Deep Forest Ambience: Dawless Jam with Novation Circuit Tracks

video upload by Live Synth

"Music born in the silence of the forest. 🌲 In this video, I headed into the wild to record a live set on the Novation Circuit Tracks. Pure dawless: just the synth, inspiration, and the sounds of nature. No plugins or post-processing—just the raw sound captured on the Zoom H1 Essential. Immerse yourself in the atmosphere with me.
#dawless #novationcircuit"

Journey West

video upload by davidryle

"Large Format modular synth live studio song.
The new module is a Maneco Labs Sequencer 16 trigger step sequencer. I used it as the main clock source for the rest of the system.
I started with the Maneco Labs Grone dark drone machine module for the opening intro.
The bass line was introduced next using triggers from channel six of the Sequencer 16, with the Corsynth pair of VCO's into the Grove Audio G294A LPF and the Synthetic Sound Labs Tube VCA/Timbral Gate and then on to the STG Soundlabs mixer.
The percussive parts came next. First was a pair of Q206's in Sync mode through a Moon Modular 517S high pass filter. Pitch voltage was from the lower Q960 step sequencer. The pattern pulses were from a pair of Mega Ohm Audio LFO2 modules run through a triple switch module from Lower West Side Studios.
Second part was a single STG Soundlabs Oscillator in drone to the SSL Tube VCA, pulsed by the STG Envelope modified with an LOF to the decay input. Then on through a Behringer Digital Delay. The pattern triggers were from the SSL Geo-Gruvn Euclidean Sequencer.
I used channel 3 from the Seq16 to pulse the SSL VC ADSR with the SSL Woven Spirits module. The SSL Quad LFO was used to fade in and out the pulsing part. The pitch sweeping is done by an LFO to the Harmonic input of the Woven Spirits. The pizzicato string part came next. It was actually the first part I created. The use of channels 1 & 2 from the Seq16 were sent through the SSL Octal Linear VCA with the AD/AR Expander module as envelopes. The sound was from the pair of SSL TZ-VCO's which are pitch controlled by a pair of The Matrix Algorithmic Composer modules. They are sent to a Modcan Dual Delay 73B and on to a Dove Audio D502 Multimode Filter with Hi Pass to Low Pass in 2-pole mode. The reverb is from an UA Golden Reverb in Hall 2 mode.
The final part is the upper Q960 step sequencer with all three rows sending pitch voltages to three oscillators. First row was to the Dove WTF. Second row was to the Mos Lab Moog 901 and 904 array. The third vco is a synthesizers.com Q106. They are mixed and sent to the EHX Grand Canyon in Mod Delay mode. Gate timings from the Moon 563 Trigger Sequencer.
I closed out with the Grone module."

"moog 16 Channel Vocoder" Short Live !

video upload by KATSUNORI UJIIE Synth, Keyboard & Music Channel

"moogの16 Channel Vocoderによるショートライブです。
音声入力による本格的なヴォコーダーサウンドだけでなく、付属のパッチコードを使って他のアナログ・ギアを相互接続したり、プログラムの任意の周波数レンジを選択してキャリアの任意の周波数レンジにその特性を課すことができる珍しい「クロス・パッチ」を作成することもできるので、実験的な音作りも可能。

Short live performance using Moog’s 16-Channel Vocoder.
Not only does it produce authentic vocoder sounds from audio input, but you can also use the included patch cables to interconnect other analog gear and create unique “cross-patches”—where you select a specific frequency range from a program and apply its characteristics to any carrier frequency range—enabling experimental sound design."

Turn your PS Vita Into a USB Music Workstation [ DS-8 0.6 Update ]

video upload by Intermynd Instruments

"One tiny handheld. A complete music setup. Download the latest DS-8 update now, completely free:

https://intermynd-instruments.itch.io...

Sync the DS-8 directly to your PC or compatible hardware like the Teenage Engineering OP-XY over USB MIDI. Or connect it to your computer and send multitrack USB audio straight into your DAW for recording and mixing.

New DS8 features:

Multitrack, class-compliant USB audio for recording individual DS-8 tracks directly into a DAW
No drivers needed
MIDI sync over USB: send or receive clock, start and stop

Mixing and workflow improvements:

Dedicated Mixer with left and right panning
Per-track MPC60-style swing
More intuitive extending and shrinking of 16, 32 and 64-step patterns
Simplified track engine selector
Instant note preview when programming melodic synth parts

In the video, we demonstrate multitrack recording into Ableton Live and use the OP-XY as the master clock for a synchronized, laptop-free techno liveset.

