COMPUTALKER SPEECH SYNTHESIZER

You can find a demo of COMPUTALKER in this previous post from back in 2008.

Here are some pics and additional info on the COMPUTALKER via this reddit thread where you'll find a dropbox link to additional docs including some source code. Note the poster on reddit is looking for help on gettig it going. If you can help, reach out there.

This one was spotted and sent in via
M Me who also found some addtional info here.

From the reddit thread:

"The Computalker CT-1 was one of the earliest commercially available speech synthesizers for personal computers. Introduced in late 1976 and shipped beginning in 1977, it was developed by D. Lloyd Rice and Jim Cooper in Santa Monica, California through their company, Computalker Consultants.

Unlike simpler speech devices that played back recorded sounds, the CT-1 was a 9-parameter formant speech synthesizer. A host computer generated control data describing pitch, formant frequencies, fricatives, aspiration, and other speech characteristics, while the CT-1 generated the actual voice waveform in hardware."

"My goal, (which I do think may end up being completely impossible) is to get this up and running and hear it speak. Among the photos, there are some shots of the inside. I understand that this was originally designed for the S-100 bus going as far back as the Altair 8800. Serial number inside and out is 7001 and I can see that a previous owner likely replaced the older capacitors already.

This variant however, In all my searching I cannot seem to find a single reference to anywhere. My best guess with the information I have is that this could be a prototype version that was meant for later computers and perhaps it's missing some type of interface card for maybe an Apple II or TRS-80?

Here is a dropbox link to all of the information I have collected so far. I have found the manual, the software manual (With source code?!) and all sorts of little information. Also there's a lot more photos....

https://www.dropbox.com...

Maybe someone out there has seen this before? I am super excited to keep collecting information on this! Thank you for checking this out!"

Some pics of the inside below.

CLICK FOR MORE »

Roland Juno 60 vs Behringer JN 80 Clone | Can the Clone Really Match the Original?

video upload by Nicolas Melis

"Roland Juno 60 vs Behringer JN 80 Clone | Can the Clone Really Match the Original?

Roland Juno-60 vs Behringer JN-80 Clone — factory presets compared side by side. I’m playing original Juno-60 patches and their recreated versions on the Behringer. Can the clone really match the original? Let me know what you think in the comments."

boards of canada - the process (cover)

video upload by fischek

"A piano and synth cover of 'The Process' by the legendary Boards of Canada, from their incredible new album, 'Inferno'.

I've been captivated by the 'Inferno' album since its release and wanted to share my interpretation of this beautifully soothing and melancholic track. If you enjoy this, let me know in the comments! I'm planning to cover more from the album soon, with 'Naraka,' 'Hydrogen Helium Lithium Leviathan,' and 'Blood in the Labyrinth' being next on my list.

What's your favorite track from the new album?

// GEAR & SOFTWARE
🎹 Synths & Keys:
Yamaha DX7 (as MIDI controller)
Pianoteq (Piano Sound)
Korg Wavestate (Pads)

🎛️ Effects (FX):
Eventide Blackhole (VST Reverb)

#boardsofcanada #boc #inferno #theprocess #synthcover #pianocover #ambient #idm #electronicmusic #yamahadx7 #korgwavestate #arturia"

Previously:

Boards of Canada New Seeds (short cover)

video upload by fischek

"► here's the Vital VST patch for the lead sound:
https://tinyurl.com/mwy63h5t

A gem from the Tomorrow's Harvest. Far from perfect, but kinda close. I hope to do a full cover at some point. Hope you like! :)"

Emu SP1200 & SP12 OTBElec SP MIDI Interface w/ Original Box

via this eBay listing

Here's an interesting device from the recent past. According to the listing details below the final batch came out in 2017. It's from OTBElec and this appears to be the first post to feature them on the site. The www.otbelec.com website is no longer live.

This one was spotted and sent in via
M Me. via the listing: "I bought this new & it was part of the final batch made in 2017. I stored it away because my SP12 required servicing & the interface subsequently was never used (or even unwrapped).

