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Showing posts sorted by date for query The Way Up. Sort by relevance Show all posts

Thursday, October 15, 2026

Retromulator 1.11 - CA-72 Moog Model D Core Demo


video upload by discoDSP

https://www.discodsp.com/retromulator/



"The Minimoog has the voice many of us first fell in love with: a fat bass that sits under everything, a lead that cuts through any mix, a filter you can play like a second instrument.

The CA-72 by Idle Foundry rebuilds a 1972 Model D from the inside. Every board was transcribed from the service documents into SPICE netlists, and the real-time model was derived from those simulations and calibrated against a real instrument, so the oscillators drift, the ladder filter sings and the mixer breaks up the way the original does.

Its front panel opens right below the Retromulator rack. LO, HI and ULTRA quality trade CPU for detail, and offline bounces always render with the 4x engine. DOUBLE, SPREAD and ENTROPY add a detuned twin, stereo width and the small differences between two real units. Presets are .fxp files in Factory and User banks with .fxb bank import and export, selected by MIDI Program Change, and every panel control answers a MIDI CC."

Undersong, a walkthrough: turn audio into tuned particles (Max for Live and iPad)


video upload by ijo audio


"In this video I walk through Undersong, my audio effect that acts more like an instrument. It's out now as a Max for Live device and for iPhone and iPad.

Undersong is based on an idea I had for a live performance that ended up taking on a life of its own. Some of my past devices have been pretty immediate. You drop them on a track and they do the thing you're expecting. But this one really feels more like an environment that you have to get to know a little bit, kind of like a modular workstation full of ideas I like. They're often ambient leaning, but I think it's open to other types of music as well.

Tuesday, October 13, 2026

Novation Circuit Tracks Firmware Hack


It finally happened! Circuit Tracks Hacked! video upload by Guinan

"Thread is here,
/ circuithacks_is_out_now_unofficial_custom

Official Github,
https://github.com/Ghillermo/CIRCUITS..."

via Redit:

"NEW UPDATE: Beta1 is finishing internal testing and will be released soon. You can update with the upload tool. Thanks everybody for their input. I tried to include most of your requests (and some of my own) when it was possible, some of them I did my own take, trying to satisfy similar goals into a single approach. Now we have a couple new effects, you can save synth engine's patches, customize your macro Knobs from the device, pattern link, scene repeat, copy and re-arrange stuff inside or between packs... Check GitHub for a full list. All stock functions remain the same. Message me, submit a request on the GitHub or reply to this thread for fixes, new features or clarifications. A demo will maybe come, after a rest. If anyone wants to share theirs, be my guest."

Features for the archives, via Github:

Perfect Partners: How to hook up your M-Vave FM-1 to Circuit Tracks


video upload by Guinan

You can find part 2 further below.

You can find the M-VAVE FM-1 on Amazon. See dealers on the right for Circuit Tracks.

"I bought an M-VAVE FM-1 to add to my Circuit Tracks.

I love Yamaha DX sounds (checkout my previous MiniDEXED build and songs to see how much) and I think they work well with the Circuit Tracks. Building an equivalent MiniDEXED (like this one) now has ballooned to over $100USD* so at around $60 or so this is a much cheaper and interesting option.

Better screen
Bluetooth MIDI
Rubber keyboard
Easier interface
NO DIY

The numerous daily new firmwares adding new features and the very tempting price on the FM-1 was too much to resist so - here we are.

Introducing COLAPSO | Atomic Synthesizer Plugin by Imaginando


video uploads by Imaginando

Playlist:

1. Introducing COLAPSO | Atomic Synthesizer Plugin by Imaginando
2. Imaginando COLAPSO Demo - No Talking
"20 minutes of COLAPSO factory presets, played straight from the synth. Every sound you hear is built from the measured emission lines of real atoms.

🎹 Try it free, no time limit: https://www.imaginando.pt/products/co...

COLAPSO is an additive synthesizer where you don't choose the partials. You pick one of 22 elements from the periodic table, and its emission spectrum becomes the timbre. Each spectral line becomes a partial with its own level and its own decay, cross-checked against the NIST Atomic Spectra Database. The main control, Observation, trades time against pitch like the uncertainty principle: a broadband click at one end, a pure, stable tone at the other.

