Superbooth 2026 Highlights | Voltage Labs

video upload by Voltage Labs

"This year at Superbooth, we found some seriously inspiring instruments - here are a few of our highlights. Soma showed one of the most forward-thinking instruments we came across, with a truly unique interface. Richie Hawtin and Erica Synths introduced the latest Bullfrog edition: Drums.
Buchla also caught our attention with Ziggy a compact new take on their iconic West Coast sound.
Polyend is aiming high with their new analog-digital hybrid drum machine, possibly their most ambitious project yet. And one of the most fascinating discoveries for us was Tembo: a wooden drum synthesizer that looks beautiful and sounds unlike anything else.

Interesting bits and pieces:
00:00 Intro
00:17 Buchla Ziggy
02:00 Soma Enigma
03:00 Superbooth & Schwarzmann (Live)
04:00 Erica Synth x Richie Hawtin´s Bullfrog
07:00 Polyend Drums
08:20 Tembo"

Apaeron Afour | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"Apaeron’s AFOUR is one of the more intriguing new synth projects emerging around this year’s Superbooth 2026, combining a compact four-channel architecture with an unusually hands-on interface featuring 44 knobs, a built-in looper, arpeggiator and modulation matrix. Designed around immediacy rather than menu diving, the instrument positions itself as a performance-focused hybrid synth aimed at fast, tactile experimentation."

Tembo | Musical Beings | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"Musical Beings’ Tembo is shaping up to be one of the most distinctive music tech releases of the year: a wooden drum machine and sampler that replaces traditional sequencing with a tactile grid of magnetic pieces designed for playful, hands-on beatmaking. Combining an approachable, almost toy-like interface with serious studio features such as sampling, effects and MIDI connectivity, Tembo positions itself somewhere between an educational instrument and a fully fledged creative tool."

Musical Beings made its first appearance on the site in this previous post.

Polyend Drums | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"With their new analog-digital hybrid drum machine Polyend is going for their most ambitious project yet. Let's have a listen."

Buchla Ziggy | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"Buchla’s Ziggy is one of the standout synth announcements surrounding this year’s Superbooth 2026, distilling the company’s famously expensive West Coast philosophy into a compact desktop instrument priced at just under $1000. Combining analog complex oscillators, low-pass gates and wavefolding with modern digital control, presets and effects, Ziggy positions itself as the most approachable and portable Buchla synthesizer to date."

Soma Enigma | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"As always, SOMA continues to push a genuinely forward-thinking approach to instrument design.

With ENIGMA, traditional control disappears. No keys, no knobs, no obvious interface. Sound is shaped through the position and movement of metallic objects placed directly on its surface, turning physical interaction into sonic exploration.

What makes it compelling isn’t just the concept, but the mindset behind it: Playfulness meets precision. Randomness meets intention. Experimentation becomes composition. Rather than asking you to perform, ENIGMA invites you to listen, react, and discover.

One of the most inspiring instruments we came across this year."

Maneco Labs - Dark System M1 [Will it Drum?]

video upload by NOISEBUG

"Yes, it very much will drum. The M1 dark system is a fully modular (Eurorack compatible )system in conveniently compact desktop format. No external modules or effects are used in this video.

Head over to Noisebug to pick up one of these feature packed boxes.

#synth #modularsynth"



Dark System M1

Dark system M1 is an analog modular monophonic synthesizer voice, in eurorack format, completely patchable with 8 step sequencer , fuzz and delay effects.

Modules:

1-Sequencer 8 , a modern version of the classic Baby8 analog sequencer.
2-Sub Vco , sawtooth and pulse oscillator, 1 v per octave compatible, also includes a noise source and one or two octaves sub square waveforms, selectable with toggle switch.

3-Transistor ladder VCF , modern version of the classic moog ladder filter, capable os self oscillating

4-EG2 , dual ASR envelope generator, with loop capabilities for use as a sort of low frequency oscillator.

