Elektron Digitakt MK I SN AOS2026NV206-44

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Moog Memorymoog SN 2268

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"The Memorymoog is a classic for its epically fat sound! Though it's not a Plus, we actually prefer non-plus Memorymoogs around here as they are significantly more reliable. This particular unit is in beautiful cosmetic condition as well.

This Memorymoog was previously serviced by Memorymoog specialist Jareth Lackey at Synthpro, and all of the work has been checked by us to make sure it is up to our standards as well. As a finishing touch, we installed our own Memory Liberator upgrade which allows perpetual storage of patch memory without a battery.

This Memorymoog also comes with a Moog 1122 Dual Footswith Pedal, and original owner's manual.

S/N 2268

We believe in transparency when selling “pro serviced” synths so always include documentation of what services every synth we sell has received. Our approach to servicing vintage instruments entails both making sure every synth is working 100% now, and eliminating common failure points to preempt future issues.

This unit received the following services while it was here with us:

Primarily serviced by Jareth Lackey at Synthpro Restorations, we don't have the original invoice but here is what we can tell was done:

Power supply updated
all electrolytic capacitors replaced
Unreliable chips (analog switching ICs, op amps, resistor arrays) replaced
Controls cleaned
Tuning trimmers replaced
Fully tuned and calibrated
Here at Bell Tone:

Memory Liberator F-RAM memory upgrade installed, battery no longer needed and removed!"

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7/31/26 (new config) ElectroComp EML 400/401 + CXM 1978 + Alesis MIDIVERB II

video upload by Cfpp0

"This is the new setup of the ElectroComp EML 400/401, with the 400 above the 401. This was actually a test of some stabilizing zip ties. The oscillators are drifting a bit since moving the 400 and I suspect it’s because the cable was switched to the left connector on the 400. Hopefully that’s just some dust. The reverb is from the Alesis MIDIVERB II and the pitchy grainy delay is blended on the CXM 1978."

Synth Vibes (Prophet 10 + Chase Bliss Big Time + CXM1978)

video upload by andman Theory

"Some moody chords played through the incredible Sequential Prophet 10, Chase Bliss Big Time delay pedal, and Chase Bliss CXM 1978 reverb pedal. Filter cutoff is controlled by a pedal along with the delay feedback and send. Enjoy the chill sounds from the Fuzzy Lounge in Seattle.

Recorded direct through a SSL X-Desk, UAD Apollo X16 Gen 2, and Mixpre3."

Casio SK-8 Sampling Keyboard + Patch Bay + Pitch Mod

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"Rare 1987 Casio SK-8 8-bit sampling keyboard modified with a unique raised console featuring a 20 point ROM modulation patch bay, four illuminated preset effects switches and an illuminated pitch control. This is an otherworldly instrument which will inspire any alternative electronic musician and sound designer. Reed Ghazala named his modified SK units 'Aleatrons' due to their random, unexpected nature so nothing is obvious here- when the patch matrix is in use, the keyboard itself doesn't always function as you'd expect while the modifications open up a world of experimental audio possibilities, far outreaching Casio's original intentions. The pitch controller is switchable and can drop sampled sounds to crashing, aliasing lows.

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Arturia DrumBrute Impact Analog Drum Machine

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Roland System-1M SN Z6F2224 w/ Original Box

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"Roland System-1M in excellent condition. Tested and confirmed to fully function. Includes rack ears, original box and power supplies(wall power and eurorack converter)"

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reFX Tutorial Videos & Upcoming Release

video uploads by reFX



"reFX, known for their Nexus and Vanguard virtual instruments, are releasing their new synth, Rippler, on Thursday morning.

Rippler combines physical modeling synthesis with more traditional synthesizer elements: additional synth oscillators, familiar modulation setup, effects and arpeggiation. With the exciter modules running through two resonators, you can create realistic acoustic sounds or hyper-realistic sounds when pushing the modules further.

Features

Dual-Layer physical modeling synthesizer plus traditional synth oscillators and filters.

441 Presets (Factory Bank July 2026).

Exciter with custom impulse, 32 samples, sample import or sidechain input.

Noise generator feeds into resonators, output, or both.

12 Acoustic-style resonator models: String, Beam, Squared, Bell, Membrane, Plate, Drumhead, Djembe, Vibraphone, Marimba, Open Tube, Closed Tube.

Manual resonator type for custom additive synthesis (change partials in frequency, level, and drag to 'paint' your pattern.

Resonators work in series or parallel, with bi-directional energy coupling.

Dual oscillators with Phase, Fold and Asymmetry.

27 Filter types including vintage, ladder and vowel.

Modulation from four LFOs, four envelopes, random generators, MIDI/MPE controllers, macros.

