Deep Forest – SOUL

video upload by Deep Forest

"The first chapter from the upcoming album SOUL.

Deep Forest has always explored the frontier between memory, technology and emotion.
From ancestral voices to new forms of sonic creation, from organic textures to AI-driven experimentation, music becomes a living, shifting presence — almost conscious.
Traditional sounds merge seamlessly with the tools of the future.
Human and machine no longer stand in opposition. Together, they create a new emotional language.
For more than three decades, Deep Forest has blended ethnic inspiration, electronic landscapes and innovative sound design, constantly searching for new sonic territories.
SOUL continues this journey into unexplored dimensions, where ancient memories, synthetic textures and human emotion intertwine.

Thus begins a new chapter of Deep Forest.
Video: Mix and Cie by William.L

Follow Deep Forest :
| Website : http://www.deep-forest.fr/"

5 Patches with the Befaco Iroi module

video upload by Modular Fungi and Omri Cohen

"The tracks from this video are also available as a free EP on Bandcamp - https://omricohencomposer.bandcamp.co...

Check out my Modular books:
US: https://bit.ly/40armbo
UK: https://bit.ly/4rX6NeO
EU: https://bit.ly/4srcTUt
Online Courses about Modular Synthesis - https://bit.ly/learnmodular

Patch 1 - 00:00
--------

In this one, I'm using noise from Noise Plethora to excite Iroi. I'm using a band pass filter on Noise Plethora, sequencing it with the Voltage Block. On Iroi, I'm using the comb filter with internal modulation on the resonance. I'm also using the resonator with modulation on the feedback, and the echo and ambience. The levels of the resonator, echo, and ambience, are sequenced by the Voltage Block. I'm then sending Iroi to the Zagreb filter from Xaoc, using its low pass filter with noise modulation of the spread control. I'm also using the high pass output of Zagreb, sending it through the Guillotine distortion module, and from there, to the EON filter. This is going to 2 delays on Samarkanda, so only when I open the EON filter, the sound goes to the delays, and I play with the delay times.

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The most powerful performance MUTE modules for Eurorack: NO BPM Mute Performer Demo

video upload by mylarmelodies

"The great NO BPM hired me to make a demo to explain their Mute Performer system - Mute Performer is arguably the most feature-complete muting system in Eurorack, as it can mute AND mix triggers, audio (clicklessly) and CV, and it can send MIDI to mute external devices too. And you can have up to 72 channels, and you can CLOCK the mutes, so they happen on the beat (or at the start of bars...). And it has scenes, so you can prepare and recall mute groups. And it has several ways of muting and cueing mutes. It's quite a thing."

CHAPTERS:
00:00 What it is and can do
02:21 Clocked Mutes!
03:10 Cueing Mutes
05:00 Mixing Signals
07:10 Mute Scenes
10:13 Solo Mutes

The Mute Performer takes the humble mute function into new and exciting territory.

8 channels of Mutes can be cued, locked, inverted, switched, mixed, stereo-paired, expanded, and arranged into scenes. Scenes can be saved, loaded, banked, clocked, triggered and modulated.

The Mute Performer also supports MIDI, which can be transmitted using a provided 5-pin MIDI Type A to 3.5mm cable.

This allows you to connect external MIDI devices to the Mute Performer, enabling performative control of mutes both inside and out your case.

The Mute Performer alone has 8 channels, but can be expanded up to 72 channels with the Mute Expanders.

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Cosmic Debris Mix CV: Build a DJ "Scratching" inspired patch from ground up.

video upload by WMDevices

"Cosmic Debris's mix CV input is the secret weapon in this patch. By routing gates and voltages from Metron and Voltera through a Subway used as a makeshift attenuator/scanner, you can chop and crossfade a clocked delay in real time, dialing in everything from rhythmic stutter to DJ-style scratch effects. Watch the full patch get built from scratch: drums, a square-wave bass voice through Carbon and Javelin, and then the Cosmic Debris CV routing that ties it all together."

