"The Moog modular was one of the first commercially available synthesizers. Sold in different configurations, the Moog IIIP consisted of 3 portable cabinets. Containing ten (!) 901 series oscillators, the best lowpass and highpass filters in the biz, and a magical spring reverb that makes things sound more organic, we can't think of any other synth that matches the warmth and fatness of this genuine 1969 vintage Moog modular. Wendy Carlos’s classic album Switched on Bach and I Feel Love by Donna Summer were recorded on similar Moog modular systems. We just finished refurbishing this gorgeous example (assuming we don’t find any problems as we continue to test it). Restoration was done in stages and took many months to complete. Total tech time spent was around 85 hours. We hit a snag when some parts we ordered turned out to be fakes - a sadly common occurrence these days - but we eventually managed to track down some legit replacements. We originally planned to sell this system, but after spending some time patching it, we don’t know if we can let this one go! If this system was set up in a commercial studio here in New York City where it was available for use, would you be interested? If so, please email us. Or, make us a serious offer and if it's tempting enough, maybe we'll sell it. We'd also consider trades for similar vintage modular systems (Roland System 700, Buchla 200, Polyfusion, Emu Modular, ARP 2500, etc). We have a smaller (single cabinet) real vintage Moog Model 15 that's ready for sale.
We buy sell trade refurbish vintage synths and electronic musical instruments.
"I launched PTNSHIFT a couple of months ago but the launch video left some people confused. In this vid I walk it right back from the start - including why and how it breaks some core rules about how we make music today.
PTNSHIFT is a generative music performance instrument that combines the deep sonic universe of a modular synth with DJ-style interactions like pattern-launching, mixing, blending and FX.
Update: new video due to "COPYRIGHT CLAIM on a section of this... Paul Alexander track Raar at 31:19 minutes?!!! Never heard of him or the track. This can be soooo frustrating. What a shambles the whole copyright nonsense can be. I've disputed, but its upto the claimant to decide if they keep my money!!! Its actually chords from another one of my old tracks, so maybe I should put in a counter claim..."
"The fundamentals of programming any Oberheim style synths or plugins. And if you've got an Oberheim OB-X8 and want more patches... you've found the right place too!! Obvs it works for any subtractive synth as well.
I run through how to create basses, from simple and effective to massive and dirty devils.. lush and beautiful pads, sync leads and basses as well as big unison sounds and huge sweeps. If you watch this you'll be able to tweak presets to your liking, or start from an initial patch.
At almost 2 hours its by far my longest demo ever!! And it will gove you all the tools you need for a head start on any subtractive synth"
0:00 Overview 4:37 Back to Bass...ics 12:37 Rich Dual VCO tones 17:12 P to the W to the M 19:37 Intervals for Instant Harmonics 24:19 Mono Modes for Bass and Leads 30:23 Let's Make Some Pads 36:02 A bit about Brass 37:09 Triangles for Sweetness 38:30 PWM Pads 41:18 BIG BOLD UNISON 27:07 Release the SYNC!! 50:09 Double Patches...2 for 1!! 59:22 THE DEMO SOUNDS - Unison 1:05:18 Intervals 1:11:40 Pads 1:22:28 Basses 1:27:35 Polys and Plucks 1:32:29 Arps 1:37:50 Sync 1:42:00 Doubles
So the track starts with DRUMS played and sequenced by the LXR-02, through the Oto Machines Boum stereo analog compressor.
I then introduce the Move by opening the new Auto Filter effect.
The Move is playing some secondary percussions (Track 1), the BASS (Track 2, sequenced by Track 2 of the Keystep Pro), the ARP (Track 3 of the Move, sequenced by Track 3 of the Keystep Pro) and the CHORDS (Track 4 of the Move, sequenced by Track 4 of the Keystep Pro).
So with this setup, I was able to transpose in real-time the instruments played by the Move 😃
Hardware used *
// DRUMS
Erica Synths x Sonic Potions LXR-02 v1.7 (digital drum machine an integrated sequencer, 6 different instruments) + Oto Machines Boum (full analog stereo warming unit)
Note: Auction links are affiliate links for which the site may be compensated.
video upload by TronixSynth
"I've started making custom platform/bases for the synth circuits I make. Here is the Phase3 MIDI Synth with a newly designed base/platform, made with a Sience Labs LongMill cnc machine." You can find a demo of the Phase3 here.