5-VCA4 , quad voltage controlled amplifier, with per channel gain and summed output for use as a voltage controlled mixer

6-Delay , pt2399 based , with modulation input and self oscillations

7-Crash Fuzz , a wild square wave fuzz , with modulation over pulse width (color) , and internal triangle LFO for modulating color

8-HRmixer , 4 channel mixer with global gain, vu meter led level indicator, and headphone output.

Specs :

dimensions : 58HP width m 3U height in Eurorack standards

Power requirement : 9VDC 0.5mA center negative (included)

Magnificent 5U / MU modular

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"All modules are in basically good working condition. On a few of them you can slowly notice that they have not been used for a long time, but this should easily disappear again with regular use. One or two jacks are a bit stiff.
I am the first owner. Listed from top to bottom and then the rack on the right (not in the main photo, but full of amazing modules).

ModularGrid Rack 1: https://modulargrid.net/d/racks/view/3056577 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q118 Instrument Interface Synthesizers.com Q125 Signal Processor Synthesizers.com Q105 Slew Limiter Club of the Knobs C 994 Multiples Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q113 8-Channel Mixer Synthesizers.com Q106A Oscillator (VCO) Synthetic Sound Labs The Matrix Algorithmic Composer – Model 1660 Corsynth C103 Frequency Divider Multiplier Synthetic Sound Labs VC Envelope Generator – Model 1230 Synthesizers.com Q107 State Variable Filter (VCF) Synthesizers.com Q162 Filter Mixer for Q107 Synthesizers.com Q109 Envelope Generator Club of the Knobs C 905A Voltage Controlled Low Pass Filter Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 905 Reverberation Unit

ModularGrid Rack 2: https://modulargrid.net/d/racks/view/3056596 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q124 Multiples Moon Modular 563 v1 4-Track/8-Step Trigger Sequencer Moon Modular 528 Sample and Hold Moon Modular 524 Quad Low Frequency Oscillator Moon Modular 524A Quad Low Frequency Oscillator Assistant Synthetic Sound Labs 5-Pulser / Dual Analog XOR – Model 1710 Club of the Knobs C 962B Sequential Switch (bidirectional) Club of the Knobs C 995 Attenuators Synthetic Sound Labs Double Deka VCO - Model 1130 Synthesizers.com Q115 Spring Reverb (Modified with 2 Tanks) Club of the Knobs C 911P v1 Pentaphonic VC Polyphonic Envelope Generator STG Soundlabs Digital Attenuators Synthesizers.com Q109 Envelope Generator Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 994 Multiples

CLICK FOR MORE »

Behind The Drums Ep 22 - Siouxsie & The Banshees "Kiss Them For Me" Roland TR-909 - Schoolly D "PSK"

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Siouxsie & The Banshees classic single 'Kiss Them For Me.' Video includes a re-creation of the drum beat using the Roland TR-909, Technics 1200 turntables, and MPC 2000XL triggering tabla samples."

Get to know the new Erica Hexdrums | Voltage Labs

video upload by Voltage Labs

"We just received the HexDrums, an analog drum machine built for hands-on play.
Ten drum voices, inspired by the essentials of the 808 and 909, combined with versatile circuits from Hexinverter and the signature design of Erica Synths."

Conductive Labs Newsletter - NDLR On Sale

via the Conductive Labs newsletter:

"Hello lovely peeps, thank you for subscribing to our newsletter!
This issue brings news of an incredible The NDLR deal (and sweet new color scheme), availability and instructions for accessing the special edition The NDLR Rev1 to Rev2 upgrade kit, and a little bit of rehash of previous news.

Black Friday? Cyber Monday? The NDLR is On Sale Now!
The NDLR is currently on sale for the lowest price we've ever offered, at conductivelabs.com/shop and at Amazon.com, and Amazon.ca (colors vary by location and availability).
And is available at select retailers worldwide. See The NDLR product page at conductivelabs.com for a list of retailers, including Perfect Circuit, Thomann, Juno UK, Control Voltage, Moog Audio and more. [check dealers on the right]

If you have a The NDLR Rev2 with the red base, be sure to check out the Release 3 firmware at conductivelabs.com/download if you don't already have it. There's a fresh manual for it too.

