Behringer Edge + Spice Combo Patches & Samples. Sound Demo

video upload by Anton Anru

"Welcome to the soundset for a semi-modular system, Behringer EDGE + SPICE. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, stabs/chords, generative-style patterns.
There is a wide range of sound colors in the pack: massive and gentle, aggressive and soft, bright and dull, harmonic and dissonant tones, straight and polymetric rhythms.

📦 Get these patches: https://antonanru.sellfy.store/p/behr...

🎛 The main point of the soundset is the high level of interconnection—not just syncing the two synths with independent timbres (individual patches for EDGE and SPICE are also available on my website).
In this patchbook, the timbres of the synths are fused and can’t exist separately:
✔️ They modulate each other with envelopes.
✔️ A sequence from one synth may change parameters on the other.
✔️ Triggers, clock/rhythm, run/stop modulations break predictable patterns.
✔️ Audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones.

🧿 At the same time, they play different and clear roles. It’s not a sound mess, but two synths working in close cooperation.
For syncing the synths, I chose SPICE as the master. I send clock to it from the DAW via USB. Then, I sync EDGE to SPICE using patch cables.
On the EDGE, the PLAY button is pressed in advance, but EDGE doesn't start playing until PLAY is triggered on the SPICE. This way, launching SPICE starts both synths in sync. If SPICE is synced to the DAW via USB/MIDI, hitting PLAY in the DAW will start both synths in sync with the DAW.

CLICK FOR MORE »

An Update on KALEIDOSCOPE by Vadjuse

video uploads by Vadjuse

"Kaleidoscope is a compact 4 track digital multitimbral synthesizer for creating generative music

Waiting List and Manual: http://vadjuse.ru/kaleidoscope_en"

Playlist:

1. Introducing KALEIDOSCOPE
2. KALEIDOSCOPE. 10 Features of Control System and Generative Sequencer

00:00 Intro
01:08 Control
02:31 Octave Values
04:03 Cyclic Envelopes
07:16 Rhythmical Octaves
08:58 Pattern-Mask
13:31 Modulation Sources
17:28 MIDI Modulators
18:51 Assignable Keytracking
21:25 Flexibility of Modulators
24:38 Modulation Envelope Quantization
28:36 Outro

3. KALEIDOSCOPE. 10 Фишек Системы Управления и Генеративного Секвенсора [same as 2 but in Russian]



Kaleidoscope has 4 tracks, each with its own timbre. You can assemble a whole ensemble: drums, bass, leads, strings, percussion, drones, noises and others...

If you place the same timbres on all tracks, you will get a classic polyphonic synthesizer.

Use the methods:
subtractive synthesis
additive synthesis
synthesis of physical modeling
FM synthesis

Kaleidoscope has on each track:
complex oscillator for creating multiple waveforms
wavefolder
hardsync
filter with resonance
combo filter for creating echoes and resonances
overload
FM mixer router
audio mixer router

Generative Sequencer

Kaleidoscope has a built-in generative sequencer for creating rhythmic and parametric patterns.

It is based on functional methods for creating control signals and triggers.

Such a sequencer works as an add-on to the control system and does not conflict with external sequencers.

The generative sequencer can be used to create rhythmic patterns and parametric arpeggios.

Modulation matrix

Each envelope generates a trigger at the end of its attack-decay cycle . This trigger can be passed to any other envelope to trigger it.

If the envelope triggers itself, it becomes something like a low-frequency oscillator (LFO).

If the envelope trigger exchange is disabled, it operates in normal ADSR mode.

Modulation matrix

Almost all synthesizers on the market have a two-dimensional modulation matrix.
You select only one parameter for the modulator (envelope or LFO) from several available track parameters.

Kaleidoscope has a three-dimensional modulation matrix .
You select not only the parameter for the modulator, but also the track on which this parameter is located.

You can combine modulators in any way you like.
Assign multiple modulators to one parameter.
Modulate the envelope duration or pattern.
Create feedback loops. Negative feedback loops stabilize behavior. Positive feedback loops, on the contrary, destabilize it and turn it into chaos.

In Kaleidoscope you modulate not only the timbral parameters, but also the dynamics of this modulation. This opens up a new dimension of sound exploration.

Similar possibilities can be found in the world of modulars, but not in the world of standalone synthesizers.

See http://vadjuse.ru/kaleidoscope_en for additional details in Russian, or Google translated to English here.

