J. Rocc joined us in The Dungeon to cook up something special using sounds that can only be found as part of the collaboration - and to unveil that custom metallic faceplate for the first time.
This one-of-a-kind Roland SP-404MKII comes equipped with pre-loaded music by Stones Throw artists J. Rocc, Sudan Archives, Mndsgn, Kiefer, and DJ Harrison - 16 patterns and 16 samples in each bank. A collectable 7-inch and cassette mixtape are also included."
Press release follows:
Special Collector’s Version of the SP-404MKII Sampler with Custom Panel Artwork, Exclusive Sample Banks, and New Music Created by the Stones Throw Records’ Roster
Los Angeles, CA, Oct. 19 — Roland announces the SP-404MKII Stones Throw Limited Edition, an exclusive version of the world’s favorite portable sampler. Co-curated with Stones Throw Records, this unique SP model collaboration is more than just a tool—it’s a work of art. Featuring a high-shine aluminum faceplate with custom artwork, new sound banks crafted by the label’s roster, and a collector’s package with a seven-inch vinyl record and mixtape, the SP-404MKII Stones Throw Limited Edition celebrates the creative spirit of independent music artists everywhere.
Founded by producer and DJ Peanut Butter Wolf in 1996, Stones Throw Records has built an indie music empire by supporting diverse, cutting-edge artists and spreading the word through vinyl, merch, and events. Touchstone releases include albums by Madvillain, J Dilla, Madlib, NxWorries, Knxwledge, Sudan Archives, Mayer Hawthorne, Dâm-Funk, and Aloe Blacc, all widely considered modern musical masterpieces.
Stones Throw and its artists helped create the blueprint for contemporary independent music culture, and the label’s massive influence was spotlighted in the 2014 feature-length documentary Our Vinyl Weighs a Ton. Roland SP instruments have been key creative catalysts for the label's roster and fans, who continue to unlock new musical frontiers using the portable samplers’ fluid workflow and go-everywhere design.
The SP-404MKII Stones Throw Limited Edition includes ten full banks of brand-new samples and patterns from Kiefer, Sudan Archives, Mndsgn, J.Rocc, and DJ Harrison. This special model also features a custom Stones Throw aluminum faceplate and special packaging designed by Jeff Jank, the legendary art director and illustrator behind the label’s most quintessential releases.
The SP-404MKII Stones Throw Limited Edition comes with additional collector’s content that’s not available anywhere else. There’s a seven-inch vinyl record with two certified burners from Kiefer and Mndsgn—constructed using their custom SP sound banks—plus a cassette mixtape by DJ icon J.Rocc with an exclusive 30-minute remix of music from the SP-404MKII x Stones Throw artists.
About the SP-404MKII Roland SP samplers are the bona fide kings of performance-based beatmaking, with deep features and portable designs that fuel the engines of creators on the move. The SP-404MKII is the latest generation model in the long-running series, delivering ultimate performance with the latest tech advancements and updates inspired by the global SP community. Key features include a vivid OLED display, 17 velocity-sensitive RGB pads, extensive onboard effects, versatile power options, and more.
"After a lot of prototyping, we're finally happy with the circuit, and here are its first sounds! :) We've opened preorders at https://phonicbloom.com/ [priced at €175 +VAT] and manufacturing will commence shortly, our favourite PCB factory is happy with the blueprints and all components are in stock. If you are interested in technical details and the development journey, check https://loopstyler.com/.
This demo shows a very basic configuration: 4 samples across 4 rows of pads, sharing the same octave and mode. After activating the arpeggiator, you can change key, octave, mode, or instrument that the arpeggiator controls. We also hear complaints about incorrectly entered command sequence; this prototype lacks texts on some pads, and LED lights are not yet showing cues about what is going on, which makes it harder to control. An annotated video explaining these controls in detail, will be recorded once the first production unit arrives from the factory."
"The Loopstyler is a powerful pocket synthesizer capable of running multiple sound engines and effects at once. It can handle a large amount of samples on the SD card, limited only by the card capacity. Browse and organize them easily to be used in patches, play them back with at least 32‑voices polyphony, smooth time stretching and pitch shifting.
You can play the Loopstyler in different ways: like the classic Stylophone, or in a tape loop emulation mode, or by programming it using the multitrack sequencer. Apart from the sampled sounds, it runs other sound engines, such as FM, Karplus‑Strong, granular and subtractive synthesis. The usual suite of effects can be applied per voice or globally. A single microphone and monophonic line input allow for sampling possibilities (you can import stereo samples easily via the SD card).
Designed to fit snugly in your pocket, Loopstyler is the source of endless hours of fun anywhere you go. And of course, everything you play can be recorded internally, so nothing is lost."
"Enjoy this sound demo video showcasing sounds available in the new Yamaha MONTAGE M Series Synthesizers.
