Tone Science Module No.10 The Final Patch (DiN:TS10)

"Now available as a double CD with an 8-page booklet & download

Tone Science sub-label, from DiN records, concludes it’s exploration of the world of modular synth music.

Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.

Tone Science sub-label, from DiN records, concludes its exploration of the world of modular synth music.

Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.

The intervening seven years have seen the modular synth world expanding at an exponential rate and whilst one wouldn’t go so far as to say these synths are mainstream, they are certainly far more prevalent than in the past. It’s especially gratifying to see so many musicians now either play solo sets with them or to include them in their onstage arsenal.

Thus we come to this, the final instalment in the Tone Science series. Nothing lasts forever and certainly stopping at this nice round number of ten seems like a good way to not only end the series but to release the Final Patch, a real celebration of what has gone before and perhaps to hint at what is possible for the future. A beautifully packaged double CD featuring twenty artists who have appeared on previous iterations of the series, it really is a who’s who of modular synth musicians. The release is accompanied by an eight-page booklet with an essay by Neil Mason and some final words from the guiding force behind the whole project, Ian Boddy, label boss at DiN. And as Boddy so succinctly puts it in his liner notes, “for me, despite the technological nature of the equipment, the emotional quality of the music is the single most important factor”. The Final Patch certainly delivers on that ethos.

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Ocean Swift FREE Legacy Synthesizers Part 2 - Re-Released and Updated

Follow-up to this post.

Press release follows:

Ocean Swift announces the second part of the return of the Ocean Swift legacy synthesizers, now available again as free downloads!

From the developer: "For the last two years, these plugins have been unavailable as we restructured our brand and website. With the release of this second part of the collection, all the legacy plugins are now available and more future proof with VST3 support."
All plugins have now been updated to include VST3 versions.
All preset packs and extra downloadable content included


Download everything here: https://oceanswift.net/freebies/#legacy-vst

Included Releases
Polyphenom 1+2 - Exploring additive, wavetable, and fm synthesis.
Defiant WT - Compact but packs a punch and a host of advanced features.
QuirQuiQ - Kick synth that fits your pocket.
Wavetabler - Our first play into wavetable sewing machines.
Shruti Box Kontakt 6 Full - Kontakt rendition of the Indian instrument.
Important Notes
These plugins are Windows-only and provided as-is with no guarantees or support.
The VST2 versions remain unchanged from the last available release.
The VST3 versions are newly built but functionally identical to the VST2 versions.
No AAX, CLAP, or additional plugin formats are available.

Knobula - Monumatic. Epic Modular Eurorack Poly Synth!

video upload by The Unperson

"In today's video I am exploring a new module from Knobula called Monumatic. Monumatic is the successor the Poly Cinematic which was one of the first modules to bring polyphony to eurorack. Monumatic is a significant upgrade in pretty much every way. There are more waveforms, more filters, more effects, and most importantly more modulation! Another of my favourite features is that notes will overlap even using using gate and CV to control the module. This means you're not dependant on MIDI to access polyphony. If you'd like more info on this fully polyphonic synthesizer then head on over to:

https://www.knobula.com/product-page/...

CONTENT
0:00 - Intro
1:31 - Overview
6:32 - Gate/CV Jam
11:43 - Mono Jam
15:22 - Vocal Filter Jam
17:44 - Poly Jam
20:00 - Final Thoughts/Outro

Cheerful Electronics OPL Studio - First Contact

video upload by j bowman

"🎵 Welcome to Cheerful Electronics OPL Studio - First Contact! 🎛️ In this sound design experiment, we dive deep into the world of FM synthesis using the powerful OPL Studio, exploring retro sounds inspired by classic OPL3 chips. Whether you're a fan of chip music, vintage FM synths, or curious about pushing the limits of sound design, this video is your perfect starting point.

Get ready for rich, textured tones and quirky sonic explorations as we showcase the raw potential of OPL Studio. This first contact session covers live tweaking, patch creation, and modulation — perfect for anyone diving into retro synth workflows or looking for viral FM synthesis content.

