Korg Prologue - Elixir Vol.1 OUT NOW! (Vid 1 of 2) - #korg #prologue #presets

video upload by Scott McAuley Sounds

Update:

Korg Prologue - Elixir Vol.1 OUT NOW! (Vid 2 of 2 - Sounds 51 to 101) - #korg #prologue #presets

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk
Only Prologue factory effects used in this demo!

This bank will include a huge FREE BONUS -

Three (YES THREE) brand new custom multi engine oscillators,

and also 5 wavetable oscillators so will allow you to create sounds you have never been able to create before!
DXOSC - This is an FM Oscillator with 25 Algorithms, Adjustable 2:1 Ratio, Adjustable 3/4:1 Ratio, mod generator (LFO) with 24 Shapes, Speed Control & Depth Control.

TZFM - This is Built with dual waveforms A&B - A has 46 wave shapes, B Has 44, TZFM can be sent AtoB, or BtoA, with depth control, adjustable Ringmod, and adjustable Bitcrush, you can also set for NO tzfm if you purely want to utilise the 90 different waveforms, the shape knob fully left is Wave A, centre is Wave A&B mixed, Fully Right is Wave B, so you can mix and match as you like.

STEPr - is quite similar to TZFM, but has the additional very unique feature of being able to step through each of A & B's waveforms per note pressed, you can step A only, or B only, or both A&B together, These also have the option to dial in some TZFM for adding some crunch / dirt, they also have adjustable ringmod mix, and adjustable bitcrush mix. Like the TZFM Osc, you can also set for NO tzfm if you purely want to utilise the 90 different waveforms, the shape knob fully left is Wave A, centre is Wave A&B mixed, Fully Right is Wave B, so you can mix and match as you like.

I hope you enjoy!

© Scott McAuley. All rights reserved.
#custom #sounds #prologue"

Doepfer drones through a Clouds clone.

video upload by Vykaar Tones

"Manipulating a Doepfer three A-110 VCO drone through slowly modulated Wiard Boogie filter, A-134 PAN and Clouds clone. Eventide Time factor and Space effects are also in the mix. Video is of the Solar eclipse in south London 2026."

The best groovebox he's ever played | Akai MPC Key 37 G2 live performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer performance using only the MPC Key 37 G2.

To be clear: I bought this synth with my own money, thanks to the support of my Patreon community. So while I recognize that the following praise seems effusive, it's the truth.

I got into hardware through grooveboxes. I started with the Novation Circuit and got more complex from there. The groovebox—sequencer, multiple timbres of synth, drums, samples, and effects—is my happy place. And while many devices have been good, I've never found "the one", that one groovebox that does everything you want it to do. Until now, maybe.

I've played with MPCs quite a bit over the last few years, but this newest generation, and this model in particular, is the one. It's a combination of things: a mature platform with fast loading and workflow; every conceivable sound type I want, from synths to samples to piano; a robust collection of effects, with great reverbs, delays, and ways to mess up a sound; more tracks than I'll ever need for a song; a sequencer without the limitations of 64 or 128 steps; clip launching; simple audio recording in; auto-sampling to capture your own sounds; MIDI in and out via 5-pin DIN and USB; MIDI learn with peripheral MIDI controllers that works flawlessly; USB multi-track audio recording that just works without a hitch; so much more.

CLICK FOR MORE »

Isobar Industries Serratus is Completely Unhinged Madness

video upload by Metamyther and Isobar Industries

"Isobar's new module Serratus features 9 comb filters and 9 mutations, which combined with deep sound sculpting parameters, provide completely unparalleled sonic exploration. Make drones, noisy blasts, and even demented choirs with this beast of a module. Required viewing for fans of the Vhikk X, Befaco Oneiroi, or noise, industrial, and dark techno of all kinds."



A matrix of resonant delay bodies and mutations. Serratus weaves nine comb algorithms against nine distortion, saturation, and mutation processes, with each intersection morphable in real time. Chaos and generative modulation treat the whole system as a living organism, while independent routing places filter, distortion, and reverb before, inside, or after the feedback loop, sculpting everything from string plucks and resonant percussion to frozen spectral drones and chaotic self-generating textures.

