GR!MM V2.0 is out! Dark ambient firmware for the M-VAVE FM-1

video upload by GR!MM // Deathdream

You can find the M-VAVE FM-1 on Amazon.

"GR!MM V2.0 is free, open-source custom firmware for the M-VAVE FM-1 synth: it turns the FM-1 into a dark ambient, dungeon synth and drone machine with real recorded choirs, generative tracks that play by themselves, and long tape, granular and reverb effects. Happy Halloween

GR!MM V2.0 is a big update. What's new:
GENERATE: generative tracks that play by themselves (DRIFT, PULSE, STORM)
Real choirs: Gregorian monks, nuns and a cathedral choir
GLIDE on every sound
PHASE reborn: a second line, ring mod and noise
Four kinds of distortion: SOFT, FUZZ, CLIP, FOLD
A master filter over the whole mix
MIDI clock in and out, so the FM-1 syncs to your gear and DAW
A new mixer with tape and drive per track
Better tape warble effects


Most of this came from your requests. Thank you."

GR!MM V2.0 Full Tutorial | New features of the dark ambient firmware for the M-VAVE FM-1 explained

video upload by GR!MM // Deathdream

Wonkystuff FluxMemory | SynthFest UK 2026

video upload by Sound On Sound magazine

"Wonkystuff have just announced the launch of the fluxMEMORY AE, a compact device that offers a modern take on tape-loop processing."

Cool case!

via https://wonkystuff.co.uk/

Note it's also available as a eurorack module.

"A tape loop studio in the palm of your hand…"

Become a real sonic explorer by combining and layering up to four wav files to produce new audio landscapes:

Manipulate and mix four independent sound loops;
apply onboard EQ and delay effects;
process and mix external audio through the EQ and effects;
easy firmware updates over USB-C;
battery- or USB-powered (batteries not included);
fits inside a real compact-cassette case!
fluxMEMORY is an evocation of the old tape studios from the 50s and 60s, emulating 4 concurrent tape-loops by streaming audio files from a microSD card — it is not a sampler!

fluxMEMORY creates nothing by itself. It is up to you — the musician — to load the memory card with your own personal audio-fingerprints, whatever they might be.

The streamed audio files loop continuously, so using files of differing lengths means that a composition will evolve, with new connections tumbling over each other in a bid to be heard. It is up to the musician to carve these audio streams into a meaningful shape.

(This is the handheld version of the fluxMEMORY AE Module)"

CLICK FOR MORE »

Microwave XT firmware - Tallent Edition

via github. Note this is not Waldorf sanctioned.

"An unofficial firmware extension for the Waldorf Microwave II, XT and XTk, operating system 2.33:

Independent wavetable selection for both oscillators.

X-Mod: new Phase and Amplitude modulation modes for both oscillators (XT and XTk).

Warp: nine ways to reshape each oscillator's wave as it plays, with two new modulation destinations, W1 Warp and W2 Warp (XT and XTk).

New aliasing settings modeled after the Industrial Music Electronics Piston Honda Mk II Eurorack module.

Interpolation: optional smooth wavetable scanning as on the Synthesis Technology E352 Cloud Terrarium and the Piston Honda, with Startwave in hundredths of a wave.

FX Para 1-3: three new modulation destinations that move the effect's settings, such as its Speed, Feedback or dry/wet mix.

MPE input, with per-note pitch bend, pressure and Y.

MIDI controllers for every new setting.

The Tallent Edition Sounds: 80 Sounds and nine wavetables that use the new features.

All original features remain. On an XT or XTk, the new pages sit behind Shift with the Wavetable, FM Amount and Env Amount knobs. A Microwave II plays 8 voices and reaches the new pages with the Page dial. Waldorf's update can be loaded again at any time.

See the New Features Guide for how everything works."

New Controllers And Interfaces: Synido, MIDIPLUS, Topping - Music China 2026

video upload by sonicstate

Synido on Amazon

"Millie from Synido showed us their products - W25 Play, TempoKey K32 Play, Scale Pocket, Gaming A7 and LiveDock A20 Pro. Synido is a Shenzhen-based company with a focus on compact music tools, MIDI controllers and small audio interfaces.

W25 Play works without a computer for setup. It includes scale mode, chord mode, an arpeggiator, MIDI, and MIDI In, Out and Thru. It costs $169.

TempoKey K32 Play includes 128 sounds, 10 drum keys, a speaker, battery, 32 MIDI keys, eight knobs, eight pads, Bluetooth MIDI and USB-C. It costs $149 and is released in mainland China, with overseas release planned through the website and Amazon.

