CRUMAR Introduces New SORRENTO Portable Organ and BURN Rotary Simulator

video upload by Genuine Soundware

"In 2025 Crumar is proud to introduce you a new portable organ: SORRENTO.

Thanks to Ernesto Ghezzi for the music and his performance."

Crumar BURN 2025

video upload by Genuine Soundware

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Background Modulars No.11 Serge Paperface Again

video upload by Memetune Studio

"Don’t have a real Serge Modular Paperface to hand? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

Here is 10 minutes of self-playing modular synthesiser randomness. Why not put it on loop - then you can have it playing away in the background while you do other things

A note on the patch: I'm using the LW Gated Comparator and the 2 original Paperface Sequencers (from the mid-70s) to run things - as always with a big Serge patch its virtually impossible to keep track of all the connections - its a very complex system - but I use lots of delays here - the vintage Wilson, plus a brand new Prism Circuits Cascade Delay. There are the old Serge dual spring reverbs in here, and the VC stereo mixer to mix it all up and move it all around. This patch is more melodic, using a Serge format Voltage Quantizer to hold it all together. It's going through my Neve 88D along with some vintage FX units - an AMS RMX16, a Bel BD80S and a Lexicon Model 300"

1969 Moog IIIP Vintage Modular Synthesizer For Sale or NYC Studio Use

video upload by tonetweakers

"The Moog modular was one of the first commercially available synthesizers. Sold in different configurations, the Moog IIIP consisted of 3 portable cabinets. Containing ten (!) 901 series oscillators, the best lowpass and highpass filters in the biz, and a magical spring reverb that makes things sound more organic, we can't think of any other synth that matches the warmth and fatness of this genuine 1969 vintage Moog modular. Wendy Carlos’s classic album Switched on Bach and I Feel Love by Donna Summer were recorded on similar Moog modular systems. We just finished refurbishing this gorgeous example (assuming we don’t find any problems as we continue to test it). Restoration was done in stages and took many months to complete. Total tech time spent was around 85 hours. We hit a snag when some parts we ordered turned out to be fakes - a sadly common occurrence these days - but we eventually managed to track down some legit replacements. We originally planned to sell this system, but after spending some time patching it, we don’t know if we can let this one go! If this system was set up in a commercial studio here in New York City where it was available for use, would you be interested? If so, please email us. Or, make us a serious offer and if it's tempting enough, maybe we'll sell it. We'd also consider trades for similar vintage modular systems (Roland System 700, Buchla 200, Polyfusion, Emu Modular, ARP 2500, etc). We have a smaller (single cabinet) real vintage Moog Model 15 that's ready for sale.

We buy sell trade refurbish vintage synths and electronic musical instruments.

Tone Tweakers Inc.
http://www.tonetweakers.com"

CS40M by Benge

video upload by Memetune Studio

"The Yamaha CS40M is one of my favourite mono synths (actually its duo phonic)

When evaluating a synth, I like to do the Minimoog Test (maybe the first and actual best mono?) which goes like this:

1 - is it a big analogue vintage mono synth with wooden bits

2 - does it sound as good as a Minimoog

3 - does it do anything a Minimoog can't do

if the answer to any of the above is 'yes' then I want one, quite badly

(BTW, the CS40M ticks two of the above, can you guess which ones?)"

The 8R8 sample pack by Goldbaby

video upload by GoldbabySamples

"The 8R8 sample pack. Available now: https://www.goldbaby.co.nz/8r8.html

Sounds from the 8raw8 recorded in the Goldbaby studio."



"Sounds from the 8Raw8, a lovely analog drum expander, handmade in France, that recreates the iconic analog drum voices of the legendary TR-808.

Why make another 808 pack? I have had three vintage TR-808s in my studio, along with a few analog and digital clones. I can honestly say that the 8Raw8 is the nicest-sounding of all of them, including the OG vintage ones.

Another reason I created this pack was to utilise the 8Raw8 kick drum tune modification. This pack has a massive selection of multi-sampled chromatic kicks you play across the keyboard. Congas and toms also get the chromatic treatment!

