Fraught - Ableton Move & 62hp Eurorack Palette - ritual psy-doom techno

video upload by Abre Ojos

"53bpm - Stories from the deep

‪@Ableton‬ Move
Eurorack Modular:
Dust of Time
DNIPRO Krait
‪@NoiseEngineering‬ Manis Iteritas
‪@Befacosynth‬ Oneiroi
‪@intellijel‬ 62hp Palette case + 1u modules

Live visuals using Just the Two of Us from Archive.org under a video microscope with live video feedback & ‪@entropyandsons‬ Recursion Studio
Video processed live through Resolume Avenue
Recorded with Rodecaster Video

Dark ambient audiovisual stuff: https://abreojos.net"

SOMA WARP - Part 1. Master effects (SOMA labs demo, no talk)

video upload by SOMA Laboratory

00:00 PUMP loops
02:15 PUMP Pulsar-23
03:16 MULTIBAND DISTORTION loops
04:30 Pulsar-23
05:42 HPF LPF
07:47 WAVEFOLDER Pulsar-23
09:42 WAVEFOLDER Terra



WARP is a high-quality multi-purpose audio processing unit, able to add might and magic to almost any instrument. It contains 15 different effects that can be divided into three types:

Spatial effects — ranging from traditional reverbs to granular, experimental algorithms, with pitch-shifting, reverse and micro-loops. Most of the spatial effects feature extremely long decay times, all the way to infinity. With feedback ratios above 1 you can drive the algorithm into self-oscillation for creating endless, rich, lively soundscapes out of almost any sound. To keep the sound under control with reasonable headroom and tonal aesthetic, all the generative algorithms include dedicated modules to automatically control sound levels.
Special effects — such as flanger, sample rate/bit reduction, vintage tape simulation. All special effects include unusual functions giving them a unique SOMA flavor.
Dynamic effects and filters — compressors, distortions, filters. All the effects in this category can be applied to submixes, e.g. a rhythm section group, or even to the whole mix – so one can conventionally call them master effects. All the effects in this category also have their unique extended features, SOMA-style.
All of that makes WARP a great unit for spatial processing of any acoustic or electronic instruments — guitar, vocals, strings, synthesizers etc., — as well as processing drums or complete mixes. WARP uses top-class audio chains and AD/DA-converters, same as those found in the best professional audio-interfaces made by APOGEE, FOCUSRITE, LEXICON, ECHOAUDIO, LINE 6, NOVATION. This prevents sound deterioration, even in such demanding situations as processing a complete mix. WARP has stereo inputs and outputs, compatible with both balanced and non-balanced connections. All of the sound processing is digital, including the MIX control. The AD/DA resolution is 24bit/48KHz. The internal digital processing resolution is 32bit IEEE.

WARP has a simple, intuitive interface, with instant direct access to all functions — perfect for playing live. Every processing parameter has a dedicated CV input, controllable via Eurorack systems and any CV source.

Erica Synths - Fusion System 1

Note: links to listings are affiliate links for which the site may be compensated.
video upload by NOISEBUG

https://www.noisebug.net/

Update: moved this one up for the added video.

"Erica Synths - Fusion System in excellent condition

She’s a real screamer! Available for purchase on our used reverb page. Interested in trading in your gear for store credit? Shoot us an email! #synth #eurorack #modularsynth"




via this Reverb listing

Additional NOISEBUG Listings

"Fusion System MK1 in excellent condition. This system has been fully tested. all modules function as expected and the modules all sound incredible!

Comes in an Erica Synths powered skiff with original PSU.

Erica Synths Fusion Drone System is here for those, who want to explore the dark territories of the sound, where only few have stepped in.

Vacuum tube based Erica Synths Fusion Series modules are the basis for this system, while Black Modulator and Black Envelope Generator add plenty of modulation and noise generation possibilities. It has 43 patchpoints for extensive experiments in sound design, all analogue signal and CV path to create the drones of massive power. Want a solid bassline with great 1V/oct tracking? Use CV/Gate sequencer or keyboard and you have it! Erica Synths Fusion Drone System brings distinct and powerful sound into eurorack.

Fusion Drone System includes:

Fusion VCO – Two double triodes in bistable latch connection act as suboscillators: -1 and -2 octaves with plenty of mixing opportunities for amazing sonic results. External audio signal can replace internal VCO.

