Introducing SQUID-3 by Acustica Audio

video uploads by Acustica Audio

Playlist:

1. SQUID-3 - You don’t need make-up when the sound is this good.
2. SQUID-3 Explained | Complete Walkthrough

Quick No-Talk Synth Demo

video upload by Autodafe

"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.

In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.

If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."

SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.

This isn’t a vintage emulation, or a collection of pretty presets under reverb.

SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.

SQUID-3 is not another virtual synth.

It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.

SQUID-3 is available in two separate editions:

• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.

• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"

You can find additional details at https://www.acustica-audio.com/shop/products/SQUID3

Toto’s Steve Porcaro Shows How He Created the Synth Sounds on Africa, Human Nature, Rosanna, ...

video upload by Anthony Marinelli Music

"In this monumental video, I’m sitting down in Steve Porcaro’s studio for a rare, up-close demonstartions at how one of the true synth legends created some of the most iconic sounds in music history.

What makes this so special is that Steve takes us step by step through the exact synthesizer techniques he used on massive hit records — including Michael Jackson’s 'Human Nature,' Toto’s 'Africa' and 'Rosanna,' as well as classic tracks for Hall & Oates, Don Henley, Donna Summer, and more. He also recreates these sounds on the same model vintage synthesizers he used on the original recordings.

As we dig in, Steve shares his personal approach to synthesis, how he builds multi-dimensional sounds, thinks about atmosphere and texture, and shapes parts so they serve the song emotionally, not just sonically. He also reveals how he writes out synthesizer parts on score paper, treating synths like orchestral instruments and arranging them with real intention.

This isn’t a preset rundown or surface-level demo. It’s a candid, in-studio conversation about process, musical thinking, with hands-on demonstrations from someone who helped define the sound of an era. If you’ve ever wondered how these legendary synth parts were truly made, now you can get it straight from the source, this is a moment you don’t want to miss!"

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

CLICK FOR MORE »

Moog Sound Studio 3 Mother-32 / DFAM / Subharmonicon w/ Original Box & Materials

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Mother-32 SN 35763
DFAM SN 26738
Subharmonicon SN 14722
4-Channel Summing Mixer SN 4245

"This bundle of three of Moog's semi-modular synths, DFAM (Drummer From Another Mother), MOTHER32, SUBHARMONICON was specially packaged by the company as a great starter for beginners and professional musicians wanting to get into the modular synth world. This set is beautifully boxed, and shows the love that Moog puts into its products. I have used the synths, but never used or pinned up the posters, sticker or cut outs. They are all untouched. I did play with the patch exploration cards that helped me to learn modular patching to a better extent (Still a full deck).

Moog has discontinued this package, much to the disappointment of many Moog fans. You can still buy the modules separately, but without all the extras that make this set so much fun.

CONTENTS: Moog Sound Studio’s full bundle comes with a three tiered rack with a cable rack that can be attached to store patch cables, custom dust cover, audio mixer, patch book and cables. Other items in the package contain a synth exploration card game and custom artwork by Moog, a Moog screwdriver and Moog pouch for the cables, MIDI patch cable to patch to outboard midi keyboards. I'm adding extra patch cables that weren't in the original purchase" + "'skins' or layovers mimicking the original Moog Matriarch colors which I'm including in the package."

CLICK FOR MORE »

Intellijel 7U Performance Case Gen-2 | New Features Overview

video upload by Intellijel

"The second generation of our flagship 104HP x 7U Performance Case.

Upgrades and new features:

• Upgraded Power Supply with 34 x Headers and lower noise
• 8 x 1/4" TRS jack sockets for inputs and outputs
• Complete MIDI I/O with USB-C
• New Locking Cover design
• New Built-in Stand design
• VESA Mount Compatible
• Joiner Plate Compatible - stack your cases!

Available in both Silver and Black."

"Have modular. Will travel.

Studio, cafe, stage, floor, coffee table—the 7U Performance case doesn't care where you play with it. Two 3U rows house and power all the modules you love (or one day hope to love), while the additional 1U row accommodates an extensive selection of specialized utility modules. Power, audio and MIDI/USB jacks on the back handle all the necessary inputs and outputs, ensuring all that rack space remains free for the "fun" modules. The lid has enough clearance to keep your system patched in transit, and two cases can be stacked with a set of joiners."