I didn't stop there. Not only did I capture the 8Raw8’s unprocessed sound, but I also recorded it through tasty hardware. I used the MPC60, Fat Bustard II valve mixer, Silver Bullet Mk2, SPL Transient Designer, EL Fatso, EZ1073 EQ and Pre (Neve), AnalogHeat+FX, various guitar pedals (Plasma, Chroma, FatRat, Prunes & Custard), Cassette Tape Echo, and more.

This pack is like an 808 on steroids!

Check out the original hardware 8raw8 here: https://8raw8.com/product/"

John Bowen Solaris SN 00113

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"It's a monster! ..yes, it's digital.. but, when you hear a 96kHz synth.. you quickly realize.. if there IS to be a digital synth.. then 96k is where it should be.. at that frame rate.. it's not 'steppy' and a lot smoother than the 'others', IMO. I'm the only owner of this 'lonely heart'. Bought it new, back when Awave was in a tiny arcade next to South Yarra station. It was the only synth that's ever 'tricked' me.. I thought it was analog 'something'. It just sounded too 'pure'.. so, I had to have it.. unfortunately, I haven't used it as much as it deserves.

This Solaris has resided in my smoke free studio since it was purchased new. Never toured, original PSU and manual (not that the manual is much use to anyone anymore.. that is.. with the advent of the newly developed V2 OS). For those that don't know, John was instrumental working alongside the late great Dr Robert Moog, in fact, he was there, in the early 70s, working alongside Dr Bob on the original MiniMoog.. fast forward a few years.. and there he was working alongside the late great Dave Smith @ Sequential Circuits. John worked on the Prophet 5, the VS and the Sequential Sampler, the Prophet 2000.

This was shortly before Yamaha acquired Sequential and retrenched the staff, yep.. that old chestnut.. and John went on to work at Korg where he was behind the WaveStation (basically he took his knowledge of the Korg VS and threw it into the WaveStation, as some might already be aware of). So, with all that history under his belt.. when it was time for John, whom I refer to as 'synth god', John started development on the Solaris.The Solaris is the culmination of all his passed work and synth experience, despite the panel often likened to the Oberheim Matrix 12, John had implemented Filters, Wave shapes, Step Sequencers, and not to forget 'Wave Sequencing' that've appeared in all his passed projects on those aforementioned classic synths, that he worked closely on with 'other' synth gods such as Dave Smith and Dr Bob Moog.

So, you could say.. the Solaris is what a 21st century synth-classic 'ought' to be. And, ultimately, that's why I wanted it, but.. I'm afraid, as good as it is.. it's more synth than I've ever needed...x10! It would be much more suited towards professional sound designers than someone who messes around with Samplers more often that not. Therefore, I'll let it go to another enthusiast.. other esteemed 'registered' owners in the Solaris forum are Hans Zimmer, Harry Gregson-Williams, JJ Abrams, Jean-Michel Jarre, Matt Johnson, Ty Unwin to name a few.

In a nutshell, if had a paragraph to sum it up.. it's like a Matrix-12 integrated with a WaveStation and then there's CEM, SSM, Moog and Prophet 5 'mimicked' filters and oscillator shapes... basically, loads of features and 'flavors' from every 'beast synth' before it.

Main features:
10 Voice Polyphony
4 Oscillators
4 Filters
6 Envelope Generators
4 LFO's (+1 for Vibrato)
16 Step Sequencer
Arpeggiator
8 analog outputs (4 stereo)
Digital (ADAT) Output
MIDI over DIN & USB
15 kg / 33 Lbs
Comes with the original Australian 240v external PSU"

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Oberheim TEO-5 “Can’t Sleep” Jam/One Preset/ One Take AMAZING SOUND

video upload by Maria Calfa-DePaul

"Temporarily, the Oberheim is living in my son‘s old bedroom and it’s not really a studio because it’s still like a bedroom, but I do have several synths in there. It’s not the most comfortable to play this one’s on a stand so I had to stand while playing I was really tired, but I really wanted to play this synth and I couldn’t sleep so I thought let me just play for about an hour and this is the very last Song I came up with while I was just continually changing presets till I found something I wanted I wasn’t really in the mood to start fiddling and creating sounds cause as I said it wasn’t really comfortable position, but I did wanna play it so I put my headphones on. I took the outs and put it into this little Momixer into (the original one I have which doesn’t get much use now but it’s still functions pretty well with the iphone ) and I put the iPhone on a Tripod and the way I went Put headphones on and played recorded it one take one patch and then I went to bed"

Celebrating International Synthesizer Day at SynthTemple

video upload by Luke Million

"What better way to celebrate International Synthesizer Day than surrounding yourself with the most iconic synths ever made in a giant studio?!

