SynTesla Presents 5U Animator Module

video upload by SynTesla

"SynTesla presents the Animator 5U module.

The electronics for this module were conceived by the brilliant mind of Yves Usson. It is a new kind of module, quite different from what one usually finds in a modular synthesizer.

The Animator (temporary name, we need to find a better one) will generate a modulated mix of four waveforms of different pitches and types from a simple external sawtooth wave.

This module is a real achievement because it is 100% analog. It will be available in the next SynTesla 5U systems."

Cosmotronic MESSOR PEDAL / a serious COMPRESSOR for the studio or the stage / extensive playthrough

video upload by BRiES

"In this video we discover what the reinvented MESSOR pedal by Cosmotronic can do to a variety of sound sources. We also have a look at all the controls.

Want to know more?
Cosmotronic Messor Pedal webpage: https://cosmotronic.nl/modules/messor...

0:00 intro
2:30 features explanation
17:07 drums and loops
34:47 sidechain example
41:53 full mix and stems
55:23 closing thoughts
57:09 thank you for watching!
57:22 outro"

A COMPACT ANALOG COMPRESSOR

Messor is a fully analog stereo feed-forward VCA compressor designed for studio, modular, and live systems. The architecture is derived from the original Cosmotronic eurorack module, with extended headroom, improved channel matching, and a revised sidechain topology optimized for wide dynamic ranges.

HIGH HEADROOM

The internal ±12 V regulated power rail provides substantial headroom and consistent operating conditions for both line-level and modular-level sources. It reliably handles high-transient material from synthesizers, drum machines, and percussion-heavy sources without premature clipping. High-impedance inputs and balanced outputs simplify interfacing with modular systems, samplers, and balanced studio equipment.

Signal flow begins with a low-noise stereo preamplifier offering up to 18 dB of gain, followed by a pair of matched VCA control blocks. The feed-forward topology provides predictable transient behavior, accurate envelope shaping, and stable stereo imaging. A post-VCA conditioning stage adds tube-like saturation, introducing controlled harmonic content when driven into overload.

CLICK FOR MORE »

Schlappy #202day jam

video upload by SCHLAPPI ENGINEERING

"It's #202day ! The MC-202 is one of my all time favorite synth so I wanted to build a patch around it using the Schlappy Patching system.
Only the bottom row is used (apart of a Mixswitch to mix the voices).
MC-202 to Angle Grinder for additional filtering.
MC-202 gate out to two Nibblers for drum sequencing and stepped modulation.
Kick drum by two channels of the Boundary Layer.
HiHats by a feedbacking BTFLD in a Boundary.

Have fun!!

More infos on all modules at:
https://schlappiengineering.com"

System Lizard - Iguanamente

video upload by John Schussler

"I'm a sucker for anything with lots of cross modulation. The Iguanamente has that in spades, plus it's got a unique delay built into the audio path that makes for even more craziness.

They say: 'Iguanamente is a chaotic oscillator designed to provide a Eurorack modular synthesizer with a unique and creative sound source that is suitable for percussion, noise, leads, basses, drones, and everything in between.'

Sounds about right.

This is pretty much all just the module. There is some reverb there for space, but that's it.

00:00 Intro
00:20 Main out
06:00 Main + Aux
19:43 Sequence"

This is the first post to feature the Iguanamente!

via Perfect Circuit

The Iguanamente from System Lizard is a chaotic dual oscillator built around a cross modulating oscillator and delay network. Thanks to a keen and comprehensive array of timbre and modulation controls, Iguanamente readily stretches across musical terrain, wagging its reptilian tail between percussion, texture, and melodic applications alike. At the top of the panel, Coarse frequency control sets the fundamental frequency of the system, with dedicated 1V/octave and FM inputs for adjusting frequency via CV. The Radius control manipulates the spread of auxiliary oscillators, allowing for a wide range of inharmonic and harmonic timbral expansion. Shape controls the waveshape of all oscillators, hard clipping into a square wave to the left of center and wavefolding to the right.

These oscillators are then processed through a delay network, with controls for Feedback, delay time or Frequency, and a Mix control. At the bottom of the module, cross modulation controls and CV inputs for oscillator frequency modulation, oscillator amplitude modulation, and delay time allow you to introduce nonlinear modulations into Iguanamente, sparking unique and chaotic changes in timbre. At the top right corner of the module, independent outputs for the Main and Auxiliary oscillators offer independent post processing potential or serve as a pseudo-stereo output. If you're looking for a flexible oscillator with unique character and a taste for chaos, Iguanamente from System Lizard is a righteously fun reptile for any rack.

