* Filter effect
* Fuzz effect
* Pitch to CV converter
* Voltage controlled mini-synth
* Guitar synthesizer
* Envelope follower
Looks like this is via ZonkOut. You can see some videos of the unit at the auction or here.
EVERYTHING SYNTH
Click here for the following MOOG manuals via Marcos:
"We specialise in supplying those hard to find components used in a variety of vintage instruments.
Another shot of the MOOG SL-8 via Neil Vance
Click here for the full Minimoog Service Manual sent to the Lords of the Mini list via Marcos.
Two Moog posters sent in via Tangent Electronic Studio.
"visit: http://www.tangent-project.com/ and choose: TANGENT ELECTRONIC STUDIO from the menu on the left. there are thumbnails in the 'gallery'that you an choose from. i'll be putting up some new pics in the coming days, including some more shots of the Serge - i just built a custom interface panel for attaching other gear to it so i can exploit some of its peculiar abilities. i've been collecting since my fist synth in 1978 - the Odyssey that i still have and use [though i do need to put in the replacement sliders i bought recently...] i have two Mellotrons here right now - both mine and one i am working on for a friend, no pics of the second one - it won't fit in the studio right now anyway ;0)

"Help Dave find a synth for his '80s band, with....
click here for a new blog on the Akai S900 by KONEY. Remember if you have an RSS reader like Bloglines, subscribe to it and you will get new posts as they come in.
flickr by jimgskoop (click for some mouse-overs)
flickr by Neil Vance
"Shown is an edit screen from the JD-990. This is the "structure" page, which determines how the processing blocks are to be organized in a given patch. The ability to do this is one of the improvements that the JD-990 has over the JD-800; the JD-800's processing architecture is fixed in the configuration shown on the left side. On the right side, we see a ring-modulation type patch. Tone C goes through a TVA (equivalent to a VCA), and then is multiplied by tone D. (The "R" in the box represents ring modulation, which is implemented in the digital realm by simple multiplication of the individual samples from each input. Ring modulation is one of the few synth functions that is difficult to do well in analog circuitry, but trivially easy to do in digital synthesis.) The patch then passes through two TVFs (equivalent to VCFs), and a final TVA to shape the output." click here for the full post on Sequence 15.
"What is your favorite piece of hardware?
Image of the Leipzig in the flesh via Analog Solutions. You might remember the Leipzig from this post with specs. You can find the manual here.