Vangelis ~ Prelude ~ electro-acoustic cover

video upload by Piano in a Living Room

"Vangelis' Prelude, from the "Voices" album released in 1995.

Composed by Vangelis
Performed by Olivier Lebra / October 2022 x April 2024

Instruments:
Klavins Una Corda acoustic piano + Lewitt 040 mics + Extinct Audio BM9 mic
Dexibell S9 sampled electric piano + Strymon NightSky reverberator
Waldorf Blofeld synth + Elektron Analog Heat saturator
Behringer Solina String-Ensemble synth + Strymon Volante echo machine
KORG ARP 2600 M synth"

Well Refined Cyberpunk Blade Runner Sci fi Music (Korg Minilogue XD Ambient)

video upload by PARKER

"As the many ideas for my 100th video swept around my head, in the end it just made sense for me to return to my synth roots in order to celebrate just how far I've come as a synthesist, composer, and improviser of music.

This, the Blade Runner style saw waves sound is where it all began for me. Both as a synth player and as a YouTuber. Way back when I first started filming with my XD you can see my cover of the Blade Runner 'Main Theme' by Vangelis. This video is an improvisation using a Blade Runner style patch that I made fresh and you can hear just how much thicker, refined, and better created it is through my few years of experience. Clearly my knowledge in this time has only gotten bigger and what better way to celebrate this than by showing how far I've come since the original video."

Blade Runner Main Theme - Korg Minilogue XD Cover

video upload by PARKER

"All sounds Korg Minilogue XD..."

CHARIOTS OF FIRE Arranger Keyboard Cover // GENOS 2

video upload by Woody Piano Shack

"Using a modified style I found on one of the free downloadable Yamaha expansion packs.
YAMAHA GENOS 2
PIANO KEYBOARD COVER
CHARIOTS OF FIRE - VANGELIS"

Yamaha Montage Uber Analog Pads MODX+ Sample Packs

video uploads by Rik Marston Official

Follow-up to this previous post featuring the Arturia Polybrute.

This set of videos includes the following:

Sequential Prophet-6 Dream Pad Yamaha Montage Uber Analog Pads MODX+ Sample Pack
Sequential Oberheim OB-6 Dark Strings Yamaha Montage Uber Analog Pads MODX+ Sample Pack
Oberheim Matrix 6 Tyrell Strings Yamaha Montage Uber Analog Pads MODX+ Sample Pack
Roland Jupiter-8 Howard Jones Strings Yamaha Montage Uber Analog Pads MODX+ Sample Pack
Roland Juno-106 Apollo Pad Yamaha Montage Uber Analog Pads MODX+ Sample Pack
Roland Alpha Juno-1 Vangelis X Pad Yamaha Montage Uber Analog Pads MODX+ Sample Pack

You can find Rik Marston Official's Etsy store: AhnyxianSoundDesign here: https://www.etsy.com/shop/AhnyxianSou...

Vangelis Hymn Cover on Yamaha CP70 and CS80

video upload by Jose's Vintage Keys

"Simple and beautiful tune by the late Vangelis. Not a real copy of the orginal but my interpretation - using most of my gear :-)"

Prophet VS Synth: Sound Selection Showcase

video upload by Andy Whitmore

"Analog Synthesizers Rewind: Top 10 Classics!
S1:Ep1 - The first in a series of 11 videos!

Sequential Circuits Prophet VS – All the Best Sounds

Here's a very cool keyboard from Sequential. Notice the joystick for controlling your sound modeling. The Prophet VS uses Vector Synthesis as its revolutionary new means of sound creation. It uses a total of four oscillators per voice with 127 waveforms (32 user) and dynamic waveform crossfading via the joystick. This was Sequential's first digital synth, and it was also their final synth unfortunately. But after Sequential was gone, Vector Synthesis technology went into the popular Korg Wavestation and Yamaha's SY-22 and TG-33.

The Prophet VS is still a very sought after instrument because it has an incredible range of sounds! Its only problem is that there's practically nobody left that can fix it if something went wrong. It is used by Brian Eno, Trent Reznor, Apollo 440, Depeche Mode, Vince Clarke, Kraftwerk, Vangelis, Erasure and filmmaker/composer John Carpenter."

ELKA RHAPSODY 610 String Machine 1974 | HD DEMO

video upload by AnalogAudio1

"(c) 2024 by AnalogAudio1

Demo of the string machine ELKA RHAPSODY from 1974. I played it dry. It can produce warm analog strings in combined with celeste-type sounds. Fully polyphonic, it has splitable keyboard. Heavily used by Tangerine Dream in the 1970s. But also played by Klaus Schulze (Timewind), Jean-Michel Jarre (Equinoxe), Vangelis and others."