Fusion Ringmodulator V2 – Germanium diodes enrich the sound by adding extra harmonic content meanwhile vacuum tube adds evilish overdrive to audio and carrier signals.

Fusion VCF V2 – Each side of the double triode drives signal between 2nd and 3rd stage of the filter, while germanium diodes are used to limit the output signal.

Black Modulator – a fully analogue modulation and noise source.
Black 8-Multi – an advanced replacement for stackable patch-cables – it is active buffered multiple with signal status LEDs.

Fusion VCA V2 – a Russian miniature pentode 1Ж24B with power consumption comparable to an LED.
Black EG – the ultimate control over envelopes in your modular system.

Fusion Delay/Flanger/Vintage Ensemble – a distinct multifunctional analogue effects module that combines BBD chip based effects with an adjustable tube overdrive in the delay output and a feedback path for extra thickness of the sound.

104HP One Row Skiff case"

CLICK FOR MORE »

Xaoc Devices Introduces Zlin 1982 Crossfader

video upload by Xaoc Devices

"Please welcome a new member of the Xaoc Devices Eurorack modules family. Zlin [zlin] is a small utility module (only 3HP!) that can act as an audio signal and CV cross-fader, a linear VCA with drone control, a ducking VCA, or a feedback controller. It is a tool perfect for any modular environment - a missing piece of the puzzle greatly enhancing the creative potential of any system. Use it to construct unusual waveforms, simulate classic subtractive-style dynamic timbre shaping without the need for any filters, or simply morph between rich signals.

As Zlin is DC-coupled and built around a modern high-quality dual VCA chip, it delivers a wide dynamic range with low noise and distortion. A slider potentiometer with an illuminated LED provides visual feedback of the module’s state. An auxiliary jack with three selectable functions adds further flexibility for creative patching.

Main features:
width 3HP
depth 32mm (including cable bracket)
+25mA/-15mA
voltage and manually controlled cross-fader
linear, DC-coupled VCA with drone and duck functions
feedback controller
visual indication of mix ratio
AUX jack for patching tricks

PRICE: 100 EUR MSRP, available now!"

Check with dealers on the right for availability.

CLICK FOR MORE »

Impiety - Ableton Move & 62hp Eurorack Palette - dark ambient ritual psychedelic doom

video upload by Abre Ojos

"53bpm - Still wondering how we got here

‪@Ableton‬ Move
Eurorack Modular:
Dust of Time
DNIPRO Krait
‪@NoiseEngineering‬ Manis Iteritas
‪@Befacosynth‬ Oneiroi
‪@intellijel‬ 62hp Palette case + 1u modules

Live visuals using Just the Two of Us from Archive.org under a video microscope with live video feedback.
Video processed live through Resolume Avenue
Recorded with Rodecaster Video


Dark ambient audiovisual stuff: https://abreojos.net"

Joranalogue Audio Design Introduces WALK 4 & WARP 1 Eurorack Modules

Press release follows:

"Emerging from the Joranalogue labs are two exciting new additions to our ever-growing series of fully analogue Eurorack modules. Let's dig into this dynamic duo.

First up: like a sample and hold with a master's degree, Walk 4 combines four analogue accumulators with a clock generator, four white noise sources and an auto reset to create a 10 HP voltage stepping, arpeggiating and random walking juggernaut.

With full voltage control and independent value and trigger inputs for each accumulator, there’s always more stochastic patching to explore ahead. And if you need a reliable master clock source with a huge range, 1 volt per octave tracking and external reset—that’s covered, too.

Meanwhile, its partner Warp 1 is a new breed of analogue waveshaper, based on a precise mathematical relationship between input and output, governed by a variable power function.

From subtle timbral colouring to wild hyperbolic distortion, it provides a level of control that’s unprecedented in waveshapers, combining meaningful parameters, clear LED indication, complete voltage control and DC to supersonic operation.

Friend of the brand BRiES already went and made a couple of excellent overview videos—be sure to check them out below. And, if you want to be among the very first people to patch these modules up, drop by our booth at Machina Bristronica in Bristol (UK), on Saturday the 27th or Sunday the 28th of September!"

