SEQUENTIAL FOURM ♫ 75 Custom Sounds ► COMPLETE SYNTH COLLECTION

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 COMPLETE SYNTH COLLECTION: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Sequential FOURM – Complete Synth Collection is a comprehensive and versatile patch bank designed to unlock the full sonic potential of the Sequential FOURM.
This soundset includes 75 carefully crafted presets, covering a wide palette of Leads, Basses, Pads, Plucks, Synths and FX, making it perfectly suited for Soul, Funk, Pop, Electronic music and many other modern and classic sch preset is optimized for musicality, expressiveness and instant usability, whether you are producing in the studio or performing live. From warm analog-inspired basses and funky leads to atmospheric pads and futuristic FX, this collection gives you a complete toolkit for professional productions.

The bank can be easily loaded via SysEx editors such as Bome SendSX (Windows) or compatible SysEx software for other platforms.

Preset Breakdown
75 Presets Total
39 Synths, Pads & FX
20 Leads
16 Basses

Synths, Pads & FX Highlights
Hard Synth, Simple Pluck, Reso Poly, Cosmic Poly, Vintage Horns, Bright Brass, Big Strings, OB-X Pad, Galaxy Pad, FM Pad, Crystals, Night Sky, Falling Stars, Outer Space, Digital Noise, Rotating Sphere, Repeater and many more.

Lead Highlights
Lost In Space, Fusion Lead, Jamiroquai Lead, Express Lead, Electro Lead, Cosmic Lead, Rock Machine, Nasty Lead, Sync Lead and other expressive solo sounds.

Bass Highlights
Phat Bass, Funky Bass, Precision Bass, Reso Bass, Deeper Underground, Thriller, Black or White, Prodigy and iconic groove-oriented bass patches.

Every preset is designed to sit well in a mix, respond naturally to playing dynamics and enhance your productions with character and depth."

CLICK FOR MORE »

PROPHET-10 Unboxing & Demo

video upload by Doctor Mix

"In this video, I’m not in the studio — I’m in sunny California, unboxing and playing the Sequential Prophet-10 for the very first time. No setup, no deep dive, no rules… just pure, immediate interaction with one of the most iconic analog polysynths ever made.

This is a genuine first encounter: lifting it out of the box, admiring the wood, powering it on, and letting the instrument speak. You’ll hear spontaneous playing, raw reactions, mistakes, happy accidents, and that unmistakable Prophet sound in its most honest form.

This isn’t a tutorial or a technical walkthrough — it’s about feel, inspiration, and that moment when a synth completely takes over and refuses to let you play anything else.

What you’ll see and hear in this video:
Unboxing the Sequential Prophet-10
First impressions and real reactions
The build, wood, and physical presence of the instrument
Powering it on and diving straight into sound
Pure, improvised playing with no preparation
Classic Prophet tones and unexpected moments
Letting the synth lead the music instead of the other way around

A full deep dive will come later back in the studio — this one is all about instinct, emotion, and the joy of touching a great instrument for the first time."

The Sequential Fourm: He didn’t get it… until he played it.

video upload by Devin Belanger

"The Sequential Fourm looked limited on paper, but after a month in the studio, my perspective has completely shifted. In this Fourm review & demo, I’m moving past the specs to focus on 4 performance demo songs that showcase the unique tactile experience of this 4-voice analog synthesizer.

The combination of a 100% analog signal path and Polyphonic Aftertouch makes this one of the most expressive instruments Sequential has released in years. Whether you are scoring for film or sound designing from scratch, the Fourm demands a different approach to synthesis.

Get my Custom Synth Patches (Fourm coming soon): https://shop.milesawayofficial.com/co..."

Nymira, by Terraphones

video uploads by Terraphones

"Nymira is a standalone harmony instrument designed around the circle of fifths. Its sonic engine draws from the overtone series, offering detailed timbral control across seven individual partials. Two distinct models explore different synthesis methods; one rooted in additive FM synthesis, the other in classic subtractive design. Together, they provide a new, expressive way to shape rich and complex harmonic textures."

Playlist:

1. Introducing Nymira
2. Nymira, by Terraphones
3. what we don't say... (ambient wooden electronic musical instrument performance)

Cheat Code for Chord Progressions • The Circle of Fifths with Terraphones Nymira

video upload by Lightbath and Terraphones

"Terraphones shows me Nymira, a new synthesizer and MIDI controller based on the Circle of Fifths that makes playing chords and advanced harmony feel like cheating." ✶ CHAPTERS ✶

