MATRIXSYNTH: Search results for Nebulae V2


Showing posts sorted by relevance for query Nebulae V2. Sort by date Show all posts
Showing posts sorted by relevance for query Nebulae V2. Sort by date Show all posts

Tuesday, May 06, 2025

Introducing: Bloom v2


video upload by Qu - Bit

"Our fractal sequencer has blossomed into something new, yet familiar. Follow along as we take a quick look at the new and improved Qu-Bit Bloom v2, a 3-channel, 64 steps per channel CV and gate sequencer with a whole lot of tricks up its sleeve!

Pre-Orders are now available. Shipping everywhere May 27, 2025!"

Check with dealers on the right for availability.

Update: press release follows:



Qu-Bit Electronix readily reimagines mainstay sequencer as Bloom v2 with additional features and configurability compared to predecessor

SAN CLEMENTE, CA, USA: Q-Bit Electronix, acclaimed as a California-based modular synthesis brand behind the likes of Data Bender, Nebulae, Stardust, and other premier Eurorack modules, is proud to announce availability of the Daisy platform-based Bloom v2 — readily reimagining its mainstay sequencer as a multi-channel fractal formulation offering an abundance of additional features and configurability compared to its predecessor in ways that its creators collectively could not have hitherto imagined, yet perfectly aligns with an already established ethos of turning a knob and creating musical magic — as of June 18…

As a three-channel, 64-step CV and gate sequencer at its roots, Bloom v2 provides all the bread and butter controls considered necessary for creating a catchy, melodic sequence. Saying that, though, a quick push through the ‘leaves’ — like a tree, the enhanced Eurorack module in question features up to 128 different paths from the eight-step ‘trunk’ sequence’s seven ‘branches’ (taking those eight steps up to 64) to reach those ‘leaves’ and allow everything to musically bloom — reveals just how impressive its available array of controls actually are. After all, Bloom v2 lets users dial in any and allsequence data on a per-step basis — not just the note pitch. Put it this way: while it is perfectly possible to set gate state and length, slew amount, and ratchet amount — read: real (clock-synchronised) ratcheting, no less, users can also allow Bloom v2 to generate any aspect of the sequence by pushing the new reseed button, effectively dice-rolling the sequence for a fresh new take with each push of that button!

“Bloom was really the beginning of our foray into Qu-Bit’s new design ethos, whereby the module can take the wheel and generate beautiful music, if you want it to.” So says Qu-Bit Electronix Co-Founder Andrew Ikenberry by way of an alluring opener, before going on to reveal, “There was so much we wanted to do with the first Bloom, but couldn’t due to the hardware limitations of the time; now, with the Daisy platform, flexible USB port, and bespoke sequence editor, we really feel like Bloom v2 is the de facto Qu-Bit sequencer!”

And advancements have clearly been made above and beyond Bloom. Outside of having an additional channel and double the step length for sequences, Bloom v2 can save and load sequences — and their ‘branches’ — to and from a connected USB drive. Taking things several steps further, Qu-Bit Electronix has gone so far as to integrate a web-based sequence editor on Narwhal (https://narwhal.qubitelectronix.com/), its settings web app, where users can edit every aspect of a sequence — even editing the branch steps, so they can access a fully-programmable 512-step sequence — as well as setting a host of preferential behaviours and settings. Since sequences can be saved as individual files, users can share their sequences with other Bloom v2 users, adding the potential for a rich community of sequence-builders.

Eagle-eyed users of Qu-Bit Electronix’s original fractal sequencer Eurorack module will, without doubt, first become aware of a change brought about by Bloom v2’s updated layout, irrespective of its impressive new features. For instance, the main sequence encoders are now in a horizontal arrangement, with an intricate arboreal pattern weaving between each step. Furthermore, front panel artwork also acts as an eye-catching reference by illuminating which ‘Tune Mode’ the step encoders are using, with five different step editing modes currently available — namely, Note Pitch (illuminated in blue), Gate Length (green), Slew Amount (orange), Ratchet Amount (purple), and Mod Output (white).

