"One owner, great working and cosmetic condition. Includes original box, dust cover, power cable and manual as pictured. The rubberized pitch and mod wheels are slightly sticky to the touch, a known manufacturer defect.
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability."
"Yamaha FVX-1 - Mint Condition, Original Box, Fully Tested
For sale is a mint Yamaha FVX-1 vocal effects processor. An increasingly hard-to-find gem from the late ’80s/early ’90s. This unit has lived its entire life in a box, in a smoke-free environment, shows virtually no cosmetic wear, and functions 100 % as intended.
Highlights
Condition: Mint. No damage, rack rash, or faded lettering Functionality: Every function, button, display segment, MIDI port, and audio I/O has been tested and works flawlessly. Includes: Original factory box with internal foam inserts (a collector’s bonus) Power: 230 V EU model (step-down transformer required in 100–120 V regions) Shipping: I pack to survive world tours—double-boxed, fully insured, and try to ship within 48 h This is the cleanest FVX-1 I’ve seen in years; perfect for serious collectors or anyone who wants classic Yamaha formant-shifting and vocoder textures without hunting down spare parts."
"Lightly used and fully functional. This is the limited red edition of Roland’s SH-01A—a modern digital recreation of the classic SH-101 analog synth, packed into the Boutique series format. It nails the signature basses, leads, and sequences with four-voice polyphony, built-in sequencer, and arpeggiator."
Step into a world where sound textures shape the future of electronic music. The 180 Core Sample Pack is crafted for beatmakers who value depth, character, and innovation at 180 bpm. This collection fuses vintage warmth and cutting-edge synthesis, delivering a diverse range of loops and one-shots that spark creativity."
"New Schlappi Engineering module alert!!!!
Welcome the Boudary Layer, a triple cycling slew acting as a powerhouse of modulation, audio
mayhem, and obscure modular tricks in the tradition of Serge DUSG, the Make Noise
Maths, our own Boundary, and others while also bringing a few new things to the table.
I'll show you some of my favorite patches with it, most can apply to other similar modules so it might interesting to anyone.
"BOUNDARY LAYER by @SCHLAPPIENGINEERING is an apex triple function generator for eurorack. It has all the tricks up its sleeves and (as usual) is just a joy to work with due to it's well thought out interface and versatile feature set.
In this video I tried getting across how damn useful function generators are, how BOUNDARY LAYER works and how much fun it is to make patches with the module.
I hope you enjoy the video."
Boundary Layer is a triple cycling slew acting as a powerhouse of modulation, audio mayhem, and obscure modular tricks. Each of the channels can act individually as: -a modulation oscillator -voltage controlled slew (including portamento) -AR/AD envelope (decay or release determined by choice of input).
All three channels are tied together by three global inputs, as well as three outputs which select the MAX, MID, and MIN of all three voltages. Using different combinations at audio rate allows for patch programmable stereo drone synth capabilities.
Features
3 separate channels 3 global inputs 3 combined outputs MAX/MID/MIN Oscillates from low LFO rate (a minute?) to audio rate (>10kHz with exponential feedback) A CV input switchable between RISE/FALL/BOTH Bound input for simultaneous control over cycling rate and amplitude TRIG input for AD envelopes SLEW input for AR envelopes and portamento or filtering EOC ouput header switchable between EOR and EOF 16 HP Skiff friendly 32mm depth (including cable) current draw: +12V 170mA, -12V 100mA
"Digitakt II gets a tasty boost with OS 1.15, introducing the eagerly-awaited Slice machine to the menu. Chop up and wield your sample slices however you like, opening up for new rhythmic and melodic exploration. Find out more: OS Upgrade: https://bit.ly/4kU6Vbd"
"We introduce Digitakt II's Slice machine in this video tutorial, running through how to get up and running and showing just a taste of the fun things you can do with it."
The Digitakt II FInally Has REAL Slicing | OS Update 1.15
"With the release of OS Update 1.15, Digitakt II has been enhanced with an all-new SLICE MACHINE. This new update allows you to slice samples in the same manner as an Octatrack or an MPC. Meaning you are no longer stuck on the grid, you can freely place up to 64 slice points on any sample. This update completely changes how you can approach this machine, and it's an important one for Digitakt users. Slicing was never this easy, and I am totally stoked."
"In this video, we explore creative patching using the Divider module of the SOMA PULSAR-23 together with the SOMA PULSAR - 23 UTILITIES.
