Crumar Spirit Analog Monosynth SN 912331

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

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New analog polysynth project JX2044 - sounds demo (WIP)

video upload by adamstan84



JX2044 Synthesizer Protoype - Polyphonic aftertouch test

video upload by adamstan84

"#JX2044 Quick test of response to PAT MIDI messages (routed to filter cutoff)."

You might remember adamstan84 from previous posts on the site dating back to 2015.

"#JX2044 is my latest synthesizer project. It's an analog synthesizer inspired by Roland JX8P. The "2044" refers to the filter chip I used - V2044 from CoolAudio, which is a clone of legendary SSM2044.

Here are some basic specs:
8 voices, bi-timbral
2 DCO oscillators with CrossMod (AM) block based on JX8P, but with PWM capability, and with added triangle waveform instead of noise for DCO B.
3 ADSR envelopes per voice - with switchable Exponential/Linear shape
3 LFOs per voice - LFOs can be slaved together for typical monophonic behavior. Seven waveforms - triangle, sine, square, rising ramp, falling ramp, random and noise.
4 pole (24dB/oct) resonant low pass filter (with self-oscillation)
DCO B can be used as source for Filter FM
master HPF per layer, adjustable in 16 steps.
Digital effects section per layer, with 4 blocks:
Resonant filter bank with two modes - "VP330 Human Voice" ("Male" and "Female" presets) and Polymoog Resonator with three adjustable bands.
Stereo chorus with three modes - "JX Slow", "JX Fast" and "StringMachine" - the last one using three delay lines modulated with dual LFOs.
4-stage phaser
Delay/Reverb

I tried to somehow group the sounds, but there are some oddballs here and there in between. Anyway, here are some bookmarks
00:00 Bread'n'butter sounds (pianos, electric organs and other emulative patches)
05:07 Analog classics
13:09 Patches showcasing filter bank from FX section (choirs and brass)
14:12 Odds & ends 1 ;)
15:07 Synth basses
16:08 Noise sweep
16:32 Mostly pads - including some "pseudo-digital" ones, for example...
17:13 "MKS Voices"
18:18 Fantasia ;)
18:54 StaccatoHeaven ;)
20:46 SDS Drums
21:01 Patches using Filter FM
23:09 Odds & ends 2 - splits and layers
**************
24:31 "Sen Mistrza Alberta" ;) (cover, (c) Marek Biliński)"

Big Briar Moog Moogerfooger CP-251 Control Processor

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Moog CP-251 Control Processer on very good to excellent condition. some minor scuffs due to age.

Works with any 9VoltDC pos tip power supply rated 200ma (not included) .

Comes with original manual.

serial number 00466

The dual waveform LFO and noise generator are just the beginning. With its sample-and-hold circuit, the CP 251 lets you weave intricate soundscapes and explore uncharted auditory territories.

The CP 251 offers a robust platform for experimentation, encouraging you to push the boundaries of your sound.

Key Features:

Dual waveform LFO for versatile modulation

4 channel MIxer with CV offset and master level

4-way Mult.

Slew controlling rise rate and fall rate, sculpt your own wave form
Dual Attenuators

Noise generator for added texture

Sample-and-hold circuit for rhythmic variation

Compatible with Moogerfooger line, Minimoog Voyager, and any voltage-controlled gear
Compact design for easy integration into any setup."

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POLYGENE II - First Look

video upload by LA Priest

"Sound recorded directly from the back of the synth (No added effects / eq / reverb etc)."


"POLYGENE II is an all analog polyphonic synthesizer with two halves. One half is all-transistor class A from signal source through audio path two output, the other half is identical except it uses analog chips to generate dynamic customisable waveforms.

Inspired by the earliest polysynths of the 1970s, it is fully polyphonic (all 24 notes can be played at the same time), can be tuned to any scale or tuning, is multi-timbral and completely touch sensitive.

Touching any part of the synthesizer bridges connections in the circuitry and creates a unique sound.

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Groovetube - plasma waveforms

video upload by Telmatronics

"Scope trace showing output sound waveform.
Plasma fluctuations can have a range of bizarre waveforms, such as alternating long/short periods and repeating but irregular patterns. Here the drive is varied with each note, and you can see different types of waveform interact with different input tones.
This clip also shows some first testing of an auto-tuning system.
In this, the machine first listens to the tube output to learn how to drive it to be in tune with applied input tones. Plasma does not have a linear response to drive conditions, so the system doesn't always produce exactly the same result."