Roland Chorus Space Echo RE-501 test with Sequential OB-6 [NO TALKING] [with explanatory subs]

video upload by Freedom of Movement

"Roland Chorus Space Echo RE-501 test with Sequential OB-6

🟢 TURN ON CC FOR SUBTITLES EXPLAINING WHAT I'M DOING IN THE VIDEO 🟢

I picked up this RE-501 yesterday and was disappointed when I got it to the studio & turned it on as the tape echo wasn’t really working properly. The tape was jamming & squeaky & there was tons of wow & flutter & distortion - not in a good way either

But! After a thorough clean of the rollers & heads and letting the motor run for a bit it now sounds like this!

Pretty, pretty good

I’m using both A & B outputs so the chorus, delay & reverb are stereo panned. It’ll sound a bit weird in headphones but on speakers it sounds awesome

Gotta say that the 501 sounds vastly superior to the 301 I had until recently. The reverb especially is a marked improvement but in general - aside from the styling perhaps - it’s a step up

I still think the unit needs a proper service: new felts, a new pinch roller … maybe even a new motor … and new tape of course

But for now it’s got just a nice amount of wow & flutter and noise. Sounds good right?

The sequence is coming from the Sequential OB-6. Starts off plain then I introduce some time-synced LFO; bandpass filter, sample & hold/random, clocked to 8th notes"

This Analog Synth Will Blow Your Mind – Introducing the Behringer BDS-3!

video upload by Behringer

It looks like the SDS-3 is now the BDS-3?

"Discover the Behringer BDS-3, the analog synth that rewrites the rules of drum machines!
With powerful sounds and full control, the BDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.

From the raw energy of analog drums to more experimental sounds, the BDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.

Watch this video for an engaging performance and see how the Behringer BDS-3 can transform your sound!"

ARTURIA Introduces AstroLab 37 | Avant-garde stage keyboard

video uploads by Arturia

Check with dealers on the right for availability and pricing.

"Imagine a compact keyboard uniting the most iconic sounds in a single instrument. Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be, combining an unrivalled sound palette, intuitive controls, and a seamless studio-to-stage workflow – play and create beyond limits."

Playlist:

1. AstroLab 37 | Avant-garde stage keyboard | ARTURIA
2. Overview | AstroLab 37
3. Is the Arturia AstroLab 37 the Best Compact Stage Keyboard? - Reverb (available here)
4. Arturia Astrolab 37 vs 61/88 // and a cheat to give it more hands-on control // Review, tutorial - loopop
5. Arturia AstroLab 37 Review – After 6 Weeks of Real Use - Sineway
6. Arturia Astrolab 37 Review - Molten Music Technology
7. Is this the Ultimate Portable Performance Synth? Arturia AstroLab 37 Review & Demo - Starsky Carr

"Arturia releases AstroLab 37, a compact stage keyboard that brings the full power of the AstroLab ecosystem into a portable, performance-ready format.

Completing the AstroLab line-up, it delivers the same deep sound engines, streamlined workflow, and studio-to-stage continuity as the 61- and 88-key models - now in a 37-key, road-ready design that makes it the ultimate creative companion on the move.

_Ignite your inspiration
Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be. Combining an unrivalled sound palette with intuitive controls and a seamless studio-to-stage experience - perform with confidence and limitless sonic freedom.

Featuring a 37-key slim keybed with aftertouch, a vocoder, and powerful creative tools, turn any idea into fast-moving solos, dynamic leads, and unforgettable hooks."



AstroLab 37 packs the power of the AstroLab range into a compact format.

Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be. Combining an unrivaled sound palette with intuitive controls and a seamless studio-to-stage experience, it empowers musicians to perform with confidence and limitless sonic freedom.

Built on 25 years of innovation, it frees keyboardists from constraints with 11 advanced sound engines, seamless workflow, and a playing experience that’s intuitive, expressive, and fearless.

