Siel DK-70

images via this auction

Bruno Spoerri's old EMS Synthi 100

Serial number 3007 currently up for auction on VEMIA.

click here for more images.

PERKRISTIAN.NET

This one in via Mr. Array.

"Anyhow, this guy named Per Kristian used to be a regular on the Harmony Central forums a while back. He's really a wizard in sound design and has some FANTASTIC Jarre covers up on his site. There's also lots of cool demos and patches for download. I really haven't seen him online anywhere in the last couple of years though. :("

Note the ELKA Synthex with an ELKA stand.

MusicLive07:Novation SL Compact

More info on SonicState.

MusicLive07:Korg Kaossillator Exclusive Demo

More info on SonicState

Felix Visser Collection

click here for shots of the rest of his collection currently up on VEMIA.

Prophet-5 with black case.

via Marc of Gearjunkies.

Pearl Syncussion SY-1

via this auction. via Magneteyez.

"This one has the output mod built in professional which gives every channel his own output"

Workspace and Environment: Captain Ahab

Click here for another workspace post on trash_audio.

"What is your current favorite piece of hardware?
My Synthesizers.com /MOTM / Blacet /Tellun /Wiard /CGS /Oakley /Bananalogue Analogue Modular Synthesizer is my favorite (almost my *only*) piece of hardware. People talk a lot about the versatility of an analogue modular environment, but coming from computers and (particularly) MAX/MSP, I find modulars *fairly* limiting ... it's kind of the lowest amount of customizability that I find acceptable in hardware. I can't really see myself buying any synthesizers with fixed-signal paths, except for ones that I think are fairly unique in their sound/approach (i.e. Yamaha FSLR, Oberheim OBXM, etc. ) What's really astounding about all this analogue gear is who phenomenal it sounds."

Con Brio ADS 200R Vintage Synthesizer

YouTube via therealretrosynth.

"Brian Kehew demoing the only Con Brio ADS 200R in existence at the Vintage Computer Festival at the Computer History Museum in Mountain View California."

Update: if you remember in this prior post I noted that someone mentioned the Con Brio was not producing sounds on its own. Devo just left the following comment:
"Just wanted to clarify... The sound that was heard of the Con Brio at the VCFX this weekend WAS indeed coming from the synth itself. It is true that the synth isn't 100% functional (yet), but the parts that need to be made "whole" still, are the connection from the keyboards to the "brain" (mostly), which will be sorted out soon, hopefully. The sounds that were heard consisted of existing sequences on the original 8" floppys, coupled with existing sound-patches from the same orig. disks (of which, the OS is derived). BTW: the Con Brio sounds as good (or, dare I say, BETTER) than it looks. Awesome! I hope this info helps. Much kudos to all (past and present) involved! "

Free VST Instruments

via crispin_java in this the-gas-station thread:

"Just posting to let you know that I finished setting up a site to list decent free vsti's which are good quality and work with my (soon to be released) software sequencer called XPIN. They will most likely work with the majority of other hosts as well. There are currently about 220 instruments listed, and I will keep adding more as I find them. Hope you like it!

http://freevst.blogspot.com" Pictured CS80R, Yamaha CS series VST.

Girl Fight

YouTube via Hiddenfortress. Nintendo Game Boy.
"'Girl Fight' Taken From The Forthcoming Album 'The Boy With The Digital Heart'
Out Dec 7th, 2007"
Update: For Imogen Heap fans, it looks like she is a fan of Pixelh8. Via brian c.

Vermona Perfourmer

images via this auction.

Note the colored knobs.

"Vermona Perfourmer with CV gate inputs / Midi in and out and the optional wood sides. Also included is a good stack of "preset" overlay sheets so you can mark your settings, copy of the User Manual, product flyer and the power cable.

This is literally 4 seperate monosynths that can either be tied together in Unison for a HUGE monosynth sound, a 2x2 duo polophony mode and also a 1 x 4 polophony mode. I used it in 1 x 4 mode, hooked up to a sequencer with each synth on a seperate Midi channel for 4 seperate music tracks. Super easy to use (NO MENUS TO FLIP THROUGH)

The PERFOURMER is a true analog synthesizer, providing a nearly unlimited diversity of basses, leads, pads and effect sounds through its incredibly flexible sound generation circuitry and its easy user interface.
In addition, the PERFOURMER can be used as a complex filterbank with its 6 filter inputs!
Even though the PERFOURMER is not a modular system, you can configure its structure as a semi-modular. The basic concept is reminiscent of classic synthesizers like the Oberheim 4-Voice or the Korg MONO/POLY.
The PERFOURMER consists of four voices. Each of them is a completely separate synthesizer which can be played and tweaked individually . You can link the synthesizer channels in any combination with each other and play them in three modes.

