Equations: Graphing Calculator Synthesizer by Decent Samples

Playing around with the Equations Synth video upload by Peter Kirn

"I am not going to write a Kraftwerk reference here.

This is too awesome. Review -- and more on the TI calculator hardware and how it's been used for music:

https://cdm.link/making-music-on-the-..."

via https://www.decentsamples.com

Where mathematics meets music: a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds.

Equation Synth is a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds. Whether you’re a sound designer seeking unprecedented sonic possibilities or a music producer looking for fresh, distinctive textures, Equation Synth opens up an infinite universe of waveforms limited only by your imagination.

Comprehensive Modulation System

Bring your equations to life with an extensive modulation matrix featuring:

Modulation Sources:

3 Envelopes (ADSR) with tempo sync options
3 LFOs with multiple waveform shapes (sine, square, saw), tempo sync, and delay
Note Velocity for dynamic expression
Modwheel for performance control
MPE Support: Timbre and Pressure for expressive multi-dimensional control
Modulation Destinations:

Route modulation to virtually any parameter including:

Volume, Pitch (Coarse/Fine)
All Equation Parameters (A, B, C, D)
Graph parameters (Scale X/Y, Offset X)
Filter Cutoff and Resonance
Noise Level
Effect parameters (Chorus, Delay, Reverb, and more)

Effects Chain

Polish your equation-based sounds with a professional effects suite:

Delay: Stereo offset, feedback, tempo-synced timing
Harmonic Reverb: Room size, damping, and mix controls
Chorus: Modulation depth and rate
Tape Simulator: Wow, Flutter, Saturation, as well as various tape player emulations
Intuitive Interface Design

Inspired by classic calculator aesthetics, Equation Synth features:

LCD-style display showing equation input and real-time waveform visualization
Tabbed interface organizing Equation, Synth, Modulation, Effects, and Note settings
Integrated help system with context-sensitive guidance
Virtual MIDI keyboard for quick auditioning
Scalable, resizable window
Preset management system for saving and recalling your creations
Advanced MIDI & MPE Capabilities

CLICK FOR MORE »

Tone2 Releases Icarus 3.2

video upload by Tone2 Audiosoftware

"Timeline:

0:00 The most powerful synthesizer on the market
0:22 3D Wavetable synthesis
0:50 Resynthesis
1:40 Granular synthesis
2:18 Vocoder
2:53 Additive synthesis
3:36 Supersaw / Hypersaw
4:21 FM synthesis
5:01 Samples
5:33 Subtractive 7 Analog
6:12 Physical modeling
6:39 Waveshaping
7:02 PWM
7:32 Phase Distorion


Icarus is the most powerful synthesizer on the market. The award-winning audio engine offers a huge sonic range, true high-end sound quality, and the ability to create sounds that are impossible with other synths. The exceptionally versatile audio engine is capable of creating all important synthesizer sounds in high-end quality. Icarus is capable of over 30 (!) different synthesis methods, which can be combined:

3D Wavetables

3D Wavetable Synthesis cn create sounds impossible with other synthesizers and opens up a new level of dynamic expression. Classic wavetable synthesis only allows you to cross-fade waveforms. We have extended it with an extra 'morph dimension'. You can use 54 morph modes to further shape and modulate the sound. The morph modes are not limited to traditional waveshaping methods. We have also included a wide range of innovative and exclusive modes that are not available from other companies. This results in a wide range of unique sounds that cannot be produced by other synthesizers.

Resynthesis

Icarus comes with the most powerful and advanced re-synthesis engine on the market. Unlike competing products, it always delivers good results. With Icarus, anyone can create amazing sounds quickly and easily. Icarus' innovative resynthesis can rebuild sounds with a single mouse click! Just click this button, select a wav file, and Icarus will automatically create a patch that sounds like the original. You can further shape your sound with morphing, time-stretching, filters, effects, or any other module.

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Novation Introduces New Launch Control

Meet The NEW Launch Control: What does it do? video upload by Novation

Find out more about Launch Control - https://novationmusic.com/products/la...
Discover the Launch Control range - https://novationmusic.com/launch-cont...
Explore Launch Control XL - https://novationmusic.com/products/la...