This isn’t just a new keyboard. It’s a new era.

Ignite your inspiration.

Instantly access a universe of reference synths, classic keyboards, acoustic instruments, and cinematic hybrids - all deeply customizable via onboard controls. The 37 slim-key slim keyboard with aftertouch, vocoder, and performance modes turns ideas into fast-moving solos, dynamic leads, and unforgettable hooks.

Own the stage.

Purpose-built for live: rugged, responsive, and completely standalone. Power up, pick a sound, shape it in real-time and deliver pure musical expression wherever you play - ultra-low latency.

Compact by design.

From studios and stages to bedrooms and DJ booths, AstroLab 37 adapts to every space. Road-ready construction, expressive keys, and instant sound recall make it the ultimate creative companion on the move.

Made to explore.

Edit your presets on-the-fly or dive deeper with Analog Lab on desktop or AstroLab Connect on mobile. Seamlessly transition between studio and stage and let your creativity flow uninterrupted, exactly the way you want it.

AstroLab 37 is a versatile, lightweight companion for musicians who move between studio, stage, and multi-instrument setups — ideal as a second keyboard for band members, a flexible live instrument, or a portable tool for producers on the go.

● 44 instruments, 11 sound engines, 1.800+ presets
● 37 slim keys with aftertouch
● 10 instant-access preset buttons
● 4 macro knobs with LED feedback
● 4 FX knobs, including dedicated Delay & Reverb
● Vocoder-ready mono input
● Color screen + navigation encoder for fast browsing
● Software ecosystem: Analog Lab Pro + AstroLab Connect
● Extensive connectivity: MIDI I/O, USB-C, USB-A host, balanced
mono I/O, mic input, Bluetooth audio, WiFi, pedal input

CLICK FOR MORE »

A musical journey with the Erae - no talking

video upload by embodme

"Experience a 3-minute musical journey crafted entirely on the Erae — our ultra-expressive MPE controller designed for pure performance and limitless creativity.

The Erae is a next-generation playing surface that responds to every nuance of your touch. With hundreds of ultra-sensitive pads, multi-gesture control, and full MPE capability, it empowers musicians to shape sound with unprecedented precision and emotion. Whether on stage or in the studio, the Erae becomes an extension of your musical intuition.

Pure performance. Pure expression.
This piece showcases the Erae’s dynamic range, tactile depth, and immersive playability.

🎵 Music by: Erae Jovion

If you enjoyed this performance, don’t forget to like, comment, and subscribe for more expressive music and behind-the-scenes Erae content."

Check with dealers on the right for pricing and availability.

Waldorf Microwave ~ The German Sound Cooking Studio ~

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

When I started making music about 30 years ago, I didn't have any space in my old apartment, so I only bought space-saving rack synthesizers. One of the first devices I bought back then was the Waldorf Microwave. Here's a little demo track with self programmed sounds I made back then. I've never released it before."

Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/

VOID9 MÕNAI

via VOID9

"MÕNAI is a standalone portable multitimbral synthesizer that goes wherever your creativity takes you. The integrated battery eliminates the need for power outlets, while the compact form factor fits comfortably in a backpack. Whether you’re sketching ideas on location or performing on stage, MÕNAI delivers comprehensive synthesis capabilities without compromise.

Planned beta version release: Summer 2026

Every control on MÕNAI is positioned for intuitive access. The 8 endless encoders provide tactile feedback without physical limits, letting you sweep through parameters naturally. Touch-sensitive strips respond to the subtlest gestures – the left strip dedicated to modulation, the right offering multi-touch control across 20cm of expressive surface. The 2-axis joystick adds another dimension of real-time control.

MÕNAI integrates seamlessly into existing setups. USB Host port accepts MIDI controllers, expanding your playing surface. Standard MIDI I/O connects to legacy gear. Four CV outputs – pitch, modulation, velocity, and gate – bridge the gap to modular systems. Line-level audio input lets you process external sources through MÕNAI’s effects. This isn’t an isolated instrument; it’s a hub that enhances your existing workflow.

