DSI Mopho x4 Keyboard Synthesizer Available Now

"Dave Smith Instruments is just a week away from introducing DSI's new Mopho x4 synthesizer keyboard to the world. This new synth is polyphonic Mopho keyboard! The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. The Mopho x4 is sure to satisfy all your polyphonic analog synthesis needs.

4 times the voice 4 your pleasure
Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!

You can FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic!

Work less, play more
Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.

The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.

It grows with you
Expand Mopho x4's polyphony using its Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth!

The Mopho x4!
Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years!

Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.

The Mopho x4 will be priced at $1,299 US MAP!"

Spotted on Gearjunkies

Update: It looks like the info went live at http://www.davesmithinstruments.com/. Intro video below.

Mopho x4 Synthesizer Keyboard Introduction

Published on Aug 1, 2012 by DaveSmithInstruments


"It's a polyphonic Mopho keyboard! Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. 4 times the voice 4 your pleasure Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations! FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic! Work less, play more Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat. The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action. It grows with you Expand Mopho x4's polyphony using it's Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth! The Mopho x4! Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years! Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else." http://www.davesmithinstruments.com/

Roland JUPITER-8 & Juno-106 Software Synthesizer v2 Update Overviews

video upload by RolandChannel

"Released in 1981, the Roland JUPITER-8 is one of the most revered and sought-after polysynths of all time. It appears on countless hit tracks spanning decades, and its lush analog sound is simply unmatched for warm pads, soaring strings, and infectious lead tones. With the JUPITER-8 Software Synthesizer, you get an authentic, down-to-the-circuit-level recreation of this vintage icon for your DAW or SYSTEM-8.

In this video, you’ll learn about the JUPITER-8 Software Synthesizer features, including v2 updates like high-DPI graphics, a refined interface, universal patch browsing, Circuit Mod, new sounds, and more:

00:00 Intro and JUPITER-8 History
00:39 JUPITER-8 Software Synthesizer 00:52 Browse View and Tweak Panel
01:10 Edit View
01:16 JUNO Synth Architecture
02:00 Sound Examples
02:52 Enhancements in the Software
03:16 Added Effects
03:38 Circuit Mod
04:13 SYSTEM-8 Integration
04:32 How to Get the Plug-in

Get the JUPITER-8 Software Synthesizer with Roland Cloud Pro (via Pro Selector) and Ultimate memberships, or purchase a Lifetime Key. You can also audition the JUPITER-8 Software Synth for free with a Roland Cloud 30-day trial membership."

Roland JUNO-106 Software Synthesizer v2 Overview
video upload by

"Introduced in 1984 as an affordable polysynth for the masses, the Roland JUNO-106 surpassed its humble beginnings to become one of the most beloved instruments of all time—and for good reason. It delivers gut-punching basses, delicate plucked sounds, and shimmering pads that sit perfectly in a mix, and its built-in chorus is the stuff of legend. With the JUNO-106 Software Synthesizer, you can bring the authentic sound and experience of this ’80s icon to your own studio and favorite DAW.

In this video, you’ll learn about the JUNO-106 Software Synthesizer features, including v2 updates like high-DPI graphics, a refined interface, universal patch browsing, Circuit Mod, new sounds, and more:

00:00 Intro and JUNO-106 History
00:37 JUNO-106 Software Synthesizer
00:53 Browse View and Tweak Panel
01:08 Edit View
01:16 JUNO Synth Architecture
01:37 Sound Examples
02:55 Enhancements in the Software
03:25 The JUNO Chorus
03:43 Additional Effects
03:57 Circuit Mod
04:30 SYSTEM-8 Integration
04:56 How to Get It

Get the JUNO-106 Software Synthesizer with Roland Cloud Pro (via Pro Selector) and Ultimate memberships, or purchase a Lifetime Key. You can also audition the JUNO-106 Software Synth for free with a Roland Cloud 30-day trial membership."

Learn more about Roland Cloud: https://www.rolandcloud.com

New Korg modwave - an edgy, expansive, and easy to use wavetable synthesizer based on the DW-8000

Korg

"In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds upon the DW legacy with incredibly deep wavetable oscillators, gorgeous filters, first-ever Kaoss Physics-based modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases."

