Hello Darkness My Old Friend - Arp Of Darkness v1.4.0 Free Firmware Update & Features

video upload by FlatSix Modular

"Arp Of Darkness firmware v1.4.0 is here, and it's a significant one. Three new features that change how you interact with the Arp Of Darkness on the fly — here's what's new.

CV Keyboard Mode — Hold the High C (Shift) button at boot and you drop into a full monophonic CV keyboard, complete with gate output and portamento via the pot. No need to swap firmware just to play a few notes. It's the same keyboard mode from Shroud Of Turing, now living inside the Arp Of Darkness.

Remix Buffer — A short dual-tap of Octave Up + Octave Down shuffles your note buffer order on the next clock. The notes themselves stay the same — only the sequence changes. It's a quick, surgical way to break out of a pattern without losing the phrase you built.

Auto-Remix — Want the buffer to shuffle itself? Auto-Remix does exactly that, automatically reshuffling every 2, 4, or 8 loops. Activate it queued (waits for the end of the current loop) or immediate (fires on the next clock) — your call. Deactivate with the same dual-tap that triggers a manual remix.
Together, these features make the Arp Of Darkness significantly more alive in a live performance context. You can let it breathe and evolve without ever stopping the clock.

Full documentation + free firmware download: https://www.flatsixmodular.com/firmware
Each module in the Nocturne Alchemy Platform shares the same hardware — so if you own any FlatSix module, this firmware is already yours. Swap away."

introducing splines

video upload by Þ

"A first tour of the new splines eurorack module by thorn.audio out now.
For more information please visit the manual page at:
://thorn.audio/splines"

This one was sent my way via Meska.

"Splines is a visual vector curve generator in Eurorack format, with a wide frequency range and a built in quantizer, cv scope and cv processing capability.

It can be used in ways similar to a wavetable VCO, LFO, step sequencer or envelope generator.

Onboard quantizer scales, backups and firmware updates are managed as you would use an external USB drive.

It’s a small, shallow, multifaceted addition to any setup, and for touring rigs it can fill many roles in exchange for little space and weight.

in depth.
In the technical sense "splines" are most commonly used in 3d modelling, animation and vector graphics. It's essentially just a way of creating a curved path from one point to another.

In this module, you have up to sixteen user configurable points or nodes which function much like a step sequencer, where the X axis represents time and the Y axis represents voltage.

When the phase(time) reaches the X position of a node, the 1v/oct output changes to the Y position value of that node.

Each of the sixteen nodes also has a configurable trigger setting, determining if the gate output goes high when the phase crosses the X position of the node.

The nodes are connected by a spline and the shape of this spline is determined by three parameters; Tension, Continuity and Bias. The spline output gives you a voltage following this curve.

Tension changes how extreme the curve between the nodes is.

Continuity sets the angle of the spline at the node.

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FILTER FM (STYLOPHONE PATCHBOOK 2.0) - CPM DS-2 ANALOG DRONE SYNTH

video upload by Stylophone

"CPM DS-2 ANALOG DRONE SYNTH
The FILTER FM patch works by moving Drone 1’s cutoff around at audio rate.
Start by turning down Drone 1 so we can just hear Drone 2.

Pitch Link is switched on, and the pitch is set to the middle. This means any changes to the pitch in Drone 1 will also be matched in Drone 2.

The output is set to a saw wave, and we’ve got the LFO linked to pitch, with the LFO depth turned up just slightly. This means the pitch will drift around a little bit.

Resonance is turned down and the cutoff is all the way open. This means we just get the raw output from Drone 2. Turn its volume all the way up, but plug in a patch cable — we’ll need this later.

Over on Drone 1, the pitch is set to 9 o’clock. We also have a saw wave selected, but the routing switch for the LFO is set to X-Wave. This stops it from affecting the pitch.

We’ve got the cutoff set to 12 o’clock and the resonance at 3, giving us quite a big resonant peak.

Now, when we plug the output of Drone 2 into the cutoff of Drone 1, the filter is going to get moved around at audio rate.

