MATRIXSYNTH

Tuesday, February 03, 2009

1972 Triadex The Muse– World’s First Digital Instrument


via this auction

"The Triadex Muse is the first digital musical instrument ever made. The Muse is a music composer machine or digital synthesizer and melody composer, involving early logic modules in a unique circuit that allows the
 possibility of 14 trillion musical note combinations.

It was made in 1972 by Triadex Inc., Brookline, Mass. It was designed by Edward Fredkin and Marvin Minsky at MIT. The first Muse was designed by MIT graduates Edward Fredkin and Marvin Minsky in the late 1960’s. Minsky was on the set of “2001 A Space Odyssey”, and taught Stanley Kubrick about Artificial Intelligence as he created Hal.

The Muse is an algorithmic music generator that uses digital logic circuits to produce a sequence of notes (through a 4-inch built-in speaker or external speaker) based on the settings of various controls on the front panel: four small sliders that control Volume, Tempo, Pitch, and Fine Pitch. The switches to either side are used to start and stop the sequence, or to step through it note-by-note. Of the eight larger sliders on the right, four control the musical intervals used (labeled A, B, C, and D), and four control the theme (labeled W, X, Y, and Z). A rest can be substituted for the lowest note by flipping a toggle switch.

The exact logic behind the composition engine is rather technical, and not exactly intuitive. The tempo clock can be slaved to that of another Muse, allowing for multi-part compositions. These connections are on the underside (see photo).

It is not known for certain how many were made, but they are considered extremely rare. Estimate stated by Tom Whitwell, of the now defunct blog spot, Music Thing, was that only 280 were made.

The Muse is the subject of U. S. Patent 3610801. For years, the Muse was a featured exhibit at the Museum of Science, Boston. The signage explained the device's algorithmic (and deterministic) approach to the creation of its seemingly-random music. Far from being random, its preset "song" played continuously -- and was even given a name, "Museum Musings," by the staff."

Monday, February 02, 2009

Thingamagoop ☆ MatataBitz3号?


YouTube via Shin4627
"アナログシンセ?というより
ノイジーピニョピニョロボットって感じです。
MatataBitz3号と呼んでます。(^^;

バックサウンドは、後ろに映っている
KORGのELECTRIBEです。"
Googlish:
"ANAROGUSHINSE? Rather than
I like NOIJIPINYOPINYOROBOTTO.
I get calls MatataBitz3 issue. (^ ^;

Sound is back, look back
KORG's ELECTRIBE."

Learning the Diabolical Devices SK-1


YouTube via bigcitymusic

"This little gem has a sixteen point patch bay, built in oscillator and LFO, MIDI input by Highly Liquid, and various bends. You remember the SK-1. Record your voice into in. Play it back. Play it back in rhythm with the demo. This bent version can mangle your samples, the built in sounds and drumbeats and drone you to sleep. We're still learning!"

Cwejman RES-4 Quad Resonator Module


YouTube via bigcitymusic
"Here's the Jomox 888 into the Cwejman VC-FCS stereo compressor and on into the RES-4. The Res-4 is made up of four analog resonant band pass filters. Each one has control for frequency, resonance level, and volume.
The filters are triggered by the audio signal. The more you turn the resonance up the longer it rings out. Make kick drums. Use it as a multiple band sound shaper. Use it to make really awesome sounding steel drum mutations while sequencing the pitch via CV. There's a master CV and each individual filter has a frequency, level and bandwidth CV in. Yep. It pretty rad."

The Penguine

see PRANKSTER DICE for more including a video.

and then their were 5...


White custom Roland JX-3P via CustomSynth

Blacet TM2050 Time Machine


via this auction

"Blacet TM2050 Time Machine analog delay module in MOTM format. This is a module for an analog modular synthesizer, does not come with an enclosure or power supply - if you don't know what this is, don't bid on it. This is a very rare module - Blacet only produced a few of these in MOTM format for a short time. This one was built from a kit by me, although I had some trouble with one of the chips and sent it back to blacet to get it fixed, and it was calibrated there, so it's as close to factory made as you can get. It works perfectly 100%, and comes with all the original documentation. It does not come with a power connector - these are readily available from Blacet.com or synthtech.com. From the old Blacet web page for these -

