MATRIXSYNTH


Thursday, January 19, 2006

electro-music 2006 - Philadelphia, PA

Title link takes you to more info.



"We proudly announce electro-music 2006(TM), a three day international conference/music festival to be held at the Cheltenham Art Center in Philadelphia, June 2 - 4, 2006. The program will include lectures, demos, jam sessions, and concerts.

The scope of this festival is very broad, covering all aspects of electro-music, experimental electronic music, including circuit bending, computer music, electro-jazz, modular synthesis, musique concrete, improvisation, noodles (generative music, automatic and algorithmic composition), multi-media, visual art and much more. The focus will be on participant involvement, sharing, community development, audience education, and great music."

Alesis Fusion - New Flickr Shot

Recently played with one of these. The knobs, buttons and mod wheels really have a different feel to them. It's an interesting design that strays from the conventional design of other synths.

Synthmania.com

It always trips me out when I find a site like this for the first time. If you scroll to the bottom of the page you will see the first entry of March 14, 2004, "SynthMania.com is published to the World Wide Web for the first time." Moving up you will find synth after synth listed and the dates when they were added. Click on one and you will be rewarded with a details page and in many cases a motherload of samples. Really nice if you want to check out what some of these synths sound like. I always wanted to know what a Kawaii SX-240 could sound like. Still scratching my head as to why I hadn't come accross this site before. Title link takes you to there.

Siel EX-80 and Suzuki SX-500 MIDI-Map Chart

Title link takes you to a bmp of the chart. Via Sander Meyer on AH.

Emulator III and Akai VX 600 EPROM Images

If you need em, title link takes you to a post on DVDBORN that has em.

Wednesday, January 18, 2006

New Emu Bits

Update: Here's the full press release: http://www.productionforums.com/viewtopic.php?t=5414



Comments via James of Retro Thing via this post:
"The new Emulator X2 software will include the Transform Multiply functionality that was included in several classic E-mu samplers (The Emax and Emax II for sure). It's a DSP convolution tool that is well known for the bizarre textures it creates. They're also automating multisampling of your fave synth patches with a tool called SynthSwipe."

The New Rolands

Title link takes you to more.

Update: Looks like the 808 has it's own page.

"From the company that made “groovebox” a household name comes a remarkable addition to the famous Roland groovebox family: the MC-808. Optimized for realtime performance, the sleek, silver powerstation features eight motorized faders on its surface — a groovebox first! With Roland’s most sophisticated processor at its core, the MC-808 possesses top-of-the-line sampling, sequencing, and synthesizer features yet it comes in at a new, low price point."


"Look familiar? True to its heritage, the new JUNO-G is affordable and user-friendly. But that’s where the comparisons to yesteryear end. This modern marvel packs a studio’s worth of sound, sequencing, and audio recording into one amazing instrument. Sharing the same high-powered processor as Roland’s famous Fantom-X series, the JUNO-G puts a world of first-class sound and performance features under musicians’ fingertips — and allows more sounds to be added via SRX expansion. Songs can be created with the onboard audio/MIDI recorder, all for an incredibly low price!"


"For musicians new to synthesizers, Roland announces the most friendly and fun analog-modeling instrument on the market: the SH-201. For synth pros, the SH-201 will remind them of why they fell in love with synthesizers in the first place. Simply, the SH-201 is a blast to play! It sounds great too, thanks to such features as Roland’s famous Supersaw waveform, resonant filter, saturation control, and more."



"For musicians who can’t accommodate a choir or group of background singers for their gigs or recording sessions, Roland proudly presents the VP-550 Vocal Designer Keyboard. Much more than a traditional vocoder or harmonizer, the VP-550 uses Roland’s breakthrough vocal-modeling technology to bring the highest-quality, interactive vocal sounds to a dedicated instrument. Connect a mic, select a sound, and play. You won’t believe what can come out of this instrument: spectacular classical choirs, soulful gospel choirs, pop and jazz voices, male & female ensembles, vintage vocoder, and lush string/vocal hybrids."