Note the ability to enable and disable the multiple envelop stages.

NEW 2025 Optigan Disc - BIG BEAT & POLYRIMBA

video upload by optigandotcom

"https://www.quilterlabs.com/collectio...

BIG BEAT is the latest in our series of excavatons into the Optigan Archives in search of material that was left on the cutting room floor. The working title for this disc was “Motown 1 - Big Beat.” Previously only heard on the song “How Do You Feel?” by Optiganally Yours. The keyboard sound is also sourced from the Optigan Archives- we mixed several different solo trombone and trumpet scales to form a brass section. A version of this sound previously appeared on our Orchestron "Brass Ensemble" disc.
Special note: This groove was recorded at a slower tempo than usual, so turn your Optigan's Tempo knob down to achieve concert pitch."

NEW 2025 Panoptigon Disc - POLYRIMBA

video upload by optigandotcom

"Now available at https://www.quilterlabs.com/collectio...

POLYRIMBA is based on the 5-against-3 polyrhythm. The basic sound is the classic DX7 Marimba preset. Individual notes are steady pulses with accents in counts of 5 or 3. Holding down chords creates an ever-shifting series of syncopated rhythmic patterns. If you count these in 4/4, you'll perceive longer rhythmic cycles that won't repeat for 15 bars. Adding delay will create even more complex patterns. Also, try it with the Panoptigon’s hall reverb turned up, and the main volume knob turned all the way down, to get an interesting ambient pad sound.

POLYRIMBA can only be played on Panoptigon, and is not compatible with Optigan or Orchestron.

Conceived, arranged, and mastered by Pea Hicks
Disc design and mastering by Robert Becker
Jacket label art direction and layout by Michael Buchmiller

Important Note:

All discs are subject to the following licensing arrangement.
You MAY use any and all sounds on our Optigan/Orchestron discs to create derivative works for commercial or private use without any further licensing fee beyond the original purchase price of the discs. No credit to optigan.com is required. If your Optigan/Orchestron resides in a commercial studio which you operate, this license also extends to your clients.
You MAY NOT simply copy the sound contents of the discs and distribute the material directly as sample loops, either commercially or privately.
You MAY NOT make physical copies of the actual discs themselves, other than for private use/experimentation.

Compatibility
Panoptigon disc players"

Roland SP-404MKII Version 5 Update Overview

video upload by RolandChannel

"Thanks to the free V5 update, the SP-404MKII is now more powerful than ever. Native Serato DJ Lite and Studio support offer seamless plug-and-play functionality that fuses the SP-404MKII with the most popular tools in DJ and beat culture. Users can level up with even more advanced features with a paid upgrade to Serato DJ Pro.

In this video, you’ll learn about the variety of features included in the V5 update that enhance the SP-404MKII for DJs and producers.

00:00 Intro

SERATO DJ
00:38 Connection
01:21 Controls
05:34 SP FX
06:42 Sampler Modes
07:27 Stems
09:22 Hot Cue
09:59 Auto Loop
10:27 Beat Roll/Beat Jump

SERATO STUDIO
11:30 Connectivity
11:47 Creating a Pattern
14:36 Mute Mode
15:06 Other Controls
15:56 SP Controls
16:47 Skipback

Seamlessly integrate the SP-404MKII’s signature effects and hands-on workflow with Serato DJ, enabling DJs to mix songs, trigger samples, and enhance transitions with real-time control in bold new ways. Manipulate Serato’s Stems alongside SP’s performance effects using hands-on controls, unlocking different ways to mix and manipulate tracks live. Access essential DJ functions like Hot Cues, Auto Loop, and sample triggering for immediate creative control and additional controls for Beat Jump and Key Sync for DJ Pro and Pitch ‘n Time owners.

Using Serato Studio, producers can access pre-mapped controls directly from the SP-404MKII, use the sampler as a MIDI controller and USB audio interface, and route Serato Studio audio through the SP’s FX for real-time processing. Make beats with newfound hands-on control, using the sixteen performance pads to trigger samples, loops, and one-shots directly—no mouse and keyboard required. Plus, so much more.

To update to Version 5, please visit: https://www.roland.com/global/support..."

Ambient Cassette Tape Loop + Prophet REV2

video upload by Le Code

"What a pleasure to play with these tapes! The Tascam 414 Portastudio works very well and allows me to easily record my first tape loops.