00:00 – Intro 00:32 – Overview 01:22 – Learning Nymira 01:46 – Harmonic Map 02:40 – Combining Chords 03:37 – Open Voicings 03:58 – Terraphones Concept 04:19 – Additive Mode 04:53 – Subtractive Mode 05:33 – Sus Chords 06:16 – Granular Mode 06:56 – Latching Chords 07:14 – Granular Mode Jitter 07:46 – The Circle as a Path 08:27 – Resolving Chords 08:50 – Nymira as a MIDI Controller 10:22 – Relative Movement 11:21 – Free Play 11:42 – Advanced Harmonic Moves 12:47 – The Zones 17:03 – Eureka! 17:35 – Thank you 18:14 – Outro"



"Nymira is a standalone harmony instrument designed around the circle of fifths. Its sonic engine draws from the overtone series, offering detailed timbral control across seven individual partials. Three distinct models explore different synthesis methods; one rooted in additive FM synthesis, another in classic subtractive design, and one based on granular synthesis. Together, they provide a new, expressive way to shape rich and complex harmonic textures.

Nymira is the only instrument in the world that maps the Circle of Fifths to a physical interface. Nymira is designed with Western harmonic theory at the core, allowing you to discover beautiful chord progressions that are much harder to play on other instruments.

Like all Terraphones, Nymira is assembled by hand, and is housed in solid walnut. Underneath Nymira’s keys are Cherry MX Silent Red keyswitches that offer a clean, tactile experience. With the ability to run on four rechargeable AA batteries, Nymira lets you play anywhere. Inside Nymira are two surface transducers that turn the walnut enclosure into a speaker of its own. Playing Nymira in this mode allows you to hear its warm sonic engine played through the walls of its walnut housing. Nymira also excels in the studio. It is equipped with USB MIDI out, and a stereo 1/4" audio output. If you don’t want to use batteries, Nymira can be powered via USB-C with any device that supplies 4-17 volts.

~~~
Nymira is made by Thomas Adam Billings, the sole creator of Terraphones. Every part of Nymira is ethically sourced, assembled by hand, with solid walnut sourced and milled in the United States of America. By purchasing Nymira, you are directly funding the ongoing research and development of a new wave of natural, electroacoustic musical instruments.
– $1200 –
50 units available for pre-order. Expected lead time : 6-10 weeks
Shipping to North America, South America, the UK, the EU, and Australia."

https://terraphones.com/Nymira.html

Touché: Don Buchla’s Rare Polyphonic Keyboard Instrument

video upload by Sarah Belle Reid

Follow-up to Sarah Belle Reid plays the Buchla Touché

"In this video, I explore an extremely rare electronic instrument called the Touché, created by Buchla and Associates in 1980. Filmed at the Buchla Archives in Vancouver, this is a rare opportunity to hear and see an instrument that very few people have ever encountered firsthand. Only around five Touchés are known to have been built, and very few remain functional today. Because of this, the instrument has remained largely absent from public performance and documentation. This video helps bridge that gap by sharing the Touché’s sound, design, and historical context.

While Don Buchla is best known for his modular synthesizers such as the 100 and 200 Series, he also created a number of non-modular, computer-based instruments that explored new relationships between performance, software, and sound. The Touché is one such instrument. Conceived by Don Buchla in collaboration with composer David Rosenboom, it is a bi-timbral, eight-voice polyphonic keyboard instrument that combines digital sound generation, analog processing, and computer-mediated control.

The video begins with a historical overview of how the Touché grew out of Buchla’s computer-controlled instruments of the 1970s, including the 300 Series systems. From there, the video moves into a detailed walkthrough of Touché’s sound architecture, including many musical demos.
This video was created in collaboration with the Buchla Archives, an organization dedicated to the thorough and thoughtful documentation and preservation of Donald Buchla’s work.

Special thank you to Ryan Gaston and David Rosenboom for research assistance."

Timbre & Digital Nonlinear Waveshaping (Buchla Archives): https://www.buchlaarchives.com/blog/t...

Nova Wind (1983)

video upload by David Rosenboom

"This video, shot informally in the Ensemble Room at Mills College in 1983, contains the only footage known of David Rosenboom playing his 1981 composition Nova Wind from Future Travel. In it, he plays the legendary Touché—digital/analog keyboard instrument produced in collaboration with Donald Buchla in 1979-1980—, violin, piano, and ancillary electronics. A complete studio recording of Future Travel was released first on a vinyl LP by Street Records in 1981 and later on a double-CD from New World Records in 2007."

Circuits and Fingers – Composer-Performer Convergence in Electronic Instrument Designs, Oct 5th

Shasta Cults - self titled album: https://shastacults.bandcamp.com/albu...

Future Travel (David Rosenboom): https://blacktruffle.bandcamp.com/alb...

Daytime Viewing (Jacqueline Humbert & David Rosenboom) https://jacquelinehumbertdavidrosenbo...

Zones of Influence (David Rosenboom) https://davidrosenboom.bandcamp.com/a...