Watch our livestream feature dive walkthrough for the new Launch Control - [BELOW] News Story - https://bit.ly/_Discover_The_NEW_Laun...

"We’re excited to unveil the latest generation of our most compact control surface, Launch Control 3 - available to order now. This video gives you an overview of everything our new Launch Control can do for you and your unique workflow.

Our new controller packs the most powerful features of Launch Control XL 3 into a smaller footprint and is perfect for adding an extra layer of tactile control to any studio or stage setup. Launch Control is a compact and highly portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a new OLED display.

Launch Control comes bundled with studio-grade software to get you started. Ableton Live Lite lets you record, launch and perform, while Cubase LE is ideal for songwriting and production projects. You also receive a selection of plugins from Klevgrand, Baby Audio and Output.

Chapters:
00:00 - Introducing the new Launch Control
00:24 - Launch Control Feature Overview
00:55 - Launch Control's DAW Integration
01:17 - Launch Control's DAW Control and Mixer Features
01:53 - Launch Control's Hardware Integration
02:08 - Launch Control's Custom Modes
02:19 - Launch Control: The DAW, Plugin, and Hardware Control Surface"

Launch Control | Everything you need to know | Livestream

video upload by

Novation Launch Control MK3 // Here's what's new // Review & tutorial

video upload by loopop

"TIMELINE: 0:00 Intro 1:10 Screen 2:20 Encoders 3:10 RGB LEDs 3:45 vs XL MK3 4:30 Build 5:20 I/O 6:25 DAWs 6:45 HUI (Reaper) 7:10 Ableton 8:55 User modes 9:55 Components 11:35 Synth params 13:50 Write an app! 15:00 Motion rec 16:05 Morph 16:30 Random 18:10 Setup 19:20 Settings 20:00 Pros & cons"

"Launch Control is a compact and portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a crisp OLED display.

Key features

16 endless encoders
Eight assignable buttons
MIDI routing via USB and 5-pin DIN
Store up to seven Custom Modes

The Creative Control Surface
Get hands on with your DAW, plugins, and hardware from a portable-yet-powerful controller with 16 endless rotary encoders; eight assignable buttons; and a crisp OLED display for essential info. Mix and sculpt sounds right out the box, and create up to seven Custom Modes to fit your specific workflow in the studio or on stage.

16 endless encoders
Launch Control’s smooth-feeling endless rotary encoders each feature a dedicated RGB LED that indicates its relative value. Pan tracks, adjust sends, or do anything else you want via Custom Modes — all with adjustable response curves."

You can find additional details at Novation.

CLICK FOR MORE »

BugBrand Frequency Shifter

via BugBrand

"The Frequency Shifter (red) is a powerful and experimental analogue processor. This standalone design springs from my Quadrature Sine and its Frequency Shifter Expander modular designs – all wrapped up with circuitry & features to allow it to fit snugly into more regular studio processing roles.It will transform your audio streams in otherworldly ways – clangorous, tonal, phased, stereofication and swoosh.

CLICK FOR MORE »

Drum Machine plugin preset for Decent Sampler (MaskinTrommer)

video upload by Benjamin Dehli

"MaskinTrommer is a drum sample library for Decent Sampler, featuring electronic drum sounds created from analog synthesizers. Each drum type contains multiple samples per sound to eliminate the typical 'machine gun' effect associated with digital sample based drum machines.

The drum sounds were created using:
Korg MS-20
Roland SH-09
Doepfer Dark Energy
Sequential Circuits Pro-One
The result is a versatile collection of synthetic kicks, snares, hi-hats, cymbals, and toms with a broad tonal range, from tight and percussive to big and sustaining.

User Interface:
The interface is divided into two main areas
Left section: Individual drum controls and sample mixer
Right section: Global settings and effects
The keyboard at the bottom is color-coded to match each drum section, making it easy to identify the mapping.

Drum Settings
The top row of knobs in each drum section controls the primary sound-shaping parameters.

Pitch (Kick & Snare):
Adjusts the tuning of the drum.
Turning clockwise raises the pitch.
Turning counterclockwise lowers the pitch.
Affects both sample types for the kick and the "body" samples for the snare.

