"Here we have the new SW3 Splice module from DPW Design. It's a smart zero crossing and zero difference dual switch module ... a mouthful maybe, but it's two channels of intelligent switching for audio or CV with simple to use options for anything from making mutes, manual gates, click free audio switching, modulation waveform chaining and a whole host more.
This is a '3 Patches' series video, where we distill things down to just 3 patches, but I've added in some bonus bits where I wanted to change up something in the patch to explore how the module performs with other sources. Check out the patches below."
"Wavesplicing made simple. It works both with audio and control signals or a mix of those.
The SW3 is a module to splice (switch) any signal together with something else click free at up to high audio rate. A tool for audio and CV experiments. A way to expand what you already have into new sonic and control roams.
It can be dual mono, stereo coupled or switching mono into stereo for big stereo fields."
Splice made its first appearance on the site last October.
Check with dealers on the right for availability and price.
Playlist:
1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!
We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."
2. Bastl CITADEL Alchemist - All Synth Modes preview
"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."
Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching
3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments
Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.
Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic. Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.
5 synthesis modes The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.
The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds. The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode. You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento. You can customize its rhythms and scales with the web-based editor. Modulate anything All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.
"The Tembra Modular PH LFO is a powerful Eurorack modulation source that focuses on phase shifting and uses wavetable LFOs. I love using Phase Shift for wide stereo images and complex movement.
In this video, I demonstrate the PH LFO’s core functions and build a practical Eurorack patch that uses phase-shifted LFOs to create a wide, animated stereo field—without relying on chorus, delay, or other stereo effects.
LFO module provides 4 outputs, 3 with phase shift. The PH S knob controls phase: center = no shift, up = maximum shift (45° / 90° / 180° depending on output), down = the same amount but in the opposite direction. RATE controls LFO speed. WAVE smoothly morphs between waveforms inside the selected bank. BANK button: Short press: switch between waveform banks (5 banks + 1 bonus). Hold: enter rate range selection mode. In this mode, short press cycles rate ranges: 0.05–10 Hz, 0.05–5 Hz, 0.05–3 Hz. Hold again to exit back to bank mode. There are CV inputs with attenuators for WAVE, RATE, and PHASE. Range switch selects output voltage range: 0 to +10 V or –5 to +5 V.
"Love what @aqeelaadamsound and @blankfor.ms crafted with their awesome #outgrowth app ❤️❤️❤️ Here i‘m using it as a granular instrument hosted in #musikraken to use camera-tracked hand gestures to move through various waveforms. Left-right movement is mapped to sample/playback start while hand openness is mapped to grain window size. Going out of frame and back in triggers a new waveform using Outgrowth‘s round-robin playback feature. So much fun and yet so much more to explore there…"
Outgrowth is a sample-based instrument built collaboratively by Aqeel Aadam Sound and BlankFor.ms. Designed with creativity, flexibility, and performance in mind, Outgrowth provides unique, multifaceted ways to reimagine audio with your mouse or keyboard.
Outgrowth features five unique engines for processing samples:
Stem: A basic one-shot style player that repitches the sample
Retain: A granular stretching engine that sustains the sample indefinitely
Reflect: A looping algorithm that loops the sample at a consistent rate across all pitches
Radiate: An additive resynthesizer that maps each harmonic of the sample to a sine wave oscillator
Delve: A wavetable synthesizer in which the sample becomes the basis for a completely unique wavetable
Outgrowth also features five standout audio effects for shaping your sounds further:
Subvert: A unique shaper that flattens or inverts the sample’s volume
Submerge: A singular effect for adding dimensional realism to sample repitching
Strike: A dynamic control for adding an acoustic-like response to sample playback and performance
Ripple: A one-knob tape emulation handcrafted by BlankFor.ms that can be subtle, deconstructive, and anywhere in between
Smear: A pre-ADSR reverb for congealing notes and blurring boundaries between pitch and texture
And further still, Outgrowth offers a robust modulation matrix for generative or performative control over all parameters. Control every single parameter within Outgrowth via LFOs, unique random sources, velocity, note pitch, aftertouch, MPE control, and more.
