GForce Software Introduces Virtual Oberheim Matrix-12

video uploads by GForce Software

https://www.gforcesoftware.com/product/oberheim-matrix-12/

Playlist:

1. GForce Oberheim Matrix-12 With Alex Ball
2. GForce Oberheim Matrix-12 - Patch Playthrough
3. GForce Oberheim Matrix-12 Walkthrough

"The Oberheim Matrix-12 is the synth you've asked us for more than any other, and it's here. Oberheim's most ambitious analogue synthesiser, reborn with modern power.

The Matrix-12 gave Vangelis, Depeche Mode, The Orb and Technotronic some of the thickest pads, sweeps and basses ever recorded. Twelve voices, a fifteen-mode filter and Matrix Modulation, with the routing map printed on the panel because no screen could show it.

This is the only official Oberheim Matrix-12 and Xpander software instrument, created with Oberheim and Marcus Ryle, the original designer. We modelled the oscillators, filter and envelope shapes against the hardware, then made the matrix visible. Drag from any source to any knob and watch the Flow diagram and Mod Matrix show exactly how each voice is built.

Six keyboard zones with micro arpeggiators, full MPE, four Macros, onboard delay and reverb, and over 570 patches, including 190+ originals from the Matrix-12 and Xpander. The deepest synth Oberheim ever made is now the easiest to understand.

Presented by Alex Ball.

Analogue Soul. Digital Power."

I Own a Matrix-12. GForce Got Closer Than I Wanted.

video upload by Vulture Culture

"I own an Oberheim Matrix-12. GForce and Oberheim have made the first official plugin version of it, so I put the two side by side and tried to break both.

What I found:

VCO drift is identical, which is the thing people actually want from an analog emulation.

Filter FM is where plugins usually fail, Arturia in particular, and it is the most impressive thing here.

All fifteen filter modes are very close, though you generally have to push the resonance further on the software to match.

There are real differences in the noise, in oscillator brightness and in the envelope and LFO times. Some of those might be my 41 year old unit rather than their model.

It does not sound exactly like my hardware. It might sound exactly like the hardware they modelled it on.

DISCLOSURE: GForce paid me to design some of the factory presets for this plugin. They did not ask or pay me to make this video, and they have no control over what I say in it."

The most ambitious analogue synthesiser Oberheim® ever made, Matrix-12, reborn with modern power. Twelve voices, a fifteen-mode filter and Matrix Modulation, with the routing map printed on the panel because no screen could show it. Rare, heavy and costly to keep alive ever since. This is the only official Oberheim® Matrix-12 and Xpander software instrument, reimagined. Official Oberheim, With Marcus Ryle

The only official Oberheim Matrix-12 and Xpander software instrument, created with Oberheim and Marcus Ryle, one of the Matrix-12’s original designers.
Over 570 Patches Included
Over 570 Patches Included
Over 570 patches, including 380+ new patches and 190+ original Matrix-12 and Xpander patches.
Expression That Plays Like Hardware
Expression That Plays Like Hardware
Velocity, release velocity, pressure with rise and fall, full MPE with per-patch timbre curves, and four global Macros.

CLICK FOR MORE »

Syntheus 1001: a double-suitcase full of vintage modular synthesis

video upload by manmade madman

"If you could pack everything you ever wanted into a modular synth, and then put it in a suitcase, chances are it would reference the EMS Synthi AKS/VCS from the 1970's. Recently companies have released hardware editions that sound glorious. There's even a monster ultimate reissue called Analogue Solutions Colossus which I'm sure sounds incredible. The original was notorious not only for its clean look and capabilities but weird sounds even Brian Eno said "...great for bug noises" but he used it for decades as an effects processor as well. We've taken issue with this... it CAN be musical!

Here we have the ultimate version: 6 free range oscillators, dual patch panels, vintage spring reverb, a joystick that lets you record motion and play it back, and a snapshot sequencer that gives you your sound-per-step, or bug noises if you'd rather! Vintage circuitry all along the way, down to the opamp modelling. You'll hear the crunch and occasional bleeding of the original 70's wiring. Thanks to our db-cell technology, you'll hear a vintage drift everywhere, but well under control. It's not static-- in fact its always surprising and always different, just like the originals.

