Check with the dealers on the right for upcoming availability.
Details follow:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
- New: AI powered wavetable/spectrum generator
- New: stereo spread parameter
- New: knobs saved into presets
- And many more cool features that firmware v2.00 brings!
0:00 Intro
1:25 AI wavetable generator
7:22 AI knowledge
10:07 WT export for other synths
11:19 Stereo widening
12:27 Recall pot positions
16:09 Other new features
Press release:
Neuzeit Instruments has released new firmware for its synthesizer “Warp”. Among other things, it contains a wavetable editor that works with artificial intelligence. A neural network generates overtone spectra that are translated into wavetables by Warp. Three parameters are available to the user, with which he can playfully and fluently morph through the creations of the neural network. The generated wavetables can not only be used within Warp, but can also be exported as a wav file for use in other synthesizers.
Warp is a four-voice synthesizer in Eurorack format whose sophisticated engine is a hybrid of additive and wavetable synthesis. The core features:
- Wavetable morphing in two dimensions (XY) - complex spectral filters - Wavetable FX (Fold, Bend, Drive, Redux) - Oscillator FX (AM, FM, PM, Sync, Noise, Detune) - 2 ADSRs, 2 LFOs - Extensive modulation matrix - Classic high and low pass filters per voice - 4 wavetable editors onboard, also supporting import of wavetable files from SD card - 7 potentiometers as expressive hands-on macro controls - Workflow focussed on detailed work in the studio, easy handling on stage
The WarpEx expander adds: - MIDI support and extensive CC control - MIDI MPE - 4-voice polyphony
The new firmware v2.00 is now available to download for free from the manufacturer's website. More information at www.neuzeit-instruments.com/warp
If you want to get an impression of what Warp sounds like, you should watch this video with an hour of pure sound demos:
Fascinating bit at 1:50. Paul McGowan actually created his own synthesizer, The Infinitizer. Curious if there are any images of it out there. He almost sold one to Wendy Carlos. It gets a mention in his book 99% True: Almost a National Bestseller which you can find on Amazon here (note this is an affiliate link - see the site's privacy policy for more info).
Update: I asked Paul if he had any pics of The Infinitizer. Unfortantely he didn't, and he no longer has any of the parts, but he did send over the following additional info:
"I don’t have any photos of the Infinitizer, unfortunately. I remember a very sad day back in 1995 or so when I was cleaning out my lab and had to own up to hauling it off to the dump (it was a mere skeleton of PCBs, a keyboard, and lots of wires and didn’t work)."
"The idea was to make 10 synthesizers into one unit that was easy to use. This meant it would be the world’s first polyphonic synth, since musicians only have 10 fingers.
I designed a complete analog chain of 10 modules (the usual: VC filters, oscillators, envelope generators, amplifiers, etc.). Then, I hired an engineer out of Vandenburg Air Force Base who was a whiz at this new thing called “digital”. He designed for me a multiplexed keyboard that constantly scanned all the keys looking for ones that were pressed. The keys were all internally numbered and when pressed, the multiplexer would find an available VC oscillator and assign that number to the oscillator. Because we know the number of the key, the appropriate voltage was sent to that oscillator and it produced the appropriate frequency for that key. In order to have the entire keyboard voltage move up and down (like if you wanted to bend the notes or modulate the frequency with a LF oscillator) the master voltage (that got divided by the individual keys assigned to it) could be accessed as one might normally do through the patch bay.
I also wanted to have the keys pressure sensitive so for that, I invented the use of conductive foam under each key (and that too could manipulate the master voltage to the oscillator banks) and could be assigned to modulate any of the other modifiers too. My patch bay was a switch matrix and pots kind of like ARP used to do.
It was a very cool device which I wrote about extensively in my memoirs, 99% True."
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As for the first non organ based poly synth, currently that honor likely goes to one of the following depending how you define it:
1975 - Buchla 502 - six voice polyphonic with minicomputer and ability to save patches to tape drive. Development on the 500 series began in 1969.
1975 - Oberheim FVS - four voice polyphonic with Polyphonic Synthesizer Programmer. Not sure if the 502 or FVS was released first.