0:00 - 0:36 : AN-X Syn Orch Pat - AN-X Poly Synth with Polyphonic Aftertouch
0:37 - 1:00 : Hamburg Grand - AWM 2 Concert Grand Piano
1:01 - 1:19 : Sweet Synths - AN-X Poly Synth
1:20 - 1:48 : RD 67 Smooth - AWM2 1967 Tines E. Piano
1:49 - 2:10 : Classic Mini Sawlead - AN-X Mono Lead
2:11 - 2:35 C7 + Analog String Ensemb - AWM2 Yamaha C7 Grand Piano + AN-X String Ensemble
2:36 - 2:55 : Poly Dreams - AN-X Poly Synth
2:56 - 3:10 : SFZ Tremolo BPM Sync - AWM2 Tremolo Strings
3:11 - 3:49 : Distant Memories - AN-X Poly Synth
3:50 - 4:11 : Drawbar Organ - AWM2 Organ with YC Series VCM Rotary Speaker effect
4:12 - 4:29 : FM Piano + Soft Pad - FM-X E.Piano + Soft Pad
4:30 - 4:45 : Synthpop Forever - AN-X Poly Synth
4:46 - 5:05 : U1 Upright - AWM2 Yamaha U1 Upright Piano
5:06 - 5:31 : Dum Drum Bass - FM-X + AWM2 Poly Synth
Yamaha presents our next-generation flagship Synthesizer: MONTAGE M. Featuring three engines that create a variety of sounds – ultra-realistic instruments, vintage analog synths, and cutting-edge FM synths. For keyboardists, synthesists, and pianists, MONTAGE M seamlessly bridges stage and studio, unlocking new possibilities for sound, control and workflow."
NEW AN-X ENGINE
A revolution in authentic analog sound, control and behavior, the AN-X engine recreates the warm, classic sound of an analog synthesizer with a host of sophisticated modulation options.
･Three Oscillators with 5 waveforms (Saw 1, Saw2, Triangle, Square and Sine) and Noise Generator
･Two filters with 10 filter types
･Pulse width modulation
･Oscillator Self Sync
･Ring modulation, FM, and wave shaper
･Amp EG with drive
･LFO for both amplitude and filter,
･Voltage drift and aging settings to simulate vintage synth behavior
Integrated into the Motion Control system, the AN-X Engine allows you to create expressive, unique analog sounds to your heart’s content.
Improved AWM2 Experience realism and detail with MONTAGE M’s improved AWM2. Offering an incredible 128 Elements per part, AWM2 allows for smoother transitions, giving you an expansive canvas for ultra-high-definition sound creation, especially for “nameable” sounds such as piano and strings.
400 NOTE TOTAL POLYPHONY A significant upgrade from the original MONTAGE’s 256 notes, MONTAGE M offers up to 400 notes of polyphony across its three engines:
･128 notes for AWM2 Preset Waveform Parts
･128 notes for AWM2 User Waveform Parts
･128 notes for FM-X Parts
･16 notes for AN-X Parts
And more about sound AND MORE [PRESET WAVE AND FLASH MEMORY UPGRADE] MONTAGE M offers twice the memory over its predecessor with an increase from 5.67GB to 9.97GB of Preset Wave memory, and an increase from 1.75 to 3.8GB of User flash memory. Plus, you’ll find a host of new sounds and instruments, including pianos, orchestral instruments, drums, and more!
[FM-X] MONTAGE M rekindles the Yamaha legacy of expressive and dynamic FM Synthesis with its 8-operator FM-X engine, offering a wide variety of diverse tones: from crisp and bell-like, to edgy and aggressive, to mellow and evolving. This is an excellent complement to the AWM2 and AN-X engines.
[VCM ROTARY AND DRAWBAR BEHAVIOR] Using sophisticated modeling technology, the VCM Rotary Speaker effect simulates the rich and enveloping motion of a classic rotary speaker cabinet. Plus, the new organ drawbar fader setting simulates the vintage “pull out” drawbar organ behavior.
[16 LIBRARY LOCATIONS] With 16 Library slots at your disposal, you can house up to 10,240 additional Performances (that’s in addition to the over 2,700 performances in the presets), facilitating quick searches by Category, Name and Attributes.
[PURE ANALOG CIRCUIT 2] The upgraded Pure Analog Circuit included in MONTAGE M reduces noise and improves the dynamic range, crosstalk, low-frequency phase, and distortion rate, resulting in clearer sound at all volumes. You’ll also find the sound has more detailed low-mids and presence.
GEX ACTION WITH POLYPHONIC AFTERTOUCH (MONTAGE M8x ONLY) Available exclusively on MONTAGE M8x, GEX Action elevates your performance and sound creation with Polyphonic Aftertouch – a revered synth control found in the legendary CS-80 and DX1. Polyphonic Aftertouch allows you to individual modulate held notes with pressure. GEX also provides key repetition behavior typically found in grand pianos.
NEW PERFORMANCE CONTROLS MONTAGE M introduces new performance controls: a 5-segment ribbon controller with dedicated HOLD button, a new KEYBOARD HOLD button for sustaining chords while using knobs to edit, and a Portamento on/off button and dedicated Portamento time knob.