Download the latest DS-8 update now, completely free."

CLICK FOR MORE »

XpandrLink, a native Mac/Windows editor and DAW plugin for Xpander/Matrix-12 (beta)

This one came in on the xpantastic Oberheim Matrix-12 and Xpander list. Details from the creator follow:

"I'm Jake, a Matrix-12 & Xpander owner and synth repair tech. For the past few months I've been building something that has gotten a lot of use in my studio: XpandrLink, a from-scratch C++/JUCE editor for these synths built using XplorerEditor's protocol and design as reference, with standalone, AU, and VST3 builds for both macOS and Windows. I've been really enjoying having this tool for my own purposes and wanted to share it with the community if anyone else might also find it useful.

First, the part that matters most to me. Like many of you, I've used XplorerEditor for years. It's a big reason these synths are still practical to own and play, and this project only exists because of the groundwork it laid. I started down this road after reading a note more than a year ago in the XplorerEditor README: the developer had no time to add new features but welcomed forks and PRs, and recommended a long-term JUCE port for a more modern cross-platform foundation.

CLICK FOR MORE »

Ranger FX Snare Trap Rhythm Device

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Noise Generator

Note the video above is from 5 years ago. This appears to be the first post to feature the Snare Trap.

via this listing

Additional Perfect Circuit listings

via Ranger FX:

"The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

CLICK FOR MORE »

Five minutes of your life you'll never get back

video upload by knobula

"Five strong minutes of live knob twiddling on the Knobula Drum Farm. The only audio you're hearing is the Drum Farm itself, triggered and modulated by the Pams Workout, a 6quencer and the Timo Rosenthal Automator. Much of the back beat is from the Drum Farm rotating through 16 samples and processing the results with the built in effects section. It is also playing a Kick drum and various live drum synth sounds with modulated parameters."

Ladytron - Full Performance (Live on KEXP)

video upload by KEXP

Some synth spotting with Ladytron. Cool to see a Kawai K1 and not one, but two Roland D-10s. Also a Korg Delta in there. Spot the rest...

And of course, enjoy the performance.

"http://KEXP.ORG presents Ladytron performing live in the KEXP studio. Recorded June 6, 2026.

Songs:
Metaphysica 00:40
A Death In London 05:34
Secret Dreams Of Thieves 10:31
Destroy Everything You Touch 14:59

Helen Marnie - Vocals, Keys
Mira Aroyo - Vocals, Keys
Daniel Hunt - Keys, Guitar, Vocals
Peter Kelly - Drums
Andrew Hunt - Keys, Percussion, Sax

Host: Cheryl Waters
Audio Engineer: Julian Martlew
Guest Audio Engineer & Mixer: Daniel Woodward
Mastering Engineer: Matt Ogaz

Cameras: Jim Beckmann, Carlos Cruz, Leah Franks, Luke Knecht & Ettie Wahl
Editor: Leah Franks

https://www.ladytron.com
http://kexp.org"

Kaitlyn Aurelia Smith: GTP! Live Performance | ARTURIA

video upload by Arturia and Kaitlyn Aurelia Smith

"From the Atlantic coastline illuminated by a projected light show, ‪@KaitlynAureliaSmithMusic‬ channels her high-tempo magnificence into a vibrant live rendition of GTP! from her forthcoming album - shaped with KeyStep, MiniFreak and Rev OCEAN.

Watch as intricate drum rhythms, kinetic synth lines and processed vocal ad-libs collide in a unique performance balancing careful control with boundary-pushing drum & bass momentum, with Rev OCEAN transforming sound into fluid sonic space.

Rev OCEAN is included in our Summer Sale - offer lasts until August 18th.
Learn More → https://bit.ly/3TroM0j"

Yamaha SY-22 / TG-33 / SY-35 Expansion Voice Cards

video upload by General Midi Guy ⚡

"These expansion cards are official Yamaha ROM Voice Cards released for the Dynamic Vector Synthesis lineup (SY-22 keyboard, TG-33 desktop module, and SY-35 keyboard). They fit into the front panel DATA CARD slot and expand the internal patch library without requiring external waveform/PCM samples (they utilize the synth’s internal AWM + FM engines).