Joranalogue Audio Design Introduces WALK 4 | Quad Brownian Accumulator | Quick Overview

video upload by Joranalogue Audio Design

WALK 4

QUAD BROWNIAN ACCUMULATOR

4 high-precision analogue voltage accumulators.

Integrated wide-range clock trigger generator with 1 volt per octave tracking.

Trend parameter for simultaneous modulation of all accumulator values.

4 white noise generators add adjustable volatility.

Constrain provides counteracting force, preventing voltages from accumulating too quickly.

Automatic and trigger-driven reset functions.

Add input adds a continuous external signal to all accumulator outputs.


Joranalogue Audio Design Introduces WARP 1 | Power Curve Waveshaper | Quick Overview

video upload by Joranalogue Audio Design

WARP 1

POWER CURVE WAVESHAPER

Analogue waveshaper based on power functions.

Adjustable exponent shapes waveforms from concave, to straight, to convex.

Hyper mode shapes incoming signals into hyperbolic-like waveforms.

Absolute value function for full wave rectifier use.

Symmetry control for asymmetric waveshaping.

Precision output clipper with independent negative and positive clipping levels.

Regular, inverted and polarity comparator outputs.

Excellent visual feedback: input voltage, output voltage and clipper status indicator LEDs.

BE A BETTER MODULATOR // Understanding Eurorack Modulation with the Thonk TRIPLE MOD

video upload by DivKid

"In this video we’ll break down how common types of modulation for sound synthesis work, how to make the most of them creatively and musically. We’ll do so while demoing the new Triple Mod DIY module from Thonk. Whether it’s creating multi-phonic layered patches needed multiple envelopes, understanding how a Turing Machine works and performing with it, understanding and making Sample & Hold melodic, creating chain reactions with EOC ‘end of cycle’ triggers … there’s lots in this video applicable to LOTS of other modules."

CLICK FOR MORE »

Radio Row: John Cage x IDM

video upload by Electrum Modular

"Channeling the spirit of John Cage, with the aid of ADDAC’s Servo module, a cheap radio, and a looper.

FURTHER NOTES:
• feedback on the Disting stereo delay is set to 28, just below the 100% level (32), so that sounds eventually fade out. The transience of sound - and the futility of trying to capture it through recording - was a theme in Cage’s writing.
• analog radio itself now seems to be fading away; several countries have already dropped FM. This kind of piece may not be possible soon.
• to ensure intervals of silence (rests), Cage specified AM band, which had fewer stations. I opted here for FM, for the warmer sound, reduced static, and closer spacing of stations.
• finding a radio that would work was a challenge. It had to be analog, with a headphone jack, and a simple frequency dial (1:1 ratio as Servo cannot go beyond 270 degrees). And the dial cap had to be removable. The only one I could find with all this was Studebaker Portable AM/FM Radio SB2002: https://studebakerhifi.com/collection...
• To fit the Servo’s arm to the tuner dial, I needed an adapter (a coupler from my son’s old Meccano set fit perfectly!)
My earlier video about ADDAC’s Servo: • When modules grow limbs: ADDAC's Servo [posted here]

SOURCES
John Cage, Silence (1961)
Andrea Valle and Amedeo Casella, 'Imaginary Landscape No. 4: study and annotation of the score,' Proceedings of the XXI CIM-Colloquio di Informatica Musicale (2016)
Alana Pagnutti, Reception: The Radio-works of Robert Rauschenberg and John Cage (Smith+Brown, 2016)
'Bedlam on Radio Row,' New York Times, May 25, 1930, 144"

Otterly original modules from Otter Mods 🦦🎛️ #Knobcon

video upload by CatSynth TV

"Elton Glover of Otter Mods gives us a tour of their offerings, including the O.T.T.e.R pattern generator, Itero step sequencer, and Triquetra triple shift register module.

For more information, please visit https://ottermods.com
For more on Knobcon, please visit https://knobcon.com

0:00 Introduction
0:37 O.T.T.e.R pattern generator
1:56 Itero step sequencer
2:36 Triquetra triple shift register module
5:36 Conclusion

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.

Merch: https://shop.catsynth.com
Patreon: / catsynth
Ko-Fi: https://ko-fi.com/catsynth

"Triquetra is a linear feedback shift register module, with three independent registers that have their own Gate and CV output. The clock for the second and third register are normalled to the first, but can be supplied with their own clocks to get a wide range of versatility from the module. A clock source is required to generate bits. The toggle switch will change between Looped and Free Run mode.