Secrets Vol 3 - Patches 25 to 48 - Arturia Polybrute

video upload by GEOSynths

GEOSynths Arturia Polybrute posts

"Out Soon...

GEOSynths is back with another Soundset for the fantastic Arturia Polybrute. Vol 3 explores Tone and Texture in more detail with Emotive Pads, Textured Strings, Cutting Bass & Leads, Arp's, Poly's and so much more.

There are 96 Patches in the Bank with 25 to 48 being demonstrated in this Video (2 of 4) All Patches have an A+B State, some of which are slight variations, while others are very different. Controllers are assigned where appropriate.

CLICK FOR MORE »

Yamaha CS-80 Polyphonic Synthesizer (Japan/1977) + MIDI

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"This instrument of wonder has had MIDI fitted, and is complete with original swell and sustain pedals, and locking chrome stand. Condition is excellent, considering its age. It was converted to 220V, when serviced by Kent Spong (top UK go-to tech/London). Tuning is stable, after the analogue components are allowed to warm up. Serial number is 0019 (only 800 ever made..). Weight of this instrument is around 100Kg. Serious weight,serious instrument. Used by Vangelis and countless others......do the research.

If you are reading this, then you must be "au fait" with the CS-80 model. This one was sourced from a Japanese collector, imported to central England, professionally serviced, then sporadically used in a pro studio. It has NOT been thrashed/abused..."

CLICK FOR MORE »

Discovering the Roland SH1000: Pros, Cons & Famous Users - Dry

video upload by Andy Whitmore

"In this video, we are going to get into the fascinating world of the legendary Roland SH1000 synthesizer. Join us as we explore its extraordinary features, uncover the pros and cons, and even discover some famous users who have embraced this iconic instrument.
Throughout our exploration, we will also shed light on the concept of the SH1000’s 2 Low Frequency Oscillators (LFOs) and how they contribute to the unique sound of the SH1000.
Whether you're a seasoned musician or simply intrigued by the world of synthesizers, this video is sure to provide valuable insights and knowledge.
So, if you're ready to learn more about the history, functionality, and impact of the Roland SH1000, hit that play button and prepare to be amazed! Don't forget to like and share this video with your fellow music enthusiasts. Let's celebrate the brilliance of this timeless synthesizer together.

The SH-1000, introduced in 1973, was the first instrument produced by Roland, and probably one of the first compact affordable keyboard synthesizers in all of Japan. It was designed to complement a home organ. Above its keyboard is a wooden sheet music stand. Organ-style coloured preset selector tabs are located below the keyboard. All the extra parameter controls are located to the left of the keyboard.
The SH-1000 is a monophonic analog synth with a single oscillator feeding a lowpass filter, an ADSR envelope, and two LFOs. It features 10 Preset sounds, but they are pretty weak. Fortunately you can create your own sounds for some really great mono-synth bass, lead, percussion and FX sounds. Basic square, ramp and pulse-width waveforms are available from the oscillator and the LFOs have sine, square and sample+hold. It has a terrific ‘Growl’ and ‘Wow’ effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a Random Note Generator. Although there is no user memory, unique sounds can still be quickly recreated or discovered thanks to its simple interface.
It’s a dinosaur! But it’s also a classic piece of Roland history. It has been used by Vangelis, Human League, Blondie, The Band, and Jethro Tull. A little later in 1973 the SH2000 was released with more Preset sounds (up to 30) but far less flexibility, controls and features. This may have been because the SH-1000 was a little confusing to its target demographic at the time. But today’s synthesists will love the unique sound and nostalgia of Japan’s first compact synthesizer!

The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.

Timings

0:00 - Introduction & History
1:06 – Wind, Noise, Modulation, Tremolo
4:35 – Presets
5:27 – Live Panel, Bass Modulation & Tremolo
6:51 – Bass with Glide
7:24 – Imagination “Just an Illusion” Bass
8:40 – Filter Resonance Modulation"

Discovering the Roland SH1000: Pros, Cons & Famous Users

video upload by Andy Whitmore

0:00 - Introduction & History
1:06 – Wind, Noise, Modulation, Tremolo
4:35 – Presets
5:27 – Live Panel, Bass Modulation & Tremolo
6:51 – Bass with Glide
7:24 – Imagination “Just an Illusion” Bass
8:40 – Filter Resonance Modulation

"In this video, we are going to get into the fascinating world of the legendary Roland SH1000 synthesizer. Join us as we explore its extraordinary features, uncover the pros and cons, and even discover some famous users who have embraced this iconic instrument.

Throughout our exploration, we will also shed light on the concept of the SH1000’s 2 Low Frequency Oscillators (LFOs) and how they contribute to the unique sound of the SH1000.