If you're into chiptune, retro game soundtracks, or nostalgic hardware-driven music, you'll feel right at home. Watch now and get inspired to experiment with your own OPL3-based synths and plugins!"



via Cheerful Electronics

OPL Studio is the ultimate OPL2 / OPL3 synthesizer! It gives you almost limitless control over what you can do with the OPL3 synthesizer chip.

Features of OPL Studio

OPL Studio has a long list of features. To name a bunch of them:

Integrated patch editor to edit predefined instruments and create your own
Load and save instrument banks from popular formats such as *.BNK, *.SB, *.O3, ect.

Patch linking to layer up to 4 instrument patches for even more complex sounds
Polyphonic sequence editor to create up to 32 drum and 32 melody sequences
Quad sequencer to live play up to four sequences

Composer module that lets you create complete songs from your sequences
Midi channel mixer

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EXPLORING THE ELGAM CAROUSEL

video upload by Vintage Audio Institute Italia

"The mythical Elgam Carousel from 1976 - is it a toy or a songwriting tool?
It's at least safe to say it's an analog drum machine and arpeggiator, with 3 chord sounds and a bass line generator that swings real good - here recorded completely dry without effects.

The Groove box that sparked todays hype of the genre - a stunningly well-designed piece of gear with a great analog vibe that stays relevant. Originally, this was the Crazy Hands section from the Elgam Broadway organ.

The Carousel is comprised of 4 sections :
1. Drum Machine
2. Bass Section - generating a choice of two bass-lines
3. Chord section - three sounds (Harpsichord, Honki tonk and Piano)
4. Arpeggio section - one sound with adjustable decay and 2 stackable harmonies.

The melodic sections change depending on the rhythm engaged and follow the tonality of the keyboard. Sonically the sounds gel really nicely, this machine is the sum of all its parts, the rhythms and bass lines are well-programmed, the bass has great lines and the arpeggiator adds that magic.
The drum section offers 15 fixed rhythms of great analog drum sounds. No individual drum sound mute options, but hey - at least you can add maracas.

You have the option to select the tonality with one finger for simple root chords and selecting minor, 7th or diminished with the foot pedal. Or you can choose to operate it in manual mode and potentially play more complicated chords.

In manual mode the bass and arpeggiator only makes sense of chords of three notes while the chord section reads all the notes at the same time. On the back we usually have a single audio output and a pedal switch connector for stop/start and minor and 7th but this one had some other mods added that were disconnected.

This unit was just serviced and will go up for sale next week so holler if you're interested - it's in good condition"

Ambient Generative Music | Ableton Air & Roland JP-8080

video upload by Akihiko Matsumoto

"Generative Sequencer: Ableton Air https://akihikomatsumoto.sellfy.store...

Inspired by Timeless Techniques
"Air" draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.
Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.
Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.
Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.
Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."

Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

CLICK FOR MORE »

Vongon Replay | Seven Synth Sketches

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Exploring the Vongon Replay with... another Vongon Replay.

00:00 - Galloping and ghosts
02:34 - Solo, dry then wet
04:18 - Solo, cascading weird arp
05:07 - Solo, sentimental nostalgia
07:15 - High arp, low chords
10:49 - Slow arp, bass notes
15:28 - Rolling bassline, major-minor

I bought a Replay with my own money, a year or so ago. I find it useful to have around, and to travel with: it's small, what-you-see-is-what-you-get, sounds good, has a keyboard, and generally fits into a variety of setups.

Recently, MAS Distribution asked me if they could send over the new black Replay for me to play with. It's the exact same synth, but I thought it might be fun to get two Replays up on the table and just explore.

So that's what this is: seven improvisations or written-on-the-spot ideas using two Replays. For effects, I tried out the Ultrasheer (Vongon's reverb/vibrato combo) and my trusty Chroma Console (for colour/saturation/delay). The performance was recorded live to a stereo output with extremely gentle EQ & compression, plus limiting on the master.