A soundscape built around revised "Beeps" module

video upload by ParadisoModular

"This is a demo of one of my vintage modules that I just radically updated. First, a bit of history. Circa 1988, I was browsing the Hosfelt Electronics catalog, and saw a bunch of little circuit boards there that made different 'emergency' siren sounds. Of course, I couldn't resist buying all eight of them that they had, and designed a synth module around them that allowed me to switch (manually or via external signals) the audio output from any of them into the left or right channels on a common stereo mix. In addition to a linear mix, I also combined them via a chain of exclusive ORs (the VCOs on these units produced square waves), again selected by the same gates - this produced kind of a ring modulation sound (Exclusive OR's can be thought of as 1-bit multipliers). On the front panel, I also provided outputs from each oscillator independently, as well as the ability to inject independent voltage control into each oscillator.

Despite my attempts to leverage this module into different patches, it retained a distinct identity - e.g., the sound of a major urban emergency - that limited its usefulness. You can hear a short demo excerpt I recorded on it circa 26 years ago here- http://Paradiso.media.mit.edu/Outgoin... - I'm switching outputs from the alarm circuits randomly to left and right channels throughout - the first half features the linear mix and the latter half the XOR mix. You can clearly hear that this module makes a very strong statement -as such, it didn't appear much in my pieces over the years.

But I still saw big potential in it. 8 oscillators aren't much by today's digital standards, but as I can switch them into different paths dynamically, it's got promise. The main thing I had to do was to be able to turn off the LFO control of each oscillator that made the siren sounds and think about coordinated ways to control this bank.

So a month or two back, I embarked on this journey, enabling the LFOs to be switched out of the audio oscillator voltage control paths (but giving independent access to them all, providing LFO outputs on the front panel and in most cases voltage control of LFO frequencies), plus providing adjustable voltage control of each oscillator as well as different kinds of ensemble voltage control (e.g., controlling all 8, controlling the top vs bottom 4, controlling even vs odd channels), as well as being able to adjust the base frequency of the ensemble and the base for each independent oscillator. Witness the massive augmentation of the front panel, as well as the wild nest of wiring below to do this hack in the midst of this video.

But low-and-behold it's done. This isn't a voiced device - the oscillators are linear, hence don't hold tune collectively as you shift frequencies. This, for me, justified the hack - I've got plenty of oscillators that I can already voice and track harmonically - this unit is now about nudging frequencies collectively and independently to go through different kinds of dissonances and occasionally sweet spots in a deep ensemble fashion. Plus, if I want to, I can switch channels back into siren mode, or use their LFOs in more flexible ways (each of the LFOs sports a different kind of waveform).

OK, IMO it grew into the monster that I hoped it would become, as you can hear in this live recording. Here I routed both the linear and XOR outputs through different complex reverb units, fading them up in different ways and at different times, and switching the oscillator outputs dynamically into different channels using digital gates coming from other modules in my system (occasionally I would hold some or all of the gates to just let the thing drone). I also injected different kinds of ensemble control (all, even/odd, top/bottom) at different times to bend the frequencies a bit, driven by triggered envelope generators. All sounds come from this revamped 'Beeps' unit - one voice was routed through an octave divider to bring it lower, and some effects were used, plus the reverbs nicely put this beast into a dense dreamy space. Despite the complexity, it's one of the simplest patches I've made - you can see it in the little bit of pan-around video I put into the middle of the clip.

My usual disclaimer - heck, only 8 oscillators with simple control paths could be done trivially in software now (one of my hero-pieces, Dave Wessel's 'Antony', an inspiration here, used hundreds on IRCAM's 4x (or 3x back then?) circa 30-40 years ago), and there are probably Eurorack modules around like this now too, including some that I may already have. But this connects to something I made in my relative youth, turning it into the sonic tool that it wanted to be. I hope you enjoy this demo!"