Best of all, its actually FUN to use. Drop a pin and watch the patch cable show you the connection! Modulate where you couldn't before. EZ rolls in different sections, including the patch matrix. Make sounds, snap them to the clocked sequencer, and get going.

Make vintage inspired sounds from the future that surprise you. Make something musical.

Prove Eno wrong!

https://store.denversynth.com/syntheu..."

SYNTHEUS 1001

An unobtainable synth that’s a double-briefcase full of awesome.

Famously used by a ’70s producer who called it “great for bug noises.” Prove him wrong!

Two EMS Synthi-style synths strapped together in one case: six oscillators, two 16×16 pin matrices, two diode-ladder filter/oscillators, two envelope shapers, a random voltage generator, ring mods, a spring reverb and an octave filter bank. There are no menus to patch. Push a pin into a hole, and the sound goes there. Pull it out, and it stops.

CLICK FOR MORE »

discoDSP Models the Oberheim TEO-5 In Software with the TED-8

video upload by discoDSP

TED-8 is the Oberheim TEO-5 as a plugin, built from thousands of measurements of a real unit. Every knob, every curve and every effect was recorded, compared and tuned until the plugin and the hardware sounded the same side by side. Then we gave it three more voices, a Poly Unison mode that stacks up to 6 voices on each of 8 notes (48 voices at once), a full modulation matrix and a cable to the real thing, so TED-8 works on its own in your DAW or as the editor and librarian for the TEO-5 on your desk.

HOW WE MODELED IT

TED-8 How we modeled it We started with a TEO-5 on the bench and a lot of patience. One note at a time, one knob step at a time, we recorded what the unit actually does: how far the filter moves per step, how the envelopes curve, how fast each LFO setting runs, how each effect colors the sound. TED-8 follows those recordings rather than a datasheet, so a patch you dial in feels and responds the way it does on the hardware.

The little imperfections came along too. Each voice sits a few cents apart and a touch louder or softer than its neighbour, the way the voices of the unit do, so chords breathe instead of sounding cloned.

CLICK FOR MORE »

Nikolator - Musical Tesla Coil simulator (demo)

video upload by Hügelton Instruments

"Nikolator is a physical modeling synthesizer based on a musical Tesla coil.
Instead of using conventional oscillators or samples, it generates sound by modeling the resonant circuit, discharge and resulting sound in the air.
We have made the Tesla coil itself into a playable software instrument.

Features
・Physical modeling of a musical Tesla coil
・Monophonic and polyphonic modes
・Voltage, current and discharge controls
・Adjustable arc length, branching and channel behavior
・Drive envelope
・4 × 6 modulation matrix
・Paraphonic valve low pass filter
・Twenty-two factory presets and user presets
・MIDI velocity, pitch bend, modulation wheel and sustain pedal with assignable modulation routing

Available for macOS (AU / VST3 / Standalone) and Windows (VST3).
https://hugelton.itch.io/nikolator"

follow-up to this post

Arturia MicroFreak Tutorial Videos by Synth Codex

video uploads by Synth Codex

"A video series organized by topic covering the Arturia MicroFreak. Each episode focuses on one part of the synth (the Digital Oscillator, the analog Filter, the Modulation Matrix, the Sequencer, and more) with practical, hands-on examples and feature tour. Follow the series in order for a full walkthrough, or jump directly to the topic you need!"

Playlist:

1. Introduction & Panel Overview | Arturia MicroFreak Tutorial 01
2. Classic & Wavetable Synthesis | Arturia MicroFreak Tutorial 02
3. All about the Filter | Arturia MicroFreak Tutorial 03
4. Envelopes and LFO | Arturia MicroFreak Tutorial 04
6. Introduction & Panel Overview | Arturia MicroFreak Tutorial 01
7. Karplus Strong, Waveshaping and FM | Arturia MicroFreak Tutorial 07
8. Keyboard: Pressure, Glide & Bend | Arturia MicroFreak Tutorial 08
9. Chords, Speech, Modal Resonator & Noise | Arturia MicroFreak Tutorial 09
10. All about the Arpeggiator | Arturia MicroFreak Tutorial 10
11. How to use the Sequencer | Arturia MicroFreak Tutorial 11
12. Sample-based Oscillators | Arturia MicroFreak Tutorial 12

Coming Soon : NerDie - inspired by SOMA RoAT (sound only, no words)

video upload by Diego Capoccitti

Follow-up to OktaDie and .

