MATRIXSYNTH: Search results for Reverb

Thursday, January 29, 2026

15 minutes with Smoothie Audio Smear, a 98-pole allpass filter


video upload by Signal Sounds and Tom Churchill

"Tom takes a look at Smear, the debut module from Smoothie Audio. It’s a dual stereo 98-pole allpass filter, and it’s capable of some pretty mind-bending spectral effects.

Buy here:
https://www.signalsounds.com/smoothie...

More from Smoothie Audio: https://smoothieaudio.com/products/smear"



via Signal Sounds:

"We say...
It's not often that we come across something genuinely new and innovative in Eurorack these days, but Smear is just that - a pair of stereo 98-pole all-pass filters that open up all sorts of strange sonic territory. Brilliant!

Manufacturer's description
Smear is Smoothie Audio’s first Eurorack module - a dual stereo 98-pole allpass filter unlike anything else in your rack.

At its core, Smear takes a deceptively simple concept - the allpass filter, usually buried deep inside reverb algorithms — and refines it into a playable, sculptural processor. A single allpass subtly shifts the phase of incoming audio while passing the entire signal unfiltered. Stack 98 poles in series, and the effect becomes striking: frequencies across the spectrum are delayed by different amounts, creating a rich spectral delay that can smear, morph, and transform sound.

Smear can be become different effects, according to how you set the parameters:

Transient Smearing & Spectral Delay that reshapes transients, can add punch
Resonator & Percussion Voice for metallic, physical-modeling tones when pushed into feedback territory
Morphing filter & Phasor for animated timbral movement
Interface & Controls

The panel is laid out symmetrically, with two identical sections (Left and Right). By default, stereo audio flows left → right → out, but a dedicated Split Mode allows each side to process audio independently.

Each section offers three core parameters — Frequency, Resonance, and Stages — each with dedicated CV inputs. Frequency and Resonance have attenuverters for precise modulation. A global Feedback control (with CV) unlocks resonant, flanger-like, and physical-modeling behaviors.

The Stage sliders reveal Smear’s hidden depth: with LEDs indicating crossfade modes between filter poles, you can dive into complex notch filtering, animated flams, and evolving timbral movement. Modulate them, and the module comes alive with unpredictable, dynamic filtering effects.

Built on the Daisy platform by Electrosmith
CV inputs -5V to 5V
48kHZ sampling rate"

Abstract Loops and Shifting Rhythms | Which time is this 2026-01-29 by atnr


video upload by atnr

"This piece was created using the ‪@teenageengineering‬ EP-133 K.O.II, OP-1 field, and tape loops. Within repeating harmonies, abstract textures emerge as drums and tape loops continuously change through effects.

The EP-133 K.O.II and OP-1 field are synchronized via USB. On the EP-133, a simple drum pattern is played and shaped using Punch-in FX.

The OP-1 field plays the bassline and harmonies, with the sound processed through ‪@ChaseBlissAudio‬ MOOD MKII using delay and reverb.

A piano performance is recorded onto a tape loop and played back. The sound is heavily processed through LOST+FOUND, transforming it into an unrecognizable texture rather than a conventional piano tone.

Additional layers are created using VST instruments within a DAW."

Tuesday, January 27, 2026

Korg Volca Modular Generative Ambient


video upload by Stellaterra

"Random generated ambient music with added delay and Big Sky reverb."

1/26/26 (2 clips) Pasco Scientific 9301 + Roland SBX-80 + Yamaha EM-100


video upload by Cfpp0

"A pair of Pasco Scientific dual function generators are clocked by the Roland SBX-80. Spring reverb and additional drive from the Yamaha EM-100 mixer."

