MATRIXSYNTH: Search results for laser harp


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Showing posts sorted by date for query laser harp. Sort by relevance Show all posts

Tuesday, May 23, 2017

Vintage Elka Synthex SN 867

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This Elka Synthex is in in excellent condition.Refurbished by Retrolinear in 2014 for $2250(see receipt ).
Includes the original pristine operating manual and midi break out box attachment.Comes with all original 80 factory patches(yes, it has the laser harp).

Exceptional sound capabilities that almost all other analog poly synths of the 1978-1983 era can't quite produce due to their lack of BPF/HPFs. There are plenty of websites to research this synth: Sound on Sound, Vintage Synth Explorer, Great Synthesizers, and plenty of videos on You Tube on this incredible synth.

For the novice, the Synthex contains the following:
Keyboard-61
Voices-8
DCO- analog oscillators with digital control ,2 per voice. Tri/Saw/Square/Pulse/Ring Mod
Noise Genetator-white/pink
VCF-Curtis analog24dB LP, 12dB HP, 12dB & 16dB BP
VCA- analog ADSR
LFO-Tri/Square/Rising and falling ramp with routing to osc/filters, and amps
Glide/portamento control
Sequencer-4 track with pulse or real time programming 128 notes
transpose function
Split/layering keyboard
BBD Chorus with 3 modes
Mono/stereo selector with L/R panning
Service included:

cabinet stripped and finished
installed high grade wide range linear PSU which eliminates the need for a fan(operates 30degrees cooler which minimizes the damage risk to the expensive Curtis chips). For a snapshot of the new "silent Synthex", do a search for "Elka Synthex great synthesizers" and click on Elka Synthex-a polyphonic classic/Greatsynthesizers.Scroll down and see the new German manufactured PSU for the Elka Synthex that allows for cooler and quiter playing. Well worth the $750 these new PSUs go for! The same PSU was installed in this unit in 2014.
all electrolytic capacitors replaced
all logic chips on keyboard contact strip replaced
replaced ROMS with latest software upgrade
replaced RAM ICs
rebuilt joystick controller and repaired analog joystick readout circuitry
reapired faulty solder joints on keyboard and sequencer control boards.
cleaned all keyboard contacts, switch contacts,and controls
calibrated all oscillators and filter trims"

Saturday, December 24, 2016

Lasertron IOS:New Features, with Novation Bass Station II


Published on Dec 24, 2016 BEATS N BOBS

"A quick demo of the new features Lasertron the Ultimate Laser Harp IOS version. Adjustable laser angle which is handy for iPhone small screen space (Make them straight for more finger space) PLUS great midi out support so you can use this as MIDI controller. You can also control pressure, velocity as well as any control code/CC number so you could control any supported parameter on your synth. In this video CC 16 is used which controls frequency. The Novation Bass Station II is used plugged in via a lightning to USB connected with additional power for the Bass Station provided by a mains powered hub. Now you can play Rendez Vous like Jean Michel Jarre with any of your synths. Works with iPhone and iPad with any compliant USB device or compatible app with virtual MIDI in.

IOS version here:
https://itunes.apple.com/us/app/laser..."


"Your very own laser harp at you fingertips! Now with added Midi output to control notes, and expression control with any compatible MIDI device

Lasertron -the realistic simulation of a laser harp as used by Jean Michel Jarre. Featuring a choice of sounds, laser colours and note scales. Choose from traditional sounds like koto, dulcimer and strings and also the actual sound to play Second Rendez-Vous Part III. Select note scales like chromatic and diatonic but also the actual notes for Second Rendez-Vous Part III

* 3 laser colours
* 5 note scales including the correct notes for Second Rendez-Vous Part III, diatomic, chromatic etc
* 16 different sounds including awesome synth and pads all in stereo
* Realistic laser simulation
* Adjustable angle and spacing of lasers - handy for iPhone smaller screen space: Scroll left and right lasers to adjust angles.
* Ambient fog
* Out of focus cityscape backdrop that puts you in the shoes of Jean Michel Jarre
* Low memory so you can download now!
* Available on iPhone, iPad and iPod touch
* MIDI output: While connected to compatible to MIDI device you can control notes as well as (via position of laser), pressure, velocity, modulation or custom CC control change code such as or specific message for your synthesizer.
#Check out the video demo on the "BeatsnBobs Web Site" link
Be the envy of your friends when they see you play with the Laserton!"

