Rhodes and Prophet-10 Simple Recording Track | Warm arms 2026-03-19 by atnr

video upload by atnr

"A track created with Rhodes MKII, Prophet-10, OP-1 field, drums, and bass. It is built from simple performance and recording.

The Rhodes MKII is played with chorus from the CE-5. After recording, it is processed through Lofi Tape in the DAW.

On the Prophet-10, a synth lead is performed while switching patches during playback.

On the OP-1 field, sampled voice is played with the FAZOR effect. It is further processed through MOOD MKII with reverb and MicroLoop.

The bass is recorded through a BASS DRIVER DI. The drums are recorded separately and edited in the DAW, then processed as a group through Lofi Tape."

Black Corp. Deckard's Dream MkI

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Deckard’s Dream Mk1 synthesizer in near mint condition, housed in a custom Zebrano wood 5U rack case. The beautiful hardwood case was specially commissioned from renowned synth cabinet maker Ross Lamond, crafted from carefully selected Zebrawood. It also includes a spare 1U rack space, ideal for adding the Deckard’s expander or installing a reverb/FX unit.

The synth itself was professionally built by an audio engineer, is working perfectly, and sounds fantastic. Cosmetically it is in near mint condition.

If you’re looking for classic CS-80 style sounds with modern reliability, this is an excellent example. Includes external power adapter suitable for 100V to 230V power with the appropriate IEC power cable for your country."

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An Inspiring Eurorack Toolbox for Audio & CV // Workshop Computer from Music Thing

video upload by DivKid

Also see Turing Machine, Workshop System & Planet of the Apes! // Music Thing Modular at Machina Bristronica

"Seeing the Music Thing Workshop System grow and develop over recent years have been a lovely thing and it made me happy to see part of it getting broken out into a Eurorack module and for that part to be the Workshop Computer. It's an 8HP Eurorack module that works as digital toolbox for audio and CV which offers all sorts of handy low level utility things, more exciting audio and CV generation and a range of more lo fi and hi fi audio FX.

Along with the release of the module are 3 new program cards from RYK, offering pitch shifting delay, vocoding, pitch to voltage and tape style recording and looping. You also get some default Music Thing cards and there's blank cards with a huge range of simple drag and drop a file over USB options for a range of community cards you can get for free too. Check out the links below, loads of info in the timing index to skip around. Enjoy!"

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Dub Techno sketch 27 (Roland TR-1000)

video upload by Olu Ondas Studio

"BPM 118

Kick: 808, light saturation
Vocal sample- high pass filter
Chord 1-delay/reverb
Pad -delay/reverb
Sub bass sample
Clap: 909 reverb
CHH: 707
CHH2: 808
Perc sample-delay/reverb"

Defect Process 2 - Discombobulation arises

video upload by Memetune Studio

"Another exploration on the Defect Processor, this time feeding one half of the 289 into the other. It's kind of ghostly and interesting - I love how you can change the pitch of the reverb in real time - quite a discombobulating effect"

Moog Mother 32 & Dave Smith Tempest

video upload by the nightwater

"Quick jam using a few passes on the Moog Mother 32 and the Dave Smith Tempest on the drum beat. Some reverb from the Strymon Bigsky Mx.

Please check out my music here:
Spotify: https://open.spotify.com/artist/43pG4...
Apple: / the-nightwater
Soundcloud: / thenightwater
Bandcamp: https://thenightwater.bandcamp.com/"

A Decoder Monst-ROM from Germany

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Great and rare modular synth made by Dmitry Morozov aka ::vtol:: during 2011 VolFram is semi-modular noise synthesizer and fx-proccesor based on digital 8-bit echo chip Ht-8970 it can be used as flexible delay/reverb processor, fuzz and complex. All these fx-capabilitys can be mixed and controlled with much flexibility Only 56 unit were made Dimitry is a transdisciplinary artist and researcher. He focuses on contemporary media arts including sound, robotics and installation, placing special emphasis on the link between emergent systems and new kinds of technological synthesis. Currently based in Ljubljana, Slovenia."

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HWJ - INTERFERENCE - HWJ Edit

video upload by FL3SHB4CK

"Hardware Jam Challenge: Collab

QUIVER, RADIUS, TABOR, B.RAM, ZERSTORER

Recorded live thru Syntakt delay & reverb"

It's Only Noise - Random Percussion with Sample & Hold, No Sequencer...just for fun #eurorack

video upload by AJH Synth Official

"Messing about with noise and random voltages. This patch is just various noise sources through various filters, frequency-modulated by sample & hold, with envelopes controlling amplitude (VCA) or affecting filter frequency. No sequencer was harmed in the making of this video.

The ‪@solidstatelogic‬ BigSix is used to mix all 4 sounds, with the ‪@vermonagear‬ DSR-3 providing stereo spring reverb for the drone and occasional sound.

