Rob Papen DelGrain - Creative Granular Delay

video upload by Rob Papen

Press release follows:

Rob Papen announces availability of DelGrain as creative granular delay, extending effect plug-in product line with yet more out-of-the-box thinking

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of DelGrain — duly thinking out of the box to extend its effect plug-in product line as a creative granular delay featuring fanciful routings, a distortion feature, and FILTER, while also featuring the same DISRUPT spherical slider shared by its DelSane (stereo delay demonstrating ‘Dr. Jekyll and Mr. Hyde’ behaviour) and LowSane (‘lo-fi’ sound sculpting-specialising effect) software siblings, aimed at experimental artists, mixers, and producers — as of November 28…

It is fair to say that DelGrain has a lot in common with its DelSane software sibling, the main difference obviously being that — as its name implies — it offers a delay that plays back audio in a granular or grainy way. With that in mind, then, the granular change to the audio can be placed ahead of the delay, inside the delay, or parallel to the delay. But better still, the size of the ‘grains’ can be adjusted (GRAIN SIZE) — even in a tempo-based way, the length of the ‘grains’ (GRAIN LEN) can be be tempo-based as well, while the GRAIN SEMI tune feature has a 12-semitone range, both up and down; by being tempo-based, the granular delay itself is ideally suited to rhythmic usage on drums and percussion loops.

Reveals Rob Papen himself — both in his capacity as a virtual instrument and effect plug-in developer par excellence and also as his namesake company’s Managing Director: “DelGrain can produce some sweet-sounding delays with swirly granular sound, but its real power lies in its special sounds — not only on drums and percussion, but also on vocals, for instance. Its DISRUPT sphere with the tempo-based SPRING BACK feature allows you to change DelGrain’s parameters dynamically, and there is also a tempo-based LAZY MODE…” — meaning that the movement of that DISRUPT spherical slider can be automated in different directions, allowing users to also create new types of creative modulation sounds.

Speaking of creative sounds, Rob Papen saw fit to add a FILTER featuring a high-pass and low-pass combination, a band-pass filter, and a vocal/vowel filter that can be placed after the delay/granular combination at different spots. But before the audio even enters the granular delay, an added distortion module makes the sound options even more exciting.

Evidently excited by his namesake company’s latest creation, Rob Papen takes pride in rattling off several more exciting-sounding features that floats his creative boat by adding, “There is a self-explanatory DRY/WET MIX dial and an FX MIX dial that can mix between the ‘granular delay’ and ‘tape delay’ sounds — by the way, the ‘delay’ inside DelGrain is based on a tape delay algorithm; an AUDIO FOLLOWER input is available for side-chain control, and it can also be used to control the DISRUPT sphere; there are four different modulation slots for those who want to control DelGrain via MIDI; and last, but by no means least, DelGrain comes with the BANK MANAGER and many presets — perfect as a starting point.”

Put it this way: while it is understandable that some might take the idea of another delay plug-in promising to be different to so many others already out there with a GRAIN of salt — pun intended, it would be surely seriously remiss of Rob Papen not to assure them that DelGrain definitely delivers on that well-worn claim!

DelGrain is available — as a 64-bit AAX-, AU-, VST-, and VST3-compatible virtual instrument plug-in for Mac (OS X 10.15 or higher, ARM processor compatible) and as a 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an attractive price of only €35.00 EUR/$35.00 USD from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for that same price via its dedicated webpage, which also features more in-depth information, here: https://www.robpapen.com/DelGrain.html

DelGrain is included in eXplorer-10 (https://www.robpapen.com/explorer-10.html), the latest version of Rob Papen’s all-encompassing bundle, at no additional cost; existing owners only have to download the latest installer and run it to add WirePluck to their Rob Papen virtual instrument and effect plug-in collection.

Par - Sombra de alquitrán (c/ Pedro Dalton) (Official Video)

video upload by Par

Segundo single del nuevo disco de Par

► https://linktr.ee/parmusic

Par - Nuestro hogar (c/ Fenna Frei) (Official Video)

video upload by Par

New from supporting member, Par.

