MATRIXSYNTH: Search results for Roland Experience Channel


Showing posts sorted by relevance for query Roland Experience Channel. Sort by date Show all posts
Showing posts sorted by relevance for query Roland Experience Channel. Sort by date Show all posts

Thursday, November 19, 2015

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

Tuesday, March 07, 2017

Roland Museum 360° Video & Google Streetview Inside the Roland Museum


Published on Jan 18, 2017 Roland Experience Channel

Note: You'll need a browser that supports 360° video for this one. You'll find a link to the Google Streetview of the inside below.


Check it out here.

Nice Roland System 700!

via Roland:

"At the Roland R&D Center in Hamamatsu, Japan, we maintain a private museum that exhibits Roland and BOSS musical instruments that date all the way back to our foundation in 1972 and span the genre-defining musical eras of the '80s and '90s. The instruments on display are extremely important to us, and are still used as references for current product development.

While the museum is not open to the public, we are pleased to provide exclusive online access through a 360-degree VR experience. You can view the museum in a guided 360-degree video tour, or explore the displays at your own pace with a virtual walk-through in Google Street View.

"The History of Roland Innovation" exhibit presents many vintage musical instruments, from synthesizers, pianos, and organs to electronic drums, guitar products, recorders, sequencers, and more. We hope you enjoy your visit!"

Friday, September 02, 2016

Roland Analog Wav Collection FAMOUS 1980's BASSLINES! Synthesizer Samples Jupiter-8 Juno-106


Published on Aug 30, 2016 SynthgodXXX

Follow-up to this post. You can find the sample pack for sale on eBay here. See below for what you are hearing in the video.

"Roland Analog Wav Collection Video #2
'FAMOUS 1980's BASSLINES!!'
by Rik Marston 100% No Talking!
**Watch in HD & with Headphones!**

Celebrate 909 Day the RIGHT WAY!
--With some JP8, JP6, JUNO-106, MKS-80 & MORE!!!

This collection is on sale NOW on EBAY
SAME DAY DOWNLOAD via WeTransferPlus
Pay Today, PLAY IT TODAY!!!!!!!!!!!

All samples for this demonstration video were recorded into
Ableton Live 7 "Simpler" device using only Simple Delay
This demonstration video shows off some FAMOUS 1980's BASSLINES!!

Donna Summer "I feel Love" JUNO-106 ACID BAS C5 @00:02
Kraftwerk "Computer Love" JUPITER-6 CALLISTO C4 @00:46
Yazoo "Situation" JUNO-106 SEQ BASS C3 @01:04
Depeche Mode "Big Muff" JUPITER-8 STRONG C5 & JX-8P POLYSYNTH C5 @01:30
Depeche Mode "Just can't get enough" JUPITER-8 DANCEBASS C4 @02:04
Depeche Mode "Photographic" JUNO-106 OLD MODE C2
Alphaville "Big in Japan" MKS-80 DIGITBASS C4 @02:53
The Cure "Fascination Street" JUNO-106 OLD MODE C2 @03:19
Human League "Sound of the crowd" JUPITER-8 BANG BASS2 C5 @04:00
Human League "Lebanon" JUPITER-8 RAPBASS C5 @04:25
Simple Minds "Don't you forget about me" JX-8P POLYSYNTH C4 @05:05

All music copyrights by original artists, all music used in this video is to
demonstrate the sounds of the Roland Analog .Wav Collection IN ACTION, I'm not
trying to show off my cover programming skills or take money from these artists!
;)


SAVE YOURSELF A TON OF MONEY AND THE STRESS OF GETTING A BROKEN VINTAGE SYNTH IN THE MAIL...
-OR TRY OUT AN ANALOG MONSTER FOR THE FIRST TIME WITHOUT THE FEAR OF REPAIRS OR EXTRA HEADACHES!!!

The Roland Analog .Wav Collection
INCLUDES:

Thursday, September 22, 2016

Absolute JUPITER 8 WAV Collection 1.9GB Roland JP8 JP6 MKS80 Samples Synthesizer


Published on Sep 22, 2016 SynthgodXXX

"Absolute Jupiter Wav Collection
by Rik Marston 100% No Talking!
**Watch in HD & with Headphones!**

This collection is on sale NOW on EBAY $9.99!!
SAME DAY DOWNLOAD via WeTransferPlus
Pay Today, PLAY IT TODAY!!!!!!!!!!!

