MATRIXSYNTH: Search results for tom noise


Showing posts sorted by date for query tom noise. Sort by relevance Show all posts
Showing posts sorted by date for query tom noise. Sort by relevance Show all posts

Tuesday, April 15, 2025

L-Fusion Electronics Introduces Analog Kicks 808+909 Eurorack Module


video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."



"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

Tuesday, April 08, 2025

Creating sounds on the Modor DR-2: A detailed expedition


video upload by Richard DeHove

"In the latest instalment of my "If You Want A Short, Splashy, Gotcha Video This Isn't For You" series I noodle about in lengthy detail with sounds on the Modor DR-2. The idea here isn't a quick showcase of wondrous sounds, it's to give you a genuine feel for what it's like to use the DR-2. That means transiting through hundreds of gradations and flavors of a sound. No doubt sometimes you'll hear your preferred sound pass by as I adjust a parameter too far or wind back something too hard. Watching this back I can see points at which I should have stopped but instead kept tweaking. The filtered clap for example sounded pretty good after about 10 seconds but I kept flogging it death :D But that's the essence of this video - as the old saying goes it's the journey not the destination.

A quick note on the audio track: The Modor's buttons are very loud and clicky. It gives them a satisfying sureness in the studio but means they're quite intrusive on video. I did my best to EQ them out, gate them out, and manually mute them when possible. The result in headphones may sound slightly choppy (and somewhat mangled my voice) but I wanted to make sure you could hear the Modor's sounds properly rather than being mixed with room noise and button clicks.

I hope here I've got across the fact that the DR-2 is beautifully crafted to deliver a massive range of customizable sound. It's easy to dial in the basics of an excellent sound, and then have the controls you need to zoom in on what you want. The main problem is when to stop noodling.

Despite the length of this video I only touched on a tiny fraction of the Modor's sounds. If you're interested in hearing more, or any particular types of sound, please let me know.

Finally, Mr Modor if you're reading this: Please make an all-black version with second-layer subtext on the knobs.

0:00 Basic info
2:01 Drum models
2:34 Noise bass drum
7:10 Basic snare
11:42 Filtered clap
18:49 Square bass drum
24:37 Snare adventure
29:55 A tom?
30:38 Crash cymbal
34:48 Electro snare / tom

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Monday, March 31, 2025

GS Music e7


video upload by tom noise

Sunday, March 30, 2025

NRSynth's SEM Module - The "Solo": An "Extended" Version of the SEM


video uploads by Séraphin PALMERI

Playlist:

1. "Pink Floyd On The Run" Module SEM NRSynth
"On The Run" de Pink Floyd avec un clone amélioré du module SEM d'Oberheim, fabriqué par NRSynth, une lutherie éléctronique made in France #pinkfloyd #ontherun #oberheim #sem #NrSynth
2. Tangerine Dream Intro "Ricochet Part 1"
Le module SEM de NRSynth est vraiment parfait pour reproduire l’intro de « Ricochet Part 1 » de Tangerine Dream. https://nrsynth.fr
3. Module SEM NrSynth Démo 1
00:00 Midnight Express
00:57 Star Cycle
01:41 Dervish D.
02:06 Stranger Things
02:44 Il était une fois le Prophet
4. Module SEM NRSynth Démo 2
00:00 Basse 1
00:13 Basse 2
00:26 Fun For Me
00:38 ABACAB
00:54 Welcome To The Machine
01:24 Caverne
02:33 Tange FX
02:49 Chinox
03:04 Percox
5. Tangerine Dream « Monolight (Part 2) » With the Sequential Prophet 6 & Korg Kronos



Details via NRSynth (Google translated)

Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.

NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.

A patchbook of all Séraphin Palmeri's sounds is included with the device.