DEDICATED KEYBOARD, PART AND SCENE CONTROL You’ll find dedicated Keyboard, Part and Scene Control buttons to control 16 Parts per Performance. This intuitive control, particularly beneficial for live performances, improves overall usability and adds dimension to each Performance.
AND MORE [HIGH-RESOLUTION CONTROL] All the Performance Controls – from the Keyboard and Faders to the Super Knob and Sustain, as well as the Sound Engine, are now in High Resolution. Because of the fine resolution, you’ll find the MONTAGE M behaves in a smoother and more “analog” way.
[MOTION CONTROL SYNTHESIS ENGINE]This groundbreaking engine allows you to interact with sounds in a variety of ways, including Motion Sequences, which dynamically automate synth and effect parameters, and can even be synchronized to tempo; the Super Knob, which controls dozens of modulations in a single gesture; the Envelope Follower, which modulates sound from the A/D input or another Part; and many, many more ways!
[NEW AND IMPROVED LED LIGHTS AND COLORS] Enhanced LED lights and colors on MONTAGE M faders, Performance, Live Set and Category Search offer visible, instant feedback, vastly improving the user interface.
WORKFLOW
Expanded Creativity
EXPANDED SOFTSYNTH PLUGIN (E.S.P.) (COMING EARLY 2024)
A game-changer for musicians, the Expanded Softsynth Plugin (E.S.P.) replicates the MONTAGE M in your favorite Digital Workstation (DAW). Free for all registered MONTAGE M owners, E.S.P. allows you to create, edit and mix MONTAGE M Performances anywhere you happen to be – without the hardware – offering an unprecedented level of stage and studio integration. We are planning on releasing E.S.P. in Early 2024. The first version will have all the MONTAGE M sound while being limited to basic editing. The full version will be available in Summer 2024.
FASTER, MORE INTUITIVE NAVIGATION
Upgraded navigation enables quick, intuitive sound editing and operation. You’ll find features like a new 512 x 64 LCD screen, 6 touchscreen display knobs, and a PAGE JUMP button that moves what’s in the LCD screen over to the larger 7” TFT Color touchscreen for deeper editing. And the dedicated Navigation button shows an overview of a Performance. Just touch a graphical object in the screen to jump to that parameter for deeper editing. The dedicated Navigation button allows you go directly from the “surface” of a sound to the deepest part.
USB MIDI AND MULTICHANNEL AUDIO INTERFACE
Simplifying your studio setup, MONTAGE M offers a USB MIDI and multichannel 32 output/6 input audio interface. Streamline MIDI recording, virtual instrument monitoring, and multi-track audio recording through a single USB cable, so you can spend more time being creative.
AND MORE
[FASTER UI] MONTAGE M’s UI is significantly speedier than the previous generation. Plus, the overall look is cleaner and easier to see.
[CATEGORY SEARCH] Search for Performances by Category (Piano, Keyboard, etc.), Sub Category (Acoustic, Vintage, etc.),Name, and Attributes (AWM2, FM-X, AN-X, etc.).
[TWO USB-TO-DEVICE PORTS] Allows simultaneous connection of a flash drive (or drives!) and USB MIDI controllers.
[DEDICATED DAW REMOTE BUTTON] Use your MONTAGE M as a hardware controller for DAWs such as Cubase, Logic, ProTools and Live. Control the mixer, transport, softsynth plugins and more.
[NEW SHIFT BUTTONS] Two new Shift buttons make it effortless to access secondary functions, increasing overall functionality.
[COLOR-CODED BUTTONS and SLIDER LAMPS] Backlit LIVE SET and CATEGORY buttons are colored differently and clearly show mode function. New slider lamps show red LED value increments, while active Parts are illuminated in blue.
"MIDIPLUS Wind 2 is probably the most bare-bones wind synth on the market. 10 simple sounds, no pitch-bend or expression... first impression is a tough one. But I'd be lying if I said it didn't grow on me over time. Breath-controlled velocity is clutch. It's been a pleasure to have around, no bigger than a tin whistle, easy to keep in a bag and pull out at a jam.
While it's certainly not for everyone, it's pretty cool to have a wind synth at this price. Sort of the r/CheapKeys of wind synthesizers. And with Bluetooth MIDI, it could control any tone you want. Pretty cool little thing.
I knew it had some real potential when I started putting it through effects. It's rare I turn my effects to 100% wet, but with an instrument such as this, a pure tone can really let your effects shine.
In this video I put the Wind 2 through a few effects:
0:00 Clean Tone
0:40 Eventide Blackhole
1:23 Arturia Delay Tape-201
2:21 Arturia Tape Mello-Fi
3:10 Eventide ShimmerVerb
4:15 Arturia EFX Fragments
5:15 Eventide Physion MkII"
Details on each follow. Check with the dealers on the right for availability.
TABLE-TOP MIDI STRING SYNTH POD ANNOUNCED
Inspired by the early vintage synths of the ‘70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.
Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.
The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a “paraphonic” instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.
MIDI is input via a 3.5mm TRS Type “A” jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.
MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non- volatile memory.
A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8”) jacks.
Power is supplied from a user provided +8 to +18 VDC 2.1mm coaxial jack, center positive power source, and draws extremely low current.
Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.
Synthetic Sound Labs has been in the analog synthesizer business since 1973. The Soleil Pod is the newest in SSL’s continuing line of outstanding analog synthesizer devices.
Pricing is $179.95 US and is available off-the-shelf from SSL and Distributors Worldwide.
UPDATED LFO MODULE ANNOUNCED
Just over 10 years after the release of its popular original 2260 Modulation Orgy LFO, Synthetic Sound Labs have recently released an updated and improved version.
The new 2261 Modulation Orgy has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.
DETAILS
The 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility. It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.
Eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves. Waveforms may be further modified using the Wave Distort controls.
A front panel button or external Sync input allow synchronization to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Multiple 2261s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack. The Clock output also serves as a powerful input clock multiplier.
In conjunction with the Multiplier controls, LFO Tempo (frequency) is adjustable from approximately 0.1Hz to about 50Hz in six overlapping tempo ranges.
The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage-controlled modulation depth.
A panel LED / push button shows the LFO output rate. Knobs are conveniently placed and top quality 1/8” jacks permit smooth, effortless patching.
Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.
Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2261 is the newest in SSL’s continuing line of outstanding analog synthesizer modules.
Pricing is $250 US and is available off-the-shelf from SSL and Distributors Worldwide. Silver panel – Model 2261S. Black panel – Model 2261B
Playlist:
DONNER MEDO I Harness the Magic of Notes, Unleash Creativity at Your Fingertips I Donner Spotlight
Let`s discover the Donner MEDO I Donner Music I MEDO synthesizer
MEDO-tutorial
MEDO LOOP
Donner MEDO: Unboxing & Demonstration
Donner MEDO Demonstration: Sample
The $169 Portable Integrated Synth, Sampler, Looper, and MIDI Controller Launches on Kickstarter on October 5th.
[Los Angeles, CA, October 5, 2023] - Donner, the Chinese musical instrument manufacturer, is launching a Kickstarter campaign today for its latest creation, MEDO, priced at $169, exclusively available on Kickstarter from October 5th to November 10th. MEDO is a compact, portable, standalone musical instrument that seamlessly combines a sampler, synthesizer, looper, MIDI controller, and a speaker, enabling anyone to capture inspiration and create music instantly.
Equipped with a built-in microphone and a robust sound engine, MEDO can record up to 5 seconds of audio, allowing for quick sound sampling and the initiation of a creative journey. Users can easily switch between various modes, including SCALE, DRUM, BASS, CHORD, and LEAD, to begin making music immediately. Supporting 128-bar loop recording, MEDO offers a broader spectrum of possibilities for music creation, catering to both beginners and professional musicians alike. The quantize feature ensures that your performance is automatically synchronized perfectly to the beat, taking care of all the timing intricacies.
With the MEDO Synth app by Donner, users can swiftly toggle between various preset sounds, including 15 sets of drum kit sounds by Loopmasters, and benefit from a powerful sound engine that combines subtractive synthesis and authentic samples. It's not just a synthesizer; it's a pocket-sized beat-making powerhouse.
MEDO is both compact and lightweight, making it suitable for both indoor and outdoor creative sessions, allowing you to unleash your musical creativity at any time and in any place. Furthermore, MEDO can be seamlessly connected to common DAW software and hardware, providing advanced music production tools and gameplay options. It is compatible with most MIDI applications and all major digital audio workstation software that supports MIDI.
The MEDO Kickstarter campaign opens to backers on October 5th at 9 a.m. Eastern Time, with an early bird pricing of $149 (available only on October 5th). The campaign will run until November 10, 2023, offering Kickstarter backers a discounted price of $169.
With MEDO, Donner will also exhibit at the 2023 Music China, taking place in Shanghai, China. To experience MEDO, visit the Donner booth # W5C52 and Tech+ Music Lab in the Shanghai New International Expo Center from October 11-14. For more information, please visit: Donnermusic.com"
I asked them what the platform would be based on. They replied:
"The web-based interface will be an adapted version of Patatap to which we’ll add a video feed and other interactions that will be possible to trigger inside the space capsule (i,e agitate the marble by turning on a fan, LED array, microphone, speaker, etc).
The space capsule has a set of different elements that allows to change the position of the physical marble floating inside the zero-gravity chamber (a set of sensors that calculates the position, a fan that agitates the position of the marble, a microphone that records those interactions, etc). All that data is then being sent back to us on earth (or in reverse sent to the capsule from earth using the Live mode). In other words, the web-interface receives data/interactions from the capsule and the Live mode allows to send data/interactions directly to the capsule. Lastly we’re building a VST plug-in allowing to receive MIDI and hook up data directly into your DAW or other synth."