Scale Pocket includes 132 scales, 12 sounds, a speaker, headphone jack, USB-C MIDI and 24 velocity-sensitive keys. Gaming A7 is a low-latency gaming audio interface due in December at $53. LiveDock A20 Pro includes instrument input, mic, output and Type-C, and costs $60."

X-Max And Many New Products: MIDIPLUS - Music China 2026

video upload by sonicstate

MIDIPLUS on Amazon

"YK from MIDI Plus gave us a tour of the massive booth they had in hall N1 covering products across many areas. YK showed us the flagship X-Max keyboard, and several new products in the company's range. We heard about the brand's history, including early Chinese digital keyboard development, portable MIDI keyboards for personal computers, and MIDI-to-USB work with MIDI Man. They collaborate with many brands to bring products to us.

*X-Max *is the flagship keyboard. It comes in an 88-key Fatar-touch version, with three semi-weighted versions also available. It includes hundreds of sounds, supports split mode, and offers DAW control for Logic, Cubase, Nuendo, Pro Tools, Live and others. Features include Chinese instruments, velocity-switched sample layers, expression control, smart scales, a learning mode, arpeggiator mutation and chord pads. Pricing is over RMB 6,000.

The Titan Q4F audio interface is a new 8-in/8-out model with a self-developed FPGA platform, screen metering, Bluetooth 5.4 with aptX HD and LDAC, plus Dante, ADAT, S/PDIF and OTG support.

Portal is a broadcast-focused interface with EQ, effects, pads, sampling, presets, mix-minus and loopback. We also saw a *folding AI smart guitar*, a Bluetooth MIDI wind instrument, and an expandable DAW controller with up to 32 channels.
More Info: https://www.midiplus.com.tw/"

KB22 and M62: Topping - Music China 2026

video upload by sonicstate

Topping is primarily known for their DACs.

"Marie from Topping Pro gave us a look at KB22, a mechanical keyboard with a built-in 2-in/2-out audio interface, alongside the portable M62 interface. The KB22 is a recent release from the Guangzhou company, which has its roots in hi-fi products and is now moving further into pro audio. This while at first glance might seem like a gimmick, actually makes a lot of sense.

The KB22 includes mic and high-impedance instrument inputs, line output, USB hub, OTG for phone connection, and 6.35mm headphone output with monitor volume control. The keyboard comes in two switch-feel options, and a small screen shows basic data.

Its control panel offers three modes: pro audio, gaming and hi-fi. Pro audio mode includes 80 dB gain, six loopback channels, DSP effects, noise reduction, reverb and ducking. Gaming mode includes voice boost and monitoring tools, while hi-fi mode includes EQ adjustment for playback tuning.

The M62 offers similar functions in a portable format, with a built-in battery rated at about 6.5 hours, dual mic inputs, aux input, headphone output, charge, OTG and USB-C ports. It supports phone and computer connection, including two-phone live streaming, and comes in seven colours. KB22 is priced at $269, while M62 is $249, with availability via Topping's global store, distributors and Amazon.

More Info: https://www.toppingaudio.com/"

M-Vave FM-1 | Do you really need custom Firmware anymore? | Official V16 Firmware

video upload by NatLife Sounds

You can find the M-VAVE FM-1 on Amazon.

"The sounds (presets) used in the video: https://natlifesounds.com/product/amb...

Official V16 Firmware: https://www.m-vave.com/download [links on bottom here]

Hello everyone!

Version V16 of the official firmware for the M-Wave FM-1 was recently released, and after using it for a while, I seriously wondered: Do I really need any other third-party firmware? The official firmware is the most stable, offering full stereo effects, multitimbral support, color gamut customization, a full 64-step sequencer, and much more that can't be found in third-party firmware.

And since the video didn't finish recording, I'd like to add: Do we really need custom firmware with incomprehensible code written by AI (which doesn't even understand sound synthesis)? Unfortunately, the video didn't finish recording, but that's exactly what I wanted to add in this video.