13 Effects in three chains (Layer A, Layer B, Master): EQ, Distortion, Stereoizer, Phaser, Compressor, Chorus, Magnetic, Tremolo, Delay, Bucket Delay, Reverb, Particle, Limiter.

Vibrato with Rate, Delay and Rise.

Arpeggiator with additional modifiers for pitch and velocity.

Modulation Matrix with custom mapping curves, power curve.

Preset Browser with Favorites and Type tags, random selection.

VST/AU/AAX plugin for Windows and Mac

https://refx.com/rippler/

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Supercritical Redshift 6 | Cinematic performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed with the Redshift 6 at the centre. Percussion added afterward in the box.

Fair warning: both Supercritical and MAS Distribution sent along their respective gear (the Redshift 6, and the Solarfaze/Polyphrase, respectively) for free. Take that as you will. Neither of them explicitly asked me to make a video with the gear, although I'm sure that was the point, right? But in both cases, the gear they sent along was a joy to play, which is why they're here.

I ended up really enjoying the Redshift 6. It's ostensibly analog where it counts—6 DCOs and VCFs—but it's also really clean and precise sounding, giving it a digital sheen. That's somewhat less my thing. However, it has a few things to really give it personality: multi-timbrality, up to a different timbre for each of the six voices; a Character parameter which vastly can change the sound of a voice, its filter and mixing and more; a great built-in effects suite (can only run one at a time); three pairs of stereo outputs to run your timbres separately (as here); easy-to-setup macro knobs for live performing using multiple timbres, all from one page; and a built-in sequencer for getting basic ideas onto the table without outside help. In many respects, it feels like an iteration on some of the ideas from the Elektron Analog Four, another synth I really love, only with enough voices to create a pad, arp, and drone at the same time.

Here, I run one timbre, a constant note, into the Vongon Solarfaze, which adds chorus and then drive/saturation. The second timbre, a single-note sequence, runs to the Vongon Polyphrase, adding delay. Both of these pedals impressed me way more than I had expected; there is something extremely performable about the Polyphrase that makes me want to get it on the table again straight away. And then for the third timbre, the pad, I run it direct out from the Redshift 6, using the synth's built-in reverb. I'm pretty picky on reverb these days and I think it sounds awesome.

With the macro knob opening all filters at once (to varying degrees), this live performance got huge. I had originally intended it to be only the synth, but once I heard the final performance, and how much it reminded me of a soundtrack cue, I knew I had to add orchestral percussion. I built the percussion out of modified samples from the Reason Studios loop library.

Altogether, it created an extremely cinematic performance and I'm very happy with the musical results. I was having such a good time with it that I'm excited to get back to the studio today and explore a little more. Thanks for listening.

https://jayhosking.bandcamp.com"

Unlocking the Sound Design Potential of Chromatic Samplers | Featuring Chase Bliss Chompi

video upload by Sonic Cartography

"This video shows you 10+ ways to push a chromatic sampler and take the sound design of your samples to the next level. It uses the Chase Bliss Chompi sampler for demonstration purposes, but the sound design techniques can be applied to just about any other chromatic sampler or DAW. Table of contents and notes below. You can support me on Patreon, where you’ll also find a bonus video that complements this one and shows you 5 more tricks (link in pinned comment).

Table of Contents:

1:35 - horizontal layering
1:50 - intervalic
2:09 - octave + 5th
2:52 - upgrade
3:20 - the deluxe
4:17 - variations
4:44 - other intervals
5:57 - multitimbral
6:05 - smooth
7:34 - chaotic
8:44 - multidirectional

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Testing the “final” arrangement of this little Eurorack Modular ;-)

video upload by John L Rice

"Vermona meloDICER being clocked and 'diced' (randomized) by an Erica Synths TRIGG while I play with the melody range. The voice is a Happy Nerding HM VCO pulse wave out into an Erica Synths MODulator module (EG and VCA). The VCO’s pulse width is being modulated by a 2hp Seq sequencer module that is also stepped by the TRIGG module. All in a 4ms Company Pod48x case and reverb from the external Yamaha MG 10 XU mixer.

#eurorack #eurorackmodular #modularsynth"

Analogue Solutions DJMC 2000? - CUSTOM DIY CASE

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"Analogue Solutions DJMC — Rare Dual Joystick MIDI Controller (Discontinued / Cult UK Gear)

WITH ORIGINAL DOCS- YOU'RE GONNA NEED THOSEAnalogue Solutions DJMC — Rare Dual Joystick MIDI Controller (Discontinued / Cult UK Gear)

WITH ORIGINAL DOCS- YOU'RE GONNA NEED THOSE

iNSTALLED IN CUSTOM DIY CASE , midi IN, OUT AND THRU

A genuine piece of underground electronic music history: the DJMC by Analogue Solutions, one of the UK's most respected true-analog synth builders. Long before "expressive control" was a marketing buzzword, Analogue Solutions built this twin-joystick MIDI controller with crossfader for performers who wanted real, tactile, two-axis-at-once control over their sound — no touchpads, no menus, just raw hands-on movement.