Synthesizer Channels
The PERFOURMER's four synthesizer channels are identical and have the following structure:
- One VCO with six waveforms, which are divided into two different octaves and a noise generator which produces white noise. The pitch can be adjusted smoothly in a range of +/- 13 halftones.
- A 4-pole lowpass filter with resonance and variable keytrack.
- A fast ADSR envelope that can modulate the VCA and VCF.
- An LFO with four waveforms which modulates the VCO frequency and the CUTOFF frequency, as well as the VCA.
- One VCA that can be modulated by the ADSR envelope, a fixed GATE envelope or the LFO.
FM
The synthesizer channels 1 to 3 can function as modulator for their neighbouring synthesizer channel. For example, synthesizer 1 can modulate the VCO frequency and the CUTOFF frequency of synthesizer 2. Or synthesizer 2 can modulate synthesizer 3, etc.
The modulation intensity can be adjusted separately for VCO and VCF.
MODES
All four synthesizer channels can be linked in arbitrary fashion and can be used in one of the following three modes:
- UNISON: All combined channels work as one monophonic synthesizer.
- DUOPHONIC: This mode separates the PERFOURMER into a two-voice synthesizer. Synthesizer 1 and 2 are voice no. one and synthesizer 3 and 4 work as voice no. two.
- POLYPHONIC: All combined channels work as a polyphonic synth.

Depending on the selected mode and in which way the synthesizer channels are combined, the PERFOURMER can be used as a fat monophonic synthesizer with 4 oscillators, 4 filters, 4 VCAs, etc., but also as a two, three, or four voice polyphonic synthesizer.
All synthesizer channels, that aren't combined with any other, work as simple monophonic synthesizers.

PERFOURMER as a filterbank
The PERFOURMER has six filter inputs.
There is one filter input per channel. The input signal will be added to the oscillator's signal of the respective channel.
On the rear panel of the PERFOURMER are two more inputs that are routed in parallel to all four synthesizer channels and which can be used alternatively to the oscillators' signal.
The CUTOFF frequencies of the single synthesizer channels can be controlled by MIDI.

Connecting Features
As well as the filter inputs, there are individual outputs per channel that can also be used as a channel insert. It's easy to connect the PERFOURMER to other equipment! It's also possible to tap the unprocessed VCO signal from each synth channel.
You can increase the sonic possibilities of the PERFOURMER by "internal patching" between the channels. For example, you can create a synthesizer that consists of two PERFOURMER channels with two envelope generators and LFOs. It's also possible to double the slope of the filters by connecting two of them in a row.
The PERFOURMER can be controlled by MIDI, and optionally can be equipped with four CV/GATE inputs (1V/octave)."

KORG X-911 Guitar Synth

images via this auction

Moog Minimoog Voyager - Select Series

imagesvia this auction

"This is the Minimoog Voyager Select series synthesizer. The select series allows you to choose your combination of lights/wood case. It is also the most expensive version of the synth, at $3195 wherever you go. Personally I think this is the most tasteful combination, with the classic Minimoog ash case and the sweet blue backlighting."

I'm not seeing ash in the images and I forget the "Select Series." Anyone remember this?

MOOG Voyager Signature Edition with Modwheel LFO Mod

images via this auction

"The signature edition is a collector's item due to Bob Moog's signature of only 600 made. This one is in absolutely mint condition with version 2.5 software and looks just as it did the day I first took it out of the box. It has that awesome Moog sound and is a joy to play and one can spend hours with this thing creating most any sound you can think of...if you are reading this then you already know what it is capable of. I am the original owner and was one of the first 172 to submit my order when Moog first released to the press that they were building 600 of these. I quickly placed my order and this is serial #172 with the cherry wood cabinet. This particular voyager is unique in a way that it has the mod wheel flashing in sync with the LFO rate. I had Moog do this modification after I thought of the idea thinking it would be a cool looking effect to have the mod wheel flash in relation to whatever rate the LFO is set. It is an amazing looking effect watching the blue-lit Mod wheel glowing on and off slowly in the dark or flashing rapidly depending on how the rate speed is set. This is the only known voyager in existence that has this unique feature."

