Introducing PunchBox 2 by d16group

video uploads by d16group

Playlist:

1. PunchBox 2 - Bass Drum Synthesizer
2. PunchBox 2 - Preset Showcase
3. PunchBox 2 - Walkthrough

"Meet PunchBox 2 – a powerful hybrid kick drum design engine built for modern music production.

Combining legendary kick emulations, advanced synthesis, sampling, and a versatile wavetable engine, PunchBox 2 gives you everything you need to create punchy, modern, and mix-ready kicks from scratch. Four independent sound generators, a flexible effects rack, advanced modulation tools, and intelligent routing provide deep sound-design capabilities while maintaining a fast and streamlined workflow.

Explore a massive factory library packed with presets, samples, and wavetables, then take full control of every transient, tone, and tail with the integrated Advanced Editor. Whether you're producing EDM, Techno, House, Hard Dance, Trap, Hip-Hop, or cinematic music, PunchBox 2 is designed to help you craft kicks that cut through any mix.

PunchBox 2 was developed through a collaboration between D16 Group, CFA-Sound, and Sounds of Revolution.

Learn more: https://www.d16.pl/punchbox"

Grip! A legendary compressor redesigned by Izhar Ashdot and Claude AI

video upload by Izhar Ashdot Sound & Vision

"Grip! My take on the LevelLoc compressor. I designed it and let Claude Code handle the coding and debugging."

Additional details from Izhar:

"Here’s a new compressor I built with the amazing help of Claude Code.
It’s a modern and fine tuned homage to the legendary Levelloc.
It sounds like an analog beast but is actually hosted on a Pi Pico 2 microcontroller. "

KORG Z1 - 64 Contemporary Presets - The MOSS Sessions (Sound Library)

video upload by RM Studios

"The KORG Z1 remains one of the most ambitious and expressive synthesizers ever created. ​

Powered by Korg’s legendary MOSS (Multi-Oscillator Synthesis System) engine, the Z1 pushed physical modeling and virtual analog synthesis far beyond the standards of its era, delivering an extraordinary range of sounds with unmatched depth, movement, and playability. ​

Yet, despite the instrument’s incredible capabilities, most available sound libraries still rely on programming approaches and sonic aesthetics dating back to the late ’90s.
We felt it was time to give this iconic synth a fresh voice. ​​​

"The MOSS Sessions” is a completely new sound collection designed specifically to showcase the real power of the MOSS engine with a modern production approach. This library delivers 64 contemporary, inspiring, and instantly usable programs for both studio production and live performance. ​

If you are one of the lucky musicians owning this legendary synthesizer, this collection was made for you. ​

The soundset can be purchased through the following link:
https://robertomacri.wixsite.com/home..."

Also for the KORG EXB-MOSS expansion board:

KORG EXB-MOSS - 64 Contemporary Presets - The MOSS Sessions (Sound Library for Korg Triton & Karma)

video upload by RM Studios

https://robertomacri.wixsite.com/home/the-moss-sessions

Cherry Audio | Expressive Sound Design with Andrew Longhurst

video upload by Cherry Audio

"More expressive performance can be achieved through various technologies and techniques such as velocity, channel aftertouch (pressure), polyphonic aftertouch, and MIDI Polyphonic Expression (MPE). These features allow compatible synthesizer instruments and controllers to mimic the subtle dynamics of acoustic instruments.

In this video, musician, producer, and sound designer ‪@AndrewLonghurst‬ demonstrates his approach to expressive sound design, showcased through his collection of presets for Ensoniq ESQ-1 by Cherry Audio. He provides demonstrations of each technique using the new Expressive E Osmose CE MIDI controller and discusses his choices for setting up these advanced modulations in a preset.

These techniques can be widely applied to other Cherry Audio virtual instruments. Be sure to check the product feature listings and documentation to determine which instruments specifically support some or all of these methods. Additionally, consult your MIDI controller documentation, as compatibility for channel aftertouch, polyphonic aftertouch, and especially MPE can vary significantly in this evolving market.