A Tool for Sonic Exploration
MÕNAI encourages experimentation. The two built-in microphones capture audio for immediate processing or sampling. The pedal input adds hands-free control. The combination of traditional keyboard layout and function keys provides both familiar territory and new possibilities. This is an instrument that rewards curiosity – the more you explore, the more it reveals.

The CNC-machined aluminum enclosure isn’t just aesthetically refined – it’s engineered for durability. Sandblasted and anodized in matte black, the body resists wear while maintaining a professional appearance. The integrated battery means you’re not tethered to power outlets. Whether you’re sketching ideas on a train, performing in a park, or working in a studio without available outlets, MÕNAI adapts to your environment rather than constraining it.

The workflow is immediate. Controls are positioned for intuitive access, with visual feedback from 109 LEDs across the interface. The high-resolution display renders waveforms and parameters clearly. Multiple synthesis engines can run simultaneously, each with dedicated effects and modulation routing. Sequencers maintains precise timing whether you’re working with internal sounds or triggering external gear."

User Interface
52 keys
29 piano keyboard layout keys (2 octaves and 1/3)
23 function keys
8 endless potentiometers
2 touch-sensitive strips
Modulation (left, 8cm)
Multi-function (right, 20cm)
2-axis joystick for expression parameter control
6-axis motion sensor
Volume control knob with audio level indicator strip (stereo)
High-resolution 3.1″ LCD screen
Total of 109 LEDs: 88 RGB and 21 single-color LEDs
2 microphones for audio recording
1 USB port for battery charging and computer connection
1 USB Host port for device connection (e.g., MIDI keyboard)
Line-level audio input
2 x audio outputs
3.5mm TRS MIDI input and output
Pedal input
Sync out / in
CV outputs
CV Pitch
CV Modulation
CV Velocity
CV Gate
Dimensions: 36.5 x 12.3 x 18.7 cm

Reminder: Minimoog Prototype Exhibit, Erik Norlander Keyboard Sale Price Drop, Mini Minimoogs & More

via The Bob Moog Foundation

Minimoog Prototype Exhibit At the Moogseum This Weekend Only!

The anticipation is almost over! We are thrilled to be hosting the Minimoog Prototype Exhibit at the Moogseum, this weekend only, in partnership with the Museum of Music Technology (MMT). The exhibit will feature four ultra rare Minimoog prototypes from 1969, 1970, and 1971, as well as a host of related artifacts from the Bob Moog Foundation Archives.

We are honored to have JoE Silva, author of The Minimoog Book: The Synthesizer That Changed Music Forever: Sounds, Stories, and Technology join us throughout the weekend of the exhibit. He'll be on hand to delve into the history of the Minimoog with exhibit attendees and sign books in the Moogseum store.

We're excited to share a new addition to the exhibit. MMT will be bringing Minimoog serial number 1016 (the sixteenth Minimoog ever produced out of 12,269 units), which was purchased in 1971 by none other than David VanKoevering, the marketing genius behind the early Minimoog sales. David's Minimoog will be available for exhibit attendees to play and explore. Come get you hands on this incredible piece of synthesizer history!

Finally, be sure to take advantage of the morning tours with our executive director, Michelle Moog-Koussa. Michelle will be delving into Minimoog history as it is conveyed through the main gallery of the Moogseum. She doesn't give tours often, so take advantage of this opportunity. The tours are available for a small fee for any exhibit attendee.

CLICK FOR MORE »

Synesthesia Corp Pipes MK1 Desktop Sound Module SN 83/300

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Pipes.Rocks - 7 years ago

Spotted this one via the Perfect Circuit listing below. Note the video above is from 7 years ago and the videos below from roughly 6 years ago. I'm not finding any newer demos. The last update on their Kickstarter campaignwas from 3 years ago. Curious what ever happened to it. If you know, feel free to comment.

"Pipes is a new audio platform which out-horsepowers a laptop, outperforms any sample player, and is built to get even better over time.

Imagine the audio quality of a high-end audio interface combined with the fastest and most powerful sampler engine ever created. That’s Pipes in a nutshell, but it’s only the beginning.