"No tutorial. No voiceover. No slides.

Just NerDie, a synth inspired by SOMA RoAT (Rumble of Ancient Times), played live, and the sound that comes out of it.

NerDie is an 8-bit noise synthesizer and sequencer — AAX, VST3, AU, AUv3 (iOS) and Standalone. The engine runs on integer uint8_t arithmetic at a fixed chip rate: overflow, wrap and quantization aren't simulated after the fact — they are the signal.

What you're hearing:

· 4 8-bit oscillators, 16 waveforms each, 19–1350 Hz
· 4 LFOs modulating pitch or level
· 3 mix topologies × 3 nodes × 8 algorithms = 1,536 ways to sum them
(addition, overflow, subtraction, ring mod, XOR, FM, waveshaping)
· Resonant 8-bit lowpass filter
· One-bar sequencer with overdub, master/slave clock
· CHAOS for instant chaos, drift for the slow kind, RND for a full patch
rendered and measured before it arrives — so it always plays
· 32 registers across 8 pages
· MPE: four oscillators, four voices — press, slide, strike and bend routed
through a matrix that decides what they move
· Pixel interface, two views: the panel, with hardware-style pot pickup,
and the matrix, with all 32 registers in sight for DAW work

Recorded in one take, no post-processing on the audio.

Headphones recommended.

Coming soon!

Formats: AAX · VST3 · AU · AUv3 · Standalone (macOS, Windows, iPad, iPhone)

NerDie is an independent project by Diego Capoccitti / 34Audiovisuals,
not affiliated with any hardware manufacturer, inspired by SOMA RoAT (Rumble of Ancient Times)

© 2026 Diego Capoccitti / 34Audiovisuals"

Yamaha TX802 Editor Librarian | Free to download

video upload by Espen Kraft

"My sound patches: https://espenkraft.com
Yamaha TX802 Editor & Librarian — browser-based, no install
Get the editor for free in my web shop here: https://espenkraft.com/b/MnPYo

A single HTML file that turns any Chrome or Edge browser into a full editor and librarian for the Yamaha TX802. Connect over MIDI and take control of the whole machine.

Voice editing — Every FM parameter on screen: all six operators with knobs for envelopes, levels, scaling and frequency, the LFO, pitch envelope, and the full 32-algorithm chart drawn exactly as Yamaha's. Plus the DX7II-era extras — poly mode, portamento, pitch-bend step and the complete controller matrix. Edit live and hear every change as you turn a knob.

Performance editing — Set up all eight tone generators in one grid: voice, MIDI channel, output, detune, note limits, tuning and more. Factory Preset A and B voices show by name, and linked tone generators resolve just like the module's own display.

Librarian — Read, save and reload all 64 voices and all 64 performances as standard .syx files. Double-click any voice or performance to load and play it instantly. Every write to the module is verified and read back, with a clear warning if memory protect blocks it.

Also — Full SysEx monitor, drag-and-drop file loading, remembered MIDI ports, and built-in help on every control.

*fractional scaling and micro tuning is not implemented in this editor.
*this is NOT fully compatible with the DX7II except for some voice editing

Made as a personal tool. Shared as is. I offer no support for this."

Intellijel Swells Explorations

video uploads by Intellijel

Playlist:

1. Swells Explorations | X-3: Shadow (No Talking Demo)

This is an exploration of Swells model X-3: Shadow

A classic sounding 'dark hall' reverb. This reverb sounds like a natural space, which makes it perfect for lots of different applications. But of course, being Swells, we can bend it and shape it for some more experimental patches too.

2. Swells Explorations | Y-2: Asterion (No Talking Demo)

This is an exploration of Swells model Y-2: Asterion

Asterion is our 'gateway to the stars' - based on the architecture of a certain digital reverb unit from the 1980s. It brings out the lush sound of the original, but expands its capabilities through the medium of Swells.

3. Swells Explorations | Z-1: Buckets (No Talking Demo)

This is an exploration of Swells model Z-1: Buckets

A matrix of BBD Delays that create a dark, noisy reverb. Oozing with character and grit, this reverb is great for complimenting all kinds of audio material, as demonstrated in these patches.