Worth noting is the fact that the three channels on Bloom v2 each sport a new output — labelled mod 1, mod 2, and mod 3, respectively — as a CV modulation-focused affair that is fully sequence-able alongside the (self-explanatory) gate 1, gate 2, and gate 3, plus note 1, note 2, and note 3 outputs of the two other channels. But better still, there are three different output modes to choose from when working with those new outputs, Shapes being the default mod output as an LFO shape-builder mode, whereby each step can output a unique LFO shape or ratcheted variant of that shape, allowing usersto build complex modulation strings that are synchronised with the ‘trunk’ sequence; Envelope mode outputs a simple AD (Attack Decay) envelope with per-step peak control; and Stepped Voltage mode outputs a fixed voltage per step between 0V and +5V, perfect for velocity or stereo pan sequencing.

But Bloom v2’s sequences are not just outputted as voltages. Thanks to the new MIDI output and included TRS-to-MIDI cable, it can drive any MIDI-equipped device with its fractal power, and, at the same time, an onboard USB port allows it to become a MIDI host. Try transposing the sequence with a chromatic keyboard or triggering full pattern swaps on the fly with a MIDI controller.

Concludes Andrew Ikenberry: “Bloom v2 really opens up generative sequencing in a whole new way. Indeed, it can be random, while surprisingly intriguing and musical, and I’m excited to share this new evolution of our sequencer with the modular community.”

Clearly, then, Bloom v2 is evolutionary, hitting all the sweet spots as a creative sequencer with its immediacy and fine-tuning abilities all rolled neatly and imaginatively into an 18HP-width Eurorack module that adds a handful of requested additions as well as a few unexpected but game-changing new features. Furthermore, it is future-proofed by being based on the easily-updatable Daisy platform, so Q-Bit Electronix will continue tending their readily reimagined mainstay sequencer while watching how Bloom v2 blossoms throughout the modular community, members of which who can continually content themselves with planting the seeds of their next patch in the meantime.

Bloom v2 is available worldwide from Qu-Bit Electronix’s growing global network of distributors (https://www.qubitelectronix.com/distributors) with an MSRP (Manufacturer’s Suggested Retail Price) of $499.00 USD or directly via its dedicated webpage (which includes more in-depth information) here: https://www.qubitelectronix.com/shop/p/bloom-v2

Tuesday, June 01, 2021

Qu-Bit Nebulae V2 | First Patch


video by Cinematic Laboratory

"NOTE: This is a first patch video and there's a lot to figure out by trial on error because the manual doesn't provide a typical workflow for certain scenarios. So I will definitely revisit this module and try to help you understand it.

There are many granular solutions for Eurorack, where Arbhar, Clouds, Beads and Morphagene are probably the most used. Qu-Bit also provides the Nebulae V2 granular looper which is often overlooked as a contender.

Arbhar, Clouds and Beads have true polyphonic grain generation which allows you to create huge textures with randomly picked sound fragments from a buffer. They work similarily, but provide tons of different features. I'd say Arbhar is the most powerful of the three. Then there's the granular looper/microsound camp, where you can find Morphagene and the Nebulae. Again, both share a lot of similar features. Morphagene has an alien interface and sounds a bit raw where Nebulae sounds smooth because of its elastic audio engine - which I think is totally amazing for continuous tones. Finally, Nebulae is the only module that supports different firmwares as a DSP platform."

Friday, May 11, 2018

Qu-Bit Nebulae v2 Press Release & Pics

You can find previous posts featuring demos of the Qu-Bit Electronix Nebulae V2 here.

"Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.

- Granular sampler with time stretching capabilities
- 5 minute stereo recording buffer at 48kHz, 24 bit (In addition to file playback buffer)
- No naming convention or special formatting necessary for file playback
- Supports Pure Data, Csound, and SuperCollider alternate instrument files
- Ships with loaded USB flash drive ready to use
- Black aluminum front panel"

Sunday, January 05, 2020

CRAVE JAM #05 - Behringer Crave, Eventide H9, QU-Bit Nebulae v2, Make Noise Mimeophon


Published on Jan 5, 2020 maasijam

"Jamming with the new Behringer Crave analog synth.
CRAVE JAM #04

Patch notes:
Lead voice: Crave into Eventide H9. Cutoff modulated by the lfo. The rate of the LFO modulated by the keystep modwheel.
Ambient Background: Rhodes loop from QU-BIT Nebulae v2 into Make Noise Mimeophon. Nebulae 1v/oct modulated by a lfo."