KORG · modwave Demo Sounds

Update: pics and details via KORG:

"Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is—besides being powerful— a lot of fun to explore. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequeners cannot.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave’s evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the start. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time because of the unique synth architecture. Once you have started finding new sounds - aave as many as you like; there's room for thousands more."

CLICK FOR MORE »

Wolfram Franke on The Blofeld and Legacy Support

Many on the Waldorf mailing list have been discussing what the new Blofeld and Stromberg synths will be as well as OS updates for the previous Waldorf synths. As for the Blofeld, the consensus was it was either and updated Micro Q or a new synth based on the Nano plug-in for the CME plus more. If you caught the Gearwire interview with Wolframe Franke (posted here), you might have caught a few details on the new synths. One, the Blofeld is basically an updated Micro Q, and two, the Stromberg will support both the architecture of the Q and the XT/Microwave in addition to the hardware plug-in capabilities with an analog filter in line. Check out the video for yourself.

Wolfram popped by the Waldorf list today with the following on the Blofeld and addressed support for previous Waldorf products:

"Regarding the Blofeld: yes, the Blofeld basically has the architecture of the Micro Q. This can easily be seen when you look at the spec list on the Blofeld product page. It will certainly have some new features, among them more than 1000 sounds or the cascade filter types. We might add further features but I won't go into detail about them right now.

Colors: the Blofeld is almost white. We chose this color because it simply looks cool combined with the aluminum controls.

Updates for old products: we really understand the need for taking care of some issues that are bugging you, like the Aftertouch bug in the XTk. But please give us a chance to get a financial foundation first. We are, however, *talking* about the bugs. Only, finding a time slice to work on that is not possible right now. I hope you understand that. And please, no emotional discussions about that. We are aware of it and we try to find a way to take care of it."

Yamaha CS-60 Restoration (Part 3 of 3) - How the VCOs work, Voice Architecture, Tuning

Note: Auction links are affiliate links for which the site may be compensated.
Published on Jul 16, 2017 GOLT !

"I explain the voice architecture, install LED's on the voice cards, and explain how the VCO's work. Then I show how to tune and calibrate the voice cards."

All parts here.

d16 Group Introduces Lush 2

D16 Group Lush 2 VSTi ( MultiLayer Polyphonic Synthesizer ) #d16group #lush2 #vsti #vst
video upload by VST'S SOUNDS

D16 Group - Lush 2 (No Talking)

video upload by Elektronick Musick

via d16 Group

More than an 8-trick pony
Lush 2's multilayer architecture gives you access to virtually limitless sound design possibilities and a wide spectrum of applications.

Powerful, yet practical. An easy-to-tweak instrument that helps you find hit sounds in seconds, unleashing its and your maximum potential

Lush 2 isn’t based on just a single machine; it’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: though it may look benign at first, its modular, multi-layer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable and devilishly versatile instruments in your arsenal. Suspiciously accurate sound is achieved only through experience: countless hours were spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention to every component in the signal path - not just approximating its overall output. We deliver to you a synth built on oscillators of uncompromising quality, filters with an incredibly natural warmth and character, and best-in-class effects. On top of that, with all of the layers, multi-layer options, and routing capabilities the plugin offers - there’s no end to what you can do with just a single instance of Lush 2

Synthesizer
Lush 2 lets you reach “unheard of” levels of creativity - each layer works as an independent synthesizer with its own polyphony, parameters, enhanced arp, and a choice between 8 of the finest insert effects.

Modulation matrix
An entire page dedicated to assigning your modulation to nearly any parameter - pick a source, pick a destination, set an amount: creative modulation!

Mixer
Lush 2 also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, pan and superb send effects allow you to put the finishing touches on the final output.

Sonic Architecture Lab + Space Echo

Published on May 21, 2013 electro lobotomy·141 videos

"Brief jam with the new sonic architecture lab by electro lobotomy."

New Open Source CTAG TBD Eurorack Module

Creative Technologies

"CTAG TBD as in 'to be determined' is an open source eurorack audio module. All sounds and effects in this video are CTAG TBD, no extra processing!

It can be easily extended by your own DSP algorithms using a flexible c++ plugin architecture.