0:00 Breathing Cathedral 1:02 Aerosol 1:50 Drawbars 2:56 Adrift 3:39 Aardvark 4:38 Aeolus 5:29 Glass Taps 6:54 Longwave 8:07 Icicles 9:06 Ion Engine 9:57 Lyre 10:52 Nicolitious 11:38 Afar 12:31 Acrobat 13:12 Strobe 14:15 Tongue Drum 15:12 Tremolo Room 16:03 Trench Resonator 17:17 Violet Hour

πŸ’Ά Launch price: €69 instead of €89 until 1 November 2026, or rent-to-own at €8.90/month.
Also in the Synth Bundle with DRC and FRMS for €189."




"What does an atom sound like? Meet COLAPSO, the new atomic synthesizer from Imaginando.

Pick an element from the periodic table and its measured emission spectrum becomes the timbre. Every partial is a real spectral line, cross-checked against the NIST Atomic Spectra Database and transposed down into hearing range, with its own level and its own decay. One control, Observation, trades time against pitch like the uncertainty principle: a broadband click at one end, a pure, stable tone at the other, and a whole territory in between.

3rd Party Unofficial Sequential Prophet‑5 / Prophet‑10 Rev4 Firmware Mods



via GitHub

prophet-rev4-mods

version 2.3.0

An arpeggiator and a polyphonic step sequencer for the Sequential Prophet‑5 / Prophet‑10 Rev4, added to Sequential's own Main OS 2.1.0 as a firmware patch. You apply the patch to your copy of the official OS in your browser and install the result over USB like any OS update. Everything is controlled from the front panel.

Built on someone else's idea. The notion of patching the Rev4's firmware, and the proof that it works, belong to another person: an arpeggiator mod that circulated privately showed the way and set the control conventions this project keeps (A440 as the arp button, Bank/Group for modes, Glide Rate for tempo). This project began as additions chained in front of that mod and makes several additions — the polyphonic sequencer with rests and ties, the keyboard octave shift, tap tempo, patch memory, tempo divisions, and more.

New here? The walkthrough takes you through every feature at the instrument, step by step; the manual below is the reference.

Not affiliated with Sequential. This is a hobby project that modifies the instrument's firmware. Installing a modified OS is at your own risk and may void your warranty. Only the project's own code, tooling and notes are published here; Sequential's OS files are not redistributed, which is why you supply your own copy.

What it adds

Currents & Nostalgia - Using Velocity to Slot position for variation in two patches - Coming synth


video upload by Unusable Engineering

"In this video I am not showing off patches, but showing 2 different ways to utilize the slot system and velocity to generate different degrees of variation to patches. The patches are of course included as presets with the synth when it is available.

By using the velocity to position function - the velocity can move to entirely different oscillator settings or filter settings - or both at once. It can be combined with sweeping slot movement too for evolving patches.

The first patch in the video uses the oscillator slot system to increase detuning and feedback with higher velocity and some random movement from there. The filter is set up in a rather flat way across three slots letting mid velocities add extra drive and distortion to the sound.

The second patch is having 5 independent drum sounds set up by using no interpolation, thus giving 5 discrete velocity zones - one for each slot. The system is set up the same way for both oscillator and filter making it straight-forward to adjust the patch.

Sunday, October 11, 2026

X1L3 - ALLEYKAT - CLOSER πŸ₯”πŸ†πŸ‘ - 8580 SID - nine inch nails cover - eurorack module


video upload by X1L3

"Potato remake of closer by nine inch nails on the Alleykat module running an 8580 SID chip.

For the five people in the world who want to hear a potato version of the downward spiral in it's entirety, like piggy, consider it a teaser for the full thing. I thought how well this turned out worthy of it's own upload. God tier sexy interpretation of an already sexy bass line, some phatt for the masses filter action and so much voice multiplexing and element hopping that it ends up sounding like there's way more going on than three voices. Pretty happy with the outcome of this. I'd give it an A+ or an S in a 1986 teenager with C64 running and telly cranked to full volume kind of way :)

I suppose when the whole thing is done it'll make a decent demo of what the module is capable of when i get around to releasing it."