Tuesday, June 26, 2018

capital | ambient w/ eurorack, iOS borderlands, rings, plonk, monome grid & nebulae


Published on Jun 26, 2018 d e a r a l a n

"thanks for watching and subscribing (=inspiration)
.........................................................

more on instagram: https://www.instagram.com/dearalanmusic/

.........................................................

notes:

All sounds from the eurorack, except the bass and the glitchy percussion

recorded live

voice 1: mutable rings - 4MS tapographic delay

voice 2: mutable rings - intellijel uvcf - chase bliss warped vinyl - qu-bit nebulae v2

voice 3: intellijel plonk - alm MUM M8

pads: sounds from the modular, into iOS borderlands and soundfruuze, as well as a drone from nebulae v2 samples from rings

kick: 2HP kick

perc/drums: ableton drum rack into various effects

field recording: dictaphone (into endorphin.es cockpit)

bass: ableton operator

all sequenced by ableton/monome grid via endorphin.es shuttle control

.........................................................

atm: working on a patreon page, as well as some releases through patreon/bandcamp"

Wednesday, May 23, 2018

Qu-Bit Nebulae V2 Granular Sampler Sounds


Published on May 23, 2018 Perfect Circuit Audio

"The Qu-Bit Nebulae V2 is a granular sampler eurorack synthesizer module that can have samples loaded by a USB stick or recorded directly into the module. In this video we used a few built in sounds and a few of our own samples. The Nebulae can also load other programs and is open source so you can develop your own synths and effects to run on it.

Available here: https://www.perfectcircuitaudio.com/q..."

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Friday, June 13, 2025

SCJS#58 BOUNDARIES REMIX - Shakmat Griffin's Claws, Qu-bit Nebulae v2, MI Beads


video upload by FL3SHB4CK

"Small Case Jam Sessions #58 BOUNDARIES REMIX

A four bars loop of 'Boundaries', an early SCJS track of mine, mangled by Qu-bit Nebulae v2, effects by MI Beads. Here, Shakmat Griffin's Claws faders control the amplitude of previously recorded cv.

Nebulae: phase vocoding & grains
Griffin's Claws: faders & recorded cv
Beads: feedback & reverb

Recorded live into Syntakt delay & reverb"

Friday, January 25, 2019

TEST SERIES Qu-Bit Electronix Nebulae V2 Eurorack with Haken Continuum Fingerboard


Published on Jan 25, 2019 Outsider Sound Design

"Qu-Bit Electronix Nebulae V2 Eurorack with Haken Continuum Fingerboard.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

Thursday, November 08, 2018

Patch #17 - Less is more (discovering granular synthesis with Nebulae v2 & uCLOUDS)


Published on Nov 8, 2018 BitCrusher

"Just got my Doepfer 48hp case in and filled it up with the first batch of modules to learn better; Nebulae v2, O_c and uCLOUDS.
The Disting is giving th O_c a pulse with the clockable lfo which is triggering the quad lfo on the Disting. The rest is clear I guess :)"

Thursday, October 26, 2023

The Grainmakers Playlist


video uploads by Cinematic Laboratory

"This playlist features granular eurorack modules that all need to process the same reference sample. I hope this gives a good impression of what the modules can do for you. They're all different, they're all great."

Playlist:

1. Grainmakers Playlist Introduction
I've been working on a huge video over the last few days and when I reached 30 minutes I decided to break it up into a playlist. This is cool! I can make updates and add new modules as they emerge. It's not supposed to be the ultimate grain guide, but it's cool to hear all modules chew on the same sample and hear what comes out. It's easy to be impressed by a bad module with a great soundsource, or underwhelmed by an amazing module that need to process something unworthy of its grains. So it all comes down to what they have to offer. And there are no bad modules. It's great fun to hear how a standard concept can turn into completely different experiences. So this is just a short playlist introduction.
2. Mutable Instruments Beads | Grainmakers Playlist
In this episode, Beads needs to chew on a reference performance.
Beads is an effect, but it can process an internal wavetable synth on its own.
3. Qu-Bit Nebulae V2 | Grainmakers Playlist
Our next contender in the playlist is the Qu-Bit Nebulae. It may be a bit underappreciated, but wow. A unique feature is elastic audio for time stretching.
4. Qu-Bit Mojave | Grainmakers Playlist
Next, Mojave needs to chew on Sebastian Lexer's grand piano.
5. Loopers | Lubadh & Morphagene | Grainmakers Playlist
Loopers are often confused with granular synths, especially with the Morphagene. Loopers don't grain or spray, they're digital tape machines.
Sometimes, when you think you're into grains, you'd actually been looking for a looper. It's time to show the difference, so they're an important addition to the lineup.
6. 1010Music BitBox MK2 | Grainmakers Playlist
The BitBox may not seem an obvious choice for granular processing, but if this playlist were a competition, then BitBox MK2 would be the King of the Grainfields. Granular processing offers limited CV support in the current firmware, but the sheer processing power is almost an insult to the other modules. Fortunately, it can't offer the hands-on experience like dedicated modules.
7. Error Instruments x TINRS Brinta | Grainmakers Playlist

8. Melotus Versio | Grainmakers Playlist
It's a Versio. What can I say. Awkward, special, amazing and breathtaking. It's unique feature is no pitch control. While this sounds like a flaw, it's almost a musthave feature when you run notes, effects and chords through it. Don't touch the melody. Just make it grain. Top 3 module in my list. And if it doesn't fit your needs, install a different firmware! If you own a different Versio, give it a shot. Nothing creates techno atmospheres and backdrops like Melotus.
9. MISO Cornflakes | Grainmakers Playlist
This is the last one for today :). Still a few more modules to cover, but it's already a great list. Here's MISO Cornflakes chewing on the Lexer piano. Again, it's a totally different experience, because Cornflakes adds special harmonizing features and stacking of grains. No other module has it - as far as I know. It can make wonderful new sounds from something familiar.
10. Instruo Arbhar V2 | Grainmakers Playlist
I already made plenty of Arbhar videos, but this is the second V2 video. In this playlist, all granular modules in my collection need to process the same audio file so it's easy to figure out what they do. Now it's Arbhar's turn.
11. Clouds & Clones | Grainmaker Playlist
This playlist would not be complete without a tribute to Clouds, one of the first modules in Eurorack that brought grains to the case. Clouds was launched in 2015 and discontinued in 2017. But that wasn't the end of it. It's been revived and extended in many forms, making it one of the most successful modules in Eurorack even today. From a techical perspective, Clouds is no match for the modern grainmakers in this playlist. But from the perspective of production value it's still a super useful module, especially if you manage to install the Parasite firmware. It's easy to forget that granular synthesis doesn't need big buffers. Sometimes a small 1 sec buffer is exactly what you need to get that desirable classic granular stream.
12. Combinations | Grainmaker Playlist
I got a question if Lubadh and Mojave would make a good combo. I had no idea. I figured this whole playlist is still 1-dimensional. So I patched these two up and then and I just had to make this video! I am still using the reference track so you get a good idea of how big the sonic playground becomes when you combine any looper with any granular engine. Results may vary, but wow. The bottom of the Rabbit Hole simply has a doorway to the next one. And it always gets deeper than the one before.
13. ADDAC 112 | Grainmakers Playlist
I may have unintentionally kept the best for last. The 112 combines a looper and granular engine in one big module. This is the last entry in the playlist.
The 112 will return soon for a dedicated video with some carefully selected samples to play with.
14. I missed a few | Grainmakers Playlist
After finishing the 112 video I was confident I covered enough 'grainmakers' in this playlist. I doublechecked if Disting EX and Phonogene should be in it, but no. The third one definitely needs to be on it! It doesn't show up when you search for 'granular' on ModularGrid, but it immediately went to my personal top #2.

