Waldorf M 1.11 Update Adds Varysaw VA Oscillator, CS80 Based Oscillator, Extensive FM & More

You can find the update here

Details form the release doc follows:

Disclaimer: This is an unofficial add-on to the M user manual, describing some of extra features added from firmware 1.05 up to firmware 1.11. This add-on also covers some complex aspects of the Multi Mode, which remains somewhat unusual.

Author: Vladi Salnikov aka VladiS.

Algorithms of FW version 1.11:

Varysaw: A VA oscillator ranging from SAW through PULSE to TRI.

Wave (red encoder): Mixes from 0 to 31 from SAW to PULSE; 32 is pure PULSE, and 33 to 63 mixesfrom PULSE to TRI.

Meta parameter: Pulse width for PULSE, adjustable from 5% to 95%.

CSAW: A famous Yamaha CS-80 saw oscillator with mutation towards a parabolic oscillator.

Wave : Controls the amplitude of the “step” component of the saw wave.

Meta parameter: Mixes between this saw wave and the parabolic saw wave.

Waveshpr: A SAW to TRI oscillator fed into a mild waveshaper.

Wave : 0 is pure SAW, 1-62 mixes between SAW and TRI, and 63 is pure TRI.

Meta parameter: Depth of the waveshaper.

TriplSaw: A stack of three SAW oscillators; two are detuned slightly higher and lower than the third.

Wave : Controls the amplitude of the “central” SAW oscillator relative to the two “side” SAWs.

Meta parameter: Detuning factor, from 0 to maximum detune.

S/T Fold: A SIN wave folding oscillator that folds the chosen crossmixed wave between SIN and TRI waves.

Wave : 0 is pure SIN, 1-62 mixes between SIN and TRI, and 63 is pure TRI.

Meta parameter: Folding depth.

FM 2 OP: Classic simple two-operator FM synthesis. OP1 (modulator) generates a sine wave that modulates the phase of OP2 (carrier). Both operators generate sinewaves; the algorithm's output is the carrier signal.

Wave: Maps values from 0 to 63 to harmonics ratios of 1 to 8 in stepped increments.

Meta parameter: Amount of phase modulation applied to the carrier.

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Spectral Oscillators Toolkit Vol. 3 - Evolving Looping Oscillators for Cinematic Sound Design

"Available here now for €19.99 instead of €45 until January 20 2026: https://oceanswift.net/product/spectral-oscillators-toolkit-vol3/

Ocean Swift Synthesis has released Spectral Oscillators Toolkit Vol. 3, continuing its “loop-as-oscillator” approach with a newly curated batch of seamless, production-ready oscillator materials designed for modern sound design workflows. The collection includes sample oscillators, tuned tonal beds, drifting textures, and evolving drones intended to function as a playable synthesis foundation—reliable starting points that invite modulation, layering, and deep processing.

Like the previous volumes, every file is built to drop directly into samplers, sample-based synth engines, granular tools, and modular systems, making the toolkit a practical source of dependable oscillator material for both experimental and production contexts.

What’s New in Vol. 3
Vol. 3 distinguishes itself through both its source material and its sense of motion. The pack was assembled from a broad range of new recordings and sampling sessions drawn from Ocean Swift’s synth preset development, hardware sessions, and sound design workflows. These sources were then refined using updated looping, curation, and motion-focused techniques- aimed at delivering more micro-events, subtle tonal details, and evolving character, while staying clean and controlled.

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Joranalogue Audio Design / EVERY MODULE in the current line-up / STORIES & TRICKS

video upload by Joranalogue Audio Design

"In conclusion of 2025 our friend Simon (aka @briesmodular ) walks us through every single module in the Joranalogue catalogue right now (except TEST 3). He tells us how he uses the modules and shares a few tricks here and there. Join us for the ride!"

0:00 intro
1:36 STEP 8
5:11 GENERATE 3
10:31 FOLD 6
14:28 FILTER 8
19:36 RECEIVE 2

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Soundmachines NS1 Nanosynth Mini Modular Synthesizer and NS1 Exmperimenters Kit

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"The NS1nanosynth synthesizer is an handeld 220x85mm analog modular synthesizer coupled with an Arduino Leonardo platform.

Power Supply is 5v/160mA either from the USB micro connector or the classic 5.5mm barrel jack, central positive. If you use use both concurrently, power will be drawn from the barrel jack.

Feeding the NS1 with more than a regulated 5V will result in immediately destruction of most part of the product (i.e. holy smokes + swears).