Each register has an attenuator for the CV output.

The Gate mode can be switched from a 50% clock cycle when the last bit is high, to a high output as long as the last bit is high. This gives the result of switching between either a “Trigger” style or “Leggato” style Gate. The Gate mode can be switched at any time by pressing all three buttons at the same time.

Each button corresponds to the three registers, and will cycle through the bit generating algorithms (seven in total). The LED will cycle through different colors corresponding to the following:

RED = LFSR1

GREEN= LFSR2

RED/GREEN= Small Number Modulus

BLUE= Fibonacci Sequence

RED/BLUE= Prime Number Sequence

GREEN/BLUE= Large Number Modulus

RED/GREEN/BLUE= Otter Mods Cryptograph"

Alternate panel design below.

CLICK FOR MORE »

Rare Polytik Modular Synths Set (Only 5 Sets Made) - Limited Edition

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find demos in previous posts here.

"Limited Edition Polytik Modular Synths / Full Set in Boxes

Mint condition, Super Rare, Only 5 Sets were made. Considered a Modern Art piece.

POLYTIK is a collection of beautifully designed hand-held synth modules exploring the border between play and sound.

Born out of a DIY ethos and the maker community, Polytik has been crafted into something very different – a series of beautifully designed objects in their own right. POLYTIK uses open-source hardware and encourages users to make new modules and hacks.

The brainchild of and in collaboration with, these hybrid analogue/digital devices can produce a palette of sounds ranging from angular rhythmic sequences to abstract noise, pads and drones. "The Core module is loaded with 30 sequences (five discrete patterns per sequence) programmed by John Richards with interviews and comments embedded in the code from musicians and artists including: Jas Shaw (Simian Mobile Disco), Mark Fell, and Frieder Nake."

Specs:
• Created by John Richards (Dirty Electronics) and Jack Featherstone
• Very limited edition run of 5 sets
• The full set contains:
• Core (Blue) - A sequencer, programmer and mixer
• Combi (Black) Voltage-controlled feedback, voltage-controlled oscillator
• VCO (Red) Voltage-controlled oscillator (VCO) and voltage-controlled filter
• Noise (Yellow) Noise generator, patchable feedback networks and voltage-controlled filter"

CLICK FOR MORE »

CG-Products XR 22VCO, Delay 1022, Peak + Hold, sound.report (Short explanation + 15 Min sounds only)

video upload by The Green Man(TGM) + sound.report by Heiner Kruse

https://www.cg-products.de/module/

XR22 VCO FT
VCO with Ring Modulation Input and FSK (Frequency Shift Keying)

Amplitude Modulation (AM) Input
Ring modulation
CV controllable sine/triangle volume
Advanced waveform generation by AM
Rgb-LED for optical control
FSK (Frequency Shift Keying)
Pulse and ramp generation
Switching between two different frequency CVs
Advanced waveform generation by FSK
LFO-, Bass-, High- Mode
Switchable Sync-Mode (from Rev.6)

The XR22 VCO FT is a VCO with amplitude modulation option – which can be used for volume control, or ring modulation of the oscillator’s sine/triangle output. The AM-input signal is added to a DC-voltage adjustable by knob ‘Gain’ (between ca. +/-5V) and the sum voltage is being internally multiplied with the sinewave/trianglewave The result is an oscillator amplitude depending on the ‘Gain’-DC plus AM-input signal. The applied AM-input signal can be mixed to the VCO output signal (modulated or unmodulated) too – a kind of ‘dry/wet’ control with the mix provided on the sine/triangle output. With no AM-input, the XR22 VCO FT behaves like a normal sinewave/triangle VCO, then its volume is controlled by knob ‘Gain’. Whereas with the knob ‘Gain’ in center position, the oscillator tone is becoming almost muted, and the input signal on ‘AM in’ controls the amplitude of the wave completely; thus the VCO can be used as a ring modulator.