"Experimental MIDI controlled FM synth (frequency modulated synthesis, same synthesis method used in classic synths such as the Yamaha DX7, early 90's sound cards and arcade video games).
Can be used with PC or Mac MIDI software such as Max/MSP, Ableton, Pure Data, and any hardware/keyboard with standard MIDI output (MIDI controller).
"Arturia MiniFreak is not just a synth — it’s a hybrid that finally makes sense.
It’s got analog filters, digital oscillators, and all the freaky sound design options you’d expect — but it has also removed the single biggest friction point I have with every other hardware synth. It's honestly redefined how I make music.
In this video, I’ll walk through some of the MiniFreak’s sound design tools, play some of my favorite patches, and show you exactly what makes it stand out in a sea of synths."
TÅ’RN - track building demo: Camping Love video upload by TÅ’RN
"Short demo of building a track with TOERN with the new effects firmware while camping in NL"
"TÅ’RN is a standalone Arduino-based sequencer & sampler — designed for fun, and live performances. Developed by Jan from SP_ctrl in Hamburg, it’s the evolution of the NI404: a groovebox with Teensy-powered synths, live recording, and a playful 16x16 RGB interface. Perfect for kids, couch producers, and live performers alike."
"Hi, I'm Jan! TÅ’RN is my evolution of the NI404, my first DIY sampler-sequencer prototype. As the sole developer, I've poured my heart into creating something special: a device that's both a fun toy AND a serious music tool.
My vision was simple: create an instrument that's easy to learn but deep enough to grow with you. Whether you're a kid discovering electronic music or a seasoned performer, TÅ’RN adapts to your style - choose your own colors for the enclosure as well! Its portable design and intuitive interface make it perfect for both: beginners and pros.
All components mounted on the PCB—no extra cables
USB-C, battery support, pro-grade audio & MIDI TRS ports
Designed for kids, couch musicians, live performers, and synth tinkerers"
"The Polyend Synth just got a nice firmware update (v1.3) which incorporates a bunch of MIDI refinements, some new grid modes which open up new performance options and most importantly the new DWA engine which is a fun, dual sample based engine with a comb filter that can be approached in loads of interesting ways.
Transparency Notice: Polyend sent me Synth when it was first released for free in order for me to make a release video. I have not been otherwise paid for any follow-up content made about Synth, although I was given early access to beta versions of the firmware.
Chapters: 00:00 Intro 01:33 Layered Grids for Layered Sounds 04:34 DWA Engine - Intro 05:51 DWA Engine - Setting Expectations 08:07 DWA Engine - Controls 12:16 DWA Engine - Play Modes and Looping 16:20 DWA Engine - Crossfade 17:34 DWA Engine - Single Cycle Synthesis 20:39 DWA Engine - Comb Filter 23:58 Breaking down the lovely piano patch 28:06 DWA Engine - Old Skool Time Stretching 31:59 DWA Engine - Getting crazy with the comb filter 34:20 DWA Engine - Velocity and Aftertouch 37:05 Outro"
"Had the pleasure of trying the new Polyend Synth firmware 1.3 ahead of release. The new DWA engine opens up a world of textures — fragile loops, glitchy fragments, resonant feedbacks, all waiting to be shaped. It’s a reminder of how beautifully unpredictable sound can be."
"I’ve designed a set of original Eurorack modules with intuitive interfaces and powerful features to help you create melodies, harmonies, and custom sequences in your synthesizer setup.
The T=3^x⋅2^y Midi Clock Divider makes it easy to explore rhythmic possibilities. The intuitive front panel shows the relationship between all outputs at a glance.
The 4051 Permutational Sequencer turns simple gate signals into complex sequences. This sequencer uses three gate inputs as a binary number, which determines the order of its steps.
Take your melodies and harmonies to the next level with the MC2VQ MIDI Controllable Dual Voice Quantizer.