"Primer video del nuevo disco Balneario

Con: Sofía Rodríguez, Nazarena Porto, Maite Martínez y Martín Tenaglia

Dirección de Fotografía: Nacho Farías
Asistente de Cámara: Alexander Álvarez

Gaffer: Diego Esposito
Dron: Martín Cossani
Arte y vestuario: Lu Cossani, Nacho Adda
VFX: Nacho Adda

Producción: Casa de Electricidad

Asistente de producción: Martín Tenaglia
Dirección y Edición: Nacho Adda

Gracias a: Jorge Cossani, Comisión vecinal de La Aguada, Eduardo Adda, Natalia Duré

► https://linktr.ee/parmusic"

MOON Part 2 - Ambient Modular #19 // Subharmonicon, Rings, Take 5, Juno, Analog Four

video upload by David Falcon

"Parte dos de dos de esta mini serie. Misma secuencia en el @MoogSynthesizers Subharmonicon pero con un arreglo completamente diferente.
En este he añadido un par de elementos en post, ya que en la segunda parte necesitaba un pequeño empujón el tema. Para ello he usado el @SequentialLLC Take 5 y la emulación del Juno de @ArturiaOfficial .
Muy contento con el resultado.
Espero que esta comparativa os haya resultado interesante.

(eng)
Part two of two of this mini series. Same sequence in the Moog Subharmonicon but with a completely different arrangement.
In this I have added a couple of elements in the post, since in the second part the topic needed a little push. For this I have used Sequential Take 5 and Arturia's Juno emulation.
Very happy with the result.
I hope you found this comparison interesting."

Donner L1 Synthesizer Inside and Mods

video upload by Maffez Synthmods

"Some easy modifications (Filter FM, VCA boost) and a couple of inside pictures of the Donner L1 synthesizer module. You can see how the alfa par ICs are used for VCO, VCF and VCA, how the whole magnetic keyboard system is arranged and how the ADSRs are digital (not that they soudn any less funky!). All sounds in the demo are from a modified unit."

RIFT - Modular Percussion #10 // Arbhar, Prism, Subharmonicon, Mojave, Matriarch

video upload by David Falcon

"/rɪft/
noun
1. a crack, split, or break in something.
2. a serious break in friendly relations.
__________________________________________________________________________________________________
El objetivo de este tema era hacer un patch percusivo con el modular. En el Arbhar tengo un sample de estática de la radio que paso por el filtro del Qu-bit Prism. Con un sample and hold desde PAM's lo modulo rítmicamente creando el patrón rítmico más agudo.
Despuén en el Moog Subharmonicon tengo un patch de Bombo que paso a través del Qu-Bit Mojave, y así lograr unos golpes que recuerdan a toms haciendo el beat algo más complejo.

Esa capa base quedó grabada durante un par de semanas sin que tuviera opción de añadirle nada más e iba a subirla así, pero decidí crear una linea de bajo con el Analog Four, un arpegio y una textura con el OP-1 y por último un lead/textura con el Matriarch.

(eng)
The objective of this song was to make a percussive patch with the modular. In the Arbhar I have a sample of radio static that I pass through the Qu-bit Prism filter. With a sample and hold from PAM's I modulate it rhythmically creating the rhythmic pattern.
Later on the Moog Subharmonicon I made a Bass Drum patch that I pass through the Qu-Bit Mojave, and thus achieve some hits that are reminiscent of toms making the beat somewhat more complex.

That base layer was recorded for a couple of weeks without me having the chance to add anything else to it. I was going to upload it like this, but I decided to create a bass line with the Analog Four, an arpeggio and a texture with the OP-1 and finally a lead/texture with the Matriarch."

Sequential Circuits - Pro-8

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Sequential Pro-8 (Japon) restauré par nos soins (Vintage Synths & Co / Manfred Veber, 22 rue Milton , 75009 Paris France pour la vente."

