Moog Taurus Bass Pedals in Genesis Songs and more - The Legendary Prog Rock Sound!

video upload by RetroSound

"The legendary Moog Taurus Bass Pedals played a huge role in the powerful low-end sound of progressive rock — and Genesis used that sound in some truly iconic songs.

In this video, we take a closer look at the Moog Taurus bass pedal and its role in the Genesis and the Phil Collins, Steve Hackett solo works, exploring those deep, massive bass frequencies that became a signature of progressive rock.

From the classic Genesis era to the unmistakable sound of the Taurus pedals, we'll look at how these legendary analog bass pedals were used and why the Moog Taurus became such an important instrument in rock music.

If you're a fan of progressive rock, Moog synthesizers, analog synths, bass pedals or classic 1970s rock sounds, this video is for you.

🎧 Listen with headphones or a good sound system to really hear those deep Taurus frequencies!"

The song list: 0:06 Afterglow 0:47 I Don`t Care Anymore (P. Collins) 1:16 Dance On A Volcano 1:54 Squonk 2:22 Clocks (S. Hackett) 2:50 Los Endos 3:10 Musical Box 3:35 Mama 4:31 Entangled 4:56 Firth Of Fifth 5:20 I Know What I Like 5:42 Shadow Of The Hierophant (S. Hackett) 5:55 Suppers Ready 6:18 Tonight Tonight Tonight

ARP Foundation Uncovers Never Before Seen Images of Lexington, MA ARP Instruments

via The Alan R Pearlman Foundation

"Every once in a while, history hands you a surprise.

A couple of years ago, we came across three contact sheets of never-before-seen photographs from inside the Lexington, MA ARP Instruments — images (with the exception of one) that have never been published, never been digitized, and until now, never even been known to exist.

We don't yet know everything they show. What we do know is that they're a direct window into the now-legendary 1970s factory that includes images of Alan R. Pearlman, David Friend, and Phil Dodds — the team that gave us the ARP 2600, the Odyssey, the Omni, and the ProDGX. For anyone who's ever chased that ARP sound, these images are a missing piece of the story.

The Foundation has an opportunity to acquire all of the images from these contact sheets — but only with your help. Acquiring and preserving them is part of our 'Preserve the Legacy' goal in our current Back-to-School Fundraiser, alongside our effort to save a vintage ARP string ensemble."

You can help here: https://arpchives.org/arp-late-summer-2026-fundraiser/.

ARP 2500 recently restored by CMS - Phil Cirocco

video upload by Phil Cirocco

"Here I go again on an ARP 2515 machine controlled by a 3112U2 keyboard. We recently brought this beauty back from the dead in the CMS lab. This baby was re-engineered to the max so we had to restore every crazy hack back to factory original. Thanks to Alan R. Pearlman for giving us all his blueprints for the 2500 and for also being one of the nicest guys you would ever meet."

R.A. Moog Model 351 Theremin Donated to the Bob Moog Foundation Archives

via The Bob Moog Foundation

"One of the earliest R.A. Moog products, the Model 351 theremin, was recently donated to the Bob Moog Foundation Archives! Bob and his father, George Moog, a woodworker and engineer in his own right, built these theremins in the family's basement workshop in 1954. This is a 72-year-old musical instrument!

By the time Bob Moog was just 20 years old, he had already been experimenting with and creating working electronic instruments for a full decade. Three years after creating the Rensitron, Bob's very first working musical keyboard, his newly minted company, R.A. Moog Co., started selling Model 201 theremins in 1954 to a select few customers. Later that very same year, Bob and George created the Model 305 theremin and its scaled-up alternative, the Model 351.

The vacuum-tube-driven Model 351 theremin has a five-octave range and a mahogany cabinet. For its day, the tonal control was quite extensive, albeit elusive to most theremin neophytes. The comprehensive array of volume-related knobs on the left has no instructional guidance in the accompanying manual, leaving users to their own devices to adjust their settings for optimal performance.