This thing was never mass produced. Analogue Solutions has since shifted entirely toward their acclaimed eurorack and analog synth lineup (Colossus, Leipzig, Telemark, Nyborg, and more), and the DJMC has completely vanished from their current catalog — it doesn't show up anywhere on their site today. they almost never surface secondhand. If you've been hunting for one of these, you already know how rare a find this is.

Perfect for:

Collectors of obscure UK analog gear
Live performers wanting expressive dual-axis control (filter/resonance, X/Y FX, pitch/mod)
Modular heads running MIDI-to-CV for joystick-driven patching
VJs/lighting rigs that read standard MIDI CC
A genuine, hard-to-find piece from a small builder with a serious cult following in the analog synth world — grab it while it's here, because another one might not turn up for a long time

iNSTALLED IN CUSTOM DIY CASE , midi IN, OUT AND THRU

A genuine piece of underground electronic music history: the DJMC by Analogue Solutions, one of the UK's most respected true-analog synth builders. Long before "expressive control" was a marketing buzzword, Analogue Solutions built this twin-joystick MIDI controller with crossfader for performers who wanted real, tactile, two-axis-at-once control over their sound — no touchpads, no menus, just raw hands-on movement.

This thing was never mass produced. Analogue Solutions has since shifted entirely toward their acclaimed eurorack and analog synth lineup (Colossus, Leipzig, Telemark, Nyborg, and more), and the DJMC has completely vanished from their current catalog — it doesn't show up anywhere on their site today. they almost never surface secondhand. If you've been hunting for one of these, you already know how rare a find this is.

Perfect for:

Collectors of obscure UK analog gear
Live performers wanting expressive dual-axis control (filter/resonance, X/Y FX, pitch/mod)
Modular heads running MIDI-to-CV for joystick-driven patching
VJs/lighting rigs that read standard MIDI CC
A genuine, hard-to-find piece from a small builder with a serious cult following in the analog synth world — grab it while it's here, because another one might not turn up for a long time"

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PlantsSystem-KOSMOS3 InteractiveReverb

video upload by plantssystem

"KOSMOS3 is an interactive reverb instrument that transforms reverberation from a static audio effect into a playable, responsive acoustic space. Instead of applying a fixed ambience, KOSMOS3 continuously reshapes its internal reverb field based on incoming audio, gestural control, and real‑time modulation signals.

At its core is a multi‑parameter reverb engine capable of smooth, expressive morphing across decay, diffusion, pre‑delay, and spectral balance. These parameters respond immediately to performance input, allowing the reverb to behave like a dynamic environment rather than a background effect.

Key features include:

Interactive control via MIDI, OSC, TouchOSC, and HID
Real‑time modulation for shaping spatial texture during performance
Headless operation suitable for installations and long‑running setups
Instrument‑like behavior where the reverb becomes an active part of the performance

KOSMOS3 functions not merely as an effect processor but as a playable acoustic space—a reverb you can push, bend, and sculpt in real time."

Modular "Groovebox" Patch | Intellijel Atlantix, Metropolix Swells, Sealegs, Flurry + more

video upload by Intellijel

"The aim: to build a modular 'groovebox' patch, complete with drums, melodies, FX, macro controls and more. Atlantix is the foundation of this patch, and we tried to use it for as many voices as possible here.

Matt highlights some different patching ideas, tips, tricks and module features along the way.

Chapters:
00:00 - Introduction
00:10 - Setup - Clock, Reset
00:54 - Kick Drum
02:22 - Snare / Tom Drum
03:49 - Hi-hat
05:19 - Bass / Wavefolded Tones
06:36 - Modulating Quadrax (with Tangrams)
08:45 - Adding Pitch Sequence
09:45 - FX Chain - Drive, Delay, Reverb
11:04 - Bonus Flurry Sounds
13:09 - Planar Macro Controller
15:00 - Summary"

You Can Program This Reverb Like a Synth: A Deep Dive into Liminal Space 2, Haunted Digital Reverb

video upload by Keith Crosley

"Liminal Space 2, the haunted digital reverb synthesizer, is here! I'm taking a deep dive into my latest retro-reverb innovations. Liminal Space 2 is a reverb plugin with deep programmability, wavetable LFO modulators (What!?), and extreme possibilities. AND... There's a FREE version! Woot! Grab your longest delay line, download Liminal Space 2, and get ready for a SHIMMER-A-GO-GO episode of your favorite talky synthesizer content show!