Timeline:
00:00 - Intro
00:53 - first Sequencer/Preset Demo 'SY Complx - Pattern 12'
01:47 - Analog sound demo with 'LD Jupiter - Ambient & Dreams V2'
03:15 - About 64-Sequencer
03:40 - 128 Effect Presets (in Stereo Effects)
04:33 - Global function Update
05:41 - How it will sounds now?
07:53 - "PLK Trance" in new Sequencer
08:43 - My thoughts about '3rd parties Firmwares'
09:55 - You can lost a quality of FM engine?
11:01 - FM Engine is the main thing of M-Vave FM-1
11:50 - My thoughts on all Firmwares
12:30 - Official V16 Firmware Pros
13:27 - The record was stopped (because the SD card is full :D)

#fm1 #mvave #musicproducer #musicproduction"

Also see M-VAVE FM-1 Open-Source Firmware｜Workbench & Operation Guide

FM-1 016 Firmware Release Notes follow [yes there are two 1.s below]

Compared with: the 015 release (single-timbral, 12-note polyphony)

The user manual on the official website has been updated accordingly. Please refer to it for detailed operating instructions.

Prepared: October 20, 2026

Terminology: °∞Voice°± on the display refers to a timbral part. °∞Polyphony°± refers to the total number of synthesis voices available across the instrument.

1. Multitimbral Operation and Expanded Polyphony

1. Expanded from one timbral part to eight Voices. Play different sounds simultaneously or layer multiple sounds together.

2. Total polyphony increases from 12 to 20 synthesis voices, dynamically shared across all eight parts. The instrument provides 20 voices in total, not 20 per part.

CLICK FOR MORE »

SiDJ FM-1: Play & Remix C64 SID Music

video upload by tubesockor

You can find the M-VAVE FM-1 on Amazon.

SiDJ turns the M-VAVE FM-1 into a player and live remixer for Commodore 64 music.

▶ Install SiDJ and add songs: https://thomasj.github.io/fm1-sidj/
▶ Try it in your browser first: https://thomasj.github.io/fm1-sidj/emu/
▶ Source code (GPL): https://github.com/thomasj/fm1-sidj

WHAT IT DOES

• Plays tunes from the High Voltage SID Collection on a cycle-exact emulated C64, through a 6581 or 8580 SID

• Remix every voice live from the panel or a MIDI keyboard: transpose, mute and solo, swap waveforms, sync and ring mod, envelopes, the filter, an LFO per voice

• Ride the tempo (25–150 %) and a ±8 % vinyl fader

• Three outputs, alone or together: the FM-1's audio jack; USB audio with no driver (the mix, or each voice on its own channel for recording); or real SID hardware over ASID: SidStation, TherapSID, TeensyROM, USBSID-Pico
The remix builds on the one I made for the TherapSID.

CLICK FOR MORE »

DataJam Demo Weird

video upload by Cycles & Spots

"Made in the DataJam app on iPad (added to Home Screen, no browser). Same app runs in any browser.

Try it free: https://www.deepdataloops.com/datajam/"

Make music in your browser.

DataJam combines a groovebox and a DAW in your browser, with the ideas of our Reaktor instruments built in: play the pads live or from a keyboard, layer loops, play them granular, or cut them into slices and scramble them to play in random, ever-changing patterns – and finish full tracks, from the first pad to the final export. Works with the sample packs from Deep Data Loops, on iPad, iPhone, Android and computer. Nothing to download: use it in your browser, or add it to your tablet, phone or computer as an app, straight from the browser.

8 channels x 12 pads
One-shots and loops from the packs, ready on the pads. Swap any sample with a long press (right-click on a computer).

Sequencer and Arranger
Four patterns per channel, up to 8 bars, velocity per step, and an arranger to build a whole song – or let Auto arrange build one from your patterns.

Loop, Granular, Chop
Turn any loop into a cloud of grains, or slice it and play or scramble the slices, tempo-synced. Chain loops to play one after another.

Mixer and effects
Faders, a channel volume fader, mute/solo, reverb, delay, tape, filter with LFO and a 3-band EQ per pad.


Record your moves
Volume, filter, pitch, sends and more can be recorded as automation while the pattern plays.

Export your track
Record the mix as one WAV, or every channel as a separate stem in a ZIP.

Moog Model 210 & Model 112 Instrument Amplifiers | Lisa Bella Donna

video upload by Moog Music

"Meet the Moog Model 210 and Model 112 amps, two premium full-range, flat-response instrument amplifiers built for synths, keyboards, drum machines, electronic instruments, preamps, modeling pedals, and more.

All audio tracks from this video were recorded through the direct XLR outputs of the Moog Model 210 and 112.

With all-analog amplification and effectively zero perceptible latency, both amplifiers preserve the dynamics, low-frequency depth, clarity, and individual character of your instrument from the studio to the stage.

