ELEKTRON MONOMACHINE [04 - 01] // LØSTLVLS

video uploads by LØSTLVLS

Playlist:

1. ELEKTRON MONOMACHINE [04] // LØSTLVLS
2. ELEKTRON MONOMACHINE [03] // LØSTLVLS
3. ELEKTRON MONOMACHINE [02] // LØSTLVLS
4. ELEKTRON MONOMACHINE [01] // LØSTLVLS

"Crafting kits and programming patterns into the venerable Elektron Monomachine which remains a unique and powerful electronic instrument from a bygone era.

Trying out the latest version of the unofficial Monomachine firmware created by the incredibly talented Emuyia - as well as a genius and saint, they happen to also be a great musician and performer - check them out here:

Instagram: / e.m.d.a.s.h
Bandcamp: https://tinyurl.com/mr293u2n

This community-led update to the Monomachine adds modern functionality such as control-all, trig conditions and track length/division settings as well as lots of little quality of life improvements. It was easy as pie to install and has greatly expanded the performative capabilities of Elektron's venerable synthesiser.

Check out my sample packs on Bandcamp - loads of vintage and modern gear (leaning towards drum machines) with kits, sample chains and presets. All ethically-sourced and locally-grown here in the lab in Bristol, UK: https://lostlvls.bandcamp.com/"

Cherry Audio | Expressive Sound Design with Andrew Longhurst

video upload by Cherry Audio

"More expressive performance can be achieved through various technologies and techniques such as velocity, channel aftertouch (pressure), polyphonic aftertouch, and MIDI Polyphonic Expression (MPE). These features allow compatible synthesizer instruments and controllers to mimic the subtle dynamics of acoustic instruments.

In this video, musician, producer, and sound designer ‪@AndrewLonghurst‬ demonstrates his approach to expressive sound design, showcased through his collection of presets for Ensoniq ESQ-1 by Cherry Audio. He provides demonstrations of each technique using the new Expressive E Osmose CE MIDI controller and discusses his choices for setting up these advanced modulations in a preset.

These techniques can be widely applied to other Cherry Audio virtual instruments. Be sure to check the product feature listings and documentation to determine which instruments specifically support some or all of these methods. Additionally, consult your MIDI controller documentation, as compatibility for channel aftertouch, polyphonic aftertouch, and especially MPE can vary significantly in this evolving market.

Ensoniq ESQ-1 by Cherry Audio User Guide - https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
03:16 - First Principals
05:28 - Velocity & Channel Aftertouch
09:28 - Polyphonic Aftertouch
15:16 - MIDI Polyphonic Expression (MPE)
22:28 - Notes About Compatibility

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Syd and I – Live 3 song Synth-Pop Set [Resident Electronic SF]

video upload by Saul Stokes

Another one in via supporting member Saul Stokes.

"Experience a live, fully hardware synth-pop set from Syd and I, recorded at Resident Electronic (Noisebridge) on Capp Street in San Francisco. Syd and I are a father/daughter music duo composed of Saul Stokes and Sydney Stokes. This performance features our unique blend of nostalgic synth production, positive electronic vibes, and contemporary melodic vocals. Special thanks to Jah's Tin (Resident Electronic Host and Musician) for capturing all the video angles as well as excellent quality audio.

00:00 - Intro
00:05 - 10th of a Second
05:11 - Be Somebody
10:01 - Skinned

Everything you hear is performed live using a 100% battery-powered, DAW-free hardware rig Stokes designed. The rig consists of:

Novation Circuit Tracks
1010music Blackbox
Bastl Stereo Mixer
Korg NTS-3
Dexed DX7

If you want to see an equipment close-up, head over to this short:"

Syd and I equipment overview. #novationcircuit #1010blackbox #dexed #modelcarbon8 #korgnts3 #bastl

video upload by Saul Stokes

"If you’re a fan of artists like Sylvan Esso, CHVRCHES, or Robyn, you’ll feel right at home with our sound."