It's core feature is control of your plugin parameters through a web application UI and WiFi access. You basically log onto your TBD with a browser, choose your active plugin and modify its parameters. You can store patches per plugin. CTAG TBD recalls the last active plugins and patches upon reboot, so you continue making music where you left off.

All source (hw+sw) are available on https://github.com/ctag-fh-kiel/ctag-tbd

More introductory videos will be available on this channel soon, with specific focus on functionalities and how to add your own code.

If you are interested in beta hardware email contact@instrumentsofthings.com subject "TBD REQUEST"."

Playlist for the videos above:
CTAG TBD open source eurorack synthesizer module
CTAG TBD Walkthrough
CTAG TBD Codewalk
CTAG TBD meets Lyra 8 and Strämpler as insert fx
CTAG TBD pop crackles noise
CTAG TBD to create atmospheres
Rings, Plaits, Sheep algorithms ported to TBD

Additional details via Instruments of Things

"The TBD (i.e. to be determined [by you!]) Eurorack module aims to be a community driven project to provide a flexible platform for easy implementation of your own or to port existing DSP algorithms to Eurorack. TBD comes with a selection of ready-to-use plugins, which can be used as a base for your own plugin development. It offers a web-based user interface for plugin and system configuration accessible through the modules WiFi (wireless computer network).

Key Features

Hardware
– WiFi (802.11b/g/n)
– Stereo audio I/O (16 bit / 44.1 kHz, 1ms latency / buffer size)
– 2x 12 bit CV inputs (configurable -5…5V or 0…5V)
– 2x trigger inputs (0…5V)
– 2x trigger buttons
– 2x CV potentiometers (configurable bi- or unipolar)
– Input audio gain for each channel


Software
– Flexible plugin architecture based on C++
– Web app for plugin configuration and presets based on REST
– Mappable plugin parameters to hardware UI elements and CV inputs
– Automatic UI rendering based on JSON plugin descriptor structure
– Selection of factory plugins based on other open source projects:

– Mutable Instruments Rings
– Mutable Instruments Plaits
– Mutable Instruments Sheeps
– Freeverb
– GVerb"

Ensoniq TS-12 Performance/Composition Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Massive list of specs from the listing:

"TS-10 - 61-key (C-C) weighted synth-action Poly-Key (polyphonic aftertouch) keyboard with programmable velocity and pressure sensitivity

TS-12 - 76-key (E-G) weighted action keyboard with programmable velocity and channel pressure sensitivity (MIDI transmission of Release Velocity)

Up to 12 programmable keyboard zones for splits and layers

Controllers

Exclusive Patch Select buttons for instant access to 4 sound variations within each Program or Sampled Sound

2 programmable single/dual Foot Switch inputs for sustain, sostenuto, Patch Select, preset up/down, FX mod, and sequencer control (SW-2, SW-6, or SW-10)

CLICK FOR MORE »

Polynorth - a hybrid analog/digital polyphonic synthesizer

Published on Jul 31, 2019 Jon Petter Skagmo

via skagmo.com

"The Polynorth is my first attempt at designing a polyphonic synthesizer. It's got a completely analog filter section, combined with a powerful 200 MHz 32-bit microcontroller.

I've always wanted to build an analog polyphonic synthesizer, but they often end up being very large and complex because the size of the electronics pretty much scales linearly with the number of voices.

In many ways I think the filters are the hardest part of a digital synthesizer to get to "sound analog", so I figured out a good compromise would be to keep the filters analog and do all the rest with a microcontroller. The mostly digital architecture also has some important benefits:

- Flexible internal signal routing like a modular synth, but without a ton of patch leads
- More advanced modulation options (FM)
- Patch store/recall (including the routing)
- Much smaller size

I stumbled upon the SSI2144 filter, which is a modern remake of the classic SSM2044. It's very similar in many ways, but in a much more compact package and with better dynamic range, so a 6 voice synth could be made pretty compact. This is what kicked off the project.

The system architecture is explained in this block schematic."


See skagmo.com for additional details.