EMS Rehberg Logik Analog Synthesizer & Keyboard (Made in Germany)

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Pics of the inside and the user manual below. "This edition is rare, and cannot be found anywhere as a set. Made by EMS London, and works differently than the Synthi A, although it appears to be the same. Here is a breakdown of what you get below:

In addition to the power supply, new patch cables as well as the original patch cables (standard mini jack), the lid of the "suitcase synthesis" and the original manual (or textbook) are included.

The modules of the EMS Synthis work perfectly, the overall sound and especially the filter sound very high-quality.

VCO – Voltage Controlled Oscillator • with the vibration forms sine, sawtooth, triangle and rectangle with external control voltage input for pulse width modulation • VCF – Voltage Controlled Filter • Multimode filter with 12 dB slope, low-pass, high-pass, band-pass and phaser • LFO – Low Frequency Oscillator • with the vibration forms sine and rectangle • SRG – Slow Ramp Generator •

with
the vibration form sawtooth • NG
– Noise Generator •
the noise generator offers white
noise • EG –
Envelope Generator (Envelope
Shaper)
• A-D-S-R • RM
– Ring Modulator • INV – Inverter • SL – Slew Limiter (Portamento) • EF – Envelope
Follower • External Audio
Input • Output/Mix
• Control Inputs"

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when the sequencer starts, anything can happen | live improvisation

video upload by Julian "J3PO" Pollack

"In this video, I set a few sequences in motion, followed them where they wanted to go, and improvised along with them in real time.

Using the Arturia Keystep Pro as the central sequencer, I built a foundation of evolving patterns and then improvised freely around them. The result is a fully spontaneous performance where composition and improvisation begin to blur together. When I perform this way, the sequencer becomes less of a tool and more of an improvisational collaborator.

This is a DAW-less performance. No computer was used in the creation of the performance itself, aside from recording and creating the final mix, including some additional processing for levels, compression, and overall balance.

Thanks for listening.

Instruments & Gear:

• Oberheim Two Voice Pro
• Vintage Vibe Electric Piano
• Minimoog
• Roland TR-8S
• Arturia Keystep Pro
• Assorted pedals and effects
• Analog Cases XTS Stands"

Bandcamp: https://j3po.bandcamp.com

Meet Acid Drip - A DIY Bassline Synth & Drum Machine

video upload by Marcus Dunn

"Check out the GitHub Repo if you are interested in building your own

GitHub - https://github.com/lonesoulsurfer/Aci...

Instructables - Coming soon!"

Note: Acid Drip is based on the BadAss basS Synth and DrumKid featured further below.

"An RP2040-based acid bassline synthesizer and drum machine built on the Mozzi audio library. Two instruments in one device, a 16-step acid sequencer and a 16-pattern drum groove box running simultaneously on dual cores with a 320×240 ILI9341 TFT display and 16 Cherry MX pads.

NOTE: the images of the synth are V1. V2 is what I hve provided in this repo and looks a littke different (extra pot for mix added)"


Open Source Credits: Acid Drip is based on the BadAss basS Synth and DrumKid:

Acid synthesis engine adapted from Badass Bass from 10 years ago:


BadAss basS Synth video upload by Tschibo00

"this is the demo of my DIY Arduino-based synth with built-in sequencer. Code+schematics can be found on https://github.com/Tschibo00/BadAssba..."

Drum engine ported from DrumKid by Matt Bradshaw:


Drumkid Review & Demo // Lo-fi Drum Machine video upload by Saturday Music Machines from 2023

"Drumkid is a lo-fi aleatoric (an element of chance) drum machine with MIDI. It generates rhythms using random numbers. It’s designed to be used for both live performance and recording, with controls that allow organic transitions between rhythms and fills."