Roland TR-707 Rhythm Composer w/ Original Box SN 521000

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Like a small handful of other sample based drum machines of the mid 1980s, the Roland TR-707 is a punchy beatbox which still has a home in an electronic musician's toolkit. The sounds all sit wonderfully in a mix to this day, and the individual outputs make this a great machine for the most particular of producers. This example of the 707 is in great shape, fully functional, and comes with the manual, box and power supply. Serial Number: 521000 This one was serviced in house by our techs."

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Did Moog ruin synths? Suzanne Ciani reveals analog's original sin.

video upload by SpectreVision Radio and Phantom Power Podcast

"Today we talk to modular synth pioneer Suzanne Ciani and MIT Spatial Sound Lab researcher Kamran V. Suzanne and Kamran both love quadraphonic sound, and they have a new quad release coming out on June 4th called Ciani/Orkest. They are on a mission to make quadraphonic music accessible to both musicians and to listeners, and in this interview, Kamran will explain how, you, with no special equipment, can listen to their new album in quad.
We'll also get into how analog synthesizers actually work, the early history of Buchla synths versus Moog synths, why Suzanne thinks keyboards diminish the potential of synths, and how Suzanne designed some of the most recognizable sounds of the 1980s.
Suzanne Ciani is a Grammy Award nominated composer, electronic musician, and neoclassical recording artist who has released over 20 solo albums, including Seven Waves and The Velocity of Love. Her work has been featured in Hollywood films, video games, and countless commercials. She was inducted into the first class of keyboard magazine's Hall of Fame, alongside Bob Moog, Don Buchla, and Dave Smith. And she was the subject of the feature documentary, A Life in Waves.
Kamran V is an arts technologist and MIT Spatial Sound Lab researcher, and he's a National Endowment for the Arts grant recipient. He's worked at Interscope Records, produced immersive music releases for Nine Inch Nails, Sting, and Beck, and he ran the music tech fest, Moogfest. He's also on the board of Dub Lab.

Cited Media:

Music & Albums:
⁠Suzanne Ciani - Ciani/Orkest (2025)⁠⁠Suzanne Ciani - Live Quadraphonic (2016)⁠⁠Suzanne Ciani - The Velocity of Love (1986)⁠⁠Suzanne Ciani - Seven Waves (1982)⁠⁠Wendy Carlos - Switched-On Bach (1968)⁠⁠Stevie Wonder - Talking Book (1972)⁠⁠The Rentals⁠
Film & TV:
⁠3-2-1 Contact, PBS (1980–1988)⁠⁠Brett Whitcomb - A Life in Waves (2017)⁠⁠Suzanne Ciani on David Letterman (1980)⁠
Events & Festivals:
⁠Moogfest⁠⁠AES Convention⁠⁠Amsterdam Dance Event⁠⁠NAMM⁠
Tools & Plugins:
⁠Kamran V - QUARK Plugin (free)⁠
Record Labels & Archives:
⁠Finders Keepers Records⁠

Chapters:

0:00 Intro
5:45 Meet the Guests
6:28 Sound Design & Commercials
13:45 High Art vs Low Culture
19:03 Ciani Orkest
24:42 Moog vs Buchla
26:36 How Modular Synths Work
36:15 Quadrophonic Sound
45:13 The QUARK Plugin
50:24 Seven Waves"

Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

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Meet ELEMENT One

video upload by Modal Electronics

Modal Electronics' promo video.

"You’re a musician, not a computer programmer. Whether you’re a keyboard player who wants to fire up a searing solo, a guitarist looking for that perfect atmospheric pad, a drummer wanting to trigger massive electronic textures, or a vocalist needing a lush harmonic bed, you shouldn’t have to learn 'synth science' just to get a great sound. Meet ELEMENT One—the 8-voice virtual-analog synthesizer designed to feel like an instrument, not a science project."

Interview: Mark Verbos, Musiker und Entwickler

video upload by AMAZONA Music Mag

"Als DJ gestartet, baut Mark Verbos heute mit seiner Firma Verbos Electronics eigene Synthesizer-Module. Wie er dabei vorgeht, was für ihn besonders entscheidend ist und welche Rolle Synthesizer-Module von Buchla für ihn spielen, verrät Mark uns im AMAZONA-Interview auf der Superbooth 2026 in Berlin.