"What's New in Version 2.04
Added MIDI out: Control notes and expression control with velocity, pressure, modulation. Works with any USB compliant device or compatible app with virtual MIDI in.
Added ability to adjust angle and spacing of lasers - handy for tighter screen space on iPhone or fat fingers."

Tuesday, March 01, 2016

2016 Synth-Fest Coming to Nantes / Frankreich with Yves Usson, Deep Forest and More


I received the following invite in German via email. You can find the Synth Fest 2016 site in French here and Googlish here. You'll find a Googlish translation of the email below:

"Die französische Organisation Patch Work Music (www.asso-pwm.fr) organisiert zu Ostern 2016 das dritte Synthesizer Festival "SYNTH-FEST"

Es gibt wieder Gelegenheit viele Gerätschaften anzutesten oder vorgeführt zu bekommen (z.B. auch die Laser Harp).

Yves Usson, der Erfinder des MiniBrute und MicroBrute wird genauso auf dem Festval erwartet, wie Michel Geiss, Frédéric Rousseau, die bekannt sind als Musiker und Techniker für Jean-Michel Jarre/Vangelis.

Zudem gibt es CDs zu kaufen, eine Tombola und die Möglichkeit mit Musikern sich auszutauschen.
Das Synth-Fest ist offen für jeden, der sich für Vintage Geräte und neue Synthesizer interessiert.
Vorführungen von Vintage Keyboards und auch ganz neuer Technologie werden an allen drei Tagen auf der Bühne präsentiert.

Deep Forest gibt ein Konzert am Samstag.

Wann?: 25. - 27. März 2016
Wo?: Dix, 10 place des Garennes in Nantes, Frankreich
Eintritt: 1,- Euro Das Deep Forest Konzert kostet 5,- Euro

Weitere Infos bei den Veranstaltern Olivier Briand und Bertrand Loreau:
http://asso-pwm.fr/synth-fest-2016/

contact@pwm-distrib.com

Vielleicht interessiert euch das selbst oder ihr könnt das an Interessierte weitergeben?

Danke und Viele Grüße

Lambert Ringlage
www.sphericmusic.de"

Googlish:

"Hello,

the French organization Patch Work Music (www.asso-pwm.fr) organized at Easter 2016, the third synthesizer Festival "SYNTH-FEST"

There is another opportunity to test or demonstration to get (as well as the Laser Harp) many equipment.

Yves Usson, the inventor of Minibrute and Micro Brute is just expected on the Festval as Michel Geiss, Frédéric Rousseau, known as a musician and technician for Jean-Michel Jarre / Vangelis.

There are also CDs for sale, a raffle and the opportunity to musicians to exchange ideas.
The synth festival is open to anyone who is interested in vintage equipment and new synthesizer.
Demonstrations of vintage keyboards and also completely new technology will be presented on all three days on stage.

Deep Forest a concert on Saturday.

When ?: 25 - 27 March 2016
Where ?: Dix, 10 place des Garennes in Nantes, France
Admission: 1, - EUR costs The Deep Forest Concert 5, - Euro

Learn more at the organizers Olivier Briand and Bertrand Loreau:
http://asso-pwm.fr/synth-fest-2016/

contact@pwm-distrib.com

Maybe you interested either itself or you can pass that on to interested parties?

Thanks and best regards

Lambert Ringlage
www.sphericmusic.de"

Thursday, October 29, 2015

Prophet '08 Sound Demo: Laser Harp


Published on Oct 17, 2015 StrangeQuarkStar

"A Laser Harp patch on the DSI Prophet '08, used to play the first part of Jean Michel Jarre's Third Rendez-vous.

