Liminal Patch 010 : Dark Ambient Modular Exploration : 10 Minutes of Threshold Invocation

video upload by Botched Creative

"AETHERIS NEXUSis a 10-minute descent into modular tension, where structured performance collides with controlled unpredictability. A convergence of control and surrender. Droning analog oscillators stretch across a dark horizon. Sculpted noise writhes in the aether—each exhale a ghost of resonance. Randomized ostinatos emerge like faulty memories. Pulsing bass figures carve a path agnostic to meter—structured, but answerable only to their own internal logic.

Recorded live to multitrack, each voice was captured in real time—a fleeting convergence of structure and volatility. What emerged was part performance, part algorithmic drift: a mesh of voltages and reactive systems colliding in ways that can’t be precisely reentered.
An improvisation encoded in circuitry and instinct. Once aligned—now gone.

Liminal Patch 010 marks the end of Series One. Liminal Patches Series Two will return after a brief hiatus.

0:00 :: Intro
0:30 :: Synth layer 01 : Moog Subharmonicon
1:21 :: Synth drone 01 : Archae Loki
1:53 :: Texture drone 01 : Maneco Labs Grone 2 Dark Drone Machine
2:15 :: Bell Sequence : Black Corporation Deckard's Voice
2:35 :: Texture drone 02: Forge TME Vhikk X
3:21 :: Bass Synth : Moog Matriarch
3:52 :: Synth drone 02 : Winterbloom Castor & Pollux
04:20 :: The middle bit
09:08 :: The end logo
09:23 :: A subtle hint


Main Synths:
Moog Subharmonicon, Moog Matriarch, Archea Loki, Winterbloom Castor & Pollux. Black Corporation Deckard's Voice, Maneco Labs Grone 2 Dark Drone Machine, Forge TME Vhikk X.

Sequencer:
Qu-Bit Bloom

Processors:
Make Noise Maths, Happy Nerding 3x Mia, ALM Pam's Pro Workout, Xaoc Devices Zadar, Xoac Timiszoara, Expert Sleepers ES-9, Intellijel Quadratt, Thorn Audio VC LFO, Maneco Labs Clusterverb, After Later Audio Cloaks,

Post-Processing:
Abelton Live (tracking), Motu Digital Performer (mixing), Kush Audio, Slate Digital, Valhalla DSP, Waves plugins.

Become the infinite threshold."

PPG's Superbooth Teaser Is for a New PPG 1002 Desktop Synthesizer

video upload by Cornel Hecht

"The PPG 1002, one of the rarest and most sought-after synthesizers in music history, is back as a original PPG hardware synthesizer. The PPG 1002 was, alongside the modular synthesizers, one of the last fully analog PPG synthesizer. It laid the foundation for later digital milestones such as the PPG 360, the Wave 2, and the Wave 2.2."

Follow-up to this post.

"Born for a new era"

"THE LEGEND LIVES ON

The PPG 1002, one of the rarest and most sought-after synthesizers in music history, is back as a original PPG hardware synthesizer.

The PPG 1002 was, alongside the modular synthesizers, one of the last fully analog PPG synthesizer. It laid the foundation for later digital milestones such as the PPG 360, the Wave 2, and the Wave 2.2.

The PPG 1002 reissue is now available for preorder and is strictly limited to only 102 units. The PPG 1002 is more than just a synthesizer – it represents a symbiosis of technology and ecological responsibility.

Based on Wolfgang Palm's original handwritten drawings, the PPG 1002 returns as an exclusive reissue – meticulously reconstructed and crafted with the highest precision.

This limited edition preserves the authentic analog circuitry of the original, bringing the legendary PPG sound to a new generation of musicians and collectors.

Unlike the original keyboard version, the reissue appears in the classic console-style housing, staying true to the design of the original 1002.

The PPG 1002 is an exclusive reissue of the legendary analog synthesizer designed by Wolfgang Palm in 1975. The total price is 9,999 Euros excluding shipping costs.

Production begins after your pre-order and a deposit of €4999.

The remaining €5000 is due before delivery."