1977 - Yamaha - CS50/CS60/CS80 - first single enclosure polyphonic keyboard synthesizers, with the CS80 to be the first synth with poly aftertouch
1978 - Sequential Circuits - microprocessor control the SCI prophet 10 (briefly) and the P-5 --- again based on existing E-mu tech stuff
Playlist: (you can use the player controls to skip around)
1. Synthfest UK 23: Sequential - Trigon 6 Desktop
At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.
At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.
Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's
"This is a USA-built Matrix-12. This is mainly of interest because if the display ever fails, there is a replacement kit for the USA-built version. Some Matrix-12's or Xpanders (the non-keyboard 6-voice version) were built in Japan, with a different board design, for which there is no display replacement that I know of.
The Matrix-12 was available with a optional pressure-sensing keyboard, but this one doesn't have it.
The power section works on all voltages worldwide (90-130VAC, switchable to 190-260, 50-60Hz).
The unit had one fault I was aware of: one voice's filter did not pass the self-tune. I had this repaired by Hayashi-san at Symplex in March 2023. As outlined on the receipt shown, he diagnosed the replacement of the voice 10 filter chip (3372, shown; I will include the original bad chip in the purchase). Finally, he did a complete test, and found some more work to do: he cleaned the bend and mod wheels, volume pot, six encoders, eight switches, and upgraded to the latest v1.6 ROMs. The unit now always passes all five self-tune tests as shown on the display quickly, even immediately after turning on."
"This is essentially a hybrid of a Roland JX3P (oscillators) and Juno 106 (envelopes and filter) in a 2U rack. Thanks to the Juno filters, it has a more refined sound than the JX3P, but it still retains the crucial features of 2 DCOs and 3 envelopes of the KIWI mod....putting into Jupiter 6 territory. Actually smoother than a Jupiter 6 (I had one next to it for comparison for a while). If you like the Juno 106 sound but wish it had more advanced features, this is your dream synth.
Also including 6 extra original Juno voice chips that I pulled from my 106 when I upgraded to Analog Renasiance chips. This unit still has the original chips but they have been refurbished, so with this unit you'll have a total of 12 original Juno chips...plenty to last you if you're a stickler for the original sound (as am I).
Upgrade performed by a pro-technician. Here is the list of features:
1536 Tones in 3 Sets of 512 can be stored and all can be edited. It is also possible to edit any Tone using the front panel, PG-200 or midi.
Tones are stored in Flash memory so no battery is required.
MidiCC & Sysex support for parameters edits and Midi Sysex support for Tone Load. The Kiwi30 will support full midi control and editing in real time. Midi thru maintained on this unit.
- support for MIDI MPE controllers - enable MPE from the GLOBAL menu and explore the new modulation sources at the end of the list. Pitch bend range can be set in the MISC menu
- option for free running analog oscillators in the MISC menu which is settable per patch - In the analog waveform mode, which you are using when you select the Axx waveforms like Saw and Square, now has the option to make the waveforms not reset when you start a new note. In this mode, the oscillators will continue to drift from each other as they do on some fully analog synthesizers. There are two side effects if you are using free running for the analog waveforms:
1. When two or more oscillators are running at the same time, the phase of the waveforms will not be reset and could start at any position. As a result, there will be phase cancellation compared to having the oscillators always start at the same point. What you will hear is that the notes will change volume level slightly as the oscillators start and also drift in and out of phase with each other.
2. In the normal mode the oscillator always starts at zero. Now it could start at any point in its phase position. That means when you hit a note, a single oscillator could be at 0, +1.0, -1.0, or anywhere in between. If it starts at or close to +1.0 ot -1.0, you are going from no sound to fully on immediately. This can cause a click at the beginning of the note depending on the phase. It is noticeable mostly when using a sine wave, and not too noticeable with something like a saw or square. If you want to use this free running mode, turn the attack time up to +20 or higher to quickly fade in and avoid the potential click.
Pre-order at a dealer of your choice. See the dealers on the right.
"Next-level synthesizer voice with a novel engine for additive wavetable synthesis
Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.