Finally, Outgrowth offers a robust preset system, including more than 50 bespoke presets and over 100 samples by BlankFor.ms. Explore ethereal ambient pads, haunted lofi keys, shimmering tape-infused plucks, gnarled percussive textures, and more."
OUTGROWTH TAPE | OUTGROWTH LYRA8
video uploads by Aqeel Aadam
"Hi! The team from KIVIAK Instruments sent me the WoFi right before the Christmas.
And since then, there hasn't been a day that I haven't played the WoFi!
I’m not mastering it at it’s very best, yet! - but this sampler has a HUGE POTENTIAL!
From the very first day I sampled my voice, my kids' singing, my synths, ambiental noises and anything you can think of!
Diving into the samples with the Waveform Viewer, using the Touch Stripe or the Texturer’s buttons, to create new interesting sounds and modulate them with the LFO, to obtain either an industrial, harsh sounds or a sound with vintage lo-fi vibe.
Here’s a sample from my Sequential PRO 3, using it to create a Berlin School sequence on my own style with a vintage vibe, and playing over it - by using the SOLO function - a plucky/organ lead, both the sequence and the lead using the same sample.
I’m passing through the sampling MACHINES and the Playback Modes and tweaking some functions.
I added some delay and reverb, and during the playing (made in post processing) I’m bypassing them for a raw sound."
More to come, next days!
Questions?! Please ask!
❤️AE
0:00 Allez-y!
0:30 Playback Modes
0:50 Machines
1:30 Ext. Delay & Reverb
1:40 SOLO function
3:15 Texturer
4:40 RAW
5:40 Back to ext. effects
6:30 Messing with the Playback Modes and the Machines
8:20 À Bientôt!"
Dynamic 2D waveform control, providing continuous access to all core wave shapes and extended variations. Controllable via front-panel controls and bipolar CV inputs with built-in attenuverters.
Unique alternating cycle-length patterns, creating clean yet harmonically rich distortion by varying individual cycle lengths while keeping the overall period stable.
Standard 1 V/oct pitch input, an adjustable fine-tuning section, and a true hard-sync input for precise, musically stable synchronization.
Optional MIDI input via a dedicated extension module (coming soon)."
"The new features for the Maestro Synthesizer. Part 1.
0:00 Intro
1:20 Upgrated Apreggiator
2:42 Poly Duo Mono Unison
3:46 Hot keys
4:04 Waveform selector
• Poly / Duo / Mono + Unison
• Advanced Arpeggiator: 4–8–12–16 steps, Up / Down / Ping-Pong / Random, note priority, external sync
• Gate Modes: Normal / Invert, first-note or every-note trigger
• Portamento (Glide)
• LFSR Noise with fixed or random modulation
• Waveform Selector: Saw / Square / Pulse + combinations (all through filter)
• MIDI: In / Out / Sync / Learn"
'No issues. Past owner reported it had work done in the past. Right wood end has damage as shown in photo. Confusing non traditional workflow and will take time for you to understand the device. The Spectralis is a professional synthesizer, groovebox, and sequencer created in 2004 by Radikal Technologies. Contained within is a powerful monophonic hybrid synthesizer (the Asynth) composed of 4 digital oscillators that can pass through two analog filters (a 4-pole 24dB LP filter and a 2-pole 12dB multi-mode filter), a 32 stereo voice polyphonic multisampling sound engine (the Dsynth) that pass through a digital 12dB multi-mode filter, an 8 bandpass fixed filterbank a plethora of LFOs to modulate parameters, two delay effects, and an extremely complex and powerful pattern-based sequencer section to sequence internal sounds and parameters as well as external gear. The Spectralis has 32 available songs, each with 32 patterns available.
For many musicians, owning a CS-80 synthesizer is a dream that’s out of reach - both financially and in terms of required maintenance. While today’s VST replicas sound remarkably close, the true spirit of the CS-80 only comes alive when you have all controls at your fingertips. That’s why GLT Audio created the “Poor Man’s CS-80” — the PM-80, featuring 75 dedicated faders and a ribbon controller, offering an inspiring hands-on experience.