I think it showcases why I like this synth: you sit down and noodle on it and you come up with ideas. It evokes nostalgic, sentimental sounds that are uncomplicated but pretty. I know there's a whole world of internet discourse about this synth, but ultimately what matters to me is how something works as an instrument. I think the Replay does its job pretty well.

Thanks for listening."

Soma Lyra-8 Sounds: Dark Ambient Texture Pad FX No Talk Demo

video upload by Anton Anru

"Oblivion Glow is a collection of 50 patches for the analog synthesizer Soma Lyra-8, dedicated to dark, deep, and atmospheric sound.
🎆 Lyra-8 is one of the most unique synthesizers of our time, both in terms of functionality and sonic character. It offers a radically different approach to sound design and performance.
Its true power lies in its dynamics and expressiveness—the instrument, its parameters, and controllers are highly sensitive to settings and playing technique, making its sound incredibly alive and constantly evolving.
💎 This quality has made Lyra-8 a beloved and almost essential tool for genres like ambient, techno, cinematic, IDM, industrial, and beyond—anywhere a blend of liveliness and innovation is required.

📦 Get these presets: https://antonanru.sellfy.store/p/lyra...

🎛 Exploring this instrument was a truly inspiring experience, and in this soundset, I share the results of that journey. My goal was to extract the broadest possible palette of timbres: warm and cold, soft and harsh, harmonic and distorted, modern and vintage, clean and noisy, smooth and rhythmic.
🕹 I also explored different performance techniques, aiming to strike a balance between the experimental and the musical.

📦 This pack includes drones, pads, textures, leads, FXs, strings, rhythmic patterns, and soundscapes.
🎙 Some patches are designed to take the lead in a track or jam session, while others serve perfectly as supporting layers. While each sound is ready to use as-is, I highly recommend interacting with the controls during performance—modulating parameters in real-time reveals new sonic depths and greatly enhances expressiveness.

📔 The soundset is presented as a PDF document. Each page contains detailed notes explaining how the patch works, which parameters are key for real-time manipulation, and how to evolve the timbre while playing. Following these suggestions will not only expand your sound palette but also deepen your understanding of the instrument.

📀 Each patch comes with an audio example to guide you in understanding how it is intended to sound.

💾 The collection also includes 24/41000 WAV samples. These can be used directly in your projects, or freely resampled, edited, and processed—offering a versatile library of material for further experimentation."

CLICK FOR MORE »

Of cyclotrons and sequencers: recreating a 1974 “probability controller” in Eurorack

video upload by Electrum Modular

"This is the first video in a new series exploring the University of Iowa’s Electronic Music Studio. In addition to presenting its historic instruments (including a 1968 Moog IIIP with custom-made modules), and the famous musicians who have used them, these videos will extrapolate ideas to use in your own modular systems. This episode examines a unique random sequencer that was developed in 1974 by Paul Dingman, an electrical engineering student at Iowa. It then shows how it might be recreated using the third lane ('time') on Make Noise’s 0-Ctrl. NOTE: several other Eurorack sequencers also have this feature, as indeed does the Moog’s own 960 sequential controller; alternatively, use an LFO to clock any sequencer and patch the sequencer’s second lane/channel (if it has one) back into that LFO’s frequency input.

0:00 University of Iowa's Electronic Music Studio
0:42 Introducing Dingman's Probability Controller
1:58 Demonstrating the Probability Controller
3:50 Recreating the Probability Controller in Eurorack

My new album:



CREDITS

Thanks to Paul Dingman for answering my questions over Zoom.

Film sequences:
'Atom Smashers' (Encyclopaedia Britannica Films in collaboration with the Division of the Physical Sciences and the Institute of Nuclear Studies at the University of Chicago, 1952)

'The Meaning of Time In Science' (Encyclopaedia Britannica Films, d. Kent Smith, 1973); both archive.org

Portrait of Peter Tod Lewis: https://composers.com/collections/pet...

