Cherry Audio Ensoniq ESQ 1 - "Cinematic Legacy" Soundset

video upload by LFOstore

"Soundset working: Original ESQ-1 & SQ-80 + Cherry Audio Ensoniq ESQ1

BUY: https://lfo.sellfy.store/p/cherry-aud...

In 1988 Ensoniq made a real deep machine ESQ-1 with digital osc’s & analog filter & lot of synthesizer possibilities.

In our modern times Cherry Audio made a great emulation of this 80’s classic!

Now we are having opportunity to touch a legend with authentic sound!

'Cinematic Legacy' Soundset contains 40 organic presets suited for cinematic, ambient & electronic music in any genre:

Massive Vintage Strings
Silky & Evolving Pads
Deep Drones
Basses
Arps & Moving Sounds
Plucks & Bells

Easy installing with our instructions.

Sounds can be different aswell as patch names from model to model.
Original ESQ & SQ synths having no Arp & Reverb.

Made by chief sound engeneer of LFO.store – Nick Klimenko.

Turn the potential of your powerful synthesizer on maximum & may music be with you!"

Terry Bozzio's Missing Person's 1980s Mini-Moog Model D with Roland MPU-101

via this Reverb listing

"From the Terry Bozzio, Missing Persons Collection.

Missing Persons was one of the most influential bands of the 1980s New Wave movement. The band was founded by Dale and Terry Bozzio in 1980. Their biggest hits, Words, Destination Unknown and Walking In L.A helped define and establish New Wave.

This 1980s Mini-Moog Model D synthesizer with a Roland MPU-101 Midi Interface were played in recordings and live performances with Missing Persons circa early-mid 1980s.

The keyboard was in excellent working condition with no issues when it was last used. It currently powers up and has no visual damage or any indicators that anything is malfunctioning. We do not have access to the gear needed to confirm its current working condition. It is being sold "as is".

This is an iconic piece of New Wave history that played a pivotal role in defining unique sound of one of the most innovative and influential groups in the 1980s New Wave Movement.

Includes a COA signed by Terry Bozzio."

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Roland MC-909 Groovebox SN ZQ40866

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"This MC-909 is an excellent daw alternative with Roland's XV synth engine ready to go. This particular unit shows some signs of wear but overall it's in very good condition for it's age."

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Suzuki OM-27 Omnichord SN 036014 w/ Original Box

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Ableton Push 2

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Synthstrom Deluge + Gig Bag

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Waldorf Iridium Desktop MKI w/ Rack Ears

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Moog Moogerfooger MF-101 Lowpass Filter

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Bad Gear - How to become a WEIRDO

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. It is completely natural behavior for electronic musicians to obsess about oddly specific genres of which the undisputed final boss is - of course - ambient. For three reasons.

One, you can produce ambient on any piece of gear with a reverb, two, there are basically no limits to the size of your setup even if you have no idea what you’re doing and three, when your music sounds like a knot of psychotic toads on horse tranquilizers you can still pretend that it was an artistic decision.

Today we are going to talk about Sonicware Liven Ambient 0. This grooveless groovebox was brought to the market last year and puts you in the fast lane to becoming an ambient weirdo."

Korg Opsix: Beyond FM with Wave Shaping

video upload by Ian Dixon

"In this Korg Opsix tutorial, I dive deep into the Wave Shaper effect—a feature inspired by the classic Korg 01/W. Discover how to move beyond standard FM synthesis to create complex, harmonically rich textures, including PPG-style vocal pads and D-50-inspired bell tones.

I explore how to use parallel routing and internal filters to tame these aggressive waveforms, turning digital noise into playable, lush patches. Whether you're looking for gritty bass or shimmering pads, the wave-folding capabilities of the Opsix open up a whole new world of sound design."

Timestamps
00:00 – Introduction: Creating PPG-style vocal sounds
00:57 – Setting up a Stacked Algorithm for parallel routing
01:20 – What is Wave Shaping? (Origins from the Korg 01/W)
02:05 – Analyzing different Wave Shaper types and harmonics
03:45 – Designing D-50 style bell pads with high harmonics
05:30 – Using Operator Filters to shape complex waves
07:30 – Starting with Sawtooth waves for digital overtones
09:55 – Creating a vocal wavetable sound with Band Pass filters
10:45 – Detuning operators for a thicker, layered sound
12:00 – Adding high-pitched bell overtones with additional operators
14:35 – Final thoughts and experimentation tips

Previously:

Can the Korg Opsix Recreate the Roland D-50?

video upload by Ian Dixon

"Can the Korg Opsix recreate the sound of the legendary Roland D-50 without using samples? In this video I build a D-50-inspired patch from scratch, using nothing but FM synthesis, wave shaping, layering and effects to see just how close the Opsix can get to Roland's classic LA synthesis sound.

Along the way I break down the patch step by step, recreating the D-50's signature combination of organ, bell tones and bright "spectrum" textures. Rather than copying a preset, this is a practical sound design walkthrough that explains why these layers work and how you can apply the same techniques to your own patches."