The T=3^x⋅2^y Midi Clock Divider makes it easy to explore rhythmic possibilities. The intuitive front panel shows the relationship between all outputs at a glance.
Flexible Rhythms: Outputs are organized into triplet, standard, and dotted note divisions, perfect for creating musically meaningful patterns.
Seamless Integration: Combine any three outputs with the 4051 Permutational Sequencer for instant access to unique and inspiring sequences.
Reset in and out: To sync to other modules or use the reset in to make it reset itself if you want different sequence lengths.
Whether you're building complex grooves or experimenting with polyrhythms, this module simplifies the process.
Simple Inputs, Complex Sequences
The 4051 Permutational Sequencer turns simple gate signals into complex sequences. This sequencer uses three gate inputs as a binary number, which determines the order of its steps.
Dynamic Variations: Feed it three successively halved standard notes like quarter, eighth and sixteenth notes for a standard left-to-right sequence. But the real magic happens when you replace any of the inputs with another signal, resulting in limitless creative possibilities and rhythmic variation.
User-Friendly Design: Color-coded inputs make it easy to understand and control.
CV Output Range and Level Options:
The CV output range is adjustable via a dedicated switch, allowing you to tailor it to your specific needs. Additionally, the level knob provides precise control over attenuation for fine-tuning the signal.
Trigger Output:
Each time the sequencer advances to a new step, a trigger pulse is sent from the trigger output, making it easy to synchronize with other modules or external gear.
This sequencer is a powerful tool for creating evolving patterns that push your creativity to new heights.
Perfectly Spaced Notes, Dual Voice, MIDI Control
Take your melodies and harmonies to the next level with the MC2VQ MIDI Controllable Dual Voice Quantizer.
Dual CV/Gate Output: Creates two sets of CV/Gate outputs from the same scale or chord, resulting in lovely and complementary harmonies.
Unique Mixing Capabilities: Blend the three analog inputs differently for each output using dedicated mixers, generating beautiful harmonies or cascading arpeggios.
MIDI Input: Use a MIDI keyboard or sequencer to set scales or chords on the fly, enabling seamless chord progressions and harmonic shifts.
MIDI Output: Use the two voices generated by the quantizer to control your MIDI synths, or send the output to the next MC2VQ to synchronize scales across both modules.
Smooth Transitions: The quantizer’s algorithm distributes active notes evenly across the 1V/oct range for fluid and consistent transitions.
Trigger Inputs: Optional trigger inputs let you synchronize outputs with a fixed rhythm for precise timing.
Whether you're composing melodies or creating complex arpeggios, this module provides a unique and expressive way to shape your sound.
See the Trilling label below for additional posts.
Aberfine Aeon dual VCF development video upload by Vladimir Salnikov
#aberfine
#aberfine-dev
#dev-diaries
#dualvcf
This one is in via an anonymous reader who had the following to say: "Vladimir Salnikov, the freelance developer behind Waldorf's M synthesizer, is starting his own synthesizer company with a kickstarter for a polyphonic analog synthesizer."
Some details from Vladimir Salnikov himself (Note a 1.09 update for the M is also coming):
"Hi guys. I have a good chance now to dive deep into my synth project, which I want to present soon on Kickstarter. However, I need to ask you, what do you, guys, want it to be?
I have for now actually 3 nice-sounding synths in different design phases. All these activities are for financing the 4th synth, which I see as a promising shiny new direction in the industry. But to develop this properly, I need to hire two extra developers - and I do not have money for this right now. So the idea is fairly straight - make a 'simple' synth, back its production by crowdfunding (developing costs are on my side), and reinvest the profit into the development of a fully new synth, based on some new technologies and concepts.
What is the development right now, all on the working prototype phase :
1. 4 voices 'classic' hybrid, based on Shruti / Ambika from Mutable Instruments and it's concept - intercheangable filter boards, simple control, rich sound. An engine has lot of additions and upgraded to the modern 32bit platform from original 8 bit. Target price is 459 Euro / 499 USD for the complete factory built synth (min 100 units should be backed). DIY TH kits may follow if needed (one is yet designed).