IGUANAMENTE FEATURES

Chaotic oscillator
Dual oscillator design with integrated delays
Coarse frequency control
FM input and attenuverter control, knob acts as fine pitch control when no FM source connected
Radius control adjusts auxiliary oscillator frequency spread
Shape control clips oscillators into square wave to left, wavefolds to right
Delay for main and aux oscillators with combined Feedback, Frequency, and Mix controls
Cross modulation controls for FM, Delay time, and AM introduces chaotic modulation
Main and Auxiliary outputs

Rhythmic Filter Sequencing With Oxi One MkII

video upload by Alec Sea

"Inspired by Anthony Marinelli's great video on rhythmic filter sequencing, I thought I'd show how to do a similar thing using the Oxi One MkII and my eurorack modular synth.

00:00 - Intro jam
01:34 - The purpose of this video
02:22 - Explaining the patch
05:12 - Settings on the Oxi One
07:25 - Demo
12:25 - Conclusion

Gear used in this video:

Oxi One MkII
Oxi Pipe
Native Instruments Kontrol S61 MkIII
Korg multi/poly module
DF Audio Minibay v2
ART MX822 Line Mixer
Behringer U-Phoria UMC204HD
Kenton MIDI Thru-12
Rode Wireless ME Microphone
Meris Mercury X
CIOKS DC7 Power Supply

Eurorack:
DIY Case
Intellijel: Quadra and Expander, Quad VCA, Triplatt
Befaco: DivKid Output Bus, ST Mix
Doepfer: A-111-4 Quad VCO
Joranalogue: Filter 8
Erica Synths Pico Input
4MS Row Power 45"

Ekdahl Quad Massager Quadraphonic VCA / Mixer / LFO

Note: links to listings are affiliate links for which the site may be compensated.

These appear to be the first demos of the Ekdahl Quad Massager to be featured on the site. The first video is from 15 years ago.

Playlist:

1. Ekdahl Quadmassager in 4 input "mix" mode - Drew Daniel

The Ekdahl Quadmassager is a quadrophonic panner and so much more. This video is very STEREO, but should be in Quad, but, well, that's not very practical, is it?, so please go do a show in quad or see one...in the meantime visit us at the webpage in the video, or come see us at the True Vine Record Shop in Hampden in beautiful Baltimore, the City that Reads. The Quadmassager was designed and built by Karl Ekdahl of KNAS and a little bit by M.C. Schmidt of Matmos.

2. Knas Ekdahl Quad Massager As a CV mixer - Shirato_Noise

The output of the unpredictable blend of the four Fourses signals modulates the Denum.

3. Soundscape #034 Memories of Glaciers (Mobenthey, Mannequins, Blippoo, Knas Quad Massager) - Shirato_Noise
4. Noise Sketch #247 Clockwise (Ieaskul F. Mobenthey, Knas Quad Massager, Papa Srapa, Blippoo Box) - Shirato_Noise
5. Noise Sketch #244 Message (Ieaskul F. Mobenthey, Knas Quad Massager) - Shirato_Noise

via this eBay listing

See this previous post for specs/features.

CLICK FOR MORE »

Stereo Triple Filter Network & Resonator // 3 Patches with OPALINA from Hieroglyphic

video upload by DivKid

"Coming in hot after Hieroglyphic's first release 'Plume' here we have OPALINA which is a stereo spectral playground. It's billed as a filter network, with triple band pass resonator modes and an isolator multi mode network. It has multi band outputs for creative modular processing, with the including expander it also has specific (and stereo) low mid and high band inputs. Loads to go at, but distilled down into exploring 3 patches here for our 3 PATCHES series of videos."

*TIMING INDEX // CHAPTERS*

The broader, patch by patch sections are in ALL CAPS and sub sections that might be useful to skip to are all lower case.

