Sequential Fourm - Chaos - The Song!

video upload by kgbirmingham media

"I just recently purchased a Sequential Fourm and I wanted to create a “Song” using only Fourm Presets. So, I laid down six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
This is the final 'Song' from a 'Making Of' type video. I put 'Song' into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer. I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot. The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

9/11/26 Metasonix Agonizer eurorack clone + Birdkids Unicorn Boom + CXM 1978 + Alesis MIDIVERB II

video upload by Cfpp0

"The two modules in this video were built by Jakub Jasiński as a custom order for their previous owner. One is loosely based on Zerosum Inertia’s masterpiece 5U VCO module, the 6550-99. The other is based on the Metasonix Agonizer. We just got them, so this was a first quick test while I work out power. The ALM Pamela’s New Workout is driving the Birdkids Unicorn Boom 808 bass drum clone (into its internal compressor), then that runs through the Metasonix Agonizer clone for distortion. As usual, this tube module responds very differently to how hard you drive the input, and how much decay there is on the bass drum. There’s gated reverb from the Alesis MIDIVERB II and a stereo reverb blended on the CXM 1978."

Benjolin X by Before Void || Modular Demo

video upload by bajjjan records

"Rob Hordijk Benjolin with Before Void mods

A deep dive into chaotic synthesis using the Before Void Benjolin X as the only one sound source.

All effects are generated within the Eurorack case: Before Void Trigonometry (Wave Shaper), Shift Line Astronaut (Reverb), Catoff 100FX (Reverb/Delay)

What you hear is the raw character of these modules. Post-processing is limited to mixing and compression only. No external EQ or VST plugins."

Before Void Benjolin X || First Jam

video upload by bajjjan records
"First Jam with Before Void Benjolin X and Roland TR09"

"Based on forestcover Benjolin

+clock rungler input (any signal such as puls, trigs, gates, clock)
+band pass filter output
+high pass filter output (capricious output, starts cutting low frequencies only when the resonance is raised from 30%)

Open-Source:
https://github.com/BeforeVoid/Chrongler

CC-By-NC 4.0, 2026.
Strictly for non-commercial use."

Error Instruments meets Torso Electronics: Evolving Soundscapes

video upload by Andre Bregegere

"Welcome back to @abregegere! In this extended, explorative sound design session, I’m pairing the chaotic brilliance of the Speak & Glitch by Error Instruments with the deep processing power of the S-4 by Torso Electronics.

We start by establishing a gritty base sound on the Speak & Glitch, dialing in some fundamental compression and reverb on the S-4 to glue it together. From there, we dive into the deep end—leaning heavily into the S-4’s robust modulation capabilities to transform the audio into evolving, quasi-generative soundscapes.

This session is only lightly annotated to let the sound design speak for itself. Feel free to use the timestamps below to jump straight to the sweet spots!

⏱️ Timestamps:
00:00 - Intro
00:37 - Establishing the base sound
09:57 - Sweet spot 1
11:35 - Sweet spot 2
20:42 - Sweet spot 3
25:00 - Sweet spot 3"

Modal Electronics - Carbon8M

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional NOISEBUG Listings

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Midiphy LoopA

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find demos of Midiphy's LoopA in previous posts here. Additional CONTROL Listings

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Sequential Fourm - He bought the Sequential Fourm, for the wrong reasons, and you may want to too!

video upload by kgbirmingham media

Don't miss the videos below. Also see Sequential Fourm - The Non Prophet Presets by kgbirmingham media.

"I traded in my Roland MC-707 for a Sequential Fourm. And, I did it for all the wrong reasons!
This video is different than my usual music videos. I needed a synth that was simple to use, could be a Polyphonic Aftertouch Controller for my ASM Hydrasynth and horror of all horror had MiniKeys.
So, this is why I bought the Sequential Fourm and why you may want to too!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into a Zoom R4 and transferred it to my DAW - Fender Studio Pro 8.
The background music is five tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and an iPhone SE and iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm - For All The Wrong Reasons - The Song!

video upload by kgbirmingham media

"Sequential Fourm – For All The Wrong Reasons – The Song!
When I shot my Sequential Fourm video 'For All The Wrong Reasons' I created a background music track using only the Sequential Fourm for that video.
It is short, but I like it, so I put it together with some video on a misty day from Marie Curtis Park.
Enjoy!
For the Techies
The background music is five tracks all created on the Sequential Fourm using Factory Presets:
1 - A New Legend, 44 - Ryan Reverse, 69 - Sin Cussion, 72 - PluckyArp, 42 - Mini Prophet
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to a: Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video: iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm Creating Chaos

video upload by kgbirmingham media

"Sequential Fourm – Creating Chaos
This is a 'Making Of' type video. I just recently purchased a Sequential Fourm and I wanted to create a 'Song' using only Fourm Presets. So, I created six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
I put “Song” into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer.
I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