Genuine BBD Analog Delay Line Technology for that "retro" sound.
Delays From 10 mS to 2 Seconds!
Bi-Phase Regeneration for Killer Flanging

Voltage Control of Most Parameters:

Delay Time
Regeneration (Feedback)
Modulation Rate (40 S per cycle to 40 Hz)
Modulation Depth
Effect Depth (Cancel)
Reset Input for Modulation Generator for Synchronized Effects
Envelope Follower
External Modulation Input.
Modulation Mixer
Dry/Effect Mix
Compander Noise Reduction
Switched Capacitor Tracking Filters for Wide Delay Range with Optimum Bandwidth
Optimized for Audio Signals from 1V to 10V
Power Requirements: 95 mA @ +15V, 75 mA @ -15V, regulated
Module Depth: 6.5"
Module Size: 5.25" H X 3" W
Delay Time Response: Exponential
CV Range: 0-10V, (0-7.5V for Delay, -5V to +5V for Regen.)
Audio Bandwidth: (Tracks delay time) 8 KHz to 400 Hz "

Static

via ::vtol::

"My first official album "Static" has being released on "Far away records" label. The experimental work was totally performed by handmade machine "RoboSynth".

All tracks can be listened and downloaded here"

You might remember Robo Synth from these prior posts including video, images and audio.

I'm Possessed


YouTube via Gregsynth
"This song was written almost entirely on the Roland XP-10 synthesizer and mixed into GarageBand using various effects:

-Chorus
-Sequencer/Arpeggiator
-Pitch Bends (ending)

"I'm possessed" was written in early 2007 and is a fusion of New Wave, Experimental, and Funk music.

© 2007 Synth and Son Productions"

The Wall Of Synths


YouTube via Gregsynth
"Hola Youtubers!

The past 2 videos I have uploaded (Percussion Power and I'm Possessed) were kind of a blast from the past. I wrote those two songs in 2005 and 2007 respectively. I hope you have enjoyed them.

Now, this song is more recent: "The Wall Of Synths" was written in early 2008 with a synthesizer that most electronic musicians are familiar with and that I'm quite familiar with-an Oberheim! Only this time--it's not the 1980s analog synthesizer--but the Oberheim OP-X. (The virtual Oberheim).

Like my song "Industrial City," this song experiments with sound effects. Instead of city sounds, these are thunderstorm sounds.

Please enjoy!

© 2008 Synth and Son Productions"

Roland Juno-106

via this auction

Yamaha CS15D


via this auction

"Nice preset (but with a "manual" mode, too) duophonic synth from Yamaha."

Yamaha VL-7 Version 2


via this auction

click on the image

hmm... Blogger isn't letting me upload the full size shot. Oh well...

OBERHEIM OBXa + JUNO 60 + SH 101 + TR 606 Part 10


YouTube via magevers more vids by magevers previously posted here
"The fat "jump" Oberheim OBXa, the Roland JUNO 60, the SH 101and the TR 606 together. The OBXa was played in split mode.I have used a small stone phaser on the SH 101. This recording was live recorded on 2 tracks with sonar 8."

DIYtar 2


YouTube via larsby verson 1 here
"Version 2 of my DIYtar, wanted a better and nicer looking body!"
DSI MoPho

More Screwing Around On My Keyboards


YouTube via VacTrooper
"Just more screwing around... And seeing how the paints look with one another. Some of my "improv" sounds decent, some other parts are screwing up, but that's just part of my learning process...."

GorF Build of Materials Online

more info and link on Vacoloco Ramblings

Going modular

flickr by henrikgo

full size

"My first steps towards an analog modular synthesizer. Here's 4 clones of Buchla's 281function generator, 2 clones of Buchla's 292 lo-pass gate and 1 clone of Roland's M185 Sequencer."

Dynacord ADD ONE + ADD DRIVE Drum Sampler


via this auction. via the forum.

"This is probably the best drum sampler ever made. Sample rates at 12 bits * 50Khz with independent filters for each sample ( the same as Sequential Circuits Studio 440 ).
It has internal re-trigger and re-sequencing ( so you can trigger the whole machine with just one hit ) and numerous modulation possibilities.