INTRO
00:00 Hello & previews
00:57 What is Opalina & what are we doing?
01:33 Feature run down
04:00 PATCH 1 // RAW SOUNDS & OSCILLATOR SHAPING
04.22 The raw sound of the resonator & isolator modes
05.49 Building a VCO shaping patch
07.24 Patching FX sends from specific frequency bands
08.25 Series channel patching for steeper filter slopes & more resonance
09.41 v/oct tracking

BONUS HYPNOPTIC MULTIBAND FILTER PINGS
11:40 / divkid for the full patch run down

PATCH 2 // SPECTRAL MIXING
12:45 Creative spectral mixing for multiple FX modules
15.15 Creating a multi band spectral mix
16.24 Modulating a spectral mix
17.32 Audio rate modulation
18:51 Spectral drum FX
20:43 Spectral Rings FX
22:51 PATCH 3 // MULTIBAND MODULAR PROCESSING

Also see:
This is KILLER! // Plume updates from hieroglyphic (new cluster mode & sound engine)
The fascinating world of PULSAR SYNTHESIS with Plume from hieroglyphic

via Hieroglyphic

Stereo state-variable filter networks configurable in two modes. RESONATOR is a triple bandpass alignment, emphasizing resonant peaks and formants. ISOLATOR is a cascaded state-variable topology with variable mid-bandwidth for use as resonant crossover.

· RESONATOR: triple bandpass filters with vc peak span and resonance. 12db/oct filter slopes.

· ISOLATOR: cascaded state-variable filters with vc bandwidth and resonance. 24db/oct filter slopes.

· Completely analog signal path.

· Individual band inputs and outputs.

· Continuously variable band input amplitude.

· Soft-clipping circuit on SUM output.

· Dual channel for use in stereo (L & R).

SEQUENTIAL FOURM ♫ 75 Custom Sounds ► COMPLETE SYNTH COLLECTION

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 COMPLETE SYNTH COLLECTION: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Sequential FOURM – Complete Synth Collection is a comprehensive and versatile patch bank designed to unlock the full sonic potential of the Sequential FOURM.
This soundset includes 75 carefully crafted presets, covering a wide palette of Leads, Basses, Pads, Plucks, Synths and FX, making it perfectly suited for Soul, Funk, Pop, Electronic music and many other modern and classic sch preset is optimized for musicality, expressiveness and instant usability, whether you are producing in the studio or performing live. From warm analog-inspired basses and funky leads to atmospheric pads and futuristic FX, this collection gives you a complete toolkit for professional productions.

The bank can be easily loaded via SysEx editors such as Bome SendSX (Windows) or compatible SysEx software for other platforms.

Preset Breakdown
75 Presets Total
39 Synths, Pads & FX
20 Leads
16 Basses

Synths, Pads & FX Highlights
Hard Synth, Simple Pluck, Reso Poly, Cosmic Poly, Vintage Horns, Bright Brass, Big Strings, OB-X Pad, Galaxy Pad, FM Pad, Crystals, Night Sky, Falling Stars, Outer Space, Digital Noise, Rotating Sphere, Repeater and many more.

Lead Highlights
Lost In Space, Fusion Lead, Jamiroquai Lead, Express Lead, Electro Lead, Cosmic Lead, Rock Machine, Nasty Lead, Sync Lead and other expressive solo sounds.

Bass Highlights
Phat Bass, Funky Bass, Precision Bass, Reso Bass, Deeper Underground, Thriller, Black or White, Prodigy and iconic groove-oriented bass patches.

Every preset is designed to sit well in a mix, respond naturally to playing dynamics and enhance your productions with character and depth."

CLICK FOR MORE »

PROPHET-10 Unboxing & Demo

video upload by Doctor Mix

"In this video, I’m not in the studio — I’m in sunny California, unboxing and playing the Sequential Prophet-10 for the very first time. No setup, no deep dive, no rules… just pure, immediate interaction with one of the most iconic analog polysynths ever made.

This is a genuine first encounter: lifting it out of the box, admiring the wood, powering it on, and letting the instrument speak. You’ll hear spontaneous playing, raw reactions, mistakes, happy accidents, and that unmistakable Prophet sound in its most honest form.

This isn’t a tutorial or a technical walkthrough — it’s about feel, inspiration, and that moment when a synth completely takes over and refuses to let you play anything else.

What you’ll see and hear in this video:
Unboxing the Sequential Prophet-10
First impressions and real reactions
The build, wood, and physical presence of the instrument
Powering it on and diving straight into sound
Pure, improvised playing with no preparation
Classic Prophet tones and unexpected moments
Letting the synth lead the music instead of the other way around

A full deep dive will come later back in the studio — this one is all about instinct, emotion, and the joy of touching a great instrument for the first time."