The Future Retro XS

Title link takes you there.

Toshio Iwai's SimTunes

My masterpiece


I finally got a chance to check out the Demo of SimTunes graciously posted by thewhiteline on this post. To run it, I set the program to run under 256 colors in Windows 95 Compatibility mode (just right click the program icon, go to properties, then Compatibility to set this). I must say I was pleasantly surprised. It's a lot of fun. The way it works is you draw pixels on the screen while four little "bugs" walk around; when they walk over a pixel a sound plays. Different colors play different sounds. There is also music running in the background that your pixels play on top off. It's pretty fun. There are some included images that play composed pieces of music. As you can imagine if you line things up correctly you can get some cool sequences going, or you can just go random and see what comes out like my masterpiece above. I'll be keeping an eye out for the full version myself. Title link takes you to the demo. Thanks again to thewhiteline for this little gem. It would be cool to see this pojected on screen, in some performance art (oh, a composition running that is, not my masterpiece above). : )

The Neurodelic Experience

Update: I've been asked to pull down the original post. I've gone on the scavenger hunt to get into raves a hundred times and have had the wonderful light show of the LAPD break my bliss too many times to remember, so I totally respect this. Modified image below.

Future Retro XS Press Release

Via Gearjunkies.com

Introducing the new XS from Future Retro. A true analog modular synthesizer designed to expand the sound capabilities of all our existing products and other modular synthesizer systems.

Photo under press embargo

Housed in a rugged aluminum chassis that is both compact and lightweight, the unit can be rack mounted taking up 3U spaces, or used with additional desktop end pieces for tabletop use.

The inputs and outputs of the XS are pre-wired in a way which allow it to act as a monophonic synthesizer without the need for patch cables.

Add patch cables and you can connect each section's inputs and outputs in any way desired. With a single unit you can easily create basslines, leads, drones, percussion, and sound effects. Connect multiple units together to form larger systems and the possibilities are endless.

The XS responds to the standard 1V/Oct control voltages and positive gates so it can be interfaced with most analog sequencers or MIDI to CV converters.

The XS provides a wide range VCO or voltage controlled oscillator, capable of covering the entire audio range or acting as an LFO for sub audio oscillation. This VCO can sync it's waveform to oscillators and gate signals, or act as a free running oscillator.

The VCO generates sine, triangle, sawtooth, and pulse width/square waveforms. The pulse width shape can be set manually or modulated with an internal or external signal. The VCO can be frequency modulated by both internal and external signals to create more complex waveforms. The VCO also generates a sub oscillator waveform which can be 1/2, 1/4, 1/8, or 1/16th the frequency of the main waveform. An output is provided for both main and sub oscillator waveforms.

The mix section sets the levels of the oscillator and sub oscillator waveforms or any external audio signal to be sent to the input of the filter. The multimode filter provides 2 pole high-pass and low-pass frequency roll off with dedicated controls for the cutoff frequency and resonance settings. With high resonance settings the filter will self oscillate. The cutoff frequency can further be modulated by both internal and external signals. A dedicated output for the filter is also provided.

The XS includes a unique ADSR type envelope with additional attack and decay time settings for accented envelopes. It's like having two envelopes in one. The envelope can be triggered with a single gate for traditional ADSR type envelopes, or insert another gate signal into the accent input to select the accent time settings. Both positive and negative polarity envelopes are available at the output.

And finally a VCA or voltage controlled amplifier is provided to process the amplitude of signals. The VCA normally affects the filter's output but can also be used to process external audio signals. The VCA can be controlled by an external gate or the internal envelope. In addition, a manual control is provided to control the VCA when no gate or envelope signal is present. The VCA has a level control for attenuating signals sent to its output.

Release date for this product is TBA

A6 Banner


Title link takes you to three shots by Mike Peake, one of the banner below, one of a couple of A6 panels, and one of some parts (wheels, Polyfusion filter PCB, and two Polyfusion Resonator PCBs). Note the Moog Cookbook in the shot. Click for a bigger picture.

The Emulator Archive

All you ever wanted to know about the EMU Emulators. Title link takes you there.

