MATRIXSYNTH: Search results for ross


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Showing posts sorted by relevance for query ross. Sort by date Show all posts

Sunday, July 24, 2016

RIP Stanley Lunetta


Stanley Lunetta passed away on March 3 this year.  The first I heard of it was via Chuck Stephens in the comments on Ray Wilson passing away, posted yesterday. Lunetta was known for his Lunetta CMOS synth used in a number of synth DIY projects. You can find a collection of his work featured here on MATRIXSYNTH.

On his passing via The Sacramento Bee:

"Percussionist, composer, sculptor and much-loved icon of the local music community Stanley Lunetta relentlessly explored avant garde music while maintaining a legendary career. He died March 3 from brain cancer in Sacramento.

Lunetta played drums for Music Circus, missing only two weeks of performances until his retirement in 2008 after 54 years. He also served as the music contractor who assembled orchestras for Music Circus from 1973 until his retirement. He also was the principal timpanist for the Sacramento Symphony Orchestra, Sacramento Philharmonic Orchestra, Sacramento Opera and Sacramento Choral Society and was an instructor of timpani and percussion at UC Davis and Chico State."

On Lunettas via MsModular:

"The Lunetta is an electronic instrument that uses primarily CMOS chips for gates, Boolean logic, and mathematical functions for sequenced sounds. A Lunetta is basically a simple rhythmic modular musical computer that makes abstract sounds in sometimes unpredictable ways. It is a beautiful experimental synthesizer.

Lunettas are most typically DIY instruments, although there are a few small boutique manufacturers that sell them. ElectroLobotomy for example sells a few simple Lunetta synthesizers on Etsy.

The most beautiful part of a Lunetta is that one can make one for themselves and experiment with its functionality and layout. The guide for making a Lunetta can be found here: Intro to Lunetta CMOS Synths. The introduction goes into Stanley Lunetta’s concept, and provides an introductory guide for making them. Every Lunetta though is made a bit differently, as they often reflect the makers preferences."

The image above is via electro-music.com. Stanley Lunetta's work was frequently discussed on the electro-music.com forums. I highly recommend doing a search on Lunetta there.

Updates via Chuck Stephens in the comments:

"Thanks for posting this. Stanley and Ray were huge! Their work showed me the direction to take when I started learning to build circuits. My lunetta synth has influences from both men, as well as Eric Archer, Forrest Mimms, Reed Ghazala, etc.- we stand on the shoulders of giants!

BTW- My lunetta cost less than $100 and has 36 modules (so far!). It's built into an old rifle case I found in a dumpster and the panels are cut from 4" square PVC fence posts from Home Depot. Steel nuts and bolts and alligator clip test leads handle patching duties. Save more- work less!"

Here's a noise piece from my lunetta synth:


Buster-Jangle by nepchune from chuck stephens on Vimeo.

"This is my Lunetta noise synth run through a Ross Time Machine digital delay. I love the sounds this thing makes. The video features Honey Boy the Cat doing what he does."

And here's a song from the same rig:


Confidence is High by nepchune from chuck stephens on Vimeo.

"This is 90-95% Lunetta with a tiny dab of Kaossilator and Korg R3 (the explosion sounds and the 'pip' on the fast part) and an Arduino based 'auduino' granular synth for the lead (say what you want about Arduino- this little granular synth sounds great and provides a nice 'live' element). The Lunetta part forms the basis of the song and it is completely unedited- this is how it came out of my machine. I used two of Eric Archer's Mini Space Rockers for the percussion sounds and they are completely Lunetta controlled. The drum sounds are routed through a Ross Time Machine digital delay and the spacey bass sound is created by routing my lunetta-integrated Atari Punk Console through a Korg Pandora guitar processor. The other 7 Lunetta voices are unprocessed. This track is the closest I've come to integrating my interest in generative music and my skills for arrangement and song writing. I set out to create a traditional song structure and sound and I'm really pleased with it. It shoes that a Lunetta isn't just a noise machine- although I love noise, too. I love what my Lunetta makes possible. Lightning in a bottle!"

Saturday, February 03, 2007

New EMS Synthi Faceplate

Image of the new EMS Synthi faceplate sent my way via ross. Click image for full size shot.

