"The Pro-2's converter has two completely independent sections, A and B - these can control two separate synths on independent MIDI channels. Apart from basic Gate and CV (pitch) outputs, each section has two additional CV 'Aux' outputs; a common use is one for Filter Cutoff and one for Amplitude, although if your analogue synth is flexible enough they can control anything. Each section also has S-Trig outputs for you Moog owners :-)
Usefully, the CV outs can be scaled to allow for out-of-tune analogue synths.
Also present is:
DIN sync output allowing you to sync up midi clock to old-school stuff like the Roland TR-808,TR-606,TB-303.
Midi In,Out and Thru.
Arpeggiator out - a simple clock out to sync up your synth's arpeggiator (Juno 6, etc?) - you can change the clock divide to suit.
Also, and very rarely, this Pro-2 has a Kenton KADI output fitted and includes the super-rare lead too!
To be honest I've never used the KADI output but I understand Kenton (and others?) can fit KADI inputs to drum machines like the TR-808, TR-606 and CR-78 - using this KADI equipped Pro-2 would allow you to play and program the (eg) TR-808's drum sounds from a midi keyboard.
I have successfully used this Pro-2 with an Arp 2600, Odyssey, Minimoog, Jupiter 4, Jupiter 8, CR-78, etc."
"My friend brought his Pro-2 over. We decided to have some fun. We use the Pro-2's OSC's and sequencer. The Pro-2 is also controlling the modular synthesizers envelopes and Q960 sequencer. We filter the Pro-2 thru the modular. The modular synth also makes the kick drum as well as trigger the Korg MS20 which is making the snare drum"
"Fun with Patterning...[iTunes] and a few other things...
A Dave Smith Instruments (Sequential Circuits) Pro 2, Olympia Noise Company Patterning app, a Moog Sub 37 and an Eventide H9 make a great, relatively compact performance setup. This is just a small example of some of the places you can go with it.
The Pro 2 is the heart of the system. 41 modulation slots (busses), a 16 track sequencer and massive CV capabilities give it the power to extensively control itself, and other gear.
Everything is clock-synced. The Sub 37’s filter is modulated by a CV step sequence from the Pro 2. This is synced to, but independent of the track that sequences the Pro 2’s internal sound engine.
The Eventide H9 is clocked the same, and does some nice magic when it picks up sharp filter events from the Sub 37 audio.
"Version 4 of KORG Module is now available, with a new Hybrid Digital Synthesizer and AUv3 support."
KORG Module Pro / KORG Module v4: New Features
"The KORG Module series of iOS apps are equipped with a professional-grade sound library and can be used in the studio, for music lessons and when working live. With this major upgrade, KORG Module Pro and KORG Module now add a hybrid digital synthesizer and the much-anticipated support for AUv3. Both KORG Module Pro and KORG Module can be updated to version 4 for free.
The "Hybrid Synth Pack 2" and "Cinematic" expansion sound packs are now available for the new sound module, each with 30 additional programs. We're also offering a free trial that lets you try out each expansion sound library for a week before you buy.
In addition, the new synth module can be used as the Fairbanks gadget in KORG Gadget 2. With the addition of AUv3 support, it can be used not only with KORG Gadget 2, but also with third-party iOS music production apps like Apple Garageband. Enjoy the wonderful sounds of the KORG Module!
The new synth module "Hybrid"
Hybrid is built on a brand new engine that allows you to create a wide variety of rich and powerful sounds ranging from warm analog sounds to sharp synth leads to shimmering FM sounds - even tempo-synced sequences. Each sound has the optimal parameters selected on the interface so you can quickly adjust to suit your preferences.
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Demos for volumes 1 & 2 above. Not sure when these came out but I'm seeing reviews for it online dating back to 2010.
YouTube via NativeInstruments | February 10, 2011 |
"See the new generation of Traktor DJ software in action in this video, now powered by "Traktor 2 Technology Inside" for absolutely intuitive ease of use and unlimited creative possibilities.
The brand-new user interface with enhanced TruWave colored waveforms with 4 different color schemes to choose from lets you differentiate kicks, hi-hats, snares as well as the track's energy level at a glance.
Used with Traktor Kontrol X1 controllers as you can see in this video, the power over using Traktor's hotcues, loops and effects is literally at your fingertips.
The new Sample Decks in Traktor Duo 2 and Traktor Pro 2 provide perfectly integrated control over loops and one-shots. With the additional Loop Recorder, 4 new tempo-syncable effects (more than 30 in total) and expanded customization options, Traktor Pro 2 is the new flagship software that also powers the Traktor Scratch Pro 2 digital vinyl system and the Traktor Kontrol S4 all-in-one DJ system by Native Instruments.