I add the Prophet Rev2 and some effects, and here's a whole new way of creating ambient music.

AMBIENT CASSETTE TAPE LOOP WITH PROPHET REV2
#ambient #ambientmusic #tapeloops #tapeloop #cassette #rev2

Music written and produced by Alexandre de Charrin
Additional pedals effects : Hologram Microcosm and Strymon Big Sky.
Recorded with Steinberg UR824

FREE DOWNLOAD
Download my 4-track EP 'Introspection' for free
★ https://bit.ly/3T3Ixai"

Erae 2 Looper Tutorial: Master Live Looping with Touch & Gesture!

video upload by embodme

"Welcome to the first tutorial in our Erae 2 series! 🎶 In this video, we dive deep into the Looper, a powerful tool that lets you create layered performances in real-time. Learn how to record, overdub, and manipulate loops with Erae 2's expressive touch interface. Whether you're a beginner or an advanced user, this guide will help you unlock new creative possibilities."

ANA 2 Patch Example - Taming Delay Feedback w/ Multimod

video upload by Mystic Circuits

"This patch is a particularly satisfying way to push the boundaries of delay feedback loops without destroying your ears or overwhelming the input. In this case we are using ANA's XOR output as a hard clipper to limit the overall voltage level of a delay feedback loop while also adding in an input signal using the SUM input. This technique allows us to simultaneously amplify a signal while also setting a hard boundary on how loud the signal can get. By using ANA to tame our feedback we are able to get the characteristic "bloom" effect of a high-feedback delay while making sure that we can always hear our input signal and also constantly add new material into the looping delay line. Here we explore this patch with the amazing Make Noise Multimod, also using our 3DVCA module to mix multiple taps together."

www.MysticCircuits.com

Spitfire Audio - The Albions Orchestral Selects Walkthrough

video upload by Spitfire Audio

Press release follows.


Spitfire Audio crafts carefully curated collection of evocative ensemble patches from acclaimed ALBION range as THE ALBIONS ORCHESTRAL SELECTS

LONDON, UK: leading sounds and sample libraries creator Spitfire Audio is proud to announce availability of THE ALBIONS ORCHESTRAL SELECTS — shipping as a carefully curated collection of the most inspiring and evocative ensemble patches brought together from across its acclaimed ALBION range to offer a rich tapestry of hand-picked orchestral sounds that let the individual character of the orchestra shine, supplying composers with a wide range of expressive possibilities to bring any cinematic moment to life — as of March 6…

It is fair to say that THE ALBIONS ORCHESTRAL SELECTS is testament to the power, versatility, and, indeed, longevity of the ALBION range — after all, the original ALBION, which was effectively re-released by popular demand as ALBION LEGACY in 2023, kick-started a whole range of all-in- one composer tools for cinematic inspiration, its collection of orchestral ensembles featuring strings, brass, woodwind, and percussion, as well as loops, synths, and atmospheres, all creatively captured in the beautiful resonance of the hallowed (Lyndhurst) Hall at London’s legendary AIR Studios way back in 2011.

The exceptional collection that is THE ALBIONS ORCHESTRAL SELECTS duly draws from six distinct ALBION libraries — namely, ALBION COLOSSUS, a gargantuan, all-in-one toolkit that pushes contrast, dynamism and intensity to eleven, elevating scores to breathtaking new heights in a new blockbuster era; ALBION NEO, a modern cinematic collection centred around a chamber-sized orchestra with a super-intimate string section split by divisi across all articulations to offer anyone access to the incredible definition and expression of classic and progressive techniques, accompanied by an encyclopaedic range of progressive synths, loops, and textures; ALBION TUNDRA, taking a 100-piece orchestra playing never-before-sampled techniques at the very edge of silence to capture a characteristically Scandinavian sound; ALBION ONE, a renowned, industry-standard orchestral sample library that provides everything needed to make film music, comprising a 109-piece orchestra accompanied by a thunderous cinematic percussion section, plus warp-able loops designed by award-winning engineers and an enormous steam synthesiser; ALBION ICENI, an award- winning package boasting epic low-end brass and electrifying woodwinds, harmonised with a string ensemble encompassing an extensive range of cellos and basses alongside an extraordinary collection of thick, deep synth sounds and loops as an apocalyptic low-end orchestra; ALBION LOEGRIA, an expertly sampled chamber-sized orchestra, featuring strings, woods, brass, and cinematic drums alongside eclectic loops and an inspiring organic synth as the perfect starting point for independent films, period dramas, or more cerebral and intimate music; and last, but by no means least, the aforesaid ALBION LEGACY — as a carefully curated selection of sounds designed to blend seamlessly into any scoring project.

