Yamaha Soundmondo Social Sound-Sharing Site for Reface Synths

Yamaha has launched Soundmondo, a resource site for Reface synth owners to share their patches. The following is the official press release:

"Soundmondo Social Sound-Sharing Website Lets reface Users Inspire and be Inspired Any Place, Any Time

BUENA PARK, Calif. (January 8, 2016) — Yamaha has officially launched Soundmondo (www.soundmondo.com), a groundbreaking social sound-sharing website for sharing reface Mobile Mini Keyboard sounds.

Soundmondo is one of the first sites to implement WebMIDI, a new W3C (API) pioneered by Google in Chrome (versions 43 and later) earlier this year. WebMIDI connects MIDI devices to the Internet allowing musical instruments to play online synthesizers, as well as save or share sounds with Soundmondo. Because WebMIDI is part of Chrome, Soundmondo works on Mac, PC and Android devices.

The Yamaha reface Mobile Mini Keyboards are the first instruments to work with Soundmondo. Featuring four models, each with a unique tone generator and control panel, reface empowers users with an easy way to store, recall, organize and share their sounds.

'Soundmondo is social sound-sharing for synthesizers,' said Nate Tschetter, marketing manager, Music Production, Yamaha Corporation of America. 'Back in the day, synthesizers had patch sheets where sound re-creation was a manual process of duplicating settings from a printed diagram. Soundmondo instantly sends the sound to your instrument and visually shows you how to re-create it. It’s like having your own personal synth programmer on call 24/7.'

Saving sounds on Soundmondo is easy. Once the user connects their instrument and sets up an account, they simply hit CREATE and give their sound a name, a description and tags. They can also add a YouTube video and SoundCloud audio to really show off their sound.

According to Tschetter, the real fun comes in checking out sounds created by other Soundmondo users. BROWSE shows all available sounds (currently over 1,200), and the user can refine their search using tags. Once the user finds a sound they might like, they simply click on it and hit SYNC. This will send the sound to their connected reface AND show them how to move the controls to recreate the sound.

For reface DX users, there’s an added bonus: a full editor showing all parameters with full navigation and editing using a computer keyboard.

Yamaha reface Mobile Mini Keyboards, introduced this past summer, feature built-in speakers and battery power along with interactive controls, incredible keyboard feel and great sound for a truly pro instrument that lets musicians create their sound any place, any time.

For more information, please visit http://4wrd.it/soundmondo"

MeeBlip anode + Ableton Live = Synth Love

Published on Dec 18, 2015 cdmtv

"So, you've got your computer, and it just needs some love... needs something out of the box. Enter our hero, MeeBlip anode. Nate Mars shows us how these two can work together... a pattern in Live freeing up your hands for some tweaking, and then letting the knobs carry you...

http://meeblip.com

MIDI by iConnectivity mio, available from MeeBlip.com"

Yamaha reface Demos by Sweetwater

Published on Jul 8, 2015 SweetwaterSound

"Blake Angelos and Nate Tschetter from Yamaha present the Reface series of mobile mini-keyboards. Based on Yamaha's most famous synthesizers like the DX-7 and the CS-80, the Reface series brings some of the most classic electronic sounds to a new generation of musicians."

Yamaha reface Mobile Mini Keyboards: Get the Sounds Made Famous By Your Favorite 1980’s Band

Published on Jul 7, 2015 yamahacorporation

Updates: new Yamaha reface promo videos added above, Sonicstate, Gear4music and Keyboard Mag videos below. Tons of additional picks including the interface screen of the reface DX added below. Click each pic for the full size shot.

Yamaha reface Videos from Keyboard Magazine


Yamaha reface Sonic State First Look Videos


Yamaha reface Gear4music Demos


---------

Your Sound. Any Place, Any Time

Published on Jul 3, 2015 Yamaha Corporation of America

And the press release, full details & a ton of pics are in.

"NASHVILLE (July 9, 2015)—Yamaha today introduced the new reface Mobile Mini Keyboards, portable yet powerful sounding keyboards that descend from a distinguished pedigree.

Why should guitarists have all the fun playing outdoors or anytime inspiration strikes? Even for beginners, these boards are fun to play because there are no deep, complicated control panels to learn: turning knobs and sliding faders brings an instant change in sound and players are able to create their own tones for a fun, tactile experience.