This may be the only brand new OTB MIDI in existence.


"The SP MIDI converts non-standard MIDI messages from the SP-1200 to regular MIDI. One such message is note off, which is required to set the length or duration of sequenced notes. The SP MIDI also translates the pitches of bank D to a continuous range of notes to store and sequence external devices. When recording it is necessary to set rec mode.

Internal mode is used to select up to three samples which then have their 16 pitch levels mapped out over the keyboard. Now supporting note off you can play like you would normally expect, where the sample mutes when the key is released. Excellent for looped samples, i.e. bass lines.

External mode is used to sequence other instruments. It uses bank D1-D6 to record notes on one MIDI channel and D7-D8 on another channel. D1-D6 is mapped to a full note range by pad number and pitch, making it possible to play a melody using the pads. Also note off is sent as you hit the pads a second time, unless F1 oneshot is selected. D7-D8 is combined together to give a full range of note numbers and is best used with a keyboard.

Dynamic velocity is maintained, if not Full Level is selected.

The SP MIDI firmware can be updated using a computer with a MIDI interface.

These features also allow pitching and using the loop function on a S950."

CLICK FOR MORE »

AKAI MPC3000 SP Custom

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me.

Also see this one with a custom Overdub button & wood frame.

CLICK FOR MORE »

Dreadbox Artemis #1 | Winterdagen

video upload by Winterdagen

"I'm a huge fan of Dreadbox synths, and lately I've been lucky enough to get my hands on their newest poly synth Artemis, which just got a really great update. To me, Artemis feels a bit like the best of their Murmux Adept and Typhon combined, but with its own character and unique synthesis possibilities.

For this droney piece, I used lots of the amazing (and newly updated) Sinevibes effects, mainly the super lush reverbs and BBD Playground. Both pretty heavily modulated, which adds to the detuned character of this patch.

Artemis is another incredible synth from Dreadbox and I cant wait to show you more patches and pieces I've been making with it!"

Vintage Yamaha DX7 Synthesizer Keyboard Keychain 1986

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me.

CLICK FOR MORE »

Doboz DVNA No talking (Only Sounds)

video upload by Demover

"Heyho!

I’m very grateful to my friend ‪@doboz.modular‬ for creating the DVNA with so much dedication and persistence. For me, it’s so addictive that it’s really hard to put down. ^ ^

It’s a chord synth with 12 touch sensitive keys, featuring 4 oscillators, effects, and lots of useful functions.

With this video, I’d like to show you some of the amazing things you can create with it, and I haven’t even demonstrated all of its useful features yet."

See the announcement post here.

Synth Stuff Ep. 92 - Modal Element One

video upload by tritonrecordings

"Fresh from Modal's oven is the Element One. I think the idea was to take their analog modeling engine and scale the programming side of things down for a sleeker interface, and instead focusing more on performance. Not a bad idea, and I can see this being useful in a live setting. The sound is great and covers a lot of ground beyond just analog emulation type sounds. It has some of the same UI quirks that irritate me about my Argon8X, but it's a great lightweight synth full of good sounds. I think Modal in general makes some underrated stuff, so check them out if you see one. The illuminated Modal logo does it for me too - I'm a sucker for that kind of thing..."

Oberheim DX Full Restoration: How to Add MIDI, Upgrade RAM & Play Live

video upload by Nostalgic Explorer

"If you want to see how the Oberheim DX looks from the inside, how to clean the buttons, how to upgrade the RAM, and how to add MIDI to this classic drum machine, you're in the right place.

This machine came to me in pretty bad shape. Dirty on the outside, with some faulty buttons, and in serious need of some love. But honestly? It's not that hard to bring one of these back to life if you're careful and you enjoy working with vintage gear. And if you don't — stick around anyway, because it's super interesting to see these machines from the inside.

I'm walking you through the full process: deep cleaning, how to remove and clean the button contacts the right way (spoiler: cleaning the surface does nothing — you need to go under them), installing the Electrongate MIDI board and RAM upgrade so you don't need a battery anymore, and swapping the plastic panels for the beautiful wooden ones from Electrongate.