Monday, January 26, 2026

1/25/26 York TT4 & rBPF + Zerosum 5654 + MFB OSC-3 ADSR LFO + Ladik S-143 + OAM Time Machine +


video upload by Cfpp0

"1/25/26 Zerosum Inertia 5654 + MFB OSC-3 & dual ADSR & dual LFO + York Modular TT4 & rBPF + OAM Time Machine + Ladik S-143 + ALM Pamela’s New Workout + Alesis MIDIVERB II + Peavey 1300 + Paia 6740 + CXM 1978

We got some resonant filters by York Modular and this was a first test. The Ladik S-143 sequences the MFB OSC-3. The MFB oscillators 1 and 2 run through the TT4 into the right side of the Zerosum Inertia 5654 dual VCA, which is modulated by the MFB dual ADSR, and then through the OAM Time Machine. Oscillator 3 runs through the rBPF into the left side of the 5654, modulated by the MFB dual LFO and dual ADSR, and then through the Peavey 1300 delay (panned left). All of the signals have reversed reverb from the Alesis MIDIVERB II, spring reverb from the Paia 6740, and stereo reverb from the CXM 1978."

Sunday, January 25, 2026

Korg microKORG 2: Sound Demo | No Talking


video upload by Davide Puxeddu

"A detailed look at the sounds of the new Korg microKORG 2 (MK2).
This video is a walkthrough of selected presets that demonstrate the capabilities of the new engine, from rich virtual analog textures to modern digital effects.
Recorded directly via line-out for the best audio quality. No talking.

The patches in this video showcase the updated filter character, the new effects section (Reverb/Delay), and the dynamic response of the new keybed.

🎧 Headphones or Studio Monitors recommended."

まるでMemorymoogの質感!? GS MUSIC e7 Poly Analog Synth from Argentina [no talking]


video upload by いーえるP@TinySymphony

"Reverb : UAD Lexicon 224

MOOG ONE よりも、Sequential TRIGON-6 よりもMemorymoogに近いと思っているアナログポリシンセ、それがこの GS MUSIC e7です。
海外フォーラムでも『e7』はmemorymoogと最も競合する音色・質感を持つとよく言われてるのですが、皆さんはどう思われましたか?

GS MUSIC
https://www.gsmusic.com/synth-store

去年、5Gには黒バージョンしか無かったので、地球の裏側アルゼンチンから個人輸入しました。なんと国際送料無料だったんです!"

Googlish:

"Reverb: UAD Lexicon 224

I think this GS MUSIC e7 is an analog polyphonic synthesizer that's closer to the Memorymoog than the MOOG ONE or the Sequential TRIGON-6.
It's often said in overseas forums that the 'e7' has the most competitive sound and texture compared to the Memorymoog, but what do you all think?

GS MUSIC https://www.gsmusic.com/synth-store

Last year, only the black version of the 5G was available, so I imported it personally from Argentina on the other side of the world. And surprisingly, international shipping was free!"

Sequential Prophet-6 for the keyboard controller.

MATRIX VCF & Voltage Control - Creating presets with fixed voltages


video upload by AJH Synth Official

"Here I'm using Pressure Points to select different sounds/settings on the Matrix VCF - this filter has full CV control of all functions, including the selection of all 16 different filter types (Mode). Because the Matrix has such a huge range of filter sounds, it is very useful to be able to recall them instantly using a fixed-voltage controller or sequencer.
I'm also feeding it 2 VCOs and noise initially, but later replacing the raw sawtooth waves with the same saw processed by the WAVE SWARM - this is a sawtooth animator, creating 12 additional faux saws from 1 or 2 incoming oscillators to create a fat 'super saw' effect.

Video & Performance by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Official website page: https://ajhsynth.com

Vangelis 'Rachel's song' Sunday morning improv on CP70, Rhodes, Moog Muse


video upload by Jose's Vintage Keys

"I love synths, but I love my Rhodes en CP70 even more. Together they shine. Especially using 2 Lexicon reverbs in serie (PCM70 short reverb - Model 200 long reverb) and my 2 new delays: Meraki and Empress."

Oberheim OB-X in there as well.