Painting vivid sonic landscapes to bring musical visions to life is even easier using THE ALBIONS ORCHESTRAL SELECTS’ inspiring and evocative ensemble patches... think Epic Strings, selections played by larger string ensembles including the full dynamic range of ALBION ONE’s strings and the soaring highs and powerful lows of ALBION ICENI and ALBION TUNDRA that range from delicate textures to thunderous power, providing everything needed to create truly unforgettable string passages; Intimate Strings, showcasing the nuanced detail of ALBION NEO and the emotive beauty of ALBION LOEGRIA, capturing intimacy with exceptional clarity and expression; Epic Brass, bringing together the enormous cinematic brass patches from ALBION ONE’s full brass range, the majesty of ALBION TUNDRA, and the colossal low-end of ALBION ICENI to provide the tools needed to create brass arrangements that resonate with power and emotion; Intimate Brass, a more intimate and nuanced approach to brass scoring, achieved through the focused intensity of ALBION NEO’s brass, with long and short staccatissimo articulations; Epic Woodwinds, harnessing the soaring melodies of ALBION ONE’s woodwinds, the haunting textures of ALBION TUNDRA, and the rich depths of ALBION ICENI to provide a wide range of woodwind colours and textures; Intimate Woodwinds, providing the warmth, intimacy, and nuance needed for delicate woodwind passages, courtesy of ALBION NEO; and Albion Percussion, unleashing the thunderous power of the DARWIN percussion ensemble from ALBION TUNDRA, the cinematic impact of ALBION ONE’s XXL percussion, ALBION LEGACY’s CYMBALS, and the nuanced detail of ALBION LOEGRIA’s FINE DRUMS LOOSE and FINE DRUMS TIGHT as a diverse collection providing a rhythmic foundation for any scoring project.

Paul Thomson — company co-founder, and an accomplished composer in his own right — remains enamoured with Spitfire Audio’s acclaimed ALBION range, resulting in THE ALBIONS ORCHESTRAL SELECTS, stating: “There are so many sounds in these collections that are instant cue-starters, giving you a film score sound for any genre right out of the box; for this selection, I’ve pulled out my favourite patches from the orchestral sections recorded in Lyndhurst Hall at AIR Studios, locking together beautifully but allowing a huge range of expression and style, so this is the perfect introduction to the ALBION series — my source of instant inspiration!”

Presented in Native Instruments’ KONTAKT 7 virtual instrument platform, the NKS (NATIVE KONTROL STANDARD®)-ready/AAX-, AU-, VST2-, and VST3-compatible, 26.3 GB download-sized THE ALBIONS ORCHESTRAL SELECTS library is available for MacOS 11, 12, or 13 (latest update) and Windows 10 or 11 (latest Service Pack) at a 20%-discounted, time-limited promo price of £119.00 GBP (inc. VAT)/$159.00 USD/€143.00 EUR (inc. VAT) until March 13, 2025 — rising thereafter to its regular price of £149.00 GBP (inc. VAT)/$199.00 USD/€179.00 EUR — from here: https://www.spitfireaudio.com/the-albions-orchestral-selects (Crossgrade pricing is available to existing owners of any library from the ALBION range.)

Anyone who does not already own KONTAKT 7 is invited to download KONTAKT 7 PLAYER for free; though SPITFIRE SYMPHONIC EXTRAS will work with both KONTAKT 8 variations, it does not need either.

Spitfire Audio’s namesake Spitfire Audio app allows anyone to buy now and download anytime, and is available for free from here: http://www.spitfireaudio.com/info/library-manager/

For more in-depth information, including some superb-sounding audio demos, please visit the dedicated THE ALBIONS ORCHESTRAL SELECTS webpage here: https://www.spitfireaudio.com/the-albions-orchestral-selects

"Dissolve Into The Sound" | 110bpm Laid-Back Beats 😎

video upload by Electronisounds Audio

"I've been super busy lately making new sound banks for Electronisounds.
It's been quite a while since I've made some actual music, so I put together this live track based around the Electribe ESX-1 and Polyend Step (the machines I've just finished new sound banks for).