All samples for this demonstration video were recorded into
Ableton Live 7 "Sampler" device with no effects!!
This demonstration video shows off some STRINGS, PADS & SWEEPS!!

.Wav Sample Names, Key Locations & place in video listed below:

JUPITER 8 "PHAZEPAD" C4 @00:04
JUPITER 8 "ANALOG BRASS" C3 @00:52
JUPITER 8 "SLICK" C3 @01:27
JUPITER 8 "STRINGS" C3 @02:33
JUPITER 8 "SWEEP" C3 @03:19
JUPITER 6 "EGYPTIAN" C3 @03:56
JUPITER 6 "EQUALITY" C3 @04:54
JUPITER 6 "HEAVEN STRINGS" C3 @05:55
JUPITER 6 "LANDSCAPE" C3 @06:32
JUPITER 6 "NEON" C3 @07:09
JUPITER 6 "STARGATE" C3 @08:04
MKS-80 "EUROPA X" C3 @08:56
MKS-80 "TRANCE LEAD" C3 @09:23
MKS-80 "VINTAGE STRINGS" C3 @10:05

Wednesday, April 01, 2009

Musikmesse: Cakewalk® Announces VS-700C V-Studio Console for SONAR 8 Producer

"Cakewalk® Announces VS-700C V-Studio Console for SONAR 8 Producer

—In response to customer demand, the VS-700C V-Studio Console, centerpiece of SONAR V-Studio 700 production system, will be made available separately as control surface for SONAR—

Frankfurt, Germany, Musikmesse (Hall 5.1, Walkway B, Stand 56) (1 April, 2009) - Cakewalk, the world's leading developer of powerful and easy to use products for music creation and recording, announces the VS-700C V-Studio Console as a standalone control surface for SONAR 8 Producer.

For over two decades, much of Cakewalk's product innovation has been driven by spirited customer dialogue. Since the initial announcement of the SONAR V-Studio 700, there has been a groundswell of requests from the SONAR community for the VS-700C to be made available as a stand-alone control surface.

The VS-700C V-Studio Console matched with SONAR 8 Producer provides the deepest hardware/software integration of any control surface available today. The VS-700C was designed jointly by Cakewalk and Roland, offers fluid control over all aspects of SONAR 8 Producer's creative, editing, and mixing capabilities, maximizing workflow and productivity. The VS-700C's dedicated implementation of ACT (Active Controller Technology) further sets it apart from all other hardware control surfaces. ACT dynamically remaps controls based on how the user is working in SONAR. Also, with the press of a button, the VS-700C provides instant control over any V-Link compatible video and imaging hardware, including the Edirol DV-7 line of direct linear video editing systems.

VS-700C Highlights:
Channel Section

* Nine 100mm touch sensitive, motorized faders arranged in a bank of eight channel strips with a master channel
* Users can tab between fader banks and lock/unlock tracks and buses to faders for maximum efficiency when mixing large projects
* Channel Branch Mode is an innovative new mixing mode, where channel strip 1 will control the volume of a selected track while the remaining channels control the associated sends for that track
* One-level undo for all faders and encoders, using the "Revert to" feature
* Total control over SONAR 8 mute and solo functionality including Dim Solo, Exclusive Solo, and Layer Mute/Solo

EQ, Send, ACT Section

* Dedicated section of 12 continuous push-button rotary encoders which can be used for EQ, Sends, or ACT control
* When controlling EQ, the rotary encoders edit four stages of parametric EQ gain, frequency, and Q for whichever channel has the focus
* In ACT mode, encoders automatically remap to control effect, instrument, or mix parameters of whatever view or plug-in has focus within SONAR

Surround and Video Implementation

* Full surround implementation with Joystick Panner, F/R Balance, LFE Send, and Width controls
* Multifunction T-bar for surround F/R balance and video hardware control
* Automate multiple surround parameters simultaneously
* Control video mixers/editors/presenters that support V-LINK protocol