CLICK FOR MORE »

Cherry Audio Introduces Memorymode 2

video uploads by Cherry Audio

Playlist:

1. Cherry Audio | Introduction to Memorymode 2 with Tim Shoebridge
2. Cherry Audio | "Memory Flow" by Steve Peglar with Memorymode 2
3. Cherry Audio | Foundation Presets Pack for Memorymode 2

"Memorymode 2 - Inspired by one of the most iconic polyphonic programmable analog synthesizers of the 1980s: the legendary Memorymoog. This is not just a basic version update; Cherry Audio has completely transformed its highly acclaimed 2021 flagship synthesizer by employing cutting-edge analysis and emulation techniques, resulting in unmatched accuracy and precision. Furthermore, we have significantly expanded its features, firmly establishing Memorymode 2 as the definitive successor to both the original synth and our groundbreaking tribute to it.

https://cherryaudio.com/products/memo...

Memorymode 2 is now available for only $69 at cherryaudio.com and at authorized resellers. Owners of Memorymode version 1 can upgrade to Memorymode 2 at the discounted price of only $39 from the Cherry Audio store at https://store.cherryaudio.com/bundles..."

User videos:



Playlist:

1. Memorymode 2 by Cherry Audio: the Memorymoog comes alive again! - CatSynth TV
2. Cherry Audio Memorymode V2 Fantastic Virtual Analog Synthesizer Moog VST - Rik Marston Official
3. Cherry Audio | Foundation Presets Pack for Memorymode 2 - James Dyson
4. New Synthesizer Cherry Audio MemoryMode V2 - James Dyson Live Stream

Foundation Presets Pack:

"100% of the proceeds from August sales of Foundation go to The Bob Moog Foundation!

Discover an impressive array of sounds with the Foundation Preset Pack for Memorymode 2, available exclusively from Cherry Audio for only $9.99. All proceeds from August 2026 sales of this pack will benefit the ‪@moogfoundation‬, now celebrating its 20th anniversary. The Foundation is a non-profit organization dedicated to preserving the legacy of synthesizer pioneer Bob Moog through education, archives, and the Moogseum.

https://store.cherryaudio.com/presets...

This massive collection features 275 additional presets, expertly crafted by the select team of sound designers James Dyson, Scott McAuley, and Ger Hughes. These presets fully utilize the innovative features of Memorymode 2, including layers and splits, polyphonic sequencers, the Touch Animator, dual arpeggiators, and the updated effects library. The result is a stunning showcase of additional dynamic sounds and motion for Memorymode 2.

The Bob Moog Foundation: https://moogfoundation.org/

Our deepest thanks go to the team of James Dyson (‪@James-Dyson‬), Scott McAuley (‪@scottmcauleysounds‬), and Ger Hughes of CustomSonics (https://customsonics.bandcamp.com/) for the donation of their time and talent to this effort.

This preset pack requires ownership of the Memorymode 2 synthesizer by Cherry Audio. Once you obtain it, the collection will be automatically downloaded and added to your presets."

Update: press release follows:

CLICK FOR MORE »

This Eurorack filter has AUTO DYNAMICS! // Flow 3 from Joranalogue *MEGA DEMO*

video upload by DivKid and Joranalogue Audio Design

"As we'd expect from Joranalogue, they take inspiration from classic, seemingly simple functions and turn them into musical and technically impressive devices. Flow 3 is a compact filter that builds upon on the idea of an auto wah, it's a filter with 'auto dynamics'. There's on board modulation, that can modulate itself or your modular system, stave variable filter outputs, CV over everything and an easy to play with layout in 6HP."

Update: Press release follows:

Joranalogue Audio Design announces availability of Flow 3 auto-dynamic filter module for Eurorack that sounds bigger than it looks

STEKENE, BELGIUM: having made its impressive-sounding debut during a showcase at SUPERBOOTH26, May 7-9, FEZ-Berlin, Germany, high-quality Eurorack music synthesiser modules-maker Joranalogue Audio Design is proud to announce availability of Flow 3 — an auto-dynamic filter that sounds bigger than it looks, thanks to the novel variation on the classic state variable filter topology that lies behind its compact 6 HP panel — as of August 25…

Firstly, Flow 3’s core integrator saturation of its simultaneous — low-pass (LP2), attenuates frequencies above the filter frequency (or cutoff) at -12 dB/octave and self-oscillates at a phase of 180°; bandpass (BP2), selects a band of frequencies around the filter frequency (but below and above that the attenuation slope is -6 dB) and self-oscillates at a phase of 90°; and high-pass (HP2), attenuates frequencies below the filter frequency at -12 dB/octave and self-oscillates at a phase of 0° — outputs provide for a sound that is clean yet distinctive.

