Note: links to listings are affiliate links for which the site may be compensated.
via MATRIXSYNTH CLASSIFIEDS
Remember, all MATRIXSYNTH CLASSIFIEDS listings will get a post here on MATRIXSYNTH as well as MATRIXSYNTH Twitter and Facebook! Be sure to check out other listings as well!
"Very good conditions, works perfectly.
The Oberheim Cyclone from the year 1988 integrates the conceps of arpeggiation, sequencing and Midi rhythm driving.
- MIDI clock and "Tapped Tempo" from footswitch
- 16 ROM and 16 RAM programs
- up to three arpeggios simultaneously
- Arpeggiated patterns can cloned, transposed, repeated and inverted
- and many more...
You can find the manual here.
http://www.studio250.fr/docs/oberheim/ObCyclonanual.pdf"
Tuesday, March 18, 2014
Oberheim Cyclone Midi ARPEGGIATOR
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Auctions, MATRIXSYNTH CLASSIFIEDS, Oberheim
LABELS/MORE: Auctions, MATRIXSYNTH CLASSIFIEDS, Oberheim
Maxon PH-350 Rotary Phaser
Note: links to listings are affiliate links for which the site may be compensated.
via MATRIXSYNTH CLASSIFIEDS
Remember, all MATRIXSYNTH CLASSIFIEDS listings will get a post here on MATRIXSYNTH as well as MATRIXSYNTH Twitter and Facebook! Be sure to check out other listings as well!
"Like all the Maxon Vintage Series models, the PH-350 Rotary Phaser was designed to offer an extremely versatile effect unit that provides consistent, low-noise, transparent operation. The PH-350's features were selected after careful study of other phasing units in order to provide as varied and useful a tone palette as possible. Likewise, certain functions and features were disregarded in order to keep performance intuitive and trouble-free.
Like the CP101 and AF-9, the PH-350 circuit uses CdS Photocouplers to achieve its unique voice. While extremely popular in the 1970s, Photocoupler's have generally been abandoned in modern circuits due to their high cost, large size, and wide tolerance ranges. However, their resulting tone simply cannot be replicated using other components a truly liquid, vowel-like, three-dimensional phasing effect that is only compounded by the PH-350's multiple control parameters. To maximize performance, the PH-350's Photocouplers are matched for the smoothest phase shifting possible.
In addition to the standard Rate and Depth controls to vary speed and intensity of the phasing effect, the PH-350 also features switchable four, six, and ten stage phasing. As the phasing stages increase, the effect becomes more dramatic as focus is placed on the upper register harmonics. By changing the amount of phasing stages the PH-350 can emulate a wide variety of phase shifters, from classic units of the 1970's all the way to modern-day models.
Like the CS-550, the PH-350's third rotary control is its secret weapon. The PH-350's Feedback control features a center-detent at 12 o'clock which allows for both positive-phase and negative-phase feedback. Positive-phase feedback works in the standard way to increase the peak points of the phase signal as the control is turned clockwise. Negative-phase feedback works by "breaking" the peak points of the phase signal and "dephasing" the original signal. The resulting reversed-phase signal is delayed slightly from the original, creating a dramatic "scooped" effect unique to the PH-350. The Feedback control is calibrated to reach self-oscillation at either extreme, yielding a further array of bizarre oscillation effects.
Lastly, the PH-350's stereo outputs allow panning of the effect between two amplifiers or channels. The PH-350's ultra-wide frequency response and low noise allow it to process line level signals as well as standard instrument signals.
Ideal for the studio, essential for live performance, the PH-350 Rotary Phaser supplies a virtually unlimited array of classic and modern phasing effects.
Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms or less
Output Jack: 1/4 inch standard phone jack
Output: 2
Residual Noise: -92 dB
Maximum Output Level: +8 dB
LFO Speed: 0.06 Hz 12 Hz
Controls: Delay Time, Depth, Speed, Mix-Level
Switch: Normal/Effect, Mode (4/6/10)
Power Supply: Special AC adaptor Power Voltage DC10 V (AC-adaptor)
Current Consumption: 41 mA (10 VDC) AC Adaptor AC210N (option)
Input: AC120V Output DC9V/200 mA Center - / Sleeve +)
Dimensions: (whole) 117 mm (W) x 150 mm (D) x 60 mm (H)"
Remember, all MATRIXSYNTH CLASSIFIEDS listings will get a post here on MATRIXSYNTH as well as MATRIXSYNTH Twitter and Facebook! Be sure to check out other listings as well!