Whether you're a seasoned musician or simply intrigued by the world of synthesizers, this video is sure to provide valuable insights and knowledge.

So, if you're ready to learn more about the history, functionality, and impact of the Roland SH1000, hit that play button and prepare to be amazed! Don't forget to like and share this video with your fellow music enthusiasts. Let's celebrate the brilliance of this timeless synthesizer together.

The SH-1000, introduced in 1973, was the first instrument produced by Roland, and probably one of the first compact affordable keyboard synthesizers in all of Japan. It was designed to complement a home organ. Above its keyboard is a wooden sheet music stand. Organ-style coloured preset selector tabs are located below the keyboard. All the extra parameter controls are located to the left of the keyboard.

The SH-1000 is a monophonic analog synth with a single oscillator feeding a lowpass filter, an ADSR envelope, and two LFOs. It features 10 Preset sounds, but they are pretty weak. Fortunately you can create your own sounds for some really great mono-synth bass, lead, percussion and FX sounds. Basic square, ramp and pulse-width waveforms are available from the oscillator and the LFOs have sine, square and sample+hold. It has a terrific ‘Growl’ and ‘Wow’ effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a Random Note Generator. Although there is no user memory, unique sounds can still be quickly recreated or discovered thanks to its simple interface.

It’s a dinosaur! But it’s also a classic piece of Roland history. It has been used by Vangelis, Human League, Blondie, The Band, and Jethro Tull. A little later in 1973 the SH2000 was released with more Preset sounds (up to 30) but far less flexibility, controls and features. This may have been because the SH-1000 was a little confusing to its target demographic at the time. But today’s synthesists will love the unique sound and nostalgia of Japan’s first compact synthesizer!

Download Link:-
https://www.dropbox.com/scl/fi/i2a5fe..."

#jamuary2024 14 HWJ "Remix" (FOCUS ISSUE) of Noisevember 22 w/ GForce Axxess & Tenori on

video upload by SynthAddict

"Sorry I had a camera fixed focus issue and it's a bit fuzzy - no time to re-make the jam...

Unsure of what to remix, I grabbed some looper stems from my "all Osmose" Noisevember 22 video to mix live on Maschine+ and also added some other live bits:

- GForce Axxess synth
- Tenori-on factory drum kit in layer 16 live mode

It ran a bit long as I got carried away, but it generally repeats around 6:20...
The Axxess patch gives it a Vangelis vibe 🙂"

I HEAR YOU NOW VANGELIS - INSTRUMENTAL COVER with CS80

video upload by Jose's Vintage Keys

"My first encounter with Vangelis's music was in 1979, when this song became a major radio hit. Adapting it for performance wasn't easy, especially because it lacked lyrics, so I had to figure out how to convey the melody without it sounding overly sentimental. To achieve this, I shortened the piece slightly. While my rendition turned out quite well, it admittedly doesn't match the brilliance of the original. Nonetheless, studying the song and its arrangement was an enlightening experience, further highlighting Vangelis's extraordinary talent. And obviously it was helpful to have a #CS80, Jupiter 8, Rhodes and Mini Moog to create the Vangelis sound.

I have made a video in which I show how to create Vangelis' most famous sounds on the CS80 - it also includes the CS part of this song. [posted here]

A little more about the song: I Hear You Now" is a track from the album "Short Stories," which was released in 1979. This album marked the collaboration between Vangelis and Jon Anderson, the lead vocalist of the progressive rock band Yes. Their duo was known as Jon and Vangelis.

The album 'Short Stories' was the first collaborative effort between these two artists, blending Vangelis's expertise in electronic music with Anderson's distinctive vocal style. 'I Hear You Now,' as a part of this album, showcases this unique blend.

The song itself is notable for its ethereal, atmospheric quality, typical of Vangelis's work, combined with the poetic and often introspective lyrics provided by Anderson. The melody is characterized by its soothing, yet evocative synthesizer lines, underscored by a gentle, rhythmic beat. Anderson's vocals add a dreamy, almost otherworldly dimension to the track.

'I Hear You Now' received a positive reception and is often cited as a highlight of the album. The collaboration between Vangelis and Anderson was well-received, leading them to work together on several more albums throughout the 1980s. Their work is often praised for its innovative fusion of electronic music with progressive rock elements."