Specifications:

VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm

Price: €1,390

Saturday, February 15, 2025

classic analog drum machines: Korg KR-55 & Roland CR-8000

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"KORG KR-55 for sale [via this listing]

Since they look so similiar it was too tempting to compare those 2 classic rhythm units. Despite their similar design they are quite different, and the comparision is not really fair to the Korg since the Roland has programing abiltities. The CR-5000 would have been a closer contender but I don't own one so it is the 8000.
Though the Korg Rhythm 55 has less features and sounds than the Roland it has more patterns (48 patterns wheras the Roland features 24 preset patterns and 8 user ones) and a tighter, punchier sound.
Overall I prefer the Roland, especially for percussive sound (cowbell, claves, tom, rimshot and that amazing clap) but the kick, snare and hi hats of the Korg are very nice.
The Korg was fitted with a 24 ppq clock input so it can easily be synced to other gear in the studio, as it is the case here, slaved to the Roland.
The Roland had it's Kick, Snare and Toms sounds modified slightly. The kick is lower and boomier than it originally is and the snare is way snappier than it originally is. The Tom had the white noise part removed to have a more round sound."



via this listing

"Classic presets analog drum machine from 1979.

Unit was serviced and is in fully working order.
It was fitted with a 3,5mm jack clock input. It works on 24 PPQ so like most of the gear you will have in your studio and much easier to sync than the 8 PPQ the unit internally runs on. Check the video, as it is synced to the Roland CR-8000

Cosmetic is fair with some cracks on the case and bumps here and there, see pictures."

Saturday, December 28, 2024

Leibniz Unleashed | XAOC Leibniz Binary Subsystem | Episode 04


video upload by Cinematic Laboratory

"It's been six months since episode 03 (The Road to Berlin). This is mainy because I make videos as I go and as I learn. The Leibniz system, by itself is not difficult to use, but in the audio domain it's impossible to bypass the 8-bit sound quality and harsh noise is inevitable. I needed to take many breaks to make this video and I had to get my knowledge from the manuals and the excellent works of Tom Churchil. I never fully realized you need to make loops for best results and I didn't know how important 'reclocking' is. I experimented with external VCO's before I realized Berlin and Poczdam offer their own Leibniz clocks to manipulate and 'reclock' the datastreams.

I had many 'I did not know' moments while making this video, and often I had to reshoot stuff that did not make any sense anymore. I wanted this episode to be a 'Leibniz Unleashed' experience, showing off some amazing patches that have a lot to offer and complement what's already out on YouTube.

I guess a logical followup for Episode 05 is to explore musical applications some more, especially in the audio domain. Leibniz is just great for CV and rhythms, but (at first glance) not so great in the audio domain (unless you fancy glitch, noise and other raw genres, it excels here).

I hope this video will help you get more production value from your Leibniz set, or help you decide if it's something of interest. Modular is too expensive to just do a leap of faith and figure it out later. It can take a year before it starts to make sense. But it's been a great year!

00:00 Introduction
00:13 Drezno Recap
02:56 Chains and Loops
04:27 Berlin and Jena
08:44 Odessa and Ostankino (expander for Moskwa II)
11:47 Generating rhythms with Lipsk, Erfurt and Gera
15:26 Re-clocking with Drezno II, Rostock, Buchla TTA 258t (20 kHz) and NE Sinc Iter (+4 MHz)
17:43 Re-clocking with Poczdam
19:36 Routing and re-clocking with a full Leibniz System"

Friday, December 27, 2024

Buchla, Make Noise, & A History of Spectral Animation in Synthesizers


video upload by Sarah Belle Reid

"A historical and technical deep dive into the synthesizer designs and ideas that influenced the development of the Make Noise x Soundhack Spectraphon, featuring excerpts from an interview with Tom Erbe.

Spectraphon is an oscillator for Eurorack modular systems that allows you to analyze and resynthesize sonic characteristics of OTHER sounds, using those characteristics to create unique waveforms and timbres…with the ability to continuously transform them into something new. It’s Erbe’s unique take on the concept of a harmonic oscillator—inspired by some of instrument designer Donald Buchla’s work from the 1970s and 1980s.