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Behringer JT-2 Demo: 15 Patches for Ambient and Techno

video upload by Limbic Bits

0:00 Quick Overview
1:43 Afterlife Lead
2:28 Dark Wave Bass
3:17 IDM Triangled Lead
4:18 Noisy Arp Cross Mod
5:51 Electro Pulse (short envelopes)
6:51 EBM Bass
7:46 Console Pulse Lead
8:05 Paraphonic Magic
9:34 Killah Bass
9:48 Indie-Cade
10:39 7th Pad
11:36 Psy Alert (FX)
12:06 Kick Bass
12:19 Sonar Noise
13:12 Bubbles
14:20 Paraphonic Outro

____

"Behringer JT-2: My 2 Cents
With all the available 'heavily-inspired-but-not-clones' from Behringer, I’m starting to wonder when the company will introduce original synths again. Anyhow... This time, I’m taking a closer look at the Behringer JT-2, a paraphonic synth inspired by Roland’s Jupiter-8. It comes in similar colours but certainly doesn’t carry over the visual aesthetics of the '80s flagship synth. That’s not necessarily a bad thing, as Behringer can keep costs down by using one chassis for a plethora of different models. At a budget-friendly price point, you get a lot of synth in a unit that doesn’t take up too much valuable studio real estate, either. But first things first...

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Exploring the Chromaplane: Live Improv, Tuning Screws, & External Drones

video upload by Andre Bregegere

"A live, fully improvised performance exploring the unique architecture of the Koma Elektronik Chromaplane. This session is a deeper dive into the instrument's hands-on playability—including on-the-fly tuning—and external input processing.

On-screen captions are included in the first half to break down the basics of the instrument and explain exactly what is happening under the hood.

Performance Breakdown:
• The Core: Sound generation starts with the Chromaplane, interacting directly with its electromagnetic fields.
• On-The-Fly Tuning: Watch as I use the tuning screws mid-performance to shift pitches and reshape the harmonic foundation in real-time.
• The Expansion: In the final act, things get heavier as I introduce an external input—the gritty, texture-rich Triad drone/noise synth by DecadeBridge.
• The Space: The entire mix is processed through the Universal Audio UAFX Starlight Echo Station to pull the mono signal into an immersive, wide stereo space.

The performance was recorded live, then lightly mixed and mastered in Pro Tools.

--

0:00 - Intro

--
Signal Chain:
• Synthesizer: Koma Elektronik Chromaplane
• External Input: DecadeBridge Triad (Drone/Noise Synth)
• Delay/Modulation: UAFX Starlight Echo Station
• DAW: Avid Pro Tools (Mixing & Mastering)"

The Summer Madness Sound with Vintage Synths | ARP Odyssey & ARP Strings

video upload by RetroSound

"Step into the lush, atmospheric world of Summer Madness by Kool & The Gang and discover how its iconic textures can be recreated using classic analog instruments. In this recreation, we focus on the essential ingredients that define the track's unmistakable character: the expressive lead sound of the ARP Odyssey, the warm and soulful Rhodes electric piano, and the rich ARP ensemble strings (ARP QUADRA) that float effortlessly through the mix.

Using vintage synthesizers and period-correct techniques, we'll break down the signature tones, performance nuances, and subtle production details that helped make this 1974 masterpiece a landmark of jazz-funk and electronic soul. Whether you're a synth enthusiast, producer, or fan of classic groove music, this journey explores the magic behind one of the most influential instrumental tracks ever recorded."

Explaing and testing the Scan & Pan from Verbos Electronics

video upload by Stazma

"Today we are going to check out the Scan & Pan by Verbos Electronics.

It's an old module and I always thought it was one of the best sounding 'overdriving' mixer I had in eurorack so it's time I show it around, especialy as there is no real user demos of it on the internet."

00:00 Intro
02.12 Panel Overview
03:49 How Does it Sound?
07:33 Scanning and panning
11:33 Simple waveform scanning
12:56 Audio Rate Panning
14:15 Filter sweep drive
15:37 Mono is also cool
19:15 You can also mix control signals!
21:40 Drum machine drive test

Stupidly useful, simple & small // Low Fat VCF from AJH Synth

video upload by DivKid

"Here's a fun one and something stupidly simple, really easy to use, small, affordable but way more useful than you might think. It's the Low Fat VCF from AJH Synth, which is a 2HP non resonant (it's supppppeeeer smooth) high pass filter.