SPECS

- 2 analog oscillators with transpose switches and mixable waveforms from triangle to saw

- Oscillator 2 also offers square wave and a sub-oscillator

- Oscillator 2 can be synchronized

- Noise generator for audio and modulation

- A ring modulator can be switched on instead of the noise generator

- Routable LFO with pulse and triangle waveforms

- 24dB low-pass filter with resonance

- Voltage-controlled amplifier

- 2 easy edit envelopes

- Switchable modulators for each module, allowing for an almost modular-like routing

- CV and MIDI inputs

- external precision low noise power supply

- Download the manual [pdf captured as images below]

www.ppgsynth.com

You can find previous posts featuring the original PPG 1002 here.

"THE PPG STORY
In 1975, Wolfgang Palm made synthesizer history with the PPG 1002. An early prototype featured retractable patch cables, but in the final production model, these were replaced with rotary switches for more versatile modulation. A key advantage of the 1002 over its competitors was its temperature-compensated VCO circuit, now further refined in this reissue, preserving its iconic sound.

The PPG 1020 (1977) introduced digital oscillators, paving the way for the 360 Wavecomputer in 1979, which marked the beginning of wavetable synthesis. This was followed by milestones such as the PPG Wave 2.3 (1984) with MIDI and the PPG Waveterm B (1985).

After PPG was dissolved in 1987, Wolfgang Palm collaborated with Steinberg and later co-developed the Waldorf Microwave (1989). In the 2000s, he released software synthesizers under his own name, including the PPG Wavegenerator, Wavemapper, Infinite Pro, and Phonem. In 2020, Palm transferred the PPG technologies to Brainworx, which became part of Native Instruments in 2023.

At the same time, Cornel Hecht, part of the PPG team since 2012, reviewed Wolfgang Palm’s original handwritten schematics of the PPG 1002. His mission: to faithfully bring the analog circuitry of 1975 into the present. The first prototype impressed Native Instruments, laying the foundation for this exclusive reissue.
Wolfgang Palm: "What's labeled PPG should also be PPG inside! That was and still is my motto. The new edition of the PPG 1002 is based on the original PPG circuitry."

But this reissue is more than just a synthesizer, it’s a fusion of technology and ecological responsibility. The PPG 1002 is produced CO₂-neutral, and every purchase supports sustainable environmental projects, such as Liquid Sky’s reforestation initiative in Portugal. This way, the future of sound remains not only authentic, but also green."

CLICK FOR MORE »

Liminal Patch 008 : Ambient Eurorack Modular Exploration

video upload by Botched Creative

"Creaturae Imaginis is a slow-burning descent into tone, texture, and atmosphere—12 minutes of ambient analog synthesis, layered with subtle generative elements. Recorded live to multitrack, each voice was captured in isolation, allowing for extensive post-processing and detailed mixing. The result is a piece that blurs the line between raw performance and sculpted sound design—a meditation on presence, process, and the strange beauty of voltage in motion.

Main Synths:
Forge TME Vhikk X, Maneco Labs Grone 2 Dark Drone Machine, Moog Mother 32, Moog Matriarch, Archea Loki, Winterbloom Castor & Pollux.

Sequencer:
Arturia KeyStep Pro

Processors:
Make Noise Maths, Happy Nerding 3x Mia, ALM Pam's Pro Workout, Xaoc Devices Zadar, Xoac Timiszoara, Expert Sleepers ES-9, Intellijel Quadratt, Thorn Audio VC LFO, Maneco Labs Clusterverb, Maneco Labs Filter Eko, Animal Factory Vivisect, After Later Audio Cloaks,

Post-Processing:
Walrus Audio Fable, OBNE Darkstar, Meris Mercury X, Meris Mercury 7, Meris Polymoon, Meris LVX, Boss RE-20, Chase Bliss Mood, Chase Bliss Generation Loss, Strymon Timeline, Strymon Big Sky, Abelton Live (tracking), Motu Digital Performer (mixing), Kush Audio, Slate Digital, Valhalla DSP, Waves plugins.

Enjoy the in-between world."

After Later Audio - Bartender V2 and Mixing Ecosystem

video upload by Steve Turner

"This video explains how to connect the Bartender V2, Barback V2, Outs, Bal Outs, Insert and Sends.