No effects aside from Lexicon MX-300 reverberation, recorded directly from the mixer's 24-bit interface into Logic."

Tutorial: Laser Harp on Prophet '08!

Published on Oct 18, 2015

"The classic Laser Harp sound, approximated on the DSI Prophet '08 in a step-by-step tutorial. For those of us not fortunate enough to own an original Elka Synthex.

Just add a good reverb (Lexicon MX-300 used here), no other effects needed. Have fun!"

http://www.davesmithinstruments.com/product/prophet-08-keyboard-2

Thursday, October 15, 2015

ACE Harp


Published on Oct 15, 2015 Urs Heckmann

"'Laser Harp' patch done with ACE, compared to original preset in Elka Synthex. Pretty close. Uses audio rate PWM (VCO1 to VCO2), hard sync and some workarounds to compensate for ACE' lack of digital ring modulation. Download here, to use in ACE: http://www.u-he.com/downloads/ACE/LAS...

Enjoy,

Urs + Howie"

Sunday, September 13, 2015

An Interview with Barry Schrader


Hi everyone! As you know Barry Schrader will be giving his farewell concert at CalArts on September 26. The following is the beginning of my interview with him. I opted to post the questions and answers as they come in.  New QAs will get a new post so you do not miss them and they will be added to this post so we have one central post for the full interview. This should make it easier for all of us to consume in our busy lives, and it will allow you to send in any questions that may come to mind during the interview process.  If you have anything you'd like to ask Barry, feel free to send it in to matrixsynth@gmail.com.  This is a rare opportunity for us to get insight on a significant bit of synthesizer history, specifically with early Buchla systems, and I'd like to thank Barry for this opportunity. Thank you Barry!

Saturday, August 08, 2015

Solfelectro [Solfeggietto by C.P.E. Bach]


Published on Aug 7, 2015 Piano in a Living Room

Thought this was an interesting one. Note the "laser harp" sound comes from the Analog Rytm.

"Solfeggietto in C minor (H 220, Wq. 117: 2) (yeah they used to name music like we name software) composed in 1770 by C.P.E. Bach, son of J.S.

Skinny Pete plays it in the music store scene in Breaking Bad season 5 episode 3 (http://www.youtube.com/watch?v=CQlAmt...). [below]

The instrument is a Kawai VPC1 controlling a Clavia Nord Stage 2 using a sampled Clavinet D6, a simulated Farfisa organ, and a few touches of dark virtual analog synth. The beat and "laser" sounds are from an Elektron Rytm controlled via a Yamaha MFC-10 pedal board.

Better sound: https://soundcloud.com/didlybom/solfe..."



Skinny pete piano C.P.E. Bach - Solfeggietto Breaking Bad

Monday, June 22, 2015

XILS-lab Releases Syn’X 2 Polytimbral Virtual Analogue Synthesizer Plug-In

Tutorial videos previously posted here. Press release follows:

"XILS-lab relaunches revolutionary virtual analogue soft synth with modern-day makeover

GRENOBLE, FRANCE: music software company XILS-lab is proud to announce availability of Syn’X 2 — a multi- format (AAX, AU, RTAS, VST), 32- and 64-bit polytimbral virtual analogue synthesizer plug-in for Mac (OS X 10.5 and later) and PC (Windows XP, Vista, and Windows 7/8) that not only continues to pay perfect homage to the legendary Elka Synthex Eighties-vintage Italian instrument from an original-sounding sonic standpoint, but balances that musicality against a multilayer card-based architecture that is inspired by similarly sophisticated hardware analogue synthesizers, such as Oberheim’s mighty Matrix 12, to create one of the most powerful and complex virtual analogue synthesizers of the modern era — as of June 22...