I think my favourite thing is using it to pair with low pass filters and to make a variable width band pass filter. It's also nice as a simple "clean up the mix" tool, as a pseudo spectral sidechain, multiband ducking style device or just for performance sweeping low end out of things."

"The Low Fat filter packs a switchable 6dB and 12dB slope High Pass Voltage controlled Filter into a miniscule 2HP of rack space, with a very low power consumption of less than 12mA per rail.

Sometimes there is just too much bottom end in a patch and it swamps everything else, by feeding it through the Low Fat Filter we can remove some of this bottom end to balance things up.

It also makes a great companion to the MiniMod Transistor Ladder Filter and can be placed before or after this in a patch to create a Band Pass filter with a variable passband and a choice of a softly rolling 6dB slope or a stronger 12 dB slope.

It's a great way to populate one of those frustrating gaps in your eurorack modular case with something that is deceptively usefuI.

In Depth

The LOW FAT is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter."

Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

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AIR Music Technology Introdcues Jura Chorus for FREE! - Limited Time Offer

video upload by AIR Music Tech

"Transform your productions with the warmth and width of a legendary analog stereo chorus effect.

Jura Chorus is perfect for crafting massive pads, haunting soundscapes, jangly chorused guitars, and thick bass sounds. It brings flexible tonal shaping with modes for subtle enhancement, deeper modulation, or a combination of both for an ultra-lush effect. Dial in the perfect balance with onboard mix control and introduce authentic character with switchable modeled noise from the original hardware.

Use Jura Chorus with your favorite DAW or Akai Professional hardware to instantly enhance your sound across synths, guitars, bass, vocals, and more."

Grab Jura Chorus FREE for a limited time: https://inmusic.to/2p98dyp7

Shop the the AIR Summer Sale: https://inmusic.to/yd95vunm

Math with The 257t

video upload by Stazma

"Today is Math 102 with the 257t.
Watch this if you use modules that output 0-5v and you want them to go to 10v, turn bipolar signals into unipolar ones, or if you want to learn some creative ways to mix them together to create more complex modulations.
A bunch of usefull tricks in there ;-)"

00:00 INTRO
01:48 The 0-5V problem
03:07 TIPS N°1: FROM 0-5V TO 0-10V
07:07 TIPS N°2 VOLTAGE COMBINER
10:17 TIPS N°3 BIPOLAR TO UNIPOLAR
12:39 TIPS N°4 ENCAPSULATED MODULATION

Roland TR-707 Rhythm Composer w/ Original Box SN 521000

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Like a small handful of other sample based drum machines of the mid 1980s, the Roland TR-707 is a punchy beatbox which still has a home in an electronic musician's toolkit. The sounds all sit wonderfully in a mix to this day, and the individual outputs make this a great machine for the most particular of producers. This example of the 707 is in great shape, fully functional, and comes with the manual, box and power supply. Serial Number: 521000 This one was serviced in house by our techs."

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Meet Meow Seq

video upload by Floof Audio

"Meet Meow Seq, a VST3 sequencer inspired by modular setups.
Download the free trial from floofaudio.com

Full version is 25% off for the first two weeks (until June 15).

Meow Seq is a sequencer, a MIDI phrase writer, and a creative kick in the pants to your everyday piano-roll-oriented life.

At its core, two machines work together to generate a single MIDI output. The top machine controls timing, when notes happen and for how long. The bottom machine controls pitch, which notes play and how. Both machine contains five sequencers, all running independently with their own step lengths and play modes. Mix and match freely to build patterns that evolve and surprise, then route the output to any hardware or software synth you like.

The inspiration comes from Eurorack-style sequencing, where multiple sequencers interact to control time, pitch, and modulation in complex and sometimes chaotic ways."

midiphy zetaSID plays "Electric Jesus" by Intensity (C64 ASID)

video upload by midiphy

A masterpiece SID track made by Arman Behdad of Intensity in 2006.

This can also be played back on an original C64:
https://csdb.dk/release/?id=45023

Here, we're using quadchained midiphy zetaSIDs with hardware unison detune to slightly thicken the mix :). The MIDI ASID signal is provided by a midiphy nexusMIDI expander connected to an Elektron TM-1 MIDI Interface.