For a more extreme sound, try turning up the pitch LFO on Drone 2.

Also, add a bit of reverb.

WANT MORE PATCHES?
Download the new Stylophone CPM Patchbook 2.0: https://bit.ly/4nTh36w"

Move got HACKED!!! w/ Native Classic Synth Engines

video upload by AudioPilz

"Hey everybody, as frequent viewers of this channel will know Ableton Move was an instabuy for me when it was released in 2024. Seamless integration into Live, tried and tested instruments and FX and a slick form factor turned my gear acquisition syndrome up to 11.

Unfortunately, the little groovebox had been collecting dust ever since - mostly because of a lack of essential features we will talk about in a bit.

However, not only did Ableton iron out major flaws in firmware 2.0 - Move also got hacked in the most beautiful way possible and is now capable of running classic synths right on the machine.

Move got HACKED!!!
Classic Synths on Move

Chapters:
00:00 Introduction
00:40 What is Ableton Move??? (Official Update)
02:04 What's New???
02:20 Schwung (formerly Move Everything) Hack Installation
03:23 How to use Schwung
03:46 Schwung Structure
04:44 Additional LFOs
04:57 Legal Disclaimer
05:16 Instruments ( Yamaha DX7 , Access Virus , Roland JV-880 ,...)
06:58 Schwung Effects
07:28 Schwung Jam
07:56 Workflow Improvements ( Stem Separation , Autosampler ,...)
09:01 Outro"

AMYboard - the $29 DIY modular synth running Python.

video upload by Brian Whitman

via Brian Whitman of AMYboard

"Today, we’re launching a new music hardware platform! Meet the AMYboard, a 10HP modular-sized synthesizer brimming with inputs and outputs for digital and analog audio, MIDI, and two CV channels. The AMYboard firmware runs Micropython, and can be controlled and programmed over the web, where you can share your own creations with others. You can also use AMYboard in Arduino to create music devices of your own design. It’s only US$29.90 - a very inexpensive way to get started making your own modular-capable synths. It can be powered over USB or a 10-pin modular power cable, and comes with a 10HP laser-cut faceplate. You can buy one today!

AMYboard is powered by AMY, the synthesis and effects toolkit that DAn Ellis and I have been working on for the past few years. AMY is a beautiful-sounding, efficient re-creation of classic analog synths – like the Juno-6 – and FM synths – like the DX-7. It can also act as a sampler, play WAV files, or let you make your own synthesizer setups in code from bare oscillators, effects, and filters. AMY is open-source and runs on all sorts of hardware. It already powers some neat synths like the Diapasonix, the Spark, and our own Tulip Creative Computer. AMYboard is our “reference hardware” for AMY - running the same ESP32-S3 as Tulip with 8MB of RAM, but with new features including both analog and S/PDIF (digital) audio input and output, enabling live effects, sampling, and filters. We’ve also added an SD card for sample storage, and an I2C host port for connecting your own displays and knobs!"

AMYboard launches with AMYboard online – a web based simulator and control surface for the AMYboard. You can experience AMYboard online before even buying an AMYboard. AMYboard online runs the same core engine as the AMYboard hardware (ported to WebAssembly) so you can set up and interact with the synthesizer over the web. When you’re ready, you plug in your AMYboard, download your patch, or control it in real time over the web, including the capability to edit and store code on your hardware that will boot up the next time you turn it on. AMYboard’s default firmware allows anyone to code their synth creations in MicroPython running on the hardware; the AMY synthesis engine itself runs in bare-metal C, but you can load your own “sketches” onto the board to build complex environments. For example, here’s a generative house track with a Derrick May custom “WOODPIANO” FM patch. Or here’s a TB303 + 808 acid setup. Or add a filter and reverb to a DX7 patch. AMYboard online also comes with AMYboard World, an online community for AMYboard users to share sketches with each other. We’re really excited to see your cool creations, please do share them!

See Brian Whitman's full post on AMYboard for additional details and links.