NAMM 2026 SUPERVLOG: Episode 1

video upload by

"In this video, I take you straight into the heart of NAMM 2026 for Day 1 — walking the floor, meeting incredible people, checking out wild instruments, and jumping into completely improvised musical moments. From boutique synth builders to legendary brands, this is a raw, real, behind-the-scenes look at what NAMM actually feels like when you’re inside it.

You’ll see spontaneous jams, unrehearsed performances, gear discoveries, and some genuinely mind-blowing tech — including intelligent music-learning systems that literally watch your hands and teach you in real time. This isn’t a polished showroom tour; it’s the honest, slightly chaotic, very human NAMM experience.

What I cover in this video:

Entering NAMM 2026 and exploring the show floor
Discovering unique and boutique synthesizers
Meeting synth designers, musicians, and creators
Spontaneous conversations and gear reactions
Live improvised music at the Studiologic booth
Hands-on demos with next-gen music education tech
AI-assisted piano learning that tracks fingers and technique
Games, performance tools, and creative experiments
The energy, noise, inspiration, and madness of NAMM

If you love synths, music tech, performance, and the creative side of music-making, this one’s for you.

🔥 Visit my Doctor Mix website for sound packs, courses, merch & more 👉 https://doctormix.com"

MATRIX VCF & Voltage Control - Creating presets with fixed voltages

video upload by AJH Synth Official

"Here I'm using Pressure Points to select different sounds/settings on the Matrix VCF - this filter has full CV control of all functions, including the selection of all 16 different filter types (Mode). Because the Matrix has such a huge range of filter sounds, it is very useful to be able to recall them instantly using a fixed-voltage controller or sequencer.
I'm also feeding it 2 VCOs and noise initially, but later replacing the raw sawtooth waves with the same saw processed by the WAVE SWARM - this is a sawtooth animator, creating 12 additional faux saws from 1 or 2 incoming oscillators to create a fat 'super saw' effect.

Video & Performance by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Official website page: https://ajhsynth.com

CLICK FOR MORE »

Ultimate Uplifting Trance Basslines for Serum 2 | Official NatLife Soundset

video upload by NatLife Sounds

"Get the bank here: https://natlifesounds.com/product/ser...

Serum Uplifting Basslines (Official Serum 2 Revamp) by NatLife
NatLife originally created the Uplifting Basslines series as an essential toolkit for Trance producers. Now, this iconic collection returns with a total sonic overhaul specifically for Serum 2. Get the professional middle-end drive your tracks deserve

About this Revamp

Furthermore, this isn't just a simple port; instead, it is a complete re-edition. I have meticulously re-painted and modified every single patch to harness the advanced power of the new Serum engine. Consequently, you get sounds that hit harder, cleaner, and deeper than ever before.

In modern Trance production, the middle-end defines the energy of your track. For this reason, I have handled the heavy lifting for you. I fine-tuned every waveform for maximum stability and utilized updated filter algorithms. Therefore, these 64 patches sit perfectly in a 138-140 BPM mix with minimal external processing.

CLICK FOR MORE »

MAKEN0ISE Announces New Universal Skiff System, MultiWave MIDI Inlet Module and More!

video upload by MAKEN0ISE

http://www.makenoisemusic.com


Press release follows:

Make Noise is proud to announce: New Universal Skiff System, MultiWave MIDI Inlet Module, N.U.S.S Bundle and 2-Zone Skiff! More information below!

The New Universal Skiff System music synthesizer is a small system devoted to multi-channel modular synthesis, using control voltages to create poliphonic sound events. The MultiWAVE provides eight dual wavetable oscillators, the PoliMATHS provides eight complex function generators, and a pair of QXG modules combine for eight channels of low pass gate with stereo mix animation. Together, these three modules enable poliphonic patching from a simple set of controls. In addition to the 8 channels of Polimaths for modulation, the MultiMod creates eight time-shifted variants of a single control signal, for even deeper modulation capabilities within the New Universal Skiff System. QPAS provides Multi-Mode Multi-Peak Stereo Filtering, and the XOH provides a final stereo mix and line-level or headphone outputs for monitoring and/or performance. The system also includes a USB-C input that can be used for Activation of MultiWAVE channels via MIDI or MPE signals from a USB MIDI host (such as a computer running a DAW or MIDI sequencer).
The New Universal Synthesizer System modules come together in a unified system!
Voltage controlled eight channel dual wavetable oscillator: MultiWAVE
Voltage controlled eight channel complex function generator: PoliMATHS
Voltage controlled low pass gate/mixing: QXG (x2)
Voltage controlled flock of inter-related modulators: MultiMod
Voltage controlled Multi-Mode Multi-Peak Stereo Filtering: QPAS
Stereo Mixing and Final Outputs: XOH
Activate MultiWAVE via MIDI/MPE using USB-C input with a USB host
3U Skiff outfitted with USB-C input and our new 2-Zone Bus Board
Ships with 15 patch cables

(For those looking for these as individual modules for their existing system please see the N.U.S.S. Bundle.)