Friday, June 01, 2018

Granular Synthesis EXPLAINED


Published on Jun 1, 2018 White Noises

[You can find the active links for below on YouTube]

∿ Nebulae sample libraries: http://www.qubitelectronix.com/sample-libraries/

∿ Andrew Huang's video featuring Crusher X: https://youtu.be/FfGTYTXpd7g?t=13m15s

∿ Support these videos on Patreon: http://www.patreon.com/whitenoises

∿ Download my music on Bandcamp
http://gregwht.bandcamp.com


∿ G r a n u l a r T o o l s ∿

∿ Nebulae v2: http://www.qubitelectronix.com/module...
∿ Clouds: https://mutable-instruments.net/modul...
∿ Ableton Granulator II: https://www.ableton.com/en/packs/gran...
∿ Fruity Loops Granulizer: https://www.image-line.com/support/fl...
∿ Malström: https://www.propellerheads.se/en/reas...
∿ Absynth: https://www.native-instruments.com/en...
∿ Crystallizer: https://www.soundtoys.com/product/cry...
∿ Crusher-X https://www.accsone.com


∿ L e a r n M o r e ∿

Sunday, July 01, 2018

Redemption - modular synth live performance by POB


Published on Jul 1, 2018 Patrick O'Brien

Redemption
by Patrick O’Brien “POB”
written, performed, produced and mixed by Patrick O’Brien

This is a live upside-down performance of the set I played at Grand View Market in Venice / Mar Vista California on June 15, 2018.

I played with other great modular synth artists OSC1Nation, Kittyspit, Pablo Perez, Normandy Falls, and Collin Russell.

Piano sample from Matt Lange’s sample library on the QU-Bit Electronix Nebulae v2 — I mean, POBulae! 🙏

Some reverb passed through Eventide’s H9, #36.

Modular Grid of module layout here: https://www.modulargrid.net/e/racks/view/682987

Modules used:
LS1 Lightstrip
Mannequins Mangrove
Erica Synths Black Octasource
Noise Engineering Loquelic Iteritas
Noise Engineering Mimetic Digitalis
Noise Engineering Manis Iteritas
Erica Synths Black LFO

Monday, June 16, 2025

HWJ FRIDAY 13th - THIS IS THE ONLY ROOM [13 remix]


video upload by FL3SHB4CK

"Hardware Jams Challenge: FRIDAY 13th
THIS IS THE ONLY ROOM [13 remix]

A fragment of my track 'THIS IS THE ONLY ROOM' remixed with Qu-bit Nebulae v2

Nebulae: phase vocoding & grains
Griffin's Claws: live & recorded cv
Beads: feedback & reverb

Recorded live into Syntakt delay & reverb"

Saturday, June 16, 2018

[exploration] playing around with the Qu-Bit Nebulae


Published on Jun 16, 2018 Tom Hall

"Using the DIY Controller '16n" to send a 0-5v control into every encoder input on the Qu-Bit Nebulae (v2)"

Friday, February 02, 2018

Qu-Bit Electronix Shows Their New Nebulae, Scanned & Synapse Modules


Published on Feb 2, 2018 Perfect Circuit Audio

"Andrew from Qu-Bit Electronix brought a case full of their modules by to show us their three new modules. Their Nebulae V2 is an updated version of their first module, a granular sample player and sampler that is stereo and can have custom firmware loaded onto it. The Scanned is a VCO that uses scanned synthesis to generate wavetables on the fly by analyzing a system based on a model of springs. The Synapse is a sequential switch with way more options than the standard switch including randomized routing, crossfading and memory locations for routing presets.

Qu-Bit: http://www.qubitelectronix.com/

Qu-Bit Products Available here: https://www.perfectcircuitaudio.com/q..."

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Tuesday, April 09, 2019

Orac - What is it?


Published on Apr 9, 2019 TheTechnobear

"I'm just about to release Orac 2.0 :)

this short video is a quick demonstration about what Orac is, a taster of what it can do, and how you can use it.

for release: Ive got a what's new for Orac 2.0 video, and also some tutorial videos on how to set it up etc.