Based on groundbreaking core technology, Pipes is a new category of machine for creating music and performing live. It has the convenience of a touchscreen tablet style interface, the flexibility of an open source software platform, and the durability for going onstage night after night. Best of all, it’s priced at half the cost of the latest smartphones and updates are free forever!"

Pipes gets bent! Behind the scenes at the manufacturing line.
video upload by Pipes.Rocks - 6 years ago

"Heavy metal being bent into its final form right here in America. While Pipes is a device we haven't seen before, there's still plenty of classic, tried and true ways to build an enclosure right. Take a look behind the scenes as the crew takes the pre-drilled flats and score/bend to create the enclosure. Not pictured is the second piece which comprises the bottom and left+right sides.

When we dreamed up Pipes, we knew that it had to be able to withstand the rigors of touring. While some people may only use Pipes in the studio, many of you will travel with it. We focused on an outcome that prioritized durability, that ensured proper ventilation, and that had enough weight and substance for withstanding exuberant live performances. That said, it's still a computing device, so definitely try to avoid dropping it or getting it wet!"

via this listing

Additional Perfect Circuit listings

"Includes power supply

Founder edition"

CLICK FOR MORE »

Hello Drummertime - Tubbutec

video upload by Stazma and Tubbutec

"This was the very first patch I did when I got the Drummertime in the studio (30 minutes ago hahaha). I just played around and that's the result. Bass triggered by the accent, drums from the amazing 6mod6 also by @tubbutec and @lpzwmodules

You can connect these two with special cable on the back so you don't have to use patch chords but well I was in a hurry and wanted to jam ;-)

More infos about the Drummertime & Tubbutec here: https://tubbutec.de/drummertime/

Have fun!!!!"

"Tubbutec Drummertime is a TR-x0x-inspired step sequencer for drums.
It is available in different Eurorack form factors, features large, tactile buttons, and has many powerful features.

Drummertime is optimized for live performance and allows quick programming and editing of drum patterns.

Big sibling of 6equencer."

05.17.2025 Purcell for fun - First test with MDI and a few synths

video upload by batchas

"Video recording that I hadn't published from the first draft with the Minimoog and Juno 60, which I finally finished repairing. I'm so happy that everything is working again. I had already installed MIDI on the Minimoog, and I just installed it on the Juno 60 as well, since I reinstalled MIDI in the studio after a loooong hiatus. The 2500 is also MIDI-enabled with the addition of a clock division and MIDI-to-CV module in the matrix.
The track is far from finished! I had gotten used to the modular, where I turn it on, patch/play, and record. Now, of course, it's going to take more preparation to achieve what I have in mind.
To be continued...

En français : enregistrement vidéo que je n'avais pas publié du premier jet avec les Minimoog et Juno 60 que j'ai enfin fini de réparer. Trop content que tout remarche. J'avais déjà installé le MIDI sur le Minimoog et je viens de l'installer sur le Juno 60 aussi, vu que j'ai réinstallé le MIDI dans le studio après de loooongues années de pause. Le 2500 est aussi midifié avec le rajout dans la matrice d'un module clock division et MIDI-to-CV.
Le track est loin d'être fini ! Je m'étais habitué au modulaire ou j'allume, je patche/joue, j'enregistre. Là cela va évidemment demander quand même plus de préparation pour parvenir à ce que j'ai en tête.
À suivre..."

This Analog Synth Will Blow Your Mind – Introducing the Behringer SDS-3!

video upload by Behringer

Follow-up to this post.

"Discover the Behringer SDS-3, the analog synth that rewrites the rules of drum machines! With powerful sounds and full control, the SDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.

From the raw energy of analog drums to more experimental sounds, the SDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.

Watch this video for an engaging performance and see how the Behringer SDS-3 can transform your sound!"

Sequenced with the Behringer RS-9.

Stylophone CPM DF-8 - What is a "Dynamic Multi-Filter" anyway?

video upload by Oscillator Sink

"The Stylophone CPM DF-8 is the follow up to the well received (and for good reason!) DS-2 drone synth. Rather than being a synth first, the DF-8 is a dual/stereo filter at heart, but it has a good few tricks up its sleeve that might elevate it from being 'just a filter'.