Big shoutout to Paul White, whose Electrongate videos were a huge reference for this build. I'm just a student passing the knowledge forward — go check his page, I'll leave the links below.

Once everything was back together and fully working, I put on a jacket — because if I'm performing original music for you, you deserve some respect — and played a live jam using the restored Oberheim DX, the Oberheim DMX, Moog Voyager, Rhodes Mark I, Oberheim Matrix 6R, Elektron Digitakt, and the Roland Space Echo RE-201."

You Only Think Vintage Synths Sound Better

video upload by Noir Et Blanc Vie

"So I was playing my Waldorfs, just making some music and looking for inspiration, and a thought came to me... Am I only using my Waldorf XT because I 'like it' not because it's actually better in anyway? While there are so many videos comparing synths online, I keep wondering....WHY? Like, what's the actual goal with this. I personally wonder if there's psychology behind why some can't just move forward and make sound instead of thinking 'I wonder if X makes sounds like Y' when the shortest answer would easily be 'why not just get the X?'. When I think about music I'm often confused by the idea of all this... so maybe ask yourself this.... 'What's your goal'. When you see life as only one constant stream, you cannot go back, only forward, I think so many of the choices I make to create come from that. Rather than compare, rather than spend my time purchasing, why not be content, why not just create....? A question for you today."

Publison Infernal Machine + LinnDrum / Jam 2

video upload by Valmont

"Here's the second (more conventional) part of the previous jam, featuring a fully restored Linndrum for a client along with a Publison Infernal Machine reissue, hand-built by my friend Valentin :)
You can watch the first jam here: • Publison Infernal Machine + LinnDrum / Jam 1 [posted here]

In addition to copy/pasting the same description, I’ll also add a few details about the process!
The Infernal Machine itself is in the racks. In this video you only see the remote, with a few occasional close-ups when I tweak it. The LinnDrum is raw ; I’m just using the left main output straight into the console (a BiAmp Model 42). From there I send the signal into DSP A (mono), pan it slightly to the left, then route that channel via a second aux into DSP B (stereo).
DSPs are mixed back into the console. A hint of U-He SATIN, Pro-Q, and Pro-L on the master… and there you go :)

LINNDRUM - This one came with a fun issue: the snare would trigger the side stick, and the toms would trigger the congas. Apart from various CMOS quirks of that kind, I rebuilt all sliders/faders (volume + pan), the trigger buttons and replaced the pots with custom clones made by my friend Manfred from VintageSynth&Co. I also swapped the audio caps for polypropylene ones and rebuilt the power supply. During the process, the CPU card failed so I had to debug the sequencer - turned out to be a bad address latch and a dead bus gate (no idea what caused that). All in all, a serious overhaul!

INFERNAL MACHINE - A very special device. The IM90 was originally designed by French engineer Philippe Petitdemange between 1983 and 1984, with development continuing until the final DSP update in 1989. Publison devices are infamous for their opacity: components were often stripped of references, making repairs impossible. No schematics were ever published or even formally documented, which made the Infernal Machine both exceptionally rare and subject to extreme prices (I’ve seen one listed around 20k€!!!)
Following Philippe’s assassination in 2019, much of the design knowledge risked being lost. Jonathan Prager was designated as the official Publison legacy/maintenance technician and undertook the task of redrawing schematics based on the original archives he bought to preserve these machines. Meanwhile, Valentin, a French expatriate living in Japan, independently carried out his own reverse-engineering and successfully built a true 1:1 clone. His version (named the Celestial Machine) fits the strictest definition of a clone: an exact replica running the original code, featuring a beautifully recreated remote controller and using NOS components throughout ; except for a new OLED display (co-designed with Bob Grieb of TaunTek).
This special Publison-badged unit was sent to me for testing and demonstration to original Publison co-founder D. Dean - more info soon maybe :)

By the way! If you’re curious, I wrote my master’s thesis on Publison, it was published in French (deal with it lmao) : https://www.ens-louis-lumiere.fr/wp-c..."