At the time of its 1982 launch the eight-voice polyphonic Elka Synthex sounded like no other synthesizer around — analogue or otherwise, and brought with it high hopes of being instrumental in ending the dominance of oversized (and overpriced) Japanese and American analogue programmable polysynths, thanks to the eight monophonic synthesizer circuits central to its innovative 16-DCO (Digitally Controlled Oscillator) driven design by independent Italian synth-master Mario Maggi. Many — meaning 1,000! — ICs (Integrated Circuits) were used in that design, however, meaning that it was not necessarily the most reliable around and did not come cheap. Consequently, not that many — not much more than the number of ICs in each instrument, in fact — were sold before being discontinued in 1985 (with one last production unit being made especially for legendary American singer-songwriter Stevie Wonder) as a ‘new wave’ of considerably cheaper and more reliable digital synthesizers boasting better MIDI (Musical Instrument Interface) implementation brought about its untimely demise. Not that this mattered much to French electronic music pioneer Jean-Michel Jarre, who has three to his not insignificant name to this day, with well-known Laser Harp performances still emanating exclusively from an amazing-sounding Synthex patch produced by one-time UK demonstrator/programmer Paul Wiffen (and audible in isolation in ‘Second Rendez-Vous’ on Jarre’s super-selling Rendez-Vouz album of 1986).

Today the Elka Synthex is one of the most sought-after synthesizers around. As a result of its superlative sound design and avant-garde architecture, it’s a true musical instrument that’s truly stood the test of time. Today it sounds as fresh as it did back in 1982. Just ask Jean-Michel Jarre, who is on record as saying, “The Synthex allowed me to also develop something I had in mind with electronic music — epic, symphonic type of sounds that you probably had with the modular Moog before, such as those that Walter/Wendy Carlos used for Switched On Bach or A Clockwork Orange — a deep, mad, classical approach to a polyphonic synthesizer.” Truly, madly, deeply, indeed.

Indeed, given that finding an Elka Synthex in fine working order has become such a pricey (and patient) proposition, is it any wonder that in 2011 XILS-lab decided to effectively emulate it in software, even going so far as to enlist the eager ears of Paul Wiffen himself. “The sonic results are uncannily close to the original,” he promptly pronounced. Surprisingly, Syn’X has already been available to purchase and download from the XILS-lab web store for longer than the production lifespan of the original hardware synthesizer from which it drew so much musical inspiration. It’s time, therefore, for a serious update, and with it some fanciful features that look beyond merely modelling the Elka Synthex...

So what, exactly, is it, then, that makes Syn’X 2 so different and so much better than its predecessor? Well, wouldn’t it be wonderful if you could create a synthesizer with the sophisticated multilayer architecture of Oberheim’s mighty Matrix 12 analogue polysynth, say, with an abundance of modulation matrixes per layer — effectively enabling flexible routing to rival the monstrous modular systems that preceded it in decades gone by, but then musically married that to the expansive Elka Synthex sound? Well, with Syn’X 2 that’s no longer a dream synth, but rather reality! Roll up your sleeves and delve deeper into sound design than was previously dreamed possible, thanks to the talented teamwork of XILS-lab.

Lest we forget, Syn’X 2 offers a unique combination of clear and punchy DCOs with cutting-edge analogue-modelled multimode filters to faithfully reproduce the superlative sound that so clearly defined the Eighties era, but, because it’s polytimbral, users can access up to eight individual synthesizers simultaneously with 16 oscillators, eight 0DF (Zero-Delay Feedback) analogue-modelled filters, 32 D-ADSR (Delay, Attack, Decay, Sustain, Release) envelopes, and modulation matrixes addressing any of 132 possible destinations when creating their own patches — truly a sound designer’s dream come true!