RESONANCE response is exceptionally smooth — it, too, can easily reach self-oscillation (at higher feedback levels), the temperature compensation and exact calibration effectively transforming Flow 3 into a reliable quadrature sine/cosine VCO (Voltage-Controlled Oscillator) with tight pitch tracking.

The ace up Flow 3’s sleeve, however, lies in its auto-dynamic nature — helpfully highlighted by the non-erasable AUTO DYNAMIC FILTER graphic positioned across that compact, clean-cut 6 HP panel. After all, it is a filter that can modulate itself, achieved by a combined DECAY generator/envelope follower circuit controlling the filter frequency over an adjustable range; either fire decay envelopes from external triggers, or flip it to AUTO mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

Saying all that, then, creating heavy-hitting analogue kick drum sounds becomes a breeze, but, with a bit of patching, Flow 3 can even be used as a spectrum splitter (or crossover), cleanly separating the full audio range into low and high portions, for dual-band signal processing — perfectly possible thanks to the Linkwitz-Riley filter response at minimum resonance.

Ultimately, users of Flow 3 can clearly get carried away as the Eurorack module concerned creatively takes the old auto-filter concept to new voltage-controlled heights, hearing for themselves exactly what the fuss was all about at that impressive-sounding SUPERBOOTH26 showcase!

Coming complete with a 16-to-10-pin Eurorack power cable, two black M3 x 6 mm hex screws, two black nylon washers, and a hex key, Flow 3 is available as a 6 HP module — measuring 128.5 mm (H) x 30 mm (W) x 52 mm (D) with a +12 V: 45 mA/-12 V: 45 mA maximum current draw, reverse polarity (MOSFET) power protection, 100 kΩ impedance inputs and 0 Ω (compensated) impedance outputs — through Joranalogue Audio Design’s growing global network of authorised dealers at a MSRP (Manufacturer’s Suggested Retail Price) of €215.00 EUR or $225.00 USD.

Check with dealers on the right.

CLICK FOR MORE »

Korg - Three FREE Custom Multi Engine Oscillators - full demo coming soon.

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Due for release very soon!

DXOSC - is an FM Oscillator with 25 Algorithms, Adjustable 2:1 Ratio, Adjustable 3/4:1 Ratio, Modgenerator with 24 Shapes, Speed Control & Depth Control.

TZFM 1 - Is Built with dual waveforms A&B - A has 46 wave shapes, B Has 44, TZFM can be sent AtoB, or BtoA, with depth control, adjustable Ringmod, and adjustable Bitcrush,

STEPr - is a very unique Oscillator, very similar to TZFM, but has the additional feature of being able to step through each of A/B's waveforms per note pressed, you can step A only, or B only, or both A&B together, These also have the option to dial in some TZFM for adding some crunch / dirt, they also have adjustable ringmod mix, and adjustable bitcrush mix.

Initially, these will come free with the Prologue Elixir Vol.1 bank, they will however work with Minilogue XD and NTS-1 too, may consider releasing for free with banks for Minilogue and NTS-1 in the future.

I have thoroughly tested these on minilogue and prologue with no problems, however, as with all third party multi oscs and effects, these are installed at your own risk, I will not be held liable for any issues with or after installation.

They are a complimentary gift that will be included free of charge with my future Logue Soundpacks.

Enjoy
Scott."

SUPER 606 - DRUM MACHINE | iPhone/iPad

video upload by MATTHEW FECHER

Super 606 by AudioKit Pro | Drum Machine Presets Demo & Walkthrough

video upload by Moby Pixel

"Today we are taking a look at Super 606 by AudioKit Pro for iOS inspired by the legendary Roland 606 drum machine. It has been a while since AudioKit released a drum centric app and this one might just be the droids you are looking for. In this video, I’ll give a quick walkthrough of the app and demo a bunch of presets.