Sequential Circuits Six-Trak

images via this auction

Roland Jupiter-6

via this auction.

Click the image for the full size shot. For those that care, there is an interesting "Guitar Babe" shot in the auction (no synth, no post, so I didn't grab it).

Oberheim SEM 4-voice Synth Power Supply

via this auction

"Looks like the switch was cut off (see picture) and someone removed the sticker. "

SIEL Owners Manuals

Two shot via two auctions:

Siel Expander 80
Siel DK70

Alesis Andromeda Mix Maker

"The Alesis A6 Andromeda is without any doubt the most powerful and flexible analog polysynth ever made. But all that power and flexibility comes at a price: complexity. The sheer number of patch parameters is almost overwhelming yet most can be easily controlled with all those knobs and switches.

But it's quite a different story for multi-timbral Mix setups. The A6 display is more than adequate for most tasks but using it to set up a Mix can be awkward, tedious and quite error-prone. Mix Maker was designed to make that process a lot easier and user-friendly by providing a familiar and intuitive mixing desk interface to those 'hidden' Mix parameters." [link]

ANDROMIZER 1.2

Random patch generator for the Alesis Andromeda A6.

"Tired of your A6 always sounding the same? (Yeah right ;-)

ANDROMIZE it!



ANDROMIZER is a utility designed to screw up your Alesis Andromeda's current program edit buffer. Utterly, completely, and irretrievably.

ANDROMIZER sends series of MIDI sysex messages to your A6, automatically changing lots of program parameters to random values. The result can be stored in patch memory or tweaked until doomsday and then stored, or even discarded on the fly.

What to expect?
Your instant, self-running, aleatoric chaos patch will not appear just using a randomizer. Remember that the only thing this tool does, is: to give a host of parameters totally random values. Most often, after a complete run of ANDROMIZER, what you will hear is complete silence, because most combinations of parameter values in a system like this just do not make sense. I have tried to reduce the number of useless configurations... but not too much, since such a selection process necessarily means applying personal taste. Be prepared to spend a lot of time tweaking, trying to figure out why the bloody thing sounds like it does (or does not make any sound at all), and how to make it sound more to your liking...

How to use it?
In all the ways it wasn't designed for, how else? :-) Seriously, I could tell you how I've used it successfully to create some remarkable sounds, but that wouldn't be much fun, would it? The only advice I will share: be selective about which modules to randomize. Not all of them are equally useful. And don't forget you can use the Normalize button to (wholly or partly) initialize your patch to default values."

click here for more info and the download.

W. Palm 'Der kleine'

click here for the flickr set by janvanvolt.

W. Palm as in Wolfgang Palm of PPG

Ego Death

YouTube via inducejack. via a new blog, Chicago Jack (check it out).
"SUPER FOUL 707 JACK WITH REVOLUTION 303 emulation accompanied with a random arpeggio from the infamous pss 480 triggered electribe style."

MOOG CEMS X-Y Controllers

currently up for auction on VEMIA.
"RA Moog X-Y controllers all in a row. These five, serial numbers 1002-5 and 1008, are part of the CEMS custom Moog system. Joel Chadabe and the other guys who used the system would set up elaborate interacting sequences with the eight 960/962s, delays, VC mixers etc., and then tweak them with these joysticks."
follow up to this post. To see all VEMIA posts to date, click here.

RMI Harmonic Synthesizer

currently up for auction on VEMIA.

RMI KC - Keyboard Computer Synthesizer

currently up for auction on VEMIA.

79 - put it on wax. (Kaoss pad sampling + Electribe EMX-1)

YouTube via atishmeh.
"Going crazy w/ the Kaoss pad and some Beastie Boys samples..."

NB4 Square wave Synth Oscillator By Oceanus

YouTube via xd515 (click for more).
"Here is Noise box 4. A dual processor controlled super squarewave synthesizer"

Circuit Bent Modular Casio SK-1

images via this auction. via Xavier. Note the auction is over. Don't miss the video below.

"Internal Signal Routing
The SK-1 has 4 voices and percussion. Each voice is made up from an audio signal and an envelope control signal, which are combined to give the end voice. This module allows you to switch on or off any of the 4 voice audio paths, any of the 4 envelope control signals and the percussion. The patch panel then lets you have for instance, voice 2 under the envelope control for voice 4. You can then patch the percussion audio into the envelope control for one of the voices, which gives sustain effects or patch it into the audio signal and it gates the percussion with the keys, so the percussion sounds only while a certain voice is active. You can even swap the audio and envelope control signals over, which gives a buzzing / click type noise when you press a key.