In short the interactive hardware controller w/ microphone to capture audio is in space, while the synth engine and processing is done on earth.
Addtional details from the Kickstarter/Press Release follows.
The Blue Marble Synthesizer is the first-ever music synthesizer that can only work in space and that is playable from here on earth. It’s a synthesizer for making music and experimenting with sound. The system consists of a pressurized capsule in a low earth orbit satellite, a network of sensors, and a web-based interface for people to play with here on earth.
1. The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. It measures the behavior of a marble floating in a zero gravity synth capsule and sends sensor data, audio feed, and video feed back to us on earth.
2. The Web-Based Interface is an interactive and self-contained web audio synthesizer designed for everyone. Through a collaboration with the creator of Patatap, this application blends interactions from the Blue marble Synthesizer Capsule data with a traditional interactive music synthesizer. This web-based interface is a way to explore the interactions between the Blue Marble Synthesizer Capsule and people’s own musical creativity.
● When does the space mission start? The Kickstarter campaign is set to start on Wednesday, October 4 for 30 days until the rocket launch which is set for Wednesday November 1 aboard the SpaceX Falcon 9 Rocket. Once in orbit, the Blue Marble Synthesizer Space Capsule will be rotating around earth every 90 minutes.
● Why does this project matter? The Blue Marble Synth Project is intended for all those who share a passion for space, music, and the intersection of science and art. Music has always been a universal language that transcends cultural barriers, connecting people on a deeply emotional level. By introducing a music synthesizer to space, we expand the horizons of artistic expression and create a new dimension for human creative endeavors off-planet.
● What is the experience like for supporters?
1. Two primary ways: people will have the chance to make music with the audio and the data captured by the Blue Marble Synthesizer in two primary ways: through an interactive web-interface or via a VST-plug-in. Some supporters may also have the chance to play and interact with the system directly in space.
2. The Blue Marble Web-Interface: is a self-contained web based application that works from here on Earth. Inspired by Patatap, this application blends interactions from the Blue Marble Synth Capsule Data with a traditional interactive music synthesizer.
3. The Blue Marble VST Plug in: this feature allows to receive MIDI and control data from the Blue Marble Synth Capsule to use with other digital synthesizers and digital audio workstations such as Ableton LIVE, FL Studio, Presonus Studio 1, etc.
● Who are the artists involved? Andrew Huang, Benn Jordan, Trovarsi, and MAYSUN, are invited artists who will compose original music with the Blue Marble Synthesizer during this orbital mission. They each possess the adventurer's spirit that we believe is at the heart of this project.
Andrew Huang We are thrilled to have Andrew Huang, the YouTube phenom and Toronto-based artist join the Blue Marble Synth Project. As a highly acclaimed music and video producer, Andrew's unique ability to seamlessly blend diverse musical styles with captivating visuals aligns perfectly with the innovative vision we seek to bring to life. His creativity, coupled with his commitment to pushing artistic boundaries, makes him an invaluable addition to this project
These 4 artists will compose original music using the Blue Marble Synthesizer and the resulting tracks will be released for project supporters on an exclusive LP post-mission.
● What else can supporters get by supporting? Beyond accessing the Web-Based interface and Artist Album, supporters also get access to a range of branded Blue Marble Synthesizer merchandise designed by Physical Synthesis. The collection features a sticker and mission patch, hoodie, t-shirt, cap, tote bag, and more.
● What goes inside the Blue Marble Synthesizer? Technical Breakdown The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. The module allows supporters to receive data so they can control other synths and interfaces as well as initiate actions that affect what happens inside the capsule
1. Zero Gravity Dynamics: to make the Blue Marble Synthesizer an instrument that can truly work in space, it requires harnessing the power of zero-gravity. To do this, the synthesizer relies on interactions between a spherical piece of glass – the blue marble – and an array of accurate laser sensors that measure the distance and location of the marble as it floats around a small pressurized chamber.
"Demo of the 'beyond obnoxious' Zoxnoxious analog synthesizer with 6 voice cards installed. The installed cards: * Dual VCO synth voice * VCO x4 * Analog signal processor (VCF/VCA)
After some software updates I'm able to install up to 6 voice cards. Taking advantage of it here. This is more a proof of concept demo than anything else: certainly someone with some musical talent could do something much better than this.
Video shows each card being added to the Audio Out backplane, system turning on (look! LEDs!), then a close-up of each module in VCV Rack.
In development / coming soon: * Z5524 dual VCO synth voice (SSI2130 VCO + AS3394 synth-on-a-chip) demo * CPU auto-tune functionality"
Demo: AS3394 Waveselect Modulation
"AS3394: synth-on-a-chip. This is Alfa Rpar's clone of the CEM3394, the same chip used in the Sequential Six Trak and other 80s synths. What's new here? The '3394 has a input pin to select the VCO waveform. How about modulating that input at audio rate? Switch between tri, saw, tri+saw? Here is a demo of audio rate modulation.