The NDLR Rev1 to Rev2 Upgrade Kit
We did an upgrade kit crowd funding to enable NDLR Rev1 to have all of the great new features we've added to the Rev2 hardware with Version 3 firmware. We've fulfilled most of the crowd funded kits and have some left to offer to those who missed it.

This is a limited edition, 1 per person/NDLR/household offer. Proof of ownership by providing your NDLR Rev1 serial number is required.

CLICK FOR MORE »

Synth Picnic - 8th November - What's New?

video upload by Molten Music Technology

"The next Synth Picnic is this Saturday, from 10:30am in the Honesty Library, Castle Quarter. New synths include the Pittsburgh Voltage Lab 2, Herbs & Stones, Neutral Labs and more.

Rentals - https://synthpicnic.com/modular-rentals/"

Soma Laboratory Documentary | Voltage Labs

video upload by Voltage Labs

"SOMA Laboratory creates instruments that don’t just make sounds - they start a dialogue. From the Lyra-8 to the Pulsar-23, Vlad Kreimer’s philosophy of 'romantic engineering' challenges convention, inviting chaos, unpredictability, and a deeper human connection with machines."

Joranalogue Audio Design Introduces WALK 4 & WARP 1 Eurorack Modules

Press release follows:

"Emerging from the Joranalogue labs are two exciting new additions to our ever-growing series of fully analogue Eurorack modules. Let's dig into this dynamic duo.

First up: like a sample and hold with a master's degree, Walk 4 combines four analogue accumulators with a clock generator, four white noise sources and an auto reset to create a 10 HP voltage stepping, arpeggiating and random walking juggernaut.

With full voltage control and independent value and trigger inputs for each accumulator, there’s always more stochastic patching to explore ahead. And if you need a reliable master clock source with a huge range, 1 volt per octave tracking and external reset—that’s covered, too.

Meanwhile, its partner Warp 1 is a new breed of analogue waveshaper, based on a precise mathematical relationship between input and output, governed by a variable power function.

From subtle timbral colouring to wild hyperbolic distortion, it provides a level of control that’s unprecedented in waveshapers, combining meaningful parameters, clear LED indication, complete voltage control and DC to supersonic operation.

Friend of the brand BRiES already went and made a couple of excellent overview videos—be sure to check them out below. And, if you want to be among the very first people to patch these modules up, drop by our booth at Machina Bristronica in Bristol (UK), on Saturday the 27th or Sunday the 28th of September!"

Joranalogue Audio Design Introduces WALK 4 | Quad Brownian Accumulator | Quick Overview

video upload by Joranalogue Audio Design

WALK 4

QUAD BROWNIAN ACCUMULATOR

4 high-precision analogue voltage accumulators.

Integrated wide-range clock trigger generator with 1 volt per octave tracking.

Trend parameter for simultaneous modulation of all accumulator values.

4 white noise generators add adjustable volatility.

Constrain provides counteracting force, preventing voltages from accumulating too quickly.

Automatic and trigger-driven reset functions.

Add input adds a continuous external signal to all accumulator outputs.


Joranalogue Audio Design Introduces WARP 1 | Power Curve Waveshaper | Quick Overview

video upload by Joranalogue Audio Design

WARP 1

POWER CURVE WAVESHAPER

Analogue waveshaper based on power functions.

Adjustable exponent shapes waveforms from concave, to straight, to convex.

Hyper mode shapes incoming signals into hyperbolic-like waveforms.

Absolute value function for full wave rectifier use.

Symmetry control for asymmetric waveshaping.

Precision output clipper with independent negative and positive clipping levels.

Regular, inverted and polarity comparator outputs.

Excellent visual feedback: input voltage, output voltage and clipper status indicator LEDs.

Creating a Track with the new Sequential Fourm | Voltage Labs

video upload by Voltage Labs

"In this video, we dive into the brand-new Sequential Fourm, a 4-voice analog synthesizer with vintage character and modern features. Inspired by classics like the Prophet-5 and Pro One, the Fourm brings a timeless sound in a compact, affordable package."