2. A Mono/Paraphonic hybrid, based on dual MI Braids as an oscillators section, and multimode VCF (triple core) of my own design. High quality digital FX (reverb, delay, flanger) are onboard (per synth). Flexible VCF 'cores' routing in analog domain. Sample-precise concept for CVs in analog domain. Target price is 399 Euro / 459 USD for the complete factory built synth (min 100 unit should be backed).
3. A 6/12 voices hybrid polysynth based on idea of OBX, but with digital oscillators. Dual VCF design (Polyvoks + CEM), base version is a 6 voices desktop module, expandable for 12 voices with voice card (USERS INSTALLATION IS WELCOME BY DESIGN). High quality onboard FX (per layer) - shimmer reverb, delay with looper, flanger, phaser, distortion etc. Dual Layer mode is possible with installed expansion. Target price is 969 Euro / 999 USD for a 6 voices desktop module, 399 Euro / 469 USD for the expansion (again, min 100 units should be backed to achieve target prices).
What will you prefer to launch first? The design readiness and software readiness are in the same order as variants, i.e. 'PolyShruti' is most ready, 'Dual Braids + flexiVCF' is on case design phase, 'PolyPolyvoks-OB6' is built on the board, working with modified M software.
Fist two synths will be equipped with an 2.23 inch OLED display (same as on Kyra) and mixed potentiometers / encoders / buttons / LEDs controls. For the last also keyboard version is desired but will be possible only in second / third batch (if any occured). Display for the last now is a question, but 4,5 inch hi-res IPS (no touch) is desired (waiting for sample delivery).
Perhaps it is a bit naive, but I am believe in the POWER of GS community, and, at least know some of you guys personally. I do love design synths, I do love how they sounds, and I would be happy to make something new in collaboration with you guys, as it was (partially) with the M. I was really happy to do this.
And again, this project is actually for financing real breakthrough. Can't manange to do this on my own, unfortunately.
So, all opinions are welcome! Thank you in advance, dear community.
Greetings from Remagen your Vladi.
p.s. 1.09 for M is in development no abandonned abyss for the M.
p.p.s In Hybrids We Trust!"
Followed by:
"So I finally did the VCF prototyping - CEM + Polyvoks VCF dual with flexi routing (serial / parallel / serial + parallel). It's sound such an unique and reach. So, the variant 3 is finally chosen and development began on full gas."
Looks like it will be the Aberfine Aeon based on the video above?
"My family and I went on vacation this week and had a great time. Some things came up at work and frustratingly, I feel I wasn't entirely as present as I'd have liked to have been. Kind of ruined a lot of things for me, but, despite that we had fun.
My oldest daughter, as usual, wanted a stuffy. We went to a store and she decided she wanted to wait to get something at a different place (because she usually liked the stuffed animals there. So later that day we drove down and - to her dismay - the new stuffed animals there were for little kids. We asked how she could tell, but she said she could. She did not want them. But we didn't have time to go back to the other place (since this was a restaurant and we were going to be eating dinner and the other place would be closed). I drove back up afterwards, looking for any place that might sell something similar, but nowhere did. The next day we knew a snow storm was coming in, a huge one. So she was very sad that we wouldn't be able to go back - but I was proud of her for two reasons: 1) She was able to hold off getting something now for the hopes of something better. 2) She didn't just grab something at the second place, because she knew she didn't want those. And although she cried and was very sad, she did not get something there. I was proud of her for that.
The next morning, we decided to go out in the storm and we did end up getting that stuffy for her. I got her something extra too because I was proud of her for waiting.
As for this track - well, I'm trying to see - do I really need that SX-240? Just because it's pretty? Basically, I have found the Prophet 10 actually does sound almost identical to the SX-240. As cool/nice as it is, I can't just keep all this stuff. There's just too much stuff here and I can make the same or better stuff without some of these synths in my studio.
Sequential Prophet 10 REV4 Rhodes Electric Piano MKI Fractal Audio FM3 for FX"
"Experience the golden era of Trance music with SUPER JX 9000, an exclusive sound pack designed for the Adam Szabo Viper Software synthesizer ( 1.2.2 ).