Watch and listen as sonic sorceress Lisa Bella Donna puts both models to the test with an integrated setup of semi-modular synths including Matriarch, Grandmother, Mother-32, DFAM, and Labyrinth."

Moog Model 112 & 210 Instrument Amplifiers - First Look

video upload by Kraft Music

"Find exclusive Moog Amplifier BUNDLES at Kraft Music:
https://kraftmusic.com/collections/mo...

Dave from Kraft Music takes a first look at the Model 112 and Model 210 instrument amplifiers by Moog.

Moog Model 112 and Model 210 amplifiers are designed to deliver exceptional sound across a wide range of instruments, from keyboards and synthesizers to bass and guitar preamps, modeling pedals, drum machines, and more. Featuring all-analog circuitry, these amps deliver accurate full-range, flat-response sound with effectively zero perceptible latency, preserving the clarity, dynamic response, and low-end depth of modern electronic instruments from studio to stage. In addition, both models provide essential connectivity, with a built-in 4-channel stereo mixer (with 3-band Baxandall EQ), balanced outputs, Bluetooth streaming, and Stereo Link capability.

Get more for your money with an exclusive Model 112 and Model 210 bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new instrument amplifiers, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Moog press release follows:


MOOG MUSIC LAUNCHES MODEL 112 AND MODEL 210, AMplifiers Designed for electronic instruments

Two all-analog FRFR systems combine full-range amplification, integrated four-channel mixing, professional connectivity, and expandable stereo operation for synthesizers, keyboards, drum machines, and modern performance rigs

ASHEVILLE, N.C. (October 27, 2026) – Moog Music® today announced Model 112 and Model 210, two full-range, flat-response (FRFR) instrument amplifiers purpose-built for synthesizers, keyboards, drum machines, and modern electronic performance rigs.

Model 112 combines a portable 12-inch format with 440W RMS bi-amplified power for studios, rehearsals, personal monitoring, and live performance. Model 210 steps up to a 550W RMS, 2.5-way design with dual 10-inch woofer and deeper low frequency extension for larger stages and more demanding performance rigs.

Both models deliver an all-analog amplification path, 4 stereo inputs and an integrated four-channel stereo mixer, balanced PA connectivity, Bluetooth® streaming, headphone monitoring, and Stereo Link for building a two-amplifier stereo system. Together, Model 112 and Model 210 extend Moog's focus on electronic performance from the instrument itself to how it is monitored and heard on stage, in rehearsal, and in the studio.

"Every great electronic instrument has its own sonic identity," said Joe Richardson, President at Moog Music. "Model 112 and Model 210 were designed to preserve that identity, not color it. From the unmistakable warmth of a Moog synthesizer to the transient snap of a drum machine, these amplifiers allow the true character of the instrument to come through. Musicians work hard to shape their sound. They deserve amplification that delivers it honestly, consistently, and exactly as intended."

MODEL 112: everyday Versatility
Model 112 delivers full-range electronic-instrument amplification in a portable format designed to move between studio, rehearsal space, performance, and personal monitoring setups. A 440W RMS bi-amplified system drives a 12-inch woofer and 1-inch compression driver with a frequency response of 40Hz–20kHz. A top carry handle makes Model 112 the more portable choice for musicians who regularly move between creative and performance environments.

MODEL 210: Command the stage
Model 210 is the higher-output system in the range, designed for larger stages and demanding electronic performance rigs. A 550W RMS bi-amplified, 2.5-way design combines a 1-inch compression driver with dual 10-inch woofers, one woofer for full range, the second focusing on low frequencies extending down to 35Hz ensuring powerful response for synthesizer bass, electronic drums, sound design, and bass modeling systems. Full-grip side handles and removable casters support transport and stage position, while two Model 210 amplifiers can be connected using Stereo Link for performance setups.

CLICK FOR MORE »

SynthFest 2026 Walkthrough

video uploads by Molten Music Technology

"I visited SynthFest for the day in Sheffield and these were the bits of synth and modular that caught my attention."

You can use the player controls to skip around once started.

