JMT Synth DNVO-1A - Beatsville Edition w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"This tabletop noise synth has been used only a few times for specific recordings and remains in
perfect physical and working condition. The item pictured is the actual item you will receive.

Beatsville (Japan) Exclusive Model

Beatsville description (Japanese to English Translation)

JMTSYNTH, known for its popular creative noise drone synths, has released the DNVO-1a , offering even more flexibility and excellent integration with modular synths! This exclusive Beatsville model features a white acrylic panel and an additional Gate In jack, adding a touch of glamour. It's modulated by the voltage control of a BASTL INSTRUMENTS modular. Five modulation options are applied to the main VCO, which is then output via a brutal noise filter. Each sub-oscillator, SUB1 through SUB3, has its own on/off switch, is set to a different frequency range, and the modulation frequency can be adjusted with a knob. Each one distorts the sound intensely, creating a deluge of organic noise. Additionally, the NOISE knob allows you to apply noise modulation to the main VCO, adjusting the peak point with the knob. The fifth modulator is the WAVE GENERATOR, which can be enabled with the WAVE ON switch. The "WAVE GENERATOR" allows you to adjust the frequency with the WAVE LEVEL knob, while the ATTACK and RELEASE knobs, trigger switch, and Trigger 1 through Trigger 3 knobs allow you to create periodic, rhythmic vibrato and pitch bend. Random, rhythmic bends and long-period ups and downs can also be freely adjusted. This is a very practical technique, as it can be combined with noisy sounds to create noise synth sounds that add rhythmic elements without becoming monotonous. The DNVO-1a (Deluxe Edition) offers three types of trigger type switches. The top position, MIX, mixes the timing determined by the Trigger 1 through Trigger 3 knobs and sends it to the VCO. The bottom position, REPEAT, creates a regular rhythm and rhythmically modulates the VCO. The center position, GATE (OFF), is a special mode that allows the built-in envelope generator-type LFO to be generated from an external gate signal input to the Gate In jack (Trigger 1 through Trigger 3 are turned off, and the trigger is generated from the gate signal input to the Gate In jack). For example, if a gate signal is input from an external sequencer module, you can adjust its waveform with the ATTACK and RELEASE knobs before sending it to the oscillator. The additional CV IN jack also allows you to connect the CV OUT from an external modular or other device to modulate the VCO with an external CV! Everything is intuitive, allowing you to create even the most complex sounds. Furthermore, by connecting to external modular synths, you can explore the variety of analog synth sounds colored by JMTSYNTH's organic noise. This is an outstanding desktop synthesizer with a wide range of synth sounds."

CLICK FOR MORE »

Tonverk 1.2.0 OS Upgrade

video upload by Elektron

"Tonverk 1.2.0 is here! With some lovely little festive additions to put under the Tonverk tree. We’ve got two new FX to play with, even more options with the existing FX, random mode for the arpeggiator, and further fixes and improvements.

Find out more and download Tonverk OS 1.1.0: https://bit.ly/48T1BjG"

"OS Upgrade: Tonverk OS 1.2.0
We know Grainer, and the 1.1.0 OS that fixed the sync issues, are still fresh on the block, but we had some pretty neat dishes in the oven that didn’t quite make that release. So here is OS 1.2.0, a chance to put a few more little festive additions under the Tonverk tree. We’ve got new effects, even more options with the existing effects, a random mode for the arpeggiator, and some other little additions alongside further fixes and improvements.

New effect: Steel Box Reverb

A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.

New effect: Filter Folder

Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.

More FX availability

If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks - and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.

Random Arp

Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.

And more

There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements."

(Video) *Serviced* 1970s Wersi Entertainer Compact German Combo Organ w/ Big Rhythms

Note: links to listings are affiliate links for which the site may be compensated.
video upload by riffers

via this Reverb listing

"Back with another charmer: the Wersi Entertainer—that unmistakable 1970s/80s German home-organ vibe in a slimline, wood-cased package. Heavy, driving rhythm section (like only the Germans can), lush organ tabs, and built-in speakers for instant fun.

