Amazing analog sounds that only digital can provide - now in your DAW.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It's already garnering acclaim as one of the best synths of the year.
1. Farfisa Soundmaker – strings + piano + saxophone with aftertouch
Just a simple quick sound demo. The Farfisa Soundmaker is an Italian divider-based combo synthesizer released in 1979. It consists of three distinct synths, a monophonic synth, a polyphonic divider synth and a string synth. The monophonic synth is based on an M110 keyboard scanner/oscillator and a ca3080-based lowpass filter. The keyboard has a channel aftertouch that can be routed to LFO (Oscillator), mono brilliance, mono glide and brass brilliance.
Mono sounds are very delicate and expressive. Strings sound glorious.
Voices used:
Piano
Strings 8"
Saxophone mono preset in free mode
FX used:
Alesis Quadraverb
Valhalla Vintageverb
UAD Galaxy Tape Echo
Recording:
Recorded through Mackie Onyx 1620 Firewire mixer to Logic Pro
2. Farfisa Soundmaker – strings + piano + accordion
Voices used:
Piano
Strings 8" and 4"
Accordion mono preset in free mode
FX used: same as above
3. Farfisa Soundmaker – strings + piano + piccolo
Voices used:
Piano
Strings 8"
Piccolo mono preset in free mode
"Baloran The River, in perfect technical and cosmetic condition. Lightly used in a smoke-free home studio. Includes the original manual, flight case, and a spare voice card.
This is an extremely rare analog gem, with very few units ever made. It breaks my heart to sell it, but I simply don’t have the space—it’s a big instrument!
The listed shipping cost is an estimate; the final cost will depend on your preferred shipping method.
TECHNICAL SPECS
100% subtractive analog synthesis with discrete components Polyphony with 8 voices, each voice card being a changeable physical card. 2 VCO, 1 VCF, 2 envelopes, 1 VCA, 1 LFO per voice, hardware routing for the modulations. All components are operated while the instrument is switched on. Adjustments of micro-voltage taking into account the temperature insures the accuracy of the instrument. Complete multitimbrality: 8 channels with free voice/channel allocation. Wide-ranging management of the expressivity: aftertouch channel, pseudo aftertouch polyphony, attack AND release velocity. High-end TP/8 5 Octaves Fatar keyboard. Complete management of outputs / inputs by layer: 4 simultaneous layers allowing to create complex areas, to control the MIDI and USB inputs, to drive the outputs for MIDI, USB and the 16 CVs and 8 Gates. CHORD and HOLD modes. One intuitive sequencer per layer (4 notes, 48 steps polyphonic). Recording step by step in real time. Transposition of play. One arpeggiator per layer, numerous motifs and parameters. Transposition of play. Control of the external MIDI clocks and REAL TIME messages. Simplified connection with software programs (MIDI and USB). Complete bidirectional transmission of all the sound commands (CC and NRPN). Advanced MPE compatibility with the configurable control of all the axes. CV LFO to add a modulation to external analog devices used under power. Effects: Analog Triple Chorus / Flanger + digital Echo / Reverberation. 100% analog pathway. Storage of the sound settings. Storage of 160 SINGLE programs, 40 MULTI programs carrying over all the parameters, including the current programs, effects and profile parameters, 40 effects programs, 10 profiles of combined layers. Backup and restoring through SysEx on USB. 2 pairs of stereo XLR and TRS 6.35 jack outputs. 8 individual outputs TS 1/4" jack. 1 headphone output 1/4" jack (front side) with dedicated potentiometer. 1 pair of audio stereo input TS 1/4" jack routed to the effects section. 16 CV outs and 8 Gate outs (1/4" jacks) 3 MIDI In, Out and Thru 5 pin DIN connectors. 3 USB type B ports for MIDI driving through USB and update of the operating systems. 2 inputs Contacts Pedal and 1 entry Expression Pedal. Electricity requirements: 120VA. IEC filtered socket. Dimensions (L x W x H): 104 x 52 (radiator included) x 20 cm. Weight: 26 kg. Flightcase : 110 x 60 x 30, 15 kg"
"With this 500 series stereo channelstrip, featuring the WesAudio Rhea tube compressor, I’ve got a great sounding chain for recording my modular synth, needing no additional plugins to finalize the sound.
The Hermod+ is sequencing modules by Vostok, with a zlosynth Kaseta adding tape saturation/delay on one of the voices. Then into the Weston Audio mixer, Strymon Starlab adding reverb, and the right output channel goes through the Echo Fix EF-X3 before it hits the 500 series chain."