The center switches were more self-explanatory, allowing the user to mix and match the tone quality and pitch octave in a process Bob called 'Synthetic Format.' Synthesis was already being defined and developed, as far back as 1954!"

Supporters Tammy and Phil Neimeyer generously donated this Model 351, appraised at $25,000, to the Bob Moog Foundation Archives. It was purchased around 1955 by Tammy's grandfather, James Gray Everhart, a lover of music, gadgets, and engineering. He was an early believer that R.A. Moog theremins could create beautiful music, which he would routinely demonstrate to friends and family!

To learn more about the Model 351 and see more pictures, check out our blog post on moogfoundation.org!"

CLICK FOR MORE »

The Prophet

video upload by Robin Rimbaud-Scanner

"What began as a little studio playtime with a new software synth from GForce developed into this neat little EP.



I made a little demo online for social media and had a number of requests to make this track available, so you not only get that track, but also three additional tracks, all of which I made on the same day.

A little context - Few instruments have left such an indelible mark on modern music as the Sequential Prophet-5. You’ve heard it on countless recordings, from Michael Jackson’s Thriller album to Phil Collins, from Radiohead to Vangelis, Peter Gabriel, David Bowie, Gary Numan, Kraftwerk, oh the list goes on and on."

https://www.gforcesoftware.com/product/prophet5/

Phil Hartnoll of Long Range shows us his synths, including his TB-303 that he has had since forever.

video upload by Tomás Mulcahy

Phil Hartnoll (Orbital) studio tour.

"I had uploaded this years ago, and as someone said at the time 'It looks like it was shot on a potato' which was true :) I used Adobe Dialogue enhance to clean up the sound, and a free online video enhance for the picture all of which brought it out nicely. The bit about the TB-303 at 7:05 is my favourite part :) Can't believe it's been almost 20 years!

Original blurb
__________________________________________________________________________________________________
Future Music Magazine, June 2007
Exclusive video of the gear in the Long Range studio

Phil runs through his synth collection detailing his best (and worst!), not forgetting the classic TB-303 on which some techno classics were written, complete with stickers for the tunes! We put him on the spot and ask which three pieces of gear he'd take to a desert island and then Nick runs through the band's bank of outboard gear. Fast!
__________________________________________________________________________________________________
7:05 He finds the TB-303 on the floor :)
8:52 Nick runs through the band's bank of outboard gear"

Roland CR 78 Famous Songs and Sounds | 7 Classics in 90 Seconds

video upload by Nicolas Melis

"Roland CR-78 Famous Songs and Sounds | 7 Classics in 90 Seconds

7 iconic songs that used the Roland CR-78.
A drum machine that defined an era.

0:00 Phil Collins - In The Air Tonight (Disco 2 + kick )
0:12. Orchestral Manoeuvres In The Dark - Enola Gay (self-programmed)
0:24. Blondie - Heart Of Glass ( Mambo and Beguine )
0:34. Visage - Fade To Grey (Rock 3)
0:44. Ultravox - Vienna (Rock 4 + Kick)
0:58. Daryl Hall & John Oates - I Can't Go For That (Rock 1)
1:10. Soft Cell - Tainted Love (Fox Trot)"

80's Gated Reverb with Nightverb!

video upload by Quincas Moreira Music

"Watch me try to be like Phil with the new firmware 1.02 for Erica Synths' amazing NIGHTVERB reverb unit!
More info here: https://www.ericasynths.lv/news/post/...
I made a whole song, "In the Water Today" :)
Stay Noisy!"

A Love Story - Roland Cloud CR-78 First Look

video upload by Starsky Carr

"The Roland CR-78 CompuRhythm is one of the most iconic drum machines ever made — and now it’s back as a stunningly accurate ACB emulation inside Roland Cloud. In this video I take a deep dive into the CR-78 plugin, exploring its legendary analog sound, programmable patterns, classic rhythms, and all the powerful new features that go far beyond the original 1978 hardware.