The Finish Line

video upload by davidryle

"Having a little fun with the Q960 sequencers and the Moog Matriarch.

The Q960 pair are set up for index sequencing on the bass line. This is a fun way to mangle the bass line but keep it steady in time with the drum pattern. The gate duty was handed to the Dotcom Q172 quantizer for only sending gates when there is a change of pitch voltage. This helped to avoid the typical pulse rhythm.

The bass voice is a pair of Synthetic Sound Labs TZ-VC Oscillators in FM coupling. There is a third VCO from SSL for a sine wave sub-oscillator. These are mixed through the Corsynth C114 transistor drive mixer to the Oakley Voltage Controlled State Variable Filter in low pass mode. The signal is split and sent through the Modcan 73B stereo echo delay and also a dry signal is driven by a second Corsynth T-Mixer for added saturation.

The drum sounds are from the Delptronics LDB-2E and the TipTop SD808 snare. There is a Mutable Instruments Grids and the Moon Modular 563 trigger sequencer coupled to trigger the modules. The snare is sent through the MakeNoise Echophon delay and produces the raspy pulse voice heard throughout.

A hollow wood/metal block percussive sound is generated by a pair of Dotcom Q106's, a Mega Ohm Audio CdS LPG and an SSL Digital Delay. This is triggered by the STG Trigger Mini Store and reset by the Moon 554 Octal Clock Divider.

The IN-YER-FACE lead line is the Moog Matriarch through a T.C.Electronics D-Two delay unit.

Clock source was from Cubase through the STG Time Divider.

A pair of Dotcom Q962 Sequential Switches were used to route the various step gates from the lower Q960 Sequencer to the upper Q960. Routing and pitch values were pre-determined after hours of rehearsal to set up a particular scale or mode that determined what I should play on the Matriarch.

It should be noted that certain happenstance values of the sequence pattern produced passing tones that lead to the typical blues scale in C. I just had to go with it."

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

Creating Different Pads & Moods | Voltage Labs

video upload by Voltage Labs

"In this video, Jonas dives deep into the world of pad sound design, exploring three distinct moods using the Oberheim TEO-5.

Interesting bits and pieces:
00:31 Dark & Aggressive Pad
02:20 Soft Breathing Pad
04:37 Washed Out Melancholic Pad"

Why did this strange digital Synth become a classic? | Voltage Labs

video upload by Voltage Labs

"What made the Elektron Monomachine go from misunderstood digital oddity to one of the most iconic cult synths in electronic music?

In this video, we explore the story behind the Monomachine, from its controversial 2004 release to its status as a modern-day classic among experimental producers like SOPHIE, Actress, Autechre or even the UK duo Overmono."

Franke and Ruby

video upload by davidryle

"I keep returning to the bass line off of Tangerine Dreams 'Rubycon' (1975).
This rendering is more of an exploration of variations of how to control that sequence on the synthesizers.com Q960, a clone of the Moog 960 Sequential Controller. Short but fun and always satisfying.
The oscillators used were the Q169 dual Oscillator, a Q206 and Q206A. The Q169 is in square wave and sync, the Q206 is doubling in a sawtooth wave. The Q206A is a triangle wave directly to the mix in a lower octave.
The filter was the Grove Audio G294A Tribute Series Moog transistor ladder low pass.
I also used a tube drive from the Synthetic Sound Labs/CGS 1530 Tube VCA/Timbral Gate module after the output of the filter.
The envelope generators included a Q109 for the final VCA shape, another Q109 as the filter shape, an STG EG for the tube drive gate shape and another STG EG for the lower bass vco.
The signal was split and sent to the Yusynth panning mixer from Lower West Side Studios and to an Echo Fix tape echo/reverb device. The tape echo was panned using the second row of the Q960 sequencer. That row was also sending a filter modulation voltage. The final output of the mix was sent through an Empress Reverb pedal in red reverb+delay setting.
The final third row of the Q960 sequencer was used in 'Third Row Control Of Timing' mode for the fast burst motion as in the original bass line performance by Tangerine Dream."