"I programmed an effect similar to Ableton's 'Fade To Grey' on my Pro 2. In the background Pro 2 drum sequence patch, a single sweep of the footpedal does the following: maxes out "air", pans filter routing to serial, maxes delay 4 feedback, maxes filter 2 (high pass) cutoff and minimizes filter 1 (low pass) cutoff. This video starts with "Fade To Grey" engaged. About 25 seconds in I use the footpedal to bring in the low end on the drums. The background here also includes a droning Moog Voyager with Pro 2 CVs modulating its filter cutoff and waveshape. You hear it most around beat 12 of the 16 beat pattern. Learn more at www.experimentalsynth.com"
"Announcing MIDI Designer Pro 2, just in time for NAMM 2016. MIDI Designer Pro 2 is a beautiful, fully-customizable and performance-oriented MIDI controller platform for iPad (optimized for iPad Pro) and iPhone.
MIDI Designer Pro took the music-making world by storm, and Pro 2 is set to do it all over again!
We're also announcing MIDI Designer Player, a first-class, lowest-latency MIDI controller player.
Dream, create and play your perfect MIDI controller with award winning MIDI Designer: adored by Recording Magazine (July 2013), loved by Sound on Sound (June 2013), featured in Keyboard (May 2013), and awarded Sonic Touch Gold Award for Best App (Episode 11). Trusted on stage by touring acts like Todd Rundgren, POSTYR and Electroband. Used in studios to control all gear from vintage to cutting-edge, MIDI Designer has been lauded by UK's House DJ, Shadowchild. Used in theaters, VJ and DJ booths all around the world, MIDI Designer is also the platform for community- and professionally-sourced layouts for top-flight gear, including synths by Korg, Roland and Yamaha. If you can dream it, you can create it in MIDI Designer.
Thanks to Popup, Planeshifter, and Ibo-Kai for your layouts in this video (please let us know if you've been omitted).
Music by Superfly: www.soundcloud.com/superflymusic and mastered by Mike ("User #1")"
"Sequential PRO 3 SE synthesizer demo, featuring various sounds, patches and presets. Filmed at Sequential headquarters, this Sequential PRO 3 demo features a variety of sounds including leads, basses, pads, textures, percussion, arpeggiators and sequencer patterns.
The Sequential PRO 3 is a hybrid multi-filter mono synthesizer with 60 knobs and 70 buttons, FATAR 37-note semi-weighted keyboard and 3-voice optional paraphony mode (feat. individually gated envelopes per oscillator). The PRO 3 features 3 oscillators (two VCOs + one wavetable), 3 analog filters, 3 LFOs, 4 loopable envelopes, noise, hard sync, glide, tuned feedback, analog distortion, arpeggiator, 16x16x4 sequencer + 16-track sequencer, dual digital effects engines, touch slider and mod wheels, and a staggering 32-slot mod matrix.
The PRO 3's two analog VCOs each have triangle, saw, pulse waveshapes, with variable shape modulation/pulse width on each. The digital oscillator features 32 digital wavetables of 16 waves each (with wave morphing), plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw. The PRO 3's digital osc can also function as an LFO to enable complex wavetable-based modulation.
The Sequential PRO 3 has three filter types, which provide a variety of sound shaping options. Filter 1 is a 4-pole, 24 dB, Prophet-6 low-pass filter. Filter 2 is a classic, 4-pole, 24 dB, transistor ladder filter (w/ optional resonance compensation). Filter 3 is a 2-pole, 12 db, OB-6 state-variable filter which can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode.
The PRO 3's three syncable LFOs each have phase offset and slew per LFO, and feature five waveshapes: triangle, saw, reverse saw, square, and S&H. There are 4 loopable ADSR envelopes with delay (Filter, VCA, + two Auxiliary envelopes); envelopes are freely assignable to multiple modulation destinations.
The PRO 3 also features dual digital effects, including: Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb. Also on board is analog distortion and tuned feedback (with Grunge mode), for extra-aggressive tonal destruction.
The PRO features a huge 32-slot modulation matrix, with over 46 mod sources and over 171 mod destinations. This allows for a massive amount of sound design possibilities and creative applications. Modulation assignments can be done quickly and easily, and the Mod Matrix runs at audio rates.
The PRO 3's advanced sequencer has three modes: normal, gated, and trigger. There are 16 tracks and 4 linkable 16-step phrases with per-step ratcheting, duration, and velocity as well as multiple playback modes: forward, reverse, forward/reverse, random. The PRO 3 sequencer supports real-time/step input, rests, and variable-length sequences and syncs to MIDI clock and external audio and CV input. Sequences are also freely assignable to any modulation destination.