Specifications:
Size: 3U
Total hp: 104
Dimensions: 21.5 x 5.14 x 3.5 (inches)
MSRP: $2399 (Retail value: $2681)

The MulitWAVE MIDI Inlet music synthesizer module is a passive expansion module that adds USB MIDI access to the MultiWAVE. It enables Activation of MultiWAVE channels via MIDI signals from a USB MIDI host (such as a computer running a DAW or MIDI sequencer). The MultiWAVE MIDI Inlet is required for MIDI control of MultiWAVE outside of the New Universal Skiff System.
Activate MultiWAVE via MIDI/MPE using USB-C input and a USB Host
Easy access to MultiWAVE USB functions (firmware updates, custom wavetable uploading)

Width: 2hp
Max Depth: (including USB cable): 22mm
Power: No Power Required
MSRP: $35
—
The N.U.S.S. Bundle presents the core modules of the New Universal Synthesizer System at a special price for installation into a Eurorack case of your choice.
Voltage controlled eight channel dual wavetable oscillator: MultiWAVE
Voltage controlled eight channel complex function generator: PoliMATHS
Voltage controlled low pass gate/mixing: QXG (x2)
Voltage controlled flock of inter-related modulators: MultiMod
USB/MIDI integration for MultiWAVE: MultiWAVE MIDI Inlet

(For those looking for a fully powered system with preinstalled modules please see the New Universal Skiff System.)

MSRP: $1669 (Retail value: $1850)
–
2-Zone Skiff
In 2009, Tony designed the first Skiff to complement the vertically oriented Doepfer P6 cases available at the time by providing an ergonomic enclosure for our René and Pressure Points touch controllers. These early skiffs were shallow, handcrafted wood designs. In 2015, a revised aluminum 3U Make Noise Skiff was released. This new design had enough depth to fit a wide range of modules, providing a smart way to build a small modular synthesizer.

Now, the Skiff has been updated again, this time to meet the more demanding power standards of today, with the 2-Zone Bus Board providing nearly double the power of its predecessor, plus the multi-zone design making it easy to isolate noise-susceptible or noise-causing modules from each other. The low-profile power headers are shrouded for easy and efficient module installation.
As before, the Skiff’s powder-coated aluminum construction is extremely durable. The clean, simple lines and matte black color place visual emphasis where the action is; the patch the artist has created.
Ships ready to use. Just add modules, patch cables, and inspiration.
Black Powder Coated Aluminum
2-Zone Bus Board provides ample power and module isolation
16 Shrouded Power Headers
40 Sliding Square Nuts, 40 Black M2.5 Screws
Side Mounted On/Off Switch
5V Power included
Select Bus and Eurorack Bus Compatible
Universal AC Power Adapter works worldwide

SPECIFICATIONS
Size: 3U
Total HP: 104
Outer Dimensions: 21.5″ x 5.14″ x 2.75″
Max Module Depth: 2″ over bus board, 2.5”
Power: +12VDC @ 2A, -12VDC @ 1.2A, +5VDC @ 1A
Includes: Powered Bus Board, 40 Sliding M2.5 nuts w/ Black screws, AC Adapter
MSRP: $349

Recreating a Prince Sermon: LM-1, DX7 & Juno-60 Breakdown

video upload by Nostalgic Explorer

"Today I am exploring an amazing track and how Prince turned this song into a sermon—blending faith, message, and sound. The spiritual meaning behind the music and the production tools that shaped it. And I am recreating this track in my studio using the Yamaha DX7, Juno 60 and Linn LM-1 drum computer."

00:00 – Intro
00:21 – The Story Behind “Let’s Go Crazy”: A Song or a Sermon?
01:50 – Recreating “Let’s Go Crazy” Drums with the Linn LM-1
02:50 – Recording the Organ Parts on the Roland Juno-60
04:56 – Yamaha DX7 Breakdown: Recreating the Final Section
05:47 – Juno-60 Bassline: Building the Groove
07:09 – Final Mix: “Let’s Go Crazy” Recreation by Prince
09:02 – Final Thoughts: Why “Let’s Go Crazy” Still Matters

Source used for this video:
https://faroutmagazine.co.uk/story-be...