Music: Peter Tod Lewis, 'Gestes II' (1974), from the Mnemothèque Internationale des Arts Electroacoustiques (University of North Texas Music Library). Program notes for an EMS concert on April 13, 1979, described “Gestes II” as “the generation of musical gestures through coordinated operation of sequential controllers programmed to produce a large but finite collection of voltages, controlling variously oscillators, amplifiers, and filters” (University of Iowa Music Library)."

Ableton Air & Ciat Lonbarde Plumbutter 2

video upload by Akihiko Matsumoto

Sequencer: Ableton Air https://akihikomatsumoto.sellfy.store...
Delay: Shoegazer Reverse Gate https://akihikomatsumoto.sellfy.store... "Ableton Air
Inspired by Timeless Techniques
'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.

Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.

Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, 'Air' provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.

Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.

Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."

The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music

video upload by ITSPmagazine

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.

basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.

Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]

How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett

video upload by ITSPmagazine

"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...

Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/

Show Notes

Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.

The Legacy and Mission of the Computer Music Center

The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.

The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.

One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.

Exploring the Labs and Studios

The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.

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Stylophone DS-2: Seven Fun Patch Ideas to Spark Your Dronespiration!

video upload by Oscillator Sink

"From the comments on my last DS-2 video it seems that a lot of folks are having fun exploring sounds on this little box - me too! Because I'm a nerd, I've been making notes on some of the fun things I've found and I'll share seven with you in this video to try out on your DS-2!

Chapters:
00:00 Intro
00:52 Beautiful Sines
04:20 Filthy Filter Self Modulation
09:21 Stoopid Arcade Sound Patch
11:07 More LFO Shapes
14:00 Always Be Pingin'
19:11 Delay Pitch Shifter Sequencer Thing
24:01 The Inevitable Groovebox Patch"

Ambient | MEGA SYNTHESIS(Y.BR2) & Ableton Air

video upload by Akihiko Matsumoto

"Ableton Air: https://akihikomatsumoto.sellfy.store...
Inspired by Timeless Techniques
'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.

Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.

Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.

Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.

Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight.

Ambient Drone Sample Pack https://akihikomatsumoto.bandcamp.com..."

The Swarm by Atrium Instruments

video upload by DECIMA1



DESIGN PHILOSOPHY

​Knob-For-Knob Functionality
We at Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
​
Curated, Onboard Effects
With over a decade of experience in the effects industry, we have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
​
Plug and Play Functionality
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
​
Quality Craftsmanship, Intentional Design
We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and the weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.​
​
Open Source Platform
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products. Click here for details on the open source platform being used.

SYNTH CORE

Oscillator
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

CLICK FOR MORE »

Euclidean Beats on DivSkip

video upload by Making Sound Machines

"Getting ready for Machina Bristonica 2024 in Bristol UK, coming up this weekend! We are having a workshop on Saturday starting 14.00 where you can build our DIY kits or a @plinkysynth with us! And on Sunday at 14.15, we will be on the DivKid stage chatting with Ben about Life, the Universe and Modular. Come meet us there, and bring your best questions!

In this last-jam-before-the-flight-leaves, we are exploring the Euclidean Modes built into DivSkip, our module collaboration with @DivKid.

Euclidean rhythms are a fun and intuitive way to generate looping musical patterns. #DivSkip has two modes that generate Euclidean rhythms. The one used here, Euclidean Split, always sets three steps and distributes them over a pattern length that can be adjusted using the knob.

In this patch, Enrica adjusts the length of the pattern which in turn advances alternating bass and chord notes played on the @WeAreElektron Model:cycles. This results in cool syncopated, rhythmic shifts throughout the sketch.

She adds a shifting pattern of ghost notes with a clock divider on DivSkip's channel 3, set to three steps. The sound is generated using Mutable Instruments Plaits, with the A and B outputs triggering alternating CV settings using @vaskiembedded's ECS-4 Triggered Switch module.

DivSkip's channel 1 is set to play a four-to-the-floor pattern on Out A and B, going to kick and snare on @VladimirPantelic's VPME QD quad drum voice.