Access, Project Navigation, Editing

* Control plug-in for SONAR provides user-definable presets that change the functionality of the VS-700C depending on tasks or workflow preferences
* Access Panel provides one-button functionality to call up different views and utilities; allows custom assignments from over 45 SONAR commands
* Joystick can move plug-in windows around your screen
* In addition to F/R balance and Video hardware control, the T-Bar offers: X-Ray option to fade plug-in windows in/out to allow access to the views below and the T-Bar can also be used as a dedicated ACT controller
* Complete SONAR transport functionality not available from any other control surface, including Audition, Rewind, Fast Forward, RTZ/GTE, and Pause
* Jog and shuttle wheels and Free Edit cursors for project navigation, scrubbing and zoom; provides c omplete scroll and zoom functionality, including flyover mode which lets you navigate around a project
* Use jog wheel to move, crop and fade clip(s), as well as time-stretch
* Select clips and time ranges, even across tracks and layers
* Split and mute clips with the touch of a button
* Insert, delete, bypass and control any VST effect from the control surface
* Mackie Control protocol support, provides basic compatibility (transport, faders, jog/shuttle, etc.) with other Windows DAWs

Display

* A 2x13 LCD display for track names, parameter values, and markers
* 7 Segment LCD display for time code and now time position
* Responsive metering for each channel



SONAR V-Studio 700 and the VS-700C

The release of the SONAR V-Studio 700 system marked a new era of inspired, Cakewalk branded hardware and software music production solutions. SONAR V-Studio 700 addresses the gap between under-powered "budget" solutions and over-priced competitive solutions by offering a compelling, feature-rich music production system that is accessible to a broad range of users. SONAR customers who purchase the VS-700C can later purchase the VS-700R I/O to experience the full benefits offered by the complete SONAR V-Studio 700 system, which includes hardware control of the VS-700R from the VS-700C, 19 input channels, 8 digitally-controlled mic pres with compression on each channel, and onboard Fantom VS synthesizer featuring 1,400 patches with ARX expansion board capability, among many other features.

Pricing and availability
VS-700C console for SONAR 8 Producer will be available Summer, 2009 through Roland and Edirol distribution partners and select retailers worldwide. Local prices may vary, please check with your local Roland or Edirol distributor, or to find availability in your area using the dealer locator, please visit www.sonarvstudio.com."

Thursday, March 24, 2022

Roland Museum - R&D Center in Hamamatsu, Japan


video upload by Roland Experience Channel

"At the Roland R&D Center in Hamamatsu, Japan, we maintain a private museum that exhibits Roland and BOSS musical instruments that date all the way back to our foundation in 1972 and span the genre-defining musical eras of the '80s and '90s. The instruments on display are extremely important to us, and are still used as references for current product development."

Friday, August 21, 2020

Roland System 100m D-Set Vintage Analog Modular System

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

SNs:
140 800899
130 800493
121 800482
112 800510
150 800892
181 770267

"Here we have Roland's System 100m, their classic compact yet super powerful analog modular system. This set of modules is the most popular configuration that was available (known as the D-set) and includes the 150 Sample & Hold / LFO / Ring Mod, 112 Dual VCO, 121 Dual VCF, 130 Dual VCA, and 140 Dual Envelope / LFO. Of course these modules are not simply limited to their listed functions and include several convenient 'extras' such as 3 channel mixers built in for audio and CV inputs and well thought out duplicates and attenuated options for certain outputs.

The conveniences don't end there, the included keyboard connects straight to the front of the 191J enclosure and is normalled to relevant connections around the system. Simply bring up the first CV input attenuator on either oscillator and switch the envelopes to gate input for quick direct control without having to patch. The base of the 191J includes several multiples, 1/4" to 1/8" jack converters, and an output converter for splitting connections and interfacing with other equipment during patching.

The compact yet all encompassing design of this system makes for a welcoming, approachable instrument that only requires simple patching to make some truly great and classic sounds! But of course, its a modular system - patches can quickly gain complexity and there's plenty of room for deep exploration even with these five standard modules.

As with any vintage Roland, the System 100m has an incredibly nice sound, rich and powerful yet very clean and musical. It is especially strong with sequenced basses and gliding subtractive leads but has incredibly deep audio rate modulation and liquidy filters that certainly give it a natural home in more experimental music as well!