You can read my long form blog article about the ALA mixing ecosystem here:

https://steveturner.com.au/news/blog/..."

TEMPERA - An amazing granular-synth-sampler instrument by Beetlecrab Audio

video upload by CGMAGIK

"Finally making another video! I'm long overdue. It's been a busy year and I also moved, which was a huge amount of work. I live on a beautiful island now though, so well worth it :) Back in the Fall of 2024, as I was preparing to work on a new film project, an ad popped up in my news feed. I think on Facebook, or maybe Instagram . . . It was for this new granular sample based instrument called the 'TEMPERA' by Beetlecrab Audio. It didn't take long after reading a bit about it and watching a few videos that I felt that THIS was something I needed to get! Perfect for the film I was going to be working on. Part of what I was going to do with the project was to record a handful of real musicians (voice, bass clarinet, trumpet and guitar) and then further manipulate and make samples of the performances I recorded. The TEMPERA seemed like it would be a really great tool for some of that work, and it was! It is months later now, the film is finished and I felt that I should make a quick video showing some of these patches, or 'canvases' as they are called, that I made.

The TEMPERA is an amazing and inspiring instrument and I'm looking forward to working more with it.

The film I worked on is called #vanlife and you can read more about it here

https://www.screendaily.com/news/prod..."

MotorSynth MK2 | By Gamechanger Audio

video upload by Cinematic Laboratory

"When the first Motor Synth was introduced back in 2019, the synth community unanimously agreed to disagree. For some the MOTOR Synth appeared to be a completely ridiculous, overengineered and limited instrument - at one point the phrase “pure embodiment of evil hipster trash” was used, while others called it one of the most innovative and exciting instrument designs the industry had seen in years. The truth lies somewhere in the middle and I feel it's MUCH better and cooler than people think it is.

However, spending 3K on it doesn't make it yours. It's packed with so many features you'll need to find your own gemstones buried in the trash. After spending four days with this unit (on loan, not mine) I realized theirs true magic when it's limitations are starting to work against it. It excels when it fails. Please note, this unit makes a LOT of noise even when it's not connected to any amp or audio interface. Still, the mechanical noise is an essential part of the final experience and you should always record it, even when you decide not to use it later. Most of my recordings in this video has the camera audio, attenuated at -10 dB. It's really loud, but it's not a motor synth without it.

The synth is simply too expensive to make this a review, and I don't do reviews anyway. I try to focus on production value. If you're a pro composer for films and games, this thing is a highly recommended no brainer. The same applies for evil hipsters. If not, try to borrow one from an evil hipster and sample the hell out of it.

Big thanks to Gamechanger Audio for letting me borrow it. This video is sponsored by me, no money changed hands and I can't keep it.

00:00 Introduction
03:04 Day 1 - First patch with the Linnstrument (MIDI)
06:47 Day 2 - Using the V1 and V2 Sends for stereo.
08:23 Randomizing presets
10:01 Day 3 - Adding external modular FX
13:22 Motion REC
14:39 Dark Ambient with slowed down audio (50%)
16:24 Vocoder
17:50 Day 4 - Driven my Marbles CV and Triggers"

Stairs Stereo Ladder Filter by After Later Audio || Full Walkthrough and Demo

video upload by Robots Are Red

00:00 - Opening
00:41 - Walkthrough
06:55 - Does it Ping?
07:19 - East Coast Patch
13:10 - West Coast Patch
17:54 - Drums

Check with dealers on the right for availability. See the announcement post here.

BUCHLA & FRIENDS: THE SYNTH MAKER SHOWCASE Event Set for LA Next Weekend Jan 25 & 26

Tickets available at Eventbrite

"We’re gathering over 70 boutique synth makers in one awesome Silverlake spot so you can learn, listen, and live the latest in electronic music sound production. This hands-on, headphones-only gathering gives you a chance to hear the best sounds science has ever created. From additive to subtractive, analog to digital, keyboards to breath, audio to visual (yes- some video synths will be here too!), modular to full-size polyphonic, eurorack to Serge to Buchla, you’ll meet synth makers and synth enthusiasts alike. This will be January’s biggest two-day collection of hands-on synths on the West Coast! If you love creative sound, you need to be here."

