video upload by Molten Music Technology
"Running a simple bass line through the stunning Parting glitch/ambient machine and exploring the sounds. It's a very touchy feely pedal that's wasted on guitarists and really should be a Eurorack module. Full review coming soon from a synth perspective.
I bought this pedal myself."
"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls
Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.
Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.
Depth sets the depth of the LFO.
Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope
Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.
Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.
Glitch creates various clock subdivisions.
Time sets the timing of the delay/reverb, as well as the reverse.
Filter sets the cutoff point of the post-dissolve filter.
Mix sets the blend of dry and wet signal.
Aux switch for tap tempo, half speed, or preset switching.
Soft-touch On/Off footswitch with relay switching for minimal switch noise"
