Sequential Fourm NO TALKING Synth Demo

video upload by mylarmelodies

"Wanna just hear the Sequential Fourm? Here's a no talking demo I made for Sequential. Fourm is a 4 voice analogue polysynth with a sort of Pro One old skool aesthetic. It's a simple synth but I felt has class for days, weighty and bright, but can cut through. It's also tiny, but the controls are well spaced.

The video features Fourm alone, with UA Golden reverb, Boss DD-7 delay, and alongside the Roland T-8 and sequenced by Xynthesizr on iPad for some small vignettes/musical sketches.

Thanks to Sequential for agreeing to fund a demo, this is a cool machine."

OFFICIAL PAGE
⏵ https://sequential.com/modern-analog/...

CHAPTERS
00:00 - Filter Sweep
00:28 - Slow Fourm
00:52 - PluckyBass
01:05 - Bottle Service
01:30 - Two Osc Improv
02:15 - Two Osc Aftertouchy Improv
03:09 - Jazz Hands
04:18 - Seventh Heaven
05:04 - Quarter Tone Jam
05:50 - More Than That
07:35 - The Bassics
08:31 - Init Program Jam
10:50 - Dynamik Pad (uTuned)
12:04 - Kosmiche Acid
15:16 - Sync Sitar Outro Vibes

Backrooms - 'People in San Jose' (Synth Cover) [Prophet rev2 + Korg MS-20]

video upload by Ross Piano

"Another one of my favourite cues from the Backrooms score. As I recall, this piece accompanies a montage of establishing shots of San Jose, early in the first act. The piece is in G minor and is built around 2 different ostinatos. Both ostinatos have chromatic notes that create a sharper and more mysterious atmosphere. The first (0:00) features both the natural and raised third (Bb and B natural). The second (0:23) features the raised 6th (E natural), transforming G minor into G dorian. However, the minor 6th (E flat) appears in the melody (at 0:45) creating a contradiction between these two layers. This ‘contradiction’ creates interest and tension.

This arrangement had too many separate layers to feature them all on screen simultaneously. For this reason, the individual screens cut between various sounds/patches.

In addition to all the parts you see on screen, I recorded some ambient drones. I decided not to film these, as the screen would become crowded with shots of me holding down a single note haha.

All these sounds are designed from scratch on analog synthesizers (a Prophet rev2 and a Korg MS-20). I mix in Ableton, where I add additional effects (reverb, distortion, delays etc.). In this case, most of the effects were from Soundtoys.

Download MP3: https://drive.google.com/file/d/1a3II...
Download WAV: https://drive.google.com/file/d/1gt2f..."

SCJS#107 - LOQUELIC INSANIA I

video upload by FL3SHB4CK

"Small Case Jam Sessions #107

DUAL S&H, CONTOUR 1, JUMBLER, LOQUELIC ITERITAS, IDA, BEADS

Recorded live thru Syntakt delay & reverb"

Oberheim Matrix 6R

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via this Reverb listing

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Sequential OB-6 Keyboard

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Oberheim TVS-Pro

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Oberheim TVS 1 A (Two Voice / TVS / SEM)

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via this Reverb listing

"These don’t show up very often ! Only 500 where made worldwide.

Oberheim Two Voice

- With MIDI in

- recapped / serviced (boards / psu etc)

- New keybushings

- 12db/24db filter switches

- Filter CV in for both filters

- cv kill switch (only Gates come through)

- lots of patchpoints + multiples

- 1/4 Jack outputs for both SEM

- Standard EU socket for C15 power cable.

- Original Lid (not pictured, will add photos!)

There is some wear and tear on the Tolex, but overall it’s in fantastic condition.

Its an original 220v / EU model."

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Rare Bob Moog autographed Moog MiniMoog Model D w/ Mods

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via this Reverb listing

"I purchased it brand new in 1981. It is my baby…

In 1984, I had it modified by Boston tech Ron Rivera. Updates included a fourth LFO, individual sync switches for oscs 2 and 3, military Vernier tuning knobs add tuning stability and are 40:1 in Normal mode and 1:1 when pushed, and (the best one) the ability to individually switch the filter envelope to control pitch, filter or both on oscs 2 and 3.

In 1987, while working at Kurzweil in Waltham MA with Bob Moog, I talked him into autographing it for me.

In the mid-90s, synth tech extraordinaire Kevin Lightner (RIP) cleaned it up and put a green light on the main power switch.

In 2020, the amazing Ken Rich totally cleaned it up inside and out.

This instrument comes with a ATA flight case, and I will also include a Kenton Pro Solo Mk II CV to MIDI converter."