DiscoDSP Releases Retromulator Based on The Usual Suspects dsp56300 Engine

via DiscoDSP

[Note: although DiscoDSP gives credit to The Usual Suspects, it's my understanding TUS is not happy about it. From a forum:

"He basically took our source, put his own wrapper on it and is trying to sell it and use it to promote his own business. Can't prevent it, but frankly this is reprehensible IMHO.

Yes. He knows he cannot legally "sell" it due to the licensing model our code is published under. Therefore he sells "support" of "his development efforts" to include difficult things like "git clone" and other Arcane and extremely difficult stuff. sigh... I'd strongly advise anyone using it not to actually pay him for it, but that is just my opinion.]

What isn't clear is whether the UI is just the player above or includes the full editors by The Usual Suspects. I'm hearing it's just the player, which in effect might be an upsell for the full editors by The Usual Suspects.

That said:

"Retromulator brings legendary hardware cores back to life through authentic low-level emulation. The virtual analog synths are powered by a faithful recreation of the Motorola DSP 56300 processor, the Yamaha DX7 runs a full emulation of its original chip set, and the Akai S1000 sampler plays your SF2, SFZ, and Bliss sample banks with studio-quality interpolation. Each core runs its actual firmware or sample data — delivering the unmistakable character of hardware that defined electronic music from the early 80s through the 2000s.

Unlike traditional software emulations that recreate synthesizer behavior by approximation, Retromulator emulates the original integrated circuits at the hardware level. The virtual analog synths run on a cycle-accurate Motorola DSP 56300, the Yamaha DX7 runs a full emulation of its Hitachi HD6303R sub-CPU and Yamaha YM21280/YM21290 EGS/OPS chip set, and the Akai S1000 sampler runs on the SFZero v3.0.0 engine with 8-point sinc interpolation supporting SF2, SFZ, ZBP, and ZBB sample banks. Each core executes its authentic firmware or sample data exactly as intended.

Load the ROM firmware from your own hardware or sample banks from your library, place them in the designated folder, and Retromulator takes care of the rest. The result is not an approximation — it is the real hardware running inside your DAW.

Retromulator is built on Gearmulator, an open-source synthesizer emulation project by the dsp56300 team. We are grateful for their extraordinary work in bringing these classic instruments back to life."

You can find demos of the dsp56300 engines in previous posts here.

Featured synths:

CLICK FOR MORE »

Equations: Graphing Calculator Synthesizer by Decent Samples

Playing around with the Equations Synth video upload by Peter Kirn

"I am not going to write a Kraftwerk reference here.

This is too awesome. Review -- and more on the TI calculator hardware and how it's been used for music:

https://cdm.link/making-music-on-the-..."

via https://www.decentsamples.com

Where mathematics meets music: a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds.

Equation Synth is a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds. Whether you’re a sound designer seeking unprecedented sonic possibilities or a music producer looking for fresh, distinctive textures, Equation Synth opens up an infinite universe of waveforms limited only by your imagination.

Comprehensive Modulation System

Bring your equations to life with an extensive modulation matrix featuring:

Modulation Sources:

3 Envelopes (ADSR) with tempo sync options
3 LFOs with multiple waveform shapes (sine, square, saw), tempo sync, and delay
Note Velocity for dynamic expression
Modwheel for performance control
MPE Support: Timbre and Pressure for expressive multi-dimensional control
Modulation Destinations:

Route modulation to virtually any parameter including:

Volume, Pitch (Coarse/Fine)
All Equation Parameters (A, B, C, D)
Graph parameters (Scale X/Y, Offset X)
Filter Cutoff and Resonance
Noise Level
Effect parameters (Chorus, Delay, Reverb, and more)

Effects Chain

Polish your equation-based sounds with a professional effects suite:

Delay: Stereo offset, feedback, tempo-synced timing
Harmonic Reverb: Room size, damping, and mix controls
Chorus: Modulation depth and rate
Tape Simulator: Wow, Flutter, Saturation, as well as various tape player emulations
Intuitive Interface Design

Inspired by classic calculator aesthetics, Equation Synth features:

LCD-style display showing equation input and real-time waveform visualization
Tabbed interface organizing Equation, Synth, Modulation, Effects, and Note settings
Integrated help system with context-sensitive guidance
Virtual MIDI keyboard for quick auditioning
Scalable, resizable window
Preset management system for saving and recalling your creations
Advanced MIDI & MPE Capabilities

CLICK FOR MORE »

Waldorf - Iridium MK2 - Trailer & Deep Dive with CTO Rolf Wöhrmann

video upload by WaldorfMusicChannel


video upload by WaldorfMusicChannel

Check with dealers on the right for availability and price.