Ensoniq ESQ-1 by Cherry Audio User Guide - https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
03:16 - First Principals
05:28 - Velocity & Channel Aftertouch
09:28 - Polyphonic Aftertouch
15:16 - MIDI Polyphonic Expression (MPE)
22:28 - Notes About Compatibility

CLICK FOR MORE »

Behringer JT-2 Demo: 15 Patches for Ambient and Techno

video upload by Limbic Bits

0:00 Quick Overview
1:43 Afterlife Lead
2:28 Dark Wave Bass
3:17 IDM Triangled Lead
4:18 Noisy Arp Cross Mod
5:51 Electro Pulse (short envelopes)
6:51 EBM Bass
7:46 Console Pulse Lead
8:05 Paraphonic Magic
9:34 Killah Bass
9:48 Indie-Cade
10:39 7th Pad
11:36 Psy Alert (FX)
12:06 Kick Bass
12:19 Sonar Noise
13:12 Bubbles
14:20 Paraphonic Outro

____

"Behringer JT-2: My 2 Cents
With all the available 'heavily-inspired-but-not-clones' from Behringer, I’m starting to wonder when the company will introduce original synths again. Anyhow... This time, I’m taking a closer look at the Behringer JT-2, a paraphonic synth inspired by Roland’s Jupiter-8. It comes in similar colours but certainly doesn’t carry over the visual aesthetics of the '80s flagship synth. That’s not necessarily a bad thing, as Behringer can keep costs down by using one chassis for a plethora of different models. At a budget-friendly price point, you get a lot of synth in a unit that doesn’t take up too much valuable studio real estate, either. But first things first...

CLICK FOR MORE »

Korg multi/poly - "Cybersynth" 40 Performances (Soundset)

video upload by LFOstore

"Lfo.store presents 'Cybersynth' soundset for Korg multi/poly.

Buy: https://lfostore.sellfy.store/p/sr-ko...

Works with hardware multi/poly and native plugin.

We are continue the series of banks dedicated to Korg multi/poly.

This soundset dedicaited to powerful & agressive tones from the Cyberpunk culture.

What awaits us in the future, the dawn of mankind and space exploration, or the dark era of technological slavery, in the world of Corporations...

Time to angry sounds from Korg multi/poly!

Korg multi/poly is an incredible synthesizer with amazing features and sound, and we continue to unlock its potential.

40 presets and sequences are waiting for you and ready to fill your compositions with new colors and inspire creativity.

CLICK FOR MORE »

Happiness is a warm chip | 8-bit Nintendo EP

video upload by Jay Hosking

Additional HapiNES posts

"Please support my work on Patreon: / jayhosking
Five chip tunes made with the limitations of the original NES.

00:00 - Stage 1
02:41 - Underworld
05:07 - Cutscene into battle
08:07 - Peace and war
09:55 - Overworld

I grew up on video game music, and it's probably a large part of why I love synthesizers today. What impresses me most about those old soundtracks is how much they can achieve with such a limited voice count and, to a lesser extent, sound palette. (I actually adore the sounds, so I don't see them as limiting.) The Nintendo Entertainment System had two mono synth square waves, one extremely chunky triangle wave mono for bass, and then a noise oscillator for percussion. There was also an extremely low-resolution sampler ("Blades of Steel!") but I chose not to reproduce that here.

For a while, I had been thinking about working within the limitations of the original NES. I could do that on any modern groovebox or synth, of course, but I wanted the limitations forced on me, and I wanted something that got me close to the original sound without a lot of work. Thanks to my Patreon community, I was able to pick up the Twisted Electrons hapiNES L, which emulates the old NES chip sounds, right down to the mono (not stereo!) out.

Once I had the sounds in place, I wanted a way to quickly write and structure songs. The Teenage Engineering OP-XY proved a good choice, because it's quick, has two octaves to play on, has a smart and creative transposition tool, and has an excellent song mode for structuring longer compositions. I also wanted to use some other sequencing tools, so I pulled out the Oxi One Mk2 for the final song. I didn't find it was quite as effective for the song-mode sequencing, but its new Chord Palettes mode led me in some extremely interesting musical directions.

I could have kept going, but five days seemed like a good haul of NES music for now, and proof to myself that I could do it again in the future. I know the music here might not be to everyone's tastes, but it satisfies the kid in me and makes me wish I had an 8-bit game to write a soundtrack for.