Voltage Starved Compression Goodness with Hungry Thumb

video upload by Robots Are Red and Hive Mind Synthesis

"Hungry Thumb, by Modular 4 the Masses.

This is an 8-10hp Voltage Starved Compressor module with additional side chain and EQ.

Thank you to Modular 4 the Masses for providing the module for this video."

00:00 - Intro
00:45 - Demo with Kick only
06:58 - Full Drums
09:14 - Plucky Voice
12:00 - Full Mix

HungryThumb is a Eurorack adaptation of a compressor named Engineer's Thumb, typically built as a guitar effect pedal. Juanito built an Engineer's Thumb early in the tin can synth journey, naively replicating the 9V core of the circuit, and then didn't really know what to do with it.

Until they put an 808 kick drum through it. As a kick drum processor, this compressor shines brightly, especially when the Starve settings reduces the core circuitry voltage to 9V and lower. You can get even the purest 808-style kick drum signal, which will be mostly a sine wave, to crunch, clip, gate, fizz and fold. Do you need hardstyle kicks in your modular? This can get you there.

The Engineer's Thumb this circuit is based on uses an LM13700 OTA chip as the adjustable gain portion. These chips are a bit noisy, so an innovation of Engineer's Thumb was to put the gain section in an op amp inverting feedback loop, meaning while the compressor is set to its highest gain, the OTA is set to its lowest gain, and will theoretically be creating less noise. The theory checks out, but I'm not sure how much we Eurorack people care about noise floor.

CLICK FOR MORE »

Sound design with pictures - Sumu + img2utu

video upload by Madrona Labs

"In this video Cam gives you a tour of his new tool called img2utu. It can turn any picture into a partials map for Sumu, giving you a rich source of spectral sound design inspiration, or a way to hide your own pictures in the frequencies of your music! The idea is simple: every image has structure, and that structure translates into something Sumu can play. Brightness becomes amplitude, position becomes pitch, and the result is a living spectrogram you made from your picture. Whether you're feeding it vintage textures, fractal geometry, or a photo of your eggs and toast, img2utu opens up a completely different approach to building sounds from scratch. No synthesis experience required! Just a picture and some curiosity. Instructions work for Mac and Windows. Follow the links to Cam’s images and patches.

Sumu:
https://madronalabs.com/products/sumu"

X1L3 - ALLEYKAT - DEV - NINE LIVES - NO REGRETS - module test build - swinsid - eurorack module

video upload by X1L3

The ALLEYKAT gets a front panel.

"First and flawed test build of the Alleykat module.
Nine lives - no regrets......

Completed the next schematic revision today ready for submission to fab. In doing so i ended up spending an hour on this flawed test piece knocking this up for a bit of fun.

When you consider how good it sounds (in a c64 kind of way) in it's current state, it becomes quite obvious how cool it will be when the filter is online and all the parameters are active. The test boards had numerous errors on them which have rendered the ring/sync and octave hopping inactive. The filter cutoff and resonance were also mis-routed in the schematic which rendered the filter unusable.

Swinsid in circuit this time. Does a decent enough job, but i've yet to see how it performs in comparison to a real SID or a superior clone when the ring/sync and filter come into play. The only difference i hear using just the waveforms and pwm compared to the usual 8580 i use for testing is that the swinsid doesn't sound as bright.

With a bit of luck i've fixed everything that was wrong with the first attempt and the next revision will work properly."

Superbooth 2026: Twelve Things That Actually Caught His Eye

video upload by SynthDad

"Superbooth 2026 just wrapped up and here are the things that caught my eye over the week. As always there was way more to see than I could cover, so this is just my personal highlights from what I got to spend time with.

Let me know in the comments what stood out for you this year, and if there's anything you want me to do a deeper dive on in a future video.