Chapters:
0:00 Super 606 Intro
1:15 Sound Editing
2:58 Presets Demo

Thanks for watching!
Nick C.
Moby Pixel"



Inspired by classic hardware. *Roland Cloud and TR-606 are trademarks of Roland Corporation. SUPER 606 is not affiliated with or endorsed by Roland Corporation.

SUPER 606 features SYNTH generated drums. Give your music movement, character, and life.

CLICK FOR MORE »

Coming Soon : NerDie - inspired by SOMA RoAT (sound only, no words)

video upload by Diego Capoccitti

Follow-up to OktaDie and .

"No tutorial. No voiceover. No slides.

Just NerDie, a synth inspired by SOMA RoAT (Rumble of Ancient Times), played live, and the sound that comes out of it.

NerDie is an 8-bit noise synthesizer and sequencer — AAX, VST3, AU, AUv3 (iOS) and Standalone. The engine runs on integer uint8_t arithmetic at a fixed chip rate: overflow, wrap and quantization aren't simulated after the fact — they are the signal.

What you're hearing:

· 4 8-bit oscillators, 16 waveforms each, 19–1350 Hz
· 4 LFOs modulating pitch or level
· 3 mix topologies × 3 nodes × 8 algorithms = 1,536 ways to sum them
(addition, overflow, subtraction, ring mod, XOR, FM, waveshaping)
· Resonant 8-bit lowpass filter
· One-bar sequencer with overdub, master/slave clock
· CHAOS for instant chaos, drift for the slow kind, RND for a full patch
rendered and measured before it arrives — so it always plays
· 32 registers across 8 pages
· MPE: four oscillators, four voices — press, slide, strike and bend routed
through a matrix that decides what they move
· Pixel interface, two views: the panel, with hardware-style pot pickup,
and the matrix, with all 32 registers in sight for DAW work

Recorded in one take, no post-processing on the audio.

Headphones recommended.

Coming soon!

Formats: AAX · VST3 · AU · AUv3 · Standalone (macOS, Windows, iPad, iPhone)

NerDie is an independent project by Diego Capoccitti / 34Audiovisuals,
not affiliated with any hardware manufacturer, inspired by SOMA RoAT (Rumble of Ancient Times)

© 2026 Diego Capoccitti / 34Audiovisuals"

Storm Summoner: Turn FX pedals control into a performance

video upload by Floyd Steinberg

"Storm Summoner ( https://http://stormsummoner.com/ ) grants full access to effects pedals, enabling real-time control and tweaking with its multitude of sensors and inputs. Thanks to a huge database of pedals, setting it up is quick and easy. There's also an event handling system here that can be exploited musically in several ways.

00:00 demo
00:15 hi, what's this? / disclaimers
01:00 the general idea
01:52 hardware overview
02:42 scenes, settings and user experience
03:39 demo: controlling reverb mix with the circular touch pad
04:22 managing, changing, storing and sending settings per scene
05:15 proximity sensor
06:00 tilt sensor (and examplary setup process on device)
07:53 shake sensor
08:11 ambient light sensor
08:53 actions and streams
10:22 important considerations
10:49 expression pedal input
11:36 event handling (flagging system)
14:20 conclusion

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"


"Touch control: 8-zone capacitive wheel, four assignable pads, two assignable buttons, 128 scenes.

No CC tables: Onboard database of MIDI-enabled pedals.

It just works: Automatic TRS Type A/B. Adapters included.

Hand finished: Black walnut enclosure, made in Toronto.

CLICK FOR MORE »

7555VCO 1

video upload by cirtcele

"Wide ranging sawtooth VCO with the hardest hard sync around."



via nonlinearcircuits

"Not the most exciting name, I simply wanted a 4HP sawtooth VCO to sit next to the Spectrum Shaper.

It is based on the Utility VCO in Electronotes EN67, which was based on designs by R. Tenny (Electronic Design 11/10/75), J.L. Brice (Wireless World (6/76) and others.

It tracks very nicely, turn the CV pot to max for 1V/oct, ranges from approx 10Hz to over 100kHz and supplies 10Vp-p sawtooth and square waves.