DREAMER SOUNDSET - 75 VINTAGE PRESETS - Crumar Bit 99 / Bit 01 Sounds

video upload by Synth Cloud

Also see Crumar Bit 99/01 - Custom Ambient & Vintage Sounds

"▬▬▬ Download Link ▬▬▬▬
🚀 https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Dreamer Soundset for Crumar Bit 99 / Bit 01 & Bucket ONE brings 75 fresh organic sounds to one of the most distinctive Italian synth families of the 1980s.

This video focuses on the original Crumar Bit 99 / Bit 01 hardware, showing the vintage character of the instrument through a new sound bank designed for ambient music, retro electronic productions, synthwave, cinematic textures and classic analog-style arrangements.

The Crumar Bit series has a rare and unmistakable sound identity: deep, warm, slightly raw and full of vintage character. Dreamer Soundset is designed to bring that personality back into modern productions with a musical and highly usable selection of new sounds.

The soundset includes deep basses, bright leads, huge PWM strings, deep pads, plucks, keys, FX and percussive textures. These sounds are ideal for producers, collectors and synth lovers who want a boutique sound bank for a niche vintage instrument with a strong sonic identity.

A small amount of Valhalla Supermassive reverb is used in the demo to add space while keeping the original hardware character clear.

Compatible with:
Crumar Bit 99
Crumar Bit 01
Bucket ONE Emulation

Sound Categories:
Deep Basses
Bright Leads
Huge PWM Strings
Deep Pads
Plucks & Keys
FX & Percussive Textures
Vintage Ambient Sounds
Retro Electronic Tones

#CrumarBit99 #VintageSynth #SynthPresets #AmbientSynth #HardwareSynth"

Oberheim OB-12 Ambient Sounds – "Ambient Exploration" 54 Programs

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Ambient Exploration for Oberheim OB-12 is a custom sound bank featuring 54 Programs created for ambient, cinematic and atmospheric electronic music.

This demo presents a smooth and musical side of the Oberheim OB-12, with sounds focused on deep ambient pads, evolving textures, airy layers, soft choir-like tones, cinematic colors and melodic soundscapes.

The collection is designed for players and producers who want the OB-12 to deliver spacious, emotional and performance-ready sounds without moving into extreme FX-only programming. The bank keeps a coherent ambient identity while offering warm pads, darker atmospheres, vocal-style textures, motion-based sounds and wide synth layers.

Reverb, delay and modulation are used to create depth and movement, giving each Program a more immersive character for chords, slow melodic parts, soundtrack cues, ambient passages and experimental electronic arrangements.

Ambient Exploration is a focused sound bank for Oberheim OB-12 users who want a more expressive, spacious and cinematic ambient palette."

CLICK FOR MORE »

9/7/26 (triple VCF test) EML 200 + acVOKS VCF + muSonics + STG + FSFX + Corsynth + CXM 1978

video upload by Cfpp0

"9/7/26 (triple VCF test) EML 200 + Analog Craftsman acVOKS VCF + muSonics Vanilla Envelope & Vanilla Filter + STG soundlabs Sea Devil’s Filter + FSFX Lopass Gate & Dual Trigger Processor + Corsynth Frequency Divider / Multiplier + CXM 1978

Sometimes the camera won’t focus, not sure why. We ordered a second Analog Craftsman acVOKS VCF and this was a test of how three of our 5U filters sound together with the ElectroComp EML 200. I like how old it all sounds. And I like the limitations of the EML 200, but just wish it had voltage-controllable filters. The two EML 200 sawtooth VCOs are running through the acVOKS VCF (Polivoks), the STG soundlabs Sea Devil’s Filter (Synthi), and the muSonics Vanilla Filter (Oberheim). VCO1 runs through the Vanilla Envelope, modulated by the right LFO on the Free State FX dual trigger processor (in dual LFO mode). The EML master triangle and both of the FSFX LFOs are modulating all the filters. The EML VCO2 runs through the EML VCA, modulated by the master triangle, and then into the acVOKS VCF, which is modulated by a copy of the FSFX right LFO. The acVOKS VCF audio lowpass output is panned left on the Mackie Onyx 1640 mixer. The acVOKS bandpass audio output is modulating the Vanilla Filter, which is panned right. The Vanilla Filter is also modulated by the left FSFX LFO and the EML master triangle. The EML VCA processing VCO2 also runs through the Corsynth Frequency Divider / Multiplier, and that is sent to the FM input on the Sea Devil’s Filter, which is filtering the EML VCO2 gated by the FSFX Lopass Gate, modulated by the EML master square. The master square is also controlling the pulse for the EML sampler. At first the EML sampler is fed noise, then later it’s fed VCO2 for the S&H modulating VCO1 on the EML 200. The reverb was blended on the CXM 1978."