The FSK (frequency shift keying) option provides two internally switchable different oscillator frequencies F1 and F2; each controllable by the two big-sized knobs (and their respective fine-tuning knobs and CV inputs). Switching between F1 and F2 can be done manually or by a logic signal (e.g. a gate signal) applied on input ‘FSK in‘. Further, it is possible to use the XR22 VCO FT‘s squarewave output for FSK switching. This will result in ramp or sawtooth (on the sine/triangle output) and pulse (on the squarewave output) waveforms. The falling and rising edges of the of the sine/triangle signal and the duty-cycle of the squarewave output are independently adjustable, and/or controllable via CVs of F1 and F2.

Furthermore, there is a switch for linking F1 to F2. In this case, the ratio between F1 and F2 is remaining the same, independently from the frequency, and ensuring properly 1V/oct. CV tracking.

A switch allowes to enable ‘sync mode’: An applied trigger will restart the wave always at the same point, useful for synced LFO applications and more.

For optical control, the XR22VCO FT has a full-color LED for AM visualization and a 2-color LED for FSK control.

CLICK FOR MORE »

Whimsical Patching

video uploads by Whimsical Raps

Playlist:

1. Whimsical Patching // 1. Audio-Rate Modulation

from Dani:
"One of my favorite aspects of modular synthesis is that signals we can hear are made of the same basic building block as signals which provide control and modulation -- they're all just voltage moving at different rates!

When we use an audio signal in the place of control voltage, we're touching into a technique broadly known as audio-rate modulation. Using audio-rate modulation in the Whimsical Raps ecosystem is incredibly rewarding, as it can unlock unexpected behaviors in familiar and new modules alike.

Here, Mangrove (our formant oscillator) modulates Silhouette's (our new 'signal combiner') SPOT, which is mixing six audio channels from Just Friends (our six-voice digital oscillator). I noticed that sending Mangrove into SPOT bleeds Mangrove's audio signal into the mix, so I tuned Mangrove to harmonize with Just Friends. This endowed FORMANT changes with new power, adding harmonic depth to the chaotic modulation -- notice the sizzle around 0:30 as FORMANT is cranked up.

Once INTONE adds distance between the ratios of Just Friends' oscillations, I reduce FORMANT to a low-frequency grumble -- I particularly enjoyed Silhouette's delayed vocalizations of these changes across the stereo field. Manually scanning SPOT offsets the input channels we're highlighting, which reveals the new INTONE-spread pitches. Increasing FORMANT introduces audible discontinuities as Mangrove regains its pitch, which are unique in the left and right channels. A final INTONE adjustment is added for performative spice, which is caught by the bucket-brigade device for a muted splash of stereo color."

CLICK FOR MORE »

Pittsburgh Modular 2025 Summer Update / New Modules / Synth Sale / New Stands / Q&A with Richard

video upload by Pittsburgh Modular Synthesizers

"Richard Nicol offers a summer 2025 update for Pittsburgh Modular with 3 new eurorack modules, new eurorack case stands, a July synth sale, and anything else the chat wants to know. Good times."

https://pittsburghmodular.com/

Introducing Crow 3, Double Helix Wavetable Processor, and Local Florist 2

Pittsburgh Modular Safari Series 9 is full of classic sounds, unique effects, and lo-fi digital chaos.

Crow 3 Filter
The latest iteration of the Crow pairs the destructive power of the original, Safari Series #1 module with the smoothest iteration yet of the Pittsburgh Filter sound. This module can sound beautiful or brutal or both.

Double Helix Wavetable Processor
Ten years ago we created a chaotic, low-fi, digital 9-bit wavetable oscillator module. After testing the prototypes, the limitations of our small company forced us to shelve the finished module before a full production run was realized. Recently, we made the mistake of gifting one of these ancient prototypes to our good friend who promptly posted a video and story on SonicState that caused our inbox to explode. So, due to popular demand, the Double Helix Wavetable Processor is finally here.

Local Florist 2
More feedback and a larger palette of options pushes the Local Florist 2 deeper into a unique world of experimentation. The Local Florist 2 offers a range of possibilities effects including flanging (kinda), chorus (yes), reverb (true), spring-y feedback sounds (all day), karplus strong (not really, but sorta), vibrato (yes), plucky percussive string sounds (yes), and general robot space sounds (often). Thank you for continuing to support your Local Florist!