Sustain (Snare, Hi-Hat, Cymbal, Tom):
Controls which sustain-length samples are triggered.
For snare and tom, it only affects the "head" samples.
Lower values select shorter, tighter sounds.
Higher values select longer sustaining samples.
Dyn (Dynamic) mode:
Higher MIDI velocity → longer sustaining samples
Lower MIDI velocity → shorter sustaining samples

This allows expressive control directly from performance dynamics.

Drum Mixer
The second and third rows of knobs in each drum section form the sample mixer.
Each knob controls the volume of a specific sample type for that drum.
The knob design visually represents which synthesizer the samples originate from.

Sample Type Blending:
You can blend multiple synthesizer sources for a single drum.
Each active source contributes its own round robin variations.
Combining sources dramatically increases variation and complexity.

Display Indicators:
Some mixer knobs include a small display.
The display shows how the samples assigned to that knob are influenced by either pitch (kick & snare) or sustain (snare, hi-hat, cymbal & tom).
This provides quick visual feedback when shaping the sound.

Global Settings
Located in the rightmost section.

Sensitivity:
Controls how strongly MIDI velocity affects sample volume.
Lower values → More consistent volume regardless of velocity
Higher values → Greater dynamic range
This allows you to tailor the instrument to your playing style or sequencing needs.

Global Effects
Impact:
Controls the level of the transient (initial attack) relative to the sustain portion.
Higher values → Louder attack, quieter sustain
Lower values → More even balance between attack and body
This is useful for tightening drums or making them cut through a mix.

Saturation:
A volume-compensated overdrive/distortion effect.
Adds harmonic content and edge.
Maintains perceived loudness while increasing intensity.
Suitable for subtle coloration or more aggressive processing.

Keyboard Layout
The on-screen keyboard is color-coded to match the drum sections:
Kick (pink): C1
Snare (blue): D1
Closed hi-hat (green): E1
Open hi-hat (green): F1
Cymbal (yellow): G1
Tom (red): A1 to G2
This makes it easy to identify which keys trigger which drums, especially during performance.

Equipment used:
Doepfer Dark Energy
Korg MS-20
Roland SH-09
Sequential Circuits Pro-One

Technical specification:
Sample rate: 48 kHz
Bit depth: 24 bit
Channels: 1 (mono)
Number of samples: 342
File size: 80.4 MB


Website: https://www.dehlimusikk.no/
Store: https://store.dehlimusikk.no/"

Tangible Waves - Discombobulator System

video upload by NOISEBUG

Inquire at https://www.noisebug.net/. Pics and details on the system follow.

"The Discombobulator - a Noisebug-designed Tangible Waves system in the AE Modular format, a great entry to the format and an even better addition to an existing AE Modular rig.

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Marcus Dunn aka lonesoulsurfer DIY Modules

video uploads by Marcus Dunn

Playlist:

1. 7 Channel Mixer For My Modular Synth.
2. Medusa - Sound Effects for Modular Synths
3. Buffered Multi for Modular Synths. Powered by Arduino
4. Digital Delay Module - Powered by Arduino
5. Bleep - Modular Drum Synth - powered by Arduino
6. Solar - A Modular Synth, Powered by Arduino
7. Groove Box Modular Synth - Arduino Nano
8. Freaq FM Synth. My Take on the Awesome MeeBleeps Synth
9. Mutant Generative Synth - Powered by Arduino

Additional details on each:

CLICK FOR MORE »

Get the TR909 upfront presences from the TR1000 ... or anything else for that matter!

video upload by Starsky Carr

"How Close Is Close Enough? Is the TR-1000 really a TR-909 replacement… or is that missing the point entirely?

In this deep-dive comparison, I also put the Roland TR-1000 head-to-head with my original Roland TR-909 to see how close we can actually get — and more importantly, where the differences really matter.

Roland are clear: this isn’t meant to be a clone. But with TR-909-style analogue circuits, 808-inspired elements, and ACB models under the hood, it begs the question… can you sell your 909 and fund a TR-1000 instead?