Timeline:
00:00 Introduction
00:20 Elektron Outbox
01:26 Boredbrain Xcelon SL mixer
02:01 Ohmforce Bohm new kick model [& new Ohmni]
03:09 Quray gesture controller
03:38 Mimu glove controller
03:56 Making Sound Machines Plinky Chords
05:00 Bastl Kalimba
05:48 Enjoy Electronics Memento
06:58 Shakmat Queens Court
07:46 Neuzeit DROP new volume rings
08:08 WMD Cosmic Debris
09:03 Xaoc new modules
09:33 Thanks again!
09:51 Live performances"

Modal Electronics Introduces Element One

video upload by Davide Puxeddu

"Put on your headphones 🎧. This is a pure, no-talking sound demo of the brand new Modal Electronics ELEMENT ONE synthesizer, an 8-voice virtual analog powerhouse.

I had the incredible honor of participating in the development and sound design of the Element One (created alongside the Hartmann Design team). In this video, I am jamming with the factory presets—which are actually the very patches I designed for this synth! I’m exploring random sounds, tweaking them on the fly to show you the true sonic potential of its 64 oscillators, morphable filters, and stereo FX. Everything is played live using the 37-key aftertouch keyboard and 4-axis joystick."

Modal Element One: a sophisticated synth 'repackaged' in an accessible keyboard – Sound demo

video upload by MusicRadar Tech



THE SYNTH FOR PEOPLE WHO JUST WANT TO PLAY

You’re a musician, not a computer programmer. Whether you’re a keyboard player who wants to fire up a searing solo, a guitarist looking for that perfect atmospheric pad, a drummer wanting to trigger massive electronic textures, or a vocalist needing a lush harmonic bed, you shouldn’t have to learn “synth science” just to get a great sound. Meet ELEMENT One—the 8-voice virtual-analog synthesizer designed to feel like an instrument, not a science project.

CLICK FOR MORE »

Nonlinear Labs - C25 | SUPERBOOTH 26

video upload by Bonedo Synthesizers

"The C25 is our new performance synthesizer. Building on the expertise from the C15, it combines outstanding playability, an intuitive user interface and advanced signal processing.

The sound engine responds to every playing nuance with high expressiveness and has access to the huge preset library of the C15.

With the touring musician in mind, the C25 comes in a compact, lightweight and robust housing. Most of the components are manufactured in Europe with a passionate focus on durability and sustainability.

The C25 is designed to serve as a platform for future developments and will also support synthesis or effect engines from third-party developers. Therefore it remains adaptable and up-to-date in the long term.

Features

Expression
The high-quality Fatar TP/8S keybed is combined with continuous sensors developed by Nonlinear Labs. The keys become polyphonic modulation sources, offering control by the vertical position of the key, its velocity or the aftertouch pressure.

CLICK FOR MORE »

Introducing RANDOM8: 8 Looping Random Voltages in 8HP

video upload by mylarmelodies and Befacosynth

"**OUT JUNE 15TH - MORE INFO HERE & DEALERS: https://www.befaco.org/random8 ** 🙌 HELLO M8! Please meet the module I've been making with Befaco! 🟠 RANDOM8 is a random voltage generator designed bring a whole modular to life, in the smallest possible space. You get 8 independent random voltage generators, with dedicated per-channel looping buttons and attenuators, in just 8HP(!) It's what I've wished I could have in my live modular for a long time - a stupid amount of per-step modulation in a small space, yet you can control the looping instantly.

RANDOM8 is previewing at the Superbooth 2026 show in Berlin May 7-9 2026, and in dealer hands for sale on June 15th. Visit Befaco's tent at Z180 to give it a squiggle!

There is a limited batch to start with and more will follow. Thank you, M8s."