75 silk-smooth faders
30 cm ribbon controller
6 high quality waveform toggle switches
Slim table-top metal enclosure
Well connected
Power and MIDI-out over USB-C
MIDI-out over 3.5mm jack
Expression pedal input (converts to MIDI)
CV and Gate out, assigned to the ribbon controller
Magnetic overlays to play other virtual instruments
Use cases Map the PM-80 to your favorite CS-80 VST, such as Cherry Audio's GX-80, Softube's Model 77, Arturia's CS-80 V, Xils Lab's The Eighty, Morphoice's Unstable or Memorymoon ME80. Use the PM-80 for other VSTs, by adapting it's parameters using magnetic labels. Control a virtual audio mixer. (eg. 24 x level, 24 x pan, 27 faders for effects) Control hardware directly in a DAWless setup, using the MIDI DIN output (even allowing SysEx on customized firmware). Connect to your Eurorack: the ribbon controller outputs to CV and Gate. As a powerful generic MIDI controller, the PM-80 can even be used for applications like DMX light control and VJing. Product details 75 high quality silk-smooth 30mm faders by Alps Alpine (all without detents). 30 cm ribbon controller. 6 high quality waveform toggle switches and 3 slide switches. 1 special switch: while pressed you control 75 additional CCs. Slim table-top metal enclosure with screen printed metal faceplate and rubber feet. We will share the source code, allowing firmware customization by the user. Dimensions of the enclosure: 410mm x 205mm x 20mm. Designed and assembled in the The Netherlands.
Connections Power and MIDI over USB-C 3.5mm TRS MIDI-out (Type A) 3.5mm TRS CV & gate out (assigned to the ribbon controller) 3.5mm TRS expression pedal input (value sent out over MIDI)
Additional items Magnetic overlay labels for: a famous 1977 poly synth a famous ladder filter mono synth blank (for handwriting) more to follow… 3.5mm TRS to MIDI DIN converter. 3.5mm to 6.3mm TRS converter for expression pedal input.
"This tabletop noise synth has been used only a few times for specific recordings and remains in perfect physical and working condition. The item pictured is the actual item you will receive.
Beatsville (Japan) Exclusive Model
Beatsville description (Japanese to English Translation)
JMTSYNTH, known for its popular creative noise drone synths, has released the DNVO-1a , offering even more flexibility and excellent integration with modular synths! This exclusive Beatsville model features a white acrylic panel and an additional Gate In jack, adding a touch of glamour. It's modulated by the voltage control of a BASTL INSTRUMENTS modular. Five modulation options are applied to the main VCO, which is then output via a brutal noise filter. Each sub-oscillator, SUB1 through SUB3, has its own on/off switch, is set to a different frequency range, and the modulation frequency can be adjusted with a knob. Each one distorts the sound intensely, creating a deluge of organic noise. Additionally, the NOISE knob allows you to apply noise modulation to the main VCO, adjusting the peak point with the knob. The fifth modulator is the WAVE GENERATOR, which can be enabled with the WAVE ON switch. The "WAVE GENERATOR" allows you to adjust the frequency with the WAVE LEVEL knob, while the ATTACK and RELEASE knobs, trigger switch, and Trigger 1 through Trigger 3 knobs allow you to create periodic, rhythmic vibrato and pitch bend. Random, rhythmic bends and long-period ups and downs can also be freely adjusted. This is a very practical technique, as it can be combined with noisy sounds to create noise synth sounds that add rhythmic elements without becoming monotonous. The DNVO-1a (Deluxe Edition) offers three types of trigger type switches. The top position, MIX, mixes the timing determined by the Trigger 1 through Trigger 3 knobs and sends it to the VCO. The bottom position, REPEAT, creates a regular rhythm and rhythmically modulates the VCO. The center position, GATE (OFF), is a special mode that allows the built-in envelope generator-type LFO to be generated from an external gate signal input to the Gate In jack (Trigger 1 through Trigger 3 are turned off, and the trigger is generated from the gate signal input to the Gate In jack). For example, if a gate signal is input from an external sequencer module, you can adjust its waveform with the ATTACK and RELEASE knobs before sending it to the oscillator. The additional CV IN jack also allows you to connect the CV OUT from an external modular or other device to modulate the VCO with an external CV! Everything is intuitive, allowing you to create even the most complex sounds. Furthermore, by connecting to external modular synths, you can explore the variety of analog synth sounds colored by JMTSYNTH's organic noise. This is an outstanding desktop synthesizer with a wide range of synth sounds."