KORG DSM-1 (RARE DSS-1 Rack Version Expanded!) 12 bit Sampler + Synthesizer SN 001702

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is a GREAT 12-bit sampler with a synthesizer built in, which derives from the DW series of Korg's synths, actually the best and most advanced DW ever made! This has the same specs with the keyboard version DSS-1, but with expanded memory, 2x polyphony, individual outputs, most of the DW waveforms and an updated floppy drive. Voice architecture is model specific. Two polyphonic voice modes are provided. See detailed specs on the bottom of the listing….

The instrument works excellent, floppy drive is fully working and the display is great too! Cosmetically this is in a great condition, as you can see in the pictures. This has been treated with care, in a non-smoking studio environment.

This is a truly RARE and HARD TO FIND item, this is a DSS-1 on steroids, without all the wasted space from its keyboard. This sits perfectly in your rack of samplers/sound modules, and it comes with its rack ears (not displayed in the pics, as I've used it in a desktop environment). It also comes with its power cord (220V).

IT ALSO COMES WITH 3 PACKS OF FLOPPIES CONTAINING ALL ITS EXCELLENT FACTORY SOUNDS!!!

This is truly brilliant, both as a crunchy 12-bit sampler AND as a super-fat synthesizer. Treats your samples with all its synthesizer and sampling capabilities!

Detailed specs are as follows:

Aftertouch: routed to LFO, VCF cutoff, VCA level
Architecture Class: sampler additive subtractive
Audio IO: headphones, analog input 1 mix and 16 individual analog outputs
Audio Source: Waveforms can be created via additive synthesis (128 harmonics) or sampling. Samples are 12 bit (16kHz, 24kHz, 32kHz, 48kHz) and can be looped, including crossfade
Communication Interface: MIDI In, Out, Thru
Effects: None
EG: VCF and VCA EGs are 6 element (2 level, 4 rate) with polarity switch (VCF)
Expansion: 3.5" DSHD disk
Filter: low pass -24dB/oct
Form Factor: 3U rack
Key Scaling: VCF cutoff
LFO: routed to DCOs and VCF (with delay). Waveforms are triangle, up saw, down saw, square
Memory:
Multi Memory: 32
Patch Memory: 32
PCM Memory: N/A
Sample Memory: 16 samples max 1MB
Sequencer Memory: N/A
Multitimbral: 4
Pedal Inputs: None
Performance Control: auto-bend Trigger footswitch input (triggers selected note)
Polyphony: 16
Power: AC (IEC C9 to NEMA 1-15P)
Released: 1987
Sequencer: No
Signal Class: digital analog
Velocity: routed to EGs (levels and rates), auto-bend depth, and DCO (switch)"

CLICK FOR MORE »

Sub 37 | Analog Architecture Overview

Published on Aug 6, 2014 Moog Music Inc

"Moog Music Chief Engineer Cyril Lance gives an overview of the technical effort and advancements made during the design of the Sub 37 analog synthesizer. This video includes insights on the Sub 37’s new VCO design, mixer architecture, filter topology, as well as the implementation of paraphonic functionality via Duo Mode. Sonic exposition of the Sub 37’s performance potential is presented by formidable multi-instrumentalist Cory Henry. Henry is also a member of the Grammy Award Winning group Snarky Puppy.

The Sub 37 Bob Moog Tribute Edition analog synthesizer is shipping now.
To learn more, go to: MoogMusic.com/Sub37"

Moog Sub 37 on eBay

Casio SK-200 Sampling Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The SK-200 is quasi the 'flagship' among the Casio SK samplers. It offers a heap of functions and can save up to 4 samples (3.2 sec sampling time in total). Due to a complex multichip architecture, two accompaniment patterns, including drums, bass and chords, can also be programmed. The architecture is very open, thus allowing versatile tampering.

The SK-200 sounds very eighties-like with PCM drums and electro bass. The chords can be chosen from the melody presets and the samples can be played along with the beat in a fixed rhythm figure. With in total 4 separately adjustable volume controls occur many interesting possibilities."

CLICK FOR MORE »

Meet Goom - New Open Source Desktop Synthesizer

"Goom is a digital music synthesiser based on an ultra-low-cost microcontroller. It broadly emulates the architecture of traditional analogue synthesisers, offers 16-voice polyphony and is fully multitimbral, and is controlled over a MIDI interface. The total cost of the basic components to make a fully-working synthesiser is just a couple of pounds; the (optional) ‘knobs and switches’ analogue front panel interface increases the total component cost by an order of magnitude or so, mostly accounted for by the potentiometers themselves.