On board the synth, +12 and -12 voltages, necessary for the oscillator and the filter, are generated through a DC/DC module.

All CV control signals are 0-5V unipolar. Oscillator waveforms outputs are equally 0-5V to be able to use the on board modules to mix cv and audio signals without problems (see the ‘waveshaping’ video for an example of this)."

You can find a demo of the NS1 here.

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UDO SUPER GEMINI & MOOG ONE CINEMATIC MUSIC

video upload by elz production

"the mix between 2 great synthesizer in 2025, lets hear it in cinematic music ambiance!"

Soma Messeiver - Shortwave based ambiant musical instrument

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

You can find a demo previously posted here.

"From the SOMA website:

MESSEIVER is an irrational device for exploring the world of primal, wild radio reception – the way it was first experienced by the pioneers of radiocommunication.

MESSEIVER – is a shortwave receiver that is capable of receiving different stations from all around the Earth. Its peculiarity is that it doesn’t have the classic input tuning circuit, which lets you select a single station. Instead, it captures a big part of radio ether as it is. This way you can listen to many radio stations at once from around the globe. The set of stations that you can hear, their loudness and sound are defined by numbers of constantly changing global natural parameters. Weather, solar activity, cosmic particles, clouds and dozens of other phenomena define radio waves propagation, turning the world into a global DJ that makes a unique mix of radio stations here and now, exclusively for you. More details you can find in the manual and demo video.

MESSEIVER has a luxury vintage handmade build with brass inlay, wide range old school speaker, custom coil, NOS germanium diodes, vintage neon bulb and other things which make the impression and vibes of it unique."

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JMT Synth DNVO-1A - Beatsville Edition w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"This tabletop noise synth has been used only a few times for specific recordings and remains in
perfect physical and working condition. The item pictured is the actual item you will receive.

Beatsville (Japan) Exclusive Model

Beatsville description (Japanese to English Translation)

JMTSYNTH, known for its popular creative noise drone synths, has released the DNVO-1a , offering even more flexibility and excellent integration with modular synths! This exclusive Beatsville model features a white acrylic panel and an additional Gate In jack, adding a touch of glamour. It's modulated by the voltage control of a BASTL INSTRUMENTS modular. Five modulation options are applied to the main VCO, which is then output via a brutal noise filter. Each sub-oscillator, SUB1 through SUB3, has its own on/off switch, is set to a different frequency range, and the modulation frequency can be adjusted with a knob. Each one distorts the sound intensely, creating a deluge of organic noise. Additionally, the NOISE knob allows you to apply noise modulation to the main VCO, adjusting the peak point with the knob. The fifth modulator is the WAVE GENERATOR, which can be enabled with the WAVE ON switch. The "WAVE GENERATOR" allows you to adjust the frequency with the WAVE LEVEL knob, while the ATTACK and RELEASE knobs, trigger switch, and Trigger 1 through Trigger 3 knobs allow you to create periodic, rhythmic vibrato and pitch bend. Random, rhythmic bends and long-period ups and downs can also be freely adjusted. This is a very practical technique, as it can be combined with noisy sounds to create noise synth sounds that add rhythmic elements without becoming monotonous. The DNVO-1a (Deluxe Edition) offers three types of trigger type switches. The top position, MIX, mixes the timing determined by the Trigger 1 through Trigger 3 knobs and sends it to the VCO. The bottom position, REPEAT, creates a regular rhythm and rhythmically modulates the VCO. The center position, GATE (OFF), is a special mode that allows the built-in envelope generator-type LFO to be generated from an external gate signal input to the Gate In jack (Trigger 1 through Trigger 3 are turned off, and the trigger is generated from the gate signal input to the Gate In jack). For example, if a gate signal is input from an external sequencer module, you can adjust its waveform with the ATTACK and RELEASE knobs before sending it to the oscillator. The additional CV IN jack also allows you to connect the CV OUT from an external modular or other device to modulate the VCO with an external CV! Everything is intuitive, allowing you to create even the most complex sounds. Furthermore, by connecting to external modular synths, you can explore the variety of analog synth sounds colored by JMTSYNTH's organic noise. This is an outstanding desktop synthesizer with a wide range of synth sounds."

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Tonverk 1.2.0 OS Upgrade

video upload by Elektron

"Tonverk 1.2.0 is here! With some lovely little festive additions to put under the Tonverk tree. We’ve got two new FX to play with, even more options with the existing FX, random mode for the arpeggiator, and further fixes and improvements.