This System 100m set was just fully serviced and cleaned by our in house electronics technician. It has been fully tested and is working wonderfully with no crackly pots or switches and solid patch connections on all jacks. There is a proprietary keyboard connection cable and five power cables included to power each module at the rear. Finally, this sale includes the original 181 49 note keyboard with built in portamento, transposition, and bender. This is a great classic modular setup for anyone looking to get the full 1980s Roland experience!"

Friday, September 20, 2019

VELOCITY SYNTH MEET Coming to Seattle October 5th



Details here: https://www.velocityseattle.com

Exhibitors

4ms 4mscompany.com

4ms Company offers alternatives to traditional instruments with our poly-rhythmic clock modules that create evolving complex mathematical beat patterns, a resonator that can cast pop music into micro-tonal keys, a multi-channel wavetable oscillator, a routing matrix that's played like an instrument, and many more innovative devices. Rather than replicate concepts from the past, we strive to turn unique ideas into playable musical tools that expand the possibilities of music. We also offer Do-It-Yourself kits, and many of our designs are open-source.

Acid Rain Technology acidraintechnology.com

Acid Rain Technology is a manufacturer of music hardware out of Seattle, WA. We believe hardware instruments enable a unique connection between human and machine, and seek to improve this interaction through interface design for maximum playability.

After Later Audio afterlateraudio.com

After Later Audio is a boutique audio company located in Seattle, Washington. We make high quality Eurorack modules at accessible prices and we pride ourselves on responsive customer service. You can find our products for sale on our website, at various synth shops (Patchwerks, London Modular, Chuck Levin’s, and Modular 8), and on all of the major ecommerce sites.

Wednesday, March 10, 2010

ROLAND SHIPS KC-110 STEREO KEYBOARD AMPLIFIER

KC-110 Battery Powered Keyboard Amplifier Overview

YouTube via RolandChannel

"World’s First AA Battery-Driven Portable Stereo Amplifier for Keyboardists

Los Angeles, CA, March 10, 2010 — The latest addition to Roland’s industry-leading KC-Series keyboard amplifier lineup, the KC-110 Stereo Keyboard Amplifier, is now shipping. It combines two industry firsts for a portable keyboard amp—AA battery-powered operation and true stereo sound—with a host of additional features that make it flexible for a variety of performance applications.

The KC-110 features 30 watts of stereo power driving two 6.5" woofers and two tweeters. Most modern keyboards feature stereo sound output, and the KC-110 enables musicians to experience the full, rich stereo sound of their instruments while using a small amp. Power can be supplied with eight AA batteries (including NiMH rechargeable types) or AC power, and there’s even a removable battery case for quick and easy battery replacement.

Featuring a multi-channel mixer with a Mic/Line input, two stereo inputs, and two AUX inputs for connecting devices such as MP3 or CD players, this versatile amplifier is suitable for compact PA applications as well as keyboards. High-quality stereo digital effects are also built in, allowing performers to sweeten their sound with reverb, chorus, or a special “wide” chorus effect.

Compact size, battery operation, and superb stereo sound make the KC-110 the perfect portable keyboard amp for nearly any playing situation, from primary amplification duty in intimate settings such as coffee houses, restaurants, or street performances to personal monitoring on large stages. The KC-110 also features an integrated tilt stand for enhanced sound projection, as well as a pole mount for use with the optional ST-A95 Speaker Stand when maximum coverage is needed.

The KC-110 is now shipping with a suggested retail price of $469.00.

---------
About Roland Corporation
Roland Corporation is a leading manufacturer and distributor of electronic musical instruments, including keyboards and synthesizers, guitar products, electronic percussion, digital recording equipment, amplifiers, audio processors, and multimedia products. With over 35 years of musical instrument development, Roland sets the standard in music technology for the world to follow. For more information, visit http://www.RolandUS.com."






Thursday, July 20, 2017

Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping


Announced back in May, Syntronik™ is now available.

The official press release follows:

"Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Cutting-edge virtual instrument delivers iconic synthesizers and string machines with unique synthesis engine and stunning sound quality, available as a collection or separate instruments

July 20, 2017 - IK Multimedia is proud to announce that Syntronik™, the legendary synth powerhouse for Mac® and PC, is now shipping worldwide.

Syntronik offers the definitive and best-sounding collection of vintage synthesizers in a virtual instrument to date. It provides unsurpassed quality and flexibility thanks to an entirely new combination of the most advanced sampling techniques with a unique hybrid sample and modeling synthesis engine, a large assortment of high-quality modeled effects and innovative instrument features.