Smart Wavesplicing for Creative & Unique Tones & Modulation // 3 Patches with SW3 Splice from DPW

video upload by DivKid

"Here we have the new SW3 Splice module from DPW Design. It's a smart zero crossing and zero difference dual switch module ... a mouthful maybe, but it's two channels of intelligent switching for audio or CV with simple to use options for anything from making mutes, manual gates, click free audio switching, modulation waveform chaining and a whole host more.

This is a '3 Patches' series video, where we distill things down to just 3 patches, but I've added in some bonus bits where I wanted to change up something in the patch to explore how the module performs with other sources. Check out the patches below."

"Wavesplicing made simple. It works both with audio and control signals or a mix of those.

The SW3 is a module to splice (switch) any signal together with something else click free at up to high audio rate. A tool for audio and CV experiments. A way to expand what you already have into new sonic and control roams.

It can be dual mono, stereo coupled or switching mono into stereo for big stereo fields."

Splice made its first appearance on the site last October.

OBNE Parting // An Innovative Approach to Lo-Fi Effects

video upload by Jorb

0:00 Intro
1:30 Hands on / Delay
9:54 Glitch Knob
14:23 Modulation
18:35 Dissolve
25:28 I get lost
29:44 TR-1000 / drum machine demo
34:25 Matriarch / ambient demo



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

CLICK FOR MORE »

ASM Ashun Sound Machines Introduces the LEVIASYNTH

video uploads by ASM Ashun Sound Machines

Check with dealers on the right for price and availability.

Playlist:

1. Introducing LEVIASYNTH from Ashun Sound Machines
2. Leviasynth - Crystal Cove with Kaela Sinclair by Exploredinary
3. Leviasynth Journey with Dominic Au – Part 1: Classics
4. Leviasynth Journey with Dominic Au – Part 2: Soundtracks

And an overview by loopop:

ASM LEVIASYNTH Review // Keyboard vs Desktop vs Hydrasynth

video upload by loopop

Details:


From the darkest recesses of the unexplored oceans comes ASM's most powerful creation yet—a hybrid algorithmic synthesizer with sixteen-voice polyphony, eight oscillators per-voice, and a truly absurd amount of sound design potential. There are over 300 waveforms available for each voice's eight oscillator slots, giving you access to a bonafide sandbox of sonic alchemy. Each voice's oscillators can be arranged and rearranged for versatile modulation schemes using the many available algorithms. This open-ended method of crafting timbres gives you nearly-unlimited possibilities for sculpting sounds ranging from familiar tones to completely alien timbres. In addition to the ability to create your own algorithm, the Leviasynth also comes with 144 preset algorithms for quick sparks of inspiration, and the ability to morph between these oscillators non-linearly.

The oscillators can be modulated in a multitude of ways to create even more timbral variation: Frequency Modulation, Phase Modulation, Pulse Width Modulation, HTE Sync, and Phase Distortion can all be applied to Leviasynth's oscillators for nearly-endless sound design potential. These, along with nearly every other parameter, can be affected using the internal 32-slot modulation matrix. Each of the eight oscillators includes its own volume envelope, along with five additional shared envelopes and five LFOs per-voice for creating a moving sonic texture within the canvas of the expansive modulation matrix.

The Leviasynth is one of ASM's most expressive synthesizers to date, offering a 61-key keybed with full polyphonic aftertouch, MPE compatibility, and a four-octave ribbon controller for even deeper playability. Record and playback more than just audio with the internal three-track sequencer, allowing you to record note, arpeggio, and macro automation data. Control a plethora of parameters across the synth with the eight individual macro controls, which provide a deep level of expressivity given the broad timbral potential of Leviasynth's multi-algorithm design. Expand this expressiveness into your Eurorack systems with the 3.5mm CV I/O, providing two assignable Mod inputs, as well as outputs for Pitch, Gate, Clock, and two assignable Mod outputs.