CLICK FOR MORE »

PolyFreq Introduces Phonon Plug-In Debut as Precision Granular Laboratory for Sonic Alchemy

video upload by PolyFreq

Press release follows:

PolyFreq pitches availability of Phonon plug-in debut as precision granular laboratory for sonic alchemy

BRISTOL, UK: boutique musical tools-maker PolyFreq is proud to announce availability of Phonon as its debut plug-in — pitched as a precision laboratory for sonic alchemy, built around a high-quality sample granulation engine with root note detection, four keyboard follow modes, and legato giving it real versatility as a playable instrument — as of May 5…

Acting as a musical synthesiser first and foremost, Phonon is designed for very intentional, controllable reconstruction of one source, leaning into synchronous granular or ‘graintable’ synthesis. Sub-sample grain scheduling and separate grain rate and density controls open new vistas of repeatable, controllable timbre and tempo across macro and micro parameter ranges. Reality dictates that where other granular synths default to randomisation or multiple sources, Phonon provides users with complete control over every grain — from classic textural clouds to malleable ‘grainwave’ synthesis. Indeed, it is equal parts laboratory and playground.

“Phonon’s development was inspired by the great creativity of early granular work from composers such as Wishart and Roads, and the deep listening of Oliveros, with a desire to make this wild, creative territory more accessible to electronic music production and sound design, without stripping away what makes it strange and inspirational.” So says PolyFreq founder Nick Mariette by way of an illuminating introduction. It aims for ease of use, with a simple drag-and-drop workflow for modulation, and most features are immediately visible, with minimal menus or hidden options. And a flexible array of audio-rate modulation sources provide huge scope for patches that respond and evolve, including LFOs (Low Frequency Oscillators), envelopes, sample metadata, sequencers, MIDI (Musical Instrument Digital Interface) control data, and various noise flavours.

Features additionally worthy of the edited highlights treatment here include Phonon’s granular engine — eight voices of polyphony with up to 256 grains per voice and sub-sample precision that bridges the gap between classic textures and sharp ‘graintable’ synthesis; effects — shape sounds with a character-driven signal chain, from saturating drive to resonant filtering, as well as a utility reverb for glue or depth; presets — easily capture, export, evolve, and share sonic creations with sample embedding and eight-way snapshots; and drag-and-drop workflow in a resizeable interface for easy enjoyment as a standalone instrument or for plug-in-based DAW (Digital Audio Workstation) production.

Phonon’s uses are almost endless — think time stretching; pitch shifting; sample mangling; sound design; classic textural, granular clouds; synchronous, tuned granular tone creation; creating a synth from any sample; rhythmic grain generation, synced to host; beat retiming and timbre distortion; and more besides. Back to Nick Mariette: “Phonon is intended for reshaping beats and designing synth leads as much as for losing time in ethereal granular atmospheres; I hope it will connect people to listening differently, discovering the sounds within sounds.”

Anyone attending SUPERBOOTH26, May 7-9, FEZ-Berlin, Germany is hereby encouraged to swing by Booth H116 there, where PolyFreq will be showcasing Phonon to the musical masses assembled and Nick Mariette himself will be on hand to personally provide a warm welcome with an open invitation to discover those sounds within sounds. Spanning chaotic clouds to precise synthesis, controllable sonic alchemy is there for the taking so why not take this hands-on opportunity to discover and delight in vibrating matter differently with Phonon!

Phonon is available to buy as a standalone or VST3 plug-in for macOS (10.13 or later) and Windows (10 or later) at a 33% launch discount — duly rising thereafter to its full price of $89.00 USD (excluding tax)/€76.00 EUR (including tax)/£68.00 GBP (including tax) — directly from PolyFreq here: https://www.polyfreq.com/products

For more in-depth information, please visit the PolyFreq products webpage here: https://www.polyfreq.com/products

SEQUENTIAL FOURM: 4 voces analógicas para recrear un clásico

video upload by Hispasonic

Click CC for subtitles at the bottom of the player once the video starts.

Video descpription in Googlish:

Instead of a traditional review of the Sequential Fourm, we decided to take a different approach: putting it to work on a specific track. And not just any track: "Fade to Grey" by Visage—an absolute classic of 1980s British synth-pop. Every melodic and accompanying track you’re about to hear was created exclusively using the Fourm, starting from factory sounds (drawn from the approximately 300 initial presets) with only minimal tweaks. The only element not provided by the synth is the drums: an AI-generated Roland CR-78-style pattern, occasionally reinforced with a kick and snare from Logic’s sound library.