Erbe and Make Noise specifically name three Buchla instruments as important inspirations: the Model 259 Programmable Complex Waveform Generator, the Model 296 Programmable Spectral Processor, and the Touché, a hybrid keyboard instrument developed in collaboration between Don Buchla and David Rosenboom.

This video unpacks each of these instruments in turn, examining how their innovative approaches to timbre control and spectral manipulation influenced Spectraphon’s design.

Special thanks to Tom Erbe for sharing his insights on Spectraphon’s development and its relationship to these historic Buchla instruments, and to the Buchla Archives for providing images.

Buchla Touché footage made possible by the Buchla Archives—check out Buchla Archives website: https://www.buchlaarchives.com/

Watch my Spectraphon Overview + Exploration video:" [posted here]

L-Fusion Analog Kicks Eurorack module demo


video upload by LFusion Electronics

"Demo video showcasing L-Fusion Modular Analog Kicks module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 section outputs classic boomy kick based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."

Thursday, December 26, 2024

Beanie Bunnie Moo Moo | A very clever dual VCO!


video upload by Tom Churchill

"The Beanie Bunnie Moo Moo is a Eurorack dual oscillator made by the Chinese designer and musician Jeanie. It consists of two identical analogue VCOs with through-zero FM, plus a noise source and a bunch of other smart features that open up a huge sound palette. It's a fantastic analogue patching playground!

You can order one at Perfect Circuit: https://www.perfectcircuit.com/beanie...
Or contact Beanie Bunnie directly: beaniebunnie.info@gmail.com"

Monday, December 16, 2024

Some sounds of the Behringer Wave


video upload by tom noise

"A short video with the Behringer Wave, also briefly demonstrating the difference of the oscillator modes and playing some sounds.
Some reverb was added, but no EQ or compression."

See the announcement post here.

Thursday, November 14, 2024

Xaoc Devices Lublin


video upload by Xaoc Devices

"Lublin [ˈlublin] is a dual, DC-coupled, high-quality VCA module with exponential control characteristics. It features a gain control circuit that prevents distortion from excessive amplification, which is common with traditional VCAs.

Besides audio and CV inputs, it features additional pinging inputs that use an elaborate analog circuit to model the dynamic behavior of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments.

Note that despite this emulation, Lublin is not a lowpass gate type module as it retains the full frequency bandwidth when reducing gain. Unlike many modules that use vactrols, Lublin's dynamic profile can be varied within a wide range.

Dual Voltage-Controlled Amplifier ∙ High quality, low noise and distortion, DC-coupled signal path ∙ Ping inputs for emulating vactrol response ∙ Three variants of ping response ∙ Exponential CV response with adjustable sensitivity ∙ Gain limiting circuit for protection against signal clipping

Timeline:
00:00 - Intro
00:29 - Ping response controls
00:43 - Bass!
00:54 - Combine CV & ping
01:37 - Generate envelopes"

Xaoc Devices Lublin | Dual VCA with vactrol-style envelopes

video upload by Tom Churchill

Chapters:
00:00 Intro & patch previews
01:24 Lublin overview
02:46 Twin VCA with pinged envelopes
07:56 Patching a low pass gate
12:07 Dialling in the perfect kick drum
16:34 Creating vintage hi-hats
19:08 Stereo plucked chords



Xaoc Devices Lublin: pinging for the new era, or strike your VCA!

They say you can never have too many VCAs. So we decided to make another one, actually two in one. After our modern classic that is Tallin, lauded for its inimitable saturation circuit, it's time for Lublin [ˈlublin]! Lublin is a high-quality dual VCA module with exponential CV inputs. On top of that, its two identical channels feature additional inputs for pinging. These inputs use an elaborate analog circuit to model the dynamic behavior of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments. Unlike lowpass gate modules though, Lublin reduces gain while retaining the full frequency bandwidth, so it is perfect for harmonically rich signals, like our Odessa additive VCO. The vactrol-like behavior is just a starting point as the envelope may be varied within a wide range using a switch (natural, shortened and prolonged response) and a potentiometer, so you are not stuck with one decay characteristic. Therefore, you can use it not only to create bongos, but also for fat compressed kicks! The built-in gain control circuit (saturating CV instead of the audio signal) prevents distortion from excessive amplification. Lublin is DC-coupled, so you can use it to process CV as well as audio signals.