Stage VC2251W
Vector 1: Stage Selection
64 Voices / 16 Multis
Performance-oriented patches designed for live gigs, punchy leads, brass, bass, and classic synth tones.

Studio VC2252W
Vector 2: Studio Selection
64 Voices / 16 Multis
Atmospheric, studio-oriented textures, ambient moving pads, evolving vector soundscapes, and intricate layers.

Shofuku VC2253W
Vector 3: Shofuku (生福)
64 Voices / 16 Multis
Traditional Japanese instrument simulations, organic soundscapes, experimental vector textures, and ambient layers.

CLICK FOR MORE »

Plinky 12 Blocks - Full Walkthrough

video upload by Nathan Plante Synths, Alex Evans (mmalex), Making Sound Machines

"At long last, I have made the Plinky 12 Blocks walkthrough! This panel is so jam-packed with features it was hard to fit it all in to one video (and I did leave out a few things). Blocks can do it all - sequencing, live play, loop recording, chords.... an EVERYTHING machine! I can't wait to see what great music people are going to make with this synth. Enjoy!"

00:00 Intro
01:24 Play Surfaces
03:33 Piano Roll
05:55 Velocity, Gate Length, Ratchets
06:42 Alternate (Sparkly) Notes
09:30 Mute
09:54 Fancy Randomization
11:58 Live Loop Recording
13:00 Clip Launcher (Launch Mode)
16:22 Preset Banks
18:01 Synth Settings (Mutate Mode)
22:58 XY Pad (Modulation)
24:47 Saving Presets
25:11 The LFOs
27:37 The Mix Page
28:57 Arp Settings
30:10 Performance FX
33:40 Changing Root and Scale (Chord Mode)
36:23 Outro & Jam

Ocean Swift releases DevOcean Modular - 145+ modules, fresh DSP, unique ideas

video uploads by Ocean Swift / Faxi Nadu

Playlist:

1. DevOcean Modular | OUT NOW | Fast forward modular synthesis #modularsynth #sounddesign #synthesiser
2. DevOcean Modular - Artificial Echo Book - Patch Example #modularsynth #sounddesign #synthesiser
3. DevOcean Modular - Create A 3 Osc Synth Patch From Scratch #modularsynth #sounddesign #synthesiser

"Ocean Swift releases DevOcean Modular - a modern modular synthesis and sound design platform. Offering a growing collection of 145 modules which include dozens of nods to the open source DSP community, DSP and MIDI scripting, an educational and UX mindset and more.

The developer quotes:

'It sounds compelling. The DSP is written from scratch, in the way that shows - filters with weight and bite, effects that behave like hardware, an oscillator section with real dynamic range.' - Yaron, Product Manager @ Ocean Swift.

'It is a system built for discovery. Complex where you want it, inviting from the first minute, and generous with what it teaches you as you go. Thousands of patches, presets and snapshots to pull apart and learn from. It doesn't ask you to move in - it offers.' - Fernando, Sound/UX Designer @ Ocean Swift.

On intro for €129.99, 35% off €199 MSRP until September 1 2026.

Grab it here: https://oceanswift.net/product/devocean/

CLICK FOR MORE »

Introducing the Synido TempoKEY K32 Play!

video upload by Musical Miscellany & More

"The folks at @synidotech asked me to help launch their latest MIDI controller, the TempoKey K32. It's unique in that it's not just a MIDI controller but also includes a synth engine. In this video, I take a look at a pre-release model."

DISCOUNT CODE (Europe): SYNIDOK32 | Expires:August 30, 2026
Purchase link (Europe): https://www.synido.com/s/k32

Intro - 0:00
Unboxing & Overview - 1:26
Internal Synth Engine - 3:31
Using the Editor - 5:24
Direct Audio - 6:47
Using with Soft Synth - 8:15
Using the Arpeggiator - 10:08
Additional Features - 11:30
Using with Hardware Synth - 12:45
Final Thoughts - 14:24

And one from 2-Minute Warning:

The Key - 4-Minute Jam (TempoKEY K32 Play + Taiga + DFAM)

video upload by 2-Minute Warning

"This video is a little different for two reasons!