Delicious food (including vegan) from Moby Rick’s fish tacos, incredible carbonated beverages from United Wild Brew. Exhibitors: 1010music • 4ms • After Later Audio • AIAIAI • AJH • ALM Busy Circuits • Animal Factory • Ashton Research • ASM • Bastl Instruments • Bitwig • Black Corporation • Bored Brain • Buchla • Catalyst • Circuit Happy • Crosspatch • Days of Yore • Rain City Modular • Doepfer • Dogbotic Labs • Dreadbox • Drift DJ • Elektron • Endorphines • eowave • Eternal Research • Five12 • Flame • Frap Tools • Future Retro • Genki Instruments • Groove Synthesis • Jomox • LA Synth Club • Mega Modular Corp • Melbourne instruments • MEMS project • Meris • Modbap • Moog Foundation • Mystic Circuits • Netherblade • New Systems Instruments • Noise Engineering • Noisebug • Novation • Null Modular • OXI Instruments • Polyend • Prism Circuits • Roger Linn • Schlappi Engineering • Sleepy Circuits • SoCal Synth Society • SOMA • Soundwork Shop • Studio Electronics • Supercritical • SynthRISE • TipTop • Tobinski • Touellskouarn • U.D.O. • Vermona • Wavea • Waveform Magazine • Wavesequencer • Weston Precision Audio • WMD ... & more!

Buchla organizes this event to make a stronger synthesizer community. We make it free to attend and affordable for exhibitors. This makes the vibes great - after all, we are all making our own waves!"

Berlin School Ambient-ish Jam - Zoom R8, Gen R-8, ELZ_1 play, PSS-380

video upload by ChrisLody

"Full Disclosure: I occasionally take on freelance work at Sonicware and Stylophone on an hourly rate producing synth & sample sound design, beta testing, checking English text, video manuals, promo content etc. This video wasn't paid for directly but as a result of my work with Sonicware and Stylophone it is marked as Paid Promotion

So I feel very lucky this year to have worked with a few wonderful companies, mainly Sonicware and Stylophone. Obviously I've been sent the gear I've worked on for Sonicware as you'll see it all over my channel, but also Stylophone were very nice to me and sent me a Gen R-8 from their vaults!

I'm also lucky that my wife (and in-laws) appreciates my second job/hobby and buys me music gear for Christmas, that's where the Zoom R8 multitrack recorder I'm using here came from. I bought a Zoom Livetrak L-6 this year for my dawless jams which I love, but it records all it's channel simultaneously so layering is not possible. Layering is an interesting way of working which I've often used on the channel with a four track tape recorder, mixer and a send effect (most often a Zoom 1201), but this replaces the need for all that with a lot more features to boot.

What surprised me the most about the R8 is that you can record, mix and even master a whole track without relying on a DAW. All effects etc you hear are the R8 alone here. It has a send reverb slot, a send chorus/delay slot and then a single insert effects chain. The insert effect can only be doing one thing at once so you'll typically record through it onto an audio track or you can record dry and re-record (bounce) through it later if you prefer. There are a number of algorithms which are just a number of effects slots in a chain which can be configured to your liking. You switch algorithms, channel, contents and settings or preset of the insert effect depending what you need it for and when. This information is not well presented in the manual though so I geeked out and made a spreadsheet to show more simply which algorithms can contain which type of effect and which can be synced to tempo. That's available here: https://mega.nz/file/quxm3CoD#H1-u2Db... (I printed and laminated these, yes I know how to nerd)

Perhaps the only let down about the R8 is there's no sync options, though it's not really expecting you to work that way. You can have the metronome on headphones only which may be the way to do things, but I suspect I end up recording and panning a click from a Volca/Liven as a way around this.

By the way the small glockenspiel was part of my present from my in-laws. I've never had much luck recording them because of the huge spike in volume when the bar is hit (transient) so I almost gave up, but after studying the effects I saw the R8 has a 'slow attack' effect which was perfect for this as it completely kills the clackiness of the hit. Nice one. I'm recording through one of the two built in mics for that btw.