The original CR-78 was the world’s first programmable drum machine and became famous for its warm analog voices, signature presets and musical groove. It appeared on countless classic records — from Phil Collins and Blondie to early synth-pop, post-punk and electronic pioneers.

In this demo I explore:

Roland’s ACB (Analog Circuit Behaviour) modelling technology

How the CR-78 patterns, fills and variations work

Sound shaping with decay, tuning, gain and metallic tone

MIDI CC control and DAW automation

Live performance workflow and pattern programming

Why this is so much more than just a retro drum machine

If you love vintage drum machines, classic analog rhythms, synthwave, post-punk, electronic music production or hardware-accurate software instruments, this is one you don’t want to miss.

🎛 Classic analog warmth
🥁 Programmable rhythms & fills
🎚 Deep sound design
🎹 Full MIDI control
🔥 Perfect for synthwave, electro, indie, pop & film scoring

The CR-78 may look simple — but it’s a seriously powerful creative tool once you start digging in."

The Alan R Pearlman Foundation's Year in Review

video upload by Alan R. Pearlman Foundation

"From a Compilation to a Concert Celebration, our year celebrating our namesake's Centenary has been amazing! Share our journey!

Music by Lisa Bella Donna & Shawn Johnson

Purchase Soul of the Machine at https://alanrpearlmanfoundation.bandc...

2025 Sponsors:
Korg, Cherry Audio, Moog Music, Manny Fernandez, Tom Rhea, Rosen Sound

2025 Partners:
Bell Tone Synth Works, CMS, CatSynth TV, EMEAP/MMT, Eric Crawley/Dan Gilbert, Interage MediaWorks, Knobcon, Korg, Anthony Marinelli Music, Antonus, Mashina Bristronica, NAMM Museum of Making Music, Vito Nandi, New England Synth Fest, Projekt Records, Steve Roach, Round & Wound, the SynthCave, SynthCube, Synthtopia, Synthetic Dreamscapes, The Record Co. (TRC), Sharon Wasko Designs

Thank you to all of our donors, volunteers, interns, friends and partners including (but not limited to) Alex Ball, Antonus, David Baron, Lisa Bella Donna, Chris Cardone, Jon Carin, Alison Cassidy, Nick Carlisle, Phil & Linda Cirocco, Mike Cushing, Tom Cusimano, Eric Crawley, Stephen DeJesus, Rich Formidoni, John Foxx, Dan Gilbert, Patrick Gleason, Herbie Hancock, Martin Gore, Rupert Greenall, Ryan Hawkins, Mary Lock, Mark Marshall, Machina Bristronica, David Mash, Steve McQuarry, Bill T. Miller, LaMar Mitchell, Chris Meyer, NE Synth Festival, Nicola Joss, Ruperto Ifil, Brian Kehew, Anthony Marinelli, Tom Piggot,TRC (The Record Co). EMEAPP/MMT, Mary Lock, David Mash, Matrix Synth, Michelle Moog-Koussa, Tony Norton, Jim Michmerhuizen, Mike Metlay, C. Carl Peters, Rob Puricelli, ProSynth Network, Drew Raison, Steve Roach, Sam Rosenthal, Drew Schlesinger, Don Slepian, Steve Smith, SynthTopia, the NAMM Museum, the MiDI Association, Real World Studios, Gerson Rosenbloom, Collin Russell, James Thirlwell, Pete Townshend, the Townshend Studio, and Andrew Ward"

Prophet-5 Famous Riffs | Radiohead, D Train, Cameo & More!

video upload by Andy Whitmore

"Take a tour of the legendary Sequential Prophet-5 with a stack of famous riffs – from Radiohead and D Train to Cameo, Frankie Goes to Hollywood, Phil Collins, Pink Floyd, Talking Heads and Hall & Oates.
All sounds are played on my Prophet-5, with no other synths."