Via AH:

"I had talked to Robin Wood regarding production of the new Synthis. Apparently they will have 99% exact parts as the originals, the only being that the original reverb tank on the originals VCS3 and Synthi A has lapsed, and there is a comparable replacement. All the rest of the parts and circuits should be built to exact specifications as the original units produced from 1972 onwards. Although I had originally considered trading my Synton Fenix due to EMS lust, I think I am better off attempting to acquire one of Robin's new handmade units. I won't be able to easily replace the functionality of the feature set of my Synton Fenix, and it is far more rare of an instrument. My only apprehension is that Robin has stated that he would build units for the last 6 years, and it has been quite some time since they were produced. I think he is honest, and he has been absolutely helpful in my recent E-mail inquiries into his Synthis, however I am weary of waiting for many years in anticipation for a Synthi A, with the possibility that they may never be produced. Apparently he only has 40 Synthi briefcases left, so Synthi As will no longer be produced after this next batch. Furthermore, the company that produces the matrixboards for the Synthis is stopping production, so there is a new renewed urgency to finish production on these units, as well as to backstock this particular part for future repairs. Anyone on the list have a recent custom made Synthi from 1990-2001? It would be interesting to hear if these units differ from the originals, and how well they conformed to original specifications."

Update via Ross:
"Synthi differences

heard from Robin that there are more differences

1. no more Prestopatch ( see faceplate photo)
2. Pastel coloured knobs
3. no more sequencer
4. Joystick is not the same.

I wanted to buy an old silver face plate for my Synthi AKS as the china
graph is coming off, and was informed that the silver faceplate is no
longer being made.

I am desperate for anyone who has copied exactly the original
prestopatch Synthi AKS faceplate in any format pdf, etc or what ever
format as I want to get a new faceplate made up."

Sunday, May 21, 2017

Cray- Ross Healy @ Resonant May 2017


Published on May 21, 2017 Cray

"A live Cray performance filmed by Ben Willis of my modular eurorack system. Visuals by Cat Full Of Ghosts"

Also see Resonant - Featured Artist Series (Cray - Ross Healy)

Monday, June 26, 2023

Ross T Pointillist Drone in Logic


video upload by Ross Totino

"Pointillist Drone in Logic Pro
Timbre comprised of 21 partials, first sine waves fading into square waves @ 1:56
Partials generated by Logic Test Oscillator
Each partial level independently modulated by Logic random stepped LFO
Each partial independently panned by Logic Tremolo
Automation applied to modulation plugins
Bass drum by Cyclone Analogic Drum Drone"

Tuesday, July 16, 2019

"Hand Covers Bruise" by Trent Reznor/Atticus Ross, cover/demo Soma Labs Lyra-8


Published on Jul 16, 2019 Mattelica

"Live take of "Hand Covers Bruise" By Trent Reznor and Atticus Ross from The Social Network Soundtrack, cover/demo with the Soma Laboratories Lyra-8 + Hall of Fame Reverb + E-mu Proformance 1 Grand Piano (midi controlled by the Korg Monologue) to a Roland VS880 HDR to a Canon 6D +50mm 1.4 lens."

Thursday, February 06, 2020

Lamond Designs Eurorack Travel Case

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

That first pic looks like it's in Switzerland.

"6u travel case for Eurorack by Lamond Design.

I got this from Ross Lamond in 2017. The case itself is one of the kits Ross did, which he assembled, finished in an attractive black stain and added an upgraded TipTop Zeus Studio power supply.

In terms of condition, the case is in excellent shape, showing only superficial signs of wear and tear, which I have attempted to display in photos...

The case features sliding nuts, reinforced metal corners, Penn & Elcom hardware the aforementioned Zeus power supply by TipTop, which cost £310 alone and enables you to connect up to 4 Analogue Solutions modules, without modification.

A very lovely case, made by a very lovely man, yours to own and cherish should you want it."

Monday, January 25, 2010

Oberheim OB-8 Demo With DJ Steak


YouTube via gearwire
"This video is all about old friends and even older synths. Remember Ross Kelly (a.k.a. DJ Steak) from our Prophet 5 repair videos? He's back with another vintage gem: the Oberheim OB-8. Ross must be moving up in the world; he bought a (mostly) working unit this time!"