From Strega to 0-Coast: Happy Patching With Make Noise At Superbooth 2026

video upload by Insect O.

"In this video I’m exploring a compact Make Noise setup live at Superbooth 2026, patching from 0-Coast into Strega, all driven by the 0-CTRL sequencer.

It was a pleasure to meet Walker and Peter. Their videos inspire joy and encourage you to experiment with modular synthesis yourself. Beside giving an in depth explaination of their new NUSS system Peter told me, it´s also 10 years anniversary of the 0-coast. I celebrate the 0-day with a little jam session. To quote Walker 'thanks for watching and happy patching'."

Synth post-rock and ambient | Three songs with delay and reverb

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Three different songs focusing on the inspiration of delay and reverb.

MAS Distribution sent over the GFI Solis Ventus, a delay and reverb pedal, for me to try for free. Take that for what you will.

I've already used the Solis Ventus in other video here, so there was no particular need to create a video focused on it. However, I usually explore new gear by just placing it on the table and seeing what comes out. I thought maybe nothing would come of it, or maybe I'd make a single song. In the end, I kept writing more and more with it, all in different styles and genres. The reverbs in the Solis Ventus are fine, but there's some real weirdness and magic in the delays, and they kept delighting and surprising me. In the end, I decided to share three songs with you from these explorations, although there's some more on my Patreon.

00:00 - Post-rock with synths instead of guitar
03:52 - Pure ambient with Pluto
06:17 - Rock starting with L1

Ultimately, what I hope comes through is that effects aren't something simply to colour or smooth over a sound; effects can be the very thing that inspires the songwriting process. That's what happened in all of these instances, and more.

Gear used:
Arturia Astrolab 37 (keys)
GFI Solis Ventus (delay and reverb)
Squier Bass VI (bass-guitar hybrid)
Line 6 Pod Express Bass (for bass amp sim)
Moog Subsequent 37 (mono synth melody)
Novation AFX Station (mono synth lead)
Modern Sounds Pluto (mini euro synth sandbox)
Donner L1 (mono synth random arp)
Godin Session Custom '59 (guitar)
Strymon Iridium (for guitar amp sim)
Union Tone & Transistor Lab (compressor for guitar)
Electro-Voice RE-20 (vocal mic)
Probably more I'm forgetting

Multi-tracked, mixed in the box (except the Pluto song, which was live to stereo out, with EQ, compression, and limiting on the master).

https://jayhosking.bandcamp.com"

Parasite Drone 1

video upload by flightofharmony

https://flightofharmony.com

"I'm sick today, so no voice track. Brain was dead so I figured I'd noodle around a bit, and ended up realizing that - after spending three years focusing on developing, building, and delivering the Facehugger with no time to play anything - I had completely forgotten how much I love the Parasite Antifilter. It's my favorite module, no contest, and combining it with the Facehugger is unbeatable, in my mind. The slightest setting change can take you in entirely new directions.

This one uses basically the same external inputs as the last video but, instead of hitting the Input with the Facehugger, the input is a buzzy drone from an Infernal Noise Machine and the main Facehugger is driving the Low Frequency CV input. The rest is swapping where a sine LFO goes (the second olive cable), the other Facehugger (purple cable) and the step 7 gate from the main Facehugger. This all adds up to some great drones with transient melodies and rhythms.

It gets a little blah in the middle, but it picks back up again when a new drone is discovered later. I'm particularly pleased to have caught one of the Parasite Antifilter's coolest (and most frustrating) features: the charge-up effect. It begins around 11:18. These are where some new sound just builds up out of nowhere. This one was unusually persistent though. Often, they disappear if you change a setting and are very difficult to find again. It's not a filter you can just dial through quickly, you have to give each change a moment to see if it wants to build something else.

It's fun that I could say that this video is just me running a buzzy sound into a filter and sweeping the filter parameters with a stepped CV sequence and some LFOs."