0:00 Start
1:26 Polyphonic Arpeggiator
6:35 Flavour - microvariations
10:12 4 layers multi-timbral
14:09 Seeds - new synthesis
22:51 Mutator
25:58 Per-Note-Parameter-Locks


via Waldorf

Iridium Desktop MK2: The Next Sound Dimension

Iridium Desktop MK2 is a new generation of the highly acclaimed Iridium Desktop synthesizer introduced in 2020 by Waldorf Music, and since then used by countless artists and sound designers. After six years the time has come to advance the sonic success story even further.

Based on the legendary multi-engine design of the Quantum & Iridium product line, the MK2 innovates even further, thus fitting perfectly into Waldorf’s forward-looking synthesizer design philosophy.

The MK2 features a new and fresh design, and an improved CPU board with more RAM and flash storage allowing for more sample storage and opening a whole new world of synthesis capabilities.

Per-Note-Parameter-Locks
(ft. Aphex Twin)
Only on the MK2 you can enjoy a very special feature called Per-Note-Parameter-Locks which is the result of a collaboration with legendary Aphex Twin, a long-term Iridium Desktop user.

With this feature, each of the 128 notes can be assigned up to 16 individual parameter variations by simply holding a note and turning knobs. This system allows each note to have a different set of parameters. You can even change the synthesis mode of oscillators for each note or change effect parameters. It feels like adding a whole new dimension to your music. Per-Note-Parameter-Locks are saved with each patch and can be inspected and edited on a dedicated page.

Seeds – The Sixth Synthesis Sense
The added RAM further allows a new sixth synthesis method for each of the three oscillators. Inspired by wavetable synthesis, in which each wavetable represents a timbral journey, Waldorf has found a way to base these timbral journeys not only on static waveforms, but also to dynamically synthesize each waypoint from sub-oscillators we called “Seeds”. These can be controlled and recombined using techniques like ring modulation and frequency modulation, and enriched with noise and other non-pitched material. While we provide, similarly to wavetables, a set of predefined timbral journeys, you can also edit and create your own.

Protein’s “Flavour” Knob
The new knob called “Flavour” adds sonic liveliness using our new concept of micro-variations in timing, timbre, pitch, and a whole set of additional parameters we recently introduced with the Protein synthesizer.

More Memory, Layers & Sound
With the increased memory capacity, you can change the multi-timbral layer count from 2 to 4. In addition to layered and split modes, the new MK2 also features more advanced multi-timbral modes, such as round-robin and random-robin. These additions bring greater timbral richness and variety, letting you build deep and complex sonic landscapes. A dream come true for all sound designers, sonic explorers and cinematic artists!

Iridium & Quantum Update 4.0
A general update of the Iridium and Quantum operating system will be available soon.

Version 4.0 provides some of the new features for all existing Quantum and Iridium models like the Mutator patch randomizer introduced in the Microwave plugin, a new polyphonic arpeggiator, new microtonal features saved in patches and other features.

Connectivity
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI In, Out & Thru
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MIDI 2.0 compatible
MicroSD slot
4 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analog clock In & Out with clock divider settings
Analog gate and start inputs
Kensington® compatible lock

CLICK FOR MORE »

Introducing Absynth 6 – weird by design | Native Instruments

video upload by Native Instruments

"Absynth is back and better than ever. The legendary semi-modular synth built for evolving textures, immersive atmospheres, and expressive sound – now with new presets, a reimagined Mutator, Preset Explorer, surround sound and MPE support, plus much more."

And a few supporting member videos followed by the press release with images:

DATABROTH

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/absynt...
Join me December 12th at 9 AM PT in the Native Instruments discord as I live stream Absynth 6

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

00:00 First Patch
01:21 Biolumin
02:21 Crystal Pad
03:14 Glitters
04:25 Refractions
05:41 Patch Six
06:33 Aetherized

Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments"

Ocean Swift / Faxi Nadu
video uploads by Ocean Swift / Faxi Nadu

Grab the Ocean Swift Absynth Collective for a huge expansion of over +780 presets! https://oceanswift.net/product/absynt...