Features

Sixteen-voice polyphonic
Fully multitimbral (different patch on each MIDI channel)
Analogue front panel patch set-up for MIDI channel 1
Patch set-up using MIDI control change messages for channels 2 to 16
Two oscillators per voice: sine, sawtooth, square, pulse and intermediate waveforms
Oscillators can be mixed or combined using frequency modulation or frequency modulation plus feedback
Three envelope generators per voice (one ADSR and one AD for amplitude, one ADSR for filter)
Low-pass filter for each voice with resonance control
Velocity scaling on amplitude and filter cutoff
Stereo output with pan and volume control for each patch
24-bit digital-to-analogue converter
Voice architecture

The tone generation structure for each voice is shown in the diagram below. It broadly follows the conventional layout of an analogue synthesiser, but adds frequency modulation modes to increase the range of tone colours available.

One point of interest is that each oscillator waveform is controlled by a pair of continuous parameters rather than, for example, a multi-position switch. The waveform is divided into four parts: a rising slope, a flat period, a falling slope, and a final flat period. Each slope takes the shape of half a cosine wave: the first from cos –π to cos 0 and the second from cos 0 to cos π.

The first control determines the ‘duty cycle’, the ratio between the time taken for the first slope plus the first flat period to that taken for the second slope plus second flat period. The second control determines the proportion of the total cycle occupied by the flat periods.

Together these two controls allow the generation of sine, square and pulse waveforms, and an approximation to a sawtooth waveform. Furthermore, a wide range of intermediate waveforms is also available. Very roughly speaking, the first control determines the presence of even harmonics (varying on a line from string to flute, if you will), while the second control determines the overall harmonic richness.

An upper limit is enforced on the slope of the waveform such that as the frequency increases the waveform approaches a sine wave. Since the waveform and its first derivative are continuous the result is in a worthwhile reduction in aliasing without having to resort to more computationally intensive techniques such as those that involve summing individual band-limited waveform fragments. A particular advantage is that much precomputation can be done at the control update rate to reduce the work that needs to be done at the output sample rate."

Full details at http://www.quinapalus.com/goom.html

Electro Lobotomy Sonic Architecture Lab V. 1

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find video of one here.

"one of the original versions of the Electro Lobotomy "Sonic Architecture Lab" but I'm now in post-graduate school mode and need to sell large chunks of my gear. This thing is great for noiseniks, exercises in industrial esotericism, and goth dungeons. Connect it to a delay pedal or reverb and a whole slew of insane noises are at your finger tips.

From electro lobotomy:

-2 independent QUAD NAND GATE synths, 8 oscillators total. ( 4 red knobs on top left and top right )
- Power starve for each nand gate synth. ( middle left and middle right red knobs )
- Global power starve knob ( chicken head knob on front of case )
- Banana jack patch bay in the center ( 5 outs and 5 ins for each nand synth )
- Mixer section, volume for each nand synth ( white knobs top center )
- 4 attenuators with ins and outs ( 4 red knobs along the bottom, 2 in each nand synth section )
- White Led's for each synth section
- 1/4" output jack
- DC jack ( tip = negative )

As you can see in the pictures, one of the edge has a nick in, but that's merely cosmetic and does not affect functionality. Included are a generic 9v adapter, 6 banana cables for patching this baby, and the 9v battery connector should you prefer to use batteries in place of a wall outlet. Brand new one of these will set you back $200, I'm starting the bidding low, so get after it. :)"

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Novachord + Solovox | Cherry Audio

video uploads by Cherry Audio




"Novachord + Solovox is Cherry Audio's collection of two virtual synthesizer instruments emulating the forerunners of mass- produced synthesizers. Novachord is based on the revolutionary polyphonic instrument from 1939 that used a staggering 163 vacuum tubes and 1,000 custom capacitors. Solovox replicates a related monophonic keyboard instrument intended to provide organ-type lead accompaniment. Together, these now exceedingly rare instruments set standards for tone generation and synthesis techniques that continue to influence today’s electronic instruments.

Novachord + Solovox is available at https://cherryaudio.com and authorized resellers worldwide for the low price of $39 (list $59).