00:00 – Vorstellung von Mark Verbos
03:01 – Vom DJ über Buchla zum Entwickler eigener Synthesizer
07:25 – Sicht als Musiker
11:16 – Entscheidungen bei Verbos Electronics
14:31 – Ideen und Pläne von Mark Verbos
17:23 – Zukunft der elektronischen Musik"

"Starting out as a DJ, Mark Verbos now builds his own synthesizer modules through his company, Verbos Electronics. In this AMAZONA interview conducted at Superbooth 2026 in Berlin, Mark reveals his approach to the process, what factors are particularly crucial to him, and the role that Buchla synthesizer modules play in his work.

00:00 – Introduction to Mark Verbos
03:01 – From DJ to Buchla user to developer of his own synthesizers
07:25 – His perspective as a musician
11:16 – Decision-making at Verbos Electronics
14:31 – Mark Verbos’s ideas and plans
17:23 – The future of electronic music"

Modal Electronics Introduces Element One

video upload by Davide Puxeddu

"Put on your headphones 🎧. This is a pure, no-talking sound demo of the brand new Modal Electronics ELEMENT ONE synthesizer, an 8-voice virtual analog powerhouse.

I had the incredible honor of participating in the development and sound design of the Element One (created alongside the Hartmann Design team). In this video, I am jamming with the factory presets—which are actually the very patches I designed for this synth! I’m exploring random sounds, tweaking them on the fly to show you the true sonic potential of its 64 oscillators, morphable filters, and stereo FX. Everything is played live using the 37-key aftertouch keyboard and 4-axis joystick."

Modal Element One: a sophisticated synth 'repackaged' in an accessible keyboard – Sound demo

video upload by MusicRadar Tech



THE SYNTH FOR PEOPLE WHO JUST WANT TO PLAY

You’re a musician, not a computer programmer. Whether you’re a keyboard player who wants to fire up a searing solo, a guitarist looking for that perfect atmospheric pad, a drummer wanting to trigger massive electronic textures, or a vocalist needing a lush harmonic bed, you shouldn’t have to learn “synth science” just to get a great sound. Meet ELEMENT One—the 8-voice virtual-analog synthesizer designed to feel like an instrument, not a science project.

CLICK FOR MORE »

Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

NINA Macro Oscillator Mode - BRAIDS Update! Demo and deep dive with THE UNPERSON video upload by Melbourne Instruments

"The powerful new Macro Oscillator Mode firmware update for Melbourne Instruments' motorised polysynth, NINA, has arrived. This new update adds 45 synthesis waveform models using open-source code from Émilie Gillet’s Mutable Instruments Braids, one of the most celebrated Eurorack synth modules.

This new mode massively expands Nina's sonic capabilities, unlocking a new world of synthesis, from classic analog textures to cutting-edge digital experimentation. Powered by Nina’s innovative architecture, the new Macro Oscillator Mode delivers an incredibly versatile hands-on sound design experience unlike any other.

In this video Melbourne Instruments collaborator THE UNPERSON takes a deep dive into Macro Mode, exploring some of the Macro Oscillator models, and demonstrates just some of the 60 new presets created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:11 Intro - about this update
0:02:31 Oscillator Models
0:06:02 Preset previews - Untitled Unperson Patch
0:07:13 Spectral Whips
0:07:37 Trance Lead
0:08:10 Bulk Carrier
0:08:50 VHS Error
0:09:09 Chords
0:09:53 Talkback
0:10:11 Sweeping Horizon
0:10:55 Arp DRM
0:11:23 Toy Crush

To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

2nd video followed by the press release:

NINA Macro Oscillator Mode — 12 polyphonic voices of BRAIDS! Macro Presets audio demo with PROTOVOLT

video upload by Melbourne Instruments

"In this video, Sound Designer PROTOVOLT demonstrates a selection of the 20 new presets he created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:20 Xenomorph
0:01:02 String Theory
0:01:40 Zero Space
0:02:28 Harpsichon
0:02:58 Dark Matter
0:03:41 Supernova
0:03:58 Nucleus
0:04:38 Flux
0:05:09 Datablade
0:05:38 Retsu
0:06:04 Event Horizon


To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

Press release follows:


Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

“NINA has always been an absolute powerhouse of a synth, but this update is insane; OSC 3 gives you 45 Braids macros across 12 voices, plus its massive mod matrix — the range of sounds and textures you can create now knows no bounds.”