CG-Products XR 22VCO, Delay 1022, Peak + Hold, sound.report (Short explanation + 15 Min sounds only)

video upload by The Green Man(TGM) + sound.report by Heiner Kruse

https://www.cg-products.de/module/

XR22 VCO FT
VCO with Ring Modulation Input and FSK (Frequency Shift Keying)

Amplitude Modulation (AM) Input
Ring modulation
CV controllable sine/triangle volume
Advanced waveform generation by AM
Rgb-LED for optical control
FSK (Frequency Shift Keying)
Pulse and ramp generation
Switching between two different frequency CVs
Advanced waveform generation by FSK
LFO-, Bass-, High- Mode
Switchable Sync-Mode (from Rev.6)

The XR22 VCO FT is a VCO with amplitude modulation option – which can be used for volume control, or ring modulation of the oscillator’s sine/triangle output. The AM-input signal is added to a DC-voltage adjustable by knob ‘Gain’ (between ca. +/-5V) and the sum voltage is being internally multiplied with the sinewave/trianglewave The result is an oscillator amplitude depending on the ‘Gain’-DC plus AM-input signal. The applied AM-input signal can be mixed to the VCO output signal (modulated or unmodulated) too – a kind of ‘dry/wet’ control with the mix provided on the sine/triangle output. With no AM-input, the XR22 VCO FT behaves like a normal sinewave/triangle VCO, then its volume is controlled by knob ‘Gain’. Whereas with the knob ‘Gain’ in center position, the oscillator tone is becoming almost muted, and the input signal on ‘AM in’ controls the amplitude of the wave completely; thus the VCO can be used as a ring modulator.

The FSK (frequency shift keying) option provides two internally switchable different oscillator frequencies F1 and F2; each controllable by the two big-sized knobs (and their respective fine-tuning knobs and CV inputs). Switching between F1 and F2 can be done manually or by a logic signal (e.g. a gate signal) applied on input ‘FSK in‘. Further, it is possible to use the XR22 VCO FT‘s squarewave output for FSK switching. This will result in ramp or sawtooth (on the sine/triangle output) and pulse (on the squarewave output) waveforms. The falling and rising edges of the of the sine/triangle signal and the duty-cycle of the squarewave output are independently adjustable, and/or controllable via CVs of F1 and F2.

Furthermore, there is a switch for linking F1 to F2. In this case, the ratio between F1 and F2 is remaining the same, independently from the frequency, and ensuring properly 1V/oct. CV tracking.

A switch allowes to enable ‘sync mode’: An applied trigger will restart the wave always at the same point, useful for synced LFO applications and more.

For optical control, the XR22VCO FT has a full-color LED for AM visualization and a 2-color LED for FSK control.

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Ensoniq Fizmo 48 Voice Real Time Transwave Synthesizer SN FIZMO-10054

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

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Tutorial | MicroBrute - Sound Design

video upload by Arturia

"Join Matt Paull as he dives deeper into the MicroBrute, showcasing how to craft punchy kicks, funky basses, and catchy leads from scratch. Discover the power of its raw analog architecture, distinctive multi-waveform VCO, and hands-on sound-shaping tools made for bold, no-rules synthesis.

Discover MicroBrute UFO → bit.ly/4kuZAhb

_CHAPTERS
00:00 - Intro
00:15 - Kick
01:20 - Bass
02:54 - Lead
04:39 - Outro

MicroBrute UFO is a limited-edition analog monosynth with extraterrestrial attitude. Reborn in a deep space-black design with Martian green highlights, this pocket-sized powerhouse delivers snarling analog tone, wild modulation, and hands-on sequencing - raw Brute sound out-of-this world."

Hügelton Instruments Introduces K102E Digital Compound Oscillator

video upload by Hügelton Instruments

"The K102E is a digital compound oscillator rooted in our original “Island Synthesis” philosophy. 2 independent digital cores are blended via Phase-Modulation, Cross-Fade, or Additive Mix to create dense, animated harmonics—all in a compact Eurorack module.

Website: https://hugelton.com/k102e

VCV Rack version: https://library.vcvrack.com/Hugelton/..."


The K102E is a digital compound oscillator module developed based on the unique "Island Synthesis" philosophy.