Building on Yamaha’s 40-year heritage of creating some of the most heralded and renowned electronic keyboards in music history, reface reimagines the interface of four classic Yamaha instruments – some of which are difficult to find in the vintage market and weigh too much to carry around. The new series offers thick, booming sound, built-in speakers, 37 keys with professional-grade HQ-Mini action (derived from the flagship Motif XF professional synthesizer) and battery-powered portability for making music on the go. But more than mere travel companions, these versatile keyboards connect with external speakers, smartphones, tablets, MIDI devices and computers for use on stage and in the studio.

reface DX draws its inspiration from the iconic DX7, which debuted in 1983 and became the first commercially successful electronic keyboard used extensively by a multitude of bands throughout the decade and beyond, including Toto (“Africa”), the Doobie Brothers (“What a Fool Believes”) and the theme from “Beverly Hills Cop” (Axel F”). With the press of a button, the reface DX changes from retro-80s tones to cutting-edge modern sounds perfect for EDM. A new Multi-Touch Control interface makes it easy to customize your sound with the powerful FM (frequency modulation) synthesis engine. The instrument includes 8-note polyphony, 32 Voice Memories and a backlit display.

reface YC reimagines the YC Yamaha Combo organs, introduced in the late 1960s and used by Pink Floyd, Tangerine Dream and others. The YC offers all the expression of drawbars, rotary speaker, percussion and effects. It includes five retro organ sounds—ranging from tonewheel to transistor to the original Yamaha Combo organ—and 128-note polyphony.

reface CP redesigns the Combo Piano, launched in 1975 and ubiquitous on stages during that era. The sound enhanced the work of Keane, U2, Genesis, Billy Joel and more. The CP model features six electric piano sounds including tine, reed, clav, toy and CP80 plus direct control of six different 1970s-style effects built into its retro-chic design. It also includes a sustain pedal input with a half-damper response and 128-note polyphony.

reface CS rekindles the legacy of the CS-series Control Synthesizers, introduced in 1976 and played by Vangelis, Stevie Wonder and Michael Jackson, among others. Offering 8-note polyphony, reface CS uses virtual analog synth technology and five flexible oscillator modules to create a wide variety of complex sounds from analog to digital.

reface features a 'one to one' control scheme, meaning the panel controls perfectly match the tone generator for direct sound creation and musical inspiration.

'reface offers high-quality touch, tone, interface and superior design at an affordable price,' said Nate Tschetter, marketing manager, Music Production, Yamaha Corporation of America. 'These inspiring, horizon-expanding instruments are fun to play and let keyboard players take their music anywhere.'

The reface YC, CP, CS and DX mobile mini keyboards (MSRP: $799) will ship in September 2015.

For more information, visit http://4wrd.it/yamahasynth or http://4wrd.it/usayamaha"

Click the pics for the full size shots.

Additional detailed interface pics added below.

CLICK FOR MORE »

I Dream Of Wires Coming to VOD & Worldwide DVD Release - Berlin Screening with Morton Subotnick

I Dream of Wires is coming to video on demand via iTunes and Vimeo on Demand on August 10. The DVD will be released in Europe, Africa, Asia and Latin America on July 31st. To celebrate, there will be a screening in Berlin with a performance and Q&A session with Morton Subotnick.

"To celebrate the August VOD/DVD release of I DREAM OF WIRES, the definitive and acclaimed electronic music documentary about the rise, fall and rebirth of the modular synthesizer, MONODUO FILMS presents a very special screening and electronic music event in Berlin.

On Tuesday July 28, I DREAM OF WIRES will celebrate it’s release premiere in Berlin, followed by a live performance by the legendary Morton Subotnick. Taking place at Babylon Kino Berlin, Morton Subotnick, accompanied by his frequent collaborator, video artist Lillevan, presents FROM SILVER APPLES OF THE MOON TO A SKY OF CLOUDLESS SULFUR REVISITED: VI, marking Subotnick’s first live appearance in Germany since 2011.