Set a tempo, punch in a style (March, Samba, Slow Rock, Waltz, Beat, Swing), and layer chords with Auto-Chord while you hunt melodies on the upper keys. The rhythms are steady and weighty enough to act as a “groove grid,” so song ideas arrive quickly. The on-panel balance/volume lets you sketch arrangements (pad vs lead vs rhythm) in seconds, and the bold, simple voicings sit in a mix without fuss—great for writing hooks, auditioning progressions, or tracking guide parts straight into a DAW.

Features

Voices via coloured tabs: Horn 16', Tibia 16'/8', Klarinette, Perc 8', Vibrato, Auto Chord.
Rhythm presets: March, Samba, Slow Rock, Walzer, Beat, Swing with Start/Stop and Tempo.
Onboard stereo speakers for plug-and-play use.
Rear panel: pitch trim, external amplifier output (DIN), 12V battery input, and external speaker connection.
Compact, wood-veneer cabinet with Wersi badging.
Rear panel: external amplifier out, 12V battery input, external speaker out (2–8 Ω), pitch trim.
Condition

Fully functioning: all keys, tabs and rhythms tested and working. Clean overall with light cosmetic wear consistent with age; see photos for close-ups."

CLICK FOR MORE »

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

CLICK FOR MORE »

PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

CLICK FOR MORE »

Cinefreak 📽️ (Arturia Minifreak ; Conductive Labs NDLR Sequencer) #OneSynthOnly

video upload by 2-Minute Warning

"My first video with the Arturia Minifreak! What and amazing and versatile synth! Was really impressed of how it sounds and all the features it has in such a small form factor 🤩

As usual, I recorded this jam only a couple of hours after getting the Minifreak, it's really very easy to get started with!

However it did take me a lot of time to record all the parts in multitrack (though it is a OneSynthOnly jam), mix the audio and edit the video, really hope you'll enjoy it ☺️

Here's how I proceeded:
I first "played" the NDLR sequencer and recorded the MIDI notes on 4 different tracks for the BASS (= DRONE track on the NDLR), PADS, MOTIF-1 and MOTIF-2.

Then I sent the MIDI notes from each track to the Minifreak and tweaked the knobs etc. in real-time (except for the LEAD part which I played throughout in real-time).

** Hardware used **

// BASS, PADS, MOTIF-1, MOTIF-2, LEAD
Arturia Minifreak (polyphonic hybrid keyboard with dual digital sound engines and analog filters)

// SEQUENCER
Conductive Labs NDLR (MIDI Four-track, Sequenced Arpeggiator, Chord and Drone Player)"

7 patches with Black Stereo Delay

video upload by Erica Synths

"Black Stereo Delay is a hi-fi stereo delay with tape, digital, and ping-pong modes, CV/trigger control, and overdub hold—powerful enough to be both an effect and an instrument.

Now available for a special price! € 150.00 down from € 250.00 [note this is not the mk2 model - see dealers on the right for that]

Timeline:
00:01 - Patch 1 / True stereo patch where hard panned signal is fed into the Delay
01:10 - Patch 2 / Sample looping with layering with the HOLD and ADD fuctions on the Delay
03:45 - Patch 3 / Breaks and Bass through 2x Delays on which DRY/WET mix and DELAY time are sequenced with the Black Sequencer
04:51 - Patch 4 / Sample through Delay with Time and Feedback modulated with same S&H signal
05:29 - Patch 5 / Synth line processes through two Delays in Digital mode creating Reverb like effect
06:13 - Patch 6 / Sample played through Delay and stereo spread parameter adjusted with ADD + TIME
07:26 - Patch 7 / Single VCO layered with the HOLD & ADD function on the delay"

The SpaceBass Polyphonic Guitar Shaped Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.
video upload by TronixSynth

"24 touch sensors. Polyphonic. Play in any key and octave. Includes FM synthesis, PWM, Ring Modulation, built-in effects and filters.
Can operate with 9V Battery or 9V power adapter.
*For Sale On Ebay"

via this eBay listing

"SpaceBass - Professional Polyphonic Touch Synthesizer

Handcrafted Electronic Musical Instrument by TronixSynth.com

Unique capacitive touch-controlled synthesizer with professional sound quality and studio-ready features.