Exploring the 1st Buchla 100 Modular Synthesizer

The Electric Music Box: Exploring a Vintage Buchla 200 Modular System

Free Intro to Modular Synths Course: soundandsynthesis.com/firstsynthpatch

Roland Juno-60 61-Key Polyphonic Analog Synthesizer (Near Mint)

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Roland Juno-60 in near mint condition. This iconic 1980s analog polysynth is known for its lush, warm pads, punchy basses, and the legendary built-in chorus that has defined countless classic tracks.

I purchased this directly from the original owner who bought it brand new. There are barely any scratches on the whole synth just some very light scratches and a small mark on one wood side panel. This is by far the cleanest Juno-60 I’ve seen on Reverb in the past year.

Condition:

Cosmetic: Excellent overall; minimal wear with a tiny mark on one wood side panel.
Functional: Fully functional—all keys, sliders, switches, patch memory, and chorus work perfectly.
Maintenance: Recently cleaned and serviced; ready to play or record.
Features:
61 keys, 6-voice polyphony
Classic Roland analog VCOs and VCFs
Signature built-in chorus effect
Patch memory for 56 presets
MIDI retrofit possible

This Juno-60 is an exceptionally clean example, perfect for collectors, performers, or studio use. Don’t miss your chance to own one of the most beloved analog synths of all time!"

CLICK FOR MORE »

Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL

video upload by Melbourne Instruments

Roto-Control (Review): A Logic Pro Controller I Actually Want to Use

video upload by Why Logic Pro Rules

"I was skeptical when ‪@melbourneinstruments‬ sent me Roto-Control for Logic Pro. I've owned plenty of MIDI controllers that ended up collecting dust. But after using this for the past month, I actually reach for it.

What makes it different? Eight fully motorized control knobs with haptic feedback that adapt to whatever you're focused on in Logic Pro. You don't just see parameters change on screen - you FEEL them. End stops on a filter cutoff, notches on discrete values, center indents for faders, pans, and more.

In this review, I walk through the Logic Pro integration, the haptic feedback system, and what it's actually like to use day-to-day. I also cover the real limitations - manual plugin mapping and limited storage - that you need to know before buying."

Press release follows:

Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL motorised software and hardware MIDI controller

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to announce availability of advanced Logic Pro integration for its ROTO-CONTROL motorised software and hardware MIDI controller — creatively expanding upon its successful integration with Ableton Live and Bitwig Studio, demand for integration with Apple’s popular professional DAW (Digital Audio Workstation) for Mac having been strong since said controller launched to widespread critical acclaim a year ago — as of January 15, 2026…

ROTO-CONTROL readily packs eight touch-sensitive motorised knobs — brushless drone motors with Melbourne Instruments’ patented ultra-high-resolution contactless optical sensors offering a lifetime rating in excess of 50 million cycles that equates to 500 times more than conventional pots, precisely — alongside nine high-resolution IPS (In-Plane Switching) LCDs (Liquid Crystal Displays) and 16 backlit RGB (Red, Green, Blue) LED (Light-Emitting Diode) buttons into its classy, compact — 341mm/13.4” (W) x 112mm/4.4” (D) x 44mm/1.7” (H) — form factor to duly deliver haptic feedback and instant parameter recall, communicating with the outside world via MIDI (Musical Instrument Digital Interface) over USB (Universal Serial Bus) and 5-pin MIDI DIN (Deutsches Institut für Normung) IN/OUT/THRU connections. Constructed out of ABS (Acrylonitrile Butadiene Styrene) and metal, it robustly weighs in at only 715g/1.58lb, making it the perfect portable production partner for encouraging artists to use sound and music in new and exciting ways — wherever their journey might end up taking them, both creatively and geographically. Get this, though: ROTO-CONTROL now introduces a fully-tactile, motorised workflow to Logic Pro, delivering fast, hands-on control of tracks, plug-ins, Smart Controls, and automation — all thanks to a new firmware update.

MIX mode mirrors Logic Pro’s session track names, colours, and order automatically, while providing high-resolution control of volume, pan, sends, and automation alongside instant access to track selection, paging, mute/solo/arm switching, and dedicated TRACK FOCUS.

Fast, powerful plug-in control comes courtesy of PLUGIN mode, allowing users to browse and select Logic Pro instrument and effect plug-ins instantly from ROTO-CONTROL using simple touch-and-learn mapping for any parameter, with up to eight pages of controls per plug-in stored directly on the device ready for any projects, plus bypass/select controls — all mappings being saved on ROTO-CONTROL and usable across all Logic Pro projects on any computer.

Cutting-edge control continues with Logic Pro’s Smart Controls being automatically mapped to ROTO-CONTROL, controlling up to 16 Smart Control parameters instantly — perfect for working with instruments, macros, and MIDI effects, available in both PLUGIN mode and the dedicated SMART mode itself.