A quick word about the Stylophone Gen R-8, it's a dirty little beast. It's been kind of wild to get to grips with and I'm finding it's not suited to quite a lot of patches I'd normally make, smooth basses are out of the question for example because it sounds like the oscillator resets at the start of each new note (maybe the envelope, idk) so there's always a percussive click. Plus the filter sound is agro with settings that would normally tame it, it refuses to be calm. But for more aggressive tones it's very nice so I'll probably use it mostly for that!"

https://chrislody.bandcamp.com

FFS with a Kick

video upload by After Later Audio

"For Fuzz Sake gets fully exercised with a kick loop."

After Later Audio Stairs - Stereo Ladder Filter Eurorack Module

video upload by After Later Audio

"A single triangle wave pattern played through Stairs. Learn about the bias knob and how it interacts with the cutoff and resonance."

"Our first ladder filter, and it's in stereo. You'll get HP, BP. LP2, and LP4 outputs for each side. Please read below on the HP and BP outputs as they are a bit temperamental.

Along with all of the great traditional sounds of a ladder filter, we've added a bias knob which starves ladder transistors of bias current. This can create some fun detuning, glitchy, and warbly sounds. It sounds best with the resonance turned up a bit. Turning the bias will mess with the cutoff frequency and resonance settings so it takes some knob tweaking to master it. There is decent volt/octave tracking for about 3 octaves.

The HP and BP are possible due to pole mixing. When combined with the level control and the resonance it can lead to some atypical behaviors. So keeping the resonance low and you'll need to manage the level control to get a typical HP and BP responses."

Check with dealers on the right for availability.

ALA Case Expander How-To

video upload by After Later Audio

"Using our expansion set to convert the lid into another powered rack."

Unleash Your Creativity with Dual Morphing Filters – Swords is Here

video upload by Behringer

"Unleash the full potential of your sound with Swords, the dual filter module inspired by Mutable Instruments Blades. From subtle tonal shaping to wild sonic textures, Swords delivers unparalleled control with analog circuitry, morphing filters, and customizable routing. Ready to transform your modular rig?"

Also see the After Later Audio Razor.

FFS - For Fuzz Sake (Super Fuzz Face!) || By After Later Audio

video upload by Robots Are Red

"FFS is based on the famed Fuzz Face guitar pedal, but with extremely broken out controls for both the Germanium and Silicon sections of the Fuzz.

Jump to any section here:
00:00 - Opening
00:43 - Overview
02:24 - Deep Demo
08:25 - Self Oscillation
10:50 - Rings through FFS
17:57 - Drums through FFS
24:15 - Moog Style Patch through FFS
26:41 - Guitar through FFS
32:41 - Some Music"

"Two fuzz channels based on the fuzz face circuit with a built-in pickup simulator.

Gnarly is a 7 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges. The transistor pairs on this section are replaceable.

Oomph is a 5 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section. Pickup simulator - Fuzz circuits offer unique sound when paired with the inductance of the pickup coils in a guitar. This why it is often suggested to have fuzz pedals as your first in a pedal chain. So we've built-in a coil to simulate your eurorack signal being emitted by a guitar pickup. We've also included a pickup simulator output so you can use it to interface with other fuzz instruments (pedals, modules, etc.). As an added oddness - you can also input your guitar into the pickup sim output (just don't plug anything into the normal input). This will still get you Eurorack level output. Please don't input Eurorack levels into the pickup sim output.

Tips - Experiment with the pickup simulator and buffered signal. Use the PS.Level to keep the signal low, borderline on cutting out. You find lots of joy in the gnarly section by keeping this level at the edge."

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

Brooklyn Synth & Pedal Expo Returns to Brooklyn on October 5-6

"The Brooklyn Synth & Pedal Expo, a free for all interactive display of synthesizers and pedals of all kinds, will return to Brooklyn on the weekend of October 5th and 6th at Greenpoint's stylish warehouse venue 100 Sutton.

Hosted in a 6k sq ft warehouse in the heart of one of Brooklyn’s most musical neighborhoods located between Williamsburg and Queens, this year's event is expected to be attended by around 2k visitors. Pictures from last year's edition can be found here.