Features

3 independent oscillators for rich sound generation

Stable oscillation and diverse wavetable synthesis achieved through DSP processing by microcomputer

Two main oscillators (A/B) function similar to typical complex oscillators

Selection from 3 synthesis methods (phase modulation, multiplication, crossfade)

Hard sync and detune functions

8 types of waveforms following 80's wavetable synthesizers

Reading position controlled by harmonic specification index

Third oscillator (C) functions as an auxiliary oscillator

Selection of any frequency from low to high

Can be used as an LFO or cross-modulator

External control interfaces include standard CV inputs with octave/volt control, CV control for harmonics (wavetable read position), and CV input for alpha parameter of waveform synthesis

Images:

Top: VCV Rack version

Bottom: eurorack version

Behringer Introduces Behringer BM-13 PHASER

video upload by Behringer

"Step into a new dimension of sound as Adam guides you through Behringer BM-13 PHASER – a true analog beast brought back to life. With a powerful 12-stage phasing circuit that can be switched down to 6 stages, this unit offers a massive range of sonic textures." ⏱️ Chapters:
00:00 It’s a Phase
00:14 The story of BM-13 Phaser
01:07 What’s a 12-stage Phase?
01:55 BM-13 demo
02:20 Features
03:14 The controls + demo’s
05:50 IO connectivity + demo’s
07:01 BM-13 in stereo
08:00 Phased drum demo

The Behringer BM-13 PHASER is your new go-to box of swirling, sweeping, analog goodness. Whether you’re chasing subtle vintage shimmer or deep resonant sweeps, BM-13 delivers timeless phaser tones with powerful controls for shaping the waveform the way you want.

A Control Freak’s Dream
With hands-on control over sweep, resonance, LFO rate and amount, BM-13 is as tweakable as it is musical. Want to slow things down to a hypnotic pulse? Crank that LFO down to a lazy 0.01 Hz. Feeling spicy? Flip it into high gear for warbly, out-there textures at up to 250 Hz. Add a little grit with the Drive knob, fine-tune your output level and explore either 6-stage or 12-stage phasing – each delivering its own flavor dimension and character.

Plug In and Lose Yourself
From funked-out guitar riffs to synth pads that melt into space, BM-13 is built for exploration. Guitarists and bassists will love how it adds motion without washing out your tone, while keyboardists and synth wizards can drench their patches in analog swirl. Even in the studio, it’s a secret weapon – run vocals, drums, or entire mixes through it for instant vibe and warmth. And with stereo output capability, your sound can stretch wide across the stage or mix.

Built to Play Modulation doesn’t stop at the stomp switch. BM-13 comes equipped with expression pedal inputs, giving you full control over key parameters from modular gear or performance pedals. Whether you’re a traditional player or an experimental sound-shaper, the Behringer BM-13 PHASER invites you to dive in and make it your own.

Grab one from your nearest distributor today!

Mnemonic Devices MD-004 Tonic

video upload by mnemonic devices

"Announcing MD-004 Tonic, a 4HP expansion module for MD-001 Juniper that provides an octave keyboard and performative transposition controls. Tonic unlocks Junipers quantization potential. Sign up to our mailing list at www.mnemonicdevices.io to get early access."

Mnemonic Devices MD-001 Juniper


Playlist:

1. MD-001 Juniper - Preview from 2022

Juniper is an 8 channel clocked LFO and cross modulator, allowing for complex waveform generation through a powerful internal modulation matrix.

Juniper allows for the modulation of all parameters of a channels waveform generation, including Amplitude, Offset, Frequency, Width / Morph and more, resulting in mind bending complex waveform generation.

https://www.mnemonicdevices.io/

2. MD-001 Juniper - Recorders from 2022

A demonstration of the recording feature of MD-001 Juniper, which features 8 separate channel recorders enabling recording of waveforms and external CV. More information at www.mnemonicdevices.io

Patch details:
Juniper Outputs 1, 2 and 3 feed into the Rings Strum, Dampen and V/oct inputs respectively.

3. MD-001 Juniper - Sample and Hold from 2022

A demonstration of the Sample and Hold feature of MD-001 Juniper. The Sample and Hold can be triggered by any of the internal channels, or the external inputs, and the threshold can be fine tuned. There are 8 Sample and Hold units, one for each of Junipers output channels. More information at www.mnemonicdevices.io

Kawai / Teisco SX240 with Tauntek OS & New Memory Battery

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Full Tuantek info & specs below.