Also on board the Sequential PRO 3 is a sophisticated arpeggiator with up, down, up+down, random, assign modes. The arp syncs to MIDI clock and external audio and CV inputs, supports re-latching arpeggiation, and runs concurrent with Sequencer for arpeggiated patterns with parameter automation.
In terms of connectivity, the Sequential PRO 3 has 4 CV inputs and 4 CV outputs which enables interaction with other modular or CV-compatible devices. For example, some parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. In addition the PRO 3 has Gate Out for triggering external CV-compatible devices, and any CV in can be used as a gate input.
Needless to say, the Sequential PRO 3 is a powerhouse of a monosynth and allows for incredibly deep and complex sound design. The sound can be big, bold, powerful and aggressive but also delicate, airy and atmospheric depending how you program it. The 2 analog VCOs + wavetable oscillator also open up new combinations of sound design that, when combined with the 32-slot mod matrix, provides unparalleled flexibility.
Overall it was an incredible experience to try the PRO 3 SE synth when visiting Sequential headquarters. I filmed nearly 2.5 hours of footage and this demo highlights some of the patches on the machine. I came away extremely impressed with the possibilities from this synth, it is certainly one of the most flexible monos of all time and sounds fantastic. Hope you enjoy this PRO 3 demo.
"After 2 years of crazy synth buying, Vincent has the new Secret Records studio down to a mere 26 synthesizers that he claims are better than the rest..... Before you watch, maybe you can make your own list of what you would have kept or make some guesses about what Crazy Vincent kept. Remember..... he's not like other people.
Support the label, the studio, and us at secretrecords.bandcamp.com
Chapters:
00:00 Opening Music
00:14 Introduction
01:32 Overview
03:04 Stack One
04:49 Stack Two
05:48 Stack Three
07:23 Stack Four
08:43 Stack Five
09:23 Stack Six
09:55 Stack Seven
11:12 Stack Eight
13:19 Outro
14:50 Some Music
Sequential Pro 3 INHALT Sound Design Demo Published on Jan 14, 2020 INHALTVIDEO
Update: some audio demos added below.
"Some time ago, I put together a video demonstrating the remarkable ability of the AS-1 synthesizer to mimic the classic Sequential Circuits Pro One. I sent the video to my friends at Sequential and expressed a great desire for a fully fledged, keyboard version of the synth. Flash forward to the tail end of 2019, and I’m sitting in front of the Sequential Pro 3. While the inspiration might have come from some aspects of the AS-1, the Pro 3 is so far and above, it truly deserves the title of FLAGSHIP.
To me, the central point of the Pro 3 isn’t necessarily the feature set, which is VAST, but the raw sound. This synth is a production workhorse that sounds proper. It has a kind of aggression, bigness, and elegance that is typically associated with some of the finest vintage synthesizers; the low end is massive and the top end can cut through but it’s that all important midrange that is the most impressive. That midrange synthesizer bass sound, that many other synths fail at (by over compensating lows and highs) isn’t an issue here and it’s that aspect that allows the Pro 3 to link the vintage to the modern. Simply put, any working producer looking for a flagship mono that can handle the rigor of modern production and can make as many classic vintage sounds as futuristic ones should not sleep on this.
The three filters on offer here all have their unique personalities and allow you to cover a vast array of sounds. The OB6 filter in particular is a favorite and combined with the sheer physicality of the analog vco’s used here, allowed me to get into a kind of Xpander territory. The ladder filter pounds and moves like a vintage synth. And the Prophet 6/AS1 filter is exactly what you expect.
No external sequencing or multitracking was used on this recording. Everything was made 100 percent on the Pro 3. This is a recording of all of the patches I submitted to Sequential for the Pro 3’s factory bank. A big thanks to the whole Sequential family and a massive congratulations from INHALT on this stunning new synth!"
Update: audio demos by Paul Dither:
And the press release: (side note: I believe this is the first solely Sequential branded synth after rebranding from DSI)
"Sequential Debuts Pro 3, Multi-filter Mono Synth Featuring VCOs, Wavetables
San Francisco, CA—January 14, 2020—Sequential today announced the Pro 3, a new flagship mono/paraphonic synthesizer. A hybrid instrument, the Pro 3 features three classic analog filters (Prophet-6, OB-6, and ladder) and three oscillators (two VCOs and one wavetable oscillator) along with a powerful new 16-track sequencer, and the ability to connect with modular synths through its four control voltage ins/outs.