Along the way, Pablo demonstrates how to truly harness the power of a modern polyphonic analog synthesizer: polyphonic aftertouch (key for the lead vocal line, where some notes come alive while others fade out completely), intense mixer feedback (ranging from subtle thickening to nonlinear behavior with "ghost" harmonics), audio-rate filter modulation from Oscillator 2 (adding anything from brightness and vocal-like character to total sonic breakdown, depending on the intensity), glide for creating transition sweeps, and the LFO in random mode feeding the filter to ensure every note sounds unique.

We also cover specific recording techniques: layering basslines via MIDI using two different sounds and panning them; doubling hand-played pads so that the two takes aren't identical; and recording a MIDI pattern to free up both hands, allowing you to perform real-time timbral tweaks—adjusting the filter, resonance, and modulation intensity—during the actual audio recording.

📝 A quick refresher on the Fourm: a compact 4-voice analog synthesizer featuring two VCOs per voice, a 4-pole low-pass filter derived from the Prophet-5, one global LFO, two ADSR envelopes, a mixer with feedback capabilities, no internal effects, a mono output, a 37-key "slim" Tactive keyboard with polyphonic aftertouch, and a modulation matrix—inherited from the Pro-1—that is directly accessible right on the front panel. 00:00 Original vs. Fourm Version
00:24 Intro
01:35 Fourm Features
03:34 Polyphonic Aftertouch
04:57 "Fade to Grey" Intro
07:07 Bass
08:34 Chords
10:17 Sweep
12:32 Melody
18:50 "Clavi" Sound
19:34 Drums
20:39 Full "Fade to Grey" Version

Introducing Osmose CE

video uploads by Expressive E

Playlist:

1. Introducing Osmose CE — Trailer
2. Osmose CE - The New Generation Of MIDI Controllers
3. Osmose CE — Overview
4. Osmose CE — DAW Control with Ableton Live
5. Osmose CE — DAW Control with Cubase
6. Osmose CE — DAW Control with Logic Pro

Osmose CE // A MIDI Keyboard That Feels Alive // Review & Tutorial

video upload by loopop

Press release follows:

CLICK FOR MORE »

Introducing Cre8audio Programm - MIDI and CV Sequencer

video upload by Cre8audio

Check with dealers on the right for availability.

"As electronic musicians, we’ve used every sequencer under the sun. We loved the speed of some and the randomness of others, but we hated having to choose. So, we built PROGRAMM.

It’s a creative playground that bridges the gap between human performance and algorithmic generation. Whether you’re meticulously stepping in/playing a melody or using real-time randomization to find new textures, PROGRAMM keeps up with your brain. And for those moments where you accidentally forgot to hit record before playing the best sequence you’ve ever written? We built an always-ready recall function to save your soul (and your track)

Total Versatility: Step it in, play it in, or let the machine take the lead.

Controlled Chaos: Dive into deep generative tools and real-time randomization that stay musical.

Are you bilingual? Programm is: MIDI and/or CV Programm loves both!

Be hands-on (and quickly) - with its 6 orange knobs you can tweak the main parameters per step with speed and without menu diving.

PROGRAMM is built for the sketch and the deep dive. Fast enough for your first idea, deep enough to take you the whole way."

User videos:


Playlist:

1. The Ultimate Compact MIDI & CV Sequencer? Cre8audio Programm - Starsky Carr
2. Cre8audio Programm Sequencer Review - Molten Music Technology
3. The Perfect Compact Sequencer?! Cre8Audio PROGRAMM REVIEW - BoBeats



"Cre8audio Programm - Intuitive Performance MIDI and CV Sequencer

We get it, because we’ve been there.

As electronic musicians, we’ve used every sequencer under the sun. We loved the speed of some and the randomness of others, but we hated having to choose. So, we built PROGRAMM.