Moog Micromoog & Modular w/ AJH/MiniMod, Hermod+ analog synth jam


video upload by DreamsOfWires

"Testing my faulty Micromoog with some helpful modules from AJH Synth: My poor old Moog isn't scaling/tracking correctly, so the V-Scale module is being used to modify the 1V/Oct output of the sequencer to produce the correct notes. Video guide to how this was achieved: • Correcting Vintage Synths with V-SCALE - T... [below]

Normally the Micromoog follows a 0.95V/Oct voltage to pitch scale, but mine can no longer even be calibrated to this with it's internal trimmers, so until it can be serviced (probably with some new components), the V-Scale at least makes it useable with external controllers and sequencers.

Sequenced by the Squarp Hermod+, the synth's faulty tracking is then corrected using AJH Synth's V-Scale module, gates coverted by the AMSynths AM997 Gate to S-Trig converter.

Micromoog filter modulated by AJH Tap Tempo VC-LFO, random gate skip by AJH CHance Delay.

Drone is 3 AJH MiniMod VCOs into Matrix VCF.

Mixed in the Cosmotronic Cosmix Pro, reverb from FX Aid, delay from 2HP DLY, final mix recorded on the Disting Mk4."

Video guide to how it was achieved:

Correcting Vintage Synths with V-SCALE - Tackling Tracking & Tuning Problems #ajhsynth

video upload by AJH Synth Official

"Using V-SCALE to compensate for the tuning/tracking problems on one of my Vintage Synthesizers, this time a Moog Micromoog from the late 70's. Also, showing how PRECISION VOLTAGES can also be helpful, and bringing the TAP TEMPO VC-LFO, CHANCE DELAY, and the MATRIX VCF into a short performance demo - FULL performance video by ‪@DreamsOfWires‬ can be found here: • Moog Micromoog & Modular w/ AJH/MiniMod, H... [above]

V-SCALE at its simplest will function as a highly accurate buffered multiple, but four of its five outputs are adjustable by way of multi-turn trimmers. These allow for very gradual adjustments to outgoing CV signals, so that they can be made viable for synths or VCOs that are not scaling properly.

Here I'm adjusting/modifying a 1V/Oct signal from a sequencer so that it controls my old Micromoog correctly, but it could also be used with incoming signals other than 1V/Oct, or even to correct am incoming signal which itself isn't scaling correctly or as desired. Each trimmer has an adjustment range of +/- 5%.

My Micromoog's tracking is so far off that it cannot even be corrected using the internal trimmers on the synth, so I'm using the Keyboard Output (KBD) as the CV input, instead. of the intended OSC input. This method bypasses the keyboard, so the keyboard voltage isn't added to incoming control voltages, and so doesn't interfere with it. The only drawback is that the root key will have to be changed to match the notes on a keyboard. That's where the PRECISION VOLTAGES comes in - it can accurately offset an incoming control voltage by semitones and octaves, either up or down."

Designing a Module - Prototype itteration with Instruō


video upload by Instruō

"In 2015/16 Instruō began as a video project. Specifically a time-lapse of me designing the original troika module.
Ten years later, I’ve returned to that idea with ceithir, a winter holiday project I designed with video documentation in mind.

Before the first full sized (58HP quad) ceithir hardware prototype, I focussed on a single filter channel version. This video covers the second prototype iteration of this single channel version. It was a pretty significant revision from the first one, but paved the way for the quad design.
The filter core board was designed with this design, which remained almost fully unchanged in its final form (I changed one resistor value).

Friday, October 09, 2026

Tre Modular - State of Mind (SEQ first look)


video upload by Tre Modular

Additional State of Mind posts

"In this video we want to show you State of Mind's SEQ (Sequencing) engine.

SEQ moves through your saved snapshots. What is a snapshot? A snapshot holds all four channel voltages at the time you saved them, and State of Mind keeps eight of them. Put them in any order and SEQ plays them in a loop.

How it gets from one snapshot to the next is up to you, jump straight to the next, glide, or morph slowly across the whole step, with eight shapes to choose from. The rate runs from one step every twenty seconds for slow modulation to twenty steps a second, and the speed control pot is tapered so most of its travel covers musical tempos. Add swing and play forward, in reverse, back and forth, or in random order. You choose!

Every channel can go its own way. Give each channel its own clock division, its own shape and its own swing, so a bass line can move every four steps under a melody that moves on every one. Each channel also has its own gate pattern and gate length control.