Notable features:
- Dual Voltage-Controlled Amplifier
- High quality, low noise and distortion, DC-coupled signal path
- Ping inputs for emulating vactrol response
- Three variants of ping response
- Exponential CV response with adjustable sensitivity
- Gain limiting circuit for protection against signal clipping

- width 6HP
- depth 33mm (including cable bracket)
- +40mA/-20mA

PRICE: 170 EUR MSRP, available now!

Check with dealers on the right for details.

Saturday, October 12, 2024

Machina Bristronica 2024


video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping
We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/
2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates
At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.
3. Bristronica 24: Archaea Exchange Patching Module
At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

Monday, September 16, 2024

Impro with LARIX-ELEKTRO modules


video upload by ALEQ Modular

"I'm using the same setup used to demo how to use the new TIME SHIFTER.

So, except a Erica synth RND, used as a clock, all other modules are from Larix Elektro.

Here, I'm using this small case in a more "unusual" way. It's noise music (!)
The Ritournelle CV & Trig generates triggers, for the 4TOMS.
The TIME-SHIFTER just adds some blur into the triggers (Means: not in time)
And the 4TOMS is not used as a classical tom generator, but as a noise machine. It uses the advantage of the default of the analog circuit. Something you may have some difficulties to do with digital modules or sample players.

For more details on the modules, see more @www.larix-elektro.com."

Saturday, September 14, 2024

An industrial drumkit for the Modor DR-2 (no external FX, no talk)


video upload by Richard DeHove

"The original concept for the DR-2 saw it as an enhanced 909. That's pretty much irrelevant now as the DR-2 has been developed into something far deeper. Yet you can still see traces of its origins in the step entry and many of the core sounds. Personally I'm not a fan of the 909 mainly because it keeps you penned into a defined territory of sound where weirdness is not allowed. I like odd sounds in my drum machines.

I think the great balancing act with drum machines is between providing immediate excellent drum sounds, and providing enough tweakable range to allow genuine sound design and experimentation. At one end you have untweakable machines like the 606; at the other extreme are samplers where the range becomes so vast you can get distracted by endless sample banks. One solution is to have both, but that leads to different problems where you have too many one-trick machines.

Where does the DR-2 sit? You can certainly feel it's 909 roots in that those sorts of kits and sounds fall out of the machine with almost no effort. You can hear that sound in many DR-2 demos: tight bass drums with rimshots, hats and snappy snares. But the parameters are wide enough, and the available drum models weird enough, that you can get away from that quite easily.

That was the aim here: Can the DR-2 move into a more industrial sound without any external processing? It's easy enough to dirty things up with fuzz and EQ, but what about the raw sound?

In the two demo tracks I use a single set of drum models (from left to right): Tom, Ride cymbal, Noise bassdrum, Claps, Claps, and Rumble bassdrum. Each pattern has a slightly tweaked version of those same drum models saved as a kit. I've used the internal tilt filter, parametric EQ and distortion. I'm not game to use the compressors yet - I still need to learn how to tame them.

On the first track I start with just two sounds and am using a polyrhythmic clock in 8/12 time on channel 3. It gives an unsettling feel and constant variation to what is otherwise a simple 16-step pattern.

Of course there's no processing or effects other than what you see. It's pure DR-2. Even the volume between patterns is unaltered.

(And as per the thumbnail image: The DR-2 needs an all-black version).

0:00 Arhythmia
2:02 Dirty Tom

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Saturday, August 24, 2024

Audiothingies DoubleDrummer - Drum Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

Tuesday, August 20, 2024

Erica Synths - Hexinverter Mutant Rimshot


video upload by Erica Synths

"The Mutant Rimshot is a fully analog rimshot and clave generator inspired by the rimshot found in the legendary 909 drum machine; a triple bridged-T oscillator coupled with a state variable filter. The clave sound (not a feature of the original 909 rimshot) is achieved by using just one of the oscillators. Redesigned by Erica Synths in close collaboration with Hexinverter.