After putting these 2 together I realised the biggest tonal difference isn’t to get that live 909 vibe is the main outputs. The TR-909’s main outs are band-limited, with less low-end and a high-frequency tilt that creates that bright, exciting presence. Using Logic’s Match EQ, I recreate that curve so you can apply it to:

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Arturia Introduces FX Collection 6

video uploads by Arturia

Playlist:

1. FX Collection 6 | Reference Effects For Music Makers
2. How to | Pitch SHIFTER-910 | Setup MIDI In
3. Tutorial | Efx AMBIENT | Overview
4. Efx AMBIENT | Dreamlike processor
5. Pitch SHIFTER 910 | Harmonics sculptor
6. Tutorial | Pitch SHIFTER-910 | Overview

"FX Collection 6 is a carefully curated selection of 39 studio mixing tools and creative production effects which couple advanced digital signal processing and analog modeling to achieve unparalleled audio precision.

From revered studio emulations to forward-thinking processors, FX Collection 6 allows beginners and audio professionals alike to transform their sound, enhance their mix and add those final touches that bind everything together.

New in FX Collection 6
FX Collection 6 features a unique balance between studio mixing tools and creative production effects.

Efx AMBIENT NEW
For cutting-edge producers looking to shape singular soundscapes intuitively. It delivers novel, emotive textures through 6 expertly designed modes.

Pitch SHIFTER-910 NEW
For music makers, especially rock & indie ones, who want to add grainy textures, harmony and space to their vocals, but also guitars, keyboard and percussion.

Bus TRANSIENT
A professional transient shaper designed to give you instant control over the attack and sustain of your sound. From tighter drums to punchier mixes, it delivers fast, musical results.

Mix DRUMS
Designed to increase the impact and perceptual loudness of your drums, while preserving peak levels. Developed with mixing engineer Emre Ramazanoglu, it streamlines complex drum processing workflows into a single, efficient tool.

Tape J-37
Tape J-37 is your go-to tool for bringing tube-driven depth and character to your sound - whether adding subtle tape coloration to a master track or driving the input of a bus or insert with harmonic distortion."

AVP SYNTH analog drum synthesizer Russian built 2020 SN 002 w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"RITMOBOX - is a compact, analog drum synthesizer inspired by the drum machines/synthesizers of the 70s-80s with a built-in 8-step sequencer and MIDI.

It has 37 controls, 3 switches and 14 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs for each of the five sounds and a mix output.

Each unit is carefully hand assembled in Moscow/Russia using discrete through-hole components and OTA chips.

Hand numbered: #002
Build date 2020

Main features:

Fully analog, discrete components;

5 individual sound channels: CH, OH, 3 separate Generators (G1, G2, G3) each with its own oscillator, individual pulse (“kick”), noise, LFO and other modulations;

37 knobs/controls for different sound shaping options;

8-step analog sequencer with ability to program 16 steps;

Up to 16 steps preset loading/saving slots;

TAP and Mute/Unmute functions;

MIDI In/MIDI Out;

3.5 mm individual outs;

6.3 mm mix output;

6.3 mm headphones output;

Steel casing;

Dimensions: L250xW220xH100 mm;

Weight: 1,8 kg (without power supply);

12 VAC 220v/110v power supply (included);"

CLICK FOR MORE »

Juzisound 3 Digital Module and Synth

Note: links to listings are affiliate links for which the site may be compensated.

video uploads by juzisound

Note there are two versions, a synth version and accordian: http://juzisound.com. The original was in a rectangular box format as seen in previous posts here. Spotted this newer model via the listing below.

via this eBay listing

Details via Juzisound

Next generation of sampler device, again specialized for playing ethno music. If you play that kind of music, this device is really the right one for you!

Model 3 is successor of Sampler 2, but the technology is much more advanced. Sampler 3 have 8 independent Uppers (synth version), read samples from Micro SD card with maximum possible speed, have SD card auto refresh function, and have best in the world 32 bit DAC for perfect audio quality. The same hardware is used with 2 independent software versions: One for use with any Synth, and second for use with MIDI accordions.

For more information, see specification and comparison table between all samplers.