Note: Auction links are affiliate links for which the site may be compensated.
video upload by Canned Sound
"A presentation of this modified vintage keyboard demonstrating the use of the multi-timbral manual vector controller joystick in conjunction with the custom 30-point patch bay. This turns the unit into a generator of noise, bizarre soundscapes, a range of lo-fi ambient, aliasing, glitching and unison pads, corrupted rhythms and percussion."
"The Yamaha PSS 795 is a rare 1990 49-key digital keyboard which implements Advanced Wave Memory synthesis- the use of real world instrument and voice samples which are looped and/or blended with digitally generated sound. Four of the unit's onboard presets can be assigned to the vector controller- a joystick which allows the user to morph between each of these sounds. With the addition of the custom built 30-point patch bay, this adds up to one of the most remarkable, enigmatic and useful modified instruments Canned Sound has to offer. This feature unlocks an endless array of other-worldly soundscapes, bizarre loops, weird sample hybrids, drones, warped digital distortion, garbled and staccato FM sounds, ethereal effects, powerful unison patches, strange percussion hits and grinding bass tones. The unit also features a switch which triggers completely random streams of noise, sequences, effects and tones- another great option for sampling.
When utilising the patch matrix, each configuration of the five included stackable patch cables produces an often multitimbral range of sounds across the keyboard. The percussion pads and onboard rhythms are also affected. The capacity for the generation of unusual pads, noise and percussive hits is immense; this modified PSS 795 is a source of distinctly different sounds which any alternatively minded electronic producer will find inspiring. Demo to follow.
Specs: 61 mini keys. ROM: 100 sounds, 50 rhythms. 8 percussion pads (46 percussion sounds + voiced numbers 1 - 4 are assignable to each). 4 patch vector controller (a user created movement sequence is writable in the 8 track sequencer). Pitch bend wheel. MIDI: In, Out, Thru. Twin 3 watt speakers + headphone/AUX out. Dimensions: 776 mm x 302 mm x 141 mm. Weight: 4.5 kg."
"G-Sonique Psytrance AI Voices - VST / AU plug-in instrument for Win & Mac - psytrance intro voices Available here: https://www.g-sonique.com/shop.html
Psytrance music is characterized by exciting and elaborate intros, outros, intermezzos, breakouts. Nothing gets a crowd crazy more than an professional built-up graduating from chill intermezzo to a dance passage with atomic bomb energy.
And it is in these passages often interesting thematic voices /vocalsare used. However, it seems boring to people if they hear the same message 1000 times from Timothy Leary, McKenna or from the movie Fear and Loathing in Las Vegas. People want to hear something new, different. That's why the Psytrance A.I. Voices - VST / AU plug-in instrument for Win and Mac was created. AI voices instrument is full of robotic, synthetic psytrance themed psychedelic voices and slogans. The sounds are created by artificial intelligence, then resampled and resynthesized with various futuristic sound design methods. They sound excellent in a wide range of octaves. You will find every voice in different sound variations from classic AIs, to robotic, mystical, crystal-glass-sounding ethereal beings, matrix entities and witches, created deep in the mind of artificial intelligence.
These notes can be used in intros/interludes as well as together with beats.
Listen to the demo. Spice up your production with unexpected sounds - people remember the spoken word best because it is closest to our DNA.
Very well usable in genres such as: psytrance, hitech, darkpsy, full-on psytrance, progressive, darkprog, tech trance, psycore, experimental, neurofunk, psybient, but also techno, minimal and others.
When the original GForce Oddity was released all the way back in 2002, it was heavily praised by fans and critics alike for its incredibly accurate representation of the revered ARP® Odyssey, with some notable users even calling it their desert island synth. Now, twenty-one years later, we’ve updated this classic to make it the most authentic, powerful and modern odyssey available.
Oddity3 takes the character and sound of Oddity and adds a wave of enhancements, bringing the spirit of the original to a new generation of music makers. With a powerful new Preset Browser and 1250+ presets including 250+ new ones, new Distortion and Reverb effects, a Vintage control for dialing in authentic imperfections, and four programmable Macros, plus new and improved performance controls, this classic desert island synth just got even better.