⏱️ Timestamps

0:00 – Intro — Can the Opsix recreate a Roland D-50?
0:18 – What makes the D-50 sound? LA synthesis explained
0:33 – Breaking down the layers: organ, bells and spectrum fizz
0:50 – Choosing the algorithm: why Algorithm 24 gives flexibility
1:33 – Building the organ layer with additive waves
2:26 – Detuning for classic D-50-style width
3:12 – Shaping the organ envelope
4:35 – Creating the bell layer with FM ring modulation
5:18 – Bell envelope programming
6:07 – Listening to the original Roland D-50 bell
6:59 – Building the spectrum-style layer
7:42 – Wave shaping and filtering
8:51 – High-pass filtering to recreate the D-50 texture
9:33 – Balancing the layers
10:12 – Master filtering
11:10 – Experimenting with a noise-based layer
12:37 – Refining the bell envelopes
13:07 – Adding chorus, delay and reverb 14:00 – Soloing each layer
15:01 – Final thoughts — Did we get close?

Ghosts of paradise | Elektron Monomachine and Machinedrum IDM track

video upload by MIDERA

"Please check out my music and my webzone



https://www.midera-artist.com/

NI Raum used for reverb

Canon R6 mark ii
Sirui 50mm T2.9 anamorphic lens

#siruianamorphic #monomachine #machinedrum"

A. G. Cook presents SuperStarSaw | Native Instruments

video upload by Native Instruments

"Presented by A. G. Cook, SuperStarSaw pushes stacked saw synthesis to its extremes. Create huge supersaws, impossible glides, blissed-out harmonies, and controlled chaos from a single playable instrument – without the need for endless layering and automation."

Playlist:

1. A. G. Cook presents SuperStarSaw | Native Instruments
2. Discover SuperStarSaw with A. G. Cook | Native Instruments
3. SuperStarSaw synth walkthrough | Native Instruments



Native Instruments and A. G. Cook turn his signature supersaw into a custom instrument you can play

The PC Music founder and 2025 BRIT Producer of the Year brings the stacked saw sound known for Charli xcx, and Caroline Polachek to a single synthesizer — built from his own patches

Berlin, July 16, 2026: Native Instruments has today launched SuperStarSaw, a synthesizer co-created with GRAMMY-winning A. G. Cook, British producer, PC Music founder, and one of the key architects of contemporary pop's defining sonic palette.

Supersaws, multiple sawtooth waves layered and slightly detuned against each other, are responsible for some of modern pop's most immediately recognisable textures: the wide, lush, harmonically dense quality running through Cook's work with Charli xcx, Beyoncé, Caroline Polachek, and Oklou. Building them has always meant painstaking multi-instance layering, a process Cook had refined over years of his own production work, and which became the starting point for what followed. The instrument grew out of a two-year collaboration with Native Instruments' design team, who worked directly from Cook's patches and production sessions to turn one of modern pop's most coveted sounds into something you can actually play.

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SCJS#108 - LOQUELIC INSANIA II

video upload by FL3SHB4CK

"Small Case Jam Sessions #108

DUAL S&H, CONTOUR 1, JUMBLER, LOQUELIC ITERITAS, IDA, BEADS

Recorded live thru Syntakt delay & reverb"

Boss DR-202 Dr. Groove SN AM15126

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"This daw-less beat maker might not be the newest kid on the block, but it's got some great built in sounds as well as a general lo-fi sound."

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Arturia MatrixBrute

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Elektron Digitone Keys

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SOMA Laboratory Pulsar-23 - 1984 w/ Extras

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"This SOMA Laboratory Pulsar-23 - 1984 (Used) has been tested and is in fully functional condition.

Comes with original box, power adapter, alligator clips, decksaver, and protective bag."

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Ambient Generative Patch | Sequential Pro 3 + Strymon BigSky

video upload by Chris Richardson

"A generative ambient patch on the Sequential Pro 3 with the Strymon BigSky Cloud reverb.

I was experimenting with slow, evolving patterns and a more minimalist sound. After listening back, I was reminded of the atmosphere in some of Arvo Pärt’s music."

Modules vs. Plugins! Mimeophon vs. Cosmic Debris vs. Supermassive

video upload by Metamyther

"Which delay and reverb creates the most inspiring soundscapes? In this in-depth comparison, we put the Make Noise Mimeophon WMD's Cosmic Debris Eurorack modules against the Valhalla Supermassive plugin in a head-to-head bout. You'll hear how each piece of kit transforms the same source material. Whether you're building a Eurorack system, comparing hardware vs. software effects, looking for the best delay and reverb for modular synthesis, or searching for new sound design techniques for electronic music production, this demo highlights the strengths and sonic personality of each effect. Which effect belongs in your workflow?"

Chapters:
00:00 - Intro
00:33 - Mimeophon Main Features
04:01 - Cosmic Debris Main Features
09:40 - Supermassive Main Features
13:36 - Vhikk X into Mimeophon
14:55 - Vhikk X into Cosmic Debris
17:16 - Vhikk X into Supermassive
19:31 - Warp Core into Mimeophon
20:58 - Warp Core into Cosmic Debris
23:31 - Warp Core into Supermassive
25:52 - Drums into Mimeophon
26:20 - Drums into Cosmic Debris
27:30 - Drums into Supermassive
30:09 - Scorecard

Roland Juno-106

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Additional Nightlife Electronics Listings

"This Roland Juno-106 (Vintage) has been fully tested and is in great working condition. It has been fully serviced at our Synthesizer Rejuvenation and Wellness Centre and given a clean bill of health, along with brand new voice chips from Analogue Renaissance.

Comes with original plastic carry case."

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