Eurorack Classes and GSG.live workshops
The schedule of the presentations will be also integrated by two Eurorack classes hosted by Ben Atchouel of the New York Modular Society and two workshops about online performances curated by the team at GSG.live.

Confirmed Vendors
Visitors will find a varied mix of companies, over 80, with a nice assortment of heavyweight synth and pedal brands and smaller boutique builders, including several Eurorack companies. Full list below.

CLICK FOR MORE »

G-Storm Electro Introduces GODSPEar | Oxford OSCar Eurorack Filter Translation

[Demo #1] video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Today I am introducing GODSPEar, my homage to the Oxford OSCar filter in Eurorack format. GODSPEar is the only filter used in these audio recordings. Detailed explanation of the module and patch examples will be in a forthcoming Demo #2. Audio recorded direct to Tascam DR-05, some additional compression and normalization used in the making of this audio.

Check my Reverb store for GODSPEar and other module availability
http://reverb.com/shop/gstormelectro

These audio demos from this video can be heard on their entirety on my Soundcloud page. http://soundcloud.com/gstormelectro"



via Reverb

"As Oscar translates from Celtic to God’s Spear, now GODSPEar is my translation Oxford OSCar Synthesizer filter for the Eurorack format. GODSPEar has a special look and sound that pays special homage to OSCar designer Chris Huggett’s creation. The Oxford OSCar would inherit some of the funky DNA from EDP WASP as it was discontinued at the time. Hailed as Europe’s answer to the Minimoog, sets itself apart from Bob’s hardware with some curious technical wizardry all its own.

The OSCar, and now with my GODSPEar filter were already interesting to start. It is actually TWO FILTERS each w/ 2-Pole cutoff slope. The cutoff frequencies of the two filters can diverge from each other by an adjustable SEPARATION control. The “Q” resonance control behaves as one would expect when no SEPARATION is used. But in BANDPASS mode, with higher Q settings as well as SEPARATION impart vocal formant sounds.

Divorced of any CPU control prowess as it was implemented on the original. GODSPEar filter control has been designed from the ground up to work well w/ the Euro standard. And to meet the stringent requirements that discerning modular synth enthusiasts have come to expect. Yet retains the original core topology, a full analog signal path, NOS NJM13600 OTAs, as well as V/Oct filter tracking. Logic assisted Filter MODE selection button toggle. Two external CV inputs for control of Frequency. And now the additional features of CV control over Q, and yes CV control of Separation.

Beware - CV control over Separation is serious business.These signals were only meant to diverge in one direction. Sending the cutoff frequencies in the other directions yield vanishing Bandpass audio and unintended consequences for Low/HighPass modes. Thus on GODSPEar, I’ve added an active Full Wave Rectifier circuit to govern the Separation CV input as gate-keeper and peace maker. Go ahead and send your bi-polar LFO signals etc. Just know in doing so, any negative voltage components will be flipped over to the positive realm. You’re welcome.

FREQUENCY | the initial Cutoff Frequency of the filter

Q | the depth of the peak frequency resonant feedback.Res will self-oscillate without an input signal present.

Q CV | Modulate the Q Resonance w/ any polar/bi-polar mod signal. This signal is summed against the Initial Q amount knob.

IN 1 & IN 2 | Mix together 2 different audio signals, each w/ their own mix pot.

Freq CV | Modulate the Cutoff Frequency w/ any polar/bi-polar signal. At 12 o’clock, the pot has no modulation. In the Counter-Clockwise direction it can invert the incoming control signal.

KB | Modulate the Cutoff Frequency w/ a V/oct signal or any other polar/bi-polar mod. Self-oscillation resonance will loosely track v/oct when KB is set to 100%, allowing the self-oscillation Q sinewave to be played in a musical fashion.

TYPE | Toggle switch for choosing the filter MODE: Lowpass, Bandpass, Highpass.

SEPARATION | Initial amount that diverges the frequency cutoff spread between the two filters.

SEP CV | Control Voltage Input with attenuator knob for modulating the Initial Separation amount. Input CV Signal is passed through a Full Wave Rectifier so that Separation behaves in a prescribed manner as expected, thereby preserving audio integrity.