- Musician/sound designer PROTOVOLT, 2026

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to bring Mutable Instruments’ Braids engine — Emilie Gillet’s celebrated open-source macro oscillator — to its desktop NINA analogue polysynth, as of April 30…

Available as a free firmware update, all 45 Braids synthesis models run across NINA’s 12 true polyphonic voices, each shaped by a dedicated overdrive-able analogue filter. Ultimately, users can now layer Braids and analogue VCOs (Voltage Controlled Oscillators) across four multitimbral parts, morph between presets, and sequence everything.

Duly described by Mutable Instruments as a macro oscillator, Braids was a mono Eurorack module: one voice, no internal filter, and no modulation routing. It is now something else entirely on NINA, itself described as the world’s first motorised polysynth. Put it this way: when switching layers, the motorised knobs snap to new positions; morph between patches and they sweep in real time. Meanwhile, modulation routings are all visible on the panel from the moment they are selected. Surely Braids has never been this hands-on.

Digging deeper, each waveform model is shaped by two expressive parameters — Timbre and Color — adapted from the original Braids module. More meaningfully, these controls affect multiple tonal dimensions simultaneously, producing complex, evolving, and musically responsive sounds. Spanning analogue VCO emulation, vowel and formant synthesis, 2-operator FM, physical modelling of strings and wind instruments, wavetable synthesis with smooth interpolation, granular synthesis, and electronic drum simulation, the 45 models evidently elevate NINA to a new level, further cementing itself as a premium analogue polysynth powerhouse for experimental, generative, analogue, and digital synthesis.

Says musician/sound designer James Terris, ending on a high note: “I’ve always described NINA as a beautiful beast — analogue oscillators paired with its super-fat and driven analogue filter make it beastly! But while the existing wavetable oscillator adds a crystal sheen that provides a beauty, the new macro oscillator models expand this tremendously. Indeed, it can go from delicate FM, Karplus-Strong, and even vocal formant textures straight into swarming, stacked super-waves. With this update, it feels like an instant NINA ‘MK-2’!”

Excluding taxes applicable to the territory concerned, NINA is presently priced at $3,299.00 USD in North America; €3,165.00 EUR in the EU; £2,835.00 GBP in the UK; and $3,499.00 USD in Japan, while it is presently priced in Australia at $4,995.00 AU, including GST (Goods and Services Tax) — all via Melbourne Instruments’ growing global network of dealers.

For more in-depth information, please visit the dedicated NINA webpage here: https://www.melbourneinstruments.com/nina

The new NINA MACRO OSC UPDATE firmware is downloadable for free from here: https://www.melbourneinstruments.com/support#nina

Coinciding with the new NINA MACRO OSC UPDATE firmware release, owners of the world’s first motorised polysynth can also download 60 new presets for free from here: https://www.melbourneinstruments.com/presets#nina

POLYEND TRACKER MINI PORTABLE AUDIO WORKSTATION

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"A pre-owned Polyend Tracker Mini in very good condition. It comes with original packaging and accessories.

Manufacturer's description
Discover the ultimate portable music workstation with the Tracker Mini. Designed for seamless composition, sampling, sound design, and performance, this device offers an expanded 16-track sequencer alongside unique synth and drum machine engines for unparalleled flexibility. With support for 14 stereo tracks of USB Audio and USB MIDI, it's perfect for multi-track recording into a DAW or hybrid setups. Enjoy up to eight hours of battery life for on-the-go creativity, and keep your Tracker Mini safe with the included travel case. Whether in the studio or outdoors, the Tracker Mini empowers musicians to create, mix, master, and export their music effortlessly.