Video shows some ways that could be used for modulation. Either by varying the modulation amount (LFO, envelope), or by varying the modulator (sync, pitch) a variety of effects are possible.
The completed board will use an SSI2130 as a second VCO as a modulator. This demo is bit of a hack in using an external VCO for the same purpose.
Interesting effect? Usable? Noise? Drop a comment on your thoughts!"
AS3394 - Audio Rate Waveselect Modulation
"Demo of the working part of this synth voice card: the AS3394 synth-on-a-chip. Beginning of the video I jumper a '3340 VCO to where the eventual SSI2130 will be on the board. This VCO is used for modulation of the AS3394, in this demo the waveselect modulation.
The "Half-Working" is a bit of a self-jab. The card is missing an SSI2130 which needs to be soldered on. The card as used is functional, less a second on-board VCO."
Ultratroninator 3000
"Developing projects around Raspberry Pi, synthesizers, retro devices. Demo videos of the Zoxnoxious analog synthesizer."
1. Roland GAIA2 Demo & Review - musictrackjp
2. New Roland GAIA 2 - "Skywards" - demo by gattobus
3. ROLAND GAIA 2 Review, tutorial, and all 250+ presets - loopop
4. Roland GAIA2 - 1st LOOK Sonic Lab Presentation - sonicstate
5. Roland GAIA 2 Sound Demo (no talking) - Bonedo Synthesizers
6. Roland GAIA 2 Sound Demo (no talking) - Limbic Bits
Press release follows.
Advanced Synthesizer with Wavetable and Virtual Analog Engines, an Intuitive Sound Design Workflow, Expressive Hands-On Controls, Model Expansion Support, and More
Los Angeles, CA, Sept. 28, 2023 — Roland announces GAIA 2, an advanced synthesizer with a newly developed hybrid sound engine and a friendly panel layout that makes learning synthesis and exploring sound design easy and fun. Equipped with wavetable and virtual analog oscillators, interactive controls, 37 full-size keys, Model Expansion support, and other powerful features, GAIA 2 opens the door to an infinite universe of inspired creation.
GAIA 2’s diverse synthesis tools allow users to build familiar sounds and craft new voices never heard before. Reaching beyond previous designs, the wavetable oscillator can morph between multiple waveforms for everything from dramatic shifts to slowly evolving textures. Unique phase and shape modulation options are also available to distort waveforms and unleash cutting-edge textures with complex overtones. Complementing the wavetable oscillator are twin virtual analog oscillators, ready to reimagine past classics or sculpt the sounds of the future. From smooth tones reminiscent of vintage synths to edgy, biting leads to sci-fi soundscapes, GAIA 2 can do it.
GAIA 2 also supports Roland Model Expansions, which faithfully recreate iconic synthesizers from the company’s long history. With a dedicated button, users can instantly swap between the built-in sound engine and classics like the JUPITER-8 or JUNO-106. The SH-101 Model Expansion comes pre-installed, and many additional titles and accompanying Sound Packs are available on Roland Cloud.
GAIA 2’s logically organized panel encourages hands-on exploration and sonic discovery. The one-control-per-function layout and informative display enable instant programming without having to resort to creativity-killing menu diving. And with the streamlined knobs and white anodized aluminum panel, even the look is inspiring.
GAIA 2 features a touch-controlled Motional Pad that brings static sounds to life. Users can assign nearly any synth or effect parameter to each of the X/Y points and then morph between them by moving a finger on the pad. It’s also possible to record movements to create complex, modulated transformations.
The free-flowing sequencer in GAIA 2 lets users instantly capture their inspiration and realize their wildest visions. There’s also a cool Random Pattern feature to spark new ideas with spontaneous pattern creation.
GAIA 2 comes loaded with classic Roland effects to take sonic creations to the next level. Over 50 unique MFX types are available, plus a dedicated Chorus section for adding width and dimension. A powerful Reverb/Delay section features a new studio-grade Shimmer Reverb and many other high-quality effect types.
Via USB-C, GAIA 2 functions as an audio/MIDI interface for music production apps on a computer, smartphone, or tablet. The class-compliant connection is plug-and-play, with no driver installation needed. A USB Type-A port is also available for connecting a USB flash drive for data backup or a standard USB MIDI controller for extended operation.
GAIA 2 supports Roland Cloud Connect, an optional wireless adapter for browsing and downloading Roland Cloud content using a mobile device. A Roland Cloud Connect purchase also includes a year of Roland Cloud Pro membership with unlimited use of thousands of sounds, Model Expansions, and much more.
The optional CB-B37 Keyboard Bag for GAIA 2 provides durable, high-quality protection for the synthesizer while traveling and making music around town. This versatile bag also works with the JUPITER-Xm, legacy GAIA SH-01, and other 37-note keyboards.
Availability & Pricing
The Roland GAIA 2 is now available in the U.S. for $899.99.
AMSynths, makers of various Roland clone modules is coming out with a complete desktop synth based on the Roland System 101, named the DIODE-01. Some info and pics follow.