Playlist:

1. Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments

"Native Instruments has finally released Absynth 6! In this exclusive first look review, we dive deep into the completely redesigned GUI, the new MPE capabilities, and the massive library of new presets Ocean Swift helped design.

After years of waiting, the legendary semi-modular synthesizer is back. As one of the external sound designers for this release, we've spent months exploring the new engine. In this video, we break down exactly what makes Absynth special and why the new UX modernization changes the game for sound designers and composers.

We cover everything from the new HD Mode and browsing workflow to the advanced envelope shapers that made Absynth famous - now easier to use than ever.

The King of Cloudy Pads Returns? Finally here!

#Absynth6 #absynth #NativeInstruments #SoundDesign #Synthesizer #MusicProduction #VSTPlugin #newgear

00:00:00 Absynth Is Back!
00:01:16 UX and UI Remake
00:03:15 Revamped Macros
00:04:22 MPE and PolyAT
00:06:22 New Synthesis
00:08:00 Browsing
00:08:27 New Presets
00:09:48 Get +780 Presets!
00:11:13 New Samples
00:13:10 In Love"

2. Absynth 6 - Design a Patch From Scratch | Layers, Clouds, Macros & Note FX #absynth6 #sounddesign

Along the way we explore the unique features that make Absynth special: working with all three layers, using per-layer envelopes, dialing in note-aware effects, assigning macros, shaping clouds and filters, and sprinkling in small tricks and workflow tidbits. By the end of the video you’ll have a clear understanding of how to approach your own Absynth 6 patch design - whether you’re after cloudy pads, moving textures or more experimental tones. If you’re just getting into Absynth 6 or want to go deeper than presets, this walkthrough will help you unlock the synth’s semi-modular possibilities and design your own signature sounds.

Press release follows:


Native Instruments makes things “Weird by Design” with the return of fan-favorite soft-synth Absynth 6

The semi-modular powerhouse, overhauled for a new generation of musicians, featuring full MPE polyphonic aftertouch, surround support and an AI-powered browser

CLICK FOR MORE »

Bastl Bitranger With Synapse 4x4 Matrix Keypad / A Rare Combo

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"One Bitranger with Synapse matrix keypad, original manual and 12 DuPont pin patch cables

Excellent condition, does not include battery or PSU

The bitRanger is a patchable analog logic computer that sculpts sonic worlds ranging from data noise to melodic arpeggios. While being a handheld standalone synth, it is also right at home in the music studio. Extensive connectivity makes it so flexible that it can connect to almost anything: CV control its unique sound, sync it with drum machines and sequencers or use it as an algorithmic CV / GATE pattern generator.

Go nuts! Bit nuts!

The patchbay of the bitRanger is a place for exploration where you can simply connect outputs to inputs to see what happens. This can be done methodically or with complete experimental abandon. Go nuts! Battery Power and a built-in speaker make the bitRanger totally portable. Tweak it’s 4 knobs, 8 switches, and more than 100 patch points in the woods, on the beach, on a train, and in the studio.

Features

LFO clock oscillator for rhythmical modulation

VCO oscillator is synced to the HFO oscillator

4 modes of operation selectable by 2 switches

built-in speaker with volume control

On /Off switch

expansion connector

package includes 3 photo resistors – make your oscillators respond to light by plugging these into the Bend socket

CLICK FOR MORE »

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

Intuitive Instruments Improves Exquis MPE Controller with Firmware 2.2.0 Update

video uploads by Intuitive Instruments



Exquis - Ableton Live integration (feat Primo Taut)

video upload by Intuitive Instruments

Press release follows:

Intuitive Instruments improves Exquis MPE controller with firmware 2.2.0 update alongside Ableton Live, Bitwig Studio, and Cockos Reaper workflow-merging scripts