Morton Subotnick’s contributions to electronic music cannot be overstated; as a founding member of the seminal San Francisco Tape Music Center, Subotnick played a key role in the conception and development of the influential Buchla modular synthesizer. Armed with his Buchla, Subotnick composed and recorded the landmark 1967 LP, SILVER APPLES OF THE MOON, widely regarded as a modern classic, and the first all-electronic music album to connect with popular music audiences. In 2010 SILVER APPLES was selected for the National Recording Registry of the Library of Congress. Long considered one of the essential milestones in electronic music, it continues to have great effect on later generations of artists.

Subotnick’s interview in I DREAM OF WIRES, alongside interviews with influential electronic musicians including Trent Reznor, Gary Numan, Carl Craig, James Holden and Vince Clarke, is pivotal in the film, and provides a revealing insight into this true electronic music visionary.

The film will be introduced by I DREAM OF WIRES' director Robert Fantinatto, who will also join Morton Subotnick for a post-screening Q&A. This July 28 event is more than just a celebration of the modular synthesizer; it’s a rare opportunity to learn and experience the historical roots of electronic music.

I Dream Of Wires is an independent documentary about the history, demise and resurgence of the modular synthesizer - exploring the dreams and obsessions of people who have dedicated part of their lives to this fascinating, esoteric electronic music machine. Over 100 inventors, musicians and enthusiasts are interviewed about their relationship with the modular synthesizer - for many, it’s an all-consuming passion.

Through tracing the history of the modular synthesizer, I Dream Of Wires also outlines the history of electronic music as a whole, from its very beginnings at the dawn of the electric age. The film provides a fascinating look at how technology has shaped the electronic music landscape. Today, the modular synthesizer is no longer an esoteric curiosity or even a mere music instrument - it is an essential tool for radical new sounds and a bona fide subculture.

Interviews include:
- Legendary electronic musicians: Trent Reznor (Nine Inch Nails), Morton Subotnick, Gary Numan, Vince Clarke (Erasure).
- Contemporary dance & electronica artists: Carl Craig, James Holden, Legowelt.
- Synthesizer manufacturers: Doepfer, Modcan, Make Noise.

Event Details
Babylon Kino
Rosa-Luxemburg-Strasse 30,
10178 Berlin
28.07.2015 | 8PM
20€ Presales
25€ At the Door
+10€ w/DVD

Tickets Available:
Yapsody: https://wires.yapsody.com
Babylon Kino: http://www.babylonberlin.de

RELEASE INFORMATION

VOD and DVD Release of I Dream of Wires in Europe, Africa, Asia and Latin America will start as follows:
* DVD available July 31 through Cargo Distribution / Amazon
* VOD available August 10 through ITunes and Vimeo on Demand

CLICK FOR MORE »

MOTU Releases The Bob Moog Foundation Encore Soundbank

via The Bob Moog Foundation:

"Cambridge, MA - May 19, 2015...

MOTU and the Bob Moog Foundation announce the release of the Bob Moog Foundation Encore Soundbank, a new and exciting collection of instrument and percussion sounds produced in commemoration of Bob Moog's 81st Birthday, coming up on May 23rd. In a charitable effort to raise funds for the foundation, over twenty legendary synthesists and renowned sound designers donated original samples to assist with the creation of the sound library, which offers over 2 GB of material. Now available for purchase from the MOTU website (www.motu.com/moog-encore), the library is fully compatible with any host software on Mac or Windows that supports virtual instruments, including popular DAW software such as Ableton Live, Avid Pro Tools, Cockos Reaper, and MOTU Digital Performer. All proceeds from the sale of the Encore Soundbank will benefit the Bob Moog Foundation.

The library ships in the form of a UVI soundbank that can be loaded into the cross-platform, universally compatible UVI Workstation virtual instrument player, available for free download from uvi.net. The library can also be loaded into MOTU's MachFive 3 sampler for side-by-side integration with other MachFive-compatible soundbanks. Most of the 200+ Encore Soundbank presets are scripted to include vintage Moog-style filter and envelope controls.