"Like all the Maxon Vintage Series models, the PH-350 Rotary Phaser was designed to offer an extremely versatile effect unit that provides consistent, low-noise, transparent operation. The PH-350's features were selected after careful study of other phasing units in order to provide as varied and useful a tone palette as possible. Likewise, certain functions and features were disregarded in order to keep performance intuitive and trouble-free.
Like the CP101 and AF-9, the PH-350 circuit uses CdS Photocouplers to achieve its unique voice. While extremely popular in the 1970s, Photocoupler's have generally been abandoned in modern circuits due to their high cost, large size, and wide tolerance ranges. However, their resulting tone simply cannot be replicated using other components a truly liquid, vowel-like, three-dimensional phasing effect that is only compounded by the PH-350's multiple control parameters. To maximize performance, the PH-350's Photocouplers are matched for the smoothest phase shifting possible.
In addition to the standard Rate and Depth controls to vary speed and intensity of the phasing effect, the PH-350 also features switchable four, six, and ten stage phasing. As the phasing stages increase, the effect becomes more dramatic as focus is placed on the upper register harmonics. By changing the amount of phasing stages the PH-350 can emulate a wide variety of phase shifters, from classic units of the 1970's all the way to modern-day models.
Like the CS-550, the PH-350's third rotary control is its secret weapon. The PH-350's Feedback control features a center-detent at 12 o'clock which allows for both positive-phase and negative-phase feedback. Positive-phase feedback works in the standard way to increase the peak points of the phase signal as the control is turned clockwise. Negative-phase feedback works by "breaking" the peak points of the phase signal and "dephasing" the original signal. The resulting reversed-phase signal is delayed slightly from the original, creating a dramatic "scooped" effect unique to the PH-350. The Feedback control is calibrated to reach self-oscillation at either extreme, yielding a further array of bizarre oscillation effects.
Lastly, the PH-350's stereo outputs allow panning of the effect between two amplifiers or channels. The PH-350's ultra-wide frequency response and low noise allow it to process line level signals as well as standard instrument signals.
Ideal for the studio, essential for live performance, the PH-350 Rotary Phaser supplies a virtually unlimited array of classic and modern phasing effects.
Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms or less
Output Jack: 1/4 inch standard phone jack
Output: 2
Residual Noise: -92 dB
Maximum Output Level: +8 dB
LFO Speed: 0.06 Hz 12 Hz
Controls: Delay Time, Depth, Speed, Mix-Level
Switch: Normal/Effect, Mode (4/6/10)
Power Supply: Special AC adaptor Power Voltage DC10 V (AC-adaptor)
Current Consumption: 41 mA (10 VDC) AC Adaptor AC210N (option)
Input: AC120V Output DC9V/200 mA Center - / Sleeve +)
Dimensions: (whole) 117 mm (W) x 150 mm (D) x 60 mm (H)"
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Auctions, MATRIXSYNTH CLASSIFIEDS, maxon
LABELS/MORE: Auctions, MATRIXSYNTH CLASSIFIEDS, maxon
The Moon at 3:30pm on a Tuesday Afternoon
1. Smaller Notes (SCI Prophet 5)
2. A Languid Mood (Roland SH-5/Yamaha CS-80)
3. Small Drops (Farfisa Syntorchestra)
4. Jane Fonda and Ring Modulators (EML 101, 400/401)
5. Shoreline (Moog Memorymoog)
6. 60 Echo (ARP Odyssey)
7. n09 (Madrona Labs Aalto)
8. Mia and the Bird (Macbeth M5)
9. Mellow Coin Drop (SCI Prophet 5)
10. Bartesho Part One (Yamaha CS-80)
"This is a compilation of songs I did over the last few years on a variety of synthesizers.
released 13 March 2014
All songs composed and performed by Heath Finnie. Thank you to all who listened!"
See dealers on the right for pricing and availability on gear.