Audio Filters / Level
This module modifies the filters where the envelope control signal and the audio signal are combined to make the end voice. The knob is in 2 stages where it controls the level of the audio signal, but keep turning it and it then affects the filter. The control will take the tone and ‘squash’ it so for instance the bass line in the demo song, rather than a contiuous note turns into a blip, or stacatto effect. Very hard to describe but appears in the video at 2:28 sounds a bit like it is playing backwards. There is a knob for each of the 4 channels, and another knob for patching. The patch knob connects to 2 patch points, the idea is that one side connects to anywhere on the signal routing module, and the other goes off to the main patch panel allowing all the digital signals to be combined with the audio ones. In the video it is applied to the bass line and removed at 2:09 which gave it a ‘metalic’ twang, but that just depends where you plug the patch cables in.

Outputs
This module brings all the 4 voices and percussion sounds and a video signal to the outside world. The SK-1 has lots of low pass filters / anti-aliasing filters inside before the final sound reaches the speaker / rear connector jack. The connectors on the top are pure unfiltered audio, which sound much brighter and if you are lucky enough to have a good mixing desk you can add your own EQ / FX to each voice. Likewise Casio have heavily attenuated the bass audio in the accompiamnents but now you just take it at any level you want from channel 3.

Pitch and Video
This module gives overall pitch control for the SK-1 and deals with video generation. The pitch control raises the pitch and has it’s own on / off control. The video control is on/off and contrast, plus a patch input. If you patch a signal from the main patch panel, it combines it with the video ouput giving a range of displays. It also alters the sound when patched in, as the data signals are now going through video circuitry it creates glitchy patterns, weird notes etc.

Patch Panel
This is the core for all SK-1 circuit bends, a lot of bent SK-1’s have a load of switches attached, the switches all connect to the RAM and ROM inside the keyboard to alter the sound. Here there are no switches, it is up to you to patch a wire across or use the bend sequencer. The patch panel has 25 connection and it mirrors the RAM and ROM address bus and data bus, plus a few other signals. You can link 2 or 3 points out directly, wire them across to the signal routing patch panel or sequence them.

Bend Sequencer
This allows you to automate the patch panel. When switched on, each LED lights in turn, and the patch connector below each LED becomes active. If you connect any of these to the patch panel, when the LED lights up it energises the patch panel switching the bend on and off. Depending on how many of the 10 auto bends and where you put them, you can have gentle modulations to the sound ( at the end of the clip there are some block chords with a gentle auto bend applied ), or severe random noise mayhem. Sadly I can only have 10 minutes on youtube and I no where near demonstrated what this is capable of, I just fiddled with it a bit!


Modular Casio SK-1 Circuit Bent by Oceanus

YouTube via xd515.
"Here is a Casio SK-1 comprehensively bent into a fully modular synthesizer. Includes bend sequencer, whole control of all internal audio and envelope control routing, video output, each audio channel output, percussion output. Sadly in a 10 minute video you can only show a fraction of what this can do :-("

New Order Synth List

click here for New Order's equipment list over the years. Note the list is not complete.

snip:

| Equipment listed in an interview with New Order in the March
| 1985 issue of Electronics & Music Maker:
|
| Seq Circuits Pro One
| Powertran Transcendent 2000 w/ Powertran 1024 Seq
| ARP Omni
| ARP 2600 w/ ARP Seq
| Simmons SDS2
| ARP Quadra
| Moog Source
| Boss Dr Rhythm
| Prophet 5 w/ Seq Circuits PolySequencer
| Oberheim DMX
| Emu Emulator
| Octave Plateau Voyetra

Nord Wave Now Officially Shipping

via Clavia. Follow up to this post. It looks like the Nord Wave is now shipping.