Divider outputs are routed into the Utilities’ touch sensor inputs, allowing us to trigger the Pulsar and modulate its parameters in rhythmically interesting ways.
Click CC at the bottom of the player for the subtitles.
"Hello, I hope you are taking care. This video is a performance centered around the Beetlecrab Tempera granular sampler/synthesizer. My intention was to create a long form piece of music using only the Tempera, outside of sequencing (as Tempera currently doesn’t have a note sequencer).
I’ve had the Tempera for a while now, but have only recently gotten around to really getting to know it well - learning its ins and outs, learning its boundaries and edges. When learning a new granular instrument, one of the first things I like to do is figure out the relationship between grain length/size and grain density/rate. Tempera is quite unique in that regard, as grain sizes can span the entire length of the buffer (~11s in this instance) - this allows for one to play back entire samples as-is (polyphonically as well), without being “granularized”. On the other end of the spectrum, Tempera also excels at creating grain clouds with an abundance of short grains all firing off at once. I make use of both of these techniques in this video.
Some patch notes: Tempera is loaded with 8 different samples from various sound sources from my studio. Each sample is just a single note of the sound source, recorded directly to Tempera. Tempera has a note detection feature, so each note was recorded at slightly different notes (mostly either A or C).
From to left to right across the 8 cells, the samples are: Mannequins Mangrove Mutable Instruments Rings (patched to make a “harp” sound) Mangrove with another timbre Korg Z1 (with a “flute patch”, which I didn’t end up using in this video) Rings (patched to make a “glockenspiel” sound) Korg Z1 (with a “bassoon” patch) Felt Instruments Blisko Cello (with a Sul Tasto patch with only a single string) Novation Summit (with a pad patch)
In the video, I use the 4 granular emitters in conjunction with sequencing from the Squarp Hapax to sequence and play the various samples across the grid. Emitter 1 is set up to play just a single grain per note, with a grain length that matches the entire buffer. Emitters 2-4 are set up in various grain cloud formations.
The Tempera is running the latest beta firmware as of 6/24/25 (2.2.beta13, shoutout to the Discord).
This is a long one. Thanks for stopping by and sticking with."
"A piece built with an RS-09 and a Game Boy—ambient layers of drones and lo-fi sequencing.
RS-09: Runs through NIGHTSKY for reverb and filtering; the dry signal is muted so only the wet reverb is heard, and the unit’s inherent noise is left in the mix.
Game Boy: An LSDj sequence loops while LOSSY degrades the sound and a DD-6 adds delay, with feedback tweaked in real time."
"Join Yamaha Synthesizer specialist Katsunori Ujiie as he dives into the exciting new features of the MONTAGE M v3.0 update.
The new operating system includes the following new features and improvements:
• New GS1 Ensemble & Tremolo, M/S EQ Compressor, and CS Ring Modulator effects
• New Clavi waveforms and Performances
• AN-X and FM-X parameters for Part LFO destination
• Increased maximum number of loadable libraries from 16 to 24
• SSS Time support
• Performance Note Shift function
• Keyboard Hold Lock function
• ESP Control for DAW Remote
• Note Limit and Note Shift functions for Scene with External Part support
• Rec’n’Share support
• Various user interface improvements
The OS 3.0 update is available immediately and free of charge for all MONTAGE M owners.
Download it now: https://yamaha.io/3DL9U5k"
Check with dealers on the right for availability and deals on the Yamaha MONTAGE M.
"We take a ride through several major freeways in San Diego and the surrounding areas. We start downtown on I-5, cross CA 163 (which we featured in a previous video), and turn east on CA 94. We follow CA 94 for a while, and then turn north on CA 125. Shortly thereafter, we turn east onto I-8, and then north onto CA 67, where we meet CA 52 in anticipation of the next video...
Music composed and performed by Amanda Chaudhary. It uses several of the instruments we have recently reviewed:
Cherry Audio ODC 2800
Arturia MiniFreak with 4.0 vocoder update
Arturia Pure LoFi
Arturia Augmented Yangtze
Arturia Jup-8000 V
Rhodes Wurli
Additional instruments include:
Minimoog
Cherry Audio Chroma, Mercury 6, Startdust-201 delay
BFD drums and percussion
EastWest Ministry of Rock
AudioModeling SWAM Flugelhorn and Trombone
AudioThing Wires and Dials"
