RHODES MKII, Prophet-10 & ARP ODYSSEY Minimal Ambient | Tropical Summer 2026-07-08 by atnr

video upload by atnr

"Minimal ambient music created with the RHODES MKII, Prophet-10, and ARP ODYSSEY.

On the RHODES MKII, a Nano Clone is connected to the ACCESSORY jack for chorus. The output of the RHODES amp is then connected to the TIMELINE for delay.

The Prophet-10 performs a synth pad. Its output is treated with reverb on the MOOD MKII and further processed with a blueSky reverb.

The ODYSSEY outputs two signals for recording, one from the BASS DRIVER DI and the other treated with delay and reverb on the LOST+FOUND.

Track: Tropical Summer 2026-07-08 by atnr"

SCJS#105 - FEEDBACK JUMBLER PART 3

video upload by FL3SHB4CK

"Small Case Jam Sessions #105

SPASM, SPLISH, JUMBLER, GENERATE 3, TYPHOON (Oliverb)


Recorded live thru Syntakt delay & reverb"

Korg Electribe ESX-1 SX

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional CONTROL Listings

CLICK FOR MORE »

Vermona Kick Lancet SN D 28689

via this Reverb listing

Additional CONTROL Listings

CLICK FOR MORE »

SynTesla CRV540 Cloud Reverb Module - sound test

video upload by SynTesla

"Sound test of the “cloud” reverb currently under development at SynTesla. The module will initially be available in a 5U format. A 3U version will be released later if our customers show interest."

Catalyst MiG VCO and VCF

video upload by John Schussler

"These things are...just awesome.

There aren't a lot of new an interesting VCO designs out there, so when I saw this one pop up and heard it was going to be a limited run (due to the limited availability of NOS mini-tubes) I immediately grabbed one.

The name comes from the MiG fighters that these tubes were originally designed for. I'm going to assume that means they'll last a while.

You almost don't need the filter. The VCO has so much control and character that the filter seems like gilding the lily. But then you add it to the VCO and BOOM! your head explodes with all the great sound.

Skip to 14:35 if you just want the punchline.

Envelope from Zadar, and a touch of reverb, that's it.

00:00 Intro
0:20 VCO only
5:57 Sequence
9:35 Filter
11:12 Envelope to Cutoff
14:35 Faster sequence"

First Look at the Strymon Timeline MX (w/ Elektron Tonverk)

video upload by Duskmos

"Today I'm taking a first look at the brand new Timeline MX from ‪@strymon‬. This is an insanely good mega-delay with all kinds of algorithms on board, including reverb and a really vibey granular / spectral mode as well. It has full MIDI, a looper with up to 5min recording time, and really flexible send and return options to top things off. Hang out while I play through all 100 presets and explore the sounds and atmospheres this beautiful machine creates!"

00:00 Intro
02:14 Pattern 1 (Patches 0A-14B)
20:08 Pattern 2 (Patches 15A-34B)
35:41 Pattern 3 (Patches 35A-49B)
52:00 Final Thoughts



Time Machine From The Future
TimeLine MX delivers an extraordinary combination of premium features in a single pedal.

> 12 World-Class Delay Machines
TimeLine MX features new Oil Can, Spectral, Drum, Reverb and MultiTap engines in addition to significant enhancements to the other classic TimeLine delay machines.

> Two Effects At Once
Dual delays can be routed in Series, Parallel or Split modes, and individually panned per engine.

> Five Minute Stereo Looper
TimeLine MX features an integrated Stereo Looper with selectable multi or 1 Button Looper modes. The looper can be placed before or after the delay effects, and in 1 Button Mode it can be used on the fly without switching to Looper mode.

> Reverb Plus Delay
In addition to 11 delay engines, a stellar new reverb engine is included, allowing TimeLine MX to be your all-in-one delay plus reverb pedal.

> Full MIDI Control And More
Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Access the looper controls (including reverse, redo and half speed) without entering Looper mode. Adjust controls via an expression pedal while you play. All this and more in an elegant and easy-to-use pedal.

> Stereo Input/Output Plus Stereo Send and Return
All jacks are TRS stereo providing selectable I/O configurations for any professional setup, including stereo or mono effects send/return, wet/dry, and wet/dry/wet.



Playlist:

1. Introducing Strymon TimeLine MX Delay
2. Strymon Timeline MX | Sound Samples
3. Strymon TimeLine MX – Deep Dive with Sound Designer Pete Celi
4. Strymon TimeLine MX Looper Overview

AC NOISES CONTINUA: A New Band Member

video upload by keinseier

"Sometimes a device that gives back comes along. One that acts like a band member, with its own ideas and fresh input.
This is one of those. But you still get to tell this band member what to do, if you like.
There is a great potential for sound design and sparks for new ideas right beneath the surface. Awesome."