Find out more and download Tonverk OS 1.1.0: https://bit.ly/48T1BjG"

"OS Upgrade: Tonverk OS 1.2.0
We know Grainer, and the 1.1.0 OS that fixed the sync issues, are still fresh on the block, but we had some pretty neat dishes in the oven that didn’t quite make that release. So here is OS 1.2.0, a chance to put a few more little festive additions under the Tonverk tree. We’ve got new effects, even more options with the existing effects, a random mode for the arpeggiator, and some other little additions alongside further fixes and improvements.

New effect: Steel Box Reverb

A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.

New effect: Filter Folder

Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.

More FX availability

If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks - and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.

Random Arp

Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.

And more

There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements."

(Video) *Serviced* 1970s Wersi Entertainer Compact German Combo Organ w/ Big Rhythms

Note: links to listings are affiliate links for which the site may be compensated.
video upload by riffers

via this Reverb listing

"Back with another charmer: the Wersi Entertainer—that unmistakable 1970s/80s German home-organ vibe in a slimline, wood-cased package. Heavy, driving rhythm section (like only the Germans can), lush organ tabs, and built-in speakers for instant fun.

Set a tempo, punch in a style (March, Samba, Slow Rock, Waltz, Beat, Swing), and layer chords with Auto-Chord while you hunt melodies on the upper keys. The rhythms are steady and weighty enough to act as a “groove grid,” so song ideas arrive quickly. The on-panel balance/volume lets you sketch arrangements (pad vs lead vs rhythm) in seconds, and the bold, simple voicings sit in a mix without fuss—great for writing hooks, auditioning progressions, or tracking guide parts straight into a DAW.

Features

Voices via coloured tabs: Horn 16', Tibia 16'/8', Klarinette, Perc 8', Vibrato, Auto Chord.
Rhythm presets: March, Samba, Slow Rock, Walzer, Beat, Swing with Start/Stop and Tempo.
Onboard stereo speakers for plug-and-play use.
Rear panel: pitch trim, external amplifier output (DIN), 12V battery input, and external speaker connection.
Compact, wood-veneer cabinet with Wersi badging.
Rear panel: external amplifier out, 12V battery input, external speaker out (2–8 Ω), pitch trim.
Condition

Fully functioning: all keys, tabs and rhythms tested and working. Clean overall with light cosmetic wear consistent with age; see photos for close-ups."

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F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

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PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

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Cinefreak 📽️ (Arturia Minifreak ; Conductive Labs NDLR Sequencer) #OneSynthOnly

video upload by 2-Minute Warning

"My first video with the Arturia Minifreak! What and amazing and versatile synth! Was really impressed of how it sounds and all the features it has in such a small form factor 🤩

As usual, I recorded this jam only a couple of hours after getting the Minifreak, it's really very easy to get started with!

However it did take me a lot of time to record all the parts in multitrack (though it is a OneSynthOnly jam), mix the audio and edit the video, really hope you'll enjoy it ☺️

Here's how I proceeded:
I first "played" the NDLR sequencer and recorded the MIDI notes on 4 different tracks for the BASS (= DRONE track on the NDLR), PADS, MOTIF-1 and MOTIF-2.

Then I sent the MIDI notes from each track to the Minifreak and tweaked the knobs etc. in real-time (except for the LEAD part which I played throughout in real-time).

** Hardware used **

// BASS, PADS, MOTIF-1, MOTIF-2, LEAD
Arturia Minifreak (polyphonic hybrid keyboard with dual digital sound engines and analog filters)

// SEQUENCER
Conductive Labs NDLR (MIDI Four-track, Sequenced Arpeggiator, Chord and Drone Player)"

7 patches with Black Stereo Delay

video upload by Erica Synths

"Black Stereo Delay is a hi-fi stereo delay with tape, digital, and ping-pong modes, CV/trigger control, and overdub hold—powerful enough to be both an effect and an instrument.