Synths and Drum Machines:
The Tracker Mini excels with four advanced synth engines and a new drum machine synth, focusing on superior sound quality. The intuitive Synth Patch Editor speeds up patch creation and customization, offering a vast range of sounds. From lush pads and intricate arpeggios to powerful basses and robust electronic drums, the Tracker Mini is a synth powerhouse that meets all your creative needs. Dive into ACD for iconic monosynth recreations, FAT for rich analog warmth, VAP for complex polysynth designs, and WTFM for unique FM synthesis. The PERC drum instrument covers everything from classic 808s and 909s to experimental glitch effects.

Studio in Your Hands:
The Tracker Mini provides everything required to produce an album. Start with an included sample pack or explore over 250 synth presets. Record your own sounds, convert samples to instruments, and resample synth engines. Control external devices seamlessly, whether crafting simple beats or complex compositions. Mix, master, and export your songs with ease, making the Tracker Mini an all-in-one solution for any musician. Compatible with projects from the original Tracker, you can begin a song in the studio and finish it on the go, ensuring flexibility and convenience in your music production process.

Breathe Life into Your Tracks:
Transform your surroundings into a musical canvas with the Tracker Mini’s high-quality microphone and onboard battery, offering up to eight hours of playtime. Capture sonic memories from a camping trip or your morning commute to create unique sample packs and drum kits. This portable device inspires creativity beyond the studio, enabling you to store, manipulate, and draw inspiration from real-world sounds. The Tracker Mini ensures that wherever inspiration strikes, you're equipped to turn those moments into music."

The Genius Behind Look Mum No Computer - Eurovision 2026

video upload by Britclip

"Electronic artist & YouTuber: Sam posts videos about building unique audio gear and synthesizers, alongside original music and performances. He launched his channel in 2016 after previously fronting the indie band ZIBRA.

⚙️ DIY synth wizard: He’s known for creating unusual and inventive electronic musical devices using vintage technology — including a Furby-based organ, synthesizer bicycles, Game Boy oscillators, and more — that have gained millions of views online.

🏛️ Museum founder: Sam also runs This Museum Is Not Obsolete, a space in Ramsgate, Kent (England) that showcases quirky analog tech repurposed in playful and musical ways.

🎤 Eurovision entrant: In 2026, he was selected to represent the United Kingdom at the Eurovision Song Contest under his Look Mum No Computer name — a high-profile recognition of his creativity and performance style.

In short, Sam Battle is a creative, experimental electronic musician whose blend of DIY tech, performance, and humour has built a strong global following.

#eurovision #music #synthpop #eurovisionsongcontest"

LOOK MUM NO COMPUTER - Eins, Zwei, Drei | United Kingdom 🇬🇧 | Official Music Video | #Eurovision2026

video upload by Eurovision Song Contest

LOOK MUM NO COMPUTER will represent United Kingdom at the Eurovision Song Contest with the song Eins, Zwei, Drei 🇬🇧

Credits:

Look Mum No Computer: Sam Battle
Director: Johnny Goddard (Youth Hymns)
Production Company: A Running Commentary

CLICK FOR MORE »

synth_nyc Introduces Surface32 – Bidirectional Synthesizer Editing Control Surface Solution

via synth_nyc

"Surface32 is a groundbreaking, multitimbral control surface ecosystem that completely removes the friction between tactile hardware sound design and modern digital workflows. By seamlessly fusing a premium physical controller with a suite of synchronized software clients, Surface32 brings total bidirectional editing to the electronic musician's studio.

Surface32 is the system's brain. Featuring 36 continuous rotary encoders paired with 36 dedicated OLED screens, it holds up to 16 complete hardware synthesizer parameter sets (Instrument Definitions) in its memory at any given time. It bidirectionally updates your synthesizers and your software clients screens instantly, allowing you to work exactly how you want.

Surface32 operates on a dual-tier communication network. It talks to your hardware synthesizers using pure MIDI CC, NRPN, or SYSEX, while simultaneously communicating with the software clients using high-speed NRPN and SYSEX. If you turn a knob on the hardware, the software fader moves. If you move a software fader, the hardware OLED updates. All with zero feedback loops.

You can find the full technical specifications, architecture diagrams, and the different DAW/DAW-less workflows on synth_nyc here.