---

KEY FEATURES:

Dual Touch Controller System:
- 24 capacitive touch pads
- Full synthesis with effects processing
- Bass PWM engine with punchy, clean output
- Guitar-style layout for intuitive playing
- Polyphonic - play multiple notes simultaneously

Four Synthesis Engines:
1. Analog Synthesis - Classic subtractive with three oscillators
2. FM Synthesis - Frequency modulation with adjustable ratio and index
3. PWM Synthesis - Dual pulse-width modulation with dynamic sweeping
4. Ring Modulation - Metallic, bell-like tones with carrier and modulator control

Professional Effects Suite:
- Reverb with room size, damping, and mix controls
- Chorus with adjustable rate and depth
- Flanger with feedback and mix parameters
- Dynamic filtering for expressive sound shaping

Musical Features:
- 7 musical scales: Major, Natural Minor, Dorian, Mixolydian, Lydian, Pentatonic Major, Pentatonic Minor
- Key transposition (+/- 11 semitones)
- Octave shifting
- Portamento/glide with adjustable time
- Detuning for thick, chorused sounds
- LFO modulation with rate and depth control

Sound Design Controls:
- ADSR envelope (Attack, Decay, Sustain, Release)
- Ladder filter with cutoff and resonance
- Multiple waveforms: Sine, Sawtooth, Square, Triangle, Pulse
- Independent sub-oscillator with level control
- Master volume control

Interface:
- 20x4 LCD display with clear parameter feedback
- Rotary encoder for parameter adjustment
- 8 preset slots with save/load functionality
- Visual feedback with progress bars and real-time values

Audio Outputs:
- Studio-quality 16-bit/44.1kHz audio
- 1/4" Audio Output Jack

---

SAVE SETTINGS:

- Audio Memory: Optimized for low-latency performance
- Display: I2C LCD 20x4 characters with backlight

---

PERFECT FOR:

- Electronic music producers and performers
- Bass players looking for unique synthesized tones
- Experimental musicians and sound designers
- Modular synth enthusiasts
- Studio production and live performance
- Chip music and retro-electronic artists
- Synthesizer collectors

---

ABOUT THE BUILDER:

Created by Tony of TronxSynth.com, inventor of the AxeSynth (2004) and numerous experimental instruments including the Space*Synth, Lunar Module, and Sonic DrumAxe. Instruments have been used by professional bands including Mutemath and Velva. Each unit is handcrafted with precision and attention to detail, combining craftsmanship with innovative musical design.

---

SOUND CHARACTER:

The SpaceBass excels at punchy bass tones, atmospheric pads, evolving textures, and experimental soundscapes.

*The fretboard is split into 2 sections, called Controller A & Controller B. Controller B provides immediate, unprocessed bass attack perfect for rhythmic playing, while Controller A offers lush, effect-laden sounds ideal for melodic content. The combination creates a powerful performance instrument with incredible sonic range."

Elastic OSC 'LFO' Update 1.2

video upload by Elastic Instruments (Oliver Greschke)

"Update 1.2 brings the long-awaited LFO support to Elastic OSC.
LFO 1 is free - additional 3 LFOs can be unlocked via In-App Purchase.

Each LFO offers:
• Frequency (0.02 – 20,000 Hz, or tempo-synced)
• Shape (Sine, Triangle, Ramp Up, Ramp Down, Pulse, Sample & Hold)
• Fade: Fade-in time after being triggered
• Phase: Define the start phase
• Sync: Run the LFO in sync with project tempo
• Trigger Modes:
• Retrigger – restarts with each new note
• One Shot – plays a single cycle when triggered
• Free – runs freely without retriggering
• Enable: Quickly compare modulation by toggling the LFO on/off

CLICK FOR MORE »

REST - Electronica #24 // Moog Subharmonicon, Digitakt, Digitone, Analog Four, Octatrack

video upload by David Falcon

"The year is coming to an end and I feel like it is the end of a cycle for me. I want to compile my favorite jams from this year alongside some older songs and release them as several EP.
I am not sure if I will post any other jam this year but who knows.

In this one I put together all the Elektrons for the first time in a while, really fun machines.

Patch notes:
Digitone - Main melody, pads, and two arps
Digitakt - Percussion
Analog Four - Bass, Second Lead and textures
Subharmonicon - Arp
Octatrack - Mix, FX and noise samples."