The ADD ONE unit has 8 channels who can be used to trigger any sound from the sound bank and the ADD DRIVE adds sampler capability to it, so you can use any sound you wish.
8 Independent outputs + Stereo out + Mono out, and midi I/O/T
It also has 8 trigger inputs + hihat (open/close) which allows you to connect it directly to any digital drums or any trigger.

The sound on this thing is amazing, very powerful and "alive", it has that classic MPC-60 / Linn / DMX 12bit quality and punch but it sounds "better" somehow ( probably thanks to the very high sample frequency ) and the interface is very simple and intuitive."

You can see a video of one here.

modulator_esp's live New Years Eve 2009 electro-music.com Set

You might remember the event from these posts. You can find modulator_esp's set here.

via modulator_esp on the forum.

MIDIbox SeqV3: Sync and Flow (demo #3)


MIDIbox SeqV3: Sync and Flow (demo #3) from Stuart Mitchell on Vimeo.


"a demo of the Midibox Sequencer v3.4a, a DIY-project
includes my favorite features and cool new functions from v3.4
mainly, I did this because of the new MIDI Sync function, which enables me to move back and forth between tracks in the sequencer and Ableton Live on my laptop,
or jam both together, all in a continuous running groove

see ucapps.de and midibox.org for more info on the project

featured tracks:
Paragraphenreiter (in MBSeq)
Sunset Express (in Live 7)
Wohnwand 2 (in MBSeq)

machines used:
Sequencer: Midibox Seq V3.4 (DIY)
Drums: Novation DrumStation and Korg Electribe ER-1
Synth: Novation K-Station, DSI Evolver, Waldorf Microwave XT, Roland MKS-50, Clavia Nord MicroModular
Ableton Live 7 with Korg NanoKontrol"

Appendage as Keyboard Modulation Controller


YouTube via ScottStites
"The Appendage is patched as a keyboard modulation controller controlling three parameters from a single control surface: Filter cutoff, Triangle Vibrato at one frequency, and Pulse Vibrato at a higher frequency. The position of the initial pressure controls filter cutoff. Sliding up from the initial point of pressure introduces triangle vibrato. Sliding down from the initial point of pressure introduces pulse vibrato."

Workspace and Environment: Stretta on TRASH_AUDIO

"On Hardware and Software
There are few reasons for hardware outside of controllers anymore. All new advances in synthesis and sound processing will occur in software. That said, I haven't found anything in software that can replicate the experience of working with a hardware modular. I enjoy working with my hands and I find using a modular is, well... fun."

See the full interview on TRASH_AUDIO.

Korg Kaossilator Cards

flicrk by James Haskin

These cards came with the Korg Kaossilator.

Program Category List
Gate Arpeggiator Pattern List

Speech of A-100 & Sheman Filterbank


YouTube via inbetweenmovements
"My modular system starts to talk! Pure analog patch."

COLOSSUS Mini mint tin synth and sequencer kit.


YouTube via MarbleMad

WATCH YOUR SPEAKERS AT :32.

"2 Kits from ClockworkRobot.

The first is an 'Atari Punk' based synth
The second is an 8 stage voltage control sequencer tuned to work well but not exclusively with synth.

the kits are designed to they can fit inside an altoids mint tin although they by no means have to be enclosed in such.

You can order the kits from: http://www.clockworkrobot.com/synth"

Ableton Live Synced to Korg DS-10 on Nintendo DS!


YouTube via littlescale
"Ableton Live is synced to the Korg DS-10 running on the Nintendo DS Lite."
More info here.

PSPSeq 3.01 tutorial part 26 - the KS generator


YouTube via pspseq.

More vids here.

"this is part 18 of the PSPSeq tutorials. in here you'll learn about the KS generator which is an enhanced karplus strong plucked string synthesizer for creating melodic and noisy sounds."

Casio MT-750 circuitbending


YouTube via hilltree. Interesting seeing it racked like that.
"Casio Mt -750 circuitbend test. Also an impression of this project at www.groenewoudnet.nl"

Introducing FabFilter Twin 2


YouTube via fabfilter
"A short introduction to FabFilter Twin 2, a great sounding and innovative software synthesizer for vst, rtas and audio units."

Introducing FabFilter Volcano 2


Introducing FabFilter Timeless

DX7 - exploring


YouTube via MartinP268II. "Creating weird noises - in search for new sweet spots."