KEY FEATURES
Analog modelling of a bonafide classic [New] 250+ new presets for a total of 1250+ presets (all tagged and categorised) [New] Powerful Preset Browser [New] Distortion & Matrix Reverb effects, with updated Delay [New] Vintage knob for authentic analog imperfections [New] Four programmable Macros for easy manipulation of sounds [New] Programmable Aftertouch and expanded Velocity controls for extra playability [New] Fully-scalable UI with three authentic skins Monophonic, Monophonic Legato, Duophonic and Polyphonic modes 4023 (12dB), 4035 (24dB) and 4075 (24dB) lowpass filter types from all three original models, plus highpass filter Two syncable Oscillators plus tunable Sub Oscillator Vast modulation options via X-Modifiers Authentic Ring Modulator Pan spread for wide stereo sounds
It's hard to believe it's already been 12 years. You can find some demos in previous posts here.
"Parva by Futuresonus is an 8-voice digitally-controlled analog multi-timbral MPE-compatible polyphonic synthesizer. combining the warmth and fullness of true analog synthesis with the power, convenience and connectivity provided by a digital brain, Parva represents a huge step forward for desktop synthesizers. inside Parva are eight voice cards, each its own complete analog synthesizer, loaded with a plethora of incredible features:
3 digitally-controlled analog oscillators with a +/-5 octave range, hard sync and choice of triangle, variable-width sawtooth, and PWM waveforms 4 ADSR envelopes with choice of exponential and linear modes and looping option 4 LFOs with key-synced and free-running options and a wide variety of waveshapes including sine, saw, triangle, square, random and even stepped shapes dual VCFs with 12 and 24dB LPF and HPF modes, a 12 dB BPF mode, self-oscillation and filter FM to be clear - each voice has all the features listed above, and because Parva is multitimbral it's possible to distribute its 8 voices as desired across multiple patches simultaneously. on top of that, Parva is one of the very few hardware synthesizers to offer full MPE support. hook up a Linnstrument, Continuum, Sensel Morph or Roli Seaboard to unlock the incredible potential of per-voice velocity, pitch bend, pressure and modulation - and put it all to work just as you'd like with the Parva's 40-point internal modulation routing matrix!
in addition to its robust analog synthesis engine, Parva's hardware is geared towards maximum power and flexibility with minimum effort. Parva's main outputs and headphone output make simple L/R stereo synthesis a breeze, but each voice also has its own stereo 1/4" TRS line level output, enabling independent recording and effects processing of any or all of Parva's eight voices! the USB type B port makes connection to a computer host easy while standard 5-pin DIN MIDI I/O ports enable connection with controllers old and new. Parva's USB type A host port - a first among analog synthesizers! - enables direct support for USB MIDI controller connection. no more running power this way and signals that way. just plug and play!"
"Sines is our latest original and innovative polyphonic synthesizer utilizing diverse waveshaping to bend pure sine waveforms into infinitely variable and complex shapes and sounds. With four sine-wave oscillators, wide-ranging modulation capabilities, and integrated effects, Sines users can create a distinctive array of unique timbres ranging from the sublime to the sizzling.
Cherry Audio's Sines synthesizer is now available at https://bit.ly/getsines and authorized resellers worldwide at the extraordinary price of only $39.
To get users up and running, Cherry Audio and Tim Shoebridge have again teamed up to create an introductory video to walk users through the outstanding features and sound design strategies of Sines: https://youtu.be/a_n_awi5ad0
About Sines
The state-of-the-art Sines interface provides immediate access to all sound parameters and comes alive with illuminated indicators, color, and mini oscilloscopes, providing instant visual feedback. The primary sound design controls highlight the "four of everything" nature of Sines: four LFOs with 14 wave shapes, four oscillators, and four envelope generators. At the core of each section are unique sine-wave oscillator waveshaping controls: feedback, phase, width, shape, wavefold, and drive, along with a sub and super sine-wave oscillators. Phase modulation and ratio controls allow oscillators to be configured in modulator/carrier arrangements for four-op DX/FM-style synthesis.
Sines also features Cherry Audio's most extensive multimode filter to date, an arpeggio, a "best of" selection of Cherry Audio's finest acclaimed effects, a drift function, and an eight-band graphic EQ. Many controls include an adjacent mod source button, and an outrageously comprehensive four-slot mod matrix provides considerable modulation options for nearly every Sines parameter.