Now available for a special price! € 150.00 down from € 250.00 [note this is not the mk2 model - see dealers on the right for that]

Timeline:
00:01 - Patch 1 / True stereo patch where hard panned signal is fed into the Delay
01:10 - Patch 2 / Sample looping with layering with the HOLD and ADD fuctions on the Delay
03:45 - Patch 3 / Breaks and Bass through 2x Delays on which DRY/WET mix and DELAY time are sequenced with the Black Sequencer
04:51 - Patch 4 / Sample through Delay with Time and Feedback modulated with same S&H signal
05:29 - Patch 5 / Synth line processes through two Delays in Digital mode creating Reverb like effect
06:13 - Patch 6 / Sample played through Delay and stereo spread parameter adjusted with ADD + TIME
07:26 - Patch 7 / Single VCO layered with the HOLD & ADD function on the delay"

The SpaceBass Polyphonic Guitar Shaped Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.
video upload by TronixSynth

"24 touch sensors. Polyphonic. Play in any key and octave. Includes FM synthesis, PWM, Ring Modulation, built-in effects and filters.
Can operate with 9V Battery or 9V power adapter.
*For Sale On Ebay"

via this eBay listing

"SpaceBass - Professional Polyphonic Touch Synthesizer

Handcrafted Electronic Musical Instrument by TronixSynth.com

Unique capacitive touch-controlled synthesizer with professional sound quality and studio-ready features.

---

KEY FEATURES:

Dual Touch Controller System:
- 24 capacitive touch pads
- Full synthesis with effects processing
- Bass PWM engine with punchy, clean output
- Guitar-style layout for intuitive playing
- Polyphonic - play multiple notes simultaneously

Four Synthesis Engines:
1. Analog Synthesis - Classic subtractive with three oscillators
2. FM Synthesis - Frequency modulation with adjustable ratio and index
3. PWM Synthesis - Dual pulse-width modulation with dynamic sweeping
4. Ring Modulation - Metallic, bell-like tones with carrier and modulator control

Professional Effects Suite:
- Reverb with room size, damping, and mix controls
- Chorus with adjustable rate and depth
- Flanger with feedback and mix parameters
- Dynamic filtering for expressive sound shaping

Musical Features:
- 7 musical scales: Major, Natural Minor, Dorian, Mixolydian, Lydian, Pentatonic Major, Pentatonic Minor
- Key transposition (+/- 11 semitones)
- Octave shifting
- Portamento/glide with adjustable time
- Detuning for thick, chorused sounds
- LFO modulation with rate and depth control

Sound Design Controls:
- ADSR envelope (Attack, Decay, Sustain, Release)
- Ladder filter with cutoff and resonance
- Multiple waveforms: Sine, Sawtooth, Square, Triangle, Pulse
- Independent sub-oscillator with level control
- Master volume control

Interface:
- 20x4 LCD display with clear parameter feedback
- Rotary encoder for parameter adjustment
- 8 preset slots with save/load functionality
- Visual feedback with progress bars and real-time values

Audio Outputs:
- Studio-quality 16-bit/44.1kHz audio
- 1/4" Audio Output Jack

---

SAVE SETTINGS:

- Audio Memory: Optimized for low-latency performance
- Display: I2C LCD 20x4 characters with backlight

---

PERFECT FOR:

- Electronic music producers and performers
- Bass players looking for unique synthesized tones
- Experimental musicians and sound designers
- Modular synth enthusiasts
- Studio production and live performance
- Chip music and retro-electronic artists
- Synthesizer collectors

---

ABOUT THE BUILDER:

Created by Tony of TronxSynth.com, inventor of the AxeSynth (2004) and numerous experimental instruments including the Space*Synth, Lunar Module, and Sonic DrumAxe. Instruments have been used by professional bands including Mutemath and Velva. Each unit is handcrafted with precision and attention to detail, combining craftsmanship with innovative musical design.

---

SOUND CHARACTER:

The SpaceBass excels at punchy bass tones, atmospheric pads, evolving textures, and experimental soundscapes.

*The fretboard is split into 2 sections, called Controller A & Controller B. Controller B provides immediate, unprocessed bass attack perfect for rhythmic playing, while Controller A offers lush, effect-laden sounds ideal for melodic content. The combination creates a powerful performance instrument with incredible sonic range."

Elastic OSC 'LFO' Update 1.2

video upload by Elastic Instruments (Oliver Greschke)

"Update 1.2 brings the long-awaited LFO support to Elastic OSC.
LFO 1 is free - additional 3 LFOs can be unlocked via In-App Purchase.