CLICK FOR MORE »

Puce Muse, centre de création de musique visuelle | SynthFest 2025

video upload by SynthFest France

Click CC on the bottom of the player for subtitles.

"Serge de Laubier, Composition, chercheur et musicien et nous présente Puce Muse, le centre de création de musique visuelle, et partage pour la première fois au SynthFest, un performance à partir d'un instrument très singulier de sa conception.

Ne manquez pas les nombreux concerts de Puce Muse!

https://www.pucemuse.com/
https://www.pucemuse.com/serge-de-lau..."

Googlish:

"Serge de Laubier, composer, researcher, and musician, presents Puce Muse, the visual music creation center, and shares, for the first time at SynthFest, a performance using a very unique instrument of his own design.

Don't miss Puce Muse's many concerts!

https://www.pucemuse.com/
https://www.pucemuse.com/serge-de-lau..."

PUCE MUSE : Méta-Instrument N°4

video upload by PUCE MUSE

"Developed by PUCE MUSE in collaboration with Catherine Hospitel, Dominique Brégeard and Jérémie Gaston-Raoul, the Meta-Instrument 4 is entirely made by 3D printer.

The result of 5 years of development, the Meta-Instrument 4 embeds 92 high precision sensors and 13 dedicated processors. In particular, ten on-board Meta-Touches measure finger pressure and playing speed with great sensitivity: 3000 times per second on 80 pressure zones. The MI4 is a new generation of digital instrument, fully modular and customizable to allow a new form of virtuosity.

//////////////////////////

Fruit de 5 ans de développements, le Méta-Instrument N°4 embarque 92 capteurs de grandes précisions et 13 processeurs dédiés. En particulier, dix Méta-Touch embarqués mesurent la pression des doigts et la vitesse de jeux avec une grande sensibilité : 3000 fois par seconde sur 80 zones de pression. Le MI4 est une nouvelle génération d’instrument numérique entièrement modulaire et personalisable pour permettre une forme de virtuosité inédite."

Yamaha Montage M & Genos 2 | SynthFest 2025

video upload by SynthFest France

Click CC on the bottom of the player for subtitles.

"La nouvelle série Montage M de Yamaha repousse encore plus loin les limites. Les synthèses FM-X et AWM2 se voient complétées par un moteur de synthèse complet AN-X, simulant les circuits analogiques et reproduisant leurs imperfections si musicales. Des écrans contextuels apparaissent à gauche du panneau, et le M8X signe le grand retour chez Yamaha du Polyphonic Aftertouch, longtemps après le CS80. Des commandes supplémentaires et une librairie sonores étendues en font un clavier ultime."

Googlish:

"Yamaha's new Montage M series pushes the boundaries even further. FM-X and AWM2 synthesis are complemented by a full-featured AN-X synthesis engine, simulating analog circuits and reproducing their musical imperfections. Contextual displays appear on the left side of the panel, and the M8X marks Yamaha's return to Polyphonic Aftertouch, long after the CS80. Additional controls and an extensive sound library make this the ultimate keyboard."

Update:

Yamaha Genos 2 | SynthFest 2025

video upload by SynthFest France

"Cyril Colom vous présente le Genos 2, l'arrangeur à la pointe de la technologie de Yamaha, issue d'une longue tradition de la marque.

Si vous pensez savoir à quoi vous attendre avec une démo d'arrangeur, vous risquez d'être surpris, avec la performance époustouflante de Richard Vecchi!"

Googlish:

"Cyril Colom presents the Genos 2, Yamaha's state-of-the-art arranger, a product of the brand's long-standing tradition.

If you think you know what to expect from an arranger demo, you might be surprised by Richard Vecchi's breathtaking performance!"

Kodamo Essence FM Mk2 & Mask 1 | SynthFest 2025

video upload by SynthFest France

Click CC in the bottom of the player for subtitles.