Playlist:

1. SynthFest 2026 Walkthrough

Sound On Sound magazine brought back SynthFest this year to delight us with synthesisers, modular and electronic music technology. It was filled with gear, seminars and a good dollop of community. Here's my walkthrough of the main expo in the hope of giving you some of the vibe of this fabulous show. Check out my handful of other videos getting closer in on some of the interesting bits that caught my attention. https://www.synthfest.co.uk/

2. SynthFest 2026 Noise Lab Beat Designer

To go along with their Drum Designer module, Noise Lab has come up with a fully featured drum machine called Beat Designer. https://www.noiselab.se/

3. SynthFest 2026 Orbiton

A remarkable new prototype instrument called Orbiton. It uses these twangy lamellas to physically modulate the sound. Currently the sound source is a DSP internal synth, but the intention is to be able to use the lamella vibrations as oscillators as the instrument develops. https://orbitonsynth.com/

4. SynthFest 2026 Delia Derbyshire Day

Grabbed a few moments at the Delia Derbyshire Day booth who are using Delia's legacy to empowered women in electronic music and technology. This was juston the Insta360 camera so the video and audio are a bit ropey, but it's a wonderful charity who deserve a shout-out. https://deliaderbyshireday.com/

5. SynthFest 2026 Half-Time Modular 8TR, 2TR and a Looper

Half-Time Modular are released a stereo, 2-track recorder module that will capture your performance at the touch of a button. Very neat in 2HP but also useful as a 1U tile. They also had a prototype looper - one to watch out for. https://www.halftimemodular.com/

6. SynthFest 2026 MidiCake Una

Una is a sort of build-a-band, hardware interactive composer that responds to what you play and jams around it. https://midicake.com/

7. SynthFest 2026 Rides in the Storm Rhythm Rides

Rides in the Storm were showing their not-quite-working drum machine Rhythm Rides. It's a massive source of modular drums, pattern generation and percussive grooving. Should be running at Superbooth next year. https://rides-in-the-storm.de/

8. SynthFest 2026 Bradshaw Instruments Drumkid

Sample-based drum module that's a whole kit to play with and includes lots of probabilistic messing about. https://bradshawinstruments.myshopify.com

9. SynthFest 2026 CLIP Photon Smasher

CLIP are a community-led project that brings people together over the generation of sound, and making and listening to music. They had two different Photon Smashers to show us. https://www.clipsoundandmusic.uk/

10. SynthFest 2026 Ian Helliwell

Discovered a superbly dressed man, showing some wondefully put together boxes, making some fascinating noises. That man is audio/visual artist Ian Helliwell. https://www.ianhelliwell.co.uk/

11. SynthFest 2026 F*ck With Sound

F*ck With Sound were showing three modules including a Ring Modulator, Distortion and Spatial mixing thing. https://www.fwithsound.com/

12. SynthFest 2026 Wonkystuff FluxMEMORY/h

Wonkystuff has pulled the FluxMEMORY out of the AE Modular format and put it into your hand. The handheld FluxMemory/h gives you four sample playback heads that you can mix and mess with. https://wonkystuff.co.uk/

13. SynthFest 2026 Eternal Research Demon Box

Strange triangulaar box that feeds of electromagnetic fields and outputs MIDI notes and other bits of data. https://eternalresearch.com/

14. SynthFest 2026 Transistor Sound Labs Bitloader

Bitloader is a sample-based drum module that's the perfect companion to the Stepper Drum which been in development for a very long time. However, Nina seemed to think that January could be the moment to get both of these modules released! https://www.transistorsoundslabs.com/

See the labels below for additonal posts on each.

Unda Legio: Full phase modulation voice on the Legio platform

video upload by Noise Engineering

"Unda Legio is a full phase-modulation voice with a built-in multistage envelope and plenty of control over its harmonic character.

Get a Legio module and swap to this firmware today:
https://noiseengineering.us/products/...

Let's start with Timbre. This controls the amount of phase modulation, taking the voice from simpler tones into increasingly complex harmonic territory.

Time controls the internal envelope, shaping how quickly the sound evolves with every hit.

The Mode switch lets you choose between AR, ASR, and ADSR envelopes, giving you different ways to shape each note.

Then there's Mod. This changes the relationship between the carrier and modulator.

And the audio inputs let you mix additional sounds into Unda, making it easy to chain voices together.

Unda is one of several synth voices available for Legio. You'll also find AT, Gator, Plus, and other completely different voices and effects to swap in over USB.

23 Firmwares.One Legio.

Visit noiseengineering.us or your favorite retailer to get a Legio module in your case."

Chasma Legio: Mid/side dynamics processor on the Legio platform

video upload by Noise Engineering

"Chasma Legio is a mid/side dynamics processor built for shaping, gluing, widening, and completely wrecking a stereo mix.

Get a Legio module and swap to this firmware today:
https://noiseengineering.us/products/...