Timeline:

00:00 - Jam 1 / 4x Rimshot modules mixed with the Hot Glue. No external FX
01:01 - Take 1 / Going through different modes, adding noise to VCF in
02:27 - Take 2 / FM radio into VCF in, Rimshot is triggered with the first LFO of the Modulator and CVF is modulated with the second LFO output
03:08 - Take 3 / Rimshot with VCF in Hi-Pass mode triggered and modulated with the Modulator
04:15 - Jam 2 / 4x Rimshot modules mixed with the Hot Glue. No external FX
04:57 - Take 4 / Another take with FM radio on the Rimshot VCF in
06:04 - Jam 3 / 4x Rimshot modules mixed with the Hot Glue. With some reverb form the Black Hole DSO on 2nd ant 4th rimshot"



"The Mutant Rimshot is an analog rimshot and clave percussion synthesis module inspired by analog drum machines of the past. Like the other Mutant Drums, the Rimshot is capable of going above and beyond vanilla sounds. Expressive CV options, an external input and a multi-mode analog filter let you create unique percussion sounds in your modular synthesizer.

Features:

Three oscillator modes

Rimshot HI mode brings classic rimshot sounds
Rimshot LO gives a lower pitch range; try playing with the filter on this setting to get low tom and kickdrum sounds.
CLV (Clave) mode uses just one of the oscillators to give you a brighter, higher percussive sound.
A switch on the back lets you select between original and extended pitch modes. Original mode can give you rimshots exactly modelling that of classic machines (in Hi mode), whereas extended mode gives a wider range of pitch, at the expense of classic accuracy.
Three filter modes
Use the lowpass or highpass filter modes for classic sounding rimshots
Highpass and bandpass can give a wider range of clave and rimshot sounds, as well as completely different percussive elements (especially when turning the resonance up!)

VCF IN lets you blend the clave or rimshot with other sounds. Try adding some filtered noise for a more acoustic sounding rimshot, or for pseudo-snare type sounds.
Novel decay and filter mod controls
The MOD DECAY envelope controls the decay of the VCA envelope
The VCF MOD attenuverter allows you to modulate the filter cutoff with the MOD DECAY envelope
Alternatively, a switch on the back lets you modulate the filter cutoff with the pitch-controlled internal VCO, for filter FM style percussive hits."

Saturday, August 17, 2024

Dynacord ADD-one + ADD-drive RARE PAIR

Note: Auction links are affiliate links for which the site may be compensated.
ADD-one Audio Demo video upload by morbank01

Playlist:
ADD-one Audio Demo
ADD-one Diagnostic Display and LED Test
ADD-one Easter Egg



via this listing

Two pics of the inside below.

"Dynacord ADD-one + ADD-drive, Dynacord’s dynamic sampling duo! This combo makes for an incredibly powerful hardware synth/sampler with unparalleled capabilities for its time.


NOTE: Other recent listings only include the ADD-one, but if you are reading this you probably know that the increasing hard to find ADD-drive unit is essential if you want to be able to sample your own sounds.

So if you have been looking for a complete ADD-one/ADD-drive don’t sleep on this rare opportunity!

These two specific units were purchased in 2016 from Wavemeister AUT (receipt available on request). Both units are in incredible cosmetic condition for their age and are working as they should. Used in a smoke free, climate controlled studio and never gigged. The build quality on both units is top notch and all knobs and buttons feel great. ADD-one’s display is original, but it is bright and easy to read (see pics), although not from all angles, but this was never the case even when new. Serviced by Audio Rehab, CA (Greg Granieri) in 2019 (receipt available on request). All contacts, pots, jacks and switches were cleaned. And all 23 button contacts have recently been re-cleaned and are working as they should.