Each LFO offers:
• Frequency (0.02 – 20,000 Hz, or tempo-synced)
• Shape (Sine, Triangle, Ramp Up, Ramp Down, Pulse, Sample & Hold)
• Fade: Fade-in time after being triggered
• Phase: Define the start phase
• Sync: Run the LFO in sync with project tempo
• Trigger Modes:
• Retrigger – restarts with each new note
• One Shot – plays a single cycle when triggered
• Free – runs freely without retriggering
• Enable: Quickly compare modulation by toggling the LFO on/off

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REST - Electronica #24 // Moog Subharmonicon, Digitakt, Digitone, Analog Four, Octatrack

video upload by David Falcon

"The year is coming to an end and I feel like it is the end of a cycle for me. I want to compile my favorite jams from this year alongside some older songs and release them as several EP.
I am not sure if I will post any other jam this year but who knows.

In this one I put together all the Elektrons for the first time in a while, really fun machines.

Patch notes:
Digitone - Main melody, pads, and two arps
Digitakt - Percussion
Analog Four - Bass, Second Lead and textures
Subharmonicon - Arp
Octatrack - Mix, FX and noise samples."

Tight industrial jam by Stephen McCaul of Noise Engineering

video upload by Noise Engineering

"Here's a tight industrial jam by Noise Engineering's Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects.

Join us on Discord! Invite link: / discord"

Neuro Bass for Serum 2 by Dejin

video upload by NatLife Sounds

"Buy Link: https://natlifesounds.com/product/neu...
Meet our new artist, Dejin, with his hard-hitting sound for Serum 2

Neuro Bass for Serum 2 by Dejin delivers 35 meticulously crafted bass presets, polished to perfection and engineered for maximum impact in Neurofunk, Dubstep, and Drum & Bass. Each sound is built with precise detailing, clean power, and aggressive clarity, giving producers a fully refined toolkit for modern heavy bass music.

The pack includes:

Sub-Basses - solid, balanced, mix-ready foundations.
Dynamic Wobbles and Growls - expressive movement with deep modulation control.
Dense Reeses - wide, layered tones shaped for strong low-end pressure.
Sharp Stabs and Plucks - tight, focused attack sounds that cut straight through the rhythm.
Gritty and Distorted Basses - raw, character-driven textures with sharpened edge.

A compact but elite collection for producers who demand precision, intensity, and expertly perfected sound design."

Introducing Pamela's Disco - Eurorack DJ Sync

video upload by ALM TV

"Pamela's Disco syncs Eurorack modular and other compatible devices to the ‘Master’ Tempo of a PRO DJ-LINK™ Network. This enables syncing your modular to your decks for unique hybrid DJ sets.

The Disco listens to a PRO DJ-LINK network via an Ethernet connection and converts the 'Master' tempo information to standard modular clock signals. Easily sync Pamela's PRO Workout and other devices with your mix.

The Disco provides standard 'DIN Sync' style clocking outputs as well as beat and bar trigger outputs. LEDs show connection, status and tempo. A 'Resync' button provides manual latched beat synced control of the outputted clock.

Compact and easy to set up, the Disco opens up new performance possibilities - mix, overdub, spinback and scratch, all locked in time with your modular.

For more information please visit https://busycircuits.com/products/alm049

Big big thanks to Emerald ( / emeraldroselewis ) and Arcca ( https://www.arccamagazine.com/ ) for their help in producing this video."

Xfer Serum 2: Dark Rhythmic Presets. Arps, Pads, Basses Demo

video upload by Anton Anru

"❄️ Alchemy Of Glacial Rhythms is a bank of 50 rhythmic presets for Xfer Serum 2, inspired by the north and its cold winters, which are accompanied by a special dark magic. The core idea of the bank was to create rhythmic, atmospheric, and "cold" sounds that evoke a certain magic. The result was brutal yet ethereal arps, growling basslines, magic pads, cold noisy synths, and mystical textures.

📦 Get these patches: https://antonanru.sellfy.store/p/seru...
The bank includes 50 Presets: 10 arps, 10 basses, 10 pads, 10 synths, 10 textures.
👤 The author of the soundset is skendi (Arseniy Pushkov).

🔮 The soundset spans a wide range of tones, from warm, deep and atmospheric textures to clean, punchy, bright and airy timbres. The sounds include different combinations of oscillators in different modes, such as wavetable, FM, granular and spectral as well as different types of reverbs, delays, distortions, filters, and modulations.
Presets are suitable for genres such as ambient, cinematic, IDM, experimental, techno, breakbeat, jungle and many others.

🎛 Macros can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

ModWheel adds expressiveness to the timbre.

❗️Compatible only with Serum 2. Not compatible with Serum 1.
Installation: Open the Serum menu and click 'Show Serum Presets Folder.' You will see folders containing different Serum content. Open the 'Presets' folder and place the new bank (folder) of presets there."

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