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Dr. Endo explores LIVEN Evoke: DAWN

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

DAWN

As light slowly breaks through the darkness of night—
a hopeful morning quietly begins to rise.
I jammed this piece on the LIVEN Evoke, imagining it as a scene from a film.

The drone is built on a cello, layered with a SAW PAD waveform using the Harmonic Wave parameter,
moving gently to support the space with a quiet, understated presence.

Chords are softly played on an oboe, while the violin uses a string ensemble-style waveform pitched one octave down,
adding a grounded presence that stands out quietly in the mix.

The piano plays a repeating phrase sent through GRAIN FX.
The FX is set to fifth-aligned mode, allowing grains to extend up to two octaves above.
These small, rounded grains roll and shimmer through the space—like scattered particles of morning light.

Yu Endo

---
夜の暗闇の中に、少しずつ光が差し込み、やがて希望の朝を迎えつつある。
そんな映画のワンシーンをイメージして、LIVEN EvokeでJamってみました。

ドローンはチェロにHarmonic WaveパラメータでSAW PAD波形を重ねて、
ゆっくりとした動きで空間を静か目に支えています。

コードはオーボエで柔らかく重ね、バイオリンにはストリングスアンサンブル系の波形を使用し、1オクターブ下で鳴らすことで、静かな中にも芯のある存在感を持たせました。

ピアノはリフレインしながらGRAIN FXにSENDしてます。GRAIN FXは5度アラインで、2オクターブ上までのグレインが発生する設定にしており、コロコロと細かく丸みのある粒が、まるで朝の光の粒のように空間に散っていく感じを狙っております。

遠藤　祐

kNoB technology ηCarinae 2 Eurorack VCO Full Review and Demonstration

video upload by kNoB Technology

"kNoB technology presents an updated and improved Eurorack VCO module ηCarinae 2
Our second ray of light during a dark time

The ηCarinae 2 is a fully analog tzfm oscillator (tri-based).
The concept behind the creation of ηCarinae was to develop a generator with multi-level wave shaping and transformation, allowing not only smooth selection of the base waveform but also modification of the waveform itself in order to expand the available timbres.
7-level waveforming= simple form + form shaping + sub osc + "sine+" + FM + selfpatching + Ring mod
5 basic waves (Tri, Sine, Saw, Double saw, Square PWM) and white noise with vactrol LP filter
Wave folding for sine and triangle waves
SAW and Double SAW, both with Smooth saw ramp shaper (Rise to Fall)
Two SUB OSC f/2 + f/4 with CV level control in main mix
Hard and Soft sync
2x LFO modes
SINE+ mode for mixing simple waveforms with a folding sine wave
Pure analog design in every part of the module
LIN, EXP, TZFM, TZPM, RING modulation possibilities

Time sections:
00:00​ Hello
00:09​ Bla Bla
01:08​ Small demo
03:22 Review of controls
05:40 Review of connectors
07:41 Review of touchpads
08:01​ WAVE and PWM|S + waveshaping
09:49​ WAVE and PWM|S and Sine+ mod
10:50​ WAVE and PWM|S + modulations
11:49 SUB OSCs
12:43​ Synchronization
13:37 FM modulations
14:27 TZFM modulation
16:09 TZPM modulation
18:01 Exponential FM modulation
19:01 7th lvl of waveshaping RING MOD
20:54 RING MOD + TZFM
21:57 VCO to LFO: How to drop the frequency lower than the octave selector allows?
22:32 Demonstrations: Simple to Complex timbres
27:20 Organ-like patch (5oct)
31:44 Drone and Noise"

Dr. Endo explores LIVEN Evoke: Ashen

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Ashen

Today I just jammed with the arpeggiator function on the LIVEN Evoke.
The piano part combines the chord function with the arpeggiator to create a simple loop.
Using the HarmonicWave parameter, I subtly added upper harmonics with a shimmer-like effect that catches nicely in the reverb.
In the middle section, I layered a Peruvian flute to bring some organic texture to the chordal atmosphere, using breathy tones rich in fine noise.
For the low end, I used an electric guitar waveform—slightly wah-like and a bit distorted—adding a unique, wavering texture to the mix.

