tutorial will meticulously guide you through the synchronization of rhythmic sequences sourced from esteemed trigger sequencers such as ALM’s Pamela’s New Workout. Witness the transformation of Spectravox's ten bands into a symphony of dynamic kick drums, crisply resonant snares, and timeless wood block accents. Additionally, unlock the intricate craftsmanship involved in crafting hi-hats by toggling the Bands 9 & 10 switch to Hiss mode.

However, our journey merely scratches the surface of Spectravox's boundless potential. Delve into the realm of nuanced control with Spectravox's intuitive panel controls, where each knob adjustment opens doors to a myriad of sonic possibilities. For those craving to push the boundaries of sonic innovation, we offer insights into seamlessly integrating external control voltages, thus offering a gateway to unparalleled rhythmic experiences.

The future of EXPRESSIVE analog synths is HERE

video upload by Anthony Marinelli Music

https://www.anthonymarinellimusic.com

"I've been waiting 50 years to experience analog synthesizers responding intuitively and immediately to pitch, timbre and volume changes from the slightest movements of my fingers on a keyboard! In this video, you'll see and hear unprecedented control of one of the most extreme patches I've ever made. It incudes (4) Vintage ARP 2600's synthesizers and (1) Vintage 1969 Moog IIIc modular synthesizer playing all at once in unison mode or where each modular synth is playing a separate voice in the chord. I've never heard my favorite all-time analog synths sounding so musical, so different and just so good!

To accomplish this task, we are using 5 channels of Haken Audio CVC (Control Voltage Converter) to receive MPE messages from an Expressive E Osmose and also from a Haken Audio Continuum. These state of the art MIDI controllers are able to understand the players most subtle finger movements and immediately translate those messages to the CVC. Without any perceivable latency, the CVC can then send 4 independent control voltages to alter any parameter in real-time on any one of the synths being used as a voice.

My special guest, Osmose and Continuum expert performer Josh Madoff demonstrates all the features on both of these keyboards by playing musical examples. I'll be explaining what's going on, playing some duets with Josh and also providing an in-depth breakdown of the patches on each synth. I'm optimistic that we'l be seeing controllers n the near future delivering higher and higher levels of artistic experiences for performers. Please enjoy the this presentation and let us know what you think in the comments section. Thank you for your support, it means everything to us!

00:00 Anthony's Intro
00:41 Osmose Musical Example
01:11 Set Up (4) ARP 2600s (1) Moog IIIc
01:43 About the Osmose
03:05 About the Continuum
05:25 Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04 Our Experience Performing with Continuous Control Voltage
13:22 Sostenuto Pedal
15:22 Anthony Plays with a lot of Resonance
16:35 Musical Example - Osmose MPE Arpeggiator
18:23 Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30 The Control Signals Osmose, Continuum & Haken CVC
25:17 Type of Control & Articulations
27:50 The Synth Patch on the Moog Modular IIIc
31:55 The Synth Patch on the ARP 2600s
34:36 RECAP of Control Voltage Signals Going to the Analog Synths
36:35 Controlling Each Synth Voice from the Keyboard
38:00 Anthony's Summary
38:25 CTA, Thank you
38:49 Logo (theme music)"

Moog System 35 Limited-Edition Analog Modular Synth with Moog 953 Duophonic Keyboard

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

"Limited-Edition Moog System 35 reissue
Serial #19 of 35 systems released worldwide.

Includes walnut finish Moog 953 Duophonic Keyboard. System 35 reissue units hand built by Moog to precisely recreate the original 1973 system. Synth and keyboard are essentially flawless. Small scratch on the side of the keyboard (included in last picture), but otherwise hardly noticeable.

From Moog:

Three years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.

Each individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.

System 35 Modules

3x 902 Voltage Controlled Amplifiers
1x 904A Voltage Controlled Low Pass Filter
1x 904B Voltage Controlled High Pass Filter
1x 907A Fixed Filter Bank:
3x 911 Envelope Generators:
1x 921 Voltage Controlled Oscillator:
2x 921A Oscillator drivers:
4x 921B Oscillators:
1x 923 Random Noise/Filter:
2x CP3A Console Panels:
1x CP4A Console Panel:
1x CP8A Console Panel:
1x CP35 Console Panel:
1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply

Fully modular system (no internal patching) comes bundled with 1/4" patch cables"

CLICK FOR MORE »

Art of analog sequencing : Megastellar Space Oddity sequence improvisation.

video upload by KurtzMindfields

"SynthR4 & NRsynth goes to Space Oddity 'Star Gate Sequence'. Kurtz play : SynthR4 stéréo sequencers, (960 sequencer mode, accent VCF, 4 Oscillators, 2 Sub), NRsynth Ancestor 55 (Moog & Steiner Parker Bass lines, snare & effects), Retro one (Sync & glass leads), Hansy Mister M (Mellotron), S.E.1 Electronic, P800, Oberheim OB3 organ, ARP pro Soloist & Rhodes MKI.
Video from '2001, A Space Oddity'
https://kurtzmindfields.bandcamp.com/

Unlock Another Dimension with Animoog Galaxy for Apple Vision Pro

It looks like Moog is the first to produce an app specifically for Apple's new Vision Pro headset.

Details via Moog Music

"The creative minds at "Moog have been a part of many firsts in the space where art and technology intersect. From the brand’s beginnings in popularizing the very notion of electronic music to its innovation in developing platform-specific products like the first professional synthesizer designed for iPad, Moog Music brings another revolutionary instrument to musicians and technophiles with its latest release: Animoog Galaxy. Animoog Galaxy is an exciting new music production app designed exclusively for Vision Pro, Apple’s highly anticipated entry into the world of spatial computing. Powered by Moog’s Anisotropic Synth Engine (ASE), this multi-sensory creative tool introduces users to an immersive experience unlike any other.

Animoog Galaxy embodies the immediate and intuitive experience of playing a Moog instrument and applies it to spatial computing, enabling the user to quickly sculpt incredibly fluid sounds that live, breathe, and evolve in all dimensions.

Sound Design Meets Spatial Computing

Animoog Galaxy exists to redefine how we create and consume music. Combining state-of-the-art technology with a user-friendly interface, this innovative Moog instrument empowers users to discover new synthesis concepts and traverse sonic landscapes unknown.


Key Features:

Anisotropic Synth Engine (ASE): Animoog Galaxy utilizes an exciting Moog technology that allows you to spatially move through the X, Y, and Z axes of unique timbres to create an expressive and constantly evolving soundscape.

Immersive Experience: Constantly evolving sounds and visuals help create a peaceful mood and environment all around you. Fully immerse yourself in Animoog Galaxy's universe with a futuristic user interface that takes cues from popular sci-fi imagery.

Designed for Apple Vision Pro: Visuals, graphics, gestures, interactions and sounds were created specifically for Apple Vision Pro, embracing and amplifying its unique capabilities.

Modulation and Pitch Shifting: Control Animoog Galaxy's advanced gestural keyboard with configurable scales, pitch correction, and glide. Simply look, pinch, and drag to control multiple per-voice parameters.

For more details, visit the link below!"

https://apps.apple.com/us/app/animoog-galaxy/id6471704891