Liminal Space 2 is a Windows CLAP/VST3 plugin (Mac to come) built on a Householder matrix feedback delay network derived from Airwindows' kCosmos, with 2,000+ selectable algorithms from tiny ambiences to infinite tails. Nearly every component has its own dedicated wavetable LFO — so you can program a reverb the way you'd program a synth.

What you'll learn:
How a Householder matrix feedback delay network actually works
Why wavetable LFOs make a reverb programmable like a synthesizer
What the new Diffusion Matrix does — and why modulatable diffusion matters
How True Shimmer differs from pitch-shift shimmer
Recreating Lexicon 224 "mode enhancement" delay modulation from scratch
Using Derez, Random Frame, and stepped LFOs for haunted digital textures

─── GET LIMINAL SPACE 2 ───

👻 Liminal Space 2 — FULL version just $10 (Windows CLAP/VST3): https://www.wavetables.lol/l/liminal-...
👻 Play along with Liminal Space Demo — FREE version: https://www.wavetables.lol/l/liminal-...

─── MENTIONED IN THIS VIDEO ───

🎛️ Airwindows (Chris Johnson) — the kCosmos DSP: https://www.airwindows.com/
🎛️ Valhalla DSP (Sean Costello): https://valhalladsp.com/
🎛️ Soundhack (Tom Erbe): http://www.soundhack.com/"

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

ako - Basic Microwaving (4 track tape version) - recording w MT-50, MMT-8, CZ-1000, PSS-480, TR505

video upload by ako

"Here's a video of the recording of the B-side for my new single (links to all formats below). It was recorded on a Yamaha MT-50 four track tape recorder with a Casio CZ-1000 (bass, this is honestly the weirdest synth I own and I think this the only track I’ve released with it on bc it’s just so weird), Yamaha PSS-480 (lead, despite masquerading as toy this thing packs some serious heat) Yamaha DX21 (chord layer) and Roland TR505 (drums – this gets some stick from TR purists, but it has some really usable sounds and the sequencer is super nice). The track was sequenced with the frankly legendary Alesis MMT-8 (the only hardware MIDI sequencer I’ve ever enjoyed using). Synchronisation between tape and MIDI was achieved using a Yamaha YMC10 MIDI clock to tape-synch converter. Dub style delays used on the lead came from a RocLab DD3000 (pretty obscure unit, sounds nice if you tweak it just right); Reverb came from a Behringer DR600 (solid reverb pedal, even more solid price at ~£25) and chorus for the bass via a Boss CH-1 Super Chorus - my favourite chorus, to me it just sounds how chorus should sound (this one is a vintage ‘made in Japan’ model, so fully analogue compared to later digital CH-1 models, and just sounds super warm). It was mixed on MT-50 but also with a Peavey Unity Series 2000-16 (for submixes and sends etc.), this mixer has a flavour all of it’s own, certainly not high fidelity, but kinda gritty and warm… The track is out now for stream and download (links below), hope you folks dig the track 🙂"



Also on Spotify.

Game Boy Advance FMS + Resonant Marbles Electronica | Dimming 2026-07-29 by atnr

video upload by atnr

"An electronica piece featuring Game Boy Advance, OP-1 field, and the resonant sounds of marbles processed through a resonator.

On the Game Boy Advance, sequences are played using FMS. The output is processed through LOSSY and then routed through the SSL SiX CH.

On the ‪@teenageengineering‬ OP-1 field, an electric piano sound from the Sampler is looped using the ENDLESS sequencer. Deep reverb is applied through the blueSky.

A piezo element is attached to a glass bottle containing marbles and metal nuts. The signal is sent into the ‪@MengQiMusic‬ Wingie 2, then processed through the ‪@ChaseBlissAudio‬ MOOD MKII and layered with micro loop textures."

Ambient Engine v1.2 Introduction - Make ambient music yours - atnr.net

video upload by atnr

Ambient Electronica w/ Ambient Engine v1.2, Glocken, OP-1 field | Aquatic Plants 2026-07-28 by atnr

video upload by atnr

"Ambient Engine

Ambient Engine https://store.atnr.net/ambient-engine... is designed not just as a tool for “making music,” but as a device that continuously generates sound.

Load your own samples, adjust playback range and density, add organic movement through modulation, and record everything in real time.

Even without performing, the sound keeps evolving autonomously according to your parameter settings.

You can import sounds recorded on your smartphone and start creating your own unique ambient music immediately.

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Korg MOSS Board EXB-Moss DSP synthesizer expansion for Triton

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"Excellent condition. Works perfectly.

MOSS board for Triton and Korg KARMA

Removed from Triton Extreme and stored in anti-static pouch as shown."

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Sequential Prophet-6 Desktop 6-Voice Polyphonic Synthesizer

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