Thanks for listening.

https://jayhosking.bandcamp.com"

Behringer Introduces D-MINI – Legendary Analog Sound in a Compact Synth

video upload by Behringer

"Discover the sound that defined a generation.

The Behringer D-MINI brings back the character of a true analog classic in a compact format made for today’s creators.

From deep basslines to expressive leads, everything feels immediate and hands-on — the kind of workflow that makes you want to keep playing.

Whether you’re in the studio or on stage, D-MINI gives you that iconic sound straight away, without getting in your way.

#behringer #dmini #analogsynth #synthesizer #synth #musicproduction #producers #sounddesign #synthwave #electronicmusic #studiogear #livemusic #gear #synthlife #analogsound"



Portable Legendary Analog Synthesizer with 1 VCO, Classic VCF, 1 LFO and 2 Envelopes

D MINI — MINIMOOG LEGEND, POCKET POWER

The MiniMoog is the synth that built modern music — the fattest mono lead sound ever invented. The D MINI captures that DNA in a true portable analog synth you can throw in a backpack and play anywhere. This is the sound of countless hit records, now ready for the bus, the bedroom or the beach.

A single VCO offers five selectable waveforms (saw, triangle, sharktooth, square and pulse), giving you a wider sonic palette than the original.

CLICK FOR MORE »

Redshift 6: Can This Analog Synth Replace Your VSTs?

video upload by Music Journey with Paul

"At Superbooth 2026, I spoke with Timo from Supercritical Synthesizers about one of the most ambitious analog polysynths on the market today - a unique 6-voice analog polysynth from Finland that takes a very different approach to synthesis.

With 96 analog oscillators, multi-timbral architecture, MPE support, evolving firmware updates and a variable character engine that can shift between different vintage-inspired flavors, Redshift 6 blurs the line between traditional analog hardware and modern software flexibility.

In this interview and sound demo we talk about who Redshift 6 is for, how its unusual interface works, the latest firmware innovations, and why some of its sounds might make you think you’re listening to a DX-style digital synth - even though the signal path remains analog.

Chapters:
00:00 Demo #1
00:13 What is Redshift 6?
00:55 Demo #2
02:14 More About Specs
02:43 Who Is It For?
03:48 The Unique User Interface
05:14 Firmware Updates & New Features
05:54 The New Delta Wave Oscillator Engine
06:28 Demo #3
08:24 The Best Of Both Worlds: Hardware & Software
09:15 Summary from Timo
03:33 Demo #4 - Starting with the Init patch"

SUONOBUONO POLYVERA [01] // LØSTLVLS

video upload by LØSTLVLS

"Meet the Suonobuono Polyvera, a very special polyphonic hybrid desktop synth released in 2025.

I've been wanting a synth that uses samples as oscillators for quite a while, but it's a fairly barren market. The Prophet X was at the top of my wishlist, but other than the cost, I don't need a keyboard and I'm not fussed about analogue oscillators. Vintage samplers with analogue filters were considered, but I don't fancy implementing that 'charming' workflow into my studio!

The Polyvera is a versatile instrument, a perfect modern fusion of classic wavetable and sample-based synths like the Waldorf Microwave and Ensoniq Mirage respectively, but very much its own thing. As you'll hear in this clip, the Polyvera sounds rich and 'fulsome', with gritty textures easy to achieve throughout the signal chain.

This was recorded during my first session with the Polyvera, straight after unboxing. Enjoy and thanks for watching!

Check out my sample packs on Bandcamp - loads of vintage and modern gear (leaning towards drum machines) with kits, sample chains and presets. All ethically-sourced and locally-grown here in the lab in Bristol, UK: https://lostlvls.bandcamp.com/"

Pro A5 - Prophet 5 for your iPad

video upload by Red Sky Lullaby

"Pro A5 for iPad and iPhone by Audiokit Pro
Modeled on Sequential Circuits classic Prophet 5 analog synth first released in 1978"

PRO-A5 Poly Synth App: Tutorial & Walkthrough

video upload by MATTHEW FECHER

"Download app & Learn more:
https://audiokitpro.com/proa5
App Store Link:
https://apps.apple.com/us/app/pro-a5/..."