"NEW SYNTH ALERT: Here is the aluminium panel for the AMSynths DIODE-01 analog synthesizer. It is an accurate replica of the Roland System 101 with its diode ladder filter, combined with the extra features of the 102 (Ring Mod, S&H). The prototype will be ready in October. What do you think?"
This Synth features the VCS3 OSC1-3,Filter,Envelope,Ring Modulator,Input channels,Meter and Joystick with the addition of the Synthi 100 Dual Random Voltage Generator,Multimode Filter,,Envelope Shaper and Octave Filter Bank.Housed in a VCS3 cabinet all module input and outputs brough out to 3.5mm jack sockets to interface with modulars or other VCS3/Synthi's
"Hey all, this is a prototype of the xr-1, a digital drum machine, sampler, and synthesizer. It’s powered by the Teensy 4.1 microcontroller.
It’s a 909 style sequencer (a step can be off, on, or accented), with 16 banks, 16 patterns per bank, 16 tracks per pattern, and a max of 64 steps per track.
There are 4 performance modes (tap, mute, solo, ratchet) and a song arrangement mode.
It has stereo in/out (usb audio in the future). It has 5-pin DIN MIDI I/O, 4 pairs of CV/gate outputs (really 8x CV outs with 0V to +10V range).
A micro SD card is used to store/recall audio samples and project data. Samples can be mono RAW or stereo WAV files. Mono samples can be looped.
There are 16 sample voices available, and 4 voices which can be used as synthesizer voices.
I currently only have a simple 2-oscillator subtractive synthesizer right now. More will be added later.
It has a capacitive touch keyboard which is useful for assigning notes to steps, playing while jamming, performing with ratchets at various beat divisions.
Lots more details to come.
I will be demoing this at the Machina Bristronica festival in Bristol next week (flying all the way from the metro Detroit area, first time overseas). If you’re able to make it, come by booth (My business name is Audio Enjoyer) and say hi.
I will launch a signup page later this month and post here again so you can sign up for more info."
Orinda, CA, Sept 21, 2023 — Groove Synthesis, an electronic musical instrument startup founded by music industry veterans from Sequential and Oberheim, has just introduced a desktop version of their acclaimed 3rd Wave, 24-voice, 4-part multitimbral wavetable synth.
The compact, keyboardless version has all of the power, features, ins and outs of the full keyboard and retains a nearly knob-per-function front panel, which makes it just as easy to program and use.
The 3rd Wave has 3 oscillators per voice, analog low-pass filters, a digital state-variable filter, 6-stage wave envelopes per oscillator, and an industry-first Wave Maker™ tool that allows users to create custom wavetables in a single step through its proprietary sample-to-wave technology. Each of its three oscillators can generate a classic PPG-era wavetable, a modern high-resolution wavetable, or an analog modeled waveform.
While the 3rd Wave has roots in the classic digital wavetable synths of the past, it brings the concept into the 21st century with a lush, warm sound defined by its expanded wavetables and analog filters. It boasts a Dave Rossum-designed 2140 analog low-pass filter with variable saturation and resonance compensation, and a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Both can be used in series for harmonically intricate textures.
With 24-voices, the 3rd Wave can handle note-intensive performances as well as layer up to 4 parts or create 4 independent split zones — each with a completely different sound and pattern-based sequence of notes, songs, and parameters. Each part has independent panning, volume, dual effects, and a dedicated physical stereo output. Each of its 3 wavetable oscillators per part/voice has its own 6-stage, loopable wave envelope, which can create evolving soundscapes of extreme complexity.
The rest of the 3rd Wave’s sound-shaping tools include four ADSR envelopes (filter, amp, and two auxiliary) per part, four LFOs per part, and a 28-slot mod matrix per part.
The 3rd Wave Desktop Module is slated for release in November of 2023. and has a US MAP price of $3495 USD. It will be available through the Groove Synthesis network of domestic and international dealers. For more details, visit www.groovesynthesis.com.
"Introducing the Kastle ARP, the ultimate innovation in our lineup of compact and exhilarating modular synthesizers, all powered by convenient batteries. But here's the secret: don't let its small size deceive you! The Kastle ARP is a powerhouse of creativity, ready to take your musical journey to new heights."
excluding crate, shipping and tax (all if applicable)
CIRCUITS
VOICE - X8 2 VCO 1 Mixer 3 12dB filters 2 Full ADSR envelopes 1 16 step note/modulation loop sequencer 1 BBD style retro echo 1 Main out VCA 1 White Noise 1 Sub Osc 1 Portamento / Glide 1 VCO tune Vernier dial Generous selection of cross modulation controls.