U.S. Patent Pending (App. No. 63/995,083)"

Thomas Dolby signs a Minimoog Voyager XL! Enter BMF Raffle to Win This One-of-a-Kind Synthesizer!

video upload by moogfoundation

"Enter to win a rare Minimoog Voyager XL signed by Thomas Dolby: https://bit.ly/ThomasDolbyVoyagerXL

Step inside the world of analog synthesis as we sit down with legendary electronic musician and sound designer Thomas Dolby, exploring the power and personality of Moog instruments.

A gorgeous Minimoog Voyager XL synthesizer is the grand prize for the Bob Moog Foundation's 2026 winter raffle which ends February 23. It bears Thomas Dolby's signature near the Minimoog 40th Anniversary name plate, a value of $7,500.

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation."

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org

CLICK FOR MORE »

Sander Saarmets // live @ Erica Synths Garage

video upload by Erica Synths

"Sander Saarmets is an interdisciplinary composer, sound designer & electronic musician hailing from Estonia. Starting from the 2000's electronic scene of Tallinn, Saarmets has been on a constant sonic expedition that has led him to places like Taiwan, Sweden, France & Germany. He has studied electronic music at the Estonian Academy of Music and Theatre and is a proud member of the CoPeCo alumni.

Read more in our interview with him: https://garage.ericasynths.lv/article...
Sander's homepage: https://sandersaarmets.com/"

1987 Roland TR-707 Rhythm Composer Drum Machine w/ M-64C Memory Cartridge SN 715716

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Like a small handful of other sample based drum machines of the mid 1980s, the Roland TR-707 is a punchy beatbox which still has a home in an electronic musician's toolkit. The sounds all sit wonderfully in a mix to this day, and the individual outputs make this a great machine for the most particular of producers.

This unit has been thoroughly tested, includes the M-64C memory cartridge and non-original power supply."

CLICK FOR MORE »

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

CLICK FOR MORE »

Introducing Absynth 6 – weird by design | Native Instruments

video upload by Native Instruments

"Absynth is back and better than ever. The legendary semi-modular synth built for evolving textures, immersive atmospheres, and expressive sound – now with new presets, a reimagined Mutator, Preset Explorer, surround sound and MPE support, plus much more."

And a few supporting member videos followed by the press release with images:

DATABROTH

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/absynt...
Join me December 12th at 9 AM PT in the Native Instruments discord as I live stream Absynth 6

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

00:00 First Patch
01:21 Biolumin
02:21 Crystal Pad
03:14 Glitters
04:25 Refractions
05:41 Patch Six
06:33 Aetherized

Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments"

Ocean Swift / Faxi Nadu
video uploads by Ocean Swift / Faxi Nadu

Grab the Ocean Swift Absynth Collective for a huge expansion of over +780 presets! https://oceanswift.net/product/absynt...

Playlist:

1. Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments

"Native Instruments has finally released Absynth 6! In this exclusive first look review, we dive deep into the completely redesigned GUI, the new MPE capabilities, and the massive library of new presets Ocean Swift helped design.

After years of waiting, the legendary semi-modular synthesizer is back. As one of the external sound designers for this release, we've spent months exploring the new engine. In this video, we break down exactly what makes Absynth special and why the new UX modernization changes the game for sound designers and composers.

We cover everything from the new HD Mode and browsing workflow to the advanced envelope shapers that made Absynth famous - now easier to use than ever.

The King of Cloudy Pads Returns? Finally here!

#Absynth6 #absynth #NativeInstruments #SoundDesign #Synthesizer #MusicProduction #VSTPlugin #newgear

00:00:00 Absynth Is Back!
00:01:16 UX and UI Remake
00:03:15 Revamped Macros
00:04:22 MPE and PolyAT
00:06:22 New Synthesis
00:08:00 Browsing
00:08:27 New Presets
00:09:48 Get +780 Presets!
00:11:13 New Samples
00:13:10 In Love"

2. Absynth 6 - Design a Patch From Scratch | Layers, Clouds, Macros & Note FX #absynth6 #sounddesign

Along the way we explore the unique features that make Absynth special: working with all three layers, using per-layer envelopes, dialing in note-aware effects, assigning macros, shaping clouds and filters, and sprinkling in small tricks and workflow tidbits. By the end of the video you’ll have a clear understanding of how to approach your own Absynth 6 patch design - whether you’re after cloudy pads, moving textures or more experimental tones. If you’re just getting into Absynth 6 or want to go deeper than presets, this walkthrough will help you unlock the synth’s semi-modular possibilities and design your own signature sounds.