“In many ways the Pro 3 is the evolution of a concept that started with the classic Sequential Circuits Pro-One,” said Sequential founder Dave Smith: “Pack as much power as possible into a compact footprint and make it sound awesome. To do that, we built on the strengths of its modern-day counterpart, the Pro 2, and created a worthy successor to both that sets a new benchmark for raw power and versatility.”
Part of this sonic versatility comes from the Pro 3’s oscillators: Two voltage controlled oscillators provide traditional triangle, saw, and pulse waves with waveshaping, while a third digital wavetable oscillator provides 32 tables of 16 waves each with wave morphing. Three vintage-style filters shape the sound of these oscillators. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. A Drive control provides additional punch to all three filters.
The feature set of the Pro 3 is rounded out with a multimode arpeggiator, three LFOs, four loopable ADSR+delay envelopes, dual digital effects (delays, reverbs, and various time-based effects), tuned feedback, analog distortion, and extensive modulation possibilities. The LFOs, delay, and arpeggiator can be synced to either the internal clock or an external MIDI clock. A programmable position-sensitive touch slider and pitch and mod wheels provide nuanced control over live performance. The synth is also capable of 3-voice paraphonic operation. This makes it possible to play 3-note chords where the three individual oscillators share a common filter and envelopes.
The full-featured sequencer provides 16-track sequences of up to 64 steps, with ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 32-slot, 171-destination modulation matrix.
Another key feature of the Pro 3 is its four scalable rear-panel control voltage inputs and outputs, which allow compatibility with modular synths. Control voltages are routed from within the modulation matrix and run at audio rates for extreme modulation effects. “We wanted to make the Pro 3 as flexible as possible,” said Smith. “The CVs and deep mod matrix make it a mini modular in its own right — without all the patch cables.”
Sequential is also offering the Pro 3 SE, a special edition version of the synthesizer that puts the same synthesis power into a collector-worthy design that features a tilt-up control panel and full, premium-grade walnut trim.
The Pro 3 standard edition will be available at the end of January with a US MAP of $1,599.
The Pro 3 SE will be available in February with a US MAP of $2,099."
"I just bought the Pro 2 and make a first sequence. I want to show how easy this great this synth is to make a simple sequence. I only tweak just oscillator one (shape/noise) and use some reverb and the both sliders on the Pro 2. Hope you enjoy and more complex sequences are coming...
Now I start to clean this Pro 2 from some dust... ;-)"
"WHAT'S NEW IN MDP2?
● Completely-redesigned look: Glow. More beautiful, practical and functional with a new Home screen
● IAP with new control types: Image Panels, Pickers and Meters (free DAW plugin from musicIO)
● Preset Packs: share global presets with users of the same layout
● Browse and upload within MDP2 to interact seamlessly with the Community
● Hundreds of smaller new features, bug fixes and under-the-hood improvements for greater flexibility, stability and speed"
"MDP2 (MIDI Designer Pro 2) is the next generation of MIDI Designer Pro, which took the music-making world by storm when it lauched in 2012. This is the full, professional version for iPad and iPhone/iPod touch.
Dream, create and play your perfect MIDI controller with MIDI Designer Pro 2:
● Reviewed and loved by DJ Tech Tools, Recording Magazine, Sound on Sound and Keyboard Magazine
● Winner of Sonic Touch Gold Award for Best App
● Trusted on stage by veteran touring acts like Todd Rundgren and newer projects like POSTYR and Groove Boston
● A studio cornerstone for music producers like Shadow Child and Oliver for tweaking tons of vintage gear
● Used by musicians, VJs and DJs all around the world
● The platform of choice for community- and professionally-sourced layouts for top-flight gear (e.g., Korg, Roland, Moog, Eventide, Yamaha)
If you can dream it, you can create it in MIDI Designer.
● Control all MIDI-enabled hardware and software: synths, effects, DAWs, plug-ins, DJ, VJ & lighting rigs, other iOS apps, robots, cruise ships, rail guns, particle accelerators
● Near-zero latency connections via Wi-Fi, Bluetooth, Lightning Cable (with musicIO) or any class-compliant MIDI hardw are
● Design your perfect controller using customizable knobs, sliders, XY pads, labels, panels and more
● Use supercontrols and subcontrols for advanced functionality with no scripting, ever
● Choose background color, texture and LED color for up to 8 banks of 6 pages each
● Save, load and share your layouts and pages
● Send/receive all MIDI message types (e.g., sysex, NRPN and 14-bit CC)
● Use MDP2 as a heads-up display for external hardware via the "Pedalboards Feature"
● Explore presets and other features at mididesigner.com/manual: discover a mature, reliable platform for your controller design and performance
MDP2 is easy to use, infinitely flexible and customizable, and battle-tested in performance. It's the most-respected MIDI controller for iOS
"I just bought the Pro 2 and make a first sequence. I want to show you how easy this great this synth is to make a simple sequence. I only tweak oscillator one (shape/noise) and use some reverb and the both sliders on the Pro 2. Hope you enjoy and more complex sequences are coming...