Kaseta is a multi-purpose module inspired by reel-to-reel tape machines. It simulates magnetic hysteresis to provide warm saturation, its four independent delay lines can be used to sculpt rhythms or feedback loops, and it offers wow and flutter control. The module also goes beyond typical tape machine features, with free-moving delays, trigger sequencing, and an internal oscillator.
While the module works perfectly well as a regular delay, its flexible interface can also be wired up to provide a variety of effects, sounds or CV sources. The following list summarizes its main features. To learn more, see the User Manual.
Aluminium panel with high-quality anodized finish
CNC engraved lettering
20 HP, skiff friendly
Delay with 4 reading heads
Tape saturation simulation
Wow and flutter effects
Stereo output
Up to five minutes of recording
Internal oscillator
Trigger sequencer
LEDs visualizing dialed parameters
"The Yamaha PSS-11 is a small keyboard from 1992 with an AWM (Advanced Wave Memory) tone generator, as Yamaha tried to put more realistic sounds based on samples into their home keyboard range, seen as a step up from the FM sound chips that had dominated the PSS range in the second half of the 90s.
The PSS-11 has only 39 basic sounds, including percussion. The rest of the 100 voices on offer are variations of the other 39, including layered dual voice, split keyboard, extra sustain, harmony (changing harmony in step with the auto accompaniment), and echo (a rudimentary delay effect that changes delay time in step with the tempo).
"Here's another example of the Analogue Solutions Maximus synthesizer acting as a traditional polysynth, where voices are duplicated and played as traditional chords.
You can hear the subtle (or not-so-subtle) character differences in tone, pitch, and timbre in the individual voices, which adds character warmth and width to the overall sound.
Onboard spring reverb and echo (per voice) further add depth and space to this warm pad.
Chapters: 00:00 Stylophone 1 00:05 Stylophone 1 Vibrato 00:09 Stylophone 2 00:12 Stylophone 2 Vibrato 00:16 Stylophone 3 00:20 Stylophone 3 Vibrato 00:24 Default 01:02 Dirty StolyPoly 02:01 Piano 02:25 Harp 03:12 Harpsichord 03:40 Clavinet 04:20 Pad 05:58 Strings 07:22 Combo Organ 08:24 Flutes 08:43 Bright 09:13 Space Oboe
"StyloPoly is a free sample library for Decent Sampler featuring the Dubreq Stylophone S-1 with some added features. All the sounds in the video are from a single instance of the plugin.
User Interface: The user interface offers precise control over every aspect of the instrument and effects. Explore parameters to refine your sound, including control over the audio mixer, envelope, pitch modulation with LFOs, high pass and low pass filters, velocity/dynamics, speaker simulator, and the immersive effects of echo and reverb.
""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.
Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."
Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge
"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."
Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic
"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.
This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.
To find out more, please visit cherryaudio.com
"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?' virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."
00:00 Introduction 00:25 History of the Arp Pro Soloist 01:23 Overview of the Cherry Audio Pro Soloist 02:21 Original front-panel presets 08:35 Global controls 09:35 Touch Sensor Effects 16:00 Edit Mode 16:59 VCO 18:59 VCF 21:53 Resonator bank 23:53 Modulating the resonator bank with the mod matrix 26:45 Effects panel 34:46 Multi-layer mode 38:08 Factory Presets 42:18 Vintage Vibe expansion bank 43:44 Conclusion"
Press release follows.
"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.
PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.
Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.
Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.
Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.
In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.
Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.
A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.
Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."
"PS-3300 Features Exactingly faithful virtual analog emulation of the semi-modular analog polyphonic synthesizer released by Korg in 1977
Three independent "signal generator" panels, each with an oscillator, lowpass filter, three-peak resonators, envelope with velocity, amp, two mod generator LFOs, and per-note tuning:
3X VCOs with six waveforms: triangle, saw, rectangle (square), two preset pulse waves (with different widths), and PWM (variable-width pulse)
3X resonant VCF 12 dB/oct lowpass filters with the option to select between the standard "clean" PS filter or the "crunchier" MS-style filter
3X modulatable "triple resonators": 12 dB/oct bandpass filters to produce vowel and phasing tones
3X discreet ADSR-type envelope modulators with velocity control, and amplitude modulation
3X two syncable "mod generators" (LFOs) with output jacks: one with triangle, saw, ramp, rectangle, pink noise, and white noise, and the other with triangle waveform
3X temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation
Copy/paste settings from one signal generator panel to another
Polyphonic mode with up to 24 voices of polyphony and three monophonic modes: last, low, and high note priority
Semi-modular synthesizer with virtual jack and cable system, featuring unlimited mults per jack and customizable (color, transparency, animation) cables
Master signal mixer panel with sample & hold, general envelope generator, and two control voltage (CV) processors
Individual channel panning
User-selectable bend range and master tune
Studio-quality integrated effects: chorus, echo with sync, and three types of reverb (spring, plate, and Galactic)
Over 360 professionally designed presets in a dozen categories. These include a bonus Legacy collection of basic presets based on the patch sheets in the original PS-3300 Owner's Manual, a 3100-based Glissando patch, and a 432 Hz Equal Temperament patch, all to get your started in your own sound design adventures.