The Emulator I

The Fizmo Tabletop?

Update: Via Carbon111 in the comments: "Read the thread - "suitandtieguy" bought it from some guy that did the chop job. Dude musta thought it was a good idea after a few spliffs, mon. ;) "

Title link takes you to a post on HC where the shot below was pulled. I am aware of the keyboard and rack version, but not a tabletop. It looks like someone just cropped the keyboard version. If anyone knows any more about this, feel free to comment. In the mean time, check out the Deep Synthesis Fizmo Page for tons of info and some great samples if you ever wondered what a Fizmo sounds like.

Future Retro XS Part 2

Update via the comments: http://www.gearjunkies.com/news_info.php?news_id=1065

We will all know on Friday, but I thought I'd put up the following by DB in the comments section of this post:

"Hi, Here is what Jered of Future Retro has said in the past about the FS XS:

"The planned expander will be a stand-alone unit so that it can be used with all of our existing products. This will not be a new model of the Revolution synthesizer itself."

Also, from past discussions with Jered, but I can't seem to find the emails, I believe that it is supposed to be able to add on an Analogue Oscillator, Envelope, and LFO amongst other things to the Mobius , 777 & Revolution.

So it would make the Revolution a 2 Osc synth rather then a 1 OSC with LFO and Envelopes, and the 777 a 3 OSC synth with LFO's and Envelopes, and would make a simple mono synth/mono osc synth out the Mobius.

Should be interesting. Don't know if you can add more then one of these to them ore not. We should be finally hereing more on Friday. "

Tuesday, January 17, 2006

The SAS Modular

Update: Via M. Altermark in the comments section (I was wondering what SAS stood for):
"SAS stands for "Swedish Analog Sympathizers", a loose organization based around the SAS-mailinglist. Best source of synth knowledge available for swedish speakers. Yay SAS!"

Moogulator put up a post on the SAS Modular, a Swedish DIY synth. Title link takes you to the post with links to a couple of sites with more shots and info.



From one of the pages:
"The modular will (at it's initial setup) have 3 VCO's, 2 VCF's, 2 VCA's, 4 EG's, 3 VCLFO, and a bunch of different effects. On top of the modular there are a 2-channel 8-step analogue sequencer, and below there are a spring reverb unit."

Synapse Toxic

Released with the Orion Platinum 6.2 Update. Title link takes you there. Click here for the Toxic page with a demo. Via Harmony Central News.



"Toxic is a 6-operator-FM synthesizer of highest quality, with alias-free oscillators, warm filters and precise envelopes. All controls are interpolated, allowing to tweak all parameters smoothly in realtime without clicks.

A powerful effects section with an Equalizer, a Distortion unit and two Chorus/Flanger/Delay sections, completes this excellent generator."

Audio Damage Phase Two Available

Mutron Bi-Phase plug-in from the creator of Analog Industries. Title link takes you there.

Brandon Daniel's Picture Archive

Brandon has completely redesigned his picture archive and I must say it is really nice. He has sets of the AH Bay Area gatherings, NAMM, and various manufacturers. Title link takes you there.

The Estradin 230 (3 VCO synth)

More on SonicState.com.

The EMF Institute's Timeline

Title link takes you there. Well worth checking out.

The Telharmonium (circa 1900)



"In 1897, Thaddeus Cahill, lawyer, engineer, entrepreneur, received a patent titled 'Art of and Apparatus for Generating and Distributing Music Electronically'. His plan was to broadcast music via telephone lines to restaurants, hotels, and private homes. The sounds were to be heard through loudspeakers that he had designed to be attached to telephone receivers."

Emulator II Video on DVDBORN

Video of Alan Wilder of Depeche Mode demoing the Emulator II. Title link takes you to the post.

Monday, January 16, 2006

The Eboardmuseum

Title link takes you to the Eboardmuseum, home of over 700 exhibits. Make sure to check out the Highlights page, for gear p*rn galore. They claim to have the very first Minimoog, serial number 1001. You be the judge.