"Recue showcases an awesome hybrid workflow with Ableton, in which Four Seas is used both as a VCO and an audio processor. Make sure to watch until he hits to spot. 🤩
'On this patch Four Seas is hooked into Ableton Push, which is spitting out both CV and audio into it. I got excited about the idea of audio input modulating the oscillators, so Push is playing a simple bass line with the module and sending a beat into the audio inputs distorting and breaking the waveform apart in all the right places. All other modulation in the patch is done by hand, sweeping for the sweet spots. Audio is fed back to Ableton where there's bunch of effects after for live manipulation.'"
"Tonverk 1.2.0 is here! With some lovely little festive additions to put under the Tonverk tree. We’ve got two new FX to play with, even more options with the existing FX, random mode for the arpeggiator, and further fixes and improvements.
"OS Upgrade: Tonverk OS 1.2.0 We know Grainer, and the 1.1.0 OS that fixed the sync issues, are still fresh on the block, but we had some pretty neat dishes in the oven that didn’t quite make that release. So here is OS 1.2.0, a chance to put a few more little festive additions under the Tonverk tree. We’ve got new effects, even more options with the existing effects, a random mode for the arpeggiator, and some other little additions alongside further fixes and improvements.
New effect: Steel Box Reverb
A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.
New effect: Filter Folder
Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.
More FX availability
If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks - and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.
Random Arp
Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.
And more
There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements."
Here's to you my 'No talking demo' of the stunning Absynth 6 by Native Instruments.
Absynth 6 marks the return of a legendary semi-modular synthesizer. Built for textures that transform and breathe, it invites you to shape sounds that are entirely your own. Deep enough for complex sound design, and intuitive enough for newcomers, it opens up distinctive, living sounds for cinematic cues, ambient soundscapes, and electronic productions.
Absynth has a long, storied history of surreal sound. The strange textures and dreamlike tones return with Absynth 6, the latest in this prestigious line of semi-modular synths.
This version keeps the heart of the hybrid engine you know. It combines subtractive, FM, wavetable, and granular synthesis into one flow that makes unusual sounds feel natural to create. A refreshed interface, a new waveform editor, and an intuitive visual browser make it easier than ever to craft otherworldly soundscapes.
The launch of Absynth 6 is the story of rebirth. It honors the strange beauty that defined the original, while bringing it into a new era with a new suite of tools and accessibility features.
Truly a sound-designer's dream, opening up endless creative possibilities!"
"Here's a quick presentation and audio demo of the new TipTop Audio TRIAX8 Polyphonic Eurorack Oscillator.
00:52 - What is THRU-ZERO FM ?
03:45 - XOR Waveform
05:45 - Music Performance
This video is sponsored by TipTop Audio"
"Meet the TRIAX 8 , an oscillator like no other, featuring 16 analog triangle-core oscillators with full note polyphony and patching. The TRIAX8 is a landmark in synthesis technology, combining true polyphonic patching and full note polyphony with the creative and joyful hands-on workflow of a modular synthesizer. Every function has its own knob, and all modulation inputs are ready for patching with patch cables. Beneath this interface lie 16 true analog oscillators, real circuits built from semiconductors, capacitors, and resistors, each one alive, drifting naturally with temperature and with the magnetic and electric fields they generate. This is the sound of analog: full, warm, organic, and never the same twice.