Novachord + Solovox is a bundle of two individual instruments provided as one download and installed in both standard DAW/host plugin and standalone formats. It is available in AU, VST, VST3, AAX, and standalone formats (individual for each instrument), and a free 30-day demo is available from https://cherryaudio.com."


And a video from CatSynth:

Novachord and Solovox from Cherry Audio: A detailed demo and tutorial

video upload by CatSynth TV

Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth

We take a detailed look at the new Novachord and Solovox from Cherry Audio, recreations of some the earliest electronic music instruments that were forerunners of modern analog substractive synthesizers. The Novachord was released in 1939 and the Solovox in 1940, featuring a novel architecture that used vacuum tubes for tone generators (oscillators) and filters. Their sound is unique and found use in film, popular music of the 1950s and 1960s, and can still be heard today.

00:37 History of the Novachord
01:36 History of the Solovox
02:12 Novachord Presets
05:38 Solovox Presets
07:57 Novachord Feature Walkthrough
15:00 Solovox Feature Walkthrough"

Update:

Press release via Cherry Audio:

Cherry Audio is ecstatic to unveil the sensational Novachord + Solovox collection, featuring two meticulously crafted virtual instruments that pay homage to the trailblazers of the synthesizer world. Novachord replicates the revolutionary 1939 polyphonic marvel of the same name, and Solovox reproduces the equally influential monophonic keyboard instrument. Cherry Audio is on a mission to reignite the vintage charm and distinctive tones of these timeless masterpieces that laid the foundation for contemporary synthesis methods.

Debuting at the 1939 World's Fair, the Hammond Novachord contained a breathtaking 163 vacuum tubes and over 1,000 custom capacitors. Its architecture predicted the ADSR envelope and utilized a resonant bandpass filter, similar to designs adopted decades later in modern polyphonic synthesizers. Novachord is remembered for its use in We'll Meet Again by Vera Lynn, and featured in decades of soundtracks, including "Gone With the Wind" and "The Maltese Falcon," and its otherworldly sounds heard in "Cat People," "It Came from Outer Space," The Twilight Zone and The Outer Limits. Today, fewer than 200 Novachords exist, and it is said that only five remain in operation worldwide.

Hammond's 1940 Solovox was a small monophonic mini keyboard instrument attached beneath a piano to augment it with organ-type lead voices. Deriving its design from the Novachord's oscillator and divider circuits, Solovox had 18 vacuum tubes and produced a range of string, woodwind, and organ sounds widely used in light music into the 1960s. Unfortunately, the introduction of compact transistor organs released in the 60s marked the end of the Solovox's popularity.

Award-winning developer and DSP designer Mark Barton shared our fascination with these unique historical electronic instruments, and approached Cherry Audio with the prospect of teaming up to revive them and their unique mystical sounds. Mark’s expertise in circuit modeling, along with the invaluable assistance of vintage Novachord owners Joseph and Justin Fill, enabled Cherry Audio to recreate these masterpieces using virtual synthesis rather than sampling.

Cherry Audio's Novachord features 32 polyphonic voices; a resonant bandpass filter network of three resonators; the "Brilliant," "Deep," and "Full" tone settings of the original; seven Attack/Decay/Sustain envelope options; adjustable depth vibrato; and an integrated reverb effect with Room and Hall algorithms plus speaker emulation to replicate the Novachord’s built-in amp and speakers in an acoustic space. Novachord's interface is a magnificent recreation of the original, replete with white Plakson and black Bakelite keys, teardrop levers, and gorgeous cherry wood.

Cherry Audio's Solovox is a faithful virtual analog emulation of the monophonic keyboard attachment instrument, featuring combinable Bass, Tenor, Contralto, and Soprano switches; First Voice and Second Voice two-pole bandpass filters with level controls and variable center frequencies; "Deep," and "Brilliant" tone settings; adjustable glide and fixed-rate vibrato; a mute control to filter harmonics from the oscillator voice; and an integrated reverb effect with Room algorithm and speaker emulation. The exquisite Solovox interface features responsive vacuum tubes that light up and respond to settings.