Price, Availability, and More Information
The retail price for the Crow 3 and Local Florist 2 are $199 each. The retail price for the Double Helix is $299. Because these modules are considered experiments, production has been limited. The modules are available now through the Pittsburgh Modular web shop. More information regarding the Crow 3, Local Florist 2, and Double Helix Wavetable Processor Eurorack Modules is available at pittsburghmodular.com/safari.

Radical Percussion with the SSF Ultra Perc

video upload by Metamyther

"In this video, we explore how to create radical, distorted, and industrial-strength percussion using a killer combo of Eurorack modules: the Steady State Fate Ultra Perc, Bastl Dark Matter, and some Noise Engineering favorites – namely, the Desmodus, Lacrima and Toros Iteritas Alia. Perfect for electronic music producers pushing the limits of rhythm and sound design, we’ll dive into patching techniques that blend analog aggression, feedback saturation, and digital chaos, ideal for industrial techno, experimental beats, and modular percussion that cuts through any mix. This video will give you the inspiration to create truly unique drum textures and rhythms."

Additional Steady State Fate Ultra Perc posts

Introducing Boundary Layer by Schlappi Engineering

video upload by SCHLAPPI ENGINEERING

"Boundary Layer is a triple cycling slew acting as a powerhouse of modulation, audio mayhem, and obscure modular tricks."

00:00 Intro Montage
00:26 Introduction
00:43 Control Overview
01:50 Stereo Drone Patch
04:54 Three Percussive Envelopes
07:50 Envelope, Portamento, and Modulator
10:45 Outro jams

Check with dealers on the right for availability.

8 Patches with Boundary Layer by Schlappi Engineering

video upload by Stazma

"New Schlappi Engineering module alert!!!!
Welcome the Boudary Layer, a triple cycling slew acting as a powerhouse of modulation, audio mayhem, and obscure modular tricks in the tradition of Serge DUSG, the Make Noise Maths, our own Boundary, and others while also bringing a few new things to the table.

I'll show you some of my favorite patches with it, most can apply to other similar modules so it might interesting to anyone.

Have fun!"

Schlappi Engineering BOUNDARY LAYER / triple function generator / extensive playthrough

video upload by BRiES

"BOUNDARY LAYER by ‪@SCHLAPPIENGINEERING‬ is an apex triple function generator for eurorack. It has all the tricks up its sleeves and (as usual) is just a joy to work with due to it's well thought out interface and versatile feature set.
In this video I tried getting across how damn useful function generators are, how BOUNDARY LAYER works and how much fun it is to make patches with the module.
I hope you enjoy the video."

0:00 intro
0:40 feature overview
41:22 patch examples
1:00:15 closing thoughts



Boundary Layer is a triple cycling slew acting as a powerhouse of modulation, audio
mayhem, and obscure modular tricks. Each of the channels can act individually as:
-a modulation oscillator
-voltage controlled slew (including portamento)
-AR/AD envelope (decay or release determined by choice of input).

All three channels are tied together by three global inputs, as well as three outputs which select the MAX, MID, and MIN of all three voltages. Using different combinations at audio rate allows for patch programmable stereo drone synth capabilities.

Features

3 separate channels
3 global inputs
3 combined outputs MAX/MID/MIN
Oscillates from low LFO rate (a minute?) to audio rate (>10kHz with exponential feedback)
A CV input switchable between RISE/FALL/BOTH
Bound input for simultaneous control over cycling rate and amplitude
TRIG input for AD envelopes
SLEW input for AR envelopes and portamento or filtering
EOC ouput header switchable between EOR and EOF
16 HP
Skiff friendly 32mm depth (including cable)
current draw: +12V 170mA, -12V 100mA

Check with dealers on the right for availability.

Ancient Passage

video upload by davidryle

"This basis of this project was between the new Synthetic Sound Labs 1655 Geo-Gruvn euclidean sequencer and a few different Low Pass Filter modules. The new SSL 1015 LPG with the cadmium sulfide CdS element, the Mega Ohm Audio CdS VCF/A module and the Cyndustries Quad Low Pass Gates module. The Cyndustries module was enhanced by Phil from Mega Ohm Audio to be much more responsive. A big change and very useful.

The Geo-Gruvn module from SSL is an adaption of the Hagiwo board and was also enhanced to provide a more efficient response all the way to audio rate clocking.