Chasma splits your stereo signal into its Mid and Side components, giving us independent control over the dynamics of what's happening in the center and out at the edges.

Let's start with the Mid and Side Compressor switches. Each gives you three levels of dynamics processing.

Then you have separate Mid and Side Limit controls. These set the ceiling for each, letting you push and shape the two parts of the stereo field independently.

And then there's Distortion. Keep it near the center and things stay clean. Turn it to the right for saturation, and to the left and you enter glitchy, popping territory.

And because we are Noise Engineering, you have an FSU input. Hit it with a gate and Chasma instantly changes the Mid and Side processing for some dramatic shifts in the mix.

Chasma is just one of the free firmwares you can explore on the Legio platform. Connect your Legio over USB and swap between them whenever you want.

23 Firmwares.One Legio.

Visit noiseengineering.us or your favorite retailer to get a Legio module in your case."

The Friday Walkabout - Beijing Modular 26

video upload by sonicstate

"Nick takes a walk on Friday through Beijing Modular 26 as the venue moves from setup into performances, with a focus on The Cube, the exhibition halls, installation spaces and live rooms.

The Cube includes large atrium areas, exhibition halls, video walls, projection installations and multiple performance spaces. The layout includes an ambient room, a techno room, a modular stage and a Dolby Atmos stage. Several rooms use Void sound systems, while the Atmos space uses a Genelec multichannel setup.

The event is free to attend, with artists playing short sets throughout the day and into the night. The ambient room runs in an EMOM-style format, with tables set up for compact live rigs and performances happening in close succession.

It's an amazing space, and a really interesting mix of art, architecture and music - quite an experience!

More Info: https://modularcommune.com/"

MiniFreak 49 Effects Section | Sequencer & Arpeggiator | Oscillators & Filter Overviews

MiniFreak 49 | Effects Section | ARTURIA

video upload by Arturia

"Join Alex for a deep dive into MiniFreak 49’s three-slot effects section, exploring everything from chorus, phaser and delay to distortion, EQ, compression and vocoder processing. Learn how flexible routing, modulation assignments and Freak Control’s FX Mix layout let you shape, animate and transform your sounds in real time"

_CHAPTERS
00:00 Intro
01:20 Chorus
01:47 Phaser
02:10 Flanger
02:38 Reverb
03:43 Delay
05:00 Distortion

MiniFreak 49 | Sequencer & Arpeggiator | ARTURIA

video upload by Arturia

"Follow Alex as he explores MiniFreak 49’s 64-step polyphonic sequencer, covering step and real-time recording, overdubbing and four lanes of modulation sequencing. Discover how Gate, Spice and Dice introduce rhythmic variation, while the arpeggiator’s playback modes, Ratchet, Repeat and Mutate functions transform simple patterns into evolving sequences and expressive performances."

_CHAPTERS
00:00 Intro
01:10 Step Recording
02:30 Real Time Recording
03:08 Overdub
03:26 Step Editing
05:00 Gate & Spice
06:00 Arpeggiator
09:06 Arpeggiator & Spice and Dice

MiniFreak 49 | Oscillators & Filter | ARTURIA

video upload by Arturia

"Follow Alex through MiniFreak 49’s dual digital engines and analog filter, from classic synthesis and wavetables to sampling, granular textures and oscillator processing. Discover how dedicated engine controls, audio-rate Filter FM and the six-voice analog filter open up new possibilities for sound shaping, from familiar analog tones to complex, experimental timbres."

_CHAPTERS
00:00 Intro
00:55 Oscillator Controls
01:30 Engine Types
02:57 Core Engines Deep Dive
09:58 Wavetable & Sample Engines
14:02 Osc 2 Processing Engines
17:02 Filter FM
18:31 Analog Filter

Update: MiniFreak 49 | Modulators & Mod Matrix | ARTURIA

Roland's Oldest Guitar Synth

video upload by Alex Ball

"A look at Roland's very first guitar synthesizer, the GR/GS-500 from 1977.