Vangelis Blade Runner End Titles #Synthwave edition #cs80 #jupiter8 #minimoog #rhodes #vangelis

video upload by Jose's Vintage Keys

"I didn't seem to make sense to make a exact copy of this great song - so I decided to give it a Synthwave feel and have a go at it with almost all synths I own. And inspired by a request by @educouchez6709 I have added some Rhodes solo's"

"Dragonflight" (Dungeon Theme, tribute to Jochen Hippel)

video upload by No Lake

"You've probably never heard of this guy and you've probably never heard the original music either but Mad Max, as we used to call him back then, played a major role in my musical roots, maybe the most impactfull musician before I turned 18 and before I was 100% into my masters Vangelis, JMJ, Klaus Schulze and Harrold Budd. This is just a humble 'Christmas improvised revisited jam-cover blah blah blah' of one of his track. Headphones recommended."

Novation Summit.

Stacked & distorted patch on the Rev 2 // Sequential Prophet Rev 2 + Valhalla Shimmer

video upload by Lost Clouds (Tom Green Music)

"I say it all the time but maaannnn I love this synth. This one is built up as two layers with a bunch of mod wheel changes.

Layer A: Only Osc 1 is used - pulse wave, slightly reduced pulse width, muted by cutoff and with a little bit of resonance, decent amount of oscillator slop. Frequency modulation from LFO 1, cutoff modulation from LFO 2. The mod wheel on this layer opens up the filter, reduces the frequency mod, reduces resonance and reduces oscillator slop for an overall cleaner sound to contrast the (eventually) heavily distorted Layer B. There's aftertouch modulation on the LFO2 amount and cutoff though that is used sparingly in this video! The on-board effects slot is running BBD delay.

Layer B: Only Osc 1 again - initially heavily muted by filter cutoff. The mod wheel again opens up the filter, but cranks up the gain on the distortion on the on-board effect slot. It also slightly reduces the VCA Env Amount to stop it from overpowering layer A!

Overall, you get this lovely, soft sound to start - but it transforms into a rich, thick, glorious distorted patch with just the mod wheel!

There are no external effects up to 02:00. Beyond this, Valhalla is used to show the patch in different ways, all the way up to 100% reverb where you get a cool M83/Vangelis-esque pad.

Patch packs: https://lostclouds.gumroad.com/
Website: https://tomgreen-music.com/"

Cherry Audio Releases Pro Soloist Synthesizer

video upload by Cherry Audio

The British Stereo Collective - "Ghosts in the Machine," featuring Cherry Audio's Pro Soloist

video upload by Cherry Audio

""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.

Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."

Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."

Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic

video upload by CatSynth TV

"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.

This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.

To find out more, please visit cherryaudio.com

"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?'
virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."

00:00 Introduction
00:25 History of the Arp Pro Soloist
01:23 Overview of the Cherry Audio Pro Soloist
02:21 Original front-panel presets
08:35 Global controls
09:35 Touch Sensor Effects
16:00 Edit Mode
16:59 VCO
18:59 VCF
21:53 Resonator bank
23:53 Modulating the resonator bank with the mod matrix
26:45 Effects panel
34:46 Multi-layer mode
38:08 Factory Presets
42:18 Vintage Vibe expansion bank
43:44 Conclusion"

Press release follows.

"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.

PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.

Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.

Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.

Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.

In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.

Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.

A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.

Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."

Vangelis: La petite fille de la mer (cover)

video upload by Piano in a Living Room

"Acoustic piano: Klavins Una Corda
Master keyboard/sampled electric piano: Dexibell VIVO S9 + Strymon Volante echo machine & Nightsky reverberator
Analog strings: Behringer Solina String-Ensemble
Digital strings: Waldorf Blofeld + Elektron Analog Heat"

Waldorf Iridium Keyboard [Part. 3] | No Talking |

video upload by DKS SYNTH LAB

Timeline
0:00 Intro
0:10 MD Mutnau Q
1:27 Synthwaves Poly 01
2:02 Super Pluck
2:52 JH Night Phase
3:36 PPG Runner
4:09 D-Tune Mono
5:01 Polaris
6:15 Juno 90 DK
7:55 QX-8P Pad DK
8:42 Vangelis Split

You can find parts 1 & 2 in previous posts here.

Ghost by Jay Wires

New release from supporting member Jay Wires available on multiple platforms via distrokid.

"New York City based synthesist-songwriter Jay Wires dials up catchy electropop infused with human emotion - synthpop art with a human heart. 


Victims of ghosting are often left confused and wondering what went wrong. “Ghost,” by Jay Wires, conveys succinctly that hollow ache in an uncomplicated and beautifully poignant way, with a lush immersive sound that embodies that emptiness which consumes you to your very core. 


With cleanly layered analog synths evoking desolate war-torn landscapes with background shades of Vangelis-meets-Depeche Mode, this despondent lament intensifies with its elements building into an eerie, enveloping wall of sound, expressing an overwhelming distress as the song’s subject flits away, on to their next victim. 


From the initial gasp of breath to the grand finale, this compelling track draws us into a delicious melancholia, perfect for the Halloween season."