And as if all that was not enough to be getting on with, ROTO-CONTROL can be used to customise labels, colours, haptics, and steps for each control, while integrated transport — play, stop, record, cycle, auto-punch, and playhead — controls are all accessible from any mode.

It is fair to say, then, that Logic Pro users owe it to themselves — and, ultimately, their sound and music — to consider making some space in their creative and physical world for ROTO-CONTROL. After all, motorised and morphing controls, instant recall, and intuitive hardware are only the beginning of their journeying.

ROTO-CONTROL is available to buy at its new North American price of $399.00 USD (excluding tax) in the USA and Canada, while its RRP (Recommended Retail Price) in Australia of $619.00 AU (including GST) and MSRP (Manufacturer’s Suggested Retail Price) in the EU of €372.35 EUR (excluding VAT), MSRP in Japan/Asia of $469.00 USD, and MSRP in the UK of £389.00 GBP remains unchanged — all via Melbourne Instruments’ growing global network of dealers here: https://www.melbourneinstruments.com/dealers [check with dealers on the right here on MATRIXSYNTH]

For more in-depth information, please visit the dedicated ROTO-CONTROL webpage here: https://www.melbourneinstruments.com/rotocontrol

The new (3.0.1) firmware update for ROTO-CONTROL with Logic Pro integration is downloadable for free from here: https://www.melbourneinstruments.com/roto

G-Sonique Introduces REAL Analog Modular synths FX1 VST /AU Plug-in Instrument

video upload by G-Sonique

Press release follows:

G-Sonique Analog Modular FX – VST / AU plug-in instrument.

Analog modular synthesizers are relatively expensive, take up quite a lot of space and creating sounds is a very lengthy process (plus it is complex and not every producer can master it).

However, their sound is unique. Compared to digital synthesizers, their sound is much more organic, expressive and punchy in the mix, even though it is often mono (unless you use some stereo parts and effect modules), it sounds 3D. Simply put, their sound is not static and cold like digital synthesizers, but constantly evolving/alive/warm - thanks to the fact that electronic components behave non-linearly and under the influence of various factors (such as heat, current) their sound modulates itself every millisecond. With digital you will probably never create such lively, organic and constantly changing sounds - such sharp, cutting filters and resonances, textures, metallic analog sounds or twisted twisted effects. The sound of modular analog synthesizers will give your songs a completely different dimension, analog color, warmth and character of something real/organic. It’s the essential tool for professional sound design and adding that sought-after vintage character to your mix.

Modular synthesizers excel mainly in the field of FX, soundscapes and experimental sounds. Producers often use them for unique tension builders and complex cinematic sound effects.

So if you don't have the space and possibilities and especially the time to spend long hours programming a single sound, don't despair. We have prepared for you a multi-octave VST / AU plug-in instrument full of banks created using analog modular synthesizers. This is your shortcut to authentic analogue synthesis, instantly available as high-quality modular samples / multi-octave multi-layer banks.

The combination of digital and modular analog is very interesting and gives tracks a completely new dimension, sound and atmosphere. Get the best of both worlds: digital workflow convenience with true analogue character.

Analog Modular FX1 is perfect for many genres from different branches of psytrance such as: darkpsy / forest psytrance, also full-on psytrance, experimental zenon style progressive psytrance, night psytrance, modern goatrance, but also hitech / hightech, psycore. However, these FX sounds can also be used in other genres, for example modern techno, which is mixing more and more with other elements. Also suitable for rave music, bolder tech house, breakbeat. Also great for experimental genres, glitch, dark ambient. Modular sounds and FX are perfect for futuristic cinematic music / video game music, thriller and horror music. The sounds can also be pre-effected, making them suitable for other genres, such as dark drum and bass, neurofunk intros/stoptimes/outros, hardcore techno, gabber, industrial techno, EBM. Use them as powerful risers, drops, and complex transitions.

Includes: Analog monster modular voices, Modular laboratory experimental bubbling experiments, Alien analog FX, Spirals, Twisters, Risers, Multidimensional resonators, Distorted screamers, Alien pipes, Analog underground pipes and tubes, Organic sweeps, High pitched howling sounds, Funky twisters, Metal FX, Acid analog rave sound FXs, analog modular textures and pads, Electrostatic pulsations, Mysterious modular atmospheres, Alchemical bubbling sounds, UFO analog patches, Extraterrestrial atmospheres, Dark atmospheric sounds, Extraterrestrial analog modular samples, Metal sounds, Nonlinear modulated twisted sounds, Short spirals and spring reverb sounds, Electron and quark sounds, Electrostatic discharges, Alien animal howling sounds and much more.