Recently I visited SynthTemple to familiarise myself with what is possible in this amazing sonic playground.

I thought it would be fun to recreate The Chase by Giorgio Moroder and in particular to learn how to use the Roland System 700.

A lot of fun was had and although I didn’t get through the whole track, I learnt so much about SynthTemple and I can’t wait to return to work on new music.

Equipment used;

Oberheim DMX, Roland System 700, Yamaha SPX-900, Solina String Synthesizer, Roland SPV-355, Oberheim Eight Voice, Roland System 100 & Yamaha CS-80

Check out the amazing synth playground which is SynthTemple here - https://www.synthtemple.com/"

Post-Superbooth with ORIGAMI

video upload by LARIX ELEKTRO

"Back from Superbooth 2025 Berlin !

I didn't have the time to test the Origami oscillator. Because the last prototype was done just before... ...so I went to the superbooth without knowing how the module sounded !

After 3 days of trying it, here some of the many sounds it can produce.
Redone in the studio.
(More to come, of course)

Enjoy

(Ok, I'm adding FX, just to put the sound in context)"

http://www.larix-elektro.com/

Octave-Plateau Voyetra Eight w/ 61 Key Voyetra VPK-5 Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"If you are looking at this you know what it is. The granddaddy of 80’s era programmable poly synths. This one had a $3k service by Jeff at The Analog Lab (one of the creators of the synth) about 18 months ago and hasn’t left my studio since. This is a hybrid of Revs, between a 2 and a 3 as many are.

Everything works perfectly when controlled by the VPK5. It sounds incredible and has real depth to its programmability. Auto tunes perfect. Comes with the power cord, pdf manual, and I’ve got a hard case that I’ve adapted to ship the VPK5.

One note, some people get a cord adapter to use other midi controllers rather than the VPK5. If you go this route Jeff said the midi notes may hang or be glitchy. There is an early EPROM that he did not have on hand that is needed to swap in to correct that issue. I’ve only used it with the VPK5 so it works 100% as it should. You can keep an eye out for the Rev 2 EPROM if you want to add that functionality. ALL ELSE WORKS PERFECTLY."

Check out the custom racked Oberheim Four Voice system in the background.

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Groove Synthesis: 3rd Wave 8M - SUPERBOOTH2025

video upload by Bonedo Synthesizers



"The most accessible way to the 3rd Wave sound

You’ve discovered the synth industry’s best-kept secret: the 3rd Wave 8M — bringing Groove Synthesis’ award-winning wavetable technology to more studios, stages, and creative spaces than ever before. This isn’t a watered-down version. This is 8 voices and 2 parts of pure, uncompromised 3rd Wave DNA in a more accessible, compact package. Same premium sound engine. Same analog filters. Same innovative synthesis. Just more accessible to more producers and musicians.

ACCESS ALL AREAS

The performance-oriented control set featuring a generous 7” display with six encoders gives you the confidence to create the sounds you’ve always envisioned.

COMPLETE SYNTHESIS TOOLKIT

Choose from wavetable synthesis, analog-style synthesis, FM, and sampling for each of the three oscillators to create rich and expansive soundscapes.

• 8 Voices of full 3rd Wave sound engine with complete patch compatibility
• Bi-timbral operation with two independent parts
• Premium analog filters and output stages—identical to our flagship models
• Multiple synthesis types: wavetable, analog-style, FM, and sampling
• Streamlined interface with larger, more intuitive display
• Compact desktop format that fits your creative space

CLASSIC LEGACY – MODERN SOUND

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters.

It boasts not only a punchy, Dave Rossum-designed 2140 analog low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures."