Tight industrial jam by Stephen McCaul of Noise Engineering

video upload by Noise Engineering

"Here's a tight industrial jam by Noise Engineering's Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects.

Join us on Discord! Invite link: / discord"

Neuro Bass for Serum 2 by Dejin

video upload by NatLife Sounds

"Buy Link: https://natlifesounds.com/product/neu...
Meet our new artist, Dejin, with his hard-hitting sound for Serum 2

Neuro Bass for Serum 2 by Dejin delivers 35 meticulously crafted bass presets, polished to perfection and engineered for maximum impact in Neurofunk, Dubstep, and Drum & Bass. Each sound is built with precise detailing, clean power, and aggressive clarity, giving producers a fully refined toolkit for modern heavy bass music.

The pack includes:

Sub-Basses - solid, balanced, mix-ready foundations.
Dynamic Wobbles and Growls - expressive movement with deep modulation control.
Dense Reeses - wide, layered tones shaped for strong low-end pressure.
Sharp Stabs and Plucks - tight, focused attack sounds that cut straight through the rhythm.
Gritty and Distorted Basses - raw, character-driven textures with sharpened edge.

A compact but elite collection for producers who demand precision, intensity, and expertly perfected sound design."

Introducing Pamela's Disco - Eurorack DJ Sync

video upload by ALM TV

"Pamela's Disco syncs Eurorack modular and other compatible devices to the ‘Master’ Tempo of a PRO DJ-LINK™ Network. This enables syncing your modular to your decks for unique hybrid DJ sets.

The Disco listens to a PRO DJ-LINK network via an Ethernet connection and converts the 'Master' tempo information to standard modular clock signals. Easily sync Pamela's PRO Workout and other devices with your mix.

The Disco provides standard 'DIN Sync' style clocking outputs as well as beat and bar trigger outputs. LEDs show connection, status and tempo. A 'Resync' button provides manual latched beat synced control of the outputted clock.

Compact and easy to set up, the Disco opens up new performance possibilities - mix, overdub, spinback and scratch, all locked in time with your modular.

For more information please visit https://busycircuits.com/products/alm049

Big big thanks to Emerald ( / emeraldroselewis ) and Arcca ( https://www.arccamagazine.com/ ) for their help in producing this video."

Xfer Serum 2: Dark Rhythmic Presets. Arps, Pads, Basses Demo

video upload by Anton Anru

"❄️ Alchemy Of Glacial Rhythms is a bank of 50 rhythmic presets for Xfer Serum 2, inspired by the north and its cold winters, which are accompanied by a special dark magic. The core idea of the bank was to create rhythmic, atmospheric, and "cold" sounds that evoke a certain magic. The result was brutal yet ethereal arps, growling basslines, magic pads, cold noisy synths, and mystical textures.

📦 Get these patches: https://antonanru.sellfy.store/p/seru...
The bank includes 50 Presets: 10 arps, 10 basses, 10 pads, 10 synths, 10 textures.
👤 The author of the soundset is skendi (Arseniy Pushkov).

🔮 The soundset spans a wide range of tones, from warm, deep and atmospheric textures to clean, punchy, bright and airy timbres. The sounds include different combinations of oscillators in different modes, such as wavetable, FM, granular and spectral as well as different types of reverbs, delays, distortions, filters, and modulations.
Presets are suitable for genres such as ambient, cinematic, IDM, experimental, techno, breakbeat, jungle and many others.

🎛 Macros can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

ModWheel adds expressiveness to the timbre.

❗️Compatible only with Serum 2. Not compatible with Serum 1.
Installation: Open the Serum menu and click 'Show Serum Presets Folder.' You will see folders containing different Serum content. Open the 'Presets' folder and place the new bank (folder) of presets there."

CLICK FOR MORE »

Solton Programmer 24 Synth, Soft Case, Foot & Volume Pedals

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Unique 'All-in-one' Vintage Synth. I purchased this locally from a hammond organ repair shop & brought it home, I was blown away by the accessible drum sounds & pattern based sequencing. Usually these type of keyboard is a "kids toy" but this was different, with the pure analog sounds piercing through my speakers, this thing busted through a mix with warm & 80's tones. The playable foot pedals are really fun connecting to the bass sounds. This is not only a collectors item with music history, but it's a playable instrument for synth wave, disco & electronic music producers & enthusiasts. The arpeggios & patterns spark inspiration & the drum sounds come in handy for even just sampling into a song manually if you are recording & only one to use one instrument for the entire song!