CONTINUA is a stereo dynamic sampler and multi-effect that doesn’t just play your sound back: it listens to how you play and reacts in real time, capturing, shaping and transforming your repeats through a wide range of controls including mix, tempo (TAP function included), pitch, sustain, freeze, glitch, dimension, lo-fi, downsampling, reverb, smear and filter.

In the meantime, your dry signal can remain completely untouched or be routed through the multi-effect section for further processing.

Born from the collaboration between AC noises and Andrea Degli Esposti from BunkerNoise, CONTINUA is designed for deep and hands-on interaction. It gives you access to both primary and secondary parameters, allowing you to sculpt your sound with precision. Shape its response by adjusting in-fx, sensibility, threshold, attack, release and stereo spread, or dive into effect-specific controls like lo-fi modulation, reverb decay and more.

Decide whether your repeats move forward or in reverse, and whether they emerge in full or dissolve into ghostly tails. Also, when things need to break apart, unleash pure chaos with the momentary tilt function.

CONTINUA offers two onboard presets, full MIDI implementation with input and output (mini-jack) and a USB-C connection for MIDI integration and firmware updates.

Routing options include:

Mono Input → Mono Output
Mono Input → Stereo Output
Stereo Input → Stereo Output
It also features selectable buffered (which can be set in tail or hard bypass mode) or true bypass.

Power: 9v center negative

Current draw: ~ 250mA"

CLICK FOR MORE »

Harmonic Dissector 1.2.0 | New Motion Features and Sound Examples

video upload by Unusable Engineering

"A no-talking sound example video of the updated Harmonic Dissector 1.2.0.

The main addition in this update is motion. The sound engine itself is unchanged, but the plugin now has a new bottom section with a 4-slot slewed preset system, clocked stepping, slot on/off control, copy/paste between slots, and randomization for both filter sections.

This video shows the updated functions in use with a static Partials & Discrepancies patch, plus examples with Curves & Membranes and an emulated Rhodes. Some of the examples also use Geometry Delay and Geometry Reverb.

What I like about this update is that it opens the plugin up quite a lot without changing what it fundamentally is. Even just moving panning or level between slots can get you into tremolo and auto-pan territory, and because there are two parallel filter sections, it can go much further than that. Of course it also works well for stepping or sweeping filter movement.

A small tip if you want some extra fun: run the LFOs at audio rate and modulate the depth of FM and BandWidth per step.

Update notes
added randomization of both sections
added the 4-slot slewed preset system from the Geometry series
added clocked stepping via internal or host clock
added slot on/off by double-click or shift-click
added copy/paste to make it easier to align the 4 slots
added value labels for LFO rates
brightened the interface and increased contrast for better usability on lower-contrast screens

More info:
www.unusable.net"

What is a Plexus | feat. XAOC Samarkanda and WMD Sequential Switch Matrix

video upload by Cinematic Laboratory

"Yes, I want to make a PlexiPhon video too. It's always a joy when MakeNoise announces a new Tom Erbe collab, and always a drag to wait for it to cross the Atlantic. I have it on pre-order since I saw the first video. As far as I can tell, MakeNoise didn't explain what a 'plexus delay' is and how it differs from, let's say, a Mimeophon. At first listen they sound like very close family, maybe even too close. However, MakeNoise did a follow-up video where we could hear how the PP changes its delay line like a chameleon, depending on whatever goes into the module and I had a clear WOW moment.

But I still didn't know what a Plexus was, and since I am writing a Book that's supposed to last at least 50 years, I had to do some research. The term is mainly used in biology, describing complex junctions in our nervous system. The term is adopted by networking and represents a complex node to node network. Now it's a small step from a delay line to a delay network, and from a delay network to a reverb. The fun part about a closed plexus is that it can re-encounter elements from anywhere in the chain. Imagine taps that can select crossroads and take a long way home.

I explored the concept with XAOC Samarkanda Quad Delay, which allows me to 'patch program' any combination of four delays with four feedback paths. It's a plexus, but a very simple 'square'. I decided to use the WMD Sequential Switch Matrix so I could patch the I/O in a 4x4 grid. It still doesn't sound like much, but now a 'tap' can travel over 65.536 different routes (2 to the power of 16) which is more than enough to create a vast diffusion network.

I am aware it's a lot of patching and most of you won't be able to follow, but you can freely experiment in VCV too, and learn a LOT. And let's not forget the PlexiPhon can be on its way to the stores right now, which could downsize my experiment into one convenient little module. I can't wait to get my hands on one. But honestly, if you own a Samarkanda, experiment with it first, and only buy new stuff if you really have to. Remember this: It's not the module, it's the behavior!"