MOTU is proud to support the legacy of synthesizer pioneer Bob Moog and the Bob Moog Foundation's educational and historic preservation work through the funding generated by the sales of the Encore Soundbank. The following artists generously contributed to this project: Vince Clark, Al Kooper, Jordan Rudess, Suzanne Ciani, Larry Fast, Tangerine Dream (Edgar Froese / Thorsten Quaeschning), Goldfrapp (Will Gregory), Kevin Antunes, Adam Holzman, Erik Norlander, Peter Gorges, Amin Bhatia, CJ Vanston, Drew Neumann, Kevin Lamb, Dave Spiers, Jack Hotop, Jerry Kovarsky, Kent Spong, Klaus Peter Rausch, Taiho Yamada, Michael Koehler, Chris Cox, 'Magic' Dave Roberts, Marty Cutler, Marc Doty and I Monster (Dean Honer / Jerrod Gosling).

The soundbank is released in special remembrance of Edgar Froese, who enthusiastically donated sounds for the project, but passed away suddenly on January 20, 2015. His contribution to the Encore Soundbank was one of his last musical endeavors. We are deeply grateful for his generous contribution to this project. He is greatly missed.

Sounds included in the library were created using classic instruments including various Moog modulars and Minimoogs, Buchla modular, EMS Synthi A and VCS3, Yamaha CS-80, Alesis Andromeda, Sequential Circuits Prophets, Hammond B3 organ, classic Korg synths, rare Russian Polivoks, multiple theremins and effects pedals, a rare and exotic Ondioline, and an extremely rare Moog Apollo, plus much more.*

'Bob Moog's legacy touches each and every one of us every day,' said Jim Cooper, Director of Marketing at MOTU. 'Here at MOTU, we were inspired by the milestone of his 81st birthday, to pay tribute to his lasting effect on music. What better way than with kids, and supporting the work of the Bob Moog Foundation to educate and inspire them through his life's work.'

Michelle Moog-Koussa, Executive Director of the Bob Moog Foundation, notes, 'The Foundation is tremendously grateful to MOTU and the contributing artists who have made the Encore Soundbank an extraordinary resource for musicians across genres. The funding generated from this product will allow us to expand our educational project, Dr. Bob's SoundSchool, and to inspire even more children through the intersection of science, music, and technology.'

The Bob Moog Foundation Encore Soundbank is now available for purchase from the MOTU web site for $99 (www.motu.com/moog-encore). All proceeds will be donated to the Bob Moog Foundation.

MOTU and the Bob Moog Foundation would like to extend special thanks and recognition to Erik Norlander, Arnaud Sicard, and the team at uvi.net for their invaluable assistance in producing this project, as well as to producer Nate Donmoyer who created the audio samples for the product."

Yamaha to Host Rare Vintage Synth Exhibit at NAMM

Pictured: Yamaha's first synth, the SY-1.

"Yamaha to Exhibit Rare Vintage Synthesizers From 40‐Year History at the 2015 NAMM Show

BUENA PARK, Calif. (January 6, 2015)—Yamaha today announced that it will exhibit around a dozen rare vintage synthesizers at the 2015 NAMM Show, the largest musical instrument trade show in North America, to be held January 22‐25, 2015 in Anaheim, California. This showcase, which celebrates Yamaha’s 40th anniversary of manufacturing synthesizers—a milestone reached this year— plans to include analog synthesizers like the SY‐2, CS30 and a special guest or two, the gorgeous GS1, the DX7, which was one of the most commercially successful synths of its day, and the rare VP1—a polyphonic physical modeling synthesizer. Some of the models will be playable. Yamaha introduced its first synthesizer, the SY‐1, in 1974 after decades of research and development and established a high technological benchmark when it released the CS80 polyphonic synthesizer in 1976. The company made musical history in 1983 when the DX7 debuted as the most commercially successful electronic keyboard of its time. This keyboard, which helped shape the sound of popular music in the 1980s, relied on frequency modulation—the leading‐edge technology of the time. By the end of the decade, Yamaha synths evolved from performance instruments to full‐fledged music workstations. The rise of music production synthesizers helped spur the home recording revolution by providing arrangers with a single tool to orchestrate almost any combination of musical instruments with ever‐more realistic tone generation. Yamaha helped develop the use of