The Sync is the hardest of hard syncs around. I left out the capacitor usually used to turn sync signals into a pulse, so if you feed a gate or slow CV signal into Sync the VCO simply stops, think of it is a bonus VCA. Of course, if you use an audio rate sync signal, it works as normal.

It is a pretty easy build. not many parts. Do not mix up the BCM847 and BCM857 dual transistors, see the build notes for where to install a 1k tempco."

Building a Minimal Performance System with OXI E16

video upload by OXI Instruments

"In this video we break down a small but deep performance setup built around the OXI E16 and the Elektron Tonverk — the core idea being that constraint creates focus. Instead of chasing more gear or more parameters, we map a handful of controls to a handful of sounds and build a pattern out of very few elements, performed live rather than programmed in advance.

What's covered:
The concept behind designing "small systems" — fewer knobs, fewer sounds, more intentional movement.
Mapping the E16 to control drums and a few additional sound sources on the Tonverk.
Routing and shaping send effects live, as part of the performance rather than as a mix afterthought.
A randomize trick: smashing everything into chaos on the fly, then snapping back instantly to a saved, safe starting point — so we can take risks without losing the pattern.
This is less a tutorial and more a way of thinking about performance setups: constrain first, then explore inside the constraint.

■ Learn more about OXI E16 : https://oxiinstruments.com/oxi-e16

00:00 Introduction
02:15 E16 layout overview
02:43 Randomize and Snapshot morph trick
03:35 The mapping I used
07:28 Randomization time
08:20 Keeping it simple and fun"

Minimal Audio Current 50 Atmospheric Arp Presets. Sound Demo

video upload by Anton Anru

✨ "Dreaming Motion" is a bank of 50 Arp Presets for Minimal Audio Current 2, combining warm analog-inspired sounds with soft and airy atmospheres.
The collection moves between retro synth character, subtle analog imperfections, dreamy textures, and spacious evolving arpeggios, giving the bank both nostalgic and modern sides.

📦 The download link: https://antonanru.sellfy.store/p/curr...
👤 The author of the soundset is Ilian.

🎛️ Each preset features 4 Macros for shaping the sound, while the Modwheel adds additional movement and expression.
The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

📻 The patches are perfect for Electronica, Synthwave, Ambient, IDM, Downtempo, Melodic Techno, Chillout, and experimental electronic music.

🎹 All Arps are designed in either C Major or C Minor, following Current 2’s tonal Arp system. This makes the presets easy to use while keeping their harmonic character consistent. You can change the Scale in the lower right corner of the synthesizer to the one used in your track.

CLICK FOR MORE »

Q210 Complex Noise Launch Party Recording

video upload by synthesizersdotcom

"👉The Q210 Complex Noise is noisemaker's playground. Though capable of standard white noise fare, the Q210 can help provide you with decidedly boundary pushing timbres, not usually found in your typical 5U module.

Beyond noise, the Q210 is also comfortable generating random gates, which when routed to VCAS or drum sounds, can help launch your next ambient composition into science fiction territory.

Depending on how you approach the module, the Q210 can be a tame texture ready to mix in with a completed track. However if you push it, the Q210 can become the basis of an entire soundscape, especially when paired with filters, VCAS, and envelopes. Sounds both dramatic and explosive are quite easy to conjure."

I spy Dan Snazelle of Snazzy FX.

Introducing the Pittsburgh Modular Lifeforms SV-2

video upload by Pittsburgh Modular Synthesizers

Pics and details via Perfect Circuit.

[You can find additional demos by Starsky Carr, BoBeats, and Molten Music Technology further below.]

Pittsburgh Modular Lifeforms SV-2
Lifeforms SV-2 from Pittsburgh Modular is a duophonic analog semi-modular keyboard synthesizer that honors classic East Coast subtractive architecture while packing a punch of flavorful twists afforded by modern technology. A full-blown revamp of the SV-1, it features updates to nearly every aspect of the instrument: new oscillator core, classic PGH filters updated with new character modes and overdrive stages, new spring reverb, new response curves and range modes on the ADSR envelopes, a custom 37-key keyboard with pitch-bend and mod wheels, and a redesigned interface with eighty-four patch points along the top. Moreover, a 24hp Eurorack expansion bay with three power headers sits alongside them, so external modules of your choosing can be dropped into the signal path at any point.