Friday, December 08, 2017

Moffenzeef Modular - Live from Control 11.10.2017


Published on Dec 8, 2017 CTRL MOD

"Ross Fish of Portland's Moffenzeef Modular visits Control for a live demo of his growing line of hands-on, crunchy, beat oriented Eurorack modules. In this video Ross talks about Moffenzeef's development and design inspirations, with a full run down of his growing system: G.M.O., Deviant, Muskrat, Kricket, Mito, Count, Dialup + a sneak peak of 2 new modules to come!

Control specializes in Eurorack Modular, vintage traditional and unusual eccentric electronic devices both analog and digital. Please do not hesitate to get in touch. www.ctrl-mod.com"

Monday, April 27, 2009

VICMOD Modular Madness Event


via VICMOD

"5 MAY - MAKE IT UP CLUB, FITZROY,VIC, AUSTRALIA @ BAR OPEN
(Doors open 8pm)

A night of modular analog synths, computers and little boxes or tricks.

Cray (Ross Healy) will be making a rare live appearance featuring a computer music live set, then Ross and his Buchla 200e will join VICMOD ENSEMBLE for an all analog modular performance.

Abre Ojos (Scott Baker) will also be performing a solo set on his diy modular then joining VICMOD ENSEMBLE.

Also on the night
Steve Wiliams
Mathew Brown
Stephen Richards"

Thursday, June 04, 2015

Brighton Modular Meet 2015 Video by DivKid & Pics by Paul McConnell


Published on Jun 4, 2015

"Bit of simple footage wondering around with the camera at the Brighton Modular Meet held May 30th 2015.

I had the pleasure of spending the weekend with Ross Lamond ( Lamond Designs - http://www.lamonddesign.co.uk/ ). Massive thanks to Ross for having me."


Flickr set by Paul McConnell here.

Bugbrand & Serge modulars pictured here.

Thursday, April 04, 2013

On We March Remix (Trent Reznor and Atticus Ross) on iPad by WASA3I


On We March Remix (Trent Reznor and Atticus Ross) performed on iPad by WASA3I. DEMO ONLY, NOT FOR RELEASE. from WASA3I on Vimeo.

"Live Remix created to showcase how the AudioBus app works.
Some sample used are from from http://remix.nin.com.

DEMO PERFORMANCE ONLY, NOT FOR RELEASE

Used apps [iTunes links added]:

Audiobus
Loopy HD
Animoog
ThumbJam
JamUp Pro XT

videoshooting by
http://www.seenfilm.com

www.wasa3i.net"

via Wasabi LiveUndead on The MATRIXSYNTH Lounge

Wednesday, July 13, 2011

In Motion - The Social Network - Trent Reznor and Atticus Ross


YouTube Uploaded by ScrollingMusic on Jul 13, 2011

"Excerpt from "In Motion," featured in the 2010 film "The Social Network." Music by Trent Reznor and Atticus Ross.

The soundtrack to "The Social Network" received widespread acclaim when the film was released. It has one both the 2010 Golden Globe and Academy Awards for best original soundtrack. This particular track is featured early in the film, during the scene where Mark Zuckerberg is hacking onto the Harvard house servers and downloading pictures of undergraduate girls to create his comparison site, facemash.com.

The electronic sound of this track is well-suited to our Matlab synthesizer. This rendition closely mimics the sound of the original, but we did not design any new instruments. In fact, the mix here contains some of our earliest Matlab instruments (sax, guitar, triangle wave.) We did not use a MIDI file to sequence this track. Instead, we fed the image displayed in the video to our synthesizer, and it interpreted the "piano-roll" notation to create this rendition."

Tuesday, March 16, 2021

Dark Buchla by Cray





A new release from supporting member, Cray, aka Ross Healy.

"Written, performed by Ross Healy

Recorded at Amnesia International Mobile Unit 56. 2019/2020

released March 12, 2021"

https://vicmodcray.bandcamp.com/album/dark-buchla-2

Below is a playlist featuring three videos in the making of the release.

Tuesday, July 04, 2023

Electra EP 501 Sinus Trouble Ross T Demo


video upload by Ross Totino

"Demo of Electra EP 501 Sampler and Delay demonstrating some of its features. Sampling and looping in real time."