sampled—or recorded—tones, along with physical modeling that went beyond sound by recreating instrument behavior as a mathematical model. Building on years of experience and distilling all of Yamaha’s technical innovations into one synth, the Motif series, introduced in 2001, evolved into an industry leader by offering great sound, computer integration and the ability to create sophisticated musical performances with ease. To celebrate the anniversary, Yamaha released the latest iteration of this series, the Motif XF, with a special edition white finish—the only Music Production Synthesizer on the market available in this color. The model offers an exclusive 40th Anniversary Premium Contents Pack that includes FL512M flash memory expansion, a USB drive with content from vintage Yamaha synthesizers and more than $1,000 in rebate offers on Yamaha products and third party soft synths, editors and sound libraries. Beyond hardware, Yamaha became an early adopter of digital technology. Earlier this year, the company launched www.yamahasynth.com, a new community for Yamaha synthesizer users. The site features a forum where members can interact with Yamaha’s product experts including the legendary Phil “Bad Mister” Clendeninn, Yamaha Synthesizer artists and other enthusiasts, along with resources to help all players get the most out of their instrument and download sounds directly into their synthesizers. 'Yamaha has long mastered the art of drawing on past technologies to improve on future synthesizer models,' said Nate Tschetter, marketing manager, Music Production, Yamaha Corporation of America. 'We continue to make high‐quality synthesizers for every stage of one’s musical career from the bedroom studio to the sold‐out stadium.' For more information, visit the Yamaha Booth at the 2015 NAMM Show in the Anaheim Marriott Hotel, Marquis Ballroom, January 22‐25, 2015, or http://4wrd.it/yamahasynth."

Roland TR-8 as a V-Drums® Sound Module

Published on Jul 21, 2014 Roland U.S.

"Nate Morton, drummer for The Voice, shows how he uses a TR-8 Rhythm Performer as a sound module with a TD-15KV V-Drums kit."

Roland Aira's on eBay

Alesis Introduces VORTEX WIRELESS KEYTAR

VORTEX WIRELESS
USB/Midi Keytar Controller With Accelerometer
Combines onstage mobility with expressive control
37 velocity-sensitive keys with aftertouch
8 velocity-sensitive trigger/drum pads
USB dongle creates a wireless connection to any Mac/PC
Volume slider, pitch wheel, ribbon controller, sustain pedal jack
USB, battery, or external power; USB/MIDI + MIDI outputs
Includes SONiVOX Vortex I DVI and Ableton™ Live Lite Alesis Edition

Press release:

"ALESIS VORTEX WIRELESS KEYTAR OFFERS TRUE ONSTAGE MOBILITY FOR ALL KEYBOARD PLAYERS
The popular Alesis Vortex has been updated with wireless USB MIDI

Cumberland, RI, USA – January 22, 2014. Alesis, a leading manufacturer of instruments and tools for today's musician, announces the new Vortex Wireless USB MIDI keyboard controller with accelerometer.

A keytar for the modern performer, Vortex Wireless delivers unprecedented control and expression by transmitting MIDI via a wireless USB connection for dynamic on-stage freedom, and includes the virtual synthesizer plug-in Vortex-I Digital Virtual Instrument from acclaimed software creator SONiVOX. In addition to 37 velocity sensitive keys with aftertouch—the keyboard features an assignable accelerometer (tilt-sensor) in the neck that can translate gestures into additional controls—adding vibrato when the neck is pulled up, for example. For additional control, Vortex Wireless provides 8 drum/trigger pads, 3 assignable knobs, a multi- mode ribbon controller, pitch bend wheel, and a volume slider.

Plugging the included USB receiver dongle into any MAC or PC establishes a live USB/MIDI link with the Vortex Wireless. There is also a standard MIDI output (5-pin) mounted in the Vortex Wireless for connecting to other MIDI-enabled equipment, such as a favorite hardware synthesizer. Vortex Wireless can run on batteries, USB bus power, or can be powered using an optional AC adaptor. Each Vortex Wireless also includes a USB cable with extension for the USB receiver dongle and 4 x AA batteries, so users can begin playing right away.

In addition, the Vyzex Vortex Patch Editor Software is also provided, making it easy to create, edit, and backup patches to your computer. AbletonTM Live Lite 8 Alesis Edition is also included.