Syntronik - a dream collection of synths
Syntronik includes a collection of 17 amazing instruments with over 2,000 soundscovering a wide selection from 38 of the most iconic to ultra-rare vintage synthesizers of all time:

Friday, May 20, 2022

Does Roland deliver? Comparing the Jupiter 4 and the Promars plugin.


video upload by Friendly Noise

The modulation comparisons at 17 are interesting.

"Jupiter 4 vs Promars plugin

This text contains information about how the comparison was made. If you want to read a longer review, please download the pdf file at the bottom of this page.
But if you want an unbiased experience, stop reading and go see the video or jump to the desired part of the video using the video sections below.

In any case, please also consider subscribing to the channel if you like the video. This is a very time consuming activity, I make this just as a hobby and the only way to know that it’s worth the effort is the statistics of the channel. I have no message for the mankind, but I need to know if you like what I do, if that makes sense. :-)

Ok, this is a comparison between the Roland Jupiter 4 and the Roland Promars plugin. The Promars is a dual VCO monophonic synth. It is said to be technically very close to the Jupiter 4. So, if we use only one Promars VCO and don’t play chords on the Jupiter, the resulting sounds should be theoretically very similar. But close enough to allow for comparisons? Let’s have a listen!

No video or pics of the filter and envelope settings are included. There made no sense because the position of the parameters in the Jupiter 4 and Mercury 4 didn’t match.

Levels are matched using peak normalisation. The Promars is just a little quieter. That’s how the plug-in works.

No effects, EQ or processing were added to the direct sound. The Jupiter 4 onboard chorus is always off, and the second Promars VCO is of course switched off, too.

Saturday, April 14, 2018

Squarp Instruments Hermod Eurorack Module Videos by Sunshine Jones


Published on Apr 14, 2018 Sunshine Jones

Playlist (descriptions for each below):
HERMOD CURSORY INVESTIGATION
HERMOD INPUT CONTROLLERS
SQUARP HEMOD - TRANSPOSE SEQUENCE
HERMOD TRANSPOSITION // TWO
OK, WELL WHAT ABOUT REAL TIME ANALOG SEQUENCE RECORDING?
3AM DANCEFLOOR MADNESS
HERMOD - SEQUENCING TIME
HERMOD // CHANGE SEQUENCE VIA CV
QUICK & DIRTY CV RECORDING

Descriptions:

Thursday, January 22, 2015

ROLI Announces Gregg Stein to Join as Head of Sales Americas, Launches Ground-Breaking Equator Synth 

On the Equator synth (first mentioned here):

"ROLI also announced the launch of an alpha version of Equator, the world’s first synthesis engine dedicated to multi-dimensional instruments. Equator alpha will be available to all existing and new Seaboard GRAND customers free-of-charge. Speaking from the NAMM Show where the Seaboard GRAND is on display, Roland continued 'Equator is a game-changer, because it has been designed from the ground up to enable multiple parameters to be modulated in an intuitive and synchronous way. This release is just the beginning of a journey that will redefine the possibilities of real time expressive control of synthesis.'"

I'm curious if Equator will be a preset synth engine for the Seaboard, or if it will allow deeper synth programming via dedicated software on the PC or iPad. If so, the Seaboard will become a full blown synthesizer.

The following is the full press release:

"Anaheim, Calif., January 22, 2015  -- ROLI, design-led music technology leader and developer of the award-winning Seaboard GRAND, today announced that Gregg Stein will join the ROLI team as Head of Sales, Americas. This follows a breakthrough 2014 which has seen units shipping around the world to customers, and leading artists such as Oscar-winning composer A.R. Rahman performing on the Seaboard to global audiences. ROLI recently secured $16.5m in from leading venture capital firms in 2014, and acquired JUCE, an acclaimed C++ framework used by leading audio companies such as Korg, Pioneer and Akai Professional.

Sunday, September 15, 2019

MickXer - myVolts.co.uk


Published on Sep 15, 2019 Micro Banshee

myVolts.co.uk

"The myVolts mickXer is a 5-way passive mixer with five stereo input channels and one stereo output channel, each with a 1/8" (3.5mm) connection. It gives a high-quality, balanced, noise-reduced output, suitable for recording or live setups.