Scenes take things even further. A scene saves all eight snapshots together with their sequence, tempo, shapes, swing, clock divisions and gate patterns, and State of Mind holds eight scenes. Switch scenes while it plays, and the change waits for the end of the loop, or chain them in any order to make a sequence of sequences.

In this patch, State of Mind controls the pitch of two oscillators, one playing the lead and one the bass. All four of the lead oscillator's waveforms go through Permida, and State of Mind chooses which one plays when. The bass goes through Shape Mod, and State of Mind moves the wave shaper's CV with a continuous shape, so its tone morphs smoothly from step to step.

www.tremodular.com"

MICROPHONIC: put the tube voltage back in your synths!


video upload by manmade madman


"MICROPHONIC: in the early days of electronics, analog devices were made with vacuum tubes and performed everything from logic to output amplification. The first Theremins were made with vacuum tube technology-- it was all that was available. Vacuum tubes were everywhere and in everything. But they had a flaw: they were inconsistent to manufacture, expensive to maintain, took time to warm up, generated heat, and could burn out like a lightbulb. Eventually, the world went solid state. It was cheaper, easy to maintain, and lasted longer.

But something got lost. Inside of tube mechanics were red hot voltages. As it turned out, these voltages were also somehow musical to our ears. Once the world transitioned to solid state, people started to miss the "tube sound" which was simply imperfect in a perfect way.

Meet MICROPHONIC.

Why to Still Love the Oberheim Matrix-6R, Even If There are No Knobs.


video upload by Nostalgic Explorer

"In 1986, Oberheim took the DNA of its flagship synths and squeezed it into a rack module... then removed every single knob.

That one decision is why the #Oberheim Matrix-6R still divides people today. It's also a synth that ended up in the racks of Orbital, Philip Glass, Tangerine Dream and many more. So which is it: a hidden gem or a headache?

Explorers, I powered mine up to find out. There's one thing everybody complains about on the #Matrix6R, and I've got a different take on it. Then I hooked it up to my Elektron Digitakt, went digging through the patches, and found a few sounds I didn't want to stop playing.

Stay for the jam at the end. That's where this #VintageSynth really shows what it's made of.

00:00 – A Mid-80s Exploration Begins
00:18 – The Affordable Oberheim: Meet the Matrix-6R
03:09 – Sequencing From the Elektron Digitakt
03:34 – No Knobs? Let's Talk About It
04:00 – Finding Your Way Through the Presets
04:26 – Editing a Patch From the Front Panel
05:40 – Where the Modulation Magic Lives
06:13 – Splitting the Keyboard
06:37 – The Sounds Begin
11:10 – Let's Jam
14:13 – Final Thoughts"

Thursday, October 08, 2026

Meet the Stylophone Mini - A Playable Stylophone Keychain Synthesizer



You can find the Stylophone Mini at Perfect Circuit and Amazon.

Press release follows:

The Stylophone Mini puts iconic synth sound in your pocket...

The fully playable miniature instrument combines a metal keyboard, stylus and speaker in three collectible colours

The Stylophone Mini is a pocket-sized, fully playable celebration of one of electronic music’s most recognisable instruments.

Inspired by the original Stylophone, first introduced in 1968, the Stylophone Mini shrinks the unmistakable synth experience into a compact format made to travel. It is small enough to carry with your keys, clip to a bag or keep close at hand, yet it can still be used to play real melodies with the familiar stylus and distinctive Stylophone sound.

From David Bowie to Kraftwerk, countless artists have used Stylophone synths since 1968 and Stylophone currently offers an extensive range of products for the home and studio.

More than a collectible, the Stylophone Mini features a miniature metal keyboard, functional stylus and integrated speaker. Its simple, hands-on design makes it easy to pick up and play wherever inspiration grabs you.

Designed for music fans of all ages, it turns spare moments into opportunities to experiment, create simple tunes and share sound.

With no cables, apps or additional equipment required, the Stylophone Mini offers an immediate way for newcomers to discover Stylophone and for longtime fans to carry a little piece of synth history with them.

John Simpson, CEO Stylophone says "Stylophone is an iconic brand and we wanted to create something that allowed fast, easy creativity and also showcase a beloved synth. In the age of AI, we wanted to make something simple, fun and real".

The new model will be offered in three collectible colours: original, white and pink.

Launch date: October 8th.