I hope the video is not too confusing,
there is a lot of things going on , and frankly its quite hectic for me trying to think about 4 orac devices at once ...
you really only need one :)

Orac 2.0 will support the following platforms:
- Organelle
- Raspberry PI3
- Qubit Nebulae v2 (eurorack)
- Bela Salt (eurorack)"

Wednesday, January 24, 2018

NAMM 2018 Qu Bit Electronix Nebulae V2 Walkthrough


Published on Jan 24, 2018 Analogue Zone Showroom / Synths and Studio

AnalogueZone ► http://www.analoguezone.com

Thursday, August 26, 2021

“Rossum Panharmonium - First Contact” by Friendly Noise


video upload by Friendly Noise

"This is my first patch with the strange and amazing Rossum Panharmonium, a 'Mutating Spectral Resynthesizer', as it reads on the unit. Resynthesizers are an extremely rare kind of modules/instruments. The approach of Rossum Electro Music is easy to use and gets you immediate results.

In the clip, a full song is processed two times with different settings. The mix is 100% wet: you are always listening to the sound after processsing with Panharmonium.

Modules in the patch: Rossum Panharmonium, Qu-bit Nebulae V2, Intellijel Quadrax, Xaoc Tallin. Reverb comes from the Strymon Nightsky.

Video sections:

00:06 1st take
03:20 2nd take"

Thursday, June 05, 2014

Grayscale Algorhythm and Binary - Random Logic Acid


Grayscale Algorhythm and Binary - Random Logic Acid from Joseph Fraioli on Vimeo.

"A patch built around the new Grayscale Algorhythm and Binary modules.

Main clock source for this patch is the Livewire Chaos Computer. The gate out is feeding the left most Algorhythm module, which is in random mode. The top row of outs is going into the left Binary module in OR mode. The output of the Binary is then triggering the Tip Top BD808 kick drum that is then fed into the Modcan Dual Delay.

The same Chaos Computer clock source is multed to the right Algorhythm with the same process applied to the Binary. The Binary output here is triggering the Mutable Instruments Braids in Meta mode. The output of Braids is multed into a mixer as well as a VCA. By manually triggering the a pressure points pressure output, the signal is sent to the Qu-Bit Electronix RT60 for reverb throws.

The main clock source is then multed into the 4ms shuffling clock multiplier and outputted to the Cylonix Shapeshifter via the x 2 output though a channel of the Make Noise Maths v2. A synced LFO from the Modcan Quad LFO is triggering the cycle input as well as another sine LFO is modulating the fall time.

The center Algorhythm is in seq mode and clocked by a divided by 8 of the original clock source via the 4ms Rotating Clock Divider. The eight outputs are triggering eight tuned vocal samples on the Qu-Bit Electronix Nebulae in one-shot mode. The Nebulae output is then run through the Serge Resonant EQ and the Tiptop Audio Z-DSP with the Halls Of Valhalla reverb card.

The Make Noise Wogglebug, DPO, Maths and MMG provide acidy baseline.

The outputs of the Shapeshifter and DPO are put through the WMD Sequential Switch Matrix to use as a simple mute system for performance.

At around 3:17 I got a call from my cat food delivery guy.

No computers or editing were used in the making of this performance."

Wednesday, January 12, 2022

Mob of Emus + Beads + Chord Machine Ambient / Plaits Maths Ensemble Oscillator


video upload by Wac- Lounge

"Thank you for watching!
Here is the simple patch notes, a list of the gear and more information.

Grain delay voices = Mob of Emus (sine wave) processed by Beads sequenced by Chord Machine2
Chord voices = Mob of Emus (sine wave×4) sequenced by Chord Machine2 program controlled by MATHS modulation from A-145-4LFOs
Arpeggio voice = Qu-bit Chord sequenced by Chord Machine2(triggered by MATHS)
Synth pad = Ensemble Oscillator modulation & sequenced by Disting(clocked LFO attenuated by MATHS) triggered by Steppy
Strings-like voice = Rings with modulation from Disting(clocked LFO) sequenced by 2hp Arp filtered by A-120 VCF1(modulation from A-140ADSR triggered by Marbles)
Lead square wave voice = Plaits with modulation from Mob of Emus & A-145-4LFOs sequenced by Marbles(CV)
Chord & random percussive voice = Nebulae sequenced by MATHS
Master clock = MATHS (divided by Steppy)"

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