With the mickXer, you can mix five stereo inputs down to one stereo output. You can, of course, just use just one, two, three or four of the inputs in any configuration that suits your setup.

Please note that the mickXer is not intended as a standalone device and should be connected to either a recorder or amplification device, such as an amp, speakers, or powered headphones.

mickXer works great with any music gear: Korg Volcas, Roland Boutiques, Teenage Engineering Pocket Operators and thousands more
mickXer contains noise filtering technology, removing irritating ground loop hums and other noises. It’s the perfect accessory if you experience any noise using the myVolts Korg Volca 5-way power splitter or myVolts Roland Boutique 5-way power splitter
mickXer is fully passive, so doesn’t need a power supply, or batteries
Microsuction feet let mickXer stick securely but impermanently to almost any surface, while allowing it to be moved and restuck to any surface without leaving any stickiness or residue behind.
Multiple mickXers can be daisy chained, so the possibilities for the ingenuitive desktop musician are limitless
mickXer will also work as an audio signal splitter, but do be aware that amplification is required to drive headphones
mickXer is fully safety and quality tested: it’s CE-certified, RoHS-certified, FCC-certified, EMC-tested
mickXer comes in two colours – Console Black or Go-Faster Red.

Audio:
iPhone 5SE
MickXer

Video:
Roland GO:Mixer
InShot

Music © all rights reserved. Micro Banshee – 2019"

Wednesday, March 30, 2022

PPG - Polyphonic Pressure Generator for Voltage Modular (Hardware Demo)


video upload by Cherry Audio

"This is a quick demonstration of the Polyphonic Pressure Generator from @Tim Shoebridge of Soundmangling.com for Voltage Modular. Voltage Modular is generally regarded as a software modular system, but Tim has been creating some fantastic modules that extend it to hardware. VM runs standalone or in a DAW, and with the PPG module and a regular keyboard controller, you have all you need to transmit polyphonic aftertouch messages to Poly AT compatible synthesizers, hardware or software.

In monophonic channel aftertouch, applying pressure to any key within a chord will apply modulation to all notes currently held. With polyphonic aftertouch, modulation can be applied on a per-note basis, allowing for more expressive performances.

In this demo, the Roland JUPITER-X has a keybed that provides basic monophonic channel pressure aftertouch. But the synth engine itself actually supports receipt of polyphonic aftertouch messages and plays them accordingly. Usually, this would require an external controller like a CME XKey or the Hydrasynth to exploit the Poly AT of the JUPITER-X (or Xm).

PPG can be used to create the same expressive experience with any standard controller, and any synth that receives Poly AT (like Sequential's Prophet 6 and OB-6). This brief demo shows the difference between channel pressure on the JUPITER-X, and then polyphonic aftertouch with PPG and a simple Launchkey Mini. In this case, PPG is configured with a velocity threshold so that any notes played at or above a certain velocity get the modulation envelope applied to them. The other notes are unaffected.

For a more extensive explanation and demonstration, see Tim's PPG video [below] and get more details on this and other great hardware-oriented modules at his Soundmangling.com website at https://www.soundmangling.com/modules..."

PPG - Polyphonic Pressure Generator

video upload by

"Finally my latest software, Polyphonic Pressure Generator, is available to download. Here is a consolidated walk through covering all the features that PPG contains."

follow-up to this post.

Wednesday, February 14, 2024

Cherry Audio Introduces Virtual CR-78 Drum Machine


video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth



via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

Friday, November 11, 2016

jp80x0 - AU / VST Controller Plugin for the Roland JP-8000 & JP-8080



via KVR: "Have you ever wanted to control, automate and work with your JP-8000 / JP-8080 the way this modern world requires?

Now it's possible with our AU / VST plugin that allows you to get your Hardware into your modern DAW.

We developed this plugin together with Arto Vaarala who's long experience with coding made all this possible.

Here is a little something we've done for this plugin:

Connect your JP-8000 / JP-8080 directly into your DAW.
Edit almost every parameter of your synth from the plugin (AudioUnit or VST).