Sines includes all of Cherry Audio's exceptional touches, including polyphonic aftertouch, MIDI Polyphonic Expression (MPE), flexible MIDI mapping, and its industry-leading preset browser with a massive library of over 700 presets created by our elite team of sound artists. Altogether, Sines is the complete package for new frontiers in sound design and performance.
Get Sines
Sines is now available at https://cherryaudio.com/ and authorized resellers worldwide. The software is provided as both a standalone application and in AU, VST, VST3, and AAX plugin formats for Windows and macOS, and is already compatible with macOS 13 Ventura. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, and an extensive collection of awe-inspiring sound demos."
"People have requested examples of the Linear and Non-linear FM capabilities. I also show off using Oscillators as LFO's and the Modulation Matrix shortcuts which I missed in my first exploration video.
00:00 - Intro
00:05 - Linear FM
02:27 - Mod Matrix Shortcuts
03:47 - Back to Linear FM
08:53 - Non-linear FM
12:39 - OSC as LFO
17:07 - Outro"
And:
3rd Wave controlled by SOMA Ether!
"While exploring the mod matrix on my @Groove Synthesis 3rd Wave, I discovered that the Audio Input mod source can accept signals from a SOMA Ether (https://somasynths.com/ether/) to create a wonderfully dynamic performance controller!
Shout out to whomever introduced me to the Ether at the NAMM 2022 SOMA booth earlier this year! I've had a lot of fun with it so far. I'm sorry I lost your business card. Please reach out if you see this!
The 3rd Wave is hiding a lot more under it's hood and this is only the first juicy bit I have in mind. I'll provide some shorter demo's showing how far the modulation matrix can bend this synth into strange places. Stay tuned!"
"Here is an absolute killer!
If you ever wished for a Minimoog with a ton of modulation and routing, arpregiator, sample & hold, red noise, added overdrive, bandpass and high-pass to the filter as well as 12 or 24 dB slopes, a shaper matrix mixer, etc. Etc!-- then the ultra rare and amazing Spirit has to be experienced.
This unit is in very nice shape, tight and right. Just serviced to the tune of
$640 at Electronic Innovations. 100% perfect operation, zero excuses. One mod- pitch bend in.
Serial #42-- there were only a few hundred made and the number still out there in this exquisite condition has to be very low.
As for the sound, this is one of the most top tier pro sounding synths I've owned and I've owned a lot. I would place this beside the Minimoog, Prophet 5, CS50 and CS80-- units that sound so solid and healthy and pure that they are in an upper echelon."
"If you are looking for a tweakable, uncomplicated and great-sounding source of electronic drum sounds, the Syncussion might be worth its weight in gold.
Sparkling analogue drum sounds are what you need to turn your tracks to gold, Germany's Touched By Sound company may have the answer in the form of the DRM1 eight-piece analogue drum module.
DELUGE WAVETABLE SYNTHESIS video upload by Ollie Loops
"In this video, we explore the new WAVETABLE SYNTHESIS features added to Deluge in firmware 4.0 . These features enable users to load wavetable audio files into an oscillator and modulation position of the waveform. This means much more dynamic and evolving sounds are possible on Deluge.
Firmware 4.0 adds a host of other great features to Deluge. It's so great when a manufacturer continues to support a device by adding new and exciting features via firmware."
Intro 0:00
Setting up a new synth 0:23
Assigning a Knob To Lfo2 Rate 1:54
Changing Wavetable File 2:35
Making a Pattern 3:00
Changing Wavetable File 3:49
Changing Lfo2 type 4:19
P-locking Notes To Wavetable Position 5:20
Loading Osc2 Wavetable 6:10
Extended Wavetable Drone Demo 9:26
Intro 0:00
Playback Mode 0:32
Row Length 1:23
Playback Mode and Row Length 3:15
Reset Row Length 3:53
Conditional and Iterative Notes 4:39
Euclidean Sequencing 6:19
Nudging Notes In a Kit Row 8:43
Playback Direction Per Kit Row 10:18
Resampling, Slicing 11:09
Kit Row Length and Ping Pong 12:14
Resampling and slicing again 13:20
Resampling and slicing again 15:03
Resampling and slicing again 16:46
Comparing the results 18:20
"We're very excited today to announce the arrival of our huge 4.0 software update.