"Masami Komuro présente les 2 synthétiseurs de Kodamo:

l'Essence FM Mk2, un puissant synthé FM 6 opérateurs, 300 voix de polyphonie et multitimbral 16 parts, doté d'une interface tactile super réactive, permettant d'agence les opérateurs FM par glisser/déposer, dessiner ses enveloppes, etc...en offrant des affichages dynamiques. Jamais la FM n'a été aussi simple à programmer.

Le Mask 1 est un synthétiseur numérique haut de gamme doté d'un nouveau moteur de synthèse BitMask. Polyphonique 12 voix et multitimbral 4 parts, avec un filtre multimode, il est doté d'un excellent clavier Fatar, d'effet, d'un arpégiateur et d'un looper."

Googlish:

"Masami Komuro presents Kodamo's two synthesizers:

The Essence FM Mk2, a powerful 6-operator, 300-voice polyphonic, 16-part multitimbral FM synth with a super-responsive touchscreen interface that lets you drag and drop FM operators, draw envelopes, and more, while offering dynamic displays. FM has never been easier to program.

The Mask 1 is a high-end digital synthesizer featuring a new BitMask synthesis engine. Featuring 12-voice polyphonic and 4-part multitimbral, with a multimode filter, it features an excellent Fatar keyboard, effects, an arpeggiator, and a looper."

Korg Kronos 3 (Michel Deuchst & Francis Rimbert) | SynthFest 2025

video upload by SynthFest France

Click CC on the bottom of the player for subtitles.

"Michel Deuchst présente le nouveau Kronos 3, qui fait son grand retour après quelques années d'absence du Kronos. Plus rapide, avec des nouveaux sons, nous retrouvons le vaisseau amiral de Korg et ses 9 moteurs de synthèse. Michel est rejoint sur scène par Francis Rimbert pour un duo Kronos / Nautilus: 2 démonstrateurs de légende réunis sur la grande scène du SynthFest!"

Googlish:

"Michel Deuchst presents the new Kronos 3, which makes its grand return after a few years of absence from the Kronos. Faster, with new sounds, we rediscover Korg's flagship and its 9 synthesis engines. Michel is joined on stage by Francis Rimbert for a Kronos / Nautilus duet: two legendary demonstrators reunited on the main stage of SynthFest!"

SynthR10, 10 voix de chaleur analogique | SynthFest 2025

video upload by SynthFest France

Click CC on the bottom of the player for subtitles.

"Remy Wasselin revient avec le SynthR10, un polyphonique analogique 10 voix, multitimbral 2 parts. Une re-création des grands classiques de la synthèse analogique, brillamment mise en valeur par le talentueux Jean-Luc Briançon."

Googlish:

"Remy Wasselin returns with the SynthR10, a 10-voice, 2-part multitimbral analog polyphonic synth. A recreation of the great classics of analog synthesis, brilliantly showcased by the talented Jean-Luc Briançon."

Heritage Modular: un modulaire polyphonique à mémoires (Feat.Olivier Delevingne)

video upload by SynthFest France

Click CC at the bottom of the player for sub titles.

"Frédéric poursuite sa formidable aventure avec son concept unique: un synthétiseur modulaire polyphonique à mémoires fonctionnant sous Pure Data.

Projet DIY pas encore commercialisé, Frédéric est encouragé par la communauté du SynthFest pour industrialiser son concept et, espérons-le, le commercialiser à terme.

Il est rejoint en fin de démo par Olivier Delevingne, compositeur/performer pour une démo finale à 4 mains!

https://www.heritagesynthesizers.fr/"

Googlish:

"Frédéric continues his incredible adventure with his unique concept: a modular polyphonic synthesizer with memories running on Pure Data.

A DIY project not yet commercialized, Frédéric is encouraged by the SynthFest community to industrialize his concept and, hopefully, eventually commercialize it.