There is a very slight whine sound when powered up which can be heard at the outputs. I am no expert, but it’s possible this could be resolved by replacing the capacitors in the power supply. It has never bothered me enough to address so I will let the next owner decide if they feel this is necessary.

The ADD-one is running firmware v2.22 and passes all diagnostic tests and sounds fantastic (see video link below).

There are a few, very minor blemishes and scuffs on both units, with one small dent on the top panel of the ADD-one (see pic), and some erosion on the top edge of the left rack ear of the ADD-drive (see pic). However the front panels are mostly pristine, with only one tiny, tiny mark on the ADD-one visible (see pic), and some wear to “Dynacord” text on ADD-drive (see pic). Very, light rack rash on both units (I hit Reverb’s image limit but additional pics available on request).

Saturday, August 10, 2024

MFB 503 Drumcomputer

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"A Boyz Noize fav- it was the kick drum in his classic 'what you want' track.

Great working condition and I’m calling it an official “Very Good“ on cosmetics even though very little wear an tear going on from over the years in private clean smokeless studio.

*3 analogue instruments (kick, snare, tom)
*2 sample-based instruments (cymbal, hi-hat)
*stepsequencer with up to 32 steps per pattern
*26 sound-edit functions (attack, decay, pitch etc.)
*programmable tom tuning (lo, mid, hi)
*90 pattern, 90 songs, 90 kits

bring fresh sounds to your beats with the mfb-503! the third drum-computer in mfb�s 50x series introduces a more powerful sound and a new operational concept. due to their analogue origin, kick, snare and toms can be edited in various ways. the drumkit is completed by the two sampled instruments cymbals (crash, ride available) and hi-hats (two variations). in addition, the samples of each group can be continuously mixed to create further sound variations. sounds can be saved individually as well as complete drumkits. the instruments are triggered by an internal step-sequencer. this tr-style sequencer uses the beloved led-per-step method to set the selected instruments. there are 90 memory locations for patterns that can be further combined into 90 songs. instruments are edited by four master rotary-encoders with corresponding displays.

available functions are:
bassdrum: tune, attack, pitch, decay, drive, level
snaredrum: tune, noise, decay, level
tom: tune, pitch, decay, level. three possible tom tracks (lo, mid, hi)
cymbal: mix (cymbal 1 and cymbal 2), decay, level, tune (cy + hh).
open and closed hi-hat: mix (hi-hat 1 und 2), decay oh, decay hh, level

all instruments are send to the main output (6,3 mm trs stereo). when using kick or snare individual outs, the associated instruments are subtracted from the main output. sounds can be dynamically triggered via midi in from keyboards or external sequencers. the step-sequencer can be synchronized to midi clock.

dimensions: 175 x 125 x 38/72 mm. the mfb-503 ships with a 12v power-supply."

Wednesday, July 03, 2024

Oberheim TVS-1 Two Voice Synthesizer SN 0456

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"This is a professionally fully restored Oberheim Two Voice. It's in physically excellent condition for its age. The original tolex is in amazing shape with only a couple little tears in the lid. The keys are perfectly pristine white, no fading at all. You can tell this spend the majority of its life with the lid on judging by how nice the key whites are. Every module was professionally restored by Synth Tailor a little over a year ago, the Sequencer was restored by Rosen Sound and Synth Tailor. Restoration documentation will be provided to the new owner. Definitely not the cheapest TVS you can find but if you buy one that is not restored you are looking at 2-4k in labor to get it back to a reliable state and a very long wait time for it to be completed."

Wednesday, May 29, 2024

The Erbe-Verb is RETIRING | Make Noise


video upload by MAKEN0ISE

"The Erbe-Verb is being retired! To celebrate its legacy we have produced one last run of Erbe- Verbs in Black & Gold faceplates. Contact your favorite Eurorack shop to order yours today!

Special thanks to Lee, Sam, Mike, Lewis, and of course Tony and Tom!

http://www.makenoisemusic.com"
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