If you edit any CC knob from JP, you can see it moving directly in the plugin window.
Automate almost every parameter within your DAW.
Edit both layers from the plugin individually or link layers together.
You can request User Performance, Presets and Memory Card library from the plugin (Memory Card only in JP-8080).
You can send the parameters from the plugin to your synthesizers Temp buffer and save them from there or save right from librarian.
When you open the project with the plugin, all the parameters are automatically sent to JP.
Load and Save performance & patch banks to / from your HDD.
Store performances & patches to your JP-8000 & JP-8080.
JP-8000 incompatible parameters marked with **.
Alan Marcero and Mystery Islands soundsets included with the plugin.
v2: Request current patch from selected slot to librarian.
v2: Request all patches from selected bank to librarian.
v2: Store currently selected patch from librarian to hardware.
v2: Store current patch bank from librarian to hardware.
v2: Request temp performance data to librarian.
v2: Request current performance from selected slot to librarian.
v2: Request all performance data from selected bank to librarian.
v2: Store currently selected performance data from librarian to hardware.
v2: Store current performance bank from librarian to hardware.
v2: Load any MIDI / sysex patch or performance bank to librarian.
v2: Browse performance & patch banks within plugin librarian.
v2: Load currently selected performance data to plugin memory.
v2: Load currently selected performance bank to plugin memory.
v2: Load selected single patch to selected performance slot (upper / lower).
v2: Organize performance data in librarian and save a new performance bank to hard drive.
v2: Organize patch data in librarian and save a new patch bank to hard drive.
v2: Option to scroll thru hardware programs without sending performance / patch data to hardware.
v2: View & edit upper / lower part patch name.
v2: View & edit upper / lower part velocity sensitivity levels.
v2: View & edit upper / lower part control assign sensitivity levels.
v2: More knobs & buttons now reacts to hardware knob / button movements.
v2: Select performance MIDI channel.
v2: Select remote kbd MIDI channel.
v2: Old preset format replaced with Standard MIDI file format.
What it won't do:
- Transmit or generate any audio (Real synth required to use the plugin!).
Known limitations:
- MIDI device mapping needs adjusting in PC environment, read more from the user manual.
Requirements:
One of the following Roland JP-series models: JP-8000 or JP-8080.
MIDI Device to use with the synth.
You can connect as many Viruses to your computer as you like.
Pricing:
- Includes free support and free updates for life."

Friday, March 11, 2016

NYZ DRN4 DECLASSIFIED

Exclusive mix on SoundCloud:


And a track from the release on Bandcamp:


Tracklist:

1. NYZ_FMMGKSQ_43t
2. ISR_16x16_WCM
3. CSN [excerpt 2 mono]
4. SWI_r170_16x32x32_B
5. SWI_FM1#16
6. NYZ-1_1#08_A [finite downsized]
7.CSN1 [excerpt 1 mono]

Be sure to see the MATRIXSYNTH exclusive further below!

FM EXPLORATIONS AND MICROTONAL DRONES FROM NYZ (AKA DAVE NOYZE, DAVID BURRASTON, NOYZELAB, BRYEN TELKO)

This is the first release by NYZ and is a superb musical collection of research areas classified to internal Noyzelab operations. Not even .MEDS label were informed of the secret processes underlying its creation, excepting that we know it involved Frequency Modulation (FM) synthesis! We have not been given any information regarding when this work was recorded, but we suspect the material spans at least a decade of David's FM algorithm research on numerous synthesizers, as well his own custom built ear deceiving gear...

According to one reviewer of David's previous musical output he "gleefully disrupts just about every standard convention of musical form you could think of, including those of so-called experimental musics."

Other reviewers have written that :
"His music is a bizarre, yet compelling journey investigating the outer realms of music generated on ancient & contemporary machines." "It's strikingly original audio that doesn't really sound like anything else I can think of." "Utterly sublime. So there you go, a life-affirming slab of mind-altering sound to reawaken you to the terrifying possibilities of creation."

"absolutely wreaks havoc" wrote Keith Fullerton Whitman on reviewing David's last release T. H. Cycle cassette on Important Records/Cassauna .

Cassette releases April 1, 2016

All Audio by David Burraston
Design Tom Knapp

----

MATRIXSYNTH recently asked NYZ why he put together this new album of FM synthesis based explorations, and whether he would discuss some of the process behind it. The declassified information below has been put together by NYZ especially for a MATRIXSYNTH exclusive.