Now I start to clean this Pro 2 from some dust... ;-)"
"It seems there are not so many videos demonstrating the Pro 2's paraphonic mode in practice, so I dialed up a few paraphonic patches which I've programmed for use in my productions for the past few months.
The Pro 2 has unexpectedly become the centerpiece of my studio, and yet it seems to be such an underrated and misunderstood synthesizer. I will surely post more videos of it soon.
All the sounds in this video were recorded straight from the Pro 2 via an RME UFX into Reaper and no further processing or external effects."
"Two new, standalone iPad editions of the award-winning professional MIDI controller platform bring MIDI control to the Reface DX
New York, NY – February 14, 2017 – Confusion Studios announced two new MIDI controller apps for iPad, both of which will be available for download from the Apple App Store on Wednesday, March 1, 2017: MDDX1 and MDDX2.
Both of the new apps are MIDI controllers for the Yamaha Reface DX. Yamaha released the Reface DX – a portable, FM-synthesis-based keyboard – in 2015 to critical acclaim. Each of the new apps is based on a user-created layout for MIDI Designer Pro 2; each has a unique approach to controlling the Reface DX.
The Editor: MDDX1 by Helfried
MDDX1: Voice Editor for Reface DX by Helfried highlights this users-author’s eye for design, a deep attention to detail, and a desire to push the underlying platform – MIDI Designer Pro 2 – to do new things. It allows for control of every parameter on the Reface DX and provides surprising new control vistas. The App extends the reface DX’s interface, providing a much-needed algorithms display, Master Tune, Transpose, Randomize and other new sections.
MDDX1 will run on any iPad with iOS 9.3 or better, and will be available on March 1, 2017 for download for $9.99. The app purchase may be applied towards a bundle purchase including MIDI Designer Pro 2.
Performance Tool: MDDX2 by Ibo Kai
MDDX2: Performance Tool for Reface DX by Ibo Kai is an additional, performance- focused interface for the Reface DX. As the author of the layout puts it, 'This layout is pretty simple, just one page shows all the available functions. It is mainly what you find in the 'FM' keypad of the synth: frequencies, levels and feedback settings separately per operator plus the algorithm select.' In addition, Ibo Kai added an Amp Mode section. This auxiliary controller for the Reface DX is intended for live and studio performance, where a full-blown editor is not practical.
MDDX2 will run on any iPad with iOS 9.3 or better, and will be available on March 1, 2017 for download for $3.99. The app purchase may be applied towards a bundle purchase including MIDI Designer Pro 2.
Two New Standalone, Dedicated Apps
MIDI Designer Author and Confusion Studios CEO Dan Rosenstark notes, 'Both editors show the layout authors – Helfried and Ibo Kai – flexing design muscle and pushing the MIDI Designer platform to work in new ways. Each is a dedicated tool for working with the Reface DX and each provides a surprising and useful new interface for this small keyboard. Additionally, both provide new users with an entry point into the MIDI Designer platform at a low price.'
MDDX1 and MDDX2 join the four existing standalone MIDI Designer apps for dedicated control: MIDI Designer XW: Casio XW Solo Synth Controller, MD77: Voice Editor for Yamaha SY77/TG77 by Ibo Kai, MDClav: Clavinova Controller by Craig Knudsen and MDXG: XG Sound Set Controller by Craig Knudsen."
"This is a tutorial demonstrating how to use the control voltage (CV) inputs on the back of the Dave Smith Instruments Pro 2 synthesizer. These inputs allow you to modulate Pro 2 parameters using external gear. In this case I'm using the Korg SQ-1 which is a small sequencer that can output CV signals. On the Pro 2 you simply pick the corresponding CV input in the modulation matrix as the source. You have 4 CV inputs available on the back and they use 1/8" jacks so it's nicely compatible with eurorack modulars for example."
"The Pro-2's converter has two completely independent sections, A and B - these can control two separate synths on independent MIDI channels. Apart from basic Gate and CV (pitch) outputs, each section has two additional CV 'Aux' outputs; a common use is one for Filter Cutoff and one for Amplitude, although if your analogue synth is flexible enough they can control anything. Each section also has S-Trig outputs for you Moog owners :-)