Oberheim TEO-5 and Sequential FOURM Synthesizers FUN

video upload by James Dyson

"Oberheim TEO-5 and Sequential FOURM Synthesizers FUN
Sound Design as I go and general Fun, FX added to the FOURM delay/Reverb
Drums Triaz VST"

Transforming Roland JX-305 with Novation Summit Audio In | Ambient Jam

video upload by Paweł Spychała

"In this video, I’m creating a deep, massive ambient soundscape using the Roland JX-305 Groovesynth, the Novation Summit, and Bitwig Studio.

Signal Chain & Setup:

The Soundscape: The Roland JX-305 is routed directly into the Audio Inputs of the Novation Summit. I'm using the Summit's onboard effects engine to completely transform the JX-305 sound, pushing the reverb to its limits and cranking the delay feedback to maximum for an infinite, evolving drone.

The Lead: The main lead synth comes straight from the Novation Summit, cutting through the ambient wash."

HWJ - THE REVOLUTION - DOWTOWN RIOTS

video upload by FL3SHB4CK

"Hardware Jam Challenge: THE REVOLUTION

LIQUID GLITCHER, AMNIS, BIA, WEAVER, RADIUS, AHH, A-138s

Recorded live thru Syntakt delay & reverb"

Ensoniq ASR-10 Rackmount Advanced Sampling Recorder SN ASR-12849

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Hilariously overbuilt and overengineered, this ASR sampler was Ensoniq's flagship, and with compatibility to the EPS and EPS16+ there's plenty of cool sounds that you can use right out of the gate.

The ASR-10 (Advanced Sampling Recorder) was essentially the third generation of the EPS series of samplers, sharing the same basic architecture and user interface as the earlier EPS Classic and EPS-16 Plus. The ASR-10, like its predecessors, was a true performance orientated sampling workstation, and did not require a computer or additional equipment in order to create a complete song. It included a powerful and flexible effects unit, polyphonic aftertouch, an advanced MIDI sequencer, load-while-playing abilities, and a powerful multi-layered synthesis engine. The supplied "Musician's Manual" lived up to Ensoniq's documentation practice, with a highly readable, very hands-on and quite complete description of the device. There was even an included tutorial that covered many features of the machine, including sampling and sequencing."

CLICK FOR MORE »

Moog Subsequent 37 Analog Synth w/ Decksaver Cover SN 09835

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability."

CLICK FOR MORE »

Serviced Moog Opus 3

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Recently serviced by our in house synthesizer technician, this Moog Opus is ready to give you some brass and string sounds from your dreams."

SN 1872?

CLICK FOR MORE »

Rhodes Chroma 64-Key 16-Voice Polyphonic Hybrid Analog Synthesizer w/ Extra

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »

Building an Atmospheric World with Orchid - No Bride

video upload by Telepathic Instruments

"Local songwriter/producer No Bride joins us at Telepathic Studios in Fremantle. Experimenting with reverb-drenched Orchid tones, sampled drums and ethereal vocal melodies, she creates a spacious and moody track within a few hours."

Listen to No Bride: https://linktr.ee/nobride_music

Sine Wave Ambient with Ambient Engine v1.2 & OP-1 field | Archipelago 2026-07-05 by atnr

video upload by atnr

"Ambient music created with Ambient Engine ( https://store.atnr.net/ambient-engine... ) and the ‪@teenageengineering‬ OP-1 field. Sine wave microloops and reverb-soaked synth tones fill the space.

This session uses Ambient Engine v1.2, currently in development. Sine waves are loaded into its four sample players and triggered by MIDI notes from Ableton Live. The resulting sounds pass through Ambient Engine's built-in MicroLoop effect, delay, and plate reverb, forming abstract masses of sound.

On the OP-1 field, a synth pad is performed on the DIGITAL synth with the built-in reverb applied, and the output is further processed with a ‪@strymon‬ blueSky reverb.

Track: Archipelago 2026-07-05 by atnr

070426

video upload by Dimitrios Sismanis

"Exploring the QuBit Stardust and Data Bender. Two Hertz Donut mk III's provide melodic segment. The initial melody sampled and modified by the Startdust. Bass from 2600m. Drums from Flame Fire and Squarp Rample, processed by Ohm Force Ohmicide. H90 for drum delay/reverb. Intellijel Sea Legs and Swells for delay and reverb on main mixer (Xer Mixa). Drums and Hertz Donuts going to Data Bender. Vocal sample from Multigrain. Sequencing from Cirklon."