0:00 Intro Performance
1:36 Brief History
2:41 What is the GR-500?
7:16 Interlude: Play Me a Rainbow
8:27 ARP Avatar vs The Roland GR-500
11:35 Interlude: Cardboard Castle
12:43 In Popular Culture
14:17 Summary & Patron Outro

Links:

Wayne Scott Jones: https://gr300.com/"

A Selection of Roland GR/GS-500 Videos


Playlist:

1. Ryo Kawasaki & The Golden Dragon: Comes The Night - 1980

Jazz guitarist Ryo Kawasaki/川崎燎, Lincoln Goines, Buddy Williams & vocalist Barbara Morillo jam on Ryo's song Comes The Night in 1980 at Pit - Inn Jazz club in Roppongi Tokyo, Japan. The group is called Ryo Kawasaki & the Golden Dragon http://ryokawasaki.com/gs/ Here's link for Ryo's guitar synthesizer museum with detailed info and photos about his GS system. -- Ryo/川崎燎 plays his hand made guitar synthesizer accompanied by Lincoln, Buddy & Ilana. A huge rack of guitar synth modules can be seen behind him. 1980 in Tokyo.

2. Ryo – Featuring "Concierto De Aranjuez" [Full Album] (1982)

00:00 A1 Escena / Cancion Del Fuego Fatuo 04:48 A2 Adagio From "Concierto De Aranjuez"
17:32 A3 Introduction From "Schelomo"
19:47 B1 A Felicidade
21:51 B2 Marilyn
25:41 B3 Hawaiian Caravan
31:58 B4 Mercy Of The Dragon
37:11 B5 Twilight Song

3. Land Of A Thousand Autumns (Stereo Mix)
4. Genesis - Ballad of Big (Official Audio)
5. Hot Chocolate Every 1s a winner Album Version1978 HQ Audio

New OS with Loop Bar Sequencer for Emax I E-mu + quantize

video upload by deepeightyeight

"new os for emax, it's the 4.5 it adds loop bar seq (before was linear) and quantize (oooh) and track mute (ooooh) and duplicate and count in... you can download from here, still in beta. there are the 4 version Standard, SE, HD and Plus. i check the first 2 are ok. i have no HD so in uncheck so BACKUP before trying! u have been warned.
www.12records.net//ftp/EMAX_4.5_Loop_Bar_Seq_Packet.zip"

Update: some additional info:

EMAX 4.4 LOOP BAR SEQ
Unofficial educational OS modification for E-mu Emax I SE
Release notes, quick guide and disclaimer - 18 October 2026

ABOUT THIS RELEASE

Loop Bar Seq turns the Emax's sequencer into a repeating, bar-based recording
workflow. You can build parts over successive passes, leave recording while
playback continues, switch recording tracks and mute parts from the keypad.

CLICK FOR MORE »

FAC Gravity Spatial Frequency Shifter AUv3 Plugin

video upload by Fred Anton Corvest

"FAC Gravity AUv3 Plugin is a frequency shifter for creating Barberpole and Shepard style glissandos, spectral illusions, stereo rotation, chorusing, phasing, evolving echoes, infinite cosmic spaces, and all the combinations you’ll make.

0:00 Introduction
0:39 Presentation
1:39 Preset Demo: Shifted Space
1:57 Preset Demo: Ramping Tape Riser
2:15 Preset Demo: Synce Wobble Bass
2:30 Preset Demo: Frequency Shifter
2:49 Preset Demo: Synced Break II
3:09 Outro

Discover more presets in the AUv3 plugin.

More info on https://fredantoncorvest.com"

"FAC Gravity AUv3 Plugin is a frequency shifter for creating Barberpole and Shepard style glissandos, spectral illusions, stereo rotation, chorusing, phasing, evolving echoes, infinite cosmic spaces, and all the combinations you’ll make.

• Dual Frequency Shifting, or Mono Shifting with Quadrature Stereo Widening

• Organic Spiral Loop, from gentle feedback to pure analog self-oscillation

• Integrated delay, diffusion blur, and independent low/high filtering

• Modulation matrix, multi-source envelope follower

• LFO with classic waveforms and random spline

• Spinning modulation to rotate and animate the stereo field

• Tempo-synced or MIDI-driven Frequency Shift, LFO, and Delay

• Dry/Wet mix, optional limiting, and goniometer visualization

• Advanced Responsive Design, portrait and landscape views

• Universal Purchase: AUv3 for iOS (iPad/iPhone), macOS and Vision Pro"

Megafold Legio: Wavefolder+waveshaper and chorus on the Legio platform

video upload by Noise Engineering

"Megafold Legio combines our wavefolder with waveshaping, dynamics tracking, and stereo chorus for all sorts of harmonic destruction.

Get a Legio module and swap to this firmware today: https://noiseengineering.us/products/...

Let's start with Gain. This drives your signal into the wavefolder, adding more folds and harmonic complexity as you push it.