"Ein Indiojunge aus Peru" - on Technics SX-C600


YouTube via organfairy
"I remember this German schlager from my childhood. Though not in the original version performed by Katja Ebstein. I know it as "En indianer fra Peru" which is the Danish title and it was performed by Birthe Kjær who is probably known primarily for "Vi maler byen rød" - the Danish song in the Eurovision Song Contest in 1989.
The melody is here played on the analog Technics organ while the background runs on a PC based sequencer.
And sorry about the pink hat.......I just had a really bad hair day..."

DiN32 - Shade by Parallel Worlds

"DiN32 - Shade by Parallel Worlds
Release date 23rd March 2009

Shade is the studio album follow-up to Obsessive Surrealism (DiN26 - 2007) and is the fifth CD release by Parallel Worlds (the main musical project of Greek electronic musician Bakis Sirros).

Parallel Worlds employ a vast arsenal of both vintage and modern analogue modular synthesisers with extensive use of classic sequencing techniques to produce a sonic world that combines modern electronica and ambient music styles with the feel of retro electronic music. His attention to detail is astonishing and his careful sculpting of sounds and textures produce an organic, ever evolving atmosphere full of half glimpsed meanings and subdued emotions. The purely electronic rhythms and beats seem to have a life of their own and showcase a musician who is a virtuoso with these types of instruments that are the antithesis of the quick fix pick-a-preset mind set of much of todays society. Musically he likes to explore various states of mind, no doubt influenced by his medical background and this adds a tension and darkness to his compositions that are punctuated by disarmingly simple and wistful melodies.

With Shade Parallel Worlds show a musical maturity and command of sonic atmospherics that takes the music on a journey, moving through dreams and shades, aiming for the light.

info here: www.DiN.org.uk

this album is full of analogue modular synths, including the Serge modular music system, Analogue Systems RS-Integrator modular, Doepfer A100 modular, Arp 2600, EMS VCS3, Technosaurus Selector system D, Livewire/Plan B/Harvestman modular, Metalbox/CGS modular, Analogue Solutions Concussor modular, Korg MS50, Oberheim 4 Voice modular, etc..."

testing the sherman filter bank


YouTube via hydra913. via MrLonghair in the comments of this post.
"Tyler brings over a sherman filter and this is our first run with it."

Casio Event and Mods from the 1980s

You can find more info including a pdf of the modifications from Robin Whittle here.

Regarding the event:
"There is a gig this weekend 2009 February 13th [in Melbourne]: http://www.myspace.com/batterycovermissing focusing on 1980 to 1985 Casios!"

Sunday, February 01, 2009

Korg MS-20 & Alesis HR-16


YouTube via deused
"Here is a song i've made.
Everything Korg MS-20 except drums, Alesis HR-16.
I've controlled my MS-20 with a Midi to CV converter from Doepfer (mcv4).
Recorded in Logic Pro.
---------------
note, this is not a live performance, everything is pre-recorded
---------------
More info about the Korg MS-20 website soon! its coming! (really now!)"

MIDIbox SEQ V4 Teaser


YouTube via ucapps

"Demonstration of an early alpha version of the upcoming MIDIbox SEQ V4.
Stereo Version at Vimeo

Many planned features are not available yet. However, most functions of MBSEQ V3 have already been re-implemented in C for the new MBHP_CORE_STM32 module and for an accurate PC/Mac based emulation. I also started to add new functions which were too complex for the old PIC based core.

[0:00] new frontpanel designed by Wilba (but the firmware will also support the frontpanel of MBSEQ V2 and V3)
[0:02] a drum track can play up to 16 instruments
[0:10] patterns are stored on a SD card now, and can be loaded (and stored) w/o sequencer hickups
[0:18] zoomed step view (shows 64, 128, 256 steps on a single page)
[0:10] snare is triggered with the overworked (more flexible) roll function at 384ppqn resolution
[0:20] new pattern selection page with pattern labels and categories
[0:23] MIDIbox SID V2 in bassline mode
[0:30] Roll function used on the bassline
[0:38] a loopback track controls the transposer, it doesn't matter anymore at which position this track is located
[0:53] Piano controlled from a track in chord mode
[1:13] some randomly selected chords
[1:24] simple synth line
[1:45] now with MIDI echo in Force-to-Scale mode (synth is in mono mode, therefore only one sound will be played - it sounds like an arpeggio)
[2:14] a second MIDIbox SID bassline is played
[2:43] slowly muting the tracks
[3:00] thanks for listening! :-)