This being a XILS-lab product, predictably, perhaps, there are many more features to make a serious song and dance about. All-important additions to Syn’X 2 include: oscillators with (up to 40) cumulative waveforms (per patch); new 0DF PWM (Pulse Width Modulation)/hard sync oscillator algorithms; unique CHAO (2D space movement) and (five rhythmic effects) RTHM LFOs (Low Frequency Oscillators) with (up to 50) cumulative waveforms (per patch); two arpeggiators; two keyboard zones — Upper and Lower, suitable for split and layered instruments; guitar multitimbral mode — whereby all layers can be assigned to independent MIDI channels, so playing different sounds with each guitar string, for instance, is possible; polyphonic SEQUENCER (that also acts as a modulation source); vintage-sounding CHORUS, DELAY, PHASER, and EQ effects (with proprietary True Stereo Technology); and 300 phenomenal presets programmed by professional sound designers, to name but few.

Fortunately for some, a helpful Easy mode provides programmers with an intuitive and powerful yet streamlined environment, similar to XILS-lab’s recently released miniSyn’X polyphonic, duo-timbral virtual analogue synthesizer plug-in, but with additional envelopes and LFOs, etc, easily accessible. Alternatively, the Advanced mode makes all aspects of Syn’X 2 available, allowing users to create complex, thick, and never-heard-before patches with a radically reworked workflow, which, it turn, makes it one of the most powerful and complex virtual analogue synthesizers of the modern era!


Syn’X 2 is available to purchase as a USB eLicenser or iLok (1 and 2) protected plug-in for an introductory discounted price of €127.00 EUR until July 21, 2015 (rising to €169.00 EUR thereafter) on the XILS-lab web store here: https://www.xils-lab.com/products/Syn'X-%3A-iLok-or-eLicenser-protected.html

Syn’X 2 can also be purchased as a bundle together with the miniWork’X sound library — featuring 268 miniSyn’X sounds for Syn’X 2 programmed by Lotuzia — for an introductory discounted price of €148.00 EUR until July 21, 2015 (rising to €198.00 EUR thereafter).

Note that owners of the original Syn’X can upgrade to Syn’X 2 for free while owners of miniSyn’X can upgrade to ‘full-blown’ Syn’X 2 status for an introductory discounted price of €93.00 EUR until July 21, 2015 (rising to €124.00 EUR thereafter).

Syn’X 2 can be directly downloaded as a multi-format (AAX, AU, RTAS, VST), 32- and 64-bit polytimbral virtual analogue synthesizer plug-in for Mac (OS X 10.5 and later) and Windows (XP, Vista, and 7/8) from here: https://www.xils-lab.com/pages/Syn%27X_Download.html

Several superb audio demos showcasing Syn’X 2 can be heard here: https://www.xils-lab.com/pages/Syn%27X_Audio.html"

Sunday, May 03, 2015

New Elka Synthex 2 Digital Desktop Synth From Mario Maggi in the Works


This one is in via swissdoc and indirectly via Florian Anwander on the AH email list. This is not the new analog Elka Synthex clone from the new Finnish Generalmusic. This is however from the creator of the original Elka Synthex, Mario Maggi, and it is all digital. An interesting side note mentioned below is that Mario Maggi owns the Synthex name. Not sure what impact if any this might have on the upcoming Generalmusic Elka Synthex remake.


An Update: via swissdoc. It appears a filing for the name SYNTHEX was made on April 29, just three days ago. The filing is under category 15 which covers: "Electronic musical instruments; Electronic synthesizers; Electronic musical apparatus and instruments; Electric and electronic musical instruments; Mechanical, electric and electronic musical instruments; Electronic apparatus for synthesising music [musical instrument]."

"Hello to everyone,

my name is Enrico Cosimi, I'm the author of the text on ACM concerning the Synthex 2. I have been in touch, here in Rome/Italy, with Mario from the late Eigthies and, from the mid Nineties, I'm working with Mario on his "version two"; as you can imagine, Mario is a very very very busy kind of genius, who conceived and realized a lot of third party non-musical items (especially for telecommunications and health). I am not allowed to reveal all the data concerning the new Synthex 2 (b.t.w., it will be a digital equipment: would you dare to conceive an analog instrument with 128 LFOs and 64 EGs in the same box?), but - trust me - when it will be done, it will be a GREAT machine.