Wednesday, October 22, 2014

Double Wah



"Ross Bencina's wonderful AudioMulch is used to create this simple groove."

Although AudioMulch supports VSTs, none were used on this track. It features Ross' 303 emulator with default drum samples that come with the software.

Sunday, November 08, 2009

Waldorf Pulse Overview With Ross Kelly


YouTube via gearwire
"We revisit Ross Kelly, known in Chicago clubs as DJ Steak, and he shows us the Waldorf Pulse. This modern monophonic synth has some sweet sounds and features -- no wonder it takes ninja-quick hands to operate."

Tuesday, April 22, 2008

VICMOD JAM

via Ross:
"Here are some sounds and photos of our recent VICMOD meet. This time it was an improv session, 2 members were soldering while we recorded and joined in after their modules were finished :-)

For interested people
Ross Healy - EMS Synthi AKS, Bugbrand Postcard Weevil.
Simon Birds - DS Desktop Evolver, Electro Harmonix 2880, boxes.
Brett Maddaford - FR-777 Monophonic Synthesizer.
Graeme Trott - Wacky Sound Generator, DIY Euro Modular Toby - MS2000 Scott Baker - DIY Euro Modular Gerrard Jenner - Nintendo DS . Nord Micro modular.
Mel - soldering iron, camera

Photos
Sound (look for the STE tracks)"

You can find all VICMOD posts here. Remember, search is your friend.
You can find the search box for MATRIXSYNTH on the top left of the site.

Monday, March 22, 2021

Handbag by The Cripples





New classic synth punk from Seattle band, The Cripples.

The release is available on BandCamp and Spotify.

released March 14, 2021

Erik - Bass
Ross - Synth, Vocals
Greg - Synth, Guitar, Vocals
Reba - Drums

Mastered by Nathan Moody at Obsidian Sound. Cover art by Tyler Bosch

PS: Bandcamp doesn't allow covers, so "Push It" is a placeholder. Contact us if you want a copy. It is on Spotify.

I asked The Cripples member Greg what synths were used and he replied with the following:

"Main synths used throughout were a Roland SH-101 or Microkorg through a fuzz factory. A Novation A Station through a Sherman Filterbank was used along side the Roland for tracks 3 and 4. There is also a Nord Micromod on track 2 (also through the Sherman), and a little bit of a Dave Smith Pro 2 on track 3.

The Roland and Microkorg were mostly recorded direct, the other synths were mic’d up through a sputtering 50 year old Ampeg V-2 with blown tubes.

The Sherman is probably the biggest part of how my synth sounds, more than the A Station, but the amp and mic make a huge difference in how it sounds too, as the Sherman has a super hot output, and combined with Ampeg’s tube distortion, gets this overdrivey/filter type of distortion, where it isn’t just clipping the signal into a square wave, it instead retains the characteristics of the A Station input signal, but it adds harmonics and also some random ‘chug’ to the signal, as the tones from both the Sherman and the Ampeg are super frequency and amplitude dependent, and the distortion characteristic wanders around as the input signal decays. The Ampeg also filters out some high frequency content of the A-Station signal. And the Coles mic sounds full and big, and not harsh or boxy like a guitar cabinet mic’d with 57 can sometimes sound, but at the same time having the synth going through a cabinet in a room keeps taking up too much frequency space in the mix, so drums and bass and Ross’s keyboard can all still be heard without doing too much wacky equalization during mixing. (Mixing keyboards with real drums and bass is hard.) The Ampeg is super unreliable at this point though, it is probably at least 50 years old at this point, and it randomly spouts orange flames. I need to take it in to get fixed, but it will probably cost me at least 350 to do so, so it mostly sits."

https://cripples.bandcamp.com

Sunday, November 09, 2014

Sines & Squares at the Islington Mill Oct. 2014


Sines & Squares at the Islington Mill Oct. 2014 from Lu Katavist on Vimeo.

"24-26 October 2014 - Manchester, UK
NOVARS, Manchester University, England and Islington Mill, Salford, UK

www.sines-squares.org
http://www.facebook.com/SinesandSquares

NOVARS Research Centre in association with Open-Circuit, Salford and Basic Electricity Berlin are proud to present the first edition of the Sines and Squares Festival, celebrating the recent resurgence of analogue and modular synthesizers.