Time Stamps: Time Artist Track
Time Stamps: Time Artist Track
00:00 Intro
00:36 Radiohead - Everything In Its Right Place - Main Riff
01:04 The Cars - Let’s Go - Intro Melody Riff
01:23 Talking Heads - This Must Be the Place - Flute Sound
01:44 Phil Collins - In the Air Tonight - Prophet 5 Pad
02:11 Pink Floyd - Run Like Hell - Synth Solo
02:58 Frankie Goes to Hollywood - Relax - Bass Drop & Brass Lick
03:17 Frankie Goes to Hollywood - Relax - Middle 8 Bass Drop
03:40 D Train - You’re the One for Me - Bass
03:51 D Train - You’re the One for Me - Main Lead Riff
04:08 D Train - You’re the One for Me - First Synth Part
04:16 D Train - You’re the One for Me - Second Synth Part
04:30 D Train - You’re the One for Me - Bass Drop
04:46 D Train - You’re the One for Me - Synth Organ Solo
05:27 Cameo - She’s Strange - Moody Synth
06:02 Cameo - She’s Strange - 2nd Synth Lick
06:20 Daryl Hall & John Oates - I Can’t Go for That - Sawtooth Filter Open Swell
06:32 Daryl Hall & John Oates - I Can’t Go for That - Main Synth Riff
06:45 Daryl Hall & John Oates - I Can’t Go for That - Flute Lick
08:18 Outro - Summary - What’s coming next
---
Nice Oberhiem OB-8 synth T!

Additional Andy Whitmore Famous Riffs

ARP Foundation's Soul of the Machine CD & Download Update

If you haven't picked up a copy of the release, now might be a good time.

via the Alan R Pearlman Foundation:

Soul of the Machine is a Roaring Success!!!

We have officially sold half of our limited edition CD; we are also going to end our introductory 'Name Your Price' for downloads on BandCamp soon, so don't hesitate to purchase today!

Praise from BandCamp (Alan R Pearlman Foundation and Projekt Records )

"A tribute to the creator of my favorite music instruments. I Like the sound of the ARPs in classical electronic albums. Great record with many great contributions!"

"No favourite track, just indulging in the sonic wash of this amazing album. Just wonderful."

"...what an AMAZING collection!! ..."

"A ritual offering—ARP as oracle, muse, and monument. The machine has a soul. And here, it sings."

"It's hard to pick a favorite track off of this compilation... Lots of groovy music by a lot of artists.I had never heard of, but there are a few artists.I am familiar with. this is pretty groovy stuff... " "Awesome tribute and collection. Mr. Roach has somehow found time to be an archivist. would love a second volume. get this as both sampler and tribute..." Purchase from BandCamp

CLICK FOR MORE »

Soul Of the Machine: A Celebration of the Life & Legacy of ARP founder Alan R. Pearlman

via the Alan R Pearlman Foundation

Available on Bandcamp here

Press release follows:

Kingston, NY— In 2025, the Alan R. Pearlman Foundation celebrates the centennial of its namesake, the electronic visionary whose marvelous ARP synthesizers changed the landscape of music forever. As part of the ongoing celebrations, the Foundation is announcing the release of Soul Of The Machine, a 36-track musical celebration of the man and his creations as interpreted by a diverse range of recording artists.

Soul Of The Machine is a 36-track collection of tracks old and new, covering everything from innovative electronic, dance, and space music to jazz, funk, and Latin pop, all featuring the signature sounds of classic ARP instruments. The collection includes everything from ARP’s first synthesizer — the massively powerful ARP 2500 modular system — to the instruments that rewrote the rules on how electronics and music came together. The 2600, Odyssey, Pro Soloist, Omni, and many more ARP instruments sing, cry, scream, and soar, in the hands of musical talents both legends and newcomers.