Standalone virtual instrument and plug-in versions
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI Learn and mapping
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
User-adjustable oversampling control
Also available: With its three-synths-in-one architecture, unique resonators, and semi-modular nature, the PS-3300 is truly a behemoth of synthesizers. Sound designer James Dyson's Resonation Preset Pack (sold separately) includes additional presets that go further into the relative dimensions between light and shadow and all the way to the outer limits."
excluding crate, shipping and tax (all if applicable)
CIRCUITS
VOICE - X8 2 VCO 1 Mixer 3 12dB filters 2 Full ADSR envelopes 1 16 step note/modulation loop sequencer 1 BBD style retro echo 1 Main out VCA 1 White Noise 1 Sub Osc 1 Portamento / Glide 1 VCO tune Vernier dial Generous selection of cross modulation controls.
MASTER 1 VC LFO 1 LFO with delay 1 LFO 8 channel stereo mixer 2 Real spring reverbs 1 Master control knobs 1 Poly MIDI to CV converter 4 Key modes 2 MIDI Sync modes 1 Multiple Generous modulation routing
MISC Metal cabinet Birch ply real wood Healthy set of jack sockets for patching on all panels
OPTIONAL AS400 KEYBOARD 61 full length keys Weighted Velocity Aftertouch with VCA for modulation 64 pad touch controller (can be split to 2x32)
SOME THINGS YOU CAN DO WITH MAXIMUS
Standard pad type poly sounds
Unusually Poly Sounds
Monophonic Synth Sounds
A mixture of Mono and Poly Sounds
Filmic / Epic ambience sounds
Rhythmic patterns, with a new sound on each key press.
Although Maximus can do traditional ‘pads’ it’s better suited to more unorthodox poly sounds. It excels also at unusual analogue loops and rhythms when it is played in cyclic mode. Have each voice set to a different type of sounds, and as you cycle through them you get very interesting patterns (melodic or otherwise).
Maximus does not have patch memory - just like the very first polysynths.
Every sound you create will be unique - the first of its kind ever to be produced. Your Maximus will never sound like anybody else’s. It will always be unique and yours.
WHAT IS MAXIMUS? Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since its is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard polys pads will sounds superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the 70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
AS300 main unit £22500 £19900 Launch price – batch 1 only
AS400 optional keyboard £1900 £1800 Launch price – batch 1 only
We're pleased to present the new Pulsar-23 Andrew Huang Edition: a vibrant yellow version of the one-of-a-kind, organismic semi-modular drum machine made in collaboration between SOMA and the producer and YouTuber himself. SOMA's Pulsar-23 has become a go-to instrument for subverting the expectations of what a drum machine can or should do, attracting the interest of curious musicians looking for something a little bit different out of their drum synthesizer. With this version finished in a vibrant yellow personally chosen by Andrew Huang, the Pulsar-23 has become a favorite part of Andrew's studio due to its open-ended patching structure and rejection of standard drum machine tropes. The results may not always be what you expect, but like many other SOMA devices, Pulsar-23 creates a seemingly organic connection between the musician and instrument, tapping into the deeper parts of your subconscious mind to rely on instinct and reaction rather than conscious decision-making.
"This is a Breakaway Vocalizer 1000 Voice-Controlled Music Synthesizer. It is in excellent condition. It looks like it was never used or only used a couple of times. It comes in the original box with the instruction booklet, "in use/on break" sign, Styrofoam packing material, main synthesizer unit, microphone and cord, power cord plugin, extra mic cover, mouth piece. It does not have any cartridges with this listing...