Perfect for producers looking for cinematic sound design, modular synth VST, organic analog textures, experimental plugin instruments, soundscape creation tools, psytrance sound packs, modular synth FX, atmospheric VST plugins, glitch & IDM tools, techno sound design instruments, professional sound libraries for electronic music, best vst instruments for edm, modular vst plugins for mac and windows, vst synth for ambient and cinematic music, experimental analog vst download, modular synth vst free/paid alternative.


All sounds/banks are created in a wide range of octaves, ranging from C3-C4-C5-C6-C7. This ensures maximum flexibility for your sound design needs in any DAW (e.g., FL Studio, Ableton Live, Cubase, Logic Pro, Reaper, Studio One and others).

CLICK FOR MORE »

The Crow Hill Company Introduces VAULTS - TUNED GONGS

video upload by CROW HILL

"There is a cave, near Rome, Italy, and in that cave they make gongs. In this video Christian unveils the latest free offering as part of our vault range. An extraordinary quartet of tuned gongs, designed and used by meditation gurus as part of gong bath setups we decided, in this "first pancake" to leather them. Much to their sonic distress."

Press release follows:


The Crow Hill Company brings beautiful set of tuned gongs to free VAULTS… VI collection as …TUNED GONGS, a downloadable drop with a difference

EDINBURGH, UK: The Crow Hill Company is proud to bring a beautiful set of tuned gongs to its free VAULTS… VI (Virtual Instrument) collection as …TUNED GONGS — germinated as a downloadable drop with a difference, effectively enabling anyone to play an extraordinary quartet of harmonised gongs designed and used by meditation gurus as part of gong bath setups in a way that was never intended by their Italian creator after being bought and sampled by composer Christian Henson, original founder of the Edinburgh-based enterprise, abiding, as always, by its Make Music, Your Music motto — as of January 8…

It is sometimes said — quite often, truth be told — that All roads lead to Rome. And although that popular proverb does not apply to The Crow Hill Company’s VAULTS - TUNED GONGS in the true sense of those words’ intended meaning, Italy’s capital city could be said to have played a passing part in the VI in question’s road to reality. Composer Christian Henson picks up the tentative thread, teasing, “There is a cave, just outside Rome, and in that cave they make gongs; we’re not sponsored by them — they don’t even know we’re making this thing. They do more than you’d expect out of a big cymbal.”

Changing tact, Christian Henson clarifies: “Ask any member of The Crow Hill team about my attention span and they will say that whilst, like most of us musos, I have the capacity for hyper-focus, I’m also easily distracted — especially when it comes to something new. We’re meant to be working on a fascinating new addition to the Origins… series, but, unfortunately, I’m easy prey for an Instagram post featuring an instrument I hadn’t heard before. Correction: I’d heard gongs before; I’ve even had the chance to play one, but none that sounded like these ones. Or rather this one. The big one. So I bought a whole tree of them! That’s what’s so fulfilling about this Crow Hill project; we get to make investments on behalf of the composing fraternity, so we all get a go.”

Get this, though. “This VAULTS… features four incredible-sounding tuned gongs that were designed, I suspect, for gong bath therapy,” theorises The Crow Hill Company’s original founder, following up with some characteristically vibrant verbiage: “Beautiful, bold fundamentals; mystical, engaging harmonics; and also a bottom end that shakes the room. I very much get the feeling that these gongs are not designed to be whacked. They really do complain when they’re abused in this way. The big one… well, she growls like a distant dragon, while the smallest protests in the shape of a scoop up an entire perfect fifth before it reluctantly settles into its fundamental. We’ve basically overlapped them and layered them to give you a quite rudimentary piano-style, chromatic instrument.”

It is fair to say, then, that the sometimes badly behaving VAULTS - TUNED GONGS sounds somewhat different to any of its software siblings. Saying that, though, its intuitive GUI (Graphical User Interface) is comfortingly familiar to anyone who has laid eyes on any VAULTS… release, identical in (almost) all aspects — bar its distinguishing background colour change — to all of The Crow Hill Company’s current collection. “Front end-wise, we’ve got EXPRESSION on CC11,” continues Christian Henson. “On the gongs that are higher in pitch you do get a kind of rumble, so I would recommend being very cautious about the SUB BASS control — particularly when you close the LPF [Low Pass Filter], when there’s a super-wide low end, which is so difficult to achieve; getting that kind of fatness, but also having that stereo width is pretty incredible. If you’re confident with your bass response in your studio or on your headphones, then go for it, but this thing really does shake the room. Then we’ve got some DELAY. You can make it even wider with the REVERB, and, because we’re naughty, there’s a little bit of CRYSTALLIZER in there, which is just incredible. As always with the VAULTS… macros, they’re designed so that you can’t make it sound terrible — everything has a subtle musical quality to it.”