CLICK FOR MORE »

Folktek Mescaline + Leploop: Psycho-Conga Line

video upload by Infin-D

"Here's something you don't see everyday. The Folktek Mescaline and the Leploop are both analogue "groove boxes", but of vastly different character. I took it as a challenge to get the dreamy, spacey Mescaline paired with the techno-industrial Leploop, and came up with this crazy Cuban-style rhythm.
The Mescaline sends a clock signal to the Korg SQ-64, which Midi-clocks the Mescaline. The Bastl Wave Bard adds some sampled percussion to the mix, delay provided by the Korg NTS-1. Due to the vast distance, I had to use a bread board to bridge a couple of triggers from the Mescaline to the Wave Bard.

At 7:16 I inadvertently tweaked the Leploop's percussion voice into self-oscillation, sorry if it snaps anyone out their trance.

Recorded live on the Zoom L6, audio normalized in Audacity.

Vintage Infindibulum on Bandcamp:
https://thisco.bandcamp.com/album/inf..."

Matrix 12 vs Matrix 6: Is the $13,000 Oberheim Actually Worth It?

video upload by Vulture Culture

"What if the most hated Oberheim is actually the smartest buy in vintage polysynths right now?

Tomorrow night I’m putting the legendary Oberheim Matrix 12 head-to-head with its often-maligned sibling, the Matrix 6. With current prices hovering around $13,200 for a Matrix 12 and roughly $1,750 for a Matrix 6, the value gap is enormous—but does the sound actually justify it? Most classic 80s polysynth patches live almost entirely in a 4-pole lowpass filter world, so the real question isn’t whether the Matrix 6 can replicate every multimode trick of the 12, but whether it can convincingly live in that core tonal territory.

In this stream we’ll dig into the heart of both instruments. I’ll compare the true analog VCO architecture of the Matrix 12 against the digitally controlled oscillators of the Matrix 6, focusing on oscillator stability, drift behavior, and how each responds over time. While the Matrix 6 uses DCOs, they are driven by three Hartley LC high-frequency oscillators that are still subject to temperature-based drift, which makes this comparison far more interesting than a typical VCO versus DCO shootout. We’ll look closely at how those shared and distributed HF oscillators influence tuning behavior across voices.

From there, we’ll zero in on the filters. The Matrix 12 uses discrete CEM3374 dual VCOs paired with CEM3372 filter, mix, and VCA stages, while the Matrix 6 relies on the CEM3396 integrated voice chips that combine waveshapers, filters, and VCAs. Even when both synths are restricted to a simple 4-pole lowpass configuration, the resonance character, saturation behavior, and overall musical response can tell very different stories—and that’s where the real verdict lives.

To add a third angle, I’ll also bring in my favorite polysynth of the 1980s: the Fender Chroma Polaris. Why the Polaris? Because it uses the exact same CEM3374 and CEM3372 combination found in the Matrix 12, but without the multimode filter architecture. Considering you can still find a Polaris for around $2,500, it becomes a fascinating middle ground—a potential sleeper alternative for players chasing that Matrix 12 tone without entering five-figure territory.

This livestream isn’t about declaring winners or dunking on underdogs. It’s about understanding what actually matters in these designs, how component choices translate to sound, and whether the Matrix 6’s reputation is deserved—or wildly outdated. If you love 80s polysynths, Curtis chips, and uncomfortable truths about vintage gear pricing, this one’s going to get interesting."

Morphagene Acid Reel Session | Make Nose Shared System

video upload by Akihiko Matsumoto

"Morphagene Reels Sample Pack https://akihikomatsumoto.sellfy.store...
Explore a dynamic mix of samples crafted for Morphagene, blending the warmth of analog and modular synths with the precision of cutting-edge digital sounds.

Dive into rich textures and unique tones to inspire endless creativity in your modular setup!

The wav files are marked with Splice Markers and can be split up by material.
This pack is a collection of 32bit/48khz .wav files."

EMW WCS-X – from Test to Track (Part 2)

video upload by EMW Synthesizers

"This is the next step in the track that began as a simple lab test.
We continue building and arranging the music using the WCS-X, with simple hardware processing and a few effects inside the DAW.
This isn’t about a perfect mix, it’s about exploring sound and ideas."

Follow-up to this post.

An evening with Tom

video upload by Franz Schimmel

"DSI OB-6 - ambient impro with an additional short percussive loop.
A nice patch for playing live - thanks to the Tom Oberheim voiceboards on the Obie, this thing sounds very decent in the mix."