matrix note: trumpets!

FlatDSP Introduces RUNE for Ableton Live

video upload by Flat DSP

"Rune is a versatile synthesiser with an expressive interface, built for Ableton Live."

More Info: https://flatdsp.com/products/rune
Purchase: https://flatdsp.gumroad.com/l/rune

Additional details via the maker:

"My name is Luke Abbott, I’m an electronic music producer and have been releasing music since 2006.

Making software instruments has long been a part of my practice, and now I am gearing up to release some of them.

I set up Flat DSP to give them a home, and the first one out the door is Rune: a Max for Live synth I’ve been working on for the last 18 months.

It's a characterful subtractive synth with a responsive, playful UI that encourages you to develop and explore sounds.

The synth engine is based on wavetables I sampled from hardware gear in my studio. It has a multi-mode filter, loopable envelopes, parameter instability control, an envelope range control and has a built-in reverb effect that can be fed from the filter or the filter delta output.

The gain structure is carefully designed to add character. It has a LoFi mode that introduces digital artefacts and a controllable amount of instability threaded throughout the architecture that introduces variation. It also works with Live’s tuning systems.

All of this is controllable in the UI. Each component is fully interactive and visually conveys what it is doing. It’s designed to be fun and quick to use without having to learn it inside-out, while still offering a deep level control of the synth engine.

Many of the UI objects have a second layer of parameters, and the UI flips to expose direct MIDI mapping within Live.

It is available now, priced at $35 which I hope is accessible enough to a lot of people. I’ve enabled regional purchasing-power pricing as well for places where it is not."

More Info: https://flatdsp.com/products/rune
Purchase: https://flatdsp.gumroad.com/l/rune

CLICK FOR MORE »

Ring Modulation Sound Examples | Quadrant Modulator on a Smooth Synth Pad

video upload by Unusable Engineering

"Almost 20 minutes of Quadrant Modulator sound examples using the same smooth additive synth pad throughout, going through all the factory presets and a selection of my own patches.

There is no talking or explanation in this one. The purpose is simply to hear how wide the range of the plugin can be on one familiar source, from fairly subtle amplitude and tonal movement to obvious ring modulation, rhythmic processing, pitch-following effects, sequenced modulation and much more aggressive transformations.

The source is Partials & Discrepancies (the unusable engineering additive synth) using the preset APD-Wavelength Luminous from the free All Partially Dirty patch bank available on the Partials & Discrepancies product page.

The processing chain is the same throughout:
Partials & Discrepancies
→ Quadrant Modulator
→ Geometry Delay
→ Geometry Reverb

CLICK FOR MORE »

WORDS UNSPOKEN X NOVATION BASS STATION II

video upload by Night in Athens

"Live demonstration recreating the bass for Words Unspoken as it was originally written on my old Bass Station II. For this live demonstration I used the Swift Edition

My whole last albums basslines were produced on Bass Station.I particularly love the warm analogue tones it creates together the flexibility on Oscillators that it offers.

Bass: Novation Bass Station II Swifty Edition
Drums: Behringer RD-6
Synth pad: Roland JU-06A
Guitar sampled: SP-404MKII
Vox and Drums passed via DAW on Logic pro to add reverb

Clip of live show courtesy of Klubdod, from my performance in Stockholm in October 2025."

MemoryTone by XILS-Lab

video upload by xilslab

"MemoryTone by XILS-lab unleashes a colossal three-oscillator-per-voice analog architecture—with 16-voice polyphony and up to 18 oscillators in unison—then propels it beyond its 1982 inspiration with expanded modulation, MPE, advanced arpeggiation, integrated effects, and modern sound-design capabilities."

via XILS-Lab

MEMORYTONE: THEY CALLED IT MAGIC.