Update: and the press release:

ORINDA, CA – May 8, 2025 – Groove Synthesis, the innovative synthesizer company known for its award-winning 3rd Wave 24-voice advanced wavetable synthesizers, today announced the 3rd Wave 8M – a compact desktop synthesizer that brings the distinctive Groove Synthesis sound to a more accessible price point, without compromising on sound quality or core features.

Building on the success of the flagship 24-voice 3rd Wave models 24K and 24M, the new 8M features 8 voices of polyphony and bi-timbral operation in a streamlined desktop format. Priced at $1,999 USD, the 8M delivers the same premium sound quality and cutting-edge synthesis capabilities that have made Groove Synthesis a favorite among producers, composers, and performers worldwide.

"We created the 8M to bring the distinct 3rd Wave sonic character and sound design capabilities to more musicians and producers," said Bob Coover, co-founder of Groove Synthesis. "This isn't a watered-down version of our flagship 24-voice models. The signal processing chain, analog electronics, and the sound are the same as on the 24. The 8M just makes the 3rd Wave experience accessible to musicians, sound designers, and producers who don't need the full scale system.”

The 3rd Wave 8M maintains complete patch compatibility with the 24-voice 3rd Wave models, allowing users to seamlessly integrate the 8M into existing setups or upgrade to larger models in the future. The streamlined user interface focuses on performance-oriented controls while utilizing a larger, more intuitive display for deep sound design capabilities.

Key features of the 3rd Wave 8M include:

● 8-Voice Polyphony: Full 3rd Wave sound engine with 8 voices and three oscillators per voice
● Complete Synthesis Toolset: Wavetable synthesis, analog-style synthesis, FM, and sampling
● Bi-timbral: Two independent parts for layering and splitting
● Complete Patch Compatibility: Seamless integration with 24-voice 3rd Wave models
● 8 Analog Filters and Output Stage: The same premium analog filters and output circuit design as flagship 24-voice models, 24K and 24M
● Streamlined Interface: Performance-oriented, expressive control set with larger display
● Multiple Outputs: 4 balanced outputs for flexible studio integration
● Compact Design: Smaller footprint ideal for desktop or touring setups

"As a bunch of synth enthusiasts ourselves, we know that the sound is everything," said Andrew Silverman, co-founder of Groove Synthesis. "The 8M has the full DNA of our flagship models. We've carefully considered what matters most to musicians and sound designers, preserving the elements that define our sound while creating a more accessible entry point to the 3rd Wave sonic universe.”

The 3rd Wave 8M continues the Groove Synthesis tradition of combining vintage inspiration with modern capabilities. While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters. The intuitive, performance-focused interface avoids menu diving for a natural control flow, preserving and adapting the vital parts of the keyboard’s controls in a compact format.

Native Instruments expands partnerships and platforms at Superbooth 2025

Press release follows (no pics included):

Electronic music fans can try a preview of NKS sounds on Arturia hardware, and expect a glimpse at unreleased instruments at workshops from NI, iZotope, and Plugin Alliance

Berlin, Germany – May 7, 2025 – Native Instruments, alongside iZotope and Plugin Alliance, is set to drop some exciting news at SUPERBOOTH 25, taking place at FEZ-Berlin from May 8–11. From a new NKS Hardware Partner in Arturia, to Kontrol S-Series upgrades, a special PPG LEAP pack, and new plugins from iZotope and NI, there’s a lot to look forward to.

What NI is showcasing at SUPERBOOTH 25

Arturia and NI team up to announce upcoming NKS support — Arturia owners can now look forward to seamless NKS integration for the KeyLab MK3, KeyLab Essential MK3, and MiniLab controllers. SUPERBOOTH 25 attendees can preview the upcoming Arturia NKS integration live at the Native Instruments or Arturia booths.

Enhanced Ableton Live control for Kontrol S-Series MK3 — Native Instruments is previewing expanded support and hands-on control of non-NKS plug-ins and internal Ableton devices directly on the keyboard, available to all S-series MK3 owners in the coming months.