Elka Synthex

Note the colored knobs. I've never seen one with them before. And check out the rotational "arrows" in case you don't know what to do with them. ; ) One more shot after the hop. Via this post on electro-music.com.

Toshio Iwai Videos and the origin of Electroplankton

Update3: Demo of SimTunes put up by thewhiteline: http://www.twofloorsrecords.com/uploaded

Update2: Via the comments of this post:
"Toshio Iwai also made a game back in 1996 for the PC called SimTunes
http://ns05.iamas.ac.jp/~iwai/ [Toshio Iwai's website]
If you google you'll find a demo to download"

Note the dates of the exhibits on his website. The piano piece was done in 1995.

Update1: Looks like the orders of the videos changed.
Click here for the one that mentions Electroplankton.
Click here for a crazy one that plays the piano via light.
Click here for the list including the Tenori-On and some interesting related videos.

Title link takes you videos of Toshio Iwai demoing his work including the Tenori-On and what he states to be the origin of his Electroplankton for the Nintendo DS. Make sure to check out the second video in entirety and listen carefully. You can hear him state, "these thoughts, um installations are kind of the origin of Electroplankton." It's amazing to see the interface and design on this scale. Brilliant stuff. Via the comments section of this post. Thanks to whoever took the time to post this.

Music From Outer Space DIY Dream Modular

Via GetLoFi. Looks like the Music From Outer Space DIY dream synth is complete. Title link takes you there. There are some amazing samples up.

The Metasonix S1000 Wretch is off to NAMM



Michael Weeks just sent me the following, also posted to AH, so I'm guessing it's good to post here. Title link takes you to the S1000 product page. Sample links below.



"Well, the S1000 is now shipped off to California for NAMM, and I'll be
out there too to take in the sights!

In the meantime - the product page is up on metasonix.com -
http://www.metasonix.com/index.php?
option=com_content&task=view&id=30&Itemid=61


There are two new audio demos - two more "song" oriented pieces, using
more compression/eq/delay/reverb etc than the raw demos. All sounds
from the S1000, except raw drumloops which were run through the filter
and waveshaper portions of the synth.

Direct links:

http://thewretch.com/s1000songs/S1000_Track1.mp3

http://thewretch.com/s1000songs/S1000_Track2.mp3


Enjoy! And if you're at NAMM, I'll be floating around the Metasonix
booths at both Analogue Haven and Big City Music.
_____________________

I'll be at NAMM for all 5 days, with a still and video camera, I'll try
and get some fun footage :D

Take care,

Michael Weeks"

Modularsynth.com

If you are interested in the world of modular synths but don't know where to start, this site is worth checking out. Modularsynth.com contains links to current manufacturers, tutorials, a comparison chart and more. Title link takes you there.

Love the Casio T

Sequential, Moog, Oberheim, CAT, and Chroma Shots

Title link takes you to some nice shots recently posted on AH for some gear for sale. If you are seriously interested feel free to contact luigi.castelli[@]earthlink.net.



Set includes the following:
. Sequential Circuits Prophet-5
. Musonics Minimoog
. Sequential Circuits Prophet-10
. Oberheim 4-Voice
. Octave Electronics Cat SRM
. Oberheim OB-8 w/MIDI
. Moog Minimoog
. Rhodes Chroma

Future Retro FR777 Mods

Title link takes you to some shots of the FR777 and a modifications rack. The mods were done by Peter Grenader of Buzzclick Music. Details are listed below. Note that they are written more like instructions on how to do the mods vs. the end result. BTW, my first thought was what if this is the Future Retro XS expander that's coming. My second thought is how will it compare to what's coming. Via RaZoR on AH. This unit is for sale. If you are interested contact razor[@]sbcglobal.net. It has OS 3.0 installed and the asking price is $800.



Modifications:

1 Snappy filter envelope

Short out R78 (47K) or replace R78 with a 50K
potentiometer for adjustable accent times and shortest
possible envelope times for the filter's envelope.
NOTE: You will probably want to make this mod
switchable between original and mod version. To do so
use a DPDP switch and use it to short resistor R78 or
to switch between resistor R78 and the 50K
potentiometer.