Here's what each device is doing in the setup:
Electribe ESX-1 - Dub Chords, Bass, Percussion
Eventide Micro Pitch Delay Pedal - Processing extra Dub Chords from ESX-1 output 2
1010 Blackbox - Vocal samples
Polyend Step - Main drums
Arturia MiniFreak - Synth pad
Polyend Tracker Plus - Percussion loops, FX noises, more Dub Chords and extra textures
Roland TR8s - Ride cymbal, shaker, snare layer

Whatever kind of music you are making - KEEP IT UP, Friends!

Don't stop making *YOUR MUSIC*!! ---
▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

Glitch Sessions Samplepack

video upload by Ocean Swift / Faxi Nadu

"Glitch Sessions presents a thoughtfully curated collection of over 490 glitch loops and drums, meticulously designed to elevate your musical production and composition.

Adding a distinctive flair to your main Drum Bus, this sample pack injects intricacy and whimsy into your music and drum tracks. Whether utilized as is or customized through cutting, EQing, and re-editing, Glitch Sessions will serve as a valuable companion in elevating your beats to new heights for years to come.

Featuring a diverse range of BPMs to accommodate various music styles, this pack ensures that regardless of your genre, you will discover something captivating and distinctive.

Glitch Sessions adds a distinctive flair to your main Drum Bus. Whether utilized as is or customized through cutting, EQing, and re-editing, Glitch Sessions will serve as a valuable companion for years to come.

Get it now at: https://oceanswift.net/product/glitchsessions
Intro offer 25% Off for 24€ - until 16march

Contents:
.493 Glitch samples, glitched drums loops, single hits and snippets
.WAV format (24-bit, 44.1kHz)
.788 MB total
.12 different themes at different bpm's
.BPM Ranges: 68bpm, 82bpm, 104bpm, 109bpm, 118bpm, 120bpm, 123bpm, 125bpm, 13"

Three new Set creation features on the myTRACKS version 2.0 firmware

video upload by Blipblox Sound Lab

"The myTRACKS firmware 2.0 includes new features to make it easier to create and customize your own Sets:

-Hold down FREAK and press any pad to select row for a new Clip recording
-Hold down FREAK and press any INSTR button. Then send 5 notes into the myTRACKS over USB-MIDI on the MIDI channel that matches the Track number to re-assign the pads in NOTE mode. Use MIDI channel 5 to re-assign the Drums.
-myTRACKS can now record Clips using MIDI notes coming in from the USB-MIDI.

This video explains these features and how to use them.

Recording new drum loops from incoming MIDI notes is not yet supported in version 2.0

Download a demo copy of Ableton Live here:
https://www.ableton.com/en/trial/

Explore our full range of Blipblox instruments here: https://blipblox.com/collections/blip...

0:00 Intro
0:46 Select the exact pad you want a new clip to be recorded on
2:50 Re-assign the notes the pads play in Note Mode by sending the notes in via USB-MIDI
6:35 'Import' sequences from your DAW into the myTRACKS via USB-MIDI clip recording"

Spotykach - A Looping Playground Synth - First Sound Demo

video upload by Synthux Academy

"Spotykach is a looping playground, built for hands-on sound exploration. It features three distinct modes, and in this video, I’m diving into Tape Mode, inspired by early tape music and musique concrète.

JOIN THE COMMUNITY
If you're new here and want to join the community or pre-order, click the link below:
www.synthux.academy/join

TIMESTAMPS
00:00 - Spotykach Introduction
00:44 - Overview
02:49 - Recording Loops
03:44 - Mix Dry/Wet
04:10 - Reverse
04:56 - Loop Size
05:11 - Amplitude Envelope
05:23 - Play position
05:38 - Pitch, Speed, V/Oct
06:27 - Modulation Sources
08:39 - Deck Crossfade
09:03 - Looper Modes
13:07 - Preorder"

SQUID SALMPLE - Deep Dive 4 - Syncing, Slicing & Timestretching Break Beats

video upload by ALM TV

"The Squid Salmple is a powerful 8 channel Eurorack sample player and recorder. In this fourth iteration of the Deep Dive series we take a look multiple techniques for working with break beats including BPM syncing loops, slicing and sequencing and half speed timestretching using the new Pitch parameter.