He is joined at the end of the demo by Olivier Delevingne, composer/performer, for a final four-handed demo!

https://www.heritagesynthesizers.fr/"

Présentation du SynthR10 au SynthFest 2025

video upload by oZoe_fr

"Présentation, exhibition, par Jean Luc Briançon du SynthR10 de Rémy Wasselin sur la scène du SyntFest 2025 à Nantes. Il s'agit d'un synthétiqeur polyphonique 10 voies entièrement analogique. oZoe.fr à réalisé le logiciel de controle."

Googlish:

"Presentation and exhibition by Jean-Luc Briançon of Rémy Wasselin's SynthR10 on stage at SyntFest 2025 in Nantes. This is a fully analog, 10-channel polyphonic synthesizer. oZoe.fr developed the control software."

Oberheim Matrix-12 // Restored by VSC

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Oberheim Matrix-12 (USA) restauré par nos soins (Vintage Synths & Co / Manfred Veber, 22 rue Milton , 75009 Paris France pour la vente."

CLICK FOR MORE »

NRSynth's SEM Module - The "Solo": An "Extended" Version of the SEM

video uploads by Séraphin PALMERI

Playlist:

1. "Pink Floyd On The Run" Module SEM NRSynth

"On The Run" de Pink Floyd avec un clone amélioré du module SEM d'Oberheim, fabriqué par NRSynth, une lutherie éléctronique made in France #pinkfloyd #ontherun #oberheim #sem #NrSynth

2. Tangerine Dream Intro "Ricochet Part 1"

Le module SEM de NRSynth est vraiment parfait pour reproduire l’intro de « Ricochet Part 1 » de Tangerine Dream. https://nrsynth.fr

3. Module SEM NrSynth Démo 1

00:00 Midnight Express
00:57 Star Cycle
01:41 Dervish D.
02:06 Stranger Things
02:44 Il était une fois le Prophet

4. Module SEM NRSynth Démo 2

00:00 Basse 1
00:13 Basse 2
00:26 Fun For Me
00:38 ABACAB
00:54 Welcome To The Machine
01:24 Caverne
02:33 Tange FX
02:49 Chinox
03:04 Percox

5. Tangerine Dream « Monolight (Part 2) » With the Sequential Prophet 6 & Korg Kronos



Details via NRSynth (Google translated)

Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.

NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.

A patchbook of all Séraphin Palmeri's sounds is included with the device.

Specifications:

VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm

Price: €1,390

SYNTHR10 : Architecture Sonore basique : demo succincte n° 3/4 :

video upload by KurtzMindfields

All parts here. Click CC in the bottom player controls for subtitles.

"Petite démonstration rapide de la fabrication d'un patch à partir de zéro.
par exemple un "pad" avec les 2 filtres :
Mélange des formes d'ondes
VCO1 et sub sur filtre1
VCO2 sur filtre2 en mode LP (low pass), 24db/octave (moins conseillé en polyphonie, lol)
Travail d'enveloppe
Ajout effets internes (crées par Yves Usson)
Modulation par les 2 LFOs."

SYNTHR10 is back !!! SynthR10 "March" demo n°1/4.

video upload by KurtzMindfields

"1st test of the new version of the SynthR10 : A performance combining left-hand arpeggiator (mode created) and right-hand polysynths, with aftertouch (monophonic with this keyboard). The effects are internal, made by Yves Usson.

Live performance.
See you at the Synthfest 2025 !

Creator links :
https://synthr.fr/
https://ozoe.fr/
http://home.yusynth.net/"

SYNTHR10 : Architecture & sons demo n° 2/4 :

video upload by KurtzMindfields

"Une fois n'est pas coutume, un petit speech sur le SynthR10 et son architecture basique sonore. (pour ceux qui ne seront pas au Synthfest)
Le SynthR10 est un polyphonique analogique 10 voies (2 cartes de 5 voies chacune, appelé A et B).
Chaque voie = 2 VCOs + 1 sub, 2 VCFs, 1 VCA, 2 LFOs analogiques et enveloppes commandés en tension.
Mode polyphonique : lecture des patchs avec panneau actif, pas de sauvegarde.(genre preset)
Mode "Load" (user) : on charge les patchs pour enregistrer les modifications
Mode Performance : 2 patchs en split ou layer (5 voies chaque), Arpeggiateur + synthé, Sequence + Synthé.
Il y a aussi un petit sequenceur looper intuitif ....
Mode unisson : mode monophonique jusqu’à 10 VCOs sur une note.
Liens des concepteurs :
https://synthr.fr/
https://ozoe.fr/"