Introducing RANDOM8: 8 Looping Random Voltages in 8HP

video upload by mylarmelodies and Befacosynth

"**OUT JUNE 15TH - MORE INFO HERE & DEALERS: https://www.befaco.org/random8 ** 🙌 HELLO M8! Please meet the module I've been making with Befaco! 🟠 RANDOM8 is a random voltage generator designed bring a whole modular to life, in the smallest possible space. You get 8 independent random voltage generators, with dedicated per-channel looping buttons and attenuators, in just 8HP(!) It's what I've wished I could have in my live modular for a long time - a stupid amount of per-step modulation in a small space, yet you can control the looping instantly.

RANDOM8 is previewing at the Superbooth 2026 show in Berlin May 7-9 2026, and in dealer hands for sale on June 15th. Visit Befaco's tent at Z180 to give it a squiggle!

There is a limited batch to start with and more will follow. Thank you, M8s."

CLICK FOR MORE »

Morphor ECHON 6 #2 | Winterdagen

video upload by Winterdagen

"This is one of the most beautiful synth sounds I've ever heard.

For this patch on the amazing ECHON 6 synthesizer by Morphor, I'm not using its exciter/synth section at all. The sound comes from its 6 BBD delay lines feedbacking indefinitely. The fact that the people at Morphor got to make BBD delay chips track pitch this well is already wild, but how they also managed to implement the super special glide you're hearing in this patch is beyond me. It sounds so alive!

I made use of ECHON 6's super intuitive and extensive mod section to give this patch some movement; with some LFOs I'm slowly opening and closing the filter in the feedback path and moving the voices in the stereo field. I applied keytracking to the LFO speeds making sure that each voice has different movements and a different place in the stereo field. I love that you can route keytracking to anything on ECHON 6.

I did use a fair bit of Valhalla Vintage Verb for this patch as the synth doesn't have an internal reverb. A gliding patch like this really benefits from some time based effects.

Every time I sit down with ECHON 6 for a bit, a new sound that I've never made on any other synth arises, it's so cool! I've made a lot more music with it and I'm super exited to show you.

I'm off to Superbooth now, I''ll be back with a new video next week! If you happen to be at Superbooth as well and want to say hi, feel free to shoot me a message on Instagram."

Native Instruments Introduces Komplete 26

video upload by Native Instruments

"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.

Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."

Press release follows:


Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.

Trusted by the producers behind the records you know Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.

"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)

“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)

"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)

New additions: sounds for every style and stage Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.

CLICK FOR MORE »

1977 E-Mu Systems Modular Synthesizer - Original VCA - 2000 Blueprint

Note: links to listings are affiliate links for which the site may be compensated.

via these Reverb listings

See the seller's other listings for more.

"For sale is a vintage original Blueprint for the modular E-Mu Systems - VCA - 2000 Voltage Controlled Amplifier Submodule dated 12/05/1977. DOC.#2000 - 011-002

Don't miss out on this historic piece of history.

I accept offers for this original E-Mu Modular Blueprint.

This is a must-have for any vintage synthesizer/E-MU collector as these are getting very hard/impossible to find these days.

This Blueprint is in very good condition, see the picture's for more detail.

I'm shipping worldwide. The actual shipping-cost must be paid by the winning bidder of this auction. All sales are final. No returns accepted. Selling as is, don't hesitate to contact me for more information and/or picture's.

Please check my other auction's as well, I can combine shipping to reduce shipping-costs . Thank you for your interest."

Kaleidoscope Synth: Study One

video upload by Oscillator Sink

"This is Kaleidoscope by Vadim Minkin.

It’s an instrument I’m in the process of learning, but there’s a lot to learn and explore so while I’m doing so, I thought I’d post a few studies on the way to the “real” video.

It’s described as a Generative Groovebox, but it can take on many different guises, and, as you can hear, this patch is based around drones.

Transparency Notice: Kaleidoscope was sent to me for free for the purposes of making videos, and I am allowed to keep the unit. The developers of the instrument have not been granted, nor have they requested an editorial oversight into the content I make about it."