I've dived into this synth on many occasions & did the other night, so I know everything is in working order. I would recommend reading the manual since some of the standard workflow we are used to in 2025 wasn't normalized back then.

INCLUDEDS

- Synth, Original IEC Power, Cable, Keyboard Cover, 3 Soft Cases, Foot Pedal, Volume & Control Pedal

I have the original stand, but I have NOT INCLUDED it in the listing since it would add significant weight & size to the shipping. If you are interested, let me know!"

CLICK FOR MORE »

FOLKTEK ALTER Y GUITAR MULTI-EFFECTS PROCESSOR PEDAL

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

You can find demos and additional details in additional posts here.

"Manufacturer's description
Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. We made this pedal to work with either standard ¼” jacks (for both input and output) or 1/8” (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (eg. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it’s very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

We wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which we thought complimented one another when used together. Running X into Y or vis versa creates some powerful changes."

11/30/25 Metasonix D-2000 + MFB SEQ-1 + Roland SPH-323 + Peavey 1300 + Alesis MIDIVERB II

video upload by Cfpp0

"11/30/25 Metasonix D-2000 + MFB SEQ-1 + Roland SPH-323 + Peavey 1300 + Alesis MIDIVERB II

ALM Pamela’s New Workout clocks the MFB SEQ-1, which is triggering the Metasonix D-2000. The D-2000 mix output runs through the Roland SPH-323 phase shifter into the Peavey 1300 delay, in a double mode with heavy feedback. That signal runs to the Mackie Onyx 1640 mixer, where a reversed reverb from the Alesis MIDIVERB II is applied."

Rob Papen DelGrain - Creative Granular Delay

video upload by Rob Papen

Press release follows:

Rob Papen announces availability of DelGrain as creative granular delay, extending effect plug-in product line with yet more out-of-the-box thinking

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of DelGrain — duly thinking out of the box to extend its effect plug-in product line as a creative granular delay featuring fanciful routings, a distortion feature, and FILTER, while also featuring the same DISRUPT spherical slider shared by its DelSane (stereo delay demonstrating ‘Dr. Jekyll and Mr. Hyde’ behaviour) and LowSane (‘lo-fi’ sound sculpting-specialising effect) software siblings, aimed at experimental artists, mixers, and producers — as of November 28…

It is fair to say that DelGrain has a lot in common with its DelSane software sibling, the main difference obviously being that — as its name implies — it offers a delay that plays back audio in a granular or grainy way. With that in mind, then, the granular change to the audio can be placed ahead of the delay, inside the delay, or parallel to the delay. But better still, the size of the ‘grains’ can be adjusted (GRAIN SIZE) — even in a tempo-based way, the length of the ‘grains’ (GRAIN LEN) can be be tempo-based as well, while the GRAIN SEMI tune feature has a 12-semitone range, both up and down; by being tempo-based, the granular delay itself is ideally suited to rhythmic usage on drums and percussion loops.

Reveals Rob Papen himself — both in his capacity as a virtual instrument and effect plug-in developer par excellence and also as his namesake company’s Managing Director: “DelGrain can produce some sweet-sounding delays with swirly granular sound, but its real power lies in its special sounds — not only on drums and percussion, but also on vocals, for instance. Its DISRUPT sphere with the tempo-based SPRING BACK feature allows you to change DelGrain’s parameters dynamically, and there is also a tempo-based LAZY MODE…” — meaning that the movement of that DISRUPT spherical slider can be automated in different directions, allowing users to also create new types of creative modulation sounds.

Speaking of creative sounds, Rob Papen saw fit to add a FILTER featuring a high-pass and low-pass combination, a band-pass filter, and a vocal/vowel filter that can be placed after the delay/granular combination at different spots. But before the audio even enters the granular delay, an added distortion module makes the sound options even more exciting.