In this demo, we showcase just a glimpse of what the TRIAX8 is capable of, and how easy it is to design sounds through instant patching. We focus mainly on pads and drones, with a touch of arpeggios.
A note about video sound quality:
YouTube plays compressed audio, which significantly affects sound quality. Compared to the original recording, the audio will generally sound muddier and harsher in the highs. However, it still provides a good sense of the character and tone of the demoed device.
Patch Overview for this video:
For modulation, we used the OCTOLFO to randomly patching LFO signals into the TRIAX 8’s CV inputs. The audio output was routed through the OCTPASS 24 dB low-pass filter and then into the OCTOGAIN. From the OCTOGAIN’s stereo outputs, the sound was sent to the Z-DSP, where some patches feature reverb or delay from the Z-DSP. For control, we played notes from Ableton through the Octopus, or used G-Mode sequencing on the Octopus and NerdSeq."
Check with dealers on the right for availability and price.
Sound recorded directly from the back of the synth (No added effects / eq / reverb etc).
CHROMAGENE is an all analog, stereo polyphonic synthesizer with two halves. One half is an 8 voice 2 VCO polysynth where every oscillator can be tuned independently or transposed together, the other half is a polysynth that uses the Ring Modulated output of each pair of oscillators as its signal source.
This wide range of sound sources along with two analog filters and an on-board sequencer give Chromagene a wide palette of tones and textures.
Inspired by the earliest polysynths of the 1970s, it is fully polyphonic (all 16 notes can be played at the same time), can be tuned to any scale or tuning, is multi-timbral and touch sensitive.
The instruments key contacts are Immersion Gold plated and non-corrosive.
At the top, there are 16 tuning controls for the 8 pairs of oscillators. Each tuning control has a momentary pitch bend touch sensor below, so you can articulate each note individually. The top row of tuning controls (VCO-1) also shifts the oscillator below it, but the second row of tuning controls are independent. This allows you to preserve the tonal relationship by using the top tuning controls, or change it by detuning VCO-2.
These tuning controls allow you to tune the 8 pairs of oscillators to any scale, from a standard equal tuning to any microtonal, non-western or even unison tuning.
VCO-1 has a Pulse Width Modulation control and each set of oscillators has a master tuning control and an individual LFO control.
The 8 analog ring modulators take the VCO signals and multiply their output. VCO-2 is converted to a triangle pre-ring-modulator so that the ring modulated signal is fully continuous and not binary like pseudo-ring-modulators in some synths. This means you can create virtually any waveform by carefully tuning the input VCOs, and an endless variety of tones can be generated for each note individually.
The two filters, which can be panned from mono to full stereo using the panning control, are all-analog all-transistor low-pass VCFs, with individual cutoff, resonance and envelope-mod controls. The envelope amount controls go from negative (inverted) to positive. VCF-1 has mixer controls for VCO-1 and 2, and VCF-2, which is for the Ring modulated notes, has LFO cutoff modulation and Panning.
The 16 independent envelope generators have Attack, Decay, Sustain and Release controls. The sequencer can be internally or externally clocked. Custom sequencer configurations can be set up, get in touch.
The synthesizer is built into a hand-made wood case.
Specifications
16 note polyphonic, multi-timbral 16 voltage controlled oscillators, tuneable to any scale 8 ring modulators (true ring mod, not xor) All analog. Class A audio path 2x transistor filters with cutoff, resonance, attack (env mod +/-), lfo/panning controls 16 VC Envelope Generators (Attack, Decay, Sustain, Release) 24 VC Amplifiers (1 per oscillator + 1 per ring modulator) Oscillator LFO modulation Pulse Width modulation Touch-sensitive pitch bends 16-note gold plated touch sensitive keyboard In built sequencer, internally or externally clocked 2.1mm 9v centre negative power input Can run on an external standard type 9v battery (please ask for a special adaptor cable if required) 2x 6.35mm (1/4 inch) audio output 6.35mm (1/4 inch) external clock input 27 x 22 x 5 cm
£1,055 special introductory price.