Soul Of The Machine is a treasure trove of musical exploration. Martin Gore’s “KIno" combines Depeche Mode’s signature rhythmic power with a uniquely lyrical and sweet atmosphere. “Mr. No” is a celebration of the classic proto-techno sound of John Foxx. Award-winning soundtrack composer Mark Isham showcases his signature pulsating energy and evocative moodscapes in the mini-suite “Musings – in Two Parts”. Lisa Bella Donna takes listeners on a journey into timeless wonder in the epic “Conclusions.” JG Thirlwell’s “Sphere” is a synth freakout ricocheting between ominous sci-fi atmospheres and searing beats. Panic Girl offers "Drifting Whispers," a somber and uplifting neo-retro journey into a past that never was.

Other artists on the collection include Michael Brückner, Phil Cirocco, Rupert Greenall, LaMar "Kronick" Mitchell, Jeff Rona, Drew Schlesinger & David Torn, Don Slepian, and many others, as well as tracks by the collection's curators Steve Roach and Chris Meyer of Alias Zone.

Famed ambient / electronic pioneer and ARP user since 1978, Steve Roach shares his thoughts on Soul Of The Machine: "In 2024 I had the honor of meeting Dina Pearlman-Ifil — the director of the Alan R Pearlman Foundation — in person. Over the course of several phone conversations we discussed ways to celebrate the centennial year of her father's life and his place in history. My idea for a compilation of music using her father’s creations grew out of those conversations, presenting a perfect way to directly experience the vast range of music that was birthed by the family of ARP synthesizers. This compilation is just a small taste of the universe Alan inspired in sound explorers and artists across a vast range of genres."

Steve mapped out the music so that CD 1 represents a sonic journey and CD 2 provides a showcase of the depth and breadth of what ARP synths can do. After both CDs were finalized, there were more tracks than room on the CDs. These additional songs are available as a bonus digital supplement to the physical CD set.

Says Dina Pearlman-Ifil: “I have long-dreamed of a multi-genre collection that would illustrate the depth and breadth of the possibilities of my father's instruments. This collection is the embodiment of what my father treasured most: The creative spirit. As the old ARP tagline used to say: ‘The most creative part of an ARP Synthesizer is you.’”

The Alan R. Pearlman Foundation is dedicated to the empowerment of young and burgeoning artists into the future. When we look at classical instruments born hundreds of years ago, we see that Alan Pearlman's synthesizers stand tall, earning their place in the evolution of musical history. Acoustic or electric, their common ground is the enduring inspiration for creativity and sonic innovation that inspires the hearts and minds of musicians, performers, and sound explorers worldwide.

Soul Of The Machine will be available for streaming on October 17, 2025. The special limited edition CD will be available for purchase in early-to-mid-November.

Proceeds go the Alan R. Pearlman Foundation

The Alan R. Pearlman Foundation is a 501(c)(3) not-for-profit organization.
Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman, by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create.

ARP Centennial Compilation Concept: Steve Roach
Project Directors: Steve Roach, Chris Meyer, and Dina Pearlman-Ifil Mastered by: Robert Rich

Cover concept and design by Dina Pearlman-Ifil, production by Sharon Wasko

This compilation wouldn't be possible without the support of our incredible sponsors: Cherry Audio, Korg USA, Moog Music and Steve Roach.
Also HUGE thanks to Chris Meyer / Alias Zone, Mark Marshall / interage.com for all things web, Dr. Mike Metlay/ atomicwords.net for creative input on the liner notes, and Sam Rosenthal / Projekt Records.

Purchase from BandCamp: https://alanrpearlmanfoundation.bandcamp.com/album/soul-of-the-machine...

The Crow Hill Company Adds Roland CR-78 Based RHYTHM MACHINE to VAULTS

video upload by CROW HILL

"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."

https://thecrowhillcompany.com/free/

Press release follows:

The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…

Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.

CLICK FOR MORE »

Roland VP-330 | This Synth Made Vangelis Famous… But WHICH Version?

video upload by Andy Whitmore

"🎹 This Synth Made Vangelis Famous… But WHICH Version?