2 Faster envelope time for OSC B's sweep

Same procedure as the "snappy filter envelope" but
with resistor R68 (47K).

3 Secondary CV in for OSC B

For this mod we will let the original CV IN be the
control for oscillator A and the secondary CV IN to
control oscillator B. First locate the trace on the
top side of the circuit board that runs from S1 (OSC
B's internal/external switch) to S2 (OSC A's
internal/external switch). The trace will be just to
the right of the two trim pots located between these
CV switches. You will need to cut this trace and wire
it to the tip of the jack you will use for the
secondary CV input. Next, connect the sleeve of the
jack to ground. You should also run a diode (IN4148
type) from the secondary CV IN to +6v and another to
ground. This will help protect the circuit from high
positive voltages or negative voltages.

4 External filter CV input

For this mod you can use the same procedure as the
"secondary CV in for OSC B" except obviously you won't
need to cut the trace for the switches as mentioned
above. Locate R37 (0 ohm) resistor and lift the lead
that connects to diode D31, located just next to R37.
For this mod we will run a wire from the tip of the CV
jack to be used, to the lead of the diode D31 that was
connected to R37. If you use a switching jack you can
run a wire from the lifted lead of R37 to the
switching terminal of the jack. This way when nothing
is inserted in the jack, connection for the circuit
will be as it was originally. Next, wire up the jack's
sleeve to ground. Positioning of the jack is up to
you.

With this mod you can use the CV type switch in the
filter mod section to select how the CV affects the
cutoff frequency of the filter. You can use the CV
amount knob to control the amount of affect the CV has
on the filter's cutoff frequency.

Control voltages should run between 0 and +6v, avoid
higher voltages than +6v or any negative voltages!

5 Infinite sustain for sustained or glided notes

Infinite sustain

As in the original 303, if a long sustain is written
for a note's duration the VCA's gate signal will
eventually decay until no sound is heard. You can
change this so that the gate signal never decays, and
infinite gate times are possible. For this mod, lift
the anode end (side opposite the black band) of diode
D20 and run a wire to connect the lifted end of D20 to
the anode of diode D19. You could also use a switch to
make the connection of D20 selectable between its
original source and D19.

6 Turning your VCA's gate into an ASR type envelope

Variable attack time

You can adjust the time it takes for the gate signal
to reach its full potential by increasing the
resistance of resistor R176 (10K). For adjustable
attack times, lift one end of R176 and run a wire from
the lifted end of R176 to one of the outer terminals
of a potentiometer. Run another wire from the hole
which R176 went to, to the other outer terminal of the
potentiometer. Connect the wiper of the potentiometer
to one of its outer terminals so that the resistance
of the pot increases as you turn the potentiometer
clockwise. Note that more resistance creates longer
attack times, I would recommend using a 50K or 100K
potentiometer for this mod, but feel free to
experiment.

7 Increasing the overall amount all modifiers have on
the filter's cutoff frequency

For those of you who want some truly bizarre filter
effects try this one.

By increasing the resistance of resistor R128 you will
increase the range of each one of the filter's
modifiers (Ie. CV/Warp, Osc B amount, Envelope
amount). Lift one end of R128 (2.2K) and run a wire
from the lifted end of R128 to one of the outer
terminals of a potentiometer. Run another wire from
the hole which R128 went to, to the other outer
terminal of the potentiometer. Connect the wiper of
the potentiometer to one of its outer terminals so
that the resistance of the pot increases as you turn
the potentiometer clockwise. Note that more resistance
results in more affect the modifiers will have on the
filter's cutoff frequency. Try using a 50K
potentiometer for this mod, and again experiment.

Sam Ecoff's Electronic Music Books

Update: Updated title link to new location. Also there are samples online.

Title link takes you to a page containing dowloads of Sam Ecoff's electronic music books.