Wednesday, April 08, 2015

XILS-lab Releases miniSyn’X


"XILS-lab launches low-cost luscious soft synth emulation of Eighties polysynth par excellence!

'I’ve just got miniSyn’X and am so excited, because the Synthex is a fantastic rarity. Thanks to XILS-lab for giving everyone the opportunity to play with it.'

- Jean-Michel Jarre (April 2015)

GRENOBLE, FRANCE: music software company XILS-lab is proud to announce availability of miniSyn’X — an authentic, cost-conscious soft synth emulation of a much-loved Eighties-vintage analogue polysynth of Italian origin that helped define the sound of an era — as of April 8...

miniSyn’X is a multi-format (AAX, AU, RTAS, VST), 32- and 64-bit polyphonic, duo-timbral virtual analogue synthesizer plug-in for Mac (OS X 10.5 and later) Windows (XP, Vista, and 7/8) that faithfully emulates the still-sought-after sound of the Synthex, a luscious, 1982-vintage, eight-voice programmable analogue polysynth independently designed by Mario Maggi and built by Italian home organ manufacturer Elka. Indeed, it was much loved by synth luminaries of the day — not least French synth wizard Jean-Michel Jarre, whose well-known Laser Harp performances still emanate exclusively from an amazing-sounding Synthex patch produced by one-time UK demonstrator/ programmer Paul Wiffen and audible in isolation in ‘Second Rendez-Vous’ on Jarre’s multi-million-copy-selling Rendez-Vouz album of 1986. Pity, then, that the Synthex did not sell in such Jarre-like quantities during a four-year, three-stage (50-, 800-, and 1,000-unit) production run, with one last post-production unit being built especially for Stevie Wonder, such was the legendary American singer-songwriter/multi- instrumentalist/record producer’s love for the future-classic instrument that initially failed to fly in the face of the-then ‘art nouveau’ digital age of dominating desirable FM synthesis from Yamaha’s considerably cheaper, MIDI-equipped DX7, and subsequent super-selling, all- singing, all-dancing digital designs from the likes of Roland (D50) and Korg (M1).

Oberheim OB-X sound design tutorial J.-M.Jarre laser harp


Published on Apr 8, 2015 RetroSound

"(c) 2015 vintage synthesizer sound tutorial series by RetroSound

The infamous laser harp sound in Jean Michel Jarre`s 'Second Rendez-Vous' made with the Oberheim OB-X Analog Synthesizer (1979)

In the original track is the a factory preset sound from Elka Synthex."

Sunday, March 01, 2015

Casio CZ 5000 - CosmoSynthesis part 5 b


Published on Mar 1, 2015 Patrickillian

"Laser Harp sound ;)"

Wednesday, September 04, 2013

Jean Michel Jarre Laser Harp sound by Elka Synthex

Published on Sep 4, 2013 Magnus Gladén·30 videos

"This is the classic Laser Harp sound Jean Michel Jarre use. It is actually a preset in the Elka Synthex, number 46. Jarre used other presets on the Synthex right out of the box.

To create a laser harp sound, synchronize OSC2 to OSC1 and here comes the secret why many fail to create the sound...

The sound uses Glide with Speed and Amount to modulate pitch of the synchronized oscillator. Many people think that an envelope is modulating pitch but it is Glide.

The sound also use pulse wave on OSC1 and OSC2 use OSC1 to PWM and ring modulator.

Sorry for the sound quality and I don't know which key the song goes."

Tuesday, July 09, 2013

one shot recording for a solo Rendez-vous with Jean-Michel Jarre, by tlnet37

Published on Jul 9, 2013 tlnet37·87 videos

"experiment with 8 programs of the Alesis Fusion (Laser Harp imported) ; one shot with many mistakes."