This track has been made in a 2 hours session on a sunday afternoon after the last blocking bugs have been fixed"

Roland SH-7 "Drone" (Sample/Hold)


YouTube via DeathByDinSync
"Analog bubbles & blurps. The Roland SH-7 up close and personal... with Sample/Hold & LFO madness. If you want more "musical" videos of the SH-7, check my other vids.

My Music
http://www.deathbydinsync.com
http://www.archive.org/details/Random..."

Sunday Night in the Cockpit


YouTube via kipptumor
"I thought I would show you how we have been making patterns and grooves lately for eventual use in our live laptop digital DJ rig. I have been experimenting with MIDI chaining the gadgets up different ways, and in this instance I am using my Electribe RMKII as the master clock device. Using a drum machine as a master tends to send some rather"dirty" sounding patterns to the other devices, but strange things can occur also doing this.
The Future Retro Revolution has a controlled voltage output for pitch and gate functions so I like to send those to my synthesizers.com Studio44 modular cabinet's oscillators. The Alesis Micron will play whatever patterns it has stored independently of the Electribe's "note" information, but it sill is in sync with the MIDI clock signal. Same with the MoPhatt. I record each part separately into the PC,line them up to the time grid, and then load them individually into the laptop and Ableton. That way we can re-mix these elements live in the DJ rig. I should be drawing this portrait job I have been working on for five weeks, but I have pissed away yet another weekend on music. This is why I got a 1.58 GPA at the Kansas City Art Institute - MUSIC! I'll post a video of my pencil drawings soon."

KORG MS-10

via this auction

Access Virus TI

via this auction

LZX Industries MONOLITH analog synth MFOS Soundlab

LZX Monolith Synthesizer Demo


'The LZX Industries Monolith is a performance monosynth based on the MFOS (Music From Outer Space) Soundlab Plus, featuring a 37 key 1V/Oct keyboard, as well as extensive modulation controls.

This video demonstrates control via an external sequencer. Our Midibox SEQ3 controls both oscillators and gates the envelope generator.

More information will be available soon. For now, find out more about the Soundlab at www.musicfromouterspace.com."

via this auction.

Note this is the one in this video as well.
"List of Features:
- 3 Octave Analog Keyboard with Glide Amount control. Switch controls for Glide On/Off, VCO1 Control On/Off, VCO2 Control On/Off and Envelope Gate Control On/Off.
- Low Frequency Oscillator with four selectable waveforms: Square, Saw, Triangle, and Ramp. High/Low Range Switch.
- Envelope Generator with Attack & Release time controls. Gate/Trigger mode switch. Cycle On/Off switch.
- Voltage Controlled Oscillator 1 with Coarse & Fine tune controls. Saw output. VCO2 Sync On/Off switch.
- Voltage Controlled Oscillator 2 with Coarse & Fine tune and Pulse Width controls. Square & Saw outputs
- Audio Source Mixer with level controls for VCO1 Saw, VCO2 Saw, VCO2 Square, White Noise, and the 1/4" Jack Auxiliary Input.
- State Variable Filter with Cutoff & Resonance controls. Lowpass/Bandpass switch.
- Voltage Controlled Amplifier with Gain Control.
- Master Output Level control.
- 11 Total Modulation Level Controls! LFO>VCO1, LFO>VCO2, LFO>VCO2 PWM, LFO>VCF, LFO>VCA, EG>VCO1, EG>VCO2, EG>VCO2 PWM, EG>VCF, EG>VCA, VCO2>VCO1 FM.
- 1/4" CV Outputs for 1V/Octave, 1V/Octave with Glide, Gate, and Trigger.
- 1/4" CV Inputs for VCO1, VCO2, VCF and EG.
- 1/4" Output & Auxillary Input
- 12VAC 300mA Power Adapter Included."

Polaris Sysex

"The Polaris sysex is essentially a command-language, as noted in the MIDI Implementation Manual (see Polaris manuals).