Patches in this video require at least firmware v188 which introduces the new Pitch parameter that allows sample pitch to be set independently of time. (visit: https://busycircuits.com/alm022 to download the latest firmware).

More info on the Squid: http://busycircuits.com/alm022
Follow us on Instagram: / ​

Chapters:
0:00 - Intro
0:47 - BPM Syncing Loops
5:11 - Slicing & Sequencing
10:25 - Time Stretching
13:08 - Outro

Thanks for watching!"

Moog Labyrinth 50 Modular Patches & Sequences + WAV Samples

video upload by Anton Anru

"'Circuit Maze' is a collection of 50 patches for the semi-modular synth Moog Labyrinth. Dedicated to the modular spirit, the bank of presets embraces the analog warmth, experimental mindset, and rich sonic possibilities provided by Moog Labyrinth—an instrument that challenges traditional sequencing, offering fresh ways to shape sound and inspire creativity.

🎛 While crafting this soundset, I wanted to fully explore Labyrinth's capabilities, dive deep into its unconventional workflow, and have fun with its distinctive sequencing approach, which is unavailable on other synths. The result is a collection of 50 patches designed to inject unique and evolving patterns into any track or performance.
Each preset—or fragments of it—can function as bass, percussion, melody/lead, pluck, or FX, making this collection highly versatile.

📦 Get these patches: https://antonanru.sellfy.store/p/laby...

💽 The presets explore a wide spectrum of tones, from warm, clean, soft, and deep to noisy, metallic, distorted, punchy, and bright. Some sounds are bold enough to take center stage, while others work best as supporting elements, adding texture and movement to your compositions.
You can use the patches as they are, but I strongly encourage real-time tweaking, allowing you to shape and evolve the timbres throughout your performance for a dynamic and immersive experience.

CLICK FOR MORE »

Behringer Spice 50 Modular Patches, Seqs, Samples Sound Demo

video upload by Anton Anru

"'Undertones' is a collection of 50 patches for the semi-modular synthesizer Behringer Spice: chords, sequences, basses, leads, plucks, drones, percussion, and FXs.
📀 The presets feature various colors: warm, clean, soft, deep as well as punchy, dark, bright, noisy, detuned, and distorted.

📦 Get these patches: https://antonanru.sellfy.store/p/spic...

🗄 All patches are divided into three groups: SEQ (32 patches), KBD (10 patches), and TRG (8 patches).
SEQ patches use the Spice sequencer with an internal or external clock. This group contains melodic patterns, chords, and bass lines. The play button is on.
KBD patches are designed for use with an external sequencer/arpeggiator, DAW, or MIDI keyboard. This group includes leads, plucks, chords, and drones. The play button is off.
TRG patches use the Spice sequencer, but sound is only heard when the TRIGGER button is pressed. These patches don’t trigger envelopes for each step (EG button is off), so envelopes must be launched manually. This group contains FXs and experimental timbres. The play button is on.

CLICK FOR MORE »

Stacks & Korg MS-20

video upload by Cong Burn

"This new looper focused view will be added in a future update

Available now: https://www.congburn.co.uk/stacks"



"Key Features

4 track granular looper, synced with DAW
4 voice polysynth with two-dimensional wavetable morphing, 4 FM modes, sub osc & unison
3 filter modes: dual hpf/lpf, variable width bandpass, 6 x bandpass filterbank
Accurately modelled low pass gate emulation, in addition to a clean VCA variant
Hybrid algorhithmic & convolution reverb. Stereo & ping-pong delays with frequency shifter in the feedback path.
Complex polyrhythmic ratchetting chord sequencer with MIDI output
24 x 115 Modulation matrix: 2 x sequencers, 6 x chaos generators / LFOs, per-stage parameter locks, AD envelope

Overview

In STACKS' self-contained production and performance environment you can create distinctive synth parts from melodies to percussion, which you can loop and layer to build up new tracks.
There are a lot of ways to manipulate the music you make with STACKS but it's designed to be intuitive, encouraging a steady flow from one idea to the next.
As well as its detailed synthesis elements, STACKS has a comprehensive modulation section, a stack of four versatile loopers and granular synthesis options to evolve your recordings in unpredictable new ways.
By continually creating new loops and bouncing them down, you can keep the exploration going for as long as you like — especially useful for improvised live performances.
With built-in processing from delay and reverb to saturation, it's easy to work solely within STACKS and end up with a great sound.
STACKS can run as a VST3 & AU plug-in within all major DAW environments, with the ability to take input from other sound sources and send out MIDI information to control other devices."