Captures the essence of classic Trance, delivering a powerful toolset for every music producer.
WEBSITE : https://www.ultimatexsounds.com"
Some additional info on Adam Szabo's Viper. I realize I never captured it before. Viper was introduced seven years ago:
Virus vs Viper: Can Viper sound like the Virus?
video upload by adamszabomusic
"Viper aims to deliver the sound characteristics of legendary hardware synthesizers in a virtual format. It comes with multitude of features like: multiple Oscillator types, Sync, Frequency Modulation, Ring Modulation, Unison up to 8 voices, Filter Saturation, Filter Routings, Modulation Matrix, high quality Effects, a powerful Arpeggiator, and much more!
A lot of time and research has been invested to make Viper capable of delivering a wide array of sounds, everything from lush pads, huge basses, and powerful leads, typically found in analog synthesizers. This was achieved with careful coding, experimenting, analyzing hardware synths, and using the ear to fine tune its parameters.
The audio engine is written in optimized code to use as little CPU consumption as possible, while maintaining a high quality sound engine, finding a good balance between the two. Viper also has a smoothing algorithm for its controls to remove the ‘steppyness’ associated with digital synthesizers.
Viper is available as a 32 and 64-bit VST 2.4 and VST 3 instrument for Windows."
at the moment my jams are focused on learning the Solar 42F, what else :D it's still a big challenge to make music spontaneously with the instrument. The preparations still take far too long for me - it can easily take half an hour to tune all the synths. Since my goal is to play a live show with the instrument, I've put the focus on that and I don't yet know how I'm supposed to manage 1 complete hour without a break for the night tuning. Maybe one of you has the Solar and can give me tips on how to configure it for a live performance longer than 15 minutes. Either way, have fun with the jam :D"
Spitfire Audio crafts carefully curated collection of evocative ensemble patches from acclaimed ALBION range as THE ALBIONS ORCHESTRAL SELECTS
LONDON, UK: leading sounds and sample libraries creator Spitfire Audio is proud to announce availability of THE ALBIONS ORCHESTRAL SELECTS — shipping as a carefully curated collection of the most inspiring and evocative ensemble patches brought together from across its acclaimed ALBION range to offer a rich tapestry of hand-picked orchestral sounds that let the individual character of the orchestra shine, supplying composers with a wide range of expressive possibilities to bring any cinematic moment to life — as of March 6…
It is fair to say that THE ALBIONS ORCHESTRAL SELECTS is testament to the power, versatility, and, indeed, longevity of the ALBION range — after all, the original ALBION, which was effectively re-released by popular demand as ALBION LEGACY in 2023, kick-started a whole range of all-in- one composer tools for cinematic inspiration, its collection of orchestral ensembles featuring strings, brass, woodwind, and percussion, as well as loops, synths, and atmospheres, all creatively captured in the beautiful resonance of the hallowed (Lyndhurst) Hall at London’s legendary AIR Studios way back in 2011.
The exceptional collection that is THE ALBIONS ORCHESTRAL SELECTS duly draws from six distinct ALBION libraries — namely, ALBION COLOSSUS, a gargantuan, all-in-one toolkit that pushes contrast, dynamism and intensity to eleven, elevating scores to breathtaking new heights in a new blockbuster era; ALBION NEO, a modern cinematic collection centred around a chamber-sized orchestra with a super-intimate string section split by divisi across all articulations to offer anyone access to the incredible definition and expression of classic and progressive techniques, accompanied by an encyclopaedic range of progressive synths, loops, and textures; ALBION TUNDRA, taking a 100-piece orchestra playing never-before-sampled techniques at the very edge of silence to capture a characteristically Scandinavian sound; ALBION ONE, a renowned, industry-standard orchestral sample library that provides everything needed to make film music, comprising a 109-piece orchestra accompanied by a thunderous cinematic percussion section, plus warp-able loops designed by award-winning engineers and an enormous steam synthesiser; ALBION ICENI, an award- winning package boasting epic low-end brass and electrifying woodwinds, harmonised with a string ensemble encompassing an extensive range of cellos and basses alongside an extraordinary collection of thick, deep synth sounds and loops as an apocalyptic low-end orchestra; ALBION LOEGRIA, an expertly sampled chamber-sized orchestra, featuring strings, woods, brass, and cinematic drums alongside eclectic loops and an inspiring organic synth as the perfect starting point for independent films, period dramas, or more cerebral and intimate music; and last, but by no means least, the aforesaid ALBION LEGACY — as a carefully curated selection of sounds designed to blend seamlessly into any scoring project.