PRO-A5: ANALOG SYNTH

A new 10-voice analog-style synth for iPhone and iPad. Inspired by a legendary Poly Synthesizer.

PRO-A5 captures the warm and organic sound of the most iconic analog poly synth ever made. From lush brass, silky pads, screaming resonance and punchy basses to soaring leads, this is the sound that defined MUSIC ICONS from the ’80s to today. Be inspired by the same synth sounds used on thousands of records you already love.

JAM PACKED

Features 400+ Presets by Moby Pixel, Analog Matthew, Doug Woods (The Sound Test Room), Bri Kup, DMT Cymatics, Red Sky Lullaby, Joe Zeno, and more!

FEATURES:

New Sound Engine with advanced DSP

Professionally Modeled Filter, with Self Oscillation

2 Filters: Classic “REV 3” with Stepping & Modern Smooth

10 voices! Each note can have 5 unison voices. Almost a P-50?!

500+ Exclusive Handmade Presets!

Vintage Poly Mod with per-voice modulation

Raw, gritty Oscillator Sync

Magic “Tune Rez” button to instantly tune the self-oscillation!

Bonus Filter panel with Filter Slopes, Env Inversions, and other goodies

Per-Voice Analog Panning

Single Note Polyphony for mono & poly

Accurate PWM engine, with the Hardware’s unique Poly-Mod behavior

2x oversampling for more analog-style lows and highs

NEW Reverb, cascading and beautiful

FX: NEW Rage Limiter, Analog Tape Delay, Chorus, Crush, and more.

3 LFOs, over 60+ possible destinations, almost everything can be modulated! LFOs can even modify other LFOs

Aftertouch! Control any of the Parameters

Dual Assignable Touch Pads, manipulate FX in real time!

Classic Arpeggiator & Vintage Style Step Sequencer

Control it with a MIDI Keyboard, MIDI Learn to map your controls to the app

Works as a Plug-in Instrument in GarageBand, Logic for iPad, AUM, ett

Universal: For one low price you get iPhone, iPad, and iOS AUv3 versions

Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

CLICK FOR MORE »

Akai Professional & Spitfire Audio | MPC Editions Now Available

video upload by Akai Professional

Playlist:

1. Akai Professional & Spitfire Audio | MPC Editions Now Available
2. Akai Pro & Spitfire Audio | Exploring the Originals Intimate Strings MPC Edition
3. Akai Pro & Spitfire Audio | Exploring the Originals Cinematic Pads MPC Edition

"Now available: Spitfire Audio Sounds for MPC. https://inmusic.to/musm23v4

Spitfire Audio has set the standard for cinematic sound in modern music production, crafting deeply expressive instruments trusted by sound designers, composers, and producers worldwide. For the first time, we're bringing full collections of these sounds into the MPC ecosystem.

This powerful tool is built for endless inspiration and genre exploration as your production style and skills evolve. Open your mind and creative process to a new form of storytelling. From emotionally resonant chamber strings to lush, sweeping pads, a whole new world of sounds and styles is now at your fingertips.

Expand your sound library and discover new ways of producing, composing, scoring, and storytelling. From intimate orchestral ensembles to evolving cinematic textures, each Spitfire MPC Edition collection is carefully adapted to work with your MPC hardware."

Groove Synthesis 3rd Wave — The COMPLETE Review (Every Feature Explored)

video upload by Scott's Synth Stuff

"The Groove Synthesis 3rd Wave is a 24-voice wavetable synthesizer with real analog filters, three oscillators per voice, and a 6-stage wave envelope that can independently sweep each oscillator through 64-position wavetables. It's built as a modern successor to the PPG Wave 2.2 and 2.3, carrying the original PPG wavetables alongside 56 high-resolution modern wavetables, analog-modeled waveforms, and — as of OS 1.8 — a built-in sampler. In this review, I go through every major feature of the 3rd Wave in detail: the four oscillator types (PPG legacy, modern user wavetables, analog-modeled, and samples), the dual filter architecture (4-pole analog low-pass plus 2-pole zero-delay state-variable), all four envelopes, the four LFOs, the 16-slot modulation matrix, 11 built-in effects, the arpeggiator, the pattern-based sequencer with parameter automation, 4-part multitimbral layering and splits, the Wave Maker custom wavetable tool (including Serum wavetable import), unison with chord memory, MPE support, and more.