Fundamentals of Music Technology - On Synthesis
"I wrote a book a couple of years ago on modular synthesis to use in the courses I teach at a conservatory. It assumes zero knowledge of synthesis and it includes an example CD*. You may download a PDF of the book, below. One of the major shortcomings of my book (as I see it) is that it is specific to the ARP 2600, which is what I generally use to teach modular synthesis. It might be an interesting read for ARP fans, though. That having been said, it was my first attempt at writing a book, and there are some things that I would definitely do differently if I had it to do again."

Still sounds good to me.

MOTM in Frac Rack



Two shots:

www.synthtech.com/pix/1485_test.jpg

www.synthtech.com/pix/1490pcb.jpg

Sunday, January 15, 2006

Creamware ASB Site

Missed this in my last post. Creamware has launched a separate ASB site. Title link takes you there.

Creamware B4000 ASB

First the Minimax, then the Pro-12 and now the B4000 Hammond B3 in a box. Title link takes you there.



Via CDM.

Moog Source - New Flickr Shot

Title link takes you to the set with a few more shots mixed in.

Sherman Filterbank 2x2 Samples

Some samples up on Big City Music. Title link takes you there.



Update via the comments:
"Hi there, Unfortunately these samples are the FB2 samples (not 2x2) which are on their website since years."

Free Nord Modular G2


You'll find it here [mirrored here]. I remember when this was announced. I haven't heard much about it for some time and it occurred to me that some might be missing out, so why not put up a post on it. For those that did miss it, Clavia put up a free mono version of their Nord Modular G2 engine for the PC and OS X. You can build your own mono modular synths and even save your patches. It doesn't expire, it doesn't time out after x minutes of playing with it, and it doesn't insert noise or mute out every x seconds like some demos. It's virtually a fully functional mono version of the G2 synth engine with the limitations below. I say virtual because Clavia claims it is severely limited, but only when comparing it to a full blown G2. This is a fully functional stand alone synth. Owners of the G2 have stated that the sound quality is exactly the same. Why did they do it? Well if you hear how good it sounds, maybe you'll consider getting an actual G2 with full polyphony and the extra functionality. And, you have to love Clavia for doing this right? Title link takes you to the download. BTW, this is obviously a great way to explore the world of modular synthesis. Have fun and explore. : )

The only limitations are:

* Polyphony is limited to one voice while the hardware has a maximum of 32 voices per sound.
* The demo can only play one sound at the time while the hardware is 4 part multitimbral.
* A couple of modules are disabled.
* The demo does not support audio in and MIDI out.

Oakley Sound Systems

I've noticed a few Oakley DIY synths lately like The Ocean I just posted on. I thought I'd take a look at the Oakley Sound Systems site again and put up a post. They offer synth repair services, standalone music projects, including the TB3030, and of course the Oakley Modular. Title link takes you there.

The colorful 'Bergfotron' modular synthesizer

Psy Studio Offenbach, Germany

Title link takes you there. Via Brandon Daniel in the comments section of this post.

Roland TB303 - New Flickr Set

Title link takes you to a few more shots.

Saturday, January 14, 2006

Anadigm in the Andromeda?

Update: Someone in the comments section called out that the Andromeda uses an ASIC not "the ASIC" as I originally posted. Good catch. I checked the Alesis site to see if they gave it an official name and I found this nice FAQ. Take a looksie for an intersting assumption at the time. : ) And for the record I love what Alesis is doing with the Andromeda, Ion, and Fusion. Who would have thought they'd be leading the way with new and innovative synths. Post updated.

Retro Thing recently posted on the possibility of a new Poly Moog using Anadigm chips, and I followed. I did a little poking around on the Anadigm site and I found this shot. Note the Andromeda in the image. The Andromeda uses it's own custom ASICs (Application Specific integrated Circuits)chipset. But does it use any Anadigm chips? If anyone knows feel free to comment. Title link takes you to the Anadigm page.

The Ocean - True Analog Synth by R.J.Vleck 2005

Title link takes you to a post on this absolutely stunning analog synth. Sent my way via Dennis Verschoor. Make sure to click through for more shots. Thanks Dennis!