Wednesday, October 07, 2026

Rob Papen Introduces QUAD-2


video upload by Rob Papen

Press release follows:


Rob Papen announces availability of QUAD-2 virtual instrument plug-in as followup to QUAD, initially introduced as Rack Extension synthesizer for Reason

ECHT, THE NETHERLANDS: Rob Papen Inspiration Soundware is proud to announce availability of QUAD-2 as a followup to QUAD — initially introduced as its first Rack Extension synthesizer built from the ground up for the-then Swedish software company Propellerhead’s popular Reason platform (anchored around a user interface mimicking a rack full of equipment, allowing instruments, effects, and mixers to be linked together in order to create a complete production setup) back in October 2014, before popular demand drove the Dutch virtual instrument and effect plug-in developer into making it more widely available as an AAX-, AU-, and VST-compatible virtual instrument plug-in for Mac and PC in April 2020 — with an updated user interface and added features, as of October 7…

Still Lovin' UDO DMNO - BigStarSweep custom performance patch playin'


video upload by Pork Chop Synthesizers

"With all of the fresh UDO DMNO discussions this past 24 hours following the announcement of the new UDO DMNO desktop unit and ON system for expansion, I wanted to give my "OG" keyboard some lovin'. I locked myself away in my basement studio space long after the sun went down and went to town on some sound design. I came up with a couple of other ideas still simmering in the sonic Crock-Pot, but this one felt pretty ready for prime time. This obviously isn't an entirely new sound, but I tried to sprinkle on a little bit of extra UDO magic within it, and I hope you all enjoy!

Stick around for the whole video, as I bring in one of my favorite little friends part-way through. 😁"

Tuesday, October 06, 2026

WMD Channel Surfer (CHNL SRFR) – Features & Controls Explained


video upload by WMDevices

"Channel Surfer (CHNL SRFR) is a 4HP stereo channel strip that combines three modules in one: a 3-band EQ, performance filters with drive, and a 9-effect processor with stereo ducking. A three-way switch selects which section the three knobs control, and all three sections run at the same time. Settings stay where you leave them when you switch. Channel Surfer has its own stereo ins and outs, so it works anywhere in your system. It also connects to the channel insert headers on the back of the Performance Mixer MkII, which keeps your front panel patching clean.

In this video, Alex covers installing Channel Surfer on the Performance Mixer MkII, the EQ with shiftable band frequencies, the low pass and high pass filters with resonance and post-filter drive, a tour of all nine effects, sidechain ducking, saving and loading presets, and assigning the CV input to any main knob parameter.

Chapters
0:00 What is Channel Surfer?
0:55 Connecting to the Performance Mixer MkII
3:13 Power
3:22 Patch setup and bypass
3:56 3-band EQ
5:07 Performance filters and drive
7:13 Effects: dub echo
8:32 Reverb
9:20 Saving and loading presets
10:02 Effects
11:39 Stereo ducking
12:29 Ducking a chord with a kick
13:53 More on presets
14:46 Assigning CV
16:20 Wrap-up"

Introducing DMNO ON — Desktop Synthesizer


video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

Monday, October 05, 2026

Brooklyn Synth & Pedal Expo Returns with Over 100 Brands to Discover - October ‎17–18


video upload by Sanjay C

Video from last year's show above.



Press release follows:

"BROOKLYN, NY — The Brooklyn Synth & Pedal Expo, perhaps the biggest East Coast event dedicated to electric and electronic gear for musicians with over 100 brands on display, returns to Greenpoint on October ‎17–18, transforming a 7,000-square-foot warehouse into an immersive playground for music creators.

Presented in partnership with the legendary synth store Three Wave Music and local up-and-coming guitar shop Tonewolf, the Expo offers a strictly in-the-headphones experience — letting attendees demo the latest synthesizers, effects pedals, and modular gear from over 100 brands in a noise-friendly environment.

Nestled in one of Brooklyn's most vibrant musical corridors, the show is expected to draw more about 2,000 visitors, a mix of musicians, producers, and gear enthusiasts.

"Intro to Synthesis" Workshops
This year, the Expo expands beyond its large exhibition floor with a new lineup of educational workshops focused on synthesis — from hands-on patch-building sessions to deep dives into modular workflows, led by working artists and builders. A schedule of the workshops will be announced soon.

Thursday, October 01, 2026

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/
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