Whether you're considering buying one, comparing it to other hardware wavetable synths like the Waldorf Iridium, Modal Cobalt, or ASM Hydrasynth, or just curious what a modern PPG-inspired instrument sounds like in 2025/2026, this is the full picture. I cover every section of the signal chain with sound demos, explain what makes the wave envelope system unique, show how to build patches from scratch, and give my honest take on where the 3rd Wave excels and where it falls short. Timestamps for every section are below — jump to whatever interests you."

CLICK FOR MORE »

Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

CLICK FOR MORE »

Arturia Memory V Jam | Synth Only + Kick

video upload by Solidtrax

"Been playing with ‪@ArturiaOfficial‬ Memory V in ‪@bitwig‬ Studio 6 for a couple of hours and I’m already hooked. I think it sounds absolutely massive. Arturia really nailed that “six Minimoogs in one” vibe while adding modern workflow features that make it way more usable for modern day production.

More info on Memory V: https://www.arturia.com/products/soft...

Shop sounds:
https://www.solidtrax.nl/shop"

ARTURIA Introduces Memory V | Analog Ladder Titan

Playlist:

1. Memory V | Analog ladder titan | ARTURIA
2. Memory V | Overview Tutorial | ARTURIA
3. Arturia Memory V: The Infamous Memorymoog reborn! - CatSynth TV
4. Arturia MEMORY V - The Memorymoog is BACK! Factory Presets Demo (No Talking) - Davide Puxeddu
5. Arturia Memory V | No Talking | - DKS SYNTH LAB



"Wield phenomenal power with Memory V, Arturia’s definitive software reimagining of the legendary Memorymoog. A titanic, front-of-mix analog instrument built for commanding leads, bold brass, and true polyphonic depth — delivering unmistakable vintage weight with modern stability and control. Harness the raw, expressive character of a true analog classic, reborn for today’s production workflows.

Memory V captures the colossal analog character and triple-oscillator architecture of one of the rarest polyphonic synthesizers ever made, recreated with Arturia’s advanced TAE® technology and expanded with modern modulation, arpeggiation, effects and expressive workflow integration.

From towering brass and dense basses to evolving leads, cinematic pads and unstable analog textures, Memory V delivers the unmistakable weight of early-80s polyphonic synthesis in a reliable, production-ready instrument.

_A true Analog Titan

Memory V honors the architecture that defined an era of polyphonic synthesis, and adds the tools you need to push it further.

Best-in class recreation

Discover the weight, movement and edge of the original hardware, preserved through component-accurate TAE® modelling of its oscillators, filter, mixer, drive and analog non-linearities.

Triple-oscillator architecture

Three free-running oscillators per voice deliver the harmonic depth that set the Memorymoog apart. Stack Square, Ramp and Triangle waveforms, shape pulse width and sync oscillators for rich, animated sounds

Legendary ladder filter

Shape sound with a modelled low-pass ladder filter per voice, complete with 24 dB and 12 dB modes, self-oscillation and Bass Compensation to preserve low-end weight at higher resonance.

Authentic analog feel

Use Vintage and Dispersion controls to introduce continuous analog drift, then fine-tune variation across pitch, pulse width, levels, cutoff, emphasis, modulation and envelope times.

Modern modulation and FX

Drag-and-drop modulation, a four-layer Multi-Arp and a 4-slot FX rack with 17+ studio-grade effects bring contemporary sound design into the legendary Memorymoog architecture.

300+ mix-ready presets

Explore a curated library of dense, front-of-mix sounds spanning vintage brass, saturated basses, cinematic pads, evolving textures, expressive leads and modern electronic tones.

Memory V: introductory offer

To celebrate the launch, eligible Arturia users can unlock a limited-time introductory offer on Memory V and selected bundle options."

https://www.arturia.com/products/software-instruments/memory-v/overview

Broken Reverb is Better Reverb (free IRs and samples)

video upload by Oscillator Sink

"Get the IRs and Samples here: https://oscillatorsink.gumroad.com/l/...

There's an aesthetic trend in modern effects, especially in ambience effects like reverb and delay, which points towards embracing and accentuating digital imperfection.