The Roland VP-330 is one of the most iconic vocoders and string machines ever created — made legendary by artists like Vangelis, 10cc, and Vince Clarke. But did the MKI and MKII versions sound the same? In this video, I compare the two side by side — same settings, same riffs, totally different vibe.

From lush choir tones to robotic vocoded phrases, you’ll hear the subtle — and not-so-subtle — differences that make each model unique.

The Roland VP-330, or Vocoder Plus, is one of the unsung heroes of the late '70s to early '80s synth world, being used on hits by the likes of Queen, Phil Collins, Stevie Wonder, Vangelis, and more recently, Dua Lipa.

As the name suggests, the Vocoder Plus combined a vocoder with chorused strings and a synthetic choir sound. Its recent resurgence in popularity has seen an official Roland Boutique recreation, an unofficial Behringer clone, and software emulations try to recreate its classic tones.

The VP-330 was the last and most famous of the Roland string synthesizers, a line that started in 1975 with the release of the Roland RS-101. This early string machine keyboard utilised divide-down technology, meaning that a single oscillator could have its pitch divided down to play any note on the keyboard, allowing polyphony at a much cheaper price point than traditional polyphonic synthesizers. These kinds of synths were named paraphonic.

⚠️ While Vangelis famously used the VP-330, this video doesn’t analyze his exact recordings — it’s a deep listen into the synth itself.

🎧 Best experienced with headphones!

👇 Let me know in the comments: Which version do YOU prefer?

0:00 – Intro
00:36 Queen Radio Ga Ga
00:43 Phil Collins - In The Air Tonight
00:50 Stevie Wonder I Just Called to Say I Love You
00:58 - Vangelis Blade Runner
01:10 - How the VP-330 Works
01:52 - Roland VP-330 MKI – Vocoder Sound
01:56 - Roland VP-330 MKII – Vocoder Sound
05:30 – Roland VP-330 MKI - String Sound
05:54 - Roland VP-330 MKII - String Sound
06:17 - Roland VP-330 MKI - Choir Sound
06:42 - Roland VP-330 MKII - Choir Sound
07:07 - Outro"

A short history of the 909 in 16 songs ⬜🟧 from TECHNO and HOUSE to POP | Drum Patterns Explained

video upload by Captain Pikant

"The Roland TR-909 has shaped the sound of many genres ranging from Techno, House, Hip Hop and Pop to Industrial and Eurodance. In this video we'll take a look at 16 of our favourite 909 drum patterns - including its very first appearance as well as modern productions nearly 40 years later, so get ready for some interesting 909 history and trivia. We'll be using an external sequencer so you can see all the different instruments and you can try the patterns in your drum machine or in your DAW."

0:00 Introduction
1:02 Skinny Puppy - Smothered Hope
2:36 Mantronix - Bassline
4:56 Phil Collins - Take Me Home
6:09 Inner City - Big Fun
8:39 Technotronic - Pump Up The Jam
11:17 Madonna - Vogue
12:51 Adamski - Killer
14:50 Aphex Twin - Heliosphan
15:44 Circuit Breaker - Trac-X
17:03 Björk - Hunter
18:02 Daft Punk - Revolution 909
18:44 Darude - Sandstorm
20:16 Duke Dumont - The Giver (Original Mix)
23:04 John Tejada - Stabilizer
24:04 Jeff Mills - Exhibitionist 2 Mix 3
25:13 Peggy Gou - I Go
26:16 End Jam

Drum 'n Bass DELIA Polysynth Presets by Danny Bonnici - NuBreed/Liquid Mixes, Melbourne Instruments

video upload by Melbourne Instruments

"Danny Bonnici - Liquid Mixes and NuBreed fame, channels his Drum 'n Bass roots, creating some harder edged multi-layered and multi-timbral presets for DELIA. In this video he runs through how he created one of his standout presets for DELIA.