Visualization support by a tiny six inch Sony PVM 6041QM CRT.

Thanks for watching and listening!
Best regards,
Peter/Hawkeye
https://www.midiphy.com/"

ARTURIA Introduces Memory V | Analog Ladder Titan

Playlist:

1. Memory V | Analog ladder titan | ARTURIA
2. Memory V | Overview Tutorial | ARTURIA
3. Arturia Memory V: The Infamous Memorymoog reborn! - CatSynth TV
4. Arturia MEMORY V - The Memorymoog is BACK! Factory Presets Demo (No Talking) - Davide Puxeddu
5. Arturia Memory V | No Talking | - DKS SYNTH LAB



"Wield phenomenal power with Memory V, Arturia’s definitive software reimagining of the legendary Memorymoog. A titanic, front-of-mix analog instrument built for commanding leads, bold brass, and true polyphonic depth — delivering unmistakable vintage weight with modern stability and control. Harness the raw, expressive character of a true analog classic, reborn for today’s production workflows.

Memory V captures the colossal analog character and triple-oscillator architecture of one of the rarest polyphonic synthesizers ever made, recreated with Arturia’s advanced TAE® technology and expanded with modern modulation, arpeggiation, effects and expressive workflow integration.

From towering brass and dense basses to evolving leads, cinematic pads and unstable analog textures, Memory V delivers the unmistakable weight of early-80s polyphonic synthesis in a reliable, production-ready instrument.

_A true Analog Titan

Memory V honors the architecture that defined an era of polyphonic synthesis, and adds the tools you need to push it further.

Best-in class recreation

Discover the weight, movement and edge of the original hardware, preserved through component-accurate TAE® modelling of its oscillators, filter, mixer, drive and analog non-linearities.

Triple-oscillator architecture

Three free-running oscillators per voice deliver the harmonic depth that set the Memorymoog apart. Stack Square, Ramp and Triangle waveforms, shape pulse width and sync oscillators for rich, animated sounds

Legendary ladder filter

Shape sound with a modelled low-pass ladder filter per voice, complete with 24 dB and 12 dB modes, self-oscillation and Bass Compensation to preserve low-end weight at higher resonance.

Authentic analog feel

Use Vintage and Dispersion controls to introduce continuous analog drift, then fine-tune variation across pitch, pulse width, levels, cutoff, emphasis, modulation and envelope times.

Modern modulation and FX

Drag-and-drop modulation, a four-layer Multi-Arp and a 4-slot FX rack with 17+ studio-grade effects bring contemporary sound design into the legendary Memorymoog architecture.

300+ mix-ready presets

Explore a curated library of dense, front-of-mix sounds spanning vintage brass, saturated basses, cinematic pads, evolving textures, expressive leads and modern electronic tones.

Memory V: introductory offer

To celebrate the launch, eligible Arturia users can unlock a limited-time introductory offer on Memory V and selected bundle options."

https://www.arturia.com/products/software-instruments/memory-v/overview

"Meet DVNA, a compact chord & texture synthesizer from Doboz."

Prologue to DVNAvideo upload by Doboz



DVNA walkthrough

video upload by Doboz

"DVNA is a compact synthesizer built for creating rich harmonic textures with minimal effort. Play a single key and get a chord, or intervals of your choice across its four oscillators... monophonic input, polyphonic results.

A built-in note quantizer locks your pitch to any of 25 scales, while the tuning modes let you dial in everything from fixed chord voicings to free microtonal tuning. Oscillator mixing and stereo panning are controlled through morphing systems, so a single knob sweep transforms your entire mix at once. The signal then flows through a stereo multi-mode filter, overdrive, and a choice of reverb or delays.

The 12-key capacitive keyboard responds to finger contact area, generating a continuous pressure signal that can be routed throughout the instrument. DVNA also accepts MIDI over TRS, syncs to MIDI clock, and responds to MIDI CC for external control. 128 presets capture all parameters, keeping your favorite patches ready to recall instantly."

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