Part festival/part symposium, for the first time in the UK, this event brought together composers, performers, manufacturers, musicologist and DIY enthusiasts in a weekend of concerts, interactive sessions, installations, master classes, demonstrations, workshops and coffee… Guests included two of the most creative of today’s new breed of analogue designers Rob Hordijk of Hordijk Modular (Netherlands) and Tom Bugs of Bugbrand, along with artists such as John Chantler (ROOM40, Café OTO), Lu Katavist (smalldeath.org), Richard Scott (psi, Basic Electricity), Buchla-master Dan P and David Ross (ini.itu records). The festival featured artists working with systems such as Buchla 200e, Haken Continuum, Eurorack, Bugbrand, EMS Synthi, Expert Sleepers, Ciat Lonbarde and Serge.

Sines & Squares is supported by Thonk, Islington Mill, Analogue Solutions, Expert Sleepers, Bugbrand, Frequency Central, KOMA Elektronik and featuring the MANTIS Surround Sound System

The weekend was a unique opportunity to listen, to enjoy, to educate, to meet and to learn more about the history, present and perhaps the future of analogue and modular synthesis. We focussed of the music, the instruments and on the people who build, love and play them.

We hope to deepen and enrich the culture currently surrounding analogue and modular musical technologies and to help build an artistic and discursive community which bridges boundaries, between academic and non-academic electronic music, between the technical and aesthetic, between synthesizers designers and users, between analogue and digital technologies between the past and current artistic practice.

An extraordinary line-up of over 30 artists from the UK, Mexico, Spain, France, USA, Germany, Netherlands, Slovak Republic, Mexico, Italy and Brazil including Rob Hordijk, Tom Bugs, John Chantler, Dennis Verschoor, Sam Weaver, Finlay Shakespeare, Danny Saul, Jo Hyde, Aidan Taylor, Kim Da Costa, Jens Hedman, Lu Katavist, Richard Scott, Jules Rawlinson, Ricardo Climent, Mark Pilkington, Dave Ross, Patrick Gunawan Hartono, Rosalia Soria, Guillaume Dujat des Allimes, Epameinodas Fassianos, Ignacio Pecino, Chelsea Bruno, Tintin Patrone, Nils Knott, Daniel van Eendenburg and the Krachkisten Orchestra, Manoli Moriaty, Melanie O’Dubhshlaine, Mat Dalgleish, Chris Foster, Gary Bromham, Andrew Lowe and James Prosser, Matt Preston, Dave O Mahony, Jim Frize, Andrew Duff, James Parr, Alexander Harden, Nuria Bonet, Alena Mesarosova, Manuel Ferrer, Rodrigo de León Garza, John Macedo, Caterina Barbieri, presented their music, research and ideas and there was space to discuss the music, instruments, the scene and the ideas behind the remarkable recent resurgence of these beguiling and fascinating once thought to be obsolete musical instruments."

Wednesday, April 26, 2023

Ross Totino Yamaha fs1r presets and Formant Sequences


video upload by Ross Totino

"Video demo of some presets I created with the Yamaha fs1r synthesizer. Some of these presets feature 'Formant Sequences' which were a huge selling point for this instrument enabling the creation of human vocal timbres as well as other more experimental sounds. All of the examples here feature MIDI CC of parameters. Most of the sequencing was done with Five12 Numerology. Some of the drum sounds were just factory presets. All effects are from the fs1r built in effects. Recorded into Logic. Enjoy!

00:00 - Intro
00:04 - Vocal Formant Sequences
03:57 - FM Bass
05:49 - Marimba
07:48 - Drums
08:09 - Gamelan
09:07 - Log Drums
10:08 - Glitch Sequence
11:02 - Drum Kit multitrack
11:55 - Frequency Sweeps
13:27 - Chrome Rain
13:56 - Brief Communication
14:54 - Modem
15:58 - Probe 1
16:45 - Probe 2
17:23 - Careerer
18:21 - Enchanted Pad
19:22 - Sync or Not
20:00 - Twinkle Piano
21:06 - Submersive"
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