Thursday, January 22, 2026

Ambient Electronica of Fading Synths and Sapporo soundscape | Fading Memories 2026-01-22 by atnr


video upload by atnr

"This piece was created using the ‪@SequentialLLC‬ Prophet-10, ‪@MoogSynthesizers‬ Moog One, ‪@YamahaSynthsOfficial‬ CP88, ‪@NordKeyboards‬ Nord Lead, and tape loops. Set against field recordings captured in snowy streets of Sapporo, electric piano and synthesizer sounds emerge and fade away, forming an ambient electronica composition.

The Prophet-10 is used to play synth pads, processed with reverb and delay via ‪@ChaseBlissAudio‬ LOST+FOUND.

Two tape loops are used. One contains a one-minute recording of an electric piano performance, while the other plays field recordings from the streets of Sapporo. The electric piano tape is played back on a ‪@WeAreRewind1‬ cassette player and processed with delay using ‪@strymon‬ TIMELINE. The field recording tape is played on a Rock & Play cassette player, with the pitch lowered and further processed through ‪@ChaseBlissAudio‬ MOOD MKII, where reverb and layered micro-loops deepen the pitch and texture.

The Moog One and Nord Lead are occasionally played to add synth pads. The Nord Lead is processed with reverb via ‪@gfisys‬ Specular Tempus.

The CP88 plays a Rhodes sound, layering simple phrases with its built-in reverb and delay."

PART 2 - Winter synth improv | Analog synth/spring reverb/chorus | meditation


video upload by Hazel Mills

"Listen for a gentle warming uplift, as the earliest glimpses of spring are emerging. Days are getting lighter, as they always do.

👋 Join my Patreon for FREE for similar videos, tutorials, studio vlogs and creative inspiration 👉👉👉 / hazelmills (...plus a description of how I built up this piece).

This is "Expanse Part 2", an improvisation that came to be because I'd been re-jigging my studio set-up and was testing a gear combo (listed below).

Sequential Circuits Prophet 6
Echo Fix Spring Reverb
Echo Fix Chorus Vibrato
Vongon Polyphrase
Vongon Ultrasheer

Happy Jamuary."

Moog Grandmother – FX Sounds [Sample Pack] | Sound Demo


video upload by Mr. Card Synths

"Moog Grandmother – FX Sounds [Sample Pack] | Sound Demo – a collection of over 70 FX samples recorded directly from the Moog Grandmother. This pack features analog noise swells, spring reverb crashes, feedback bursts, drones, glitches, and experimental one-shots — all captured to highlight the character of the Grandmother’s analog circuitry and built-in spring reverb. Perfect for ambient, cinematic, electronic, and experimental music production, these sounds are ready to drop straight into your projects to add texture, movement, and analog edge.

👉 Download the sample pack: https://mrcardsynths.com/product/moog..."

Roland TR-1000 and eurorack | Hypnotic dance


video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Buy the album here: https://jayhosking.bandcamp.com

This is a set of live, improvised dance music performed on a eurorack skiff with the Roland TR-1000. The TR-1000 provides most of the drums, and the eurorack does everything else.

00:00 - Archaios
07:33 - Elan vital
13:42 - Magnetic sleep
21:58 - Entelechy

I'm really happy with how this set turned out, and will probably try the setup again. I'd also love to give it a shot in a live environment, with actual humans dancing.

Eurorack modules:
Noise Engineering Zularic Repetitor - Gates (rhythms)
Noise Engineering Gamut Repetitor - Pitch (notes)
ALM Busy Circuits Pamela's New Workout - Synchronization, modulation, and LFOs
Forge.TME Vhikk X - Drone
Frequency Central Product - Bass
Mutable Instruments Rings - String synth
Noise Engineering Desmodus Versio - Reverb for Rings
Eowave Domino - Subtractive synth
Happy Nerding FX Aid XL - Delay for Domino
Bastl Citadel Wave Bard - Percussion
Bastl Citadel FX Wizard - Glitchy effects for Wave Bard
Qu-Bit Nautilus - Delay (on a send)
Befaco STMix - Send mixer for Nautilus
Intellijel Mixer 1U - Mixer out for Product and Domino
Intelljel Headphones 1U - Mixer out for Rings"