Instructional videos and downloads links are at the bottom of this spiel.
Highlights include:
Wavetable synthesis, and improved single-cycle waveform playback. Support for MIDI Polyphonic Expression (MPE), and similarly MIDI polyphonic aftertouch. The Deluge can receive MPE from external MIDI controllers that support it, it can record this data, and the internal Deluge synths can respond to it. And this MPE data may also be output again to an external synth. Euclidean sequencing - per row of a clip on the Deluge. This also means that now individual rows within a clip may be set to different lengths. Sequences can be set to play in reverse, or to ping-pong. Synths, kits and songs may be put into folders, and the user can browse these when saving and loading. MIDI input devices (and to a limited extent output devices) may be differentiated and treated separately, so that two devices sending on the same MIDI channel won’t be confused. Improved handling of regular MIDI pitch bend and channel pressure. Adjustable MIDI pitch bend ranges. Sharing presets along with their audio files, with other Deluge users, is now easier. MPE SUPPORT This massive release makes the Deluge the first standalone hardware sequencer to offer comprehensive MPE (MIDI Polyphonic Expression) support, allowing you to record, edit and transmit expressive MPE with compatible devices. You can also use external MPE devices to get expressive with the Deluge’s internal synth/sample engine. Tip: combine with the Deluge’s multisample support to bring expression to everything!
EUCLIDEAN SEQUENCING & INDIVIDUAL ROW LENGTH Euclidean note entry brings an entire new method of beat and melody creation to the Deluge. Coupled with the ability to now make any row within a kit, any length, this infinitely broadens the scope for new rhythmic variations and ever-evolving melodies.
You can set the length of a row, dial in how many steps you would like to play on that row (automatically divided ‘musically’), and then move those notes horizontally - this becomes not just a new way to make innovative rhythms, but an incredibly versatile performance tool.
PLAY-DIRECTIONS If being able to set the length of a row wasn’t enough, you can now tell the Deluge what direction (forward, reverse or ping-pong) to play-back those particular notes and not only that, you can have each and every row playing a different direction. Warning: fun.
POLYPHONIC AFTERTOUCH, IMPROVED “MONO” EXPRESSION In bringing MPE to the Deluge, we at the same time introduced support for good ol’ MIDI polyphonic aftertouch, plus you can now record both pitch bend and channel pressure (aka monophonic aftertouch) into synth, MIDI and CV clips. And, this data now stays with the clip even when you change presets or switch between clip type (e.g. from MIDI to synth etc.).
Previously, synth clips could only record pitch bend, not channel pressure, and CV clips couldn’t record either.
ADJUSTABLE BEND RANGE The Deluge is no longer stuck with a 1-octave bend range. Now, there’s a global setting under DEFAults -> BEND to set the default bend range. This should default to 12 semitones (1 octave) for all existing users, it will default to the more normal 2 semitones for new users. Anyway, you can go ahead and change it.
WAVETABLE SYNTHESIS, AND IMPROVED SINGLE-CYCLE WAVEFORM PLAYBACK. How about an entirely new form of synthesis? The Deluge will now support Wavetable files, Ringmod on the Deluge is also totally compatible with Wavetable, you may even put a separate wavetable in each of the two oscillators, with each of their wavetable-positions affecting the resulting sound.
The Deluge has always supported the playback of single-cycle waveforms by loading them as samples. But now, a technically superior option is for these to be played as a wavetable, as the wavetable engine is more fit for this purpose: it is more CPU-efficient, and will produce higher quality sound with less aliasing, particularly with high notes. It also allows the use of ringmod and oscillator sync. The wavetable-position parameter is not available when playing single-cycle waveforms, as there are not multiple cycles to interpolate between.
PRESET & SONG FOLDERS Our users jumped for joy when we announced this new addition. You can now separate your 1 million presets and songs into folders to make navigation easier!