It’s a creative playground that bridges the gap between human performance and algorithmic generation. Whether you’re meticulously stepping in/playing a melody or using real-time randomization to find new textures, PROGRAMM keeps up with your brain. And for those moments where you accidentally forgot to hit record before playing the best sequence you’ve ever written? We built an always-ready recall function to save your soul (and your track)

Total Versatility: Step it in, play it in, or let the machine take the lead.

Controlled Chaos: Dive into deep generative tools and real-time randomization that stay musical.

Are you bilingual? Programm is: MIDI and/or CV Programm loves both!

Be hands-on (and quickly) - with its 6 orange knobs you can tweak the main parameters per step with speed and without menu diving.

PROGRAMM is built for the sketch and the deep dive. Fast enough for your first idea, deep enough to take you the whole way.

MSRP $399.99 - Estimated Street $349.99"

CLICK FOR MORE »

Dual Roland MKS-80 Super Jupiter - Gemini series with Retroaktiv MPG-8X

video upload by MIDERA

"I fixed my friend's Roland MKS-80 Super Jupiter and also replaced his screen with a OLED (wow it looks a lot better than the old screen). He also had another one he loaned me in case I want to buy that from him... so I did what any sane person would do, hooked them up together and played something. Nothing spectacular of course, but this was one of my noodlings.

I also used the Retroaktiv MPG-8X, which was way nicer than using the screen to edit!"

Make Noise NUSS | Immediacy vs Flexibility?

video upload by Braintree56

"This video is all about the Make Noise New Universal Synthesizer System.
What I keep coming back to is this idea of tradeoffs.
This system offers a lot of immediacy. It’s fast, playable, and designed in a way that makes it easy to get interesting results quickly. But at the same time, that design comes with some limitations in flexibility and creative control.

In this video, I wanted to explore that balance.

To me, this doesn’t really feel like a traditional modular system made up of independent modules. It feels more like a single instrument that’s been broken into parts—and that changes the way you approach patching."

Anukari: A 3D Physics-modeling synthesizer

video upload by CatSynth TV

"We take a deep dive into the world of 3D physics-modeling synthesis with Anukari, which we first discovered at #NAMM earlier this year. This instrument allows you to manipulate masses, springs, various excitation sources (including external audio) and pick up the vibrations of the objects with microphones. It's a very different way of creating sounds than the typical software synthesizer, and presents unique possibilities. This approach also has unique challenges, and takes a while to learn and longer to master. Fortunately, there are a lot of great presets and templates to get you started.

To find out more, please visit https://anukari.com

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: / catsynth
Ko-Fi: https://ko-fi.com/catsynth

00:00 Introduction
00:26 Overview
01:34 A demo with the Tuned Resonator Bank preset
03:00 Bodies and springs
04:46 Exciters
10:10 Microphones
12:18 Macros and modulators
17:41 Building systems with multiple bodies
26:35 Factory Presets
33:44 Audio input - using Anukari as an effects processor
34:35 The default effects preset
36:33 More effects presets
39:37 Conclusion"

AW NOISE MAKER, a glitched troublemaker noise synth

video upload by AudioWanderer

"The AW noise maker is a non-idiomatic instrument made not to be controlled or understood in any manner. Based on poor signal-to-noise ratio transmissions and glitch aesthetics. The key to playing with this noisy device isn't to reach perfection in its operation or trying to predict the way it works to achieve similar results every time it is used. In fact, the machine is programmed to be unpredictable every time it is connected due to a carefully designed randomization mechanism that modify the conditions used by the device when it boots up. So, you never know exactly how it will sound or how the filters will work the next time you play with the AW noise maker.

Another funny thing about this device is the glitched display. A mess of pixels and line iterations once you start to push buttons and twist knobs there transforming the display into another source of chaos and uncertainty. That's the spirit behind this little gadget: to express the turmoil and instability that we are living in. Use this machine as a way to meditate above the noise... with the noise. AW noise maker will be available soon. Limited units. Register your interest for this gadget from hell here:

https://audiowanderer.com/AW/aw-noise..."