First, it's the first time I'm featuring an instrument kindly provided by a manufacturer. Synido sent me the TempoKEY K32 Play to explore in my own workflow and share my honest impressions.

They didn't ask for a scripted review, so I simply approached it the same way I approach every other instrument on this channel: by making music with it.

Secondly... this is exceptionally a 4-minute jam!

Think of it as two consecutive 2-minute performances before I take a short summer break. 😊

Rather than trying to showcase every feature of the K32 as a MIDI controller (Bluetooth MIDI, battery power, USB/MIDI connectivity, pads, knobs, etc.), I wanted to focus on what intrigued me the most: its built-in General MIDI sound engine.

For this performance, the Hapax sequences the entire setup. The Taiga handles the bass, the DFAM takes care of the analog drums (synchronized by the Hapax), while the K32 Play provides everything else: guitars, strings, bells, plucks, additional drum sounds… and occasionally runs through the Eventide H90 for a bit of extra space and texture.

As always, the musical performance itself was recorded in a single take. Mixing/mastering was done afterwards in Ableton Live, but the performance you hear is exactly as it happened.

A sincere thank you to Synido. Without their message, this musical experiment probably wouldn't have happened."

✅ PLAY THE MOMENT INSPIRATION HITS

Most MIDI keyboards need a computer and software to make a sound. K32 doesn't. Built-in sounds and speakers let you play instantly--couch,classroom, anywhere.

✅ 32 KEYS, MORE ROOM

25 keys feel cramped for chords and melody together. The K32's 32-key layout gives your hands space to play naturally.

✅ WIRELESS, GO ANYWHERE

BLE MIDI + Battery. Create from the couch, backstage, in class, or on a plane.

✅ GROWS WITH YOU

Connect another MIDI controller and use the K32 as a standalone sound module. Compact setup, maximum flexibility.

✅ INSTANT SOUND SWITCHING

Save favorite instruments to the KEY Sound buttons. Jump from piano to synth to bass with one press. No menu-diving.

✅ HANDS-ON CONTROL

8 assignable knobs, 8 drum pads, and a clear OLED display. Adjust, beat, and perform in real time—no mouse needed.

✅ FOR EVERY STAGE OF YOUR JOURNEY

From first beat to live performance, K32 adapts to your workflow. Start simple. Grow into it. Create without limits.

✅ FAST WIRELESS PAIRING

CLICK FOR MORE »

SEQUENTIAL PROPHET 12 ♫ 50+ Custom Sounds ► ULTIMATE SOUNDS

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 ULTIMATE SOUNDS:https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Ultimate Sounds for Prophet 12 is a premium sound bank featuring 50 professionally programmed sounds for Sequential / Dave Smith Instruments Prophet 12 and Prophet 12 Desktop.

This collection is designed to expand the expressive and hybrid character of the Prophet 12, combining modern digital detail with analog-style warmth, depth and musical response.

Inside the sound bank you will find cinematic pads, evolving atmospheres, digital textures, analog-style leads, deep basses, brass sounds, arpeggiated patches, layered synth colors and ambient soundscapes ready for modern productions, live performances and cinematic compositions.

Using the Prophet 12 architecture, Ultimate Sounds takes advantage of its deep synthesis engine, modulation possibilities, envelopes, LFO movement, delay textures and performance-oriented programming to create a versatile collection of inspiring and playable sounds.

This is not simply a preset collection. It is a focused sound design toolkit for musicians, producers and composers looking for expressive Prophet 12 sounds with a modern hybrid identity.

CLICK FOR MORE »

LudoWic - STILL (live rehearsal)

video upload by LudoWic music

"Video by Edwin Vermeulen

UPCOMING SHOWS:

AUG 4 JENA (DE) Trafo (Kulturarena)

SEPT 14 COLOGNE (DE) Stadtgarten
SEPT 16 COPENHAGEN (DK) DR Studie 2
SEPT 19 HAMBURG (DE ) Resonanzraum
SEPT 20 FRANKFURT (DE) Brotfabrik
SEPT 23 TONGEREN-BORGLOON (BE) De Velinx

OCT 24 BERN (CH) Orbital Garden
OCT 25 MÜHLACKER (DE) Scala Filmtheater
OCT 26 LEIPZIG (DE) Kupfersaal
OCT 28 BERLIN (DE) Silent Green

Tickets: www.ludowic.com

More LudoWic:
https://bio.to/LudoWic
https://www.ludowic.com"

Also see A New Audience For An Antique Synth - LudoWic and the Trautonium with Hainbach and additional posts here.