Press release follows:


Native Instruments makes things “Weird by Design” with the return of fan-favorite soft-synth Absynth 6

The semi-modular powerhouse, overhauled for a new generation of musicians, featuring full MPE polyphonic aftertouch, surround support and an AI-powered browser

CLICK FOR MORE »

Kodamo EssenceFM Mod Matrix Tutorial – Generative FM Synth Patching & Sound Design

video upload by j bowman ALL PROCEEDS TO MEDICAL AID FOR PALESTINE

"Dive deep into the Kodamo EssenceFM in this in-depth exploration of its powerful mod matrix and advanced FM synth capabilities. Whether you're into generative sequencing, experimental sound design, or building evolving patches inspired by systems like the Eagenmatrix, this tutorial-style walkthrough will show you how to unlock the full potential of this groundbreaking synthesizer.

In this video, we break down how the EssenceFM mod matrix works, how to route modulation sources creatively, and how to build expressive, dynamic, and even viral-worthy patches. From subtle modulation tricks to complex generative structures, you’ll learn techniques that apply not only to the EssenceFM but to any sound design synth, tracker-based workflow, or modular-inspired sequencing environment.

If you're a producer, synthesist, or electronic musician searching for hands-on FM synthesis guidance, sequencing ideas, or inspiration for advanced patching workflows, this video is for you. The Kodamo EssenceFM stands out as one of the most flexible FM instruments available today—perfect for deep modulation, generative soundscapes, evolving textures, and intricate performance setups.

Watch now to level up your sound design, master the EssenceFM mod matrix, and take your synth programming to new creative territory.

Kodamo EssenceFM, EssenceFM, EssenceFM mod matrix, mod matrix tutorial, FM synthesis, FM synth, FM sound design, generative sequencing, generative patching, Eagenmatrix, sound design tutorial, synth tutorial, tracker sequencing, FM synth tips, Kodamo tutorial, advanced FM synth, electronic music production, sound designer tools, modulation matrix, synth modulation, generative music, ambient sound design, experimental synthesis, digital synth, synthesizer demo, FM programming, creative modulation, viral synth video"

Ashun Sound Machines Introduces DIOSYNTH Wind Synthesizer

DIOSYNTH A Sonic Odyssey with Joe Berry by Exploredinary

video upload by ASM Ashun Sound Machines

"Diosynth - a powerful new wind synthesizer that combines the award winning Hydrasynth synthesis engine with new sample playback engine as well in an instantly familiar form factor utilizing mouthpiece with reed sensor for bite, breath sensor, gyroscope for positional sensing, true key action and a host of tactile controls . for more info please visit Ashunsoundmachines.com

Video by: @exploredinary
Starring/Original Music by: @joemarcelberry
Creative Direction: @danieltroberg
Product Specialist: @flux302
Product Design and Management: @glendarceyaudio
Animation by: @driensky_drawings
Styling and Movement Direction by: @toogiesaurus"

Welcome to Diosynth - Introduction Video

video upload by ASM Ashun Sound Machines

"Today at Ashun Sound Machines, we are proud to announce the Diosynth wind synthesizer.

The Diosynth is a new wind synthesizer designed for great playability and sound creation. With a real key action that is familier to most woodwind players it is easy to pick up and play. The Hydrasynth® based sound engine + the addition of a sample playback oscillator allows for deep synthesizer sounds as well as acoustic sound playing and processing.

In this video, CEO of Ashun Sound Machines, Glen Darcey, introduces you to the features of this amazing new electronic wind synthesizer instrument."