• NKS & Leap-builder Station — Experience the power of NKS in action at the Native Instruments booth, featuring seamless integration with gear from Arturia, Akai Pro, Novation, M Audio, Nektar, and Korg, alongside Native Instruments' own acclaimed products. See how NKS reduces creative friction and helps you find the perfect sound.

•Plus, get access to a special PPG Leap pack for Kontakt 8’s Leap, only available at SUPERBOOTH, to celebrate an upcoming official re-issue from Liquid Sky of two legendary PPG hardware synthesizers.

• Circular: a revolutionary Euclidean sequencing instrument — Experience Native Instruments' groundbreaking instrument a week before release. Circular transforms held notes into evolving, polyphonic patterns brimming with intricate modulation and rhythmic expression. Try it at the booth, or get a deep dive at the workshop:

• Friday, May 9, 12:00 CEST: First look: Native Instruments’ Circular - a new approach to step sequencing. Attendees will have a chance to win a copy of Circular and try it out a week before release!

• Velvet by iZotope — iZotope will showcase the brand-new Velvet plugin, a smarter de-esser for smoother vocals that splits audio into Sibilance and Tonal channels. Get hands-on with Velvet at the booth, and don't miss platinum producer Jan Van der Toorn's workshop:

• Saturday, May 10, 16:00 CEST: iZotope presents: How to mix vocals and low-end w/ Jan Van Der Toorn. Attendees will have a chance to win a copy of Circular and try it out a week before release!

• Try bx_mastering studio from Plugin Alliance — Come by our booth and try the new, free bx_mastering studio on a touchscreen, and compare it with a custom Plugin Alliance mastering chain.

Visit Native Instruments at Room H130 at SUPERBOOTH 25 to experience the future of music creation firsthand.

Neuzeit Instruments Introduces DROP - Snapshot-based MIDI Control Center for Live Performance

Details follow:

"Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop... and then you realize: You can't find your way out of the chaos you've created!

The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever...

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Ult Sound DS-4M

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Amazing reissue of a rare classic. I bought it a few months ago, somewhat on impulse, and it hasn't found its way into my setup. It is in immaculate, like-new condition without a single blemish and everything works as new. I'm very particular about my gear and always handle it carefully and take good care of it. The unit has always been stored, covered when not in use, in a smoke/pet free climate controlled studio.

This thing is built like a tank (very solid and heavy), has great connectivity options and, most importantly, sounds incredible!"

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The voice of nothing | Cirklon, Minimoog, Prophet 10, Poly Evolver, Machinedrum MKII Electronic IDM

video upload by MIDERA

"Today, before bed, I laid with my family on my bed, listening to the downfall of rain on the roof. I loved every second of it. My kids? It scared them for some reason. Undoubtedly, some day they will look back and think 'I can't believe I was so scared of that gentle rain on the roof... I missed the opportunity to just relax with my papa and mama.'

Of course, not a day goes by that I don't look back at the end of the day and wish I had been more present. Who knows what other adventures I'm missing out with them by being just so stuck in my head.

Well - as for this track, I was trying some new things, using the Machinedrum instead of the Nord Drum 2, and stacking the Poly Evolver and P10. I didn't really enjoy the experience of either. I know some people fill their rooms with synths and Jasper's stands, but I think it just kills the creativity. Maybe my constant unhappiness with my studio keeps me writing more and more?

I don't know.

Sequentix Cirklon 2: Sequencing
Moog Minimoog: Bass
Prophet 10: Bells
Poly Evolver: Pads
Machinedrum MKII UW+: Drums"

Introducing ALICE by Acustica Audio

video upload by Acustica Audio

From the makers of Thing 8.

"What if your synth reshaped reality?
Alice-9 is the next-generation sample-based synthesizer forged from the chaos of the unknown and built for creators who refuse to follow.

Powered by SCO technology, and infused with analog soul, AL9 isn’t here to emulate.
It’s here to change the rules.

🎛 Real movement, deep stereo placement, aging imperfection, and punchy compression.
🎶 Every preset is a twist. Every sound a move. Every session, your next breakthrough.

This isn’t just another synth.
This is the edge of synthesis.

Choose your sound. Be the one who rewrite the rules.