The DF-8 will be released 20th November 2025 and the RRP is: £229 | €269 | $299

Transparency notice: I was sent the DF-8 prototype as a beta-tester, and was allowed to keep the unit to make videos about it. I wasn't otherwise paid, and Dubreq have had no editorial oversight on this video.

Chapters
00:00 Intro
01:19 Feature overview
06:03 Filter mode demo and comparison
14:46 DF-8 as an instrument (+ testing filter tracking)
18:13 The VCA and envelopes.
20:19 Audio Envelope Triggers (compression and transient shaping)
26:57 Building a Stereo Filter patch
37:59 Summing Up"

This Makes Anything Sound Amazing// Stylophone DF-8 Filter / Mutator and then some... Filter Demo

video upload by Starsky Carr

"Ever wondered what happens when Stylophone — the quirky British maker of those pocket synths from the ‘60s — decides to build a serious analogue filter with the remake of the classic Mutronics Mutator filter chip and the screaming madman from the *Stylophone GenR8*? Meet the *Stylophone CPM DF-8*, a gritty, super flexible and occasionally unpredictable beast that turns any signal into pure lo-fi magic.

THE STYLOPHONE CPM DF-8 ANALOG DYNAMIC MULTI-FILTER
RELEASE DATE: 20TH NOV '25
PRICE: £229 | €269 | $299

In this video, I dive into the DF-8 showing how it reacts to drums, synths, and even full mixes. Expect sweeps, growls, distortion, and plenty of Character. This isn’t your average boutique filter — it’s dirty, chaotic, and full of charm.

You’ll hear:

The raw filter tone and resonance range
How it shapes synths and drum machines
Drive, envelope and modulation tricks
Whether it’s worth adding to your studio or live setup

If you love sound design, modular gear, or just discovering weird musical devices, this one’s for you."

Additional Stylophone CPM DF-8 posts

Harmonium VST FREE With Crow Hill VAULTS

video upload by CROW HILL

"With Theo off on hols this week Christian opens the lid on one of his favourite instruments, The Harmonium. Think Penguin Cafe Orchestra, think Jon Brion, think a leading (albeit inanimate) character in Punch Drunk Love."

Press release follows:

The Crow Hill Company announces availability of VAULTS - HARMONIUM, bringing bellows to DAWs as latest free VI abiding by its Make Music, Your Music motto

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - HARMONIUM — bringing bellows to DAWs (Digital Audio Workstations) as its latest free VI (Virtual Instrument) monthly drop, allowing anyone to experience the timbral complexities and harmonic layers of its gorgeous and, some might say, quaint instrument namesake for the rest of their lives, abiding, as always, by the Edinburgh-based enterprise creators’ collective Make Music, Your Music motto — as of October 24…

Its iconic appearance in Director/Writer Paul Thomas Anderson’s 2002-released dark romantic comedy Punch: Drunk Love — look it up! — may make many think of the harmonium in a certain way. What is certain, though, is that the small free-reed organ was patented way before, back in 1842 by Frenchman Alexandre Debain. By being smaller and less expensive than traditional pipe organs, it quickly became popular through Europe, India, Africa, and the southern United States. Travelling through the north of the UK, harmoniums can still be found tucked away in the corners of many recording studios. Saying that, those that are there are not just set dressing; after all, the harmonium captured the hearts of artists such as The Beatles, Supertramp, Penguin Cafe Orchestra, and Tori Amos, all of whom featured it in their music.

Making music with a harmonium is easier said than done, however, since the instrument in question generates sound by pumping air — using two foot-operated pedals joined to a mechanism that operates a bellows or by pushing and pulling a handle joined to the bellows back and forth with one hand — past a thin piece of metal in a frame and making it vibrate. Vibrations then resonate through the harmonium’s wooden body, thereby producing the distinctive, church-like sound. Thankfully, The Crow Hill Company has succeeded in capturing this sound to produce VAULTS - HARMONIUM, making it much easier for many more appreciative sound-seekers to experience its musical magic.