The main orchestration automation module in this piece was with the synthesizers.com Q170 Midi Gates module. The use of eight channels of midi gate streams from Cubase were the way each section were enabled on and off. My hands-on modulation was simplified to allow me to change timbre, filter settings and delay rates with ease.

The center section featured the Dove Mu-Seq D900 sequencer for a pattern which began by me running the sequencer in reverse and recording the track to Cubase, then reversing it back into the mix. I started with the Woven Spirits (MI Plaits) at a higher octave and drew it down until it matched the timbre for the rest of the midsection.

The last part was the dual Matrix run into a pair of quantizer modules in which I timed the pitch voltage outputs with the Geo-Gruvn gate outs. These voices were the Dotcom Q206 and Q206A modules through the Frequency Central X Series Low Pass Filter and an Empress Reverb pedal.

Other delays included the Modcan 73B dual delay with loads of modulation, and the SSL 1310 Digital Delay.

The opening drone is a feedback from the TipTop Audio Z-DSP VC-Digital Signal Processor with the Halls of Valhalla chipset in Plate Reverb mode. This drone also arose in the center section.

A pair of frequency shifter modules (Encore Electronics and Behringer Bode Clone) were used for the Snare and Hi Hats enhancement. The kit drums were the LDB-2E Analog Drums from Delptronics and the TipTop SD808. They were sequenced from the Mutable Instruments Grids module and a pair of Turing Machines and an MI Marbles module."

Synthetic Sound Labs Releases Model 1015 Lowpass Gate Module in MU Format

Synthetic Sound Labs has just released its new 1 MU width 1015 Lowpass Gate module.

The SSL 1015 Lowpass Gate is a modern "Vactrol" VCA / VCF module inspired by Don Buchla's original 292C. Depending on the selected mode, a lowpass gate can act as a VCA, 2-pole lowpass filter, or VCA/VCF combination which is well known for creating organic plucky sounds. When in filter mode, the 1015 adds a unique resonance feedback which allows a variety of controlled percussive sounds and wild oscillations.

Previous lowpass gate designs used cadmium-sulfide photocells (CdS) which are currently banned in the EU and possibly several other nations. The SSL 1015 may be one of the first to utilize a Vactrol design that replaces the CdS photocells with a newer technology - helping protect our environment and is therefore welcomed Worldwide.

An option for the CdS version is available at additional charge by direct factory request for USA based shipments only.

SSL uses quality fiberglass-epoxy printed circuit boards, precision automated robotics and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 1015 is yet another in SSL’s growing line of new synthesizer modules. Proudly made in the USA.

Pricing is $275 US - available directly from SSL and through distributors worldwide.

Check with dealers on the right for availability.

New GRP A10 Flagship Synthesizer Incoming

These in via John L Rice.

Left: front panel layout.

Below: PDF with full details. Click on each pic to zoom in.

Update: "The Grp A10 will cost €10,000* plus VAT and will be available at the end of 2026."

CLICK FOR MORE »

Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

CLICK FOR MORE »

Synthesizers.com Joins synthCube

Some news sent my way via John L Rice

via synthCube on modwiggler:

"We are happy to announce here (first) that Synthesizers.com will be joining our portfolio of synthCube brands here just outside of Boston. We spent the weekend packing all of the assets, inventory, demo units etc into trucks and will be taking the next few weeks to get everything set up again in our shop. We owe much gratitude to Roger Arrick for the initial effort to design and start the company in the first place, to James Allen and others who took on Dotcom when Roger passed it along to them, and to the most recent owners for their stewardship of Dotcom in the interim. If you're a designer / maker of dotcom/MU 5U modules, we hope that this helps re-energize interest in your products too... frankly, the more options that customers have, the better for those customers and for the format itself. Part of how we will measure success is NOT by how many makers we put out of business, rather it will be how many makers will now grow faster, and how many new makers might come in and create more dotcom/MU 5U innovations? We'll post more details about future plans here and in other channels when we have some time, and we look forward to hearing your feedback, ideas, and suggestions on how best to inspire and support the current generations of Dotcom users and how to improve the products and solutions for the next generation as well. We know Dotcom/5U won't ever be as popular as Eurorack, and that's OK; BUT we are equally confident that there will always be a place for high quality, large format, serious synth instruments and modules and 5U will be around for the long haul. How does that saying go? 'We liked the product so much we bought the company.'

Monika and Chris"