Yu Endo

---
今日は、LIVEN Evokeのアルペジエーター機能を使ってJamってみました。
ピアノはコード機能とアルペジエーターを併用し、シンプルなループを構築。
そこにHarmonicWaveパラメータで、シマー系の効果が得られる高域の倍音をほんの少しだけ重ね、リバーブに心地よく引っかかるようにしています。
中盤からはペルーフルートを重ね、微細なノイズを含む息遣いでコード感に有機的な陰影をプラス。
低域にはエレキギター波形を使用し、少しワウっぽく、歪んだようなユニークな質感で、独特のうねりを添えました。

遠藤　祐
---

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ellitone instruments' groov-e device #01

video upload by ellitone instruments

via ellitone instruments

the ellitone groov-e firmware v1.0 is a fun and mysterious interactive drum-machine and polyphonic-synthesizer engine that automatically generates musical “grooves”

A “groove” consists of 3 individual sound layers: a drum-machine layer, an ambience-sample layer, and a synthesizer sequence layer. Each of these 3 sound layers can be individually tweaked and swapped to find the right mixture of sounds to make you say “WHOAH, that’s funky!”

The magic behind the groov-e firmware lies within the sequencing and rhythm creation engines. Rhythms and note sequences are NOT simply selected from a list of premade patterns, groov-e generates one-of-a-kind rhythms and note patterns using a series of decision-trees and probabilities. A NEARLY INFINITE number of possible note patterns and rhythm combinations are possible. To make things even more mysterious, these one-of-a-kind note patterns and rhythms are all temporary. Once you make the decision to generate a new drum pattern or synth sequence, the old pattern is gone FOREVER! The temporary nature of the grooves you discover makes them precious. You will NEVER hear the same combination of sounds twice while using this device. Cherish your grooves!

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6HP OF OSCILLATOR GOODNESS | TEIA Synthesizers RipWave

video upload by DANIELE

This is RipWave by TEIA Synthesizers, a compact 6HP analog VCO designed for rich sonic exploration in a small footprint!"

0:00 Intro
0:37 Transform and sine output
1:05 Triangle output
1:35 Saw output
1:07 LFO Out
1:59 Octave switch and LFO
2:17 Square output
2:37 Layering outputs and stereo VCO
2:52 Triangle + Saw
3:06 Sine + Saw
3:37 Sine + Triangle
4:06 Square + Triangle
4:43 Square + Saw
5:26 Square + Sine
5:44 Linear FM

RipWave is a compact 6HP Analog VCO designed for rich sonic exploration in a small footprint. At the heart of its design is the Transform knob: a unique, voltage-controllable parameter that shapes the character of each waveform. It offers a wide range of timbral variation, from saturation to wavefolding, harmonic morphing, and pulse width modulation, all in a single control.

Features:

Four classic waveforms: sine, triangle, saw, and pulse.
Unique Transform knob shapes each waveform differently.
Voltage-controllable Transform with dedicated CV input.
Octave switch.
LFO mode.
Linear FM input.
Triangle core.
Modern temperature and tuning stability.

Specs:

Width: 6HP
Depth: 45mm
Power consumption: 90mA +12 / 80mA -12
Eurorack Format
Doepfer power connection

Price: 195€

Dr. Endo explores LIVEN Evoke: EXPR//Residue

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Dr. Endo – Live Set
PTN12: EXPR//Residue
---
A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.

The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.

Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion.
Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.

One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.

This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.

Yu Endo
---

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Akai S6000 MIDI Stereo Digital Sampler SN 19915-00603 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Akai's flagship model at the time.Fully equipped with expansion boards for all slots, including optional CF card reader, ADAT board, USB board, effects board, polyphonic expansion board, and memory expansion. Comes in a valuable original box.This is an optional item that is difficult to find today.Brackets included for mounting in a 19" rack.Parameter operation and data transfer/management from PC via USB. Waveform editing is also possible, and can be used as a digital MTR by taking advantage of the abundant inputs and outputs.The controller screen has some color blurring, but the contrast setting can be changed.Because of its multifunctionality, we have not been able to check all of the functions, but we have performed a basic operation check and found that it works without any problems.There is no floppy disk, so we cannot check the disk operation, but when a disk is selected on the screen, a sound is heard and it responds."

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