Alice-9 has just entered the game."

ALICE9 | Live preview!

video upload by Acustica Audio

Acustica Audio - Alice-9 (AL9) is a next-generation sample-based synthesizer in the digital domain.
video upload by 23dB Productions

ALICE: https://www.acustica-audio.com/shop/p...



Alice-9 (AL9) is a next-generation sample-based synthesizer in the digital domain, part of the Marea virtual instrument series, and powered by the innovative MUST (Modular Unified Synthesis Technology). Early testers have described it as an instrument with a deeply organic and varied sound palette — evocative of iconic synthesizers from the 1990s and early 2000s. AL9 redefines what a sample-based synth can be, merging analog realism, playable feel, and modern digital power into a single instrument. Available in VST3, AU, and AAX formats, ensuring integration with all major DAWs.
Use code: ALICESPECIAL at checkout for 41% off until August 31, 2025!

The first users compared AL9 to walking into a music store in the 1990s, hearing a synth that delivers something new and inspiring with each preset. That rare sensation of immediacy, depth, and musicality — the feeling of a “real instrument” — is the essence of AL9.

Made to Inspire
The architecture of AL9 goes far beyond sample playback or wavetable synthesis. Its sound engine is built around SCO (Sample-Controlled Oscillator), a high-resolution resampling system capable of reproducing natural analog behaviors such as frequency drift and evolving dynamics. Unlike typical static samplers or rigid waveforms, AL9’s oscillators breathe and shift like their analog ancestors.

This realism is further enhanced by the proprietary Superstereo system for natural stereo placement , the Age control that adds subtle imperfections, emulating the warmth of aged hardware and Integrated multiband dynamics processor inspired by the popular OTT compression paradigm, delivering musical glue and energetic punch.

Whether you're chasing nostalgia or forging new paths in sound design, AL9 provides an inspiring playground that rewards musicianship and creativity.

Beyond Emulation
The idea for THING originated during the development of Thing (TH8 – TH5) — an emulation of a classic 1980s DCO synth. During that process, a question arose: what if, instead of replicating digital waveforms, we could capture and reproduce the actual behavior of an analog VCO? What if we could push timbral diversity beyond the limitations of traditional synthesis methods?

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L-Fusion Electronics Introduces Analog Kicks 808+909 Eurorack Module

video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."



"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

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Custom Red Case E-MU Systems SP-1200 [7030 Edition] w/ Marvel Comics Dust Cover

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

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Ultra-rare Waldeck 70s US Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

Pics of the inside below.

"One of the rarest synths ever - this one is serial number 7 out of about 10 that were built. They were designed in the late 70s by Steven Waldeck, professor at the Art Institute of Chicago. Although there are so few of them there is a good deal of information gathered at the excellent matrixsynth site: https://www.matrixsynth.com/2016/05/more-info-on-vintage-waldeck.html?m=1 We had this example imported from the USA with the aim of having Dani at Hideaway do her magic - but sadly she has too many other projects on the go, and could give no idea of how many hours it would take - and how economically viable it would be. She did check it for electrical safety: 'If it was a 240V piece I'd say it would need some serious attention to detail and most definitely grounded - at 120V, I would say at the very least it should be checked over properly and some addition of sleeving/insulating sheet of the mains wiring on the transformer, fuse and switch terminals.' Bear that in mind along with Mark Verbos' honest appraisal of another example from the matrixsynth page, and consider it a fascinating project, inspired by the VCS3 but definitely not a VCS3. Good for sound effects and weirdness, but not accurately pitched notes. Dani's general verdict as it stands: 'This was clearly intended to be aimed more at making sound effects than to be used as a well calibrated and stable musical instrument - the whole thing is extremely drifty with very narrow usable control ranges on the oscillators - there is a fair amount that doesn't work but I still had some fun making some sort of recording with it to mark the occasion.' https://soundcloud.com/hideaway-studio/1978-waldeck-on-the-waldeck/s-2j3HAUd60BE (corrected URL!)"

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Sequential Circuits Prophet-T8 SN 000263 w/ Wine Country Certificate of Warranty

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

CLICK FOR MORE »