SAINT-CYPRIEN, FRANCE: Intuitive Instruments is proud to announce improvements to the award-winning Exquis MPE (MIDI Polyphonic Expression) controller with major updates coming courtesy of introducing firmware 2.2.0 alongside software scripts to merge its workflow with Ableton Live, Bitwig Studio, and Cockos Reaper DAWs (Digital Audio Workstations) — wholeheartedly representing several simultaneous steps towards the inspirational solutions for music lovers creator’s goal of ultimately making music-making seamless by turning the flagship instrument itself into the ultimate lightweight and compact creative hub — as of September 8…

Exquis enables seamless and natural interaction with all DAW software, MIDI synthesizers, and modular systems by becoming a direct extension of its user’s creativity as an expressive and intuitive MPE controller comprising a hexagonal matrix of 61 backlit soft silicon keys arranged as consecutive notes (semitones) horizontally and harmonious notes (thirds) vertically — from the lowest at the bottom to the highest at the top — that provide independent gestural control over four different dimensions: velocity (strike force), horizontal tilt (X axis — pitch bend), vertical tilt (Y axis — CC#74), and pressure (Z axis — channel pressure or polyphonic aftertouch). Alongside a namesake companion app — itself optionally offering an experience akin to traditional composition software — available on macOS and Windows with support for VST, VST3, and AUv3 audio plug-in formats, Intuitive Instruments’ flagship instrument is intended to provide musicians of all levels with a fun and intuitive way of creating melodies and progressions, fully exploiting sonic potential in the process of doing so — whether working with third-party software over the USB (Type-C) connection, third-party software or hardware synthesizers through the MIDI IN and OUT (minijack) connections, and modular synthesizers via CV (control voltage) with dedicated 0-5V (minijack) connections for GATE (V-Trigger), PITCH (V/Oct), and MOD (pressure or velocity). These top out a lightweight (600g) and compact — 36 mm (H) x 146 mm (W) x 317 mm (D) — desktop design that also incorporates four rotary/push encoders and a six-zone capacitive touch slider, plus a series of selection, undo/redo, and action buttons, providing precise and intuitive control collectively over any user’s sound while enhancing interaction with the app.

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Cherry Audio | Introducing Crumar Spirit with Tim Shoebridge

video upload by Cherry Audio

"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.

https://cherryaudio.com/products/spir...

00:53 - Music Intro by Tim Shoebridge
02:05 - Introducing Crumar Spirit by Cherry Audio
03:28 - Spirit Signal Path
05:49 - Mod X
08:07 - The Oscillators
13:40 - The Filters
20:34 - Audio Mixer
21:14 - Shaper Y
26:20 - Arpeggiator
30:15 - Voice Modes and Multi-Voice Cycling
31:04 - Matrix Z Modulations
31:45 - Dual Effects Chain
34:42 - Conclusion"

Cherry Audio | Crumar Spirit

video upload by Cherry Audio

Cherry Audio | Spectres Preset Pack for Crumar Spirit by James Dyson

video upload by Cherry Audio

"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.

Just $9.99, exclusively from https://store.cherryaudio.com/presets...

18 Arps
9 Basses
5 Brass
8 Chords
10 Keys
9 Leads
17 Pads
14 Polyphonic
10 SoundFX"

Crumar Spirit by Cherry Audio: The rare Spirit reborn! (Part 1)

video upload by CatSynth TV

"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).

Part 2, covering the remaining features and exploring factory presets, will be released soon.

To find out more about Crumar Spriit by Cherry Audio, please visit: https://cherryaudio.com

00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"

Merch: https://shop.catsynth.com



Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.

Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.

Crumar Spirit includes over 430 sensational presets in 12 categories

Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.


A "Little Synth" Designed by Legends

Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.

Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.

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Oberheim Xpander Desktop 6-Voice Synthesizer w/ Original Box (Serviced) SN Y70801

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Xpander is a six-voice desktop version of the Oberheim Matrix 12 with which it shares an identical voice architecture. In many ways they are the most flexible non-modular analog synths ever built. Each voice has five LFOs, each with about five different wave shapes, plus the ability to sample most other modulators!

This unit is in fantastic working condition, the rear panel has a minor bend above the switch. Does not affect functionality. Includes the original shipping box as pictured.

This unit has been serviced by our in-house technician as follows:

-Replaced (2) 10,000uf capacitors in power supply

-Cleaned all pin headers and connectors in power supply and their corresponding connections

-Calibrated sections of voices and voice control circuity so that voices would pass autotune

-Cleaned internally

-Tested all functions"

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Redshift 6 - Firmware Update 1.2

Press release follows.