Enrica mutes and unmutes each channel on the fly with a click of the push potentiometer.

DIY Kits are in stock at @ThonkSynthDIY (UK), @explodingshed5542 (EU) and @NightlifeElectronics (CAN - DIY and built)

Built modules are available at @signal-sounds (UK), @PerfectCircuit (US), @Elevator-Sound (UK+EU) and @schneidersladen_berlin (EU)"

Behringer Proton Modular Patches. No Talking Sound Demo

video upload by Anton Anru

"Behringer Proton «Sound Diver» is a collection of 50 patches: 14 leads, 12 basses, 14 plucks, and 10 paraphonic timbres.
Exploring Behringer's new synthesizer was an exciting process for me. It boasts an impressive feature set, including two powerful oscillators capable of generating a wide range of tones, two advanced LFOs, two multi-mode filters, and a wavefolder that adds rich sonic textures. Additionally, it comes with two extra envelopes that can loop, essentially turning them into additional LFOs, and, of course, the patch panel, which opens up endless experimentation possibilities.

📌 Get the soundset: https://antonanru.sellfy.store/p/prot...

🔧 With this sound bank, I wanted to dive deep into these features and create medium to highly complex patches. The title «Sound Diver» reflects this desire to explore the sonic depths while keeping the sounds usable and adaptable for a wide range of music and performances. My goal was to strike a balance between experimental and musical sounds.

🎨 The presets cover a wide sonic palette, including warm, noisy, detuned, distorted, as well as soft, clean, punchy, dark, bright, deep, and airy tones.
Some timbres are designed to take the lead in a track or jam session, while others work perfectly as complementary elements. While the patches are ready to use as they are, I highly recommend tweaking the knobs during your performance to further develop the sound and enhance your creative experience.

♬ The pluck patches are excellent when paired with arpeggiators or sequencers. While the Behringer Proton doesn't come with a built-in arpeggiator, you can easily integrate your favorite arpeggiators or sequencers from your DAW or MIDI controller.

🎹 I particularly enjoyed working in Paraphonic mode, which allows both oscillators to be split into two separate notes. While it doesn’t create full chords, it does give the illusion of one. The result is a collection of analog pads, textures, and keyboard sounds that are slightly detuned, filtered, or distorted using the wavefolder. This type of sound is hard to replicate on a digital polyphonic synthesizer, adding a unique analog character that feels rich and organic.

🥁 These presets are versatile and suitable for a wide range of genres, including ambient, electronica, IDM, deep techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, synthwave, retrowave, dub, and more.

📚 The soundset is provided as a PDF document, with each page containing detailed notes that explain how each patch works, which parameters are worth tweaking during playback, and how to evolve the timbre during a performance. By following these notes and making adjustments consciously, you’ll not only get the most out of the patches but also gain a deeper understanding of the synth itself, uncovering its full potential and creative depth.

CLICK FOR MORE »

Meet MIDINA - 16 Track Polyphonic Midi sequencer and Recorder / Song Arranger

video upload by Meltchya

"Hi all... meet MIDINA :)

She's a 16 track polyphonic midi sequencer and recorder / song arranger that can record pitch bend, MIDI CCs, and aftertouch. She's got 128 songs, 16 blocks per song, and 16 tracks per block.

Each block can be up to 2048 steps, and each track can be up to 2048 steps. Blocks automatically sequence at the end of the previous block, and you can jump freely between any blocks by tapping them in the scroll menu. Each block can have its own set of 48 program change messages to trigger new programs in sync with the block changes. You can change songs with no load times and no hitch. She's got 30 NeoPixel MX switches that can be freely customized or changed, 8 push-switch rotaries, a 5" touch AMOLED screen, and the software is going to be fully open source from day 1. The unit seen here is the first tactile prototype, but I've started production run for the first batch and I'm getting ready to launch it next month.