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First Look at the Stargazer (Now in Stereo) from Hungry Robot

video upload by Duskmos

"In this special Launch Day episode of Signal Colors, I'm taking a first look at the new STEREO version of the Stargazer from Hungry Robot - a spacey, etherial reverb with a unique dual control layout. Hang out with me while I try it out with the OP-1 Field and Digitakt II and let me know what you think in the comments."

Introducing Behringer AKS Mini | Classic AKS-Inspired Analog Synth Power

video upload by Behringer

"Meet the Behringer AKS Mini, an analog polyphonic synthesizer inspired by the classic AKS sound and designed for hands-on creativity.

Featuring 3 VCOs, variable waveforms, a resonant AKS-style VCF, spring reverb emulation, a 2-axis X/Y joystick and a 16-step motion sequencer, AKS Mini gives you an expressive analog workflow in a compact format. From evolving sequences to experimental textures, basslines, leads and classic synth tones, this instrument is built to move fast, sound bold and keep creativity in your hands.

Discover the AKS Mini and start shaping your sound."

Dub Techno TR-606, OP-1 field, and volca fm2 | 35 Degrees Celsius Dub 2026-07-14 by atnr

video upload by atnr

"A dub techno piece created with the Roland TR-606, OP-1 field, and volca fm2.

The TR-606 is recorded through two separate signal paths. One path is processed with reverb through the blueSky. The other is filtered with the GE-7 to retain only the high frequencies, then processed with delay through the DD-6.

On the OP-1 field, an electric piano sound processed with the CWO effect is sent through the MICROCOSM. The MICRO LOOP effect is used to extend and layer the reverberant textures.

The volca fm2 receives the signal from the TR-606 TRIGGER OUT through its SYNC IN and is synchronized with the drum machine. The volca fm2 plays the bassline.

In the DAW, the low frequencies of the TR-606 are reinforced, and vocal samples processed with echo are added to the arrangement."

Oddment ODD-1 Granular Synth

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Refaced Deckard’s Dream synth

video upload by Love Hultén

"Custom setup for a client incl Deckard’s Dream, CXM 1978 reverb, a CS80 style ribbon strip and a motorized pullout keybed."

Lo-Fi Piano Tape Loop & AmbientØ Synth Pads | Isolated Island 2026-07-13 by atnr

video upload by atnr

"An ambient piece created with a lo-fi piano tape loop and synth pad performance.

Gear used:
‪@SONICWARE‬ LIVEN Ambient Ø
‪@strymon‬ blueSky
‪@HologramElectronics‬ MICROCOSM
‪@WEAREREWIND1‬ WE-001

On LIVEN Ambient Ø, synth pads are performed by hand. The output is processed with reverb through the @stymon blueSky.

The tape loop uses a one-minute endless tape containing a recorded piano performance. The playback is processed through the ‪@HologramElectronics‬ MICROCOSM with the MICRO LOOP effect, while reversed sounds are layered using the PHRASE LOOPER function."

Korg Monopoly & Univox Mini-Korg

video upload by the nightwater

"Quick jam with the Korg Monopoly and the Univox Mini-Korg. Drums are the Dave Smith Tempest. Some reverb from the Strymon Bigsky Mx.

Please check out my music here:
Spotify: https://open.spotify.com/artist/43pG4...
Apple: / the-nightwater
Soundcloud: / thenightwater
Bandcamp: https://thenightwater.bandcamp.com/"

7/12/26 Korg SQ-10 sequences Metasonix S-1000 + Paia 6740

video upload by Cfpp0

"7/12/26 Korg SQ-10 sequences Metasonix S-1000 + Paia 6740

The studio is undergoing a few changes this summer. The ElectroComp EML 400 is now above the 401, next to two stacked EML 200s. The Metasonix S-1000 Wretch Machine has been moved to a rack right to the left of the EMLs, where the S-1000 is easier to reach. And it’s above several racked Metasonix TM boxes, the Zerosum Inertia Cenotaph, and the Korg SQ-10 sequencer. This was a test of the SQ-10 and the S-1000 together, with some filter and waveshaper wigging. At 1:47, the waveshaper is switched from flat to flat+pulse and it all gets slightly didgeridoo. The spring reverb used in this video is the Paia 6740."

VIVALDI - Autumn Part 1 on SIX (5) ARP Odysseys

video upload by Richard Payne

"Been having a pop at Autumn Part 1 these last few days and this take I recorded (take 111!) has come out slightly 'dystopian' sounding and synthy. Have pushed the filters a bit more. There’s a bit of overdrive in places and some wobbly 'pitchy' stuff happening. But lots going on and lots of things to remember to do. Or not to do. This take here was only the 4th time I’d made it to the end, and the first and only without completely ballsing it up.