Video & performance by ‪@DreamsOfWires‬

Patch Breakdown:

Drone: This is just pink noise going into the FIXED FILTER BANK 914, but with an LFO from the DUAL RVG modulating the mix between the left and right bands of the Filter Bank, creating that slow, breathing effect. The AJH SYNTH 914 has built-in, voltage-controllable mixing/cross-fading functionality, which wasn't present in the original Moog 914 on which it is closely based.

Percussion 1: White noise going to the SONIC XV Diode Ladder Filter, using its band pass output. One channel of the DUAL RVG is sending random voltages to the Sonic's Filter Frequency/Cutoff, whilst a DH-ADSR envelope generator controls its audio level in the TRIPLE CROSS (being used as a triple VCA).

Percussion 2: This starts with noise generated by the LUNAR MODULE - this has 2 noise sources with different character and tone control, and built-in distortion. Its output goes to the MATRIX VCF, which has 16 different filter modes, which I cycle through manually during the video. See out User Guide video for more information: • NEW MODULE! MATRIX VCF User Guide - Vintag...

Occasional Sound: Here I'm using the SAMPLE & HOLD module to randomly trigger the MULTI BURST ENVELOPS module. The Colour control on the Sample & Hold determines the range of random voltages generated. It is a combination of Low Pass and High Pass filter over the onboard noise that is used to derive the voltages, so turning it anti-clockwise from the centre acts as a low pass filter, reducing voltages produced to be in the lower range, whereas turning it clockwise of the centre position acts as a high pass filter, meaning voltages in the higher range. Since it is generating lower voltages here, it is only occasionally producing enough of a voltage change to trigger the Multi Burst Envelopes. If I raise the Colour control it will trigger more often.
The Multi Burst Envelopes produces a chosen number of bursts of the selected envelope shape. The built-in LFO controls the speed of the bursts, as does the Clock input, but both can be used together or independently. I'm using it to control the frequency of the ENTROPIC DOOM's low pass filter, to generate an occasional burst of filtered noise."

Sequential FOURM Synthesizer A Poly Pro 1 and more

video upload by James Dyson

"Sequential FOURM Synthesizer A Poly Pro 1 and more
FX when used simple ping pong delay and sometime Valhalla Reverb"

The unfounded | IDM

video upload by MIDERA

"I went to pull out my Korg ESX-1... and well... it's dead. Took it to a tech who also said it's dead. I'm going to try one more thing to see if I can get it working... we'll see. For now, I've thrown my Korg EMX-1 into the foray for drums since it can do mostly the same things. However, I forgot that the drum parts can't go through the filters. That's so dumb. What was Korg thinking? Makes no sense. Oh well. That's what I've got. I'd have actually expanded this track but couldn't because the next pattern in the EMX was something I didn't want to lose, so I just stuck to this one.

Elektron Analog Keys: Melody, Bass, etc
Korg EMX-1SD: Drums
NI RAUM: Reverb"

ESK - ARP Odyssey and Qantec Reverb

video upload by Metunar

"Jam with a Korg ARP Odyssey FS synthesizer and a Qantec Yardstick 2402/F reverb effect.
Direct recording with soft mastering."

http://www.metunar.ch

JMT SYNTH / SRV-1b

video upload by beatsville store

https://beatsville.jp



A desktop spring reverb unit featuring a built-in miniature spring.

You can use its high-quality, authentic spring to achieve a beautiful, classic reverb—or you can dive headfirst into the lush, vibrant resonance of a wildly oscillating spring, letting yourself drift and drown in its saturated wetness. It gets absolutely drenched.

And while nobody explicitly told you to shake it, smack it around, or slam it against the table... well, naturally, you’re going to do it. After all, there’s a real spring inside that actually shakes! It’s the thrill of the authentic.

Mix the clean-boosted signal (GAIN) with the spring-reverb-processed signal (REVERB), then adjust the overall output volume using the LEVEL control.

When the switch is in the down position, the signal bypasses the effect, passing directly from IN to OUT. The LED illuminates when the effect is active.

*Powered by a DC 9V power adapter (center-negative / Tip = -); sold separately.

vc1 by Baghead

Baghead · vc1

"100% iPad not bad for $34,

Mynth synth - free
Other Desert Cities - delay - $7
Descent granulizer $3
-
Glitchscaper for ambience and percussion - $16
Ascent - reverb $3-
TextQuencer for sequencer
- $5"

Baby Audio GRAINFERNO

video upload by DATABROTH

"Read my full review here: www.databroth.com/blog/grainferno-review

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth

00:00 Melody and tweaking
02:56 SFX
03:54 Ambience
04:43 Chaotic Percussion"

Granular synthesis redefined

Break your samples apart to build new and unique sounds

Play any audio file like a synthesizer-in tune with your song

Explore a new world of sound design with audio as your raw material

A firestorm of granular power

Grainferno is an advanced granular instrument built around a new way of synthesizing sound from existing audio. Its next-gen grain engine breaks your samples into microscopic fragments and rebuilds them into entirely new textures.