It's been a year of hard work and this is the first tune I've actually gotten to make, I'm excited to be able to make music again and not have to focus so much on the software and hardware side of things. I'm a little bit out of practice, it's hardly a perfect performance, but it's always fun! Thanks for listening in and checking it out :)

Here's unit #002, with red anodized aluminum, black knobs, pudding keycaps, and smokey black sequencer key caps. All of this is fully customizable to taste, and each unit will be built and tested personally by hand."



Currently on Kickstarter

"What is MIDINA?

Midina is an open-source sequencer born from a passion for electronic music and technology, designed to be powerful and accessible.

Midina stands out with its ability to record pitch bends, aftertouch, and MIDI CCs, providing you with a versatile and expressive sequencer. There are easy ways to trigger program changes automatically or manually. The linear sequencer within each Song provides a clear Block Order, designed to help you make music that moves. It supports extended track and block lengths, enabling different creative methods of song building to be explored. Additionally, for those who enjoy a traditional approach, Midina offers robust step sequencer options that will only get better with time.

One of the core philosophies behind Midina is community engagement, iterative software development, and the support of customization through community contributions to both software and hardware. I believe that anybody who wants to contribute should be welcome to contribute. By opening the code, I hope to see others tailor Midina to their personal needs, enhancing their creative process and the project offerings along the way.

Midina is built on the versatile Raspberry Pi platform, making it an accessible and affordable choice. Its open-source nature means that you have the freedom to explore, modify, and expand its capabilities.

Midina is still young, but it is a project I am committed to developing and improving for the long haul. I set out to build a sequencer which fits my own production needs in a live environment, and I am happy with what it currently offers.. At the same time, I know it can do much more over time, and I am excited to iterate and improve as the days go on.

Thank you for exploring Midina. I look forward to hearing the music you create with it.

CLICK FOR MORE »

Enter the Moog Labyrinth

video upload by Moog Music

Labyrinth | Moog Demo Library
video uploads by Moog Music

User videos:



Playlist (use the player controls to skip around):

1. Perfect Circuit: Moog Semi-Modular Comparison 2024: Labyrinth, Mother-32, & More (feat. Sarah Belle Reid)
2. Sarah Belle Reid: Moog Labyrinth Semi-Modular Synth: Overview + Explorations
3. Loopop: Moog Labyrinth // A Synth that’s a Generative Idea Machine // 13 patch ideas, review & tutorial
4. mylarmelodies: Moog Labyrinth Demo: Explanation & Generative Techno Jams
5. Reverb: Exploring Generative Synthesis with the Moog Labyrinth
6. Jorb: Moog Labyrinth // Generative Synthesis At It's Best
7. SUTURE SOUND: A ton of Moog Labyrinth sounds (no talking)
8. Bonedo Synthesizers: MOOG Labyrinth Sound Demo (no talking) - Preset Sheets
9. Limbic Bits: MOOG Labyrinth Sound Demo (no talking): 6 Improvisations on the Labyrinth
10. Starsky Carr: Moog Labyrinth // 3 Minute Manual + Full Review & Demo

AN UNEXPECTED PATH FORWARD

Labyrinth introduces a classic West Coast sound into the Mother Ecosystem experience rich analog synthesizer history in both surprising and recognizable sonic textures. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies.

With parallel analog signal paths, this adventurous instrument shines when adding color to the steady backdrop of a drum pattern or bassline.

GENERATIVE SEQUENCER
The beating heart of Labyrinth is a robust dual sequencer, which uses chance calculations to generate two unique eight-step paths which twist and curve around one another.

SONIC WANDERING
A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

VOLTAGE-CONTROLLED WAVEFOLDER
A fresh interpretation of the Moog sound via a voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analog synthetic drums.

Moog's semi-modular lineup expands to include the Labyrinth, a generative synthesizer that brings you two parallel sequencers, two oscillators, and endless possibilities. Based around a core sine VCO and a triangle Mod VCO, these sound sources have independent level controls, as well as a Ring Mod and Noise level control that all feed a saturating mixer that can add a touch or grit. From the mixer, we have the switchable option to go into a voltage controllable wave folder then into a classic Moog filter, the opposite with our filter going into the wave folder, or have both of these run in parallel.