True Trance V1 for Usual Suspects-8086 Presets Overview (Trance Leads)

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/tru...

In this video, I demonstrate the Trance Leads from the True Trance V1 soundset. These presets & patches work with the Roland JP-8000/8080, the Usual Suspects JE-8086, and other compatible synthesizers that support this format.

This overview features:

4 my original trance melodies from 2007-2009 years
Authentic 90s lead textures
High-gain Supersaw sounds
Real-time synthesis demonstration

I showcase how these sounds perform across different compatible engines to recreate the iconic golden era of trance. Each lead provides the clarity and power required for professional productions. All audio examples in this demo highlight the versatility of the soundset.

Timeline:
00:00 - 02:18 - Thomas Tallis - Third Mode Melody (NatLife 7 late century mix)
02:18 - 03:50 - NatLife - Eupatoria (Original Mix)
03:50 - 05:50 - NatLife - Water & Sky (Original Mix)
05:50 - 07:52 - NatLife - Space Colonisation (Original 2007 Mix)"

Cherry Audio Fuses Three Classic Synths into New SH-MAX Powerhouse

video uploads by Cherry Audio

Playlist: [Use the player controls to skip around.]


1. Cherry Audio | SH-MAX Synthesizer - NEW!
2. Cherry Audio | Preset Walkthrough with Andrew Longhurst
3. Cherry Audio | MAXIMUM OVERDRIVE Preset Pack for SH-MAX Synthesizer by James Dyson
4. NEW! Cherry Audio LIVE PREMIERE Tuesday, February 10 at 10 AM PST
5. Cherry Audio SH-MAX - Roland's SH series reimagined! (Demo / Tutorial) - CatSynth TV

Press release follows:


Cherry Audio has announced SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synths from the '70s: the SH-5, SH-7, and SH-3A.

Cherry Audio has announced the launch of SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synthesizers from the 1970s: the SH-5, SH-7, and SH-3A. SH-MAX captures the bold sound of the SH-5 while incorporating features and aesthetics from the other models, enhancing the original designs with greater power, versatility, and essential tools for modern music production. Musicians and vintage synth enthusiasts can start using SH-MAX today for the incredibly low price of just $59, available at cherryaudio.com and authorized resellers worldwide.

SH-MAX faithfully recreates the vibrant tones and workflow of the original SH hardware. It features powerful dual oscillators, two LFOs and ADSR envelopes, the dual-parallel multimode and bandpass filter sections, and the five-channel mixer of the SH-5 (1976), plus a ring modulator and sample/hold capability. Also included are autobend, duophony, filter FM, and the syncable VCOs with additional waveforms found in the SH-7 (1978). The extra additive-style oscillator from the SH-3A (1975) further enhances sound design flexibility. Moreover, SH-MAX incorporates and expands upon the expressive touch performance of the SH-2000 (1973) and features an onboard sequencer inspired by the Model 104 of the legendary System 100 semi-modular synthesizer from 1975.

SH-MAX honors its lineage while taking full advantage of modern software capabilities, supporting mono, duophonic, and 16-voice polyphonic operation for rich chords as well as earthshaking unison timbres. It features three unique retro interface themes that pay homage to the aesthetic of the SH-3A, SH-5, and SH-7, providing a visually immersive experience for true vintage synth enthusiasts. Additionally, optional drift and slop controls for the oscillators, filters, amp, and dual envelope generators introduce authentic analog character and warmth to every sound patch.

The highly flexible SH-style stereo mixer and its varied workflow options allow for modular-style signal routing. Each sound source -- VCO-1, VCO-2A, VCO-2B, the ring modulator, and noise -- can be independently routed to the VCF, BPF, or VCA, with each path enhanced with its own chain of studio-quality effects. With 20 effects available to arrange and reuse within its four chains, SH-MAX provides an exceptionally wide sonic palette. Additional features include a four-channel step sequencer capable of parallel playback or extended chaining, along with a touch effects panel that supports channel and polyphonic aftertouch with compatible MIDI controllers.