DIFFERENTIATING MIDI INPUT DEVICES Now, the Deluge will differentiate between MIDI coming from different hosted USB devices, and MIDI into the input DIN port, and from a connected computer which is hosting the Deluge.
Let’s say you have the Deluge hosting say a Keystep via USB (and that’s through a USB hub), and you’ve actually learned all 16 channels from that Keystep to different synths on the Deluge. Well, then you could connect another USB MIDI device to your hub, and learn those 16 MIDI channels to yet another 16 synths on the Deluge. And whatever MIDI device is plugged into the Deluge’s DIN input will have its 16 channels treated as independent yet again.
IMPROVED MODULATION MATRIX Lastly, we’ve also improved our modulation matrix! - The feature where the modulation-depth of a source-param pair (or “patch cable”) can itself be modulated by another modulation source – well, previously the Deluge could only handle doing this for one such patch-cable per synth. This limitation has now been removed, and you can do it for as many patch-cables as you want, subject to other existing limitations.
2 VCOs 2 LFOs S/H ring modulator noise mixer multi-VCF band pass filter VCA one and a half ENVs
"Another one of those 'best synths ever made!' Have there been too many “best of” analog synths? Comparing the SH-5 with other instruments simply leads to the conclusion that this particular machine is in many ways unbeatable.
"Founded on Modal Electronics’ next-generation COBALT synth architecture and housed in an ultra-portable go-anywhere footprint, the USB-powered COBALT5S is made-to-move and ready to spark your creativity wherever, and whenever inspiration strikes. Whether it’s a singularly authentic replication of classic analogue sounds, or the most contemporary leading-edge texture, COBALT5S’ extended virtual analogue sound engine delivers on all counts.
COBALT5S takes inspiration from the iconic sound of it’s analogue forebears, transcending any and all limitations to take a leading edge synth architecture, truly mobile – from sultry basslines, to expansive, mutating beds and everywhere in between, COBALT5S is not just modeling run-of-the-mill analogue sounds, this is Beyond Analogue, Anywhere."
COBALT5S Introduction
Kraft Music: Modal Electronics Cobalt 5S - All Playing, No Talking!
"https://bit.ly/3vHgNi3 - Grab one today & check out more about the Cobalt 5son our blog Signal
We're taking a look at our new favorite "walkin' around synth" the Cobalt 5s !
This virtual analog monster packs the same punch as it's larger siblings in a much smaller and portable package!
Join our pals Jacob and Brian as they explore some sounds and the universe with this fantastic new synthesizer"
Starsky Carr: COBALT5s // Testing Modal's Metal // Review, Demo and Walkthrough
"A demo, review and walkthrough of Modal's latest release, the Cobalt5S. Its a great sounding little synth - sounds like its big brother/sister - but a reduced voice count an a couple less features, but not that you'd notice it sounds fantastic. The Oscillator groups are inspired.
0:00 what is it? 3:43 building the intro track 7:59 Navigating the Interface 12:09 setting up mod slots 14:12 what’s an oscillator group 21:12 filter 29:11 Effects 31:52 Arp & Seq 34:32 Envelopes 36:11 vs prophet 5 37:55 final thoughts 39:40 some sounds
Sonicstate: Modal Cobalt5S - New 5 Voice DSP Synth - Sonic LAB Review
"Modal today released another in the Cobalt range - the Cobalt 5S. This is a five voice version of the all DSP Cobalt engine with the same oscillator section using the Extended VA engine, modelled 24dB Ladder Filter, three Envelopes, 2 LFOs (reduced from 3), twin fixed FX (chorus and delay) and Sequencer and Arpeggiator.