LABELS/MORE: ARP, Audio, EML, Farfisa, MacBeth, Madrona Labs, MOOG, Roland, Sequential Circuits, Soft Synths, Yamaha
LABELS/MORE: ARP, Audio, EML, Farfisa, MacBeth, Madrona Labs, MOOG, Roland, Sequential Circuits, Soft Synths, Yamaha
Parfum D' Enfance 02
via Nicolas Guichard on The MATRIXSYNTH Lounge
"a little entertainment with a mellotron M4000D (markus resch), a 100f kawai and a rhodes. No midi sequence. The guitar, sax and rhythm are the Mellotron, synth sounds come from the kawai 100f ( multiple records with moogerfoogers),and the rhodes from the beginning is a.. .rhodes ;)"
Analogue Systems rs350 Slew Limiter + STG .BAM + STG .COM
Published on Mar 18, 2014 bigcitymusic·314 videos
"The Analogue Systems rs350 Slew Limiter is being utilized to slew the pitch of the Mutable Instruments Braids. The pitch CV is fed from one channel of the Vermona qMi into the rs350 V-IN. The pitch CV is multed out into the STG Soundlabs .BAM offset, and fed back into the CV-IN so that the slew time becomes greater when the pitch increases, and slower when pitch decreases. The Vermona qMi gate out is pinging a 4ms Pingable Envelope Generator which is enveloping the Braids into the 4ms VCA Matrix.
The Envelope is multed out of the Pingable Envelope Generator and fed into the STG .COM, which is turning the rs350 on and off every half measure of the qMi MIDI sequence. The Cwejman RG-6 is providing modulation of the Braids Timbre and Color controls."
See dealers on the right for pricing and availability on gear.
LABELS/MORE: 4ms, Analogue Systems, Cwejman, eurorack, Mutable Instruments, STG, Vermona, Video
LABELS/MORE: 4ms, Analogue Systems, Cwejman, eurorack, Mutable Instruments, STG, Vermona, Video
Max for Live devices designed for controlling equipment via CV/Gate
Available here.
Analog Sequencer
Gate Sequencer
Quad LFO
Ring Modulator
Sample And Hold
Slew & Ramp Smooth
Voltage Generator
X Y Pad (with clocked randomize)
Envelope Generator
Other devices included
Drawwave - 4 voice customization wavetable synth
OctoRiddim - 8 midi note polyrhythm generator
QuadRiddim - 4 midi note polyrhythm generator
Roland M-VS1 "Leave Alone"
(c) 2014 synthesiter demo track by RetroSound
all sounds: Roland M-VS1 Vintage Synth module (1995)
recording: multi-track without Midi
via Marko on The MATRIXSYNTH Lounge
GForce Software OSCar Competition - March 2014
via GForce Software
"For the month of March, 2014 we're offering you the chance to enter our 'OSCar Competition'.
The rules are simple.
Download and print this line drawing (.jpg) of the seminal OSCar synthesiser.
Colour it in. Either by hand or digitally.
Send us an image (max 1MB) of your effort via email here. [link at GForce Software]
Yes, we realise this may be considered a little frivolous, but music should be fun and this competition is just that, a bit of nerdy fun!!
If you have children, what better way to introduce them to a bit of creative synthing?
The winner of the competition will be chosen by an illustrious panel of (GForce) children and announced on our website and via email on Tuesday April 2nd 2014.
The winner will receive an impOSCar2 license.
Here's one we did ourselves!! [top pic]"
"For the month of March, 2014 we're offering you the chance to enter our 'OSCar Competition'.
The rules are simple.
Download and print this line drawing (.jpg) of the seminal OSCar synthesiser.
Colour it in. Either by hand or digitally.
Send us an image (max 1MB) of your effort via email here. [link at GForce Software]
Yes, we realise this may be considered a little frivolous, but music should be fun and this competition is just that, a bit of nerdy fun!!
If you have children, what better way to introduce them to a bit of creative synthing? The winner of the competition will be chosen by an illustrious panel of (GForce) children and announced on our website and via email on Tuesday April 2nd 2014.
The winner will receive an impOSCar2 license.
Here's one we did ourselves!! [top pic]"
Blowfinger Breath-Controlled Instrument for iPad
iTunes: Blowfinger - Stefan Podell
"The iPad becomes a super-expressive, easy-to-play wireless MIDI wind controller, using either keyboard or simple woodwind technique. (It also works as a breath controller.) Just blow into any iPhone headset mic or the optional pro mouthpiece and experience the soul-to-MIDI connection you've been missing.
Blowfinger Keyboard mode
• Velocity-sensitive keyboard allows you to glide between notes in a way not possible on a regular keyboard, making this an excellent musical performance addition to any set-up.
• Use the eight utility pads with user text labels to send program changes or keyswitches. Or use them to play drums and percussion - they're velocity-sensitive.