The result is the fully immersive Novachord + Solovox experience - a breathtaking feast for both the ears and the eyes. With additional touches including over 100 combined presets, flexible MIDI mapping, and Cherry Audio's popular Focus zoom-in feature, Novachord + Solovox brings these Golden Age classics out of the past and into the 21st century.

The unparalleled combination of Novachord and Solovox presents an unbeatable opportunity for musicians. Cherry Audio introduces this exceptional package of two extraordinary virtual instruments at one jaw-dropping price of just $39 (list price $59). With the original hardware being exceedingly rare and priceless, this incredible offer allows everyone to delve into the origins of electronic music and experience their captivating sounds.

The Novachord + Solovox collection is available from cherryaudio.com and authorized resellers worldwide for Windows and macOS (including macOS 13 Ventura, native Apple M1 processor support, M1 Ultra). The bundle is provided as a single download and installed in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, and an extensive collection of awe-inspiring sound demos.

Microvolt 3900 Introduction Video & Official Press Release

Published on Feb 13, 2018 Pittsburgh Modular Synthesizers

"A brief tour of the Microvolt 3900. A modern, semi-modular synthesizer inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analog monosynth with a host of unconventional and inspirational features. Patch cables optional."

Update: And the official press release:

"Pittsburgh pens love letter to the analogue monosynth with Microvolt 3900 desktop delight

PITTSBURGH, PA, USA: having turned heads and opened ears at The 2018 NAMM Show last month in Anaheim, CA, electronic instruments-maker Pittsburgh Modular Synthesizers is proud to announce that it is taking preorders on its Microvolt 3900 — duly destined to delight desktop synthesizer supporters anywhere as a modern, semi-modular synthesizer inspired by the instruments designed by the company’s heroes, though taking a new approach to building a contemporary analogue monosynth with a host of innovative and unconventional features that makes it stand out from the sound of the crowd — as of February 14…

Thanks to Pittsburgh Modular Synthesizers’ new temperature-stabilised, dual-VCA (Voltage Controlled Amplifier) oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral wave-shapers carefully crafted for deep harmonic shaping, allowing a layer of additive synthesis alongside the classic synthesis waveforms. Waveforms are fed into the binary filter, a custom state-variable filter architecture allowing for near-infinite resonance — with or without self- oscillation. Sonically speaking, this creates a juicy, fluid filter, adding depth and energy to the oscillator that can capably scream on demand!

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Superbooth 2018 - Uno Synth Design & Architecture

Published on May 8, 2018 Synthtopia

"At Superbooth 2018, we talked with Davide Mancini of Soundmachines, who shared some insight into the design and architecture of the new IK Multimedia Uno Synth."

Cherry Audio Announces the Rebirth of the Long-Awaited Chroma Synthesizer

Playlist:

1. Cherry Audio | Chroma Synthesizer

2. Cherry Audio | Chroma Classics Preset Pack

Chroma Classics Preset Pack for Chroma features an additional 100 phenomenal presets by Cherry Audio's Director of Sound Design, James Terris, blending vintage tones with a contemporary feel.

https://store.cherryaudio.com/presets...

3. Cherry Audio | The Story of Chroma

"Dive into the captivating history of the Rhodes Chroma synthesizer with "The Story of Chroma," a documentary that traces its revolutionary path from the final days of ARP Instruments to its celebrated release by Rhodes in 1982. This compelling video brings to life the innovative spirit of the Chroma through the firsthand accounts of those who stood at the forefront of its creation. Hear from Dr. Tom Rhea, a renowned electronic music historian, Michael Brigida, a dedicated ARP and Rhodes product specialist, and Mary Lock, the esteemed service manager for both companies, as they recount the synthesizer's development, challenges, and triumphs. Featuring exclusive interviews and insights, this documentary not only explores the technical breakthroughs and musical possibilities the Chroma introduced but also celebrates its enduring legacy and the recent resurgence through Cherry Audio’s efforts. Witness the story of a musical marvel that continues to inspire innovation and creativity in the world of music.

Produced by Daniel Keller
Editing and graphics by Mal Meehan
Music by James Terris"

4. Cherry Audio | Introduction to Chroma Synthesizer

Synth designer Mitchell Sigman of Cherry Audio introduces Chroma, Cherry Audio's virtual instrument that emulates the 1982 Rhodes Chroma polyphonic analog synthesizer and its Expander unit.