Introducing ASM Manager : Walkthrough Tutorial
video upload by ASM Ashun Sound Machines

"The ASM Manager is a software librarian designed to ease organization of your Hydrasynth patches as well as updating your Hydrasynth firmware.
For more information please head to Ashunsoundmachines.com
Download the new Firmware and manager here https://www.ashunsoundmachines.com/do...
The new ASM Manager is a dedicated desktop application designed to simplify how users interact with their Hydrasynth. It replaces the original Hydrasynth Manager with a refreshed interface and smoother workflow, making sound management more efficient and intuitive.

Features include:
• A redesigned, user-friendly UI
• List View for streamlined patch browsing
• Patch Sorting by name, category, and color
• Search by patch name
• Color tagging directly within the browser
• Organize Favorites
• Integrated Hydrasynth Updater for simplified firmware installation
• Export of patch banks as Microsoft Excel® list files for easy referencing

Whether organizing sound libraries, performing updates, or customizing Favorites, ASM Manager enhances everyday interaction with Hydrasynth."

Pic and additional details via Perfect Circuit

"The Diosynth from ASM brings powerful digital synthesis and sampling to a new generation of electronic wind performers, offering a deeply expressive wind synthesizer with a vast timbral range. Combining ASM's expansive synthesis engine design with sample playback, Diosynth is an electronic wind instrument that provides nuanced control over both acoustic and electronic sounds. Mechanical keys offer a premium playing experience that feels familiar for experienced wind players, with versatile fingering modes and quantization options to welcome players of any background. Over eight octaves of notes are provided for uncompromising range, with comprehensive expressive controls including breath and bite sensors, internal gyrometer, X/Y joystick, two pressure pads, and three programmable switches.

In your first moments with Diosynth, you can immediately immerse yourself in 384 patches including everything from traditional wind instruments, rare and unique sounds from around the world, and the vastly expansive internal synthesis engine based on ASM's acclaimed Hydrasynth. Wavescan oscillators and Diosynth's sample playback oscillator can be processed through the ultra-flexible 16-mode filter, providing vast sonic terrain to empower your creativity. Cultivate your own sound with up to 768 storable patch locations on hand, including the ability to create layered sounds that fuse acoustic and electric tones, multiple synth patches, and more. Diving deep into sound design is easy thanks to the Diosynth editor app, allowing for endless exploration into nuanced patch design.

An integrated speaker is available for easy, on-the-go performance, with optional battery power via two 18650 batteries that enables portable playing anywhere the music takes you. The 1/4" stereo output enables easy connectivity into a local amplifier or front of house mix, while the onboard headphone output with dedicated volume control is perfect for those long nights in the woodshed honking to your heart's content. The Diosynth also includes MIDI via 5-Pin DIN and USB connectivity, as well as Bluetooth MIDI input and audio input for wireless practice and performance. Built for a professional performance experience, Diosynth comes with a hardshell case and all necessary cables and accessories, providing a perfect foundation to craft your bespoke performance practice. Whether you're a wind player looking for new sounds or an electronic musician looking to bring nuanced expression to your productions, Diosynth from ASM is a breath of fresh air.


DIOSYNTH FEATURES

Electronic wind synthesizer
Combines both sampling engine and deep synthesizer engine based on ASM's Hydrasynth for both acoustic and electronic sounds
384 factory patches including traditional wind instruments, rare and exotic instruments, and expressive synth patches
128 meticulously sampled instrumental sounds
Use single patches or layer multiple sounds in a single patch
8+ octave range
Mechanical keys for premium and familiar feel
Multiple fingering modes
Scale / chord quantization locking modes
Breath and bite sensors, gyrometer, X/Y joystick, 2x pressure pads, and 3x programmable switches for expressive control
Up to 768 total patch locations for storing user creations
Mac/PC editor and iOS/Android app for simple patch editing and live performance control
MIDI via 5-PIN DIN and USB
Bluetooth MIDI input and audio input for wireless control and backing tracks
Built-in speaker, stereo 1/4" output, and headphone output with dedicated volume control
Powered via USB-C or 2x 18650 batteries (batteries not included)
Includes hard-shell case and all required cables / accessories
Included accessories:
Hard-shell travel case
folding stand
2x mouthpieces
neck strap
power supply with universal power adapters
USB A–C cable
USB C–C cable
USB power Y cord
spit scrunchy
cleaning cloth
printed User guide"