VIVALDI - Autumn Part 1 on SIX (5) ARP Odysseys

video upload by Richard Payne

"Been having a pop at Autumn Part 1 these last few days and this take I recorded (take 111!) has come out slightly 'dystopian' sounding and synthy. Have pushed the filters a bit more. There’s a bit of overdrive in places and some wobbly 'pitchy' stuff happening. But lots going on and lots of things to remember to do. Or not to do. This take here was only the 4th time I’d made it to the end, and the first and only without completely ballsing it up.

Odyssey #3 was briefly back in the fold last week and was ably handling the sub bass part all on it’s own, but it started going wrong again and has been taken back to the repair shop. So to cover that part here, I’m bringing in and out oscillator 2 on Odyssey #6, which is set to a square wave an octave down. I’d say a good 80 of those earlier takes that I mucked up were ruined by me forgetting to do this, or doing it badly, or at completely the wrong time. There’s a 'high jeopardy' patch change happening on Odyssey #1 too which I liked to get wrong, transitioning from a short filtery harmony part at the beginning to a long square wave lead line for the slow bit towards the end.

As before, I got the Midi parts online and processed them in Ableton Live. I combined and reduced them down from the 24 orchestral parts to the 5 here. Fixed up a few dodgy notes. Probably added a few of my own. Then I tempo matched to an orchestral performance of the piece, which is probably the fiddliest and most time consuming bit. There were a few more evenings messing with note lengths and refining the tempos further. So, I’ve been using Korg’s Odyssey plugins up to this point in the process, slouching on the sofa on my laptop, but the next step is to move into my little music room and to practice on the actual ones. Spent a couple more evenings working things out there and then a couple of days trying to film a good run through.

It’s certainly tricky trying to adjust each part as dynamically as I’d like when they’re all coming at me in one big terrifying lump. I’m not mixing or even EQ’ing afterwards so I’m battling to keep a good audible balance between the synths as I go. If I get too involved or too “two-handy” on a synth for too long, I’m neglecting the other four and I’ve missed 5 other things I wanted to do. So I’m relying quite a lot on the Decay slider in the envelope section, as it seems to offer a one-stop dynamic shop that I can adjust on two synths at the same time. I’ve modded all of the Odysseys to have a free-running LFOs also, so I can introduce a slow LFO to the filters to keep them shifting about on their own whilst I adjust something else elsewhere.

I have started re-recording these pieces 'properly', one Odyssey at a time, with view to putting them up somewhere for streaming or perhaps even pressing them onto vinyl. Would sound good on record I reckon. You reckon? And I have a whole shelf full of peculiar synthesizer albums from the 60’s and 70’s that it would be an honour to mingle with.

But hey, thank you so much, everyone who showed up and watched the last video. For all the views and subscriptions and above all, the kind and encouraging comments. That was nuts. I didn’t know you lot were coming! Absoutely amazing and thank you sincerely again.

Oh, to wrap up, here the Odysseys are going balanced out into a Behringer ADA-8200 Interface, which is optically connected into the Adat In of my UAD Apollo. They get their 5 channels of Midi note on, note off information down USB from Ableton Live which is in turn recording the audio coming back. I added some Hall Reverb from Arturia’s LX-24 but nothing has been EQ’d. It’s all how it comes out of the lovely boxes. I did however have a Limiter on the main channel, to put a bit of a lid on some of the more feisty bits.

Toodles!"

OP-XY Meets Typhon: Synthetic Bloom | OMEGA dB

video upload by OMEGA dB

"In this synth jam, Synthetic Bloom comes to life through the Teenage Engineering OP-XY controlling the Dreadbox Typhon via MIDI, unlocking a world of connectivity and creative possibilities. The Typhon’s rich, melodic synth tones blend perfectly with the expressive control of the OP-XY, shaping an emotional and evolving electronic piece built around live improvisation.

Performed & produced by OMEGA dB."

Behringer Synth Family - "Inner Desert" (live)

video upload by LFOstore

"Aaaand - not only!