Leviasynth offers both analog and digital filters for sculpting multi-layered timbres. On the analog side, you get a buttery-smooth four-pole low pass, which provides the foundation for beautiful, intimate sounding patches. On the digital-end of the spectrum there is a complex, Hydrasynth-style multimode filter with eighteen different filter types. All of these filters can self-oscillate at high resonance settings, along with pre-drive saturation for helping your patches cut through any mix. The effects section offers two independent methods for applying that extra layer of polish to your sound. In the master effects, you can shape and transform your final sound with Delay, Reverb, Distortion, Rotary, Phaser, Chorus, Compression, EQ and more. The second method provides dedicated insert effects, which offer five flavors of Delay and four Reverbs for giving your sounds that ever-important sense of space. This two-layered approach to effects gives the Leviasynth a sound all its own, and when used in tandem with the aforementioned suite of timbral shaping engines, your imagination is the only limit. Like the vast unexplored waters of the deepest oceans, the ASM Leviasynth holds an immense amount of undiscovered potential underneath its dormant surface.

LEVIASYNTH KEYBOARD FEATURES

Complex hybrid algorithmic keyboard synthesizer
16-voice polyphony with 8 oscillators per-voice
32-slot modulation matrix
Dedicated 3.5mm CV I/O
Both analog and digital filters
Master and insert effects engines
Multi-color touch screen interface
3-track sequencer for recording notes and macro automation
4-octave ribbon controller
1024 Single mode patches, 640 Multi mode patches
MPE-compatible
ASM Patch Manager for Mac and PC for patch management and firmware updates

CLICK FOR MORE »

PATCH / INDUSTRIAL AMBIENT / full Joranalogue system

video upload by Joranalogue Audio Design

"In this patch I explored a more industrial ambient side of the Joranalogue Audio Design system. The highlight for me are the stereo pings made with dual COLLIDE 4 modules. The battery of CONTOUR 1 modules is essential here for creating interesting time relations between all the events in the patch. No external modules were used.

We started with 2 CONTOUR 1s chained together (FALL OUT to TRIG in) in a dual looping envelope patch. This way we created a tempo and a few modulation sources for 2 GENERATE 3s being crossmodulated.

The first sounds we hear in the jam are made in a similar fashion: a few interpatched CONTOUR 1 modules create gates that open and close very high pitched oscillators (G3 and OR3) for the beeps and noises.

The pitches for the melodies of the 2 pinged COLLIDE 4s are set by two STEP 8s. The highlight of this patch—for me personally—was the idea to use WALK 4 to select the stages of both STEP 8s. This way we were walking through the stages of both STEP 8s in a brownian way (not entirely random, not entirely linear).

Everything, apart from the kicksound, was mixed in stereo, using 2 x MIX 3 patched through to MORPH 4 from which we extracted the A+B and C+D outputs as a stereo pair.

Simon"

SWITCHTRIX ELECTRONICS SYNTHE 'A' PLUS/EMS SYNTHI A

video upload by SWITCHTRIX ELECTRONICS

"Introducing our first new model of 2026,the SYNTHE 'A' Plus.

As well as the additional features found on our standard SYNTHE 'A' such as

Audio/Low frequency and variable CV depth for all oscillators
Variable sync depth for oscillator 2
Gate and calibrated 1 volt/octave interface for all oscillators and filter
Variable cv depth for filter with CV unslew
Trapezoid short-normal-long times with output inversion
CV control of Osc 1,2 & 3 shape,filter response and reverb mix via matrix column M
Features our custom designed 16×16 analogue switch matrix with direct switch data entry.99 patch memories.
Built into a road worthy Explorer hard case.Black,green or orange

The plus version has the following additions.

Oscillator 1 sine output can be switched to sub 1 oct square and ramp output to sub 2 octave square.
Oscillator 3 pulse output can be switched to a ramp output or random voltage with noise as its source.
Triangle output can be switched to a square output or sample & hold with the envelope shaper as source.
Meter column can be routed to input ch 1 or 2 for variable inversion.
Ch 1 has variable slew.
Output channel 2 cv invert for stereo effects.

Price is £5299.In stock for quick despatch.

For more info contact mail@switchtrix.co.uk

Thanks for looking."

Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL

video upload by Melbourne Instruments

Roto-Control (Review): A Logic Pro Controller I Actually Want to Use

video upload by Why Logic Pro Rules

"I was skeptical when ‪@melbourneinstruments‬ sent me Roto-Control for Logic Pro. I've owned plenty of MIDI controllers that ended up collecting dust. But after using this for the past month, I actually reach for it.