It turns out that the glitching, aliasing, distortion and noise that engineers traditionally worked so hard to dial out of gear actually sounds pretty amazing when used creatively and intentionally.

Many FX companies have really embraced this way of working, adding controls to their effects which allow musicians to digitally degrade the sound in wonderful ways - intentionally circuit bending their instruments by design.

Another way, though, to achieve these sounds might be to buy an old, cheap reverb from ebay and circuit bend it. This electronic abuse, forces the unit into leaning into these artifacts whether it wants to or not! The results may be more chaotic, but they might also be even more fun and potentially more affordable.

Chapters
00:00 Intro
01:20 The Mods
14:35 Processing Beats
21:57 Getting Weird with The Ether
24:54 Zero Input Patching
29:17 The Samples
30:29 The Impulse Responses"

Featuring a circuit bent Yamaha R100, Arturia Microfreak, Leploop Multicassa, SOMA Ether, and Elektron Digitakt.

True Trance Sounds V1 for Zebra 3 by NatLife

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/tru...

True Trance Sounds V1 for U-He Zebra 3 - is a first Zebra 3 soundbank by NatLife.

This soundbank have all the most famous sounds from the Trance history, from big Supersaw in 2000s to beautiful Plucks in 90s and more modern Adagio for Strings guitar Lead, like it was used in Tïesto recreation.

But I haven't stoped with only famous Trance sounds, I have used new possibilities of Zebra 3 for creating absolutely new unusual sounds. This library have a big collection of atmospheric Pads & Leads. For recreating the famous Trance sounds of the past I have inspired with a tracks by Tïesto, ATB, Megara & DJ Lee, Plastic Boy(M.I.K.E.), Ralph Fridge and my own ideas.

The soundbank contains 64 U-He Zebra 3 presets & patches, which are:

AAH - 4
Bass - 9
Leads - 17
Modulation Sounds - 2
Pads - 25
Plucks - 4
Synth - 3

TIMELINE:
00:00 Tiësto - Adagio for Strings (NatLife rework)
02:15 Megara & DJ Lee - Human Nature (NatLife rmx)
03:25 ATB - Let U Go (NatLife vision)
04:21 Plastic Boy - Silver Bath (Natlife rev)
05:20 NatLife - Thinking of Montains
06:19 NatLife - Rise Of Me
07:00 Ralph Fridge - Paradise (NatLife rev)"

Synth post-rock and ambient | Three songs with delay and reverb

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Three different songs focusing on the inspiration of delay and reverb.

MAS Distribution sent over the GFI Solis Ventus, a delay and reverb pedal, for me to try for free. Take that for what you will.

I've already used the Solis Ventus in other video here, so there was no particular need to create a video focused on it. However, I usually explore new gear by just placing it on the table and seeing what comes out. I thought maybe nothing would come of it, or maybe I'd make a single song. In the end, I kept writing more and more with it, all in different styles and genres. The reverbs in the Solis Ventus are fine, but there's some real weirdness and magic in the delays, and they kept delighting and surprising me. In the end, I decided to share three songs with you from these explorations, although there's some more on my Patreon.

00:00 - Post-rock with synths instead of guitar
03:52 - Pure ambient with Pluto
06:17 - Rock starting with L1

Ultimately, what I hope comes through is that effects aren't something simply to colour or smooth over a sound; effects can be the very thing that inspires the songwriting process. That's what happened in all of these instances, and more.

Gear used:
Arturia Astrolab 37 (keys)
GFI Solis Ventus (delay and reverb)
Squier Bass VI (bass-guitar hybrid)
Line 6 Pod Express Bass (for bass amp sim)
Moog Subsequent 37 (mono synth melody)
Novation AFX Station (mono synth lead)
Modern Sounds Pluto (mini euro synth sandbox)
Donner L1 (mono synth random arp)
Godin Session Custom '59 (guitar)
Strymon Iridium (for guitar amp sim)
Union Tone & Transistor Lab (compressor for guitar)
Electro-Voice RE-20 (vocal mic)
Probably more I'm forgetting

Multi-tracked, mixed in the box (except the Pluto song, which was live to stereo out, with EQ, compression, and limiting on the master).

https://jayhosking.bandcamp.com"