Evidently excited by his namesake company’s latest creation, Rob Papen takes pride in rattling off several more exciting-sounding features that floats his creative boat by adding, “There is a self-explanatory DRY/WET MIX dial and an FX MIX dial that can mix between the ‘granular delay’ and ‘tape delay’ sounds — by the way, the ‘delay’ inside DelGrain is based on a tape delay algorithm; an AUDIO FOLLOWER input is available for side-chain control, and it can also be used to control the DISRUPT sphere; there are four different modulation slots for those who want to control DelGrain via MIDI; and last, but by no means least, DelGrain comes with the BANK MANAGER and many presets — perfect as a starting point.”

Put it this way: while it is understandable that some might take the idea of another delay plug-in promising to be different to so many others already out there with a GRAIN of salt — pun intended, it would be surely seriously remiss of Rob Papen not to assure them that DelGrain definitely delivers on that well-worn claim!

DelGrain is available — as a 64-bit AAX-, AU-, VST-, and VST3-compatible virtual instrument plug-in for Mac (OS X 10.15 or higher, ARM processor compatible) and as a 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an attractive price of only €35.00 EUR/$35.00 USD from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for that same price via its dedicated webpage, which also features more in-depth information, here: https://www.robpapen.com/DelGrain.html

DelGrain is included in eXplorer-10 (https://www.robpapen.com/explorer-10.html), the latest version of Rob Papen’s all-encompassing bundle, at no additional cost; existing owners only have to download the latest installer and run it to add WirePluck to their Rob Papen virtual instrument and effect plug-in collection.

ELZ_1 play V2 x Kuro Kasetto — Eurorack Session

video upload by SONICWARE

"ELZ_1 play V2: https://sonicware.jp/pages/elz_1-play
Only a Dozen V2 Launch Edition Units with Special Case Coming in Early December — Secure Yours Now!

For this piece, I used the preset 'Resophonic Gt', a plucked-style sound with a short envelope that gives it a string-like, percussive character, perfect for melodies and short phrases.
I worked with the Wavetable engine, switching between several waves: '2 Echos' (my favorite), 'Clavinet', 'AnotherWT', 'Electric Piano', and 'FM+Crush'.
For effects, I alternated between 'Grain Particle' and 'Grain Uncertain' to add that beautiful granular texture, and used a 'Plate reverb' as the master effect.

To integrate the ELZ_1 play with my Eurorack setup, I used the Collide 4 module by Joranalogue and Hainbach to match the signal levels to Eurorack standards and to take advantage of its filter and amplifier.
I began by recording some 2 Echos notes into the Morphagene by Make Noise, then pitched them down and layered another take on top, letting the module work its magic to further enhance the sound.
I also added a few notes from different sequencers and oscillators, blending them into the mix, which was processed through the Typhoon module for additional movement and texture.

Next, I recorded several loops: Clavinet on channel 1, Electric Piano on channel 2, and FM+Crush on channel 3. Each loop has a different length, and I played them in offset so they evolve in an asynchronous, shifting way.
While performing, I also reversed playback back and forth, creating variation in both notes and texture so the piece never repeats in the same way.

For the live part, I used AnotherWT and 2 Echos, experimenting with effects and octaves. These layers were recorded into channel 4 of the looper in real time, following the same offset looping approach as earlier in the piece.
During recording, I used the Collide 4 to shape and amplify the ELZ_1 play’s signal, adding even more character to the sound, and the Typhoon module to blend everything together in a beautiful, immersive space.

It’s a piece that invites exploration, one could easily spend hours lost in the endless sonic possibilities of the ELZ_1 play and modular synthesis.

Kuro Kasetto (@kurokasetto)"

JOMOX ALPHABASE ANALOGUE DRUM MACHINE MK2

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"A pre-owned Jomox AlphaBase in very good condition. It comes with original packaging and accessories.

Manufacturer's description
The ALPHA BASE Mk II is the sucessor of the already legendary ALPHA BASE.
Graphic OLED display
Real RGB LEDs in the sequencer
More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
Analogue panning circuitry for the hybrid sample channels
Improved analogue engine
Noise volume is controllable in the hybrid sample channels
More samples
Headphone volume is independent from mix volume
It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.
Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. We have put in the concentrated know-how of the Jomox drum machines and of our synths of the past 20 years. We have simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built."