Online User Guide at https://docs.cherryaudio.com/cherry-a...

0:10 Introduction
1:18 User Interface Basics
4:44 Voice Architecture and Patch Configuration
9:43 The Chroma Arpeggiator
11:37 Sweep Generators (the LFOs)
17:02 Envelope Generators
19:46 Chroma CPU Usage

Cherry Audio Chroma User Videos


1. Cherry Audio Chroma: A demo + tutorial of an elusive analog synth - CatSynth TV - Patreon

We take a deep dive into Cherry Audio's new Chroma, a meticulous recreation of the legendary and elusive Rhodes Chroma. It was a polyphonic analog synthesizer that came with some unique features, notably the ability to reconfigure the signal path among its oscillators, filters, and VCAs, opening up a wider range of sound possibilities. Cherry Audio's version combines these features with a modern user interface that allows direct manipulation of the parameters (unlike the original with a single data slider), and adds a full-featured effects section. We go over the expansive feature set of this instrument, showing you how each feature works and how to use them to make your own sounds.

00:00 Introduction
00:27 History of the Chroma synthesizer
01:38 Presenting the Cherry Audio Chroma
02:39 Oscillator features
06:56 Filter features
11:17 VCA features
12:42 Dual Layers configuration
16:49 Dual Layers + Oscillator Sync
18:47 Dual Layers + Ring Modulation
21:13 Filter FM
23:54 Parallel Filters
26:09 Parallel Filters + Oscillator Sync
27:04 Series Filters
31:44 Effects section
32:38 Factory Presets
39:41 Conclusion

2. Cherry Audio Chroma Expander Sounds of Chaos Beauty Virtual Synthesizer - Rik Marston Official - AhnyxianSoundDesign

3. Cherry Audio Chroma Expander Sounds of Light & Darkness Virtual Synthesizer VST - Rik Marston Official - AhnyxianSoundDesign

Press release follows:

May 14, 2024: Cherry Audio is excited to unveil Chroma, a groundbreaking virtual instrument that brings the legendary sounds of the 1982 Rhodes Chroma into the digital age.

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Prophet 12 Module Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Don't let its small size fool you. The Prophet 12 Module boasts the same power and sound as the Prophet 12 Keyboard. Each of the Prophet's twelve voices is composed of a brand new hybrid digital/analog architecture that sounds different than any other DSI line of synths, yet retains the true Prophet vibe. With a humongous twelve voice polyphony, sophisticated architecture, and sleek design, the Prophet 12 is ready to handle any sound in any setting.

A voice as big as the rest

The Prophet 12's brand new hybrid voice has a digital front end followed by an all analog signal path output. Each voice has five high resolution digital oscillators, a digital character effects section, a resonant Curtis low-pass filter, a high-pass filter, a tune-able feedback circuit, a four-tap delay line with feedback per line, four loopable five-stage envelope generators, four syncable LFOs with slew and phase offset, a sophisticated arpeggiator, and a sixteen slot modulation matrix with 26 mod sources and 97 modulation destinations. The Prophet 12 Module is packed with a plethora of sonic potential and power!

Frequency and amplitude modulate the oscillators with incredible accuracy. Freely assign oscillators in whatever operator and modulator configurations you choose. You can even assign each of the oscillators to modulate LFOs, envelopes, and filters.

Et tu, control?

The Prophet 12 Module's streamlined interface invites quick and easy control of every parameter on the synth. Each synth section can be selected at the press of a button with every parameter editable from the crisp OLED display. Easily create modulation assignments using the Assign Mod buttons. Dedicated Low and High Pass Filter potentiometers provide quick and smooth control of the filters.

The Prophet 12 Module has a rugged steel enclosure and is equally at home on your desk, in your rack, or on stage! An extensive MIDI implementation covers every available parameter on the synth and you can easily pair it with your favorite MIDI controller or DAW.

The Prophet 12 Module

The Prophet 12 is the most cutting edge hybrid synthesizer on the market and defines what a modern polyphonic synthesizer is. Designed and manufactured in San Francisco, the Prophet 12 Module has a glorious combination of form and function in a sturdy, portable and elegant build."