ABOUT DANNY BONNICI:
Danny Bonnici is one of Australia’s most respected and dynamic electronic music producers and performers, renowned as a pioneer for his work. For over 20 years Danny has been making an indelible mark on dance music, starting with NuBreed in the late ‘90s. Danny's productions under Liquid Mixes, sees him working with many big-name producers from James Zabiela, Nick Warren, Patrice Bäumel, Hernan Cattaneo and Phil K to name a few.

Check out Danny and Liquid Mixes here:
/ dannybonnici
/ dannybonnici
/ liquidmixes
/ liquidmixes1
https://www.liquidmixes.com/
https://www.beatport.com/artist/danny...
https://dannybonnici.bandcamp.com/

DOWNLOAD DELIA PRESET PACK: https://www.melbourneinstruments.com/..."

DX5 performing The Human League "The Sound of the Crowd"

video upload by DX5

"A simple but interesting song not much known by the early days of The Human League V2 (when the female vocalists joined). If you don't know the original version, check it out. I found it catchy, specially the chorus. So I decided to pick my two analogues plus the JP8000 and give it a try
Gear used.
Left:
Roland MRS2 Promars: single VCO bass (and extra sub bass on backtrack)
Roland JP8000: Cross Mod lead
Right:
Korg Polysix: Sawtooth lead

Backtrack previously recorded, instrument by instrument, on Pro Tools (just drums and the extra sub bass, plus a JX-8P on final pads).
Original song composed by Phil Oakey, Ian Burden.
Performed here by DX5 Jose Maria Bara"

Ancient Passage

video upload by davidryle

"This basis of this project was between the new Synthetic Sound Labs 1655 Geo-Gruvn euclidean sequencer and a few different Low Pass Filter modules. The new SSL 1015 LPG with the cadmium sulfide CdS element, the Mega Ohm Audio CdS VCF/A module and the Cyndustries Quad Low Pass Gates module. The Cyndustries module was enhanced by Phil from Mega Ohm Audio to be much more responsive. A big change and very useful.

The Geo-Gruvn module from SSL is an adaption of the Hagiwo board and was also enhanced to provide a more efficient response all the way to audio rate clocking.

The main orchestration automation module in this piece was with the synthesizers.com Q170 Midi Gates module. The use of eight channels of midi gate streams from Cubase were the way each section were enabled on and off. My hands-on modulation was simplified to allow me to change timbre, filter settings and delay rates with ease.

The center section featured the Dove Mu-Seq D900 sequencer for a pattern which began by me running the sequencer in reverse and recording the track to Cubase, then reversing it back into the mix. I started with the Woven Spirits (MI Plaits) at a higher octave and drew it down until it matched the timbre for the rest of the midsection.

The last part was the dual Matrix run into a pair of quantizer modules in which I timed the pitch voltage outputs with the Geo-Gruvn gate outs. These voices were the Dotcom Q206 and Q206A modules through the Frequency Central X Series Low Pass Filter and an Empress Reverb pedal.

Other delays included the Modcan 73B dual delay with loads of modulation, and the SSL 1310 Digital Delay.

The opening drone is a feedback from the TipTop Audio Z-DSP VC-Digital Signal Processor with the Halls of Valhalla chipset in Plate Reverb mode. This drone also arose in the center section.

A pair of frequency shifter modules (Encore Electronics and Behringer Bode Clone) were used for the Snare and Hi Hats enhancement. The kit drums were the LDB-2E Analog Drums from Delptronics and the TipTop SD808. They were sequenced from the Mutable Instruments Grids module and a pair of Turing Machines and an MI Marbles module."

Top 86 Greatest Intros and Tunes on Sequential Prophet 6

video upload by jami.m

"Not all these were originally played on Prophet synths. These video clips are just for amusement - Enjoy -"

00:00 The Final Countdown - Europe
00:27 Bette Davis Eyes - Kim Carnes
00:52 Save a Prayer - Duran Duran
01:19 Blinding Lights - The Weeknd
02:02 Just Can't Get Enough - Depeche mode

CLICK FOR MORE »