Concludes Christian Henson: “We’re doing something incredibly exciting; a new way of sampling, but also treating these gongs with utmost respect, appreciating their soft, infinitely nuanced harmonics that change on every hit. The distraction has become a serious one, taking weeks as they’re not easy to record. When something is shaking the room and all the air inside it, what do you mic? So we needed a test recording. What better way of ushering in 2026 than with a shuddering tree of room-shaking gongs? There are some lower dynamics in there, which will give you a sense of where we’re headed with this project — a useful tuned metallophone that’s difficult to place, but, really, the purpose of this VAULTS… is to gong these! For that odd time you need a gong for a cue, these are pure class. I also found turning my speakers up and playing at full velocity to be an excellent way of getting my teenagers down for breakfast; they don’t like them at all.”

VAULTS… releases from The Crow Hill Company — including …TUNED GONGS — are free for all to download and make music with for the rest of their lives from here: https://thecrowhillcompany.com/vaults/

For more in-depth information, please visit the dedicated VAULTS - TUNED GONGS webpage here: https://thecrowhillcompany.com/tuned-gongs/"

UDO Super 6 // DAY 6 #jamuary2026

video upload by Dexba

"Washing my brain today without any beat, with a single instrument, on the floor: throwback to the OG Dexba 😄 The Super 6 by UDO is so effortlessly cool.
I am not strictly talking about the sound it produces, but the whole experience: tactile, visual, and auditory. JAMuary is still at the beginning, so I didn't get too crazy with the patch, and I also wanted some relax and pure sound/chord enjoyment.
This recording made me make peace with my OB-6 sale; we should never sell anything, some sales hurt more than others, and until this session, the OB6 was one of those hurting the most. Not anymore!
Yes, playing in this position is not ideal, and you'll inevitably hear the spot where something slipped, but it helps me so much reconnect with the pure joy of playing, outside of the room I've appointed studio.
I hope you'll like it! 🧡"

The Alan R Pearlman Foundation's Year in Review

video upload by Alan R. Pearlman Foundation

"From a Compilation to a Concert Celebration, our year celebrating our namesake's Centenary has been amazing! Share our journey!

Music by Lisa Bella Donna & Shawn Johnson

Purchase Soul of the Machine at https://alanrpearlmanfoundation.bandc...

2025 Sponsors:
Korg, Cherry Audio, Moog Music, Manny Fernandez, Tom Rhea, Rosen Sound

2025 Partners:
Bell Tone Synth Works, CMS, CatSynth TV, EMEAP/MMT, Eric Crawley/Dan Gilbert, Interage MediaWorks, Knobcon, Korg, Anthony Marinelli Music, Antonus, Mashina Bristronica, NAMM Museum of Making Music, Vito Nandi, New England Synth Fest, Projekt Records, Steve Roach, Round & Wound, the SynthCave, SynthCube, Synthtopia, Synthetic Dreamscapes, The Record Co. (TRC), Sharon Wasko Designs

Thank you to all of our donors, volunteers, interns, friends and partners including (but not limited to) Alex Ball, Antonus, David Baron, Lisa Bella Donna, Chris Cardone, Jon Carin, Alison Cassidy, Nick Carlisle, Phil & Linda Cirocco, Mike Cushing, Tom Cusimano, Eric Crawley, Stephen DeJesus, Rich Formidoni, John Foxx, Dan Gilbert, Patrick Gleason, Herbie Hancock, Martin Gore, Rupert Greenall, Ryan Hawkins, Mary Lock, Mark Marshall, Machina Bristronica, David Mash, Steve McQuarry, Bill T. Miller, LaMar Mitchell, Chris Meyer, NE Synth Festival, Nicola Joss, Ruperto Ifil, Brian Kehew, Anthony Marinelli, Tom Piggot,TRC (The Record Co). EMEAPP/MMT, Mary Lock, David Mash, Matrix Synth, Michelle Moog-Koussa, Tony Norton, Jim Michmerhuizen, Mike Metlay, C. Carl Peters, Rob Puricelli, ProSynth Network, Drew Raison, Steve Roach, Sam Rosenthal, Drew Schlesinger, Don Slepian, Steve Smith, SynthTopia, the NAMM Museum, the MiDI Association, Real World Studios, Gerson Rosenbloom, Collin Russell, James Thirlwell, Pete Townshend, the Townshend Studio, and Andrew Ward"

Ty Dolla $ign | Find Your Sound | Moog Muse & Messenger

video upload by Moog Music

"When Ty Dolla $ign walks into the studio, anything can happen.

Before trends or templates, Ty explains that Moog synthesizers were the sound behind the records that shaped him — and the instruments he dreamed of finding underneath the Christmas tree.

For Ty, finding your sound isn’t about chasing something new. It’s about spending time with the tools that speak to you, learning them deeply, and allowing your own voice to emerge. It’s a process rooted in curiosity, patience, and the belief that when you listen closely enough, the message becomes clear."

Introducing SQUID-3 by Acustica Audio

video uploads by Acustica Audio

Playlist:

1. SQUID-3 - You don’t need make-up when the sound is this good.
2. SQUID-3 Explained | Complete Walkthrough

Quick No-Talk Synth Demo

video upload by Autodafe

"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.

In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.

If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."

SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.

This isn’t a vintage emulation, or a collection of pretty presets under reverb.

SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.

SQUID-3 is not another virtual synth.

It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.

SQUID-3 is available in two separate editions:

• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.

• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"

You can find additional details at https://www.acustica-audio.com/shop/products/SQUID3

Toto’s Steve Porcaro Shows How He Created the Synth Sounds on Africa, Human Nature, Rosanna, ...

video upload by Anthony Marinelli Music

"In this monumental video, I’m sitting down in Steve Porcaro’s studio for a rare, up-close demonstartions at how one of the true synth legends created some of the most iconic sounds in music history.

What makes this so special is that Steve takes us step by step through the exact synthesizer techniques he used on massive hit records — including Michael Jackson’s 'Human Nature,' Toto’s 'Africa' and 'Rosanna,' as well as classic tracks for Hall & Oates, Don Henley, Donna Summer, and more. He also recreates these sounds on the same model vintage synthesizers he used on the original recordings.

As we dig in, Steve shares his personal approach to synthesis, how he builds multi-dimensional sounds, thinks about atmosphere and texture, and shapes parts so they serve the song emotionally, not just sonically. He also reveals how he writes out synthesizer parts on score paper, treating synths like orchestral instruments and arranging them with real intention.

This isn’t a preset rundown or surface-level demo. It’s a candid, in-studio conversation about process, musical thinking, with hands-on demonstrations from someone who helped define the sound of an era. If you’ve ever wondered how these legendary synth parts were truly made, now you can get it straight from the source, this is a moment you don’t want to miss!"

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

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Moog Sound Studio 3 Mother-32 / DFAM / Subharmonicon w/ Original Box & Materials

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Mother-32 SN 35763
DFAM SN 26738
Subharmonicon SN 14722
4-Channel Summing Mixer SN 4245

"This bundle of three of Moog's semi-modular synths, DFAM (Drummer From Another Mother), MOTHER32, SUBHARMONICON was specially packaged by the company as a great starter for beginners and professional musicians wanting to get into the modular synth world. This set is beautifully boxed, and shows the love that Moog puts into its products. I have used the synths, but never used or pinned up the posters, sticker or cut outs. They are all untouched. I did play with the patch exploration cards that helped me to learn modular patching to a better extent (Still a full deck).

Moog has discontinued this package, much to the disappointment of many Moog fans. You can still buy the modules separately, but without all the extras that make this set so much fun.

CONTENTS: Moog Sound Studio’s full bundle comes with a three tiered rack with a cable rack that can be attached to store patch cables, custom dust cover, audio mixer, patch book and cables. Other items in the package contain a synth exploration card game and custom artwork by Moog, a Moog screwdriver and Moog pouch for the cables, MIDI patch cable to patch to outboard midi keyboards. I'm adding extra patch cables that weren't in the original purchase" + "'skins' or layovers mimicking the original Moog Matriarch colors which I'm including in the package."

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Intellijel 7U Performance Case Gen-2 | New Features Overview

video upload by Intellijel

"The second generation of our flagship 104HP x 7U Performance Case.

Upgrades and new features:

• Upgraded Power Supply with 34 x Headers and lower noise
• 8 x 1/4" TRS jack sockets for inputs and outputs
• Complete MIDI I/O with USB-C
• New Locking Cover design
• New Built-in Stand design
• VESA Mount Compatible
• Joiner Plate Compatible - stack your cases!

Available in both Silver and Black."

"Have modular. Will travel.

Studio, cafe, stage, floor, coffee table—the 7U Performance case doesn't care where you play with it. Two 3U rows house and power all the modules you love (or one day hope to love), while the additional 1U row accommodates an extensive selection of specialized utility modules. Power, audio and MIDI/USB jacks on the back handle all the necessary inputs and outputs, ensuring all that rack space remains free for the "fun" modules. The lid has enough clearance to keep your system patched in transit, and two cases can be stacked with a set of joiners."

Roland Chorus Space Echo RE-501 test with Sequential OB-6 [NO TALKING] [with explanatory subs]

video upload by Freedom of Movement

"Roland Chorus Space Echo RE-501 test with Sequential OB-6

🟢 TURN ON CC FOR SUBTITLES EXPLAINING WHAT I'M DOING IN THE VIDEO 🟢

I picked up this RE-501 yesterday and was disappointed when I got it to the studio & turned it on as the tape echo wasn’t really working properly. The tape was jamming & squeaky & there was tons of wow & flutter & distortion - not in a good way either

But! After a thorough clean of the rollers & heads and letting the motor run for a bit it now sounds like this!

Pretty, pretty good