NOTE This is a pre-order. Delivery will be approximately one month after you pre-order (date will be confirmed via email).
Synth uses a standard guitar pedal type power supply (9v tip negative), I no longer include the power supply as I receive orders from lots of different countries, but I am happy to advise on power supply models."
"Introducing the powerful new Macro Oscillator Mode firmware update for DELIA, Melbourne Instruments' motorized hybrid polysynth. This major enhancement adds 45 synthesis waveform models using open-source code from Émilie Gillet’s Mutable Instruments Braids, one of the most celebrated Eurorack synth modules.
This new mode dramatically expands Delia’s sonic capabilities, unlocking a new world of synthesis, from classic analog textures to cutting-edge digital experimentation. Powered by Delia’s innovative architecture, the new Macro Oscillator Mode delivers an incredibly versatile hands-on sound design experience unlike any other.
This video demonstrates just some of the 50 new presets, exploring the sonic possibilities of the new Macro Oscillator.
Each waveform model is shaped by two expressive parameters, Timbre and Color, adapted from the original Braids module. These controls affect multiple tonal dimensions simultaneously, producing evolving, complex, and musically responsive sounds.
Macro Oscillator Mode introduces a diverse palette of waveform types, including: • classic analog VCO emulation • additive and digital synthesis • vowel/formant synthesis • 2-operator FM • simulation of string and wind instruments • wavetable synthesis with smooth XY interpolation • filtered/colored/pitched noise • granular synthesis • electronic drum sound simulation
0:00 Intro 0:50 Let's explore new presets 0:56 Lifeforce Stack 1:10 Science Fact 1:28 4UP 1:43 Glass Diver 1:57 Well Strung 2:12 Trance 8000 2:27 Bass Folder 1 2:43 Rez Kick Pattern 2:53 Spectral Keys 3:12 Destination Pad 3:34 Rough Talker 3:51 Poly Wah 4:14 RND Walk 4:29 Cycling Flutter 4:46 Big House 4:59 Macromash Wobbler 5:12 Mario Arp 5:24 56k Modem 5:38 Ultimate Trance
Timestamps:
00:00-02:33 Intro
02:33-04:20 Digital Osc
04:20-05:40 Aux CV-In Modulation WT Cluster
05:40-08:33 Scale and organize Modulation
08:33-11:10 Fold Algorithms and FM
11:10-15:09 Where’s the beef - + WT Chord Mode
HV1 is an oscillator that brings the best of both the analog and digital worlds: At the core is a super stable, great-tracking, analog triangle core VCO. The triangle is fed into a digital phase shifter, which outputs a phase-shifted triangle and morphed wavetable waveform. The phase-shifted triangle is also transformed into a complementary set of sawtooth, pulse, and sine waveforms using analog circuitry. The digital waveforms are both 16-bit / 150kHz resolution, with available anti-aliasing, making them right at home with the analog waveforms.
Features:
+ Detune ability to make HV1 act like 2 separate, parallel oscillators
+ True linear Phase Modulation & Through-Zero FM
+ 16-way morphing wavetable output with ability to load WaveEdit format and Serum files from SD card
+ Auxiliary CV assignable to wavefolding and bitcrushing effects
+ Built-In Tuner Function
+ Great tracking and stability with 8 octave switch
Check with dealers on the right on availability and price.
Playlist:
1. Waldorf Protein Trailer
2. Waldorf Protein Sounddemo
3. Protein - Deep Dive - Tutorial with CTO Rolf Wöhrmann
User Videos:
Playlist:
1. New Wavetable Synth: WALDORF PROTEIN - Sound Demo (no talking) - Limbic Bits
2. Waldorf Protein Demo (no talking) - New Wavetable Synth from Waldorf! - Bonedo Synthesizers
3. Waldorf Protein - Sounds, walkthrough and sound design - Martin Stürtzer
Protein is an affordable and compact 8 voice polyphonic Wavetable synthesizer based on the original Microwave 1 ASIC oscillators combined with modern features of Iridium heritage like the sophisticated arpeggiator, step sequencer, chord mode, effects and more. Protein links back to the very beginnings of Waldorfs instrument makings but interprets the original ideas in a contemporary and surprising way.