***BEGIN NYZ DRN4 DECLASSIFICATION REPORT***

DC REPORT STATUS: PARTIAL DECLASSIFICATION ONLY
PARTIAL DC STATUS: INCOMPLETE CELLULAR BINARY SPACETIME
PARTIAL DC LEVEL: SEMI-PICTORIAL_TEXTUAL_HIGHLIGHTS
FUTURE DC STATUS: _PENDING

The main reasons for making this album were an interest in FM synthesis in both analogue modular and MIDI/digital mediums. I had worked with digital FM synthesis since getting a Yamaha TX81Z when they came out back in 1987 (which I still have, along with another backup machine with a very hummy mains transformer which bleeds onto the outs). How me and another synth friend used to cry with drunken laughter at preset D11 Hole in 1... :) But after initially wondering whether I had just wasted about 350 UK pounds on an utter piece of shit... I quickly warmed to its better presets, and its very different approach to synthesis yielded enough interesting results early on for it not to get outed.

Monday, July 07, 2008

Vince Clarke Interview by Native Instruments

"You are famous as a user and collector of analog synthesizers, but computers made it into your setup list very early on as well. How would you describe the role of the computer in your creative work?
I started using computers around 1984. Prior to that I was using analog sequencers like the Roland MC-4, which is essentially a 4 Channel triggering device. I started to use computers with a software called UMI, which was made for the BBC Micro computer, a machine that was employed for basic education purposes in the U.K. The UMI software was a 16-channel MIDI sequencer that I used for years on the same computer. Even though technology went way ahead of me I stuck to the same piece of equipment. The reason for that was that its limitations really helped me to make the right decisions when it came down to making music. I couldn't get thrown over by having too many choices and that helped me focus on what was important in the song. When I moved to the U.S. I started using Logic and Max/MSP while I was waiting for all my equipment to arrive from the U.K. That's when I really got into software synthesizers. It was the first time I read a manual in my life. A rather difficult experience.

How did you come across Native Instruments?
That was by recommendation from Martin Ware of Heaven 17. We worked together and he recommended Absynth and FM7 to me. I loved Absynth right away because it was so different from anything else. Then I got into Reaktor through Gareth Jones, who was another producer I worked with. He explained to me how it worked. At first I was a bit put off by the idea of creating your own synthesizers. Initially, I couldn't be bothered to do that because it sounded like a lot of hard work. But I soon found out that it was also a lot of fun!"

You can find the full interview here.

Sunday, August 12, 2018

New Kiwitechnics Kiwi-1000 Upgrade for the Oberheim Matrix-1000





Kiwitechnics, makers of the Kiwi upgrades for the Roland JX-3P, JX-8P, Juno-106, and KORG Polyix, have a new DIY upgrade available for the Oberheim Matrix-1000. The cost is $295 plus shipping.

Details via Kiwitechnics:

This is an upgrade for the Oberheim M1000 rack mount synth module. This will transform the M1000 from a difficult to edit preset module with a poor midi interface into a full featured synth with some excellent features. The M1000 synth hardware is based on the CEM3396 ‘synth on a chip’ and this gives the synth a versatile set of features including multiple combined and editable waveforms on each DCO as well as PWM and VCF FM controls but will still retain the Oberheim ‘sound’. The upgrade will also replace the on board DCO master clock. The M1000 clock is a single fixed master clock that both DCOs use and this limits the range possible to about 6 octaves. The K1000 upgrade will replace the single master clock with separate clocks sources and each of these will have a range of 64’-2’. This is pushing the CEM chip to it’s limits but we feel the results are worth the effort.

The Oberheim M1000 has been hamstrung with most of the patches that cannot be edited, poor midi and a difficult patch format making editing and sound creating a challenge. We are using the experience gained with our other upgrades to redesign the M1000 to be a fully fledged synth with all the usual Kiwi features. This is not a M1000 with the midi fixed it is a completely new synth. We are incorporating Oberheim tone imports but because the tone layouts are so different the conversion is not going to produce exact matches. We are also putting in imports for the K106 & K8P products and well as Roland JX8P and JX-10/MKS-70 (Tones only) which will provide a big tone library from the web to use as a starting point.

The upgrade comes with a front panel label that will fit over the existing buttons and LEDs.

The Kiwi-1000 Upgrade features:

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