I’m using both A & B outputs so the chorus, delay & reverb are stereo panned. It’ll sound a bit weird in headphones but on speakers it sounds awesome

Gotta say that the 501 sounds vastly superior to the 301 I had until recently. The reverb especially is a marked improvement but in general - aside from the styling perhaps - it’s a step up

I still think the unit needs a proper service: new felts, a new pinch roller … maybe even a new motor … and new tape of course

But for now it’s got just a nice amount of wow & flutter and noise. Sounds good right?

The sequence is coming from the Sequential OB-6. Starts off plain then I introduce some time-synced LFO; bandpass filter, sample & hold/random, clocked to 8th notes"

This Analog Synth Will Blow Your Mind – Introducing the Behringer BDS-3!

video upload by Behringer

It looks like the SDS-3 is now the BDS-3?

"Discover the Behringer BDS-3, the analog synth that rewrites the rules of drum machines!
With powerful sounds and full control, the BDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.

From the raw energy of analog drums to more experimental sounds, the BDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.

Watch this video for an engaging performance and see how the Behringer BDS-3 can transform your sound!"

ARTURIA Introduces AstroLab 37 | Avant-garde stage keyboard

video uploads by Arturia

Check with dealers on the right for availability and pricing.

"Imagine a compact keyboard uniting the most iconic sounds in a single instrument. Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be, combining an unrivalled sound palette, intuitive controls, and a seamless studio-to-stage workflow – play and create beyond limits."

Playlist:

1. AstroLab 37 | Avant-garde stage keyboard | ARTURIA
2. Overview | AstroLab 37
3. Is the Arturia AstroLab 37 the Best Compact Stage Keyboard? - Reverb (available here)
4. Arturia Astrolab 37 vs 61/88 // and a cheat to give it more hands-on control // Review, tutorial - loopop
5. Arturia AstroLab 37 Review – After 6 Weeks of Real Use - Sineway
6. Arturia Astrolab 37 Review - Molten Music Technology
7. Is this the Ultimate Portable Performance Synth? Arturia AstroLab 37 Review & Demo - Starsky Carr

"Arturia releases AstroLab 37, a compact stage keyboard that brings the full power of the AstroLab ecosystem into a portable, performance-ready format.

Completing the AstroLab line-up, it delivers the same deep sound engines, streamlined workflow, and studio-to-stage continuity as the 61- and 88-key models - now in a 37-key, road-ready design that makes it the ultimate creative companion on the move.

_Ignite your inspiration
Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be. Combining an unrivalled sound palette with intuitive controls and a seamless studio-to-stage experience - perform with confidence and limitless sonic freedom.

Featuring a 37-key slim keybed with aftertouch, a vocoder, and powerful creative tools, turn any idea into fast-moving solos, dynamic leads, and unforgettable hooks."



AstroLab 37 packs the power of the AstroLab range into a compact format.

Engineered for liftoff, AstroLab 37 redefines what a compact performance keyboard can be. Combining an unrivaled sound palette with intuitive controls and a seamless studio-to-stage experience, it empowers musicians to perform with confidence and limitless sonic freedom.

Built on 25 years of innovation, it frees keyboardists from constraints with 11 advanced sound engines, seamless workflow, and a playing experience that’s intuitive, expressive, and fearless.

This isn’t just a new keyboard. It’s a new era.

Ignite your inspiration.

Instantly access a universe of reference synths, classic keyboards, acoustic instruments, and cinematic hybrids - all deeply customizable via onboard controls. The 37 slim-key slim keyboard with aftertouch, vocoder, and performance modes turns ideas into fast-moving solos, dynamic leads, and unforgettable hooks.

Own the stage.

Purpose-built for live: rugged, responsive, and completely standalone. Power up, pick a sound, shape it in real-time and deliver pure musical expression wherever you play - ultra-low latency.

Compact by design.

From studios and stages to bedrooms and DJ booths, AstroLab 37 adapts to every space. Road-ready construction, expressive keys, and instant sound recall make it the ultimate creative companion on the move.

Made to explore.

Edit your presets on-the-fly or dive deeper with Analog Lab on desktop or AstroLab Connect on mobile. Seamlessly transition between studio and stage and let your creativity flow uninterrupted, exactly the way you want it.

AstroLab 37 is a versatile, lightweight companion for musicians who move between studio, stage, and multi-instrument setups — ideal as a second keyboard for band members, a flexible live instrument, or a portable tool for producers on the go.

● 44 instruments, 11 sound engines, 1.800+ presets
● 37 slim keys with aftertouch
● 10 instant-access preset buttons
● 4 macro knobs with LED feedback
● 4 FX knobs, including dedicated Delay & Reverb
● Vocoder-ready mono input
● Color screen + navigation encoder for fast browsing
● Software ecosystem: Analog Lab Pro + AstroLab Connect
● Extensive connectivity: MIDI I/O, USB-C, USB-A host, balanced
mono I/O, mic input, Bluetooth audio, WiFi, pedal input

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