"The Nord Wave is built on a legacy of making virtual analog synthesizers for almost 15 years. Virtual means “not physically existing as such but made by software to appear to do so”. Nord synthesizers are digital, but behave, feel and sound like analog synthesizers. An analog oscillator is limited to generating a few basic waveforms, and though we can add LFOs, EGs, and different filter types to make the patch more complex, the foundation of the sound is limited to what the oscillator can produce. Think of it like a highway - you don’t get more lanes by adding lots of access ramps. On the Nord Wave we have not only added a fast lane, but rebuilt the entire highway into a roller coaster. The magic is in the Wave’s oscillators, which produce far more than standard analog waveforms. This is a concept we have been working on since the first Nord Lead synthesizer introduced in 1995, and currently includes: - Traditional analog waveforms such as Square, Triangle, Saw and Sine; - Frequency Modulation, or FM-synthesis, generating very complex and metallic waveforms; - Wavetables: single cycle waveforms with large variations in tonal character; - Sampled waves: Sampled acoustic instruments turned into wavetables with the attack portion of the sample intact; - User replaceable samples: standard .wav-files used as oscillator sources in a virtual analog environment; Filters are great for shaping your sound. We have included not only the basic filter types, but some really interesting multimode filters as well, including a Comb filter and formant filter. The ultimate form of sound-shaping, though, is Morphing: the ability to assign multiple sound parameters, each with custom ranges, to a single performance controller, such as the modulation wheel or a control pedal. It is a very intuitive and extremely powerful feature (just the way we like it), and will change not only your playing but also your approach to sound design. Featuring the ability to use any type of sampled waveforms, the Nord Wave is a sample player and an analog synthesizer in one - and anything in between. Like driving a Ferrari Enzo on the open Autobahn, tangible response and brilliant sound just can’t be described in words - you just have to experience it. More information at the Product pages."

class of 1982

flickr by nakedintruder.


"identifying information redacted - full announcement on thursday or friday"

The Harvestman mystery module.

John Bowen Solaris Test Drive by Carbon111

via Carbon111, via this VSE thread where you will find more images and info.

"I was privileged today to have given John Bowen's Solaris a test drive in my studio! Though its not quite finished yet and there are some re-designs in progress, I can honestly say its a programmer's as well as a player's dream!

It sounds absolutely wonderful and is very powerful! It took a few minutes for the interface to sink in, but once it did...wow! Flexible, deep and yet relatively easy to program due to the excellent UI despite the huge number of available parameters and choices. Most parameters are not buried in menus and are easy to access and tweak.

There are a ton of audio-rate modulations available on this thing, none of which generate any artifacts or aliasing at all...lots of FM possibilities, linear as well as exponential. The Moog-style filter was as warm and squelchy as one could want and could be run in other modes besides LP! The "Obie" clone was a good state-variable emulation. The oscillators were plentfull in both quantity and variety. Each patch has a unique architecture, essentially a massively parallel yet integrated "multi" unto itself.

I was suprised at how organic and non-digital it sounded! A one-on-one "taste test" against my analog gear proved this thing has that elusive low-end "beef". Its no slouch as a complex wavetable synth either, holding its own easily against my Waldorf Microwave XT and Ensoniq Fizmo.

You can do FM, physical modeling, subtractive, wavetable and vector synthesis on it as well as the warmest VA I've yet heard.- I'm really blown away! Time to start saving...or figuring out what will have to go"

Also check out the official John Bowen Synth Design.

Some specs via this thread on the John Bowen Synth Design Forum (BE SURE TO CHECK OUT THE THREAD FOR MORE including clarifications):
"The hardware Solaris has the equivalent of approximately 6 Scope boards (the 14 DSP cards), so 6 x 14 = 84 Scope generation DSPs - but remember, you would have to be running your Scope Project at 96 kHz as well...

We have lots of software to finish, so I can't report exactly as to the polyphony count, but here are some of the other specs:

CLICK FOR MORE »

ConBrio ADS200 lightshow

ConBrio ADS200 lightshow II

YouTubes via bdufdiskc. via Brandon Daniel in the comments of this post.

"Control panel lightshow on a ConBrio ADS200 digital FM/Additive synthesizer, taken at the 10th Vintage Computer Festival" Listen closely and you will hear that it has 64 notes of polyphony with 16 oscillators per note. This means you could have up to 1024 oscillators at once back in 1978 or shortly after. :)

For those that want real audio, word from an anonymous reader is that it is not 100% yet, so there was no audio actually coming from the synth - just recordings playing in the background.

Update via Devo in the comments:
"Just wanted to clarify... The sound that was heard of the Con Brio at the VCFX this weekend WAS indeed coming from the synth itself. It is true that the synth isn't 100% functional (yet), but the parts that need to be made "whole" still, are the connection from the keyboards to the "brain" (mostly), which will be sorted out soon, hopefully. The sounds that were heard consisted of existing sequences on the original 8" floppys, coupled with existing sound-patches from the same orig. disks (of which, the OS is derived). BTW: the Con Brio sounds as good (or, dare I say, BETTER) than it looks. Awesome! I hope this info helps. Much kudos to all (past and present) involved! "

Oscope with modular soundtrack

YouTube via bdufdiskc.
"Everything you hear is being generated by the modular, including the clock timing and the waveform on the scope.