With handy dimensions of 252 × 170 × 48 mm (including controls) and a weight of 0.9 kg, the Protein is a true powerhouse packed into a compact and portable new form factor that stands as the first statement of a new upcoming product line.
Specifications
Oscillators • Two oscillators based on unique Waldorf Microwave ASIC chip. • Internally running with 250 kHz sampling rate to match original ASIC sampling rate. • Modeling of digital-to-analog converters for each voice (DAC). • Unique digital noise generator based on ASIC technology.
Wavetables • All original wavetables of Microwave 1 based on the original coding and bit-identical to original. • Including algorithmic and speech wavetables. • Beautiful recreation of 8-bit quantization and aliasing. • Full waveform catalogue of original Microwave.
Filter • Faithful modeling of CEM analogue filters. • Adjustable de-calibration of cutoff and resonance to model detuned hardware. • Cutoff and resonance modulations. • Additional „Dirty“ types: Noise, crackle, click, geiger and bursts.
Modulation • 3 Envelopes • 2 LFOs with tempo sync and sample & hold • 8 slot modulation matrix • Poly-aftertouch capable • MPE modulation sources.
Performance features • Advanced Arpeggiator • Step-sequencer with up to 32 steps • Chord & Scale modes • MPE Compatible • MIDI CC Learn
Patches • Over 150 factory patches • Capacity of 250 patch memory slots • Category filter for patch list • Import- and export of patches via MIDI Sysex
Connections • Stereo Audio Out with 6.35 mm jacks with optional mono and TRS stereo connections • Headphones mini TRS output • DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included) • USB Type C for power supply and USB MIDI connection • Firmware updates via USB
Overall • Sturdy metal front plate on a colorful plastic case • Dimensions: 252 mm wide by 170 mm depth by 48 mm height (including controls) • Weight: 0.9 kg • Power Supply via USB (not in the box)
What’s In the Box? • Waldorf Protein Synthesizer • Two MIDI adapters: mini TRS to DIN sockets • USB C to C cable • Printed Quick Start Guide
"The Unpredictable Logic of Sound: Inside the Make Noise Sample Pack
Every patch on a Make Noise system is a small act of discovery. It does not begin with a plan, but with curiosity. The machine invites you to think in voltages, to listen to circuits as if they were alive. Out of that dialogue between control and chance, something unmistakably organic emerges.
The Make Noise Modular Synth Sample Pack ver.7.5 was recorded entirely with the Shared System, Strega, and 0-Coast. Every waveform was shaped by hand, without presets, without automation. Each modulation, cross-feedback, and timing drift was allowed to evolve freely until it found its own balance.
"I show how it sounds at 4:17 and play it with a keyboard at 5:50
Winter is getting closer so this is the time of year when I start building things. The first of my projects is a revisit to an old idea of synthesizing waveforms with a frequency divider. This time the waveform in question is a sine wave and some other waveforms derived from it.
The old idea is here: • Synthesizing waveforms with a frequency di... [below]
The project is quite a bit more complicated than the previous 'digital' waveform synthesizer as the sine wave is very..... well....wavy, as there are no straight lines like there is in the triangle and sawtooth waves. Therefore I had to take a different approach using a couple of 74LS138 3-8 decoders and an awfull lot of resistors.
The music is my attempt at playing something relaxing on my Wersi Prisma DX-5 organ."
The normal approach to generating waveforms is to start with a sawtooth wave and then fold it into a triangle wave and schmitt trigger it into a square wave.
But it is also possible to synthesize the waveforms by means of a frequency divider and some logic gates. Off course the generated waveforms will be somewhat 'edgy' but that can probably be filtered out and some people might even find it usefull.
The music is something I made back in 2005 on the homemade synthesizers I had then. It's not the best piece I have made but I am still willing to take responsability for it :-)"