Details:
Oakley spul:
3 x VCO (Oakley Sound)
2 x ADSR/VCA (Oakley Sound)
1 x VC-LFO (Oakley Sound)
1 x Equinoxe Phaser (Oakley Sound)
1 x Super Ladder Filter (Oakley Sound)
1 x MidiDAC (Oakley Sound)

Eigen PCB's:
1 x Ring Modulator (EFM design)
1 x Power Distribution Board
1 x Dual VCA (EFM design)
2 x Dual CV Mixer (EFM design)
1 x Sample & Hold (Ray Wilson design)
1 x Steiner Synthacon VCF (Ken Stone design)
1 x LAG (EFM design)
1 x Main Ouput Bus & Headphones Preamp (Ray Wilson design)
1 x Noise Source (Polyfusion design)
1 x VCO Octave Switch

Two Buchlas - New Flickr Shots

Title link takes you to one more.

DIY Modular and Sword of Kahless on Moogulator

Check out the following two shots on Moogulator. The first is for all you Trekkie fans and the second is a really nice DIY modular. Love the colored panels. BTW, make sure to check out the posts on Moogulator, theirs a mockup of a Doepfer panel with the sword etched on it.

Sword of Kahless (click for post)


DIY Modular (click for post)

A New Poly-Moog?

Yes it's just a teaser. Title link takes you to an interesting post on Retro Thing covering the possibility of Moog using the Anadigm analog chipset for a low cost poly synth. My first thought was no way, but then James mentions Bob was at least interested enough to drop by their booth during the 2004 NAMM convention. That and the current Voyager rack goes for $2195 for one voice.



The quality not meeting the bar? Who knows. If anyone has heard what an Anadigm chip can sound like or knows what it could be capable of, please feel free to comment.

What would I want from Moog? Just the other day I was playing with a Minimoog Voyager. I thought how cool it would be if you could put an expander in the space behind the front panel when open. That would be nice. Feel free to share what you would want. The person that gets it right gets bragging rights. : )


Update: Check out this shot of the Andromeda on the Anadigm site. Note that the Andromeda uses custom ASIC in-house chips for it's synthesis engine. The question would be what does it use Anadigm chips for.

Boxfresh Moog Prodigy - New Flickr Shot

Title link takes you to a bigger shot.

Analog Industries Hardcore Gear P*rn Friday

It's a synth one. Title link takes you there.

Note the Roland SH-101 on edge like an ARP

Friday, January 13, 2006

Wayfar Midines and NesFX

Another in via J chot. Now this is pretty bad ass. If you have an old NES lying around, you can now easily turn it into a synth. The Wayfar Midines is an NES game cartridge with a MIDI cable. You pop the cartridge in and hook the MIDI cable into the MIDI out of your device of choice, and then plug away. No hacking necessary. What's interesting is the cartridge also adds samples "featuring TR707, TR808, TR909, LINN, Amen+other breaks, stabs, and essential chip battlz." It also comes with NesFX, a retro visualization program that plays along to your incoming MIDI data. It's interesting comparing the sound of this vs. the SidStation and other C64 based units. I've heard some NES pieces before and wasn't really impressed with the sound. Now this is some lo-fi goodness, so make sure to check out the samples on site. Title link takes you there. Thanks J chot!



"Midines is a hardware / cartridge interface (game) that enables MIDI control of the 8bit NES sound chip. Midines allows the 8bit NES to join the ranks along side other retro gear in the professional MIDI recording studio. NesFX is a retro graphic visualization that is seeded by the incoming MIDI sound data, and is included with Midines.

Version 1.1.0 features 256 samples (accessible in two keyboard banks) featuring TR707,TR808,TR909,LINN,Amen+other breaks, stabs, and essential chip battlz."

Kraftwerk on DVDBORN

Title link takes you to a post on DVDBORN with a live clip of Kraftwerk circa 1981. I am really impressed with DVDBORN's content. So, anyone know what's in the image below?

Future Retro Revolution Samples

Title link takes you to some raw samples on a post on VSE.

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