MASTER 1 VC LFO 1 LFO with delay 1 LFO 8 channel stereo mixer 2 Real spring reverbs 1 Master control knobs 1 Poly MIDI to CV converter 4 Key modes 2 MIDI Sync modes 1 Multiple Generous modulation routing
MISC Metal cabinet Birch ply real wood Healthy set of jack sockets for patching on all panels
OPTIONAL AS400 KEYBOARD 61 full length keys Weighted Velocity Aftertouch with VCA for modulation 64 pad touch controller (can be split to 2x32)
SOME THINGS YOU CAN DO WITH MAXIMUS
Standard pad type poly sounds
Unusually Poly Sounds
Monophonic Synth Sounds
A mixture of Mono and Poly Sounds
Filmic / Epic ambience sounds
Rhythmic patterns, with a new sound on each key press.
Although Maximus can do traditional ‘pads’ it’s better suited to more unorthodox poly sounds. It excels also at unusual analogue loops and rhythms when it is played in cyclic mode. Have each voice set to a different type of sounds, and as you cycle through them you get very interesting patterns (melodic or otherwise).
Maximus does not have patch memory - just like the very first polysynths.
Every sound you create will be unique - the first of its kind ever to be produced. Your Maximus will never sound like anybody else’s. It will always be unique and yours.
WHAT IS MAXIMUS? Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since its is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard polys pads will sounds superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the 70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
AS300 main unit £22500 £19900 Launch price – batch 1 only
AS400 optional keyboard £1900 £1800 Launch price – batch 1 only
"FLUX brings forth the musicality and expression of classical instruments, such as violin or vocals, enriched by new timbres and the flexibility of postmodern instruments, harnessing the power of current technology.
FLUX is a high end professional synthesizer with expressive possibilities, an innovative interface design with top quality digital-to-analog converters and analog components.
FLUX features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation.
In many ways, FLUX is inspired by the Theremin, which offers the unique opportunity of controlling sound by moving your hands in the air without touching any object, all of which lends the performance a special plasticity and beauty.
Unlike the Theremin which works by virtue of the capacitive coupling of hands and antennae, FLUX is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows’ positions and movements. The X coordinate of the artist’s right-hand bow controls the note’s pitch, while the Z coordinate controls volume. The left-hand bow’s X, Y and Z coordinates control the various synthesis parameters.
Since a magnet has two poles, FLUX not only detects the bows’ spatial coordinates, but also the bows’ angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of FLUX: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
We developed FLUX with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. We invite modern performers and composers to use FLUX in their work.
FLUX works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. FLUX has a stable, even, and clearly marked note scale. This makes FLUX much easier to learn and to intone cleanly than on the Theremin.
FLUX’s synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles.
FLUX is under development. We will inform the community about the progress."
"The Bullfrog is an EDUCATIONAL Synthesizer by Erica Synths in Latvia. It is meant to teach young people and adult beginners the basic principles of electronic sound synthesis!"
Index:
Intro - mostly me talking for a bit 0:00 Bullfrog modular synth 0:40 Normalization 0:55 Signal Flow 1:35 Printed Manual 1:45 What is sound? 2:10 Frequency-Hertz 2:38 Human hearing range 2:50 Electronic sound 4:09 The Bulfrog Panel 5:17 The Oscillator AKA VCO 5:22 Voltage Control 5:27 1v/octave standard for Pitch control 6:28 what is an octave ? 6:40 Linear vs Exponential 7:20 Amplitude and Volume 8:20 The VCA : Amplifier or attenuator? 8:33 The Filter AKA VCF 9:19 Timbre: Harmonics AKA Overtones 9:35 Wave shapes and waveshaping 11:14 The Mixer 12:55 The NOISE generator - Aperiodic sounds 13:14 First Patch :simple manual control 14:41 Modulation Sources 15:44 Envelope Generators 15:54 Gates and the Manual Gate button 16:27 SYNTH SOUNDS START HERE! 17:32 FX: The Delay 18:19 Performing the patch 19:59 The Sine waveshaper 20:45 Adding the Filter 21:17 Resonance 22:26 Filter as oscillator (High Feedback) 22:57 Duophonic Bullfrog 23:28 Automatic Filter control 24:14 PWM: Pulse Width Modulation 24:35 The Square Wave 25:32 LFO: Low Frequency Oscillator 25:49 ENV GEN Loop switch 26:26 ENV GEN BP Output 26:47 Rhythms with the ENV GEN 29:19 Keyboard Control 29:59 Velocity modulation 34:00 Making waves and winds with Noise 38:11 Turntable rhythms with noise 39:20 Sample and Hold 40:18 The LFO as Gate 44:14 The 50's Sci Fi Patch! 45:06 Stepped LFO 46:10 The human body as mod source 46:31 The Divider 48:42 The Built in Speaker 54:11 Preset Cards and the Card Slot 55:40 The Sequencer card 57:28 The Organ Card 59:26 Subtractive vs Additive Synthesis 59:49 The Smiley Card 1:03:00 The DIY Card 1:03:45 Outro - Stay Noisy! 1:04:35
Special Collector’s Version of the SP-404MKII Sampler with Custom Panel Artwork, Exclusive Sample Banks, and New Music Created by the Stones Throw Records’ Roster