The heart of the Labyrinth is the sequencer section. A dual 8-step sequencer gives you interactive quantized melodies that can affect various parameters, based on the labeled trimmers. These sequencers send out both notes CV and triggers and with a Trig Mix you can get rhythmic interplay that is quite satisfying. Each sequencer has a Length settings and a Bit Shift when adjusts the position of activated steps. The Bit Flip and Corrupt parameters present gives you more randomness and serendipity allowing you to create evolving patterns.

As with all of their semi-modular synths, Moog gives you access to 32 patch point patchbay with 12 outputs and 20 inputs. This gives you the option to self-patch and integrate it into your existing Eurorack ecosystem. Moog's Labyrinth is the perfect expansion to your existing system or a great starting point as an entry to modular synthesis, especially for those who are looking to get expressive rhythmic patterns quickly.

LABYRINTH FEATURES

- Parallel generative analog synthesizer

- Two oscillators, a sine-based and triangle-based

- Switchable wave folder to filter, filter to wave folder, or parallel processing

- Diode-transistor hybrid wavefolder with smooth Fold and Bias control

- Morphable Low pass to Band pass 2-pole filter

- Adjustable decay time for both decay envelopes

- Blend Sequence 1 and Sequence 2 triggers for complex rhythms

- Each sequencers has options to adjust length, per-step adjustments, adjustable randomness (Corrupt), and shifting the pattern on-the-fly

- Quantizable pitches to 16 different scales

- 32-Point patch bay, 12 outs 20 ins

CLICK FOR MORE »

Meska's 32 presets for Plinky

video upload by Meska

Here a sound demo of the 32 preset i have made for plinky, they are mostly on the 'noise' & 'wonky' side of plinky Plinky website : https://plinkysynth.com/
Linck to the preset : https://plinkysynth.com/presets/Meska... "

Explore the dark side of Plinky - 32 free presets by Meska

video upload by Making Sound Machines

"New sounds for your Plinky! This awesome new bank of 32 presets by @Meska_Statik draws focus to the "dark" side of #Plinky, exploring lush delay, cavernous reverb, pitch drift and gnarly saturation.

The bank includes the #preset file, 8 samples and individual links for the browser-based patch editor. It works for all generations of Plinky and is a #free download at https://plinkysynth.com/presets

We already gave a little sneak peek of these sounds at @superboothberlin, so for this little snippet we broke our #Superbooth setup back out to give you a little musical demo showcasing one of the sounds, Preset 4: Footstep. We recorded a couple of clips showing one sound each in musical context, as a companion to Meska's overview of all sounds at • My 32 presets for Plinky [Meska's video above]

In this patch, Plinky plays back a recorded sequence and is synched via MIDI clock to our Stolperbeats drum trigger sequencer for Eurorack. Enrica plays the touch surface to insert individual notes into the arpeggio, and tweaks the A knob to adjust sensitivity on the touch grid to get a grittier sound.

Plinky's pitch CV drives a @Befacosynth evenVCO through their clever A*B+C VCA for a warm, subdued bassline.

The drum sounds from the GRRL x Made of Oak Configuration sample pack on @splice - check out their EP GXM Inertia, and the 10 year @sylvanesso anniversary release for some amazing music.

The samples are played using the Samples II module by @soundforce_nicolas and processed through our Farbshaper and Farbhighpass modules. The shaper adds some extra dirt, the transistor ladder highpass is used with the kick envelope to get a ducking effect by modulating its cutoff.

The metering tool at the top right is the incredibly clever and beautiful @vaskiembedded 2HP Lights Stereo Visualizer #audio #visualisation module, engineered by our friend Lauri. The Eurorack case itself is a beautifully crafted FenixIV case made by our friends @thisisnotrocketscience3942 from Amsterdam.

Plinky is an #expressive #polyphonic #touch #synthesizer, designed by mmalex and available as a #DIY kit from @ThonkSynthDIY"