"A live modular synth performance, recorded in one take with no overdubs. Percussion is from a Mutable Instruments Plaits, switching between the kick, snare, and hihat models. Bass is from a Noise Engineering LIP through a DSI DSM01 filter. Some chords from my Fender Rhodes are loaded into a Make Noise Morphagene. An Instruo Ts-L is modulated by the PWM algorithm of an Erica Synths Pico Voice, running through an Eventide EuroDDL. Reverb is from a Strymon BigSky."
1. "Magneto is being clocked by a Tempi, and Magneto's clock outputs 2, 3, and 4 are sent to a Morphagene's shift input, a Noise Engineering's algo input, and Ch4 of Maths which is modulating the decay of the envelope on the arpeggio. Kick is from a self-oscillating Dave Smith DSM01 filter. Sequenced with a Winter Modular Eloquencer."
2. "Some more experimenting with the Strymon Magneto under voltage control. The pad is from a Make Noise Morphagene, and both synth voices are from a DPO. Reverb is from a Strymon BigSky."
Roland MV-8000
Ensoniq TS-10
Novation Bass Station
Mutable Instruments Braids
Make Noise Wogglebug
Dave Smith Instruments DSM01 & 02
Doepfer A-100 series
Red blinking flashlight
"Qu-Bit Nebulae 'Voice Synth' going through Dave Smith's DSM01 & 02 with Synthrotek delay. Modulations by Make Noise Wogglebug & Doepfer sequencer.
Filmed with GoPro by LāvLab
"Sequencing a Make Noise DPO with an Erica Synths Pico Seq, running through a Black Hole DSP for delay. Percussion is from a Moog DFAM and noise from a Mother-32, filtered with a Dave Smith DSM01. The bass and the short synth stabs are from Mothers-32. Reverb is from a Strymon BigSky. No outisde MIDI or DAW was used, all notes are triggered by the Moog and Pico sequencers."
"Live looping with all sounds from Moog and Make Noise synths and modules. Each synth voice is played on a NI KompleteKontrol 49 keyboard, with presets stored on different MIDI channels for separate control of each voice.
The hi-hats are created by muting and un-muting a clock signal from a Make Noise Tempi, set to a 10ms duty cycle and fed to the VCA input of a Dave Smith DSM01 filter, which is receiving noise from one of the Moog Mother-32 modules. The S+H effect on the filter is from another clock signal on the Tempi sent to a Make Noise Wogglebug, with its random voltage output sent to the DSM01 VCF input. The Tempi is kept in sync with Ableton from one of the outs on an Expert Sleepers ES-8 and a clock signal from Silent Way.
MIDI loops are recorded in Ableton with a Novation Launchpad, and Lemur is running on an iPad as an Ableton remote. All effects are from Ableton. Audio was recorded with the ES-8 and a PreSonus 1818VSL, with the final output recorded to the balanced inputs of a Tascam DR-44 from the mixer."
"Intellijel Metropolis sequencer with original box (one owner)
Dave Smith DSM01 filter
Doepfer case A-100LC3 with original psu (one owner)
Doepfer A-110-1 VCO (one owner)
Doepfer A-111-5 Mini Synth for sale in separate auction
all perfect and fully functional"
"Intellijel Metropolis sequencer with original box (one owner)
Doepfer A-111-5 Mini Synth rare and discontinued
Dave Smith DSM01 filter
Analogue Systems RS-40 Noise S/H with Synovatron adapter
Doepfer case A100LC3 with original psu (one owner)"
"Mutable Instruments Rings creates an ambience for a slowly progressing sequence. uScale is used to control the pitch of two separate analog voices (z3000+Polaris+uVCA & Dixie2 + DSM01 + Digital VCA) The two voices and the output of Rings are all mixed with a SubMix6 and sent to uJack. The output of the modular system was ran through guitar pedals and recorded in Logic X."
Spacialization and delays are essential parts of the music making process. But have you ever experienced the spacialization power of an analog delay ? The SpaceBug is an analog-like delay featuring an additional LFO with variable speed and depth parameters as well as regeneration capabilities. With the SpaceBug, you will master space and time with only five knobs: space and time to set the delay, speed and depth for LFO modulations, and regen to regenerate the sound. SpaceBugs are great for live applications with their small size, their easy-to-use interface and their powerful unique sounds. With their analog warmth and modulation capabilities, SpaceBugs cannot be compared to other delays. It's more than that, it's a SpaceBug.
Note that SpaceBugs are not produced anymore!!!
Technical specifications
Delay Time
Feedback regeneration
Mix wet/dry
Space right/left
Variable triangle LFO with depth & speed parameters
Bypass switch
AC 12 V powered
"Late night, self-generative patch with some wiggling thrown in for good measure. Here, an LFO from the RS-80 is being quantized by the Disting, while also controlling some other parameters, like the Fold amount. An LFO from the EON is being used to control the RS-80s rate, there is a lot of feedback between the CVs on each module. Therefore, changing the rate of 1 LFO has a large effect on the system."
"Finally got some white noise in my Eurorack system, thanks to Qu-Bit's EON, and was able to make my first self generative patch.
This patch utilizes the white noise mode on Qu-Bit's EON, white noise is sent to ES Disting in 'Quantize' mode. Quantization is being gated by Animodule's TikTok (which also sends a slower pulse to the VCA you hear opening) The Disting out 'A' is sent to Dixie's 1v/oct in. Dixie's sine out--->uFold In. With EON random trigger being sent to Fold CV. uFold--->uVCA--->uJack--->Digitech's Polara--->MOTU 896HD.
The pulse you hear at the end is the 'zig-zag' out of the Dixie--->DSM01 Curtis Filter (filter CV modulated by Tiptop Audio Z4000)--->uVCA--->uJack"
"I got bit by the modular bug. Hard. This vid is a test of a few of those toys. All of this was recorded with the Synthrotek audio interface into my Android phone. The most prominent module in the video is the Flame Talking Synth being modulated by an Oberkorn, Vostok, Kraftzwerg, Galilean Moons, and f(H) Imp. Later in the video, a Frequency Central Digital Oscilator is introduced being modulated by the Galilean Moons and being run through the Dave Smith DSM01. These are being mixed into the Vostok's mixer section, through a Synthrotek Eko, and attenuated by a Malekko VCA before being sent to the audio interface. This new interface makes recording on my phone a lot more quick and clean so expect more videos in the future!"
"Getting things together with the KORG, Animodule & Pieruixmaster Sequencers. Lots of modules involved here! Including Animodule VCOs, Doepher WASP filter, Blue Lantern VCO & LFOs, Dave Smith DSM01 Curtis Filter, Metasonix R55 & the D1000 is being used as 2 VCOs & a filter (ALL TUBE!)"