To send program data you need to send a sysex message to 'open' an object, then 'write' to an object.

Ideally, a .syx file to place a patch would perform 3 steps:

1. send a 'create object' message to the Polaris (to create a new, program - if the section is currently empty);
2. send a 'open object in write mode' message; and,
3. send the program data to the object."

More info on the Rhodes Chroma site.

Blindoldfreak Halifax 1.31.2009 Part 1-6


YouTube via blassster
"Shot with an old digital camera. All I can say, heh.
If you find me shaking a lot... there's only so long someone can hold up a pose without getting tired.
Sorry for the darkness. The original video on my camera looks fine compared to this..."

Alessandro Cortini Montreal 30-01-09 Part I


YouTube via bloodofreptile. These are from the show mentioned in this post.
"The sound isn't great, and the picture is moving a lot, but I did what I could with what I had!"

Alessandro Cortini Montreal 30-01-09 Part III

"End of the show. Again the sound isn't as great as it could have been..."

I'm not seeing Part II yet. I'll put up a new post when I see it.

Metasonix Pre-Orders at Analogue Haven

http://www.analoguehaven.com

"the r-51 is unique and never before available in any form. it uses two remote-cutoff pentodes, type 26a6. two cv inputs are available for controlling circuit distortion from less than 2% up to more than 40% (varies with individual tubes). two cv inputs also allow use of the r-51 as a conventional synthesizer vca, with gain variable from less than -75db to +5db (typical). both distortion and vca features can be used simultaneously. this allows true vacuum-tube asymmetrical soft clipping to be applied to any waveform. with suitable cv processing, the r-51 can be configured as a true "variable mu" limiter or expander."



"the r-52 uses two pentodes, type 12au6. the circuit is derived directly from our award-winning tm-2 filter, but with all the features of our tm-6 filter. a pair of bandpass filters is swept with a vactrol(tm) control element, a resonant treble filter and a less-resonant bass filter, giving a 4-pole lowpass response. filter sweep range (approx): bass-only 80-200 hz, bandpass/lowpass low setting 300-1000 hz, high setting 800-1900 hz. filter resonance/q adjustable from less than 1 to oscillation. voltage gain approx. 2 with resonance set to 10 o'clock position and input level set to maximum. both filters, or one at a time, may be selected and mixed in desired amounts using the front-panel response control. this allows for a wide range of equalization and special sound effects. cv inputs are available for sweeping the cutoff frequency and for affecting the treble filter's resonance. circuit distortion is less than 0.5% typical."

"the r-53 is directly derived from our legendary tm-1 device. it uses a 12af6/bd6 remote-cutoff pentode and a 12av7 dual triode. waveshaping is provided by a vacuum-tube "pulser" circuit that spits irregular pulses onto the input waveform. they synchronize erratically with the input pitch (if a waveform with sharp transitions is used). combined with true vacuum-tube circuit distortion, this can provide a vast range of complex, aggressive distortion effects, utterly unique in the world. a basic ring-modulation function is also available in the unit--applying a carrier pitch from an external oscillator to the screen grid of the pentode, this allows making inharmonic sum-and-difference pitch sound effects, with a unique vacuum tube pentode sound."



"the metasonix kv-100 is not called the "assblaster" for nothing. we've taken all of our knowledge of extreme vacuum-tube audio processing and combined it into a single convenient, easy-to-use package. inevitably, the end of the tm series will cause shit-eating, ass-fisting guitar players to whine about how "underappreciated" they are. so, we're feeding them a foot-long fecal sandwich of audio penis. it's complete with disgusting and juvenile cartoon art by dave lovelace, of retarded animal babies fame.

the kv-100 contains the following:
- five goddamn real new-old-stock vacuum tubes.
- the basic preamp stage of our tm-7 scrotum smasher, driving:
- the waveshaping (pulser) and ring modulation functions of our tm-1, minus the ring-modulator carrier oscillator, which then drives;
- a vco derived from our tm-3 (it is not intended for use as a synthesizer pitch source, only as a special effect for signal degradation), leading to;
- an all-new wide-sweeping bandpass filter, with envelope filter function plus wah capability (external pedal);
- plus an envelope follower, which also makes a gate signal;
- and a noise gate on the output, which is always active and is driven by said gate signal.