Alesis Fusions on eBay

Monday, December 03, 2012

Laser Harp KL-KONTROLITE

Published on Dec 3, 2012 by KromaLaser
http://www.kromalaser.com
http://laser-harp-kontrolite.com/

Thursday, October 11, 2012

Rendez Vous II on Xils Synthix and AudioCubes


Published on Oct 11, 2012 by Percussa

"Jean Michel Jarre's Rendez Vous II Laser Harp Theme played on Percussa AudioCubes using Xils Synthix VST synth (hosted in Ableton Live) and Percussa MIDIBridge - learn more at http://www.percussa.com/"

Friday, June 15, 2012

Pink Floyd's Shine on You Crazy Diamond Performed on Laserharp

Laser Harp laserharfe KL-450 BASIC, Shine on you crazy diamonds, Kromalaser.mp4

YouTube Published on Jun 15, 2012 by KromaLaser

"http://www.kromalaser.com

Intro by Sgt pepper played on a Kromalaser Laserharp.
With KL-450 BASIC Laser Harp, our client has assigned 2 instrument's bank to the same Laser Harp. This demonstrate you can split the instrument, even to play one instrument each laser.

Please join also our page on Facebook
http://www.facebook.com/laser.harps"

Wednesday, October 12, 2011

Jean Michel Jarre Autumn Tour 2011 Preview


YouTube Uploaded by jeanmicheljarre on Oct 12, 2011

"Jean Michel Jarre Live 2011 Electronic Music Concert Europe Synthesizer Laser Harp Lights Video"

Saturday, June 25, 2011

XILS-lab Synthix - JMJ Laser Harp (Elka Synthex) Sound Test


YouTube Uploaded by ozashikiTECHNO on Jun 24, 2011

"XILS-lab Synthix でJean Michel JarreのLaser Harp (Elka Synthex)のサウンドに迫れるかテストしてみました。
音源は http://youtu.be/zLOq-BUtjFQ を参考にしました。"

Friday, March 11, 2011

Synthenoxe Part 1.0 - an Elka Synthex impression


YouTube Uploaded by wavebox2011 on Feb 27, 2011

"Just a quick impression of the Synthex synthesizer in the project studio. The fun-title "Synthenoxe" is a reminiscence of J.M. Jarre's early studio recordings like Oxygene and Equinoxe. His magnificent sound has inspired my noodling in this video, too.

All the sounds (except for the drums) have been recorded with the Synthex; including the ocean waves and animals in the intro. :-)

While experimenting around with the Synthex, I started recording some audio tracks to the DAW. And I ended up with well over 50 tracks and this demo-video. :-) This synthesizer is such an inspiring machine!

About the synthesizer:

The Synthex is clearly underrated! Maybe because it is not coming from one of the large synth plants in Japan or the U.S.A., but rather surprisingly from an organ manufacturer, the italian company Elka.
Despite this "lack of heritage" the Synthex has an amazing sound and deserves to be named alongside other classic power-synths such as the Jupiter-8 or the Prophet 5.

Sure, Jean-Michel Jarre based his famous laser harp sound on the Synthex - but it's by far not limited to that cliché.

I looked for an easy way to sync up the Synthex's internal sequencer to MIDI Clock. The most straightforward way was to hook up a Korg Electribe (ER-1 mkII) to MIDI and have a percussive instrument do the audio triggering of the Synthex. Simple, quite robust and even "programmable" to a certain degree.

Some Synthexes have no MIDI-interface (like the one in the video). But they all have one of the most intuitive sequencers I've come across in a classic synth: 4 independant monophonic sequences, easily and quickly recordable in step- or real-time-mode, syncable to an audio trigger.
And if you're a preset freak, you can even store your sequences along with your sounds as data beeping to a tape-recorder (or another recording device), thanks to the tape-interface. Old school high-tech. :-)

[ to the youngsters: "tapes", often used in the form of "cassettes", is an ancient technology for audio recording, quite popular before digital recording and youtube existed. yes, there was such a time, way way back, right after the dinos and the stone age. believe me, i was there. not with the dinos, but in the tape age. :-) ]

keep on sounding!"
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