Alesis Vortex Wireless Keytar Highlights:

'Nearly every keytar or remote keyboard has required a cable of one sort or another, be it power, MIDI, audio, or USB” said Nate Lane, Product Manager at Alesis. “With the Vortex Wireless, the player is truly free to move about at will. This onstage freedom allows the player to make the most of the onboard accelerometer and other extensive controls to create an original, expressive performance without the hassle of cables on stage.'

Combines expressive control with onstage mobility
37 velocity-sensitive keys with aftertouch
8 velocity-sensitive trigger/drum pads
USB dongle creates a wireless connection to any Mac/PC
Volume slider, pitch wheel, ribbon controller, sustain pedal jack
USB, battery, or external power; USB MIDI + 5-pin MIDI outputs
Includes SONiVOX Vortex I DVI and AbletonTM Live Lite Alesis Edition

Vortex Wireless will be available with an estimated street price of $199.99 USD
Alesis will present the Vortex Wireless at the 2014 NAMM Show in Hall A, Booth 6700, January
23-26 in Anaheim, California. For more information, visit: www.alesis.com/WNAMM2014"

Alesis Introduces New VI and V Series Keyboard/Pad Controllers

VI49 Advanced USB Midi Pad/Keyboard Controller
49 full-sized, square-front, semi-weighted keys with aftertouch
16 multi-color RGB backlit pads respond to both velocity and pressure
Designed for hands-on control of your DAW as well as plug-ins and instruments
12 assignable knobs, 36 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback; LCD screen and illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software

VI61 Advanced USB Midi Pad/Keyboard Controller
61 full-sized, square-front, semi-weighted keys with aftertouch
16 multi-color RGB backlit pads respond to both velocity and pressure
Designed for hands-on control of your DAW as well as plug-ins and instruments
16 assignable knobs, 48 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback; LCD screen and illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software

V25 Expressive USB Pad/Keyboard Controller
25 full-sized, square-front keys
8 LED backlit pads respond to both velocity and pressure
Perfect for controlling plug-ins and virtual instruments
4 assignable knobs; 4 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback via illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software

V49 Expressive USB Pad/Keyboard Controller
49 full-sized, square-front keys
8 LED backlit pads respond to both velocity and pressure
Perfect for controlling plug-ins and virtual instruments
4 assignable knobs; 4 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback via illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software

Press release:

"Alesis Introduces New VI and V Series Keyboard/Pad Controllers
New fully integrated keyboard/pad controller series from Alesis targets the musician, music producer and live performer.

Cumberland, RI, USA – January 22, 2014. Alesis (www.alesis.com), the world’s leading manufacturer of instruments and tools for today's musician, announces the new V Series and VI Series of full-size keyboard/pad controllers. The performance-oriented V Series offers expressive hands-on control for the software musician. The step-up VI Series provides increased control for the keyboard performer. Both series include a Software Preset/Parameter utility that makes setup a snap.

The new Alesis V Series (V61, V49, V25) combine velocity-sensitive keys with eight drum/trigger pads, allowing virtual instruments to be played with dynamic expression. Cool blue LEDs illuminate the pads—as well as the four assignable knobs and buttons—for positive visibility. Assignments may be made quickly via the MIDI Learn feature. Octave shift keys provide access to the entire note range. A single USB cable provides both a power and data connection to nearly any computer.

The VI Series (VI61, VI49, VI25) add semi-weighted keys and aftertouch. The pad count has been increased to 16, with multi-color illumination. This layout provides intensive command over the clip trigger workflow of top DAW and compositional software. The internal clock offers drum roll, tempo, and sync capabilities. An optional power supply and a standard MIDI output allow for stand-alone use.

Alesis V Series Highlights:
• Full size, flat-front keys (25, 49, or 61)
• Pitch Bend and Modulation Wheels
• 8 Pads with blue LED illumination
• 4 Assignable knobs and buttons
• Sustain pedal input
• USB MIDI
Alesis VI Series Highlights:
• Full size, flat-front keys (25, 49, or 61)
• Semi-weighted keys with Aftertouch
• Pitch Bend & Modulation Wheels
• 16 Pads with Multi-color LED illumination
• VI25: 8 knobs, 24 buttons
• VI49: 12 knobs, 36 buttons
• VI61: 16 knobs, 48 buttons
• Transport and Present up/down buttons
• Sustain pedal input
• USD MIDI, MIDI Out
Page 1 of 2
• Internal Clock for sync, tempo, rolls, etc.