plus relay-based true bypass for the main circuit, plus relay controlled activation of the vco and pulser. controllable with manual switches or external fender-type amp footswitches.

plus plenty of processing inputs and outputs for control voltages. no midi, dammit.

only 8 knobs allow for vast ranges of distortion and effects, from subtle to flaming-enema. it's for those filthy, nutsack-sucking guitarists. because they deserve, and love, flaming enemas.

yes, you can plug your damn guitar into it, yes, you can plug line-level sources into it. yes you can run the output to a guitar amp or any mixer. yes, all the inputs and outputs are compatible with modular synthesizers.

no, it's not sorta-kinda-like a line 6 anything. no, it's not a tube-man version of a digi-tech or boss any-damn-thing. no, for the ten-millionth time, it won't make you play like steve vai, ass-sucker. i'm getting really sick of feeding sarcasm to the geeks who own 40 bootleg korn albums and read guitar world with their lips moving. (they say things like "dude, i bought them off a guy in the public toilet, he said they wuz real!") there's so many of them, and they are so brainless, i could type anything here and they'd never know or understand. one would think that after our tx-1 agonizer, tx-2 butt probe, and tm-7 scrotum smasher, they would know better than to ask stupid questions. feel free to gnaw the crust off my taint, tiny worm guitar dude. jeff beck is dead, and you're a fairy boy wearing pink satin panties and a matching bra. your mother's penis is bigger than yours. and your father is a duckbill platypus. have a nice day, scroad.

specifications: audio input accepts unbalanced guitar, microphone or line signals. output 600 ohms unbalanced. 1/4" jacks for all i/o. extra inputs: carrier audio input for ring modulator, cv inputs for vco pitch and filter sweep. extra outputs: envelope cv out, vco waveform out, pulser waveform out. frequency response: yes. distortion: yee-haw. filter sweep range: <100hz>12 khz. enclosed in rugged, moisture-resistant abs utility box with hinged lid, carrying handle and latch. size with lid closed 12.25"x7.4"x6.5" (314mmx186mmx168mm), weight (minus ac adapter) approx 2 lbs (1.4 kg). power: 12 volts ac, 50/60 hz, 1.5 amps. uses jameco 167151 ac adapter for power in 120v countries. power inlet: 2.1mm coaxial jack.

demos:
here are some audio demos using the prototype, courtesy of the wretch:
kv-100 mangling sh-101
kv-100 mangling machinedrum
kv-100 mangling guitar

please click here to visit the manufacturer's webpage for more info."
http://www.analoguehaven.com/metasonix/
Note the KV-100 and R-52 are listed on Big City Music as well.

NAMM: Metasonix KV-100 Assblaster beats @ NAMM 2009


YouTube via arrowbang

"Metasonix KV-100 Assblaster filters beats from a Jomox Xbase 999 drum machine. Recorded during NAMM 2009 at the big city music booth. Knob-twiddling by Josh Humphrey. Equipment available at bigcitymusic.com"

Utopia Synth Assblaster @ NAMM 2009


"Metasonix KV-100 Assblaster filters King Capitol Punishment Utopia Synth at the big city music booth."

NAMM: Analogue Systems modular rhythm @ NAMM 2009


YouTube via arrowbang
"Bob Williams of Analogue Systems at the Big City Music booth during NAMM 2009."

SR0 Eternal Monolithic "Pandora's Box" Automatic Fractal Numeric Synthesizer and Radio Transmitter


YouTube via VironCybernet.
"Digital sonification of a fractal at millions of samples per second generates an ultrasonic and radio frequency melody that never ends and theoretically will eventually transmit any sound on any frequency from baseband audio to ultrasonic octaves and shortwaves. Discovered in 1981 by the author of this video, and further ongoing research into hundreds of similar simple algorithms were inspired by the millenium digital music copyright controversy. These algorithms can predictively generate by accessing vast intangible supersets of all possible sounds as an original string of binary or decimal data without storing them in any media. SR0 = "Space Radio Zero". Interesting question: What rights could I have to an invention that transmits a practically infinite set of all digital sounds? I assume that this can only be public domain."

casioFZ1 digital sampling synthesizer


YouTube via benanderson88
"Got my new Casio FZ-1 yesterday, I fixed it up and made some quick patches."
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