Composer Christian Henson — original founder of The Crow Hill Company — freely admits to being a big fan: “It’s got to be one of my favourite instruments. It can bring a simplicity to music — dare I say it, a quaintness, but because of its timbral complexities, it’s also massively expressive.”

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Generative Patches: DFAM+Mother-32+Subharmonicon. Jam Demo

video upload by Anton Anru

📚 DMS Generative is a collection of 25 patches for the semi-modular system Moog Sound Studio: DFAM + Mother-32 + Subharmonicon. This genre of sound design is highly popular within modular culture, and the Moog Sound Studio offers an excellent feature set to explore it.
🎛 Controlled chaos and randomness, probability, non-repetitiveness, tempo shifts, pattern uniqueness, the alternation of short and long sounds, unexpected changes, silence and density, harmonic and FX-like tones, and glitchy bursts throughout sequences — all of these elements are part of the soundset.
🎚 Generative timbres can serve as a strong addition to, or the main element of, ambient or techno tracks, jams, and performances. You can also record fragments into your DAW or sampler, slice them into one-shots or loops, and obtain unique material for further processing.

📦 Get these patches: https://antonanru.sellfy.store/p/moog...

🕹 The key idea behind the soundset is a high level of interconnection. In this patchbook, the timbres of the synths are intertwined — they cannot exist independently:
🔹 They modulate each other with LFOs and envelopes.
🔹 A sequence from one synth may change parameters on another.
🔹 Trigger interactions, clock/rhythm, and run/stop modulations break predictable patterns.
🔹 Audio signals from VCOs may be used as modulation sources to create harmonies, intervals, or wild experimental inharmonic tones.
🔹 Alternatively, they can be used as audio sources routed into another synth to be processed through its unique filter and envelope — giving the signal a “second life.”
DFAM, M32, and SUBH each play distinct and defined roles — it’s not a sound mess, but a tightly integrated system where the synths work in close cooperation.

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Erik Norlander's Farfisa Combo Compact I 61-Key Organ

Note: links to listings are affiliate links for which the site may be compensated.
video upload by moogfoundation

via this Reverb listing

"Vintage Italian combo organ with classic '60s tone in a sharp-looking chassis. It sounds awesome, especially through FX pedals. 60s Brit pop sounds, naturally, but also early Pink Floyd psychedelic vibes. This unit needs repair, but it’s a great low-cost restoration project for someone handy!

The unit powers up and makes sounds, but the voltage to the keyboard needs adjusting. In the embedded YouTube demo video, a successful demo can be heard in the C scale, but all of the following keyboard voltage issues exist (potentially among others): C in the bass octave plays an F below; B in the bass octave plays a D# below and is too soft; G# in the bass octave is too soft.

Other issues:

Vibrato doesn't work. All Vibrato switches have some effect on the tone, but there is no actual vibrato
Reverb doesn't work. Reverb has a tube preamp (cool!)
Bass 16 / Strings 16 - same issues as bass octave but an octave higher
Bass 16 / Strings 16 - C2 and B2 do not sound
Flute 8 / All 8' stops - same issues as #6 and 7 but an octave higher again
Top C note sticks mechanically
This lot does NOT include the bass or volume pedals.

This organ is built in combination with its own carrying case. The top lid is removed to reveal the organ, and the bottom opens up to storage for wires and the fold-out, built-in legs (shown in some of the images). This lid is missing the suitcase-style carrying handle, which is likely easily replaceable. The case itself also has a crack on the right side.

The Farfisa Compact is known for its bright, buzzy organ tones and reedy bite, perfect for psych rock, garage, and early synth-pop textures. Whether you’re restoring it for stage use or just want that iconic combo organ flavor in your studio, this is a great piece to start with.

Details:

Multiple tone tabs for organ voices and percussion
Built-in vibrato (needs repair, as mentioned) and tone booster
49 keys with bass section on lower range
There is nothing like the sound of a Farfisa organ. Heard on classic tracks by Pink Floyd, The Doors, and The B-52s, these organs helped define the sound of '60s and '70s rock, and still holds its own in modern music.

30% of the sale goes to the Bob Moog Foundation, supporting electronic music history, innovation, and education."

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