We've uploaded a few patches as Decent Sampler (free plug-in) format to our Patreon: https://www.patreon.com/posts/63217454
#soniclab #modal #cobalt5S
00:00 Intro and overview
4:04 Sounds and UI
7:45 Mod slots
8:20 Osc + Filter
10:30 more sounds
12:08 LFOs and Envelopes
14:00 Editor
15:55 XY pad
16:45 Wrap"
"Demo of 10 factory patches from the new Modal Electronics Cobalt 5s
0:00 Analog Breeze
0:42 Geometrip
1:27 TetherBall
2:09 Pushing Tin
2:35 BroCannons
3:26 Scatter Square
4:29 Stay Gold 5ths
5:04 Easy Street
5:54 Chameleon
6:24 Neon Factor"
And the press release followed by detailed pics:
MODAL ELECTRONICS ANNOUNCES THE COBALT5S EMPOWERING USERS WITH UNRIVALLED SOUND SCULPTING CAPABILITY, ANYWHERE
– Five-voice go-anywhere synthesiser powered by an Extended Virtual Analogue synthesis engine, a proprietary morphable 4-Pole Ladder Filter, MPE support and much more – Bristol, UK - 1st March 2022. Modal Electronics, a leading global synthesiser manufacturer, has just announced a new addition to the critically acclaimed COBALT Series, the COBALT5S. Fusing Modal Electronics’ next-generation COBALT synth architecture and housed in an ultra-portable go-anywhere footprint, the USB-powered COBALT5S is made-to-move and ready to spark user’s creativity wherever, and whenever inspiration strikes
Supercharge any performance with COBALT5S’ built-in MPE support, 16 quick-access smooth rotary switch encoders, a premium 37-note compact-key keybed with aftertouch and an ultra-responsive X/Y/Z Touchpad for pitch bend, mod wheel and/or modulation assignments. Rounding out the control arsenal is a comprehensive realtime/step sequencer with four animation lanes alongside a built-in programmable arpeggiator. Like all Modal synthesisers, COBALT5S is fully compatible with the free MODALapp, the gateway to effortless editing and preset management available on Mac,Windows PC or mobile devices including iOS/Android smartphones and tablets.
The Create Anywhere Philosophy
Taking the legendary build quality synonymous with Modal Electronics’ synthesiser roster, and outfitting this with a 37-note compact-key keybed with aftertouch, COBALT5S is primed for user’s creative exploits wherever and wherever creativity strikes. Plus, with a USB powered specification, powering the COBALT5S from a Mac/PC or portable power brick couldn’t be simpler.
The Engine
Featuring five true polyphonic voices, two independent algorithm groups and up to 8 oscillators per voice, musicians, sound designers and producers are armed with a nefarious palette of sound that’s primed for any application. Fuse this with 40 complex algorithms, including Sync, Ring Modulation, Waveform Morphng, plus many more, and it’s easy to see why COBALT5S empowers creators with liberated sound sculpting capability without limitation.
Next-Generation Filter
Featuring the same self-oscillating 4-Pole Morphable Ladder Filter from the COBALT8, COBALT5S guarantees to texture the user’s sound with all the bite and warmth their performance demands. Four separate filter modes fuse with mainstay controls for Cutoff and Resonance, alongside a Morph parameter to musically manipulate the frequency response of the filter for a truly immersive experience
Shape Your Sound
With COBALT5S, everything the modern creator demands to craft the perfect sound in meticulous detail is thoughtfully included. Three envelopes complete with selectable types take command of the filter, amp or modulation destinations, furnishing users with unrestricted options when it comes to fine-tuning their sound. One Polyphonic LFO and one Global LFO provide extended power to control a plethora of modulation sources, selected via a sophisticated 8-slot modulation matrix.
Supercharged Performances
Fuse a 512-note realtime/step-sequencer, complete with 4 animation lanes, with a built-in programmable 32-step advanced arpeggiator and you start to scratch the surface of the performance capability COBALT5S heralds for the modern creator. Add to this MPE support for next generation creative expressions via a compatible MPE controller and COBALT5S is primed for any performance, production or sound design scenario imaginable.
MODALapp
The free MODALapp brings the comfort of screen-based editing on your computer or mobile device. Available as a standalone app for macOS, Windows, iOS, iPadOS or Android systems and in VST3 and AU plug-in formats, it is the perfect companion for synth enthusiasts looking to deep dive to all sound editing and performance parameters. Crafting the perfect sound, library backups and managing your patches & sequences couldn’t be simpler.
COBALT5S can pre-ordered via our wide network of authorised Modal retailers globally with an MSRP of $449 /€449/£379, with estimated shipping within the next 2 weeks.
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