“Our goal with the new V and VI series keyboards was to focus on live performance and studio workflow in an intuitive yet advanced way,” notes Alesis Product Manager Nate Lane. “The keys, pads, knobs, and buttons have an excellent, player-worthy, high-quality feel, and we developed an accompanying software editor to allow users to take a deep dive into defining preset and parameter configurations if they choose to do so.”
The V and VI Series will have the following respective estimated street prices, V25 ($79.99 USD), V49 ($99.99 USD), V61 ($149.99 USD), VI25 ($169.99 USD), VI49 ($199.99 USD), and VI61 ($249.99 USD).
Alesis will unveil the V and VI Series at the 2014 NAMM Show in Hall A, Booth 6700, January 23-26 in Anaheim, California. For more information, visit: www.alesis.com/WNAMM2014"

The Spinto Band - Shake It Off (Korg Remix feat. MS-20 Mini, Monotribe, Monotron, microKORG & more!)

Published on Aug 28, 2013 Korg Official·384 videos

KORG DW-6000 in there as well.

"Inspired by the new MS-20 Mini, our friends in The Spinto Band recently embarked on a Korg-based remix project of their infectious single, 'Shake It Off', taken from their latest LP, "Cool Cocoon". Making use of MS-20 Mini, Monotron Delay, Monotron Duo, Monotribe and plenty more from the Korg family, they offer a unique spin on their sound!

我々の友人である The Spinto Bandが、コルグの新製品であるアナログ・シンセサイザー MS-20 miniにインスパイアされて、彼らの最新アルバム「Cool Cocoon」に収録されている、人気曲「Shake It Off」のコルグ版リミックスを完成させました。MS-20 mini, monotron DELAY, monotron DUO, monotribeをはじめ、多くのコルグ製品を使っており、とてもユニークな仕上が­りとなっていますので、ぜひご覧ください。

For more on The Spinto Band:

http://www.spintonic.net (You can buy "Cool Cocoon" here!)
https://www.facebook.com/SpintoBand
https://www.twitter.com/SpintoBand

Download this exclusive remix of "Shake It Off" at http://snd.sc/19IojGV.

Filmed, directed & edited by Nate Johnson @ http://www.natejohnsondesign.com."

Kraftwork (Kraftwerk) Moog CZ-101 (Casio CZ-1) Review

Published on Oct 19, 2012 TR0LLreviews·5 videos

http://www.facebook.com/pages/T-Roll-...

via Nate Litz on The MATRIXSYNTH Lounge

Playlist:
Kraftwork (Kraftwerk) Moog CZ-101 (Casio CZ-1) Review - Published on Oct 19, 2012
T-Roll does another hands-on synthesizer review! This time he showcases the Kraftwork Moog CZ-101 stereo synthesizer, the world's longest keyboard.

Korg JP8000 JP-8000 Review (Technics WSA1 WSA-1) - Uploaded on Sep 13, 2011
T-Roll reviews the Korg JP8000 all analog monophonic synthesizer. He showcases the features of this device, shows how to create original sounds, and explains the difference between computer software and professional music equipment.

Roland SY99 SY-99 Artificial Piano (Clavia Nord Lead 1) - Uploaded on Sep 14, 2011
T-Roll gives an in depth review of the Roland SY-99 artificial piano. He shows the unique features like front panel tuning adjuster, brightness and darkness controls, etc. It also has a comprehensive listing of all red synthesizers. This is the best review of the SY-99 on youtube.

Alesis AirSynth SLAUGHTERS Korg Kaossilator in Shootout - Uploaded on Sep 17, 2011
T-Roll puts the Alesis AirSynth and the Korg Kaossilator in the ring together for the ultimate face-off. The Alesis AirSynth motion-controlled synthesizer meets the Korg Kaossilator lame-controlled disappointment.