MemoryTone is XILS-lab’s exploration of one of analogue synthesis’s most ambitious instruments — a sixteen-voice polyphonic architecture built around three oscillators per voice and a 24 dB/octave self-oscillating ladder filter.

With eighteen oscillators across sixteen voices, combinable waveforms, oscillator sync, pulse-width control and a deeply interactive signal path, its character begins long before effects enter the picture. Oscillators interact. Levels influence behaviour. Voices move. The filter responds to everything that came before it.

CLICK FOR MORE »

VITA SYNTHS

video uploads by Vitamin AH3PCm

Playlist at the time of this post:

1. ADS BD - VITA SYNTHS - Sound Demo

Sound demo of the VITA SYNTHS Modular Algorithmic Bass Drum Eurorack Synthesizer ADS-BD with no effects, accompanied by the VITA SYNTHS Modular Algorithmic Closed & Open Hi-Hat Eurorack Synthesizer ADS-HH and Behringer PRO-800.

2. DR-SEQ-64 Drum Sequencer – Quick Pattern Edit Tutorial

A demonstration of the DR-SEQ-64 module by VITA SYNTHS, showing how to:

delete an existing pattern,

create a new pattern,

save and later load a pattern.

The video also shows that an unsaved pattern is not lost if the module is powered off unexpectedly, and it will be restored when the module is turned on again. This feature helps prevent loss of unsaved patterns.

CLICK FOR MORE »

Crumar Bit 99/01 - Custom Ambient & Vintage Sounds

video upload by LFOstore

Full Bucket Bucket One - Custom Ambient Sounds FREE Emulation

video upload by LFOstore

"Also working with FREE Full Bucket Bucket ONE Emulation from here:
https://www.fullbucket.de/music/bucke...

Welcome to Italian flavor & a legend - Crumar Bit 99/01 synthesizer!
We can call it an Italian Prophet-5 :)

BUY SOUNDSET: https://lfo.sellfy.store/p/crumar-bit...

It sounds like a gem - vintage, deep, alive as well as Bucket ONE Emulation in which you can load sysex files and our set!

You will be surprised - part of demo showing sound of hardware unit & half of vst emulation!

'Dreamer' Soundset contains 75 fresh organic sounds:

Deep Basses
Bright Leads
Huge PWM Strings
Deep Pads
Plucks & Keys
Fx & Perc

By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation.

Powerful unison strings, stunning unusual movements, deep pads & polys great for soundtrack atmosphere, synth-pop & retro wave music, dancefloor music.

Instructions are inside & loading in seconds via midi & plugin.
Demo using 5% 0f Valhalla Supermassive reverb.

Re-discover Crumar legacy synths with our sounds!"

ROOM 541 (Elektron Monomachine, MachineDrum, BOSS CE1)

video upload by Acid Gray

"Finally back after the summer break with a new IDM take on the classic Elektron silver machines.

In addition used the BOSS CE1 for thickening the pads.
Live recorded in a single take on 1010 BlueBox. Reverb added here.

(I messed up the positioning of my second cam - so less angle changes than usual ;-))"

TASCAM RS-20B Spring Reverb

video upload by Rec Gear Demos

With the Ace Tone FR-15

UDO Super 6 Melodic Ambient Track

video upload by the nightwater

"Nice little melodic ambient jam on the UDO Super 6. A few hits on the Korg Monopoly layered in there. Strymon Bigsky Mx on the reverb."

Bandcamp: https://thenightwater.bandcamp.com/

Tunary Instruments Releases Cinematic Soundscape Collection

video upload by Tunary Instruments

Best on headphones. "Every sound in this video was made with four Tunary instruments: VRESK, DRUSK, NIVREN and SILT."

via Tunary Instruments

THREE INSTRUMENTS FOR SCORING SPACE, TEXTURE & MOOD

Deep drones, sculpted grains and self-playing glacial beds. Three sound-design instruments made for film, games and ambient music — the sound under a scene, not the tune on top. Buy one, or take all three.

Additional details on each:

VRESK — Drone, Texture & SFX Engine

VRESK holds one sound and lets you move through it.

A drone, texture and sound-design engine: nine different machines under one set of hands, with two reverb spaces built in. Turn the big ROOT knob and the whole voice moves. Everything else colours it.

Nine engines on a 3 by 3 grid. Two oscillators for rings, folds and hard metal. Four wavetable voices for stacks, swarms and crushed digital. Eight partials for beating clusters, quantised chords and noise-struck metal. The knobs stay the same across all nine, and each engine reads them differently, so one panel is really nine instruments.

CLICK FOR MORE »