From pristine tonal clouds to experimental digital noise, Grainferno turns your sample library into an endless source of playable inspiration.

Make a synth from any sound

Grainferno can generate grains at speeds fast enough to cross into the audio range. At these rates, grains stop behaving like texture and start acting like oscillators-turning any audio file into a playable synth voice.

Even at audio rates, traces of the original sonic character remain, giving you unique synth building blocks with the spectral fingerprint of your source audio.

Add modulation and grain-level shaping to build ready-to-use granular synth tones that stay in tune with your song like a traditional synth.

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SCJS#85 - DARK AGES

video upload by FL3SHB4CK

"Small Case Jam Sessions #85 - DARK AGES

GITGUD, TABOR, BATTERING RAM, NOISE SWASH

Recorded live thru Syntakt delay & reverb

‪@Jolin_wbs‬ ‪@ShakmatModular‬ ‪@4msCompany‬"

Nightverb 1.02 update

video upload by Erica Synths

"This update adds a compressor and a noise gate, making it possible to create a true gated‑reverb effect. Famous from the 80s productions, gated reverb is an audio processing technique that combines reverb with a noise gate to create punchy sounds while keeping the mix clean.

More info: https://www.ericasynths.lv/news/post/..."

SISTERS - Ambient session #29 // Mannequins Three Sisters, Arbhar, Panharmonium, Subharmonicon

video upload by David Falcon

"First sounds with the Mannequins Sisters, such an interesting little module. In its core is a triple filter (Hi, Low and Band Pass) but it works great as an spectral mixer. I am slowly modulating the frequency cutoff so that the different sounds come and go progressively. Very little resonance added, it can be very resonant!

// Patch Notes //
Voice 1- Arbhar recording of my voice and ambient sounds with the internal microphone. High input of Sisters.
Voice 2 - Maths Tom sound into Rings. Center of Sisters.
Voice 3 - Panharmonium with a Random sequence from Pams into the Low input of Sisters.
These 3 voices go into the Xaoc Praga mixer, with Mimeophon and FX Aid in the sends. I am modulating the volume and panof
Voice 2 from Øchd and Pams, and the panning of Arbhar from Pams too. The mix goes through Qubit Mojave for the occasional reversed granular bleep.
Voice 4 - Subharmonicon through Blooper as a delay and Mercury 7 as Reverb.
Voice 5 - Low kick from DFAM


Recorded in a single stereo mix and mastered in Ableton."

Introducing the Temecula DSP DEEP/4

video uploads by TemeculaDSP

via Temecula DSP

DEEP/4 is a painstaking recreation of one of the most powerful multi-effects processors ever built. Every algorithm has been rebuilt at the instruction level from the original 24-bit DSP hardware, preserving the exact digital character of the algorithms that made these units legendary in studios worldwide.

All 43 original algorithms, mathematically verified against the original DSP architecture. No guesswork.

Features

Four Independent Effects Engines

The DEEP/4 is a powerhouse multi-effects processor featuring 43 fully programmable, high-fidelity algorithms including reverbs, chorus, flanging, delays, distortion, and pitch shifting. Operate it as a single massive effects system, a pair of stereo processors, or four entirely independent units. Its advanced routing matrix supports true serial, parallel, and feedback configurations to sculpt complex effect topologies that conventional units simply can't touch.
Flexible Multi-Unit Routing

Run all four units in series for massive effect chains, split them into parallel paths for layered textures, or use feedback routing to create evolving, self-modulating soundscapes. DEEP/4 provides independent routing control for each pair (A/B and C/D) plus a main bus link — supporting serial, parallel, and two feedback configurations with adjustable feedback amount. Use it as a single 4-unit processor, two independent stereo pairs, or four standalone effects.
43 Algorithms Across 7 Categories

From lush reverbs and complex multi-tap delays to pitch shifters, dynamics processors, and guitar amp simulations — every algorithm from the original hardware is here, rebuilt at the instruction level and fully programmable.

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Rave Generation VA-1000

video upload by Heiner Kruse - The Green Man(TGM) - sound.report

"Rave Generation VA-1000
#soundreport #tgm #thegreenman #thegreenmantgm #tgmthegreenman #heinerkruse
#basswerk #soundofcologne #soundcologne #modularesynthesizer #modularsynthesizers
#synthesizercloud #greenmansound #amazona"

via https://www.proaudiostar.com/

"VA-1000 is a 16-voice virtual-analog synth built for speed: JP-style Ultrasaw, deep unison, a 9-mode filter with audio-rate LP FM 12, expressive LFOs and three envelopes, plus chorus / delay / reverb with ducking, all on a clean one-page UI. Software Download (NO HARDWARE INCLUDED)"