Wednesday, January 21, 2026

OBNE Parting // An Innovative Approach to Lo-Fi Effects


video upload by Jorb

0:00 Intro
1:30 Hands on / Delay
9:54 Glitch Knob
14:23 Modulation
18:35 Dissolve
25:28 I get lost
29:44 TR-1000 / drum machine demo
34:25 Matriarch / ambient demo



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

Tuesday, January 20, 2026

Ambient Soundscape with Generative Micro-Loops | Reconstructed 2026-01-20 by atnr


video upload by atnr

"This piece was created using the ‪@SequentialLLC‬ Prophet-10 and a self-developed ambient music generation software called Ambient Engine. Cut-up samples are transformed into micro-loops, forming an ambient soundscape layered with synth pads.

The Prophet-10 is played with reverb applied via ‪@strymon‬ blueSky.

Ambient Engine plays samples at both fixed intervals and random timings, processing them through a micro-loop effect, delay, and reverb before output. The samples include field recordings captured in urban areas and parks, as well as sounds from a Rhodes MKII."

TuuL Reverb Randomization


video upload by gotharman

"Randomizing the Reverb parameters and gets a lot of different reverb types :)
Sound source: Touch TuuL kick drum.
www.gotharman.dk"

Diverse moods of Leviasynth / by Jexus.


video upload by Jexus (sounds-for-synths.com)

"In 2025 Ashun Sound Machines contacted me and asked if I would like to create a set of unique presets for their upcoming synth. No details were disclosed about the instrument but, as you can imagine, I was curious. I agreed and several weeks later a monster 8-oscillator synth arrived at my doorstep. Today all of you can see it and hear it in action - the LEVIASYNTH is ready! Here's a quick video with some factory presets I created on the new Leviasynth. In this demo I kept the internal reverb low and did a fair amount of tweaking to give you a better idea of the timbre / behavior of the synth.
cheers;
Jexus / sounds-for-synths.com"

See the ASM label below for more.

Some Beginner-Friendly Musings on Eurorack Delay Effects (feat. Mimeophon, Ghost, Effexx RT1701)


video upload by The Sound Convergence

"Just some thoughts on Eurorack delay effects.
If you are buying your first effect module, make sure to not only look at the features but the layout and workflow."

0:00 Intro
0:30 Mimeophon as an Instrument
1:30 Mimeophon Karplus Strong / Reverb
2:00 Mimeophon with CV Modulation
2:42 Mimeophon Pros/Cons
3:03 Ghost as a Workhose
4:05 Ghost Karplus Strong / Reverb
4:52 Ghost Pros/Cons
5:43 Effexx RT1701 as a Studio Effect
7:17 Effexx RT1701 Pros/Cons
8:16 Take-Aways

Monday, January 19, 2026

1/17/26 (Comparison 3) Metasonix R-54 + Zerosum Inertia ZI54 + CXM 1978


video upload by Cfpp0

"This is the third comparison video I’ve made so far with the Metasonix R-54 and the Zerosum Inertia ZI54, by playing them simultaneously. For the first three minutes, I’m just turning the drive knobs on the modules to hear the differences, how it affects the timbre and even the pitch. After 3:00, I start messing with the resonance knobs. In this video, the ZI54 drive knob is much more aggressive, particularly when fully clockwise. The R-54 is panned a bit left on the Mackie Onyx 1640 mixer and the ZI54 is panned a bit right. Both have some stereo reverb blended on the CXM 1978."

ASM Ashun Sound Machines Introduces the LEVIASYNTH


video uploads by ASM Ashun Sound Machines

Check with dealers on the right for price and availability.