OUT | the mono audio output jack.

Spearhead your own analog filter trajectory by racking up something a bit outside the usual fare. GODSPEar is made in limited quantities, not mass produced – so don’t wait and get yours whenever available. Includes a 10-pin to 16-pin Eurorack ribbon connector. Rack screws are not included as it’s presumptuous that one fastener spec suits everybody. Fasteners are possibly available upon request if you let me know your specs I’ll see what I can do. I highly recommend After Later Audio Rack Screws sold separately here on Reverb."

After Later Audio Benjolin V2

video upload by Synthguru

"After Later Audio Benjolin V2
just a little live take of this mighty Eurorack module!
Reverb and Delay added"

SUPERBOOTH 2024: Tiptop Audio - Triax 8 & More

video upload by sonicstate

"At Superbooth 2024, Gur at Tiptop Audio showcased their latest innovations in the world of modular synthesis, introducing the range of new ART polyphonic modules and utilities that are set to revolutionize the way musicians interact with their modular systems. Vortex 6 *, a PPG Wave oscillator, *Octopass Poly Filter*, *Octostages Poly Envelope and Octogain are all set to begin shipping straight after Superbooth 2024.

All these polyphonic modules peak to each other using ART*, Tiptops polyphonic signal, and this signal travels through the *Polytip patch cords. Gur also revealed some new utilities, including *M*, a Polytip Mult.

Next Gur revealed the Triax8*, a fully analog polyphonic oscillator featuring 16 true analog oscillators designed by the renowned *Dave Rossum and his colleagues at SSI*. The *Triax8 offers a rich and diverse sound palette, allowing users to create anything from beautiful pads to classic vintage analog tones. The oscillator also boasts a linear FM with true zero, enabling users to experiment with frequency modulation and create complex and evolving sounds.

Triax 8 Available soon.

All prices can be found on the Tiptop Audio website.

https://tiptopaudio.com/"

Press announcment/release follows:

Polyphonic modular system:

Are you ready for a new chapter in modular synthesis? Soon after Superbooth we will announce preorders and start shipping the first set of the fully Polyphonic modules: Vortex6, Octopass, Octostages, Octogain, Octo I/O and the Polytip patch cables that are used to patch them.

Buchla and Tiptop Audio 200t systems:

Moving forward with our collaboration with Buchla we are demoing a complete 200t system at Superbooth. The system is housed in cool wood-like Mantis cases with a vintage touch. These systems will be available later this year.

CLICK FOR MORE »

Eurorack Performance Mixer Techniques // After Later Audio Nightlife Mixer Series (Bartender & more)

video upload by DivKid

"Join me for lots of patches going from the basics of mixing techniques (applicable to audio in general, but specifically Eurorack modular synthesizers) through to more advanced audio routing and creative options for audio processing.

While this video is a demo on the Nightlife Mixer Series from After Later Audio (Eurorack modules, Bartender, Barback, Cast Iron, Mingles, USB 2 Channel Interface & the SEND VCA) the techniques are applicable to lots of modules, so give the patches a go with things you have too.

SUPPORT //
If you'd like to support work like this and the wider range of what I do, considering heading over to Patreon at https://bit.ly/DK-patreon and supporting for as little as $1 a month to gain access to the DivKid Discord community, plus lots of exclusives such as PDF patchbooks, videos and more. https://bit.ly/DK-patreon

*TIMING INDEX // CHAPTERS*

INTRO & FEATURES
00:00 Hello & patch previews
01:20 What are we doing here?
01:49 Bartender features
03:24 Barback features
03:36 Send VCA features
04:09 Mingles, Cast Iron & USB 2 Channel interface

PATCHES
05:09 Modulating mixer controls - ambient drifts & FX
06:38 Input crossfading with mono mixing
09:36 Advantages of FX returns on channels
12:22 “Better” FX routings with CV control & Cast Iron
14:55 Channel overdrive for bass
16:44 4 levels of destruction
18:58 USB interfacing - a powerful FX software send & return
21:23 USB audio inputs to modular
22:19 Flamingo dubstep - live safari trail cams!
23:12 Audio rate modulation, AM, pan & making dry/wet blends"