Painting vivid sonic landscapes to bring musical visions to life is even easier using THE ALBIONS ORCHESTRAL SELECTS’ inspiring and evocative ensemble patches... think Epic Strings, selections played by larger string ensembles including the full dynamic range of ALBION ONE’s strings and the soaring highs and powerful lows of ALBION ICENI and ALBION TUNDRA that range from delicate textures to thunderous power, providing everything needed to create truly unforgettable string passages; Intimate Strings, showcasing the nuanced detail of ALBION NEO and the emotive beauty of ALBION LOEGRIA, capturing intimacy with exceptional clarity and expression; Epic Brass, bringing together the enormous cinematic brass patches from ALBION ONE’s full brass range, the majesty of ALBION TUNDRA, and the colossal low-end of ALBION ICENI to provide the tools needed to create brass arrangements that resonate with power and emotion; Intimate Brass, a more intimate and nuanced approach to brass scoring, achieved through the focused intensity of ALBION NEO’s brass, with long and short staccatissimo articulations; Epic Woodwinds, harnessing the soaring melodies of ALBION ONE’s woodwinds, the haunting textures of ALBION TUNDRA, and the rich depths of ALBION ICENI to provide a wide range of woodwind colours and textures; Intimate Woodwinds, providing the warmth, intimacy, and nuance needed for delicate woodwind passages, courtesy of ALBION NEO; and Albion Percussion, unleashing the thunderous power of the DARWIN percussion ensemble from ALBION TUNDRA, the cinematic impact of ALBION ONE’s XXL percussion, ALBION LEGACY’s CYMBALS, and the nuanced detail of ALBION LOEGRIA’s FINE DRUMS LOOSE and FINE DRUMS TIGHT as a diverse collection providing a rhythmic foundation for any scoring project.
Paul Thomson — company co-founder, and an accomplished composer in his own right — remains enamoured with Spitfire Audio’s acclaimed ALBION range, resulting in THE ALBIONS ORCHESTRAL SELECTS, stating: “There are so many sounds in these collections that are instant cue-starters, giving you a film score sound for any genre right out of the box; for this selection, I’ve pulled out my favourite patches from the orchestral sections recorded in Lyndhurst Hall at AIR Studios, locking together beautifully but allowing a huge range of expression and style, so this is the perfect introduction to the ALBION series — my source of instant inspiration!”
Presented in Native Instruments’ KONTAKT 7 virtual instrument platform, the NKS (NATIVE KONTROL STANDARD®)-ready/AAX-, AU-, VST2-, and VST3-compatible, 26.3 GB download-sized THE ALBIONS ORCHESTRAL SELECTS library is available for MacOS 11, 12, or 13 (latest update) and Windows 10 or 11 (latest Service Pack) at a 20%-discounted, time-limited promo price of £119.00 GBP (inc. VAT)/$159.00 USD/€143.00 EUR (inc. VAT) until March 13, 2025 — rising thereafter to its regular price of £149.00 GBP (inc. VAT)/$199.00 USD/€179.00 EUR — from here: https://www.spitfireaudio.com/the-albions-orchestral-selects (Crossgrade pricing is available to existing owners of any library from the ALBION range.)
Anyone who does not already own KONTAKT 7 is invited to download KONTAKT 7 PLAYER for free; though SPITFIRE SYMPHONIC EXTRAS will work with both KONTAKT 8 variations, it does not need either.
"@devinbelangermusic made a great video together with @VultureCulture comparing Devin's modern analogs with Alex's Vintage gear. Devin was so kind to share the midi - so I could make my version. Check out their video!"