The Breakaway 1000 is a voice controlled music synthesizer. You hum into a microphone and it comes out as any synth sound you choose. It has 28 voices to choose from. The best thing is that it is also an Analog-to-MIDI converter. You can plug a 1/4" jack into it (guitar, say) and use the MIDI OUT jack to trigger any other MIDI instrument from your guitar, voice, keyboard, or what-have-you! The Breakaway also has 5-track digital recording capabilities with a memory of over 1000 notes, along with built-in drum machine and bass accompaniment. Breakaway Vocalizer 1000 was released in 1988, (licensed to Breakaway by the Eltrex Corp.) and sold thru the Sharper Image Catalog, Montgomery Ward stores, and distributed by Tascam. It's notoriety has climbed in recent years as emerging electronic musicians clamored for a means to generate MIDI sounds using only their voice. It was discovered these Breakaway "toys" were actually quite capable instruments - able to track and playback to the nearest 32nd of a semitone. The on-board tone generator was co-developed by Ensoniq, a leader in music technology back then. The unit could also track the pitch of just about any sound-producing object and generate corresponding MIDI triggers. Even today, it is sought after by harmonica players as one of the best MIDI input devices available.Specifications:Synthesis: Stereo, sampled waveforms. Sound Tracks: 10 notes polyphonic and polytimbral.Octaves: Over 7 octave range. Instruments:- 28 preset lead instruments, built-in: piano, electric piano, piano strings, electric organ, electric guitar, fuzz guitar, electric bass guitar, slap bass guitar, flute, whistle, clarinet, harmonica, saxophone, trumpet, trombone, synthesizer brass, violin, cello, string bass, synthesizer strings, bells, marimba, steel drum, synthesizer drums, and four zany sounds; plus five drums: snare drum, bass drum, high hat, cymbal, tom.Effects : Stereo chorus, stereo harmony, stereo echo, slide (continuous) control. Voice Guide: Voice Guide, and Melody Guide (for song cartridges with known melodies).SmartSongs Styles:- 12 Jam Pattern styles: rock 1, rock 2, rock 3, rock 4, soul 1, soul 2, latin 1, latin 2, jazz, blues, reggae, and country; each with different drum, bass and chord patterns. SmartSongs Options:- Variations : Each background has two "song" variations (verse and chorus), and two "rhythm" variations (bass or drum rhythm variations).- levels of Accompaniment: 4 levels of accompaniment: Drums only / Drums and bass / Bass and chord / Full background SmartSong.- Ending : Special pre-recorded finale to each SmartSong*- Tempo: Tempo up and tempo down.- Key: Transposes up 6 steps and down 6 steps. Multi-track Digital Recorder (MDR):- 5-track digital recording.- Memory capacity over 1000 notes.- Recording modes: Simple Lead Composing, Smart (assisted) Composing, Advanced (unassisted) Composing.- Editing: pitch, tempo, key, instrument, rhythm, note insertion and deletion.- Playback options: same as SmartSong options (tempo, key, etc.).Demonstration Function:- Interactive, "step-through" demonstration using easy-to-follow messages on the LCD display.- Modes demonstrated: Basic instrument vocalization, changing instruments, changing SmartSongs, and simple lead recording. Input Terminals: Handset controller, audio input (microphone)"
"In this video I clean the keyboard circuitboard, resolder broken solder joints, replace broken contact springs, and clean and lubricate the bus bars and springs. I have to final videos after this outlining the Pratt Read keyboard restoration. Then, we'll get into restoring the case!"
"In this video I repaint the keyboard base. I did 3 coats of primer, 3 coats of black paint, and 3 coats of clear coat! I only showed two coats for brevity.
I used Rustoleum primer, Rustoleum Satin Enamel black paint, and Rustoleum Satin Enamel Clearcoat.
It comes out great, and I think it'll last another 50 years. I also cut out new felt pads to go into the keyboard base."
"In this video we prep the base for painting, and we refinishing the bellcrank bar, brackets, and screws. I make a big mistake not wearing gloves while using bluing, but I'm still alive."
Restoring a Moog Minimoog: Unboxing video upload by Voices of Echo
This one is in via Voices of Echo.
"I finally received my Moog Minimoog Model D that I bought from a guy in New Iberia, LA. Over the next few months I'll be posting videos as I restore it back to 'like-new' condition."
Kick, snare, and hi hat from a Vermona DRM1 Mark III. One of the DRM1's 'Drum' voices also created the 'woo-woo-woo' sound that comes in at about the 3-minute mark.
The stern, crunchy stabs are from an Arturia Minibrute running through a Boss XT-2 Xtortion pedal.
The warm pad that kicks off the track and then begins to pulse rhythmically comes from a Prophet 600 going through Arturia's 'Filter Mini' plugin, with the step sequencer modulating the cutoff frequency.
The house-y vamp, bassline, sine wave synth, and various other stabs and bleats are all from Korg's Minilogue.
Delays: Moogerfooger MF-104Z Analog Delay, Boss RE-20 Space Echo pedal, Electro-Harmonix Deluxe Memory Man, Boss PS-3 Pitch Shifter/Delay pedal
Reverbs: Vermona Retroverb and Tech 21 Boost R.V.B. pedal.
I also used Audio Thing's 'Speakers' plug-in to send the whole mix through a 60s telephone for a couple of measures.
"Baloran The River, in perfect technical and cosmetic condition. Lightly used in a smoke-free home studio. Includes the original manual, flight case, and a spare voice card.
"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.