CLICK FOR MORE »

Neiro N106 Plugin: Digital Emulation & Real Hardware Render | Sound Demo

video upload by Davide Puxeddu

"In this video, I showcase the true power of the Neiro Audio N106 plugin. We are doing a direct comparison: Digital Emulation vs Real Analog Hardware Render! You will hear the huge difference when the digital preset is suddenly processed through the actual analog circuitry.

How does it work? The N106 is not just a standard VST. You compose your track using their high-quality digital emulation without any streaming latency. Once your MIDI and automations are locked in, the plugin sends your data directly to Neiro Studios. There, it is fed through a real physical Roland Juno-106 (specifically a hardware Kiwi 106 synth). The analog output is recorded using high-end RME Fireface UCX interfaces and automatically downloaded right back into your DAW as a WAV audio file. It's exactly like owning the real vintage analog synthesizer remotely.

To sit perfectly in a mix, I've also processed these sounds through external hardware-style reverb and delay.

🎧 Best experienced with studio monitors or high-quality headphones.

More Info: https://neiroaudio.com"

"Connect to a classic analog synthesizer revered for its lush, warm sounds. The Neiro N106 features a rich chorus effect that’s instantly recognizable from classic tracks like 'Jump' and 'Tom Sawyer'.

Connect directly to the Roland Juno-106 unit today."

Ambient cascades | Novation Circuit Monostation, Stylophone Gen X-2 and S-1, Vongon pedals, eurorack

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

I enjoyed having the Vongon Solarfaze and Polyphrase on the table for my last jam and left them there on a whim. That was the starting point. Next, I needed to run a synth through them, so I chose the Novation Circuit Monostation. I borrowed the CMS from a friend and had been looking to make some music with it; my opinion is that it's an extremely underrated synth that can do way more than people recognized at the time. And once I had its sequencer running and a bassline queued up, I could hear more of what was needed.

I also recently got a couple of Stylophones, because they are extremely affordable—the S-1 was something like $60 Canadian—and because I like the sound of them. Using the CMS's CV outputs, I sent a second set of sequences to the Gen X-2, which has CV input. I also took advantage of the Gen X-2's beautiful internal delay for cascading performances. The S-1 ended up my improv melody device for the last third of the song.

At this point, I needed reverb but didn't want to add multiple reverb boxes, so I added the Jellymix to act as stereo send to all the synths. For reverb, I chose the Swells, because I currently have it in a case with the Fieldtone Weaver and Qu-Bit Stardust, which can add a lot to a mix through stereo sample mangling. The Stardust is playing something that came from the CMS into Weaver; the Weaver is playing a snippet of my voice.

By this point, I could hear the full song, and it was just a matter of adding a couple of sequences and performing the whole thing. Pretty fun to see how wanting to explore a bit of hardware can lead to a finished song.

Performed and recorded live to a stereo output from the Jellymix, with EQ, compression, and limiting on the master.

CLICK FOR MORE »

Half-Time Techno w/ TR-808, TB-03, and OP-1 field | Lopho 2026-08-08 by atnr

video upload by atnr

"A half-time techno piece created with the TR-808 (MIDI modified), TB-03, and OP-1 field.

On the TR-808, the bass drum and snare are routed through separate outputs. The bass drum passes through the SANSAMP BASS DRIVER DI. The snare is processed through the NIGHTSKY with heavy reverb and filtering.

The master output is connected to the blueSky, allowing reverb to be applied to the overall drum mix.

On the OP-1 field, percussion sounds are glitched using a modulated delay created with the CWO effect.

On the TB-03, a bassline is looped while the filter is adjusted in real time.

The OP-1 field is used as the master clock. The TR-808 and TB-03 are synchronized via MIDI clock."

1010 blackbox 2 Next Gen Compact Sampler vs. Original blackbox Comparison

video upload by 1010music

"Learn about new blackbox 2 and how it compares to our original blackbox #sampler. The original blackbox has been a staple for music producers and live electronic performers worldwide and blackbox 2 expands upon that legacy.

Born for DAWless music creation and performance, blackbox 2 is the new professional standard for sample creation and manipulation. From #loops to #oneshots to #slicesbeatslicing and multisampled instruments—a hi-resolution touchscreen lets you record, sequence, play and mix in living color."