SH-MAX's legacy traces back to over five decades of synthesizer and electronic music innovation. The SH-series synthesizers have been used by a diverse range of artists, including Kraftwerk, Tangerine Dream, Jean-Michel Jarre, Brian Eno, Gary Numan, Throbbing Gristle, Skinny Puppy, Aphex Twin, Orbital, Mathew Jonson, Pink Floyd, Nine Inch Nails, Kitaro, MGMT, Vangelis, The Human League, Blondie, Yello, and more.

With SH-MAX, users can create everything from massive leads and thick basses to lush pads and exceptional sound effects, making it a true synthesis powerhouse at their fingertips. To inspire musicians right out of the box, SH-MAX includes over 300 expertly crafted presets that showcase its broad capabilities. For those wanting even more, the Maximum Overdrive Preset Pack by sound designer James Dyson is available from Cherry Audio for $9.99, offering 100 additional presets that highlight SH-MAX's raw analog tone, advanced modulation, four-channel step sequencer, and abundant effects.

Furthermore, until February 22nd, customers can take advantage of Cherry Audio's "Build Your Own Bundle" promotion at cherryaudio.com. Choose the Pick 3 bundle for $99 (regularly $129) or the Pick 6 bundle for $149 (regularly $169) to mix and match any of Cherry Audio's award-winning instruments for as low as $25 per plugin.

Cherry Audio's SH-MAX synthesizer is now available for $59 at cherryaudio.com and authorized resellers worldwide. SH-MAX is a virtual instrument for macOS (10.13 and later) and Windows (7 and later), provided as AU, VST, VST3, and AAX plugins, as well as a standalone application. A free 30-day demo is available. For in-depth product details, an introductory video, extensive demos, and system requirements, visit cherryaudio.com.

Käbiuss | Clip Session #5: Off Vortex

video upload by KÄBIUSS

"Have you ever felt yourself drifting… Off Vortex?"

► CREDITS:
Music: Käbiuss
Audio Mix and Post-Prod: / produccionesgalez

► USED GEAR:
Main Synth: Sequential Take 5.
Workstation: Korg Nautilus.


Käbiuss | Clip Session #4: Visions

video upload by KÄBIUSS

"This time let's turn up the heat with a Session in more of a Dub Techno/Ambient-Käbiuss style. Let the 'Visions' flow."

► CREDITS:
Music: Käbiuss
Audio Post-Prod: / produccionesgalez

► GEAR:
Main Synth: Sequential Take 5.
Workstation: Korg Nautilus.
2nd Synth: Roland Juno-Di.
Drum Machine: Roland TR-6S.

SEOK synthesizers Introduces BOUNCE – One-Shot Event Generator Eurorack Module

video upload by SEOK synthesizers

"Bounce is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control. It creates trigger-driven one-shots with 8 distinct waveforms that can range from sharp clicks to rounded contours.

Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle. Length, repeats and delay shape the result from tight hits to rolls, flams and clustered rhythms perfect for kick and bass.

Full CV control + inverted output. Designed and hand-built in Sweden."

Timestamps:
00:00 Intro
00:33 Patch 1 Rolling Filter Beat
01:11 Patch 2 Fading Inversions
02:05 Patch 3 Ratcheting HH/Perc
02:35 Patch 4 Sweetspots
03:29 Patch 5 Neg Resonance Mod
04:00 Patch 6 Random Mod
04:14 Patch 7 Ramps Ramping Rapid
05:15 Outro

Additional details:


"BOUNCE One-Shot Event Generator

This is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control signals.

Bounce creates trigger-driven one-shots with a set of 8 distinct waveforms selectable via the large control knob. From sharp, click-like hits to softer, rounded contours. This offers fast access to clearly different envelope characters.

Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle.

The length control sets the length of the waveform while repeats add repetitions of the wave, and delay sets the time between those waves.

These features in combination makes it easy to move from single tight envelopes to rolls, flams, clustered impacts and creative rhythmic patterns.

All main parameters got CV-inputs. A dedicated inverted output adds instant polarity flip.

Background

We like techno. For us its about solid kicks with defined transients and a fundamental low end that moves air without collapsing the mix.

Bounce is built to be performative and work at the source. By shaping events, accents and repetitions already at the control stage – it lets the mix breathe and leaves space where it matters most. Perfect for basslines, drums and transients."

CLICK FOR MORE »