Playlist:

1. Introducing LEVIASYNTH from Ashun Sound Machines
2. Leviasynth - Crystal Cove with Kaela Sinclair by Exploredinary
3. Leviasynth Journey with Dominic Au – Part 1: Classics
4. Leviasynth Journey with Dominic Au – Part 2: Soundtracks

And an overview by loopop:

ASM LEVIASYNTH Review // Keyboard vs Desktop vs Hydrasynth

video upload by loopop

Details:


From the darkest recesses of the unexplored oceans comes ASM's most powerful creation yet—a hybrid algorithmic synthesizer with sixteen-voice polyphony, eight oscillators per-voice, and a truly absurd amount of sound design potential. There are over 300 waveforms available for each voice's eight oscillator slots, giving you access to a bonafide sandbox of sonic alchemy. Each voice's oscillators can be arranged and rearranged for versatile modulation schemes using the many available algorithms. This open-ended method of crafting timbres gives you nearly-unlimited possibilities for sculpting sounds ranging from familiar tones to completely alien timbres. In addition to the ability to create your own algorithm, the Leviasynth also comes with 144 preset algorithms for quick sparks of inspiration, and the ability to morph between these oscillators non-linearly.

The oscillators can be modulated in a multitude of ways to create even more timbral variation: Frequency Modulation, Phase Modulation, Pulse Width Modulation, HTE Sync, and Phase Distortion can all be applied to Leviasynth's oscillators for nearly-endless sound design potential. These, along with nearly every other parameter, can be affected using the internal 32-slot modulation matrix. Each of the eight oscillators includes its own volume envelope, along with five additional shared envelopes and five LFOs per-voice for creating a moving sonic texture within the canvas of the expansive modulation matrix.

The Leviasynth is one of ASM's most expressive synthesizers to date, offering a 61-key keybed with full polyphonic aftertouch, MPE compatibility, and a four-octave ribbon controller for even deeper playability. Record and playback more than just audio with the internal three-track sequencer, allowing you to record note, arpeggio, and macro automation data. Control a plethora of parameters across the synth with the eight individual macro controls, which provide a deep level of expressivity given the broad timbral potential of Leviasynth's multi-algorithm design. Expand this expressiveness into your Eurorack systems with the 3.5mm CV I/O, providing two assignable Mod inputs, as well as outputs for Pitch, Gate, Clock, and two assignable Mod outputs.

Leviasynth offers both analog and digital filters for sculpting multi-layered timbres. On the analog side, you get a buttery-smooth four-pole low pass, which provides the foundation for beautiful, intimate sounding patches. On the digital-end of the spectrum there is a complex, Hydrasynth-style multimode filter with eighteen different filter types. All of these filters can self-oscillate at high resonance settings, along with pre-drive saturation for helping your patches cut through any mix. The effects section offers two independent methods for applying that extra layer of polish to your sound. In the master effects, you can shape and transform your final sound with Delay, Reverb, Distortion, Rotary, Phaser, Chorus, Compression, EQ and more. The second method provides dedicated insert effects, which offer five flavors of Delay and four Reverbs for giving your sounds that ever-important sense of space. This two-layered approach to effects gives the Leviasynth a sound all its own, and when used in tandem with the aforementioned suite of timbral shaping engines, your imagination is the only limit. Like the vast unexplored waters of the deepest oceans, the ASM Leviasynth holds an immense amount of undiscovered potential underneath its dormant surface.

LEVIASYNTH KEYBOARD FEATURES

Complex hybrid algorithmic keyboard synthesizer
16-voice polyphony with 8 oscillators per-voice
32-slot modulation matrix
Dedicated 3.5mm CV I/O
Both analog and digital filters
Master and insert effects engines
Multi-color touch screen interface
3-track sequencer for recording notes and macro automation
4-octave ribbon controller
1024 Single mode patches, 640 Multi mode patches
MPE-compatible
ASM Patch Manager for Mac and PC for patch management and firmware updates

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