It's also a pretty good demo of what the Analogue Systems delay can do, as much of what you're hearing is a single snare hit into the delay whose time is being modulated by the doepfer sequencer.

Longer, higher quality mp3 of the sound you hear is here:
http://www.fdiskc.com/aud/RS290.mp3"

Zyklus Mps midi sequencer

YouTube via fizzydiodes. via fizzydiodes on the Matrixsynth Forum.
"Zyklus Mps midi sequencer ROUGH demo !"
Update: link to pdf of manual via dlmorley.
Update via esaruoho in the comments: "AnalogGuy has posted a 3 part video on YouTube with the original Zyklus Demotape:" posted here

isotopeofme

click here for more pics, audio and video. via poictesme on the Matrixsynth Forum.
Note the classic "Lately Bass" preset on the Yamaha TX81Z.

Women That Play Synths

click here for the set via jeff.

Follow up to this post.

77 - Bowzer Zunday (Korg Electribe EMX-1 + Kaoss Pad)

YouTube via atishmeh.
"Went overboard w/ the looping feature on the Kaoss pad again...It's so fun though. Korg Electribe EMX-1 Kaoss Pad"

MOOG Synthesizer Amplifier

images via this auction.

"The unit comes in three pieces, the amp, the main cab and the midrange horn. Included are the front enclosures for all three as well as the rear enclosure for the power amp with the attached spring reverb unit."

Sequential Circuits Six-Trak

images via this auction

"The Sequential Circuits Six-Trak is a classic instrument from the 1980's -- the first multi-timbral"

If correct Sequential Circuits can lay claim to the following:
Prophet-5: 1st Programmable Polyphonic Synth with a microprocessor to save patches.
Prophet-600: 1st MIDI synth
Six-Trak: 1st multi-timbral synth

Moog Little Phatty Demo with Tony

YouTube via acaruso36.

Sequential Circuits Split-Eight

flickr by Ricardipus (click for more).

TI Touch and Tell

via epinastyelektronix on the Matrixsynth Forum. You can find more of his work including a bent Alesis HR16 and samples here.

SCREAM 2007: ANALOGLIVE!

"The program for SCREAM: Analoglive!, November 16th at the Redcat Theater in the Disney Music Hall in Los Angeles, is as follows:

Gary Chang: Sanctuaries: Faith (2007)

Chas Smith: The Ghosts on the Windows (2007)*

Richard Devine: Captract (2004)

[intermission]

Alessandro Cortini: Paris 1 (2006)*

Thighpaulsandra: The Aborted Ascension Of Angel Assassins (2007)*

Peter Grenader: The Secret Life of Semiconductors (2003)

*Denotes a premiere. Gary Chang's 'Sanctuaries: Faith' was part of his summer performance tour in Europe 2007. Richard Devine's 'Captract' is from his 2004 Schematic Records release 'asect/dsect' and Grenader's ' Secret Life of Semiconductors', in which only Part 4 will be presented, was originally written for and performed by the Odin Dance Company in 2003.

The performance will be heavily documented - photographed and filmed - with both posted at a future date on the EAR site and of course MATRIXSYNTH.

For more information or to purchase tickets, go here: http://redcat.org/season/0708/mus/scream.php"

Girls and Their Synths

Click here for more. via swissdoc.

Waldorf Q+

image via the-Music-House.

via swissdoc

Modular Rack

Click here for more images via Digitizer including a nice studio shot.

Casio Keyboard CZ-101 (1986)

YouTube via XippVid. via Shepitology. Don't miss this video.

Roland PG-200

images via this auction. This one is being touted as old new stock. via this VSE thread. The poster on VSE is gilwe.

"The PG-200 is the programmer to be used with Roland JX3P, MKS-30 and GR-700. The history of this specific item begins in the 80s, when a local guy who wanted to start a keyboard shop made a large order from Roland for analog equipment. However, his idea seemed to fail, and he had to sell most of the equipment privately over the years. Then it came to me that the guy had a few PG-200 units left. I had the chance to get them, and decided to put this one for sale on ebay"