What makes it different? Eight fully motorized control knobs with haptic feedback that adapt to whatever you're focused on in Logic Pro. You don't just see parameters change on screen - you FEEL them. End stops on a filter cutoff, notches on discrete values, center indents for faders, pans, and more.

In this review, I walk through the Logic Pro integration, the haptic feedback system, and what it's actually like to use day-to-day. I also cover the real limitations - manual plugin mapping and limited storage - that you need to know before buying."

Press release follows:

Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL motorised software and hardware MIDI controller

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to announce availability of advanced Logic Pro integration for its ROTO-CONTROL motorised software and hardware MIDI controller — creatively expanding upon its successful integration with Ableton Live and Bitwig Studio, demand for integration with Apple’s popular professional DAW (Digital Audio Workstation) for Mac having been strong since said controller launched to widespread critical acclaim a year ago — as of January 15, 2026…

ROTO-CONTROL readily packs eight touch-sensitive motorised knobs — brushless drone motors with Melbourne Instruments’ patented ultra-high-resolution contactless optical sensors offering a lifetime rating in excess of 50 million cycles that equates to 500 times more than conventional pots, precisely — alongside nine high-resolution IPS (In-Plane Switching) LCDs (Liquid Crystal Displays) and 16 backlit RGB (Red, Green, Blue) LED (Light-Emitting Diode) buttons into its classy, compact — 341mm/13.4” (W) x 112mm/4.4” (D) x 44mm/1.7” (H) — form factor to duly deliver haptic feedback and instant parameter recall, communicating with the outside world via MIDI (Musical Instrument Digital Interface) over USB (Universal Serial Bus) and 5-pin MIDI DIN (Deutsches Institut für Normung) IN/OUT/THRU connections. Constructed out of ABS (Acrylonitrile Butadiene Styrene) and metal, it robustly weighs in at only 715g/1.58lb, making it the perfect portable production partner for encouraging artists to use sound and music in new and exciting ways — wherever their journey might end up taking them, both creatively and geographically. Get this, though: ROTO-CONTROL now introduces a fully-tactile, motorised workflow to Logic Pro, delivering fast, hands-on control of tracks, plug-ins, Smart Controls, and automation — all thanks to a new firmware update.

MIX mode mirrors Logic Pro’s session track names, colours, and order automatically, while providing high-resolution control of volume, pan, sends, and automation alongside instant access to track selection, paging, mute/solo/arm switching, and dedicated TRACK FOCUS.

Fast, powerful plug-in control comes courtesy of PLUGIN mode, allowing users to browse and select Logic Pro instrument and effect plug-ins instantly from ROTO-CONTROL using simple touch-and-learn mapping for any parameter, with up to eight pages of controls per plug-in stored directly on the device ready for any projects, plus bypass/select controls — all mappings being saved on ROTO-CONTROL and usable across all Logic Pro projects on any computer.

Cutting-edge control continues with Logic Pro’s Smart Controls being automatically mapped to ROTO-CONTROL, controlling up to 16 Smart Control parameters instantly — perfect for working with instruments, macros, and MIDI effects, available in both PLUGIN mode and the dedicated SMART mode itself.

And as if all that was not enough to be getting on with, ROTO-CONTROL can be used to customise labels, colours, haptics, and steps for each control, while integrated transport — play, stop, record, cycle, auto-punch, and playhead — controls are all accessible from any mode.

It is fair to say, then, that Logic Pro users owe it to themselves — and, ultimately, their sound and music — to consider making some space in their creative and physical world for ROTO-CONTROL. After all, motorised and morphing controls, instant recall, and intuitive hardware are only the beginning of their journeying.

ROTO-CONTROL is available to buy at its new North American price of $399.00 USD (excluding tax) in the USA and Canada, while its RRP (Recommended Retail Price) in Australia of $619.00 AU (including GST) and MSRP (Manufacturer’s Suggested Retail Price) in the EU of €372.35 EUR (excluding VAT), MSRP in Japan/Asia of $469.00 USD, and MSRP in the UK of £389.00 GBP remains unchanged — all via Melbourne Instruments’ growing global network of dealers here: https://www.melbourneinstruments.com/dealers [check with dealers on the right here on MATRIXSYNTH]

For more in-depth information, please visit the dedicated ROTO-CONTROL webpage here: https://www.melbourneinstruments.com/rotocontrol

The new (3.0.1) firmware update for ROTO-CONTROL with Logic Pro integration is downloadable for free from here: https://www.melbourneinstruments.com/roto