Shape changes the character of the folding itself, giving you another way to transform the harmonics and completely reshape your sound.

And when Gain and Shape are pulled back, they work together as a blend, letting you mix the processed sound with your original signal.

Envelop lets Megafold follow the dynamics of your incoming audio, so the folding and shaping can respond to how your sound changes over time.

Then there's stereo chorus. One switch controls the amount while the other changes its speed, adding stereo movement to all that folded mayhem.

And if you need a little more mayhem, send a gate to FSU.

Today your Legio is folding, shaping, and chorusing your sound. A quick USB swap and it can be crushing bits, processing dynamics, mangling grains, or doing something completely different.

23 Firmwares.One Legio.

Visit noiseengineering.us or your favorite retailer to get a Legio module in your case."

This is the weirdest pedal he owns … and He loves it! // The Square from NWS [PEDALS & PATCHES]

video upload by DivKid

"Whether its turning simple mono synths into sounding like music easels, taking a basic polysynth and making it sound like a complex oscillator or just generally continuing to be a weird and wonderful effect for synths ... I'm pretty fascinating with this one. I'd love to hear your thoughts on it.

The Square // https://nicksworldofsynthesizers.co.u...
Check out Nick’s inventions // https://nicksworldofsynthesizers.co.uk"

THE SQUARE

The Square ring modulator pedal, Boutique, Hand Made & Designed By Me.

Intro

The Square pedal is simply a ring modulator that takes the input signal and sends it to both inputs of the ring modulator at the same time.

Despite it's simplicity, The Square is capable of producing a wide variety of sounds depending on what you put into it.

Each pedal is unique and made by hand, from the hand bent metal enclosure to the component choices and tolerances. Imperfections are considered part of the aesthetic appeal both sonically and physically.

To understand what the pedal is and all the magical things it can do for your musical productions, we strongly recommend watching the video from DivKid below.

CLICK FOR MORE »

Synthesizers.com Announces the Q215 DIGITAL REVERB

via Synthesizers.com

Note: Synthesizers.com is happy to announce they are showing off their new design this weekend at the Brooklyn Synth EXPO, October 17-18, 2026.

COMING SOON -- NOW AVAILABLE FOR PRE-ORDER ONLY

The Q215 DIGITAL REVERB from Synthesizers.com.

We are proud to announce that we have added a multi-mode STEREO reverb to our lineup. Featuring detailed reverbs created to work well within a modular setup, this module is sure to add new sounds and textures to your case that are sure to inspire you.

With multiple reverb algorithms, the Q215 can easily fill the role of everything from a subtle spatial enhancer to an intense sonic shaper -- especially if you add modulation to any of the four CV inputs. You may find yourself in some decidedly abstract territory, creating dream-like soundscapes or ambient dub workouts with just a twist of a knob.

We have chosen ease of use over pages of menus. Simply use the Mode button to select the next algorithm. Some are more natural while others are decidedly synthetic.

The Q215 features a wide range of reverb styles, some of which even include period accurate sample rate adjustments to capture the proper tone. (The two Abstract Large Hall algorithms are decidedly dark and gritty -- part of that darkness comes from the 32Khz sample rate for those modes.)

The module puts out a STEREO SIGNAL (though it still sounds great in mono) from a mono input or a stereo input. The module will process all the usual +/-5V signals but can also work with line level signals as well, such as drum machines and synthesizers. The built in GAIN control allows the user to adjust the headroom and can be pushed into slight clipping if so desired.

CLICK FOR MORE »

Retromulator 1.11 - CA-72 Moog Model D Core Demo

video upload by discoDSP

https://www.discodsp.com/retromulator/

"The Minimoog has the voice many of us first fell in love with: a fat bass that sits under everything, a lead that cuts through any mix, a filter you can play like a second instrument.

The CA-72 by Idle Foundry rebuilds a 1972 Model D from the inside. Every board was transcribed from the service documents into SPICE netlists, and the real-time model was derived from those simulations and calibrated against a real instrument, so the oscillators drift, the ladder filter sings and the mixer breaks up the way the original does.

Its front panel opens right below the Retromulator rack. LO, HI and ULTRA quality trade CPU for detail, and offline bounces always render with the 4x engine. DOUBLE, SPREAD and ENTROPY add a detuned twin, stereo width and the small differences between two real units. Presets are .fxp files in Factory and User banks with .fxb bank import and export, selected by MIDI Program Change, and every panel control answers a MIDI CC."