NEW 2025 Panoptigon Disc - POLYVOX

video upload by optigandotcom

"Now available exclusively at https://www.quilterlabs.com/collectio...

POLYVOX is the famous Vox Humana preset from a classic 1970s polyphonic synth. We simply gave it a different name to avoid confusion with the vintage Optigan disc of the same title. Try it with the Panoptigon’s hall reverb turned up, and the main volume knob turned all the way down, to simulate a slow attack rate.

POLYVOX can only be played on Panoptigon, and is not compatible with Optigan or Orchestron.

Recorded and mastered by Alex Ball @AlexBallMusic
Edited and mastered for Panoptigon by Pea Hicks
Disc design and mastering by Robert Becker

Important Note:

All discs are subject to the following licensing arrangement.
You MAY use any and all sounds on our Optigan/Orchestron discs to create derivative works for commercial or private use without any further licensing fee beyond the original purchase price of the discs. No credit to optigan.com is required. If your Optigan/Orchestron resides in a commercial studio which you operate, this license also extends to your clients.
You MAY NOT simply copy the sound contents of the discs and distribute the material directly as sample loops, either commercially or privately.
You MAY NOT make physical copies of the actual discs themselves, other than for private use/experimentation.

Compatibility
Panoptigon disc players"

GForce Novation Bass Station: 50 New Presets No Talk Sound Demo

video upload by Anton Anru

"GForce Novation Bass Station 'Ultimate Bass' is a collection of 50 bass patches that can be used in various genres: Techno, Trance, House, Progressive, Deep, Ambient, Cinematic, Chill Out, Lounge, Trip-hop, Downtempo, Electronica, IDM, Breaks, Drum’n’Bass and others.

📦 The bank covers a wide range of tones: mono and stereo, short and long, mild and aggressive, deep and bright, soft and punchy, clean and distorted, modern and vintage.

📥 Get these presets: https://antonanru.sellfy.store/p/bass...
‼️ The presets are designed exclusively for the GForce Bass Station plugin and are not compatible with the Novation Bass Station hardware synthesizer.

🎛 Each preset has both macros configured. Macros can change tone, modulation depth and rate, noise level, distortion, detuning, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.
🎚 ModWheel adds expressiveness to the timbre.

💡 Please ensure that you are using the latest version of the plugin for optimal performance.
I added drum loops and pads to demo tracks. They are not included into the soundset.
The soundset doesn't include patterns/sequences."

CLICK FOR MORE »

A first look at the 242t from Buchla & Tiptop Audio

video upload by Tiptop Audio

"The Buchla & Tiptop Audio Programmable Pulser - Model 242t is an essential module for creating rhythmically intricate patches in Eurorack 200t systems.
This video showcases how the 242t interacts with other 200t modules, driving a unique patch that triggers and controls a feedback loop system.

You can see this historical collection of Buchla 200 series reissues, including the new 242t, the Programmable Pulser module, here: https://tiptopaudio.com/buchla/

Patch Overview of 'Triggering Feedback Loops':
The 242t sends pulses to a network of modules to generate sequences and modulations:
242t: Sends pulses to the 245t, 266t, and 281t for creating CV sequences and dynamic modulations.
259t: Serves as the primary VCO, delivering the audio foundation.
292t: Shapes the audio signal from the 259t.

Feedback System Details:
Tiptop ZDSP: Processes the 259t’s audio output (filtered by the 292t). Its outputs feed the 296t and 285t, which send their processed signals back into the ZDSP’s feedback inputs, creating a controlled loop.
296t: Operates also as an envelope follower, analyzing the ZDSP’s output and generating CV. The CV is sent to MISO, where it is inverted and routed back to modulate the ZDSP’s feedback inputs, acting as a limiter to prevent saturation."

#NAMM 2025: Roto-Control from Melbourne Instruments

video upload by CatSynth TV

"We get a tour of the new Roto-Control from Melbourne Instruments. Like their synths that we presented last year, the Roto Control features motorized knobs that can be used to control any MIDI device, DAW parameters, or plug-in parameters. It has an intuitive interface that includes customizable colored labels along with the buttons and knobs, and can save up to 64 configurations. It also includes a "motion recorder" that allows you to record loops of motion using the knobs that can then control any instrument, DAW, or plug-in."