Do Vintage Synths Actually Sound BETTER?! (with Vulture Culture)
Vintage Synthesizer list:
Yamaha CS-70m
Kog Polysix
Fender Chroma Polaris
Formanta Polivoks
Roland RE-501 Chorus Echo
Kawai
Korg MS 20
Modern Synths:
UDO Super Gemini
Groove Synthesis 3rd Wave
Oberheim OB-X8
Moog Matriarch
Hologram Microcosm
Meris MercuryX
Polyend Play+
🎹 Get my custom analog synth patches: https://shop.milesawayofficial.com/
🎵 Stream my original music: https://beacons.ai/milesaway
0:00 - intro
0:31 - rules of the competition
0:55 - vintage synths choices explained
6:25 - vintage synths final song
8:39 - modern synths explanation
12:08 - modern synths final song
14:21 - what we learned from this experiment
19:37 - who won? tell us in the comments!
20:10 - ???
"In this jam, I didn't really want to set a time limit 😊
It's actually quite a simple setup with 2 synths (Perfourmer and 0-Coast) playing in monophonic and the TR-6S taking care of the DRUM parts (no samples used here, only the Roland's - ACB Analog Circuit Behavior - analog modeling engine).
I've used the individual outputs of the Perfourmer where the main outputs are playing voices 1&2 (BASS) and outputs of voices 3&4 are going into the H90 and Pill pedals. Even though the 4 voices are playing the same notes, voices 3&4 seems to play like a PAD especially when I enable the PITCHFUZZ effect of the H90!
As for the 0-Coast which is taking care of the PLUCKS, I did some patching mainly to add some variations (modulation of some parameters using the S&H LFO) on the sound."
"I was connecting stuff in my temporary home office studio setup yesterday and had brought out my Vermona Perfourmer (mk1) from storage. So while setting it up I recorded a simple 4 bar thing as midi and let it drive the Perfourmer synthesizer. I had it running for a few hours while I was connecting midi and audio for the other synths I have in the home office and I never got bored of it. So today I decided to quickly add some piano and other synths to it to see if I could make it into something more... I dunno if the last part was succesful though, but at least I got it documented...
The main synth is the Vermona Perfourmer playing a chord structure thing. The second synth that appears is a lead from the Expressive E Osmose followed by a bass from the Novation Summit and another soft lead from the Moog Muse. Then a chord with some morphee filtering from the Arturia Polybrute 12 before the Piano comes in. (Just another piano improvisation more or less). At the end I start to mess up the Vermona thing and I also added a Drummer track in Apple Logic Pro."
These two new volumes in my Synth Evolution ‘zine series were launched at last weekend’s SynthEast event in Norwich, UK. They are Volume 3: Modern Classics, and Volume 4: Modular Greats. I’ve moved into the 21st Century with these two! As ever, they feature my signature hand-drawn illustrations and are full of facts, figures and tech-specs:
Volume 3: Modern Classics
Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The first two volumes (Vintage Synths and Drum Machines & Samplers) focused on vintage electronic instruments from the 1970s and 1980s. Volume three moves into the 21st century, showcasing a selection of the most interesting, impactful, and—arguably—best synthesizers of the past two decades.
The synths in this book celebrate the vast range of sonic possibilities now available to musicians and producers. From analogue wonders to extraordinary digital creations, from tightly designed monosynths to open-ended polyphonic beasts, each one is more marvellous than the last! Also featuring ‘Desert Island Modular’ choices from Robin Vincent, Steve Davis, Panic Girl and more.
The modular resurgence of the past 25 years has been a wonder to behold. Where musicians were once chained to their DAWs, we are now liberated once again to wire, patch, and modulate in the real world, choosing from a mind-boggling array of options.
Modular Greats celebrates the fusion of art, logic, science, and serendipity in modular synthesis, highlighting some of the best-selling, most creative, and most impactful modules of the 21st century. Featured manufacturers include Make Noise, Mutable Instruments, TipTop Audio, Intellijel, Rossum Electro-Music, Doepfer—and many more!