• The XY pad offers additional expressive control in both axes, and it can be set to snap back to zero, to the center, or stay where you release it. Choose which MIDI controller is sent in each direction.
• Transpose octaves up or down with one tap (either or both keyboard manuals).
Blowfinger Wind mode
• Simplified fingerings based on recorder or Boehm system allow anyone who's ever played a wind instrument to pick up Blowfinger right away. You switch octaves with your left thumb, so once you know one octave you know them all.
• One size fits all. The keys and the thumb pads can be resized, moved, and stretched all over the screen. Play the instrument on your lap or perhaps a desk in front of you, or move the pads to the sides and hold the iPad up to your belly.
• XY right thumb pad. This has the same features as the one in Keyboard Mode, with your choice of snap back behavior and MIDI controllers.
General features
• Blowfinger can work as a breath controller without sending notes; in Breath-only mode, blow without fingering and it sends a MIDI controller.
• Simultaneous support for Network MIDI over Wi-Fi, hardware MIDI, and inter-application MIDI to control synths running on the same iPad. Also supports rtpMIDI for wireless MIDI on Windows.
• While it feels great right away, you can personalize the breath response to suit your preference and also to adjust for noisy environments.
• Global transposition so you can play in the key of Cb without getting angry."
"The iPad becomes a super-expressive, easy-to-play wireless MIDI wind controller, using either keyboard or simple woodwind technique. (It also works as a breath controller.) Just blow into any iPhone headset mic or the optional pro mouthpiece and experience the soul-to-MIDI connection you've been missing.
Blowfinger Keyboard mode• Velocity-sensitive keyboard allows you to glide between notes in a way not possible on a regular keyboard, making this an excellent musical performance addition to any set-up.
• Use the eight utility pads with user text labels to send program changes or keyswitches. Or use them to play drums and percussion - they're velocity-sensitive.
• The XY pad offers additional expressive control in both axes, and it can be set to snap back to zero, to the center, or stay where you release it. Choose which MIDI controller is sent in each direction.
• Transpose octaves up or down with one tap (either or both keyboard manuals).
Blowfinger Wind mode
• Simplified fingerings based on recorder or Boehm system allow anyone who's ever played a wind instrument to pick up Blowfinger right away. You switch octaves with your left thumb, so once you know one octave you know them all.
• One size fits all. The keys and the thumb pads can be resized, moved, and stretched all over the screen. Play the instrument on your lap or perhaps a desk in front of you, or move the pads to the sides and hold the iPad up to your belly.
• XY right thumb pad. This has the same features as the one in Keyboard Mode, with your choice of snap back behavior and MIDI controllers.
General features
• Blowfinger can work as a breath controller without sending notes; in Breath-only mode, blow without fingering and it sends a MIDI controller.
• Simultaneous support for Network MIDI over Wi-Fi, hardware MIDI, and inter-application MIDI to control synths running on the same iPad. Also supports rtpMIDI for wireless MIDI on Windows.
• While it feels great right away, you can personalize the breath response to suit your preference and also to adjust for noisy environments.
• Global transposition so you can play in the key of Cb without getting angry."
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Alternate Controllers, iOS
LABELS/MORE: Alternate Controllers, iOS
Tube Distortion Synth Jam (MicroBrute, Eurorack, DRM-1, JV1010, MPC 1000)
Published on Mar 18, 2014 The Tuesday Night Machines·94 videos
"Lots of gritty analog feedback and tube distortion ... and some ROMpler brass :-P Subscribe for more: http://www.youtube.com/subscription_c...
Questions or comments? Go ahead and post them below! :) Thanks for watching!
MORE INFO:
Gear used in this video:
- Eurorack Modular Synthesizer (with Vermona qMi, Klangbau Wavetable VCDO, Klangbau Tube VCA, V'Amp, Malekko Wiard Anti-Oscillator, Intellijel, Koma Kommander, Sound of Shadows, Plague Bearer, Ataraxic Translatron, Voice of Saturn VCF, etc. see: http://www.modulargrid.net/e/racks/vi...)
- Arturia MicroBrute (analog synth)
- Roland JV-1010 (ROMpler)
- Vermona DRM-1 mkIII (drum synth)
- Korg Kaoss Pad Quad (looper & bitcrusher FX)
- Akai MPC 1000 (sequencer)
- Zoom R16 (recording & mastering)"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH






