Dave Smith Instruments (DSI) Tetra Ambient Sequencer and Akai Miniak - Published on Feb 2, 2013
In this episode, T-Roll demonstrates Dave Smith's Instrument Tetra Ambient Sequencer using an Akai Miniak and Mopho Keyboard

Feeltune - Pete Boxsta & his Rhizome SXE

YouTube Uploaded by Feeltune on Mar 2, 2012

"Pete Boxsta Martin, producer and mixing engineer has worked with many famous artists, including Dannii Minogue, Nate James or the Sugarbabes. He welcomed us in is London based studio to talk about the Rhizome, a groove station he has used on many tracks. We also took the opportunity to ask him a demo of the latest Rhizome, the SXE version."

Points of Inspiration: Dr. Bob's SoundSchool

Points of Inspiration: Passion Pit and Dr. Bob's SoundSchool

YouTube Uploaded by moogfoundation on Dec 12, 2011

"In our third of the series Points of Inspiration, Curriculum Research Coordinator Dr. Jonna Kwaitkowski gives a fantastic update about our progress with Dr. Bob's SoundSchool, with Nate Donmoyer and Ayad Al Adhamy from Passion Pit speaking about the power of an innovative program such SoundSchool."

Point of Inspiration: Inspiring Merchandise Supports Bob Moog's Legacy

Uploaded by moogfoundation on Dec 5, 2011

"To see the items featured in this video, visit http://shop.moogfoundation.org"

LFOFREQ License Plate

This one in via Nate.

They are out there. See the License Plates label below for more.

Amen ADDAC

YouTube Uploaded by matrixsynth on Aug 5, 2011

"http://andregoncalves.info/addac/
ADDAC .WAV Player & Moog Voyager
Update: cleaned up the description a bit:
1st test of my new ADDAC .WAV player. Watch at 1080p. The beat is the Amen Break included with the .WAV player which comes with an SD card loaded with a few samples. The synth that comes in at :15 is the Moog Voyager. I have the CV out of the .WAV player going into the Filter CV in of the Voyager. I have the Voyager set to play middle C with Gate ON so it just drones and the .WAV player modulates it. I just let the .WAV play adjusting the sample length followed by the bit/sample rate. Super simple. Listen not only to the Amen break change as I adjust knobs, but the Voyager as well. The .WAV player is in effect playing the Voyager.

Knobs:
Top Left: volume
Top Right: Sample length
2nd Right: File position - sample location
3rd Right: Sample Rate when enabled
4th Right: VCA
5th Left: CV Out Level
6th Right: CV Out Decay

Clean audio:
Amen ADDAC by matrixsynth

Update: History of the Amen Break

Video explains the world's most important 6-sec drum loop

YouTube Uploaded by mobius32 on Feb 21, 2006

"This fascinating, brilliant 20-minute video narrates the history of the "Amen Break," a six-second drum sample from the b-side of a chart-topping single from 1969. This sample was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music -- a six-second clip that spawned several entire subcultures. Nate Harrison's 2004 video is a meditation on the ownership of culture, the nature of art and creativity, and the history of a remarkable music clip."

Some unboxing pics of the .WAV Player (click each for the full size shot):

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Josh Mike Nate (1/2) - 23 July 2010

YouTube Uploaded by arrowbang on Oct 24, 2010

You can find Mike Dobler's latest release Tape 128 here (also posted on C).

"Part 1/2: Fluxboy vs LoFi Freq vs Mike Dobler @ Drum Machine Showdown - 23 July 2010"

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Born This Way cover by Casey Desmond... Synth Party!

YouTube Uploaded by CaseyDesmond on May 31, 2011

"Edited by Rory Gory :
http://vimeo.com/rorygory/videos
Shot by Casey Desmond
Thanks to Nate for letting me use your 7d! Thanks to Robbie for letting me use your casio drums, and to Rory for making this video totes awesome!
This was shot in my studio OHDEERGOD. All the synths and vocals were done live into Protools. I'm awkward!
Thanks for watching!!!!"

Update: you might remember Casey from this post.

Elvertronics WSG analog drone synthesizer / noise box

via this auction

"This is a WSG synthesizer made by Elvertronics (elvertronics.com) a few years ago. It's number 1.5 and signed by Nate from Elvertronics. This synth is based off of the popular MFOS WSG kit available here"

Synth Status

flickr By Nate Light

"Taken with Iphone 4 + TiltshiftGen, Yamaha Loop Synthesizer"