"Supercritical Synthesizers have just released the second firmware update for the Redshift 6 and it’s available at our website. The Firmware Update 1.2 brings Clock, LFO clock sync, NRPN support for parameter control, Mod Lock, and also 65 new presets from Gattobus, Starsky Carr, and our team.

VERSION 1.2

Added
Clock that can be synced via MIDI
LFO clock sync
Tap tempo
All parameters can now be controlled with NRPN and some with CC
Velocity to Amp quick modulation on AMP page
Mod lock
Double-tap a mod source to latch mod assignment mode
Hold a source and double-tap another one to latch mod + via assignment
Tap the blinking source or via button or Esc to unlatch
DCO keyfollow setting -400% to 400% on the KEY page
Keyboard octave switching: Up/Down on Key page, or Shift + Up/Down anywhere
Filter keyfollow snap to nominal 1:1, 2:1, 3:1 (these are not super accurate in self oscillation)
65 new presets by Gattobus, Starsky Carr and our team

Changed
New parameter adjustment logic
Default is as previously, except adjustment is more responsive (much smaller “deadzone” when starting to move a knob)
Holding shift now enables parameter fine tuning, allowing for much smaller adjustments (you can for example adjust tune by less than a cent)
Double-tap Shift to latch fine tune mode, tap Shift or Esc to unlatch
Parameter steps are now accessed by holding down a knob while turning
Perform page now shows clock status and incoming MIDI
Clarify a bunch of names around the UI
LFO Reset Phase now has steps at 25%, 50% and 75%
DCO Stack & Detune visualization now more accurately reflects what’s happening in the voice
Short grace period after adjusting modulation to prevent accidentally changing the parameter
Keyfollow now also follows pitch bend and portamento (might change behaviour of some presets)
Minor visual tweaks and fixes

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ANALOGyX2 Synthesizer from Waverley-Instruments

video upload by James Dyson

"ANALOGyX2 Synthersizer from Waverley-Instruments

An AU and VST 3 Duel VA Synthesizer for macOS
Windows version is planned..
Check it out here
https://www.waverley-instruments.com/..."




"ANALOGyX2 is a virtual analog synthesiser with a variable shape oscillator, including sub and noise generators with independent envelopes, a variable mode ladder filter with dedicated envelope and LFO, a pre-wired mod matrix including PWM, vibrato, tremolo and auto-pan, and last but not least, a selection of built-in effects comprising distortion, chorus, delay, grain pitch shifter and reverb.

Times two. Or as we like to say here at Waverley Instruments - 'X2'.

ANALOGyX2 isn’t just a dual oscillator, or even a “dual voice” affair, it’s two totally independent instruments. Unlike most 'A+B' or 'layered' designs, the only parameters common to both instruments in ANALOGyX2 are the master volume control and pitch bend range. Everything else, including the effects, are totally independent.

On the one hand, this means the ANALOGyX2 sound designer has twice as much to think about. On the other hand, we think this also means there’s twice as much fun to be had, and exponentially more sonic possibilities!

How do you pronounce ANALOGyX2?

Some people pronounce it “anna-loggy-ex-two”. Other people pronounce it 'analogy times two'. To be honest, we don’t mind how you pronounce it. We’re just delighted that you’re talking about ANALOGyX2!"

Speak & Glitch GND 1T // a charming synth that puts the “mental” in experimental music // Review

video upload by loopop

TIMELINE:
0:00 Intro
2:45 Overview
5:50 Build
6:10 Workflow
9:15 I/O
10:05 Patch screen
10:45 Drift
12:20 Morph
14:25 Random
15:00 Excludes
15:40 Speech
19:45 Speech filter
20:20 Word loop
20:50 Will it bend?
22:05 Stereo
22:40 Pitch
23:05 Post filter
23:30 Mix/Echo
23:55 Mini looper
24:40 Modulation
25:05 Envelopes
25:50 MFO
26:45 LFOs
27:20 Mod blocks
30:10 Exp matrix
32:00 Note XP
32:40 Drums
35:45 Arp/seq??
37:10 Misc
37:30 Pros & cons
42:10 Presets