Odyssey #3 was briefly back in the fold last week and was ably handling the sub bass part all on it’s own, but it started going wrong again and has been taken back to the repair shop. So to cover that part here, I’m bringing in and out oscillator 2 on Odyssey #6, which is set to a square wave an octave down. I’d say a good 80 of those earlier takes that I mucked up were ruined by me forgetting to do this, or doing it badly, or at completely the wrong time. There’s a 'high jeopardy' patch change happening on Odyssey #1 too which I liked to get wrong, transitioning from a short filtery harmony part at the beginning to a long square wave lead line for the slow bit towards the end.

As before, I got the Midi parts online and processed them in Ableton Live. I combined and reduced them down from the 24 orchestral parts to the 5 here. Fixed up a few dodgy notes. Probably added a few of my own. Then I tempo matched to an orchestral performance of the piece, which is probably the fiddliest and most time consuming bit. There were a few more evenings messing with note lengths and refining the tempos further. So, I’ve been using Korg’s Odyssey plugins up to this point in the process, slouching on the sofa on my laptop, but the next step is to move into my little music room and to practice on the actual ones. Spent a couple more evenings working things out there and then a couple of days trying to film a good run through.

It’s certainly tricky trying to adjust each part as dynamically as I’d like when they’re all coming at me in one big terrifying lump. I’m not mixing or even EQ’ing afterwards so I’m battling to keep a good audible balance between the synths as I go. If I get too involved or too “two-handy” on a synth for too long, I’m neglecting the other four and I’ve missed 5 other things I wanted to do. So I’m relying quite a lot on the Decay slider in the envelope section, as it seems to offer a one-stop dynamic shop that I can adjust on two synths at the same time. I’ve modded all of the Odysseys to have a free-running LFOs also, so I can introduce a slow LFO to the filters to keep them shifting about on their own whilst I adjust something else elsewhere.

I have started re-recording these pieces 'properly', one Odyssey at a time, with view to putting them up somewhere for streaming or perhaps even pressing them onto vinyl. Would sound good on record I reckon. You reckon? And I have a whole shelf full of peculiar synthesizer albums from the 60’s and 70’s that it would be an honour to mingle with.

But hey, thank you so much, everyone who showed up and watched the last video. For all the views and subscriptions and above all, the kind and encouraging comments. That was nuts. I didn’t know you lot were coming! Absoutely amazing and thank you sincerely again.

Oh, to wrap up, here the Odysseys are going balanced out into a Behringer ADA-8200 Interface, which is optically connected into the Adat In of my UAD Apollo. They get their 5 channels of Midi note on, note off information down USB from Ableton Live which is in turn recording the audio coming back. I added some Hall Reverb from Arturia’s LX-24 but nothing has been EQ’d. It’s all how it comes out of the lovely boxes. I did however have a Limiter on the main channel, to put a bit of a lid on some of the more feisty bits.

Toodles!"

Ambient Music w/ Endless Cassette Tape, norns shield, and OP-1 field | Dry Grass 2026-07-12 by atnr

video upload by atnr

"An ambient piece created with endless cassette tape, norns shield, and OP-1 field.

Gear used:
YAMAHA CMX100II
norns shield
‪@teenageengineering‬ OP-1 field
‪@ChaseBlissAudio‬ LOST + FOUND & MOOD MK II
‪@strymon‬ blueSky

On the CMX100II, synth sequence phrases are pre-recorded onto two tracks, a sustained synth tone is recorded onto one track, and delayed percussion sounds are recorded onto another track.

The sequence phrases are sent from the MONITOR Out through the MOOD MK II. The remaining two tracks are routed from the AUX through the blueSky for reverb, then output from the Master Out.

On the norns shield, a recorded piano performance is played back with granular processing using graintopia, then processed through LOST+FOUND with delay and reverb.

On the OP-1 field, sampled bamboo flute sounds are performed. The built-in delay and reverb effects are applied."

HWJ - THE AFTERMATH - LIVING ORGANISM

video upload by FL3SHB4CK

"Hardware Jam Challenge: THE AFTERMATH

Just the 4ms Sampler and the Fieldtone Weaver…

Recorded live thru Syntakt delay & reverb"

Electronica Noise sketch 50 (Tonverk)

video upload by Olu Ondas Studio

"BPM 100 ; C AEOL

Texture
Percs
Lead
Bass drone
Hats
Kick/Rumble
Bass Metal
Piano sample

Reverb/delay/compressors"