SYNTHR10 : Architecture Sonore basique : demo succincte n° 3/4 :

video upload by KurtzMindfields

"Petite démonstration rapide de la fabrication d'un patch à partir de zéro.
par exemple un "pad" avec les 2 filtres :
Mélange des formes d'ondes
VCO1 et sub sur filtre1
VCO2 sur filtre2 en mode LP (low pass), 24db/octave (moins conseillé en polyphonie, lol)
Travail d'enveloppe
Ajout effets internes (crées par Yves Usson)
Modulation par les 2 LFOs."

SYNTHR10 Goes to Berlin School jam ! Demo 4/4

video upload by KurtzMindfields

"For this final demo, I'm using only the SynthR10 in two live sessions:
1 - Left-hand sequencer / / Right-hand melodies and effects
2 - Xpad polyphonic pad accompagment.
All reverb and delay effects are internal.

https://synthr.fr/
https://ozoe.fr/
https://kurtzmindfields.bandcamp.com/"

Details on XILS-lab's The Eighty

You might remember the teaser video and announcement video.

The press release with additional details follows:

XILS-lab launches The Eighty as virtual Vangelis soundalike homage to iconic Seventies synth classic, faithful to the original and enhanced for the future

GRENOBLE, FRANCE: XILS-lab is proud to launch The Eighty — effectively acting as a virtual Vangelis soundalike homage to an iconic Seventies-vintage synth classic that the Academy Award-winning Greek musician, composer, and producer of electronic, progressive, ambient, and classical orchestral music made into his signature sound, thanks to its exceptionally complete performer expression features (such as a layered keyboard that was both velocity- and pressure-sensitive in action, albeit, unlike most keyboards of the time, that aftertouch could be applied to individual voices, and a ribbon controller allowing for polyphonic pitch- bends and glissandos), faithful to the original and enhanced for the future as the latest entry into the audio software company’s lengthening lineup of virtual instruments par excellence — as of January 14…

It is fair to say that Bladerunner — the now-classic Ridley Scott-directed sci-fi film from 1982 set in a dystopian future Los Angeles of 2019 — is, for many, inextricably linked with Vangelis’ BAFTA- and Golden Globe-nominated score, showcasing his superlative skills with that iconic Seventies-vintage synth classic that was arguably as ahead of its time as that trailblazing score to which its sound subsequently became inextricably linked in itself. Much missed, Vangelis left this mortal coil in 2022, sadly, while the relatively few remaining fully operational examples of Yamaha’s CS-80 synth — supporting true eight-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers — that musically meant so much to him are highly coveted by high-flying collectors, commanding eye-watering prices extending into high five-figure territory, putting them well beyond the reach of mere musical mortals... not that many could comfortably carry one anyway as they weigh in at a back-breaking 100kg/220lbs (including built-in hard case), regardless of how deep their pockets may well be!

CLICK FOR MORE »

Akai MPC 3 : le MIXER aka la table de mixage

video upload by Audiorial

Click CC in the bottom player controls for subtitles.

"Salut, dans cette vidéo, nous allons voir dans le détail chacun des écrans dédiés au mixage. Cependant nous n’allons pas rentrer dans le détail des effets orientés mixage, ce n’est pas le but, ici il s’agit de maîtriser les différentes interfaces de mixage proposées par les MPC.
Ainsi, à la fin de ce module, vous aurez toutes les clés pour utiliser votre MPC pour la phase de mixage de vos composition.

Tuto sampling complet : https://payhip.com/b/PO0fq

https://payhip.com/Audiorial"