Introducing AIR Fabric Vintage Synths Vol. 2

video uploads by AIR Music Tech and Akai Professional

Playlist:

1. AIR Fabric Vintage Synths Vol. 2 - Iconic Synthesizer Virtual Instruments for MPC and Desktop

"Three Titans of Analog Synthesis, Modernized. https://inmusic.to/5xrs3f24 Discover the sounds of three essential synths in one modern synthesis environment. From cinematic pads and evolving textures to massive basses and eccentric leads, Fabric Vintage Synths, Vol 2 brings three of the most interesting and expressive polysynths ever made to your MPC or DAW-based workflow.

Fabric Vintage Synths, Vol 2 features Fabric Vintage Andromeda, Fabric Vintage CS, and Fabric Vintage Matrix in one unified virtual instrument collection. Each instrument has been reimagined through the AIR Advanced Multi-Sample Synthesis Fabric Engine for how you make music today.

This innovative Fabric engine allows these virtual instruments to retain their unique identity while working seamlessly across MPC hardware and desktop DAWs.

Fabric Vintage Synths Vol. 2 is available for MPC Standalone, MPC Desktop, and all major DAWs."

2. Fabric Vintage Matrix - Walkthrough

"A defining, genre-spanning era of analog synthesis encapsulated in one 12-voice polysynth. Fabric Vintage Matrix honors the iconic 1980s subtractive synthesizer’s design, bringing its depth and flexibility into your current workflow.

With an intuitive interface and a streamlined workflow powered by the AIR Fabric engine, Fabric Vintage Matrix makes it easy to experiment with unique, developing textures and sounds without slowing down your creative process. Like its hardware form, this synth is perfect for rock and electronic music, film scoring, ambient production, and advanced sound design.

Chapters
Features introduction :14
Front Panel Macros 2:08
Edit Page 3:31
Effects Page: 7:09
Arpeggiator: 9:22
Factory Presets 10:23

Fabric Vintage Matrix is available for MPC Standalone, MPC Desktop, and all major DAWs."

3. Fabric Vintage Andromeda - Walkthrough

Powerful, immersive, and ready for revival. A 16-voice multitimbral giant known for its sheer depth, the original Alesis Andromeda A6 brought together a fully analog signal path with innovative digital functionality. Fabric Vintage Andromeda takes this timeless polysynth’s monstrous sonic range and puts it right at your fingertips.

With an intuitive interface and a streamlined workflow, Fabric Vintage Andromeda makes it easy to shape polished, powerful sounds quickly, whether you're sketching ideas or refining a final mix. Combining classic analog depth with modern electronic, ambient, and cinematic production, this tool is great for musicians and producers seeking dramatic, bold, attention-grabbing tones.

Chapters
Features introduction :29
Front Panel Macros 1:54
Edit Page 3:05
Effects Page: 7:34
Arpeggiator: 9:48
Factory Presets 10:47

Fabric Vintage Andromeda is available for MPC Standalone, MPC Desktop, and all major DAWs.

4. Fabric Vintage CS - Walkthrough

Not a replica, or a replicant, but an homage to a synth that starred in one of the most iconic sci-fi film soundtracks of all time. Fabric Vintage CS brings the warmth, nuance, and deeply expressive character of this legendary late ‘70s and early ‘80s polysynth to your setup today.

Powered by the flexible AIR Fabric engine, Fabric Vintage CS brings vintage polysynth character into a modern environment with enhanced polyphony, integrated effects, and performance-focused controls, giving you immediate access to deeply expressive sound without a complex setup. From timeless analog textures to modern ambient, electronic, and cinematic production, Fabric Vintage CS gives you a whole new sound palette to explore.

Chapters
Features introduction :29
Front Panel Macros 1:54
Edit Page 3:05
Effects Page: 7:34
Arpeggiator: 9:48
Factory Presets 10:47

Fabric Vintage Andromeda is available for MPC Standalone, MPC Desktop, and all major DAWs.

5. AIR Fabric Vintage Matrix for MPC | Vintage Synthesizer Virtual Instrument
6. AIR Fabric Vintage Andromeda for MPC | Vintage Synthesizer Virtual Instrument
7. AIR Fabric Vintage CS for MPC | Vintage Synthesizer Virtual Instrument