Also Akai,Eventide,Korg and others.

Wishing you great summer with bright colours & comfort studio moments!

Presenting a new jam in our new studio space - Orange Celtic Place.

'Inner Desert' is a cosmic & ethnic journey with vintage flavour & hypnotic patterns.
In the heart of performance - classic sequence made on Behringer Odyssey.

Korg Prophecy used to play ethnic solo woodwind - physical modeling adding a real magic here!

Composition played by Nick Klimenko
Video by Nick Klimenko

Instruments used:

Korg Prophecy (oriental solo)
Eventide H9 (main reverb)
Akai Miniak (drone)
Behringer Odyssey (main sequence)
Behringer Monopoly (layered sequence)
Behringer MS-1 (solo)
Shruthi XT & Ambika

You can find all this sounds on www.lfo.store

Enjoy & please support with your comments & feedbacks!

LFO Team"

Seinfeld Bass Battle

video upload by General Midi Guy ⚡

George is the only one that looks like himself, ableit with a mustache. Wouldn't mind hearing a New Order/Joy Division Bass Battle.

"Is the Seinfeld theme played by a Korg M1 or by the 360 Systems Midi Bass, lets find out :p both have been credited Seinfeld Bass on various Internet forums.

This test is not 100% as i dont have the same mixer, fx etc 🛸

https://www.vice.com/en/article/689n7...

https://www.rhythmicrobot.com/product..."

"Remember Seinfeld? Remember that poppin’ slap bass sound all over the show – in the titles, in the end credits, in every sting and transition? Well, this is the little box of tricks that made that sound. The 360 Systems MIDI Bass was an early sampled bass unit, later upgraded to a Pro version that rackmounted. It was a limited but (for its time) powerful-sounding machine that had swappable EPROMS to access additional sounds. We managed to score an original tabletop MIDI Bass plus a set of EPROMS covering a range of both classic and unusual sounds with a distinctly 80s vibe. There is, of course, ‘that’ Seinfeld Slap bass; but if you don’t fancy reliving the glory days of American comedy, there are seven other sounds to choose from – a great Fender Jazz bass, through a punchy 80s synth bass to a rather cool Stick bass (think Tony Levin playing Peter Gabriel’s live gigs and you’ve got it)… and more.

MIDI Bass hardware Kontakt instrumentThe MIDI Bass is a simple little device – MIDI notes go in, bass sounds come out – so we’ve kept things simple for our recreation, which just adds some useful compression and tube saturation controls and leaves the rest up to you and your funk."

https://www.rhythmicrobot.com/product...

Additional Seinfeld Bass posts

Torso S-4 POLY Engine: Turning Samples Into Synths (Torso Explorations Vol. 34)

video upload by Andre Bregegere

"In Volume 34 of my Torso Explorations series, we are diving deep into the POLY engine on the Torso Electronics S-4 sculpting sampler. While the S-4 is an incredible texture and ambient machine, the POLY engine transforms it into an expressive, 8-voice polyphonic synthesizer by arranging samples chromatically across the keys.

I walk you through how to configure and play the POLY engine using two external MIDI controllers: the Keith McMillen QuNexus keyboard for manual playing, and the Korg SQ-1 for sequencing.

The POLY engine gives you per-voice control over amplitude and filter envelopes, allowing you to sculpt raw samples into beautifully playable synth patches.

--

🎵 What's inside this video:

• Track 1: Demonstrating the core mechanics and envelope shaping of the POLY engine using a built-in stock sample.

• Track 2: A quick, live workflow showing how to sample an external acoustic instrument (my mandolin) using the S-4’s internal microphone and instantly flip it into a polyphonic synth patch.

This entire performance was recorded live in one take, with light mixing and mastering finished in Pro Tools. The video is fully annotated throughout so you can easily follow the exact parameters and routing I'm altering in real-time.

If you enjoy these deep dives into the S-4, please consider liking the video, subscribing to the channel, and leaving a comment with how you’re using your S-4!

--

00:00 - Intro
00:37 - Setting up a first POLY track
04:24 - Sending Audio from one track to another
06:12 - Quickly recording, trimming, and saving a new sample
07:05 - Using the new sample to create a second POLY track
08:34 - Let's add some drums?
09:03 - And let's play!"