TubeOhm DIY JEANNIE Synthesizer

video by Andre' Laska

"First ( and fast) preview of our new DIY synthesizer Jeannie. It is 8 voices polyphonic and has an internal effect chip with reverb / echo / delay etc.

Jeannie is based on the Teensy 4.1 and the FV-1 chip.

Specs :
-8 Voices
-2 Oscillators /Voice
Wavetable with 180 waves / each oscillator
2 LFO
2 ADSR
1 multimode filter
UNISONO with 16 Oscillators
XOR / ring mod
14 effects
Fully programmable
Up to 1000 sounds can be stored.

Coming soon as a DIY kit."

E-mu Ultra Proteus Model 9060 Rackmount Synthesizer SN 109402 350

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"An updated EMU Morpheus version with different wavetable and filter table.

A one of kind module able to create and morph motion textures with evolving pads.

RACKMOUNT 1 rack height unit.
The main panel features a 16 x 2 lines display, 8 buttons and a data encoder.

Back panel terminal connectors:
- Midi interface
- main out
- 2 assignable AUX

Front panel terminal connectors:
- headphones out
- data card slot.

VOICE a 16 bits core Motorola MC68020 manages up to 32 voices polyphony.
A basic sound patch is a combination of 2 samples "primary" + "secondary" - each with individual parameters:
- oscillators crossfade osc1-> osc2 / osc2 -> osc2
- stereo panning position
- keyrange
- pitch tune
- monophonic with portamento
- reverse sample play
- loop mode.

WAVETABLE the internal 16 MB ROM contains 484 PCM waves at 39 kHz / 16 bits resolution, most of these are from previous Emu Proteus machines.
The wavetable contains various kind of PCM including: drums, choir, strings, organ, moog bass, guitar, harmonics, piano, basic waveforms and ethno percussions.

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Nord Micro Modular - Digital Spaghetti from the 90s [No Talking Demo]

video by Marshal Arnold

"Nord Micro Modular - Digital Spaghetti from the 90s [No Talking Demo]

Tonight I demo some patches from the Clavia Nord Micro Modular. Released in 1999, this really was an innovative synthesizer. It's limited to 4 voices, so you will see/hear some voice stealing taking place especially with patches with long release times.

I did use some reverb and delay in Ableton to make things sound a bit more enjoyable.

This synth I've owned for a few years but haven't really had a chance to dig into it. Well, tonight I start! I did do some playing around with it on a live stream some years ago, but nothing really useful to folks so I wanted to give it a proper audio demo video.

Most patches are factory patches, but I did have a go with some patching, I used a preset as a starting point, but created something totally new. This really makes me want to try to pick up the actual Nord Modular or the G2. Let me know what you think of the Nord Micro Modular!

00:00​ - Intro
00:14​ - E-Lead Marshal (Custom Patch)
01:13​ - 4you
02:35​ - Fiver
03:13​ - didgeridoo2
03:59​ - Random Bubbles
05:00​ - Shaky VCF
06:40​ - Classic S&H
07:35​ - Compu Filter Pad
08:58​ - Machiner
10:36​ - Ramp Echo
11:20​ - Patternoia
12:51​ - RampantLFO2
14:04​ - E-Lead Marshal (Custom Patch)"

RARE BREAKAWAY VOCALIZER 1000 (ENSONIQ ESQ-1 voice chip) VOCAL SYNTHESIZER SN 004970

via this auction

"The Breakaway 1000 is a voice controlled music synthesizer. You hum, sing or speak into a microphone and it comes out as any synth sound you choose. It has 28 voices to choose from.

The best thing is that it is also an Analog-to-MIDI converter. You can plug a 1/4" jack into it (guitar, say) and use the MIDI OUT jack to trigger any other MIDI instrument from your guitar, voice, keyboard, or what-have-you!

The Breakaway also has 5-track digital recording capabilities with a memory of over 1000 notes, along with built-in drum machine and bass accompaniment.

It's notoriety has climbed in recent years as emerging electronic musicians clamored for a means to generate MIDI sounds using only their voice. It was discovered these Breakaway "toys" were actually quite capable instruments - able to track and playback to the nearest 32nd of a semitone. The on-board tone generator was co-developed by Ensoniq, a leader in music technology back then. The unit could also track the pitch of just about any sound-producing object and generate corresponding MIDI triggers. Even today, it is sought after by harmonica players as one of the best MIDI input devices available.

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Alias Zone: The Dream Catcher (by Chris Meyer of Learning Modular)

Learning Modular

"Created for the December 2020 edition of Resident Electronic Music

Composed & performed by Chris Meyer of Learning Modular (aka Alias Zone):
• Tardis and Monster modular synths
• Waldorf Iridium, Korg Z1 & Wavestation AD polysynths
• rain gourd, woven basket shaker, goat toenail rattle (processed through modular)
• voice by Navajo (Diné) elder Harry James from the Q Up Arts sampling collection Voices of Native America

Index of sounds and when they first appear:
00:02 rain gourd processed through Mutable Instruments Rings, plus modular reverb and echo)
00:14 woven basket shaker + goat toenail rattle processed though modular reverb and echo, sampled, looped, and played through a 1010music Blackbox.
00:30 Korg Z1, using its complex arpeggiator as well
00:59 twin bass voices: Synthesis Technology E352 VCO through Xaoc Devices Belgrad VCF, and Livewire AFG + SSF/WMD Spectrum through Rossum Evolution VCF, sequenced by a Five12 Vector
01:30 Navajo elder phrases, re-timed and played back from a 1010music Bitbox, processed with a Mutable Instruments Clouds
02:59 Waldorf Iridium
04:50 4ms Spherical Waveform Navigator through WMD Overseer stereo filter
05:59 Korg Wavestation AD layered with the Z1 (both played by the Z1’s arpeggiator)
08:50 another “slow motion solo” on the Iridium

Details of how the individual sounds were created are being covered on the Learning Modular Patreon channel: https://www.patreon.com/LearningModular"

Simmons SDS9 6-channel Drum Synthesizer Made in the United Kingdom

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is the drum brain, SDS-9.

The SDS9 is a 5-drum kit, comprising bass, snare and 3 tom-toms, triggering up to 40 complete “drum kits” (20 factory and 20 programmable presets).

Hitting a specific pad triggers the corresponding channel on the ‘electronics’. A microprocessor controls the dynamic (or volume) of each individual ‘hit’ giving a sensitivity to playing previously unheard of in electronic drums: a ‘real’ drum feel, in fact!

The Simmons SDS9 gives you the sounds, feel and control of acoustic drums plus all the sounds and advantages of electronic drums.

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Making an ambient song with a Roland D-550, Arp 2600, and a Kawai K3

Voices of Echo

"In this video I make an ambient song with a Roland D-550, Arp 2600, and a Kawai K3 through a Boss RE-20 and an Eventide Space. I recorded my synths through my Apogee Ensemble and mixed it down with Waves Abbey Road ADT and Abbey Road Chamber. It was mastered with Ozone."

Jamming with a Boss DR-55, Korg MS-10, Moog Voyager, Kawai K3, and Rhodes Mark I

Voices of Echo

"Started jamming with my Boss DR-55 and recorded what happened after with my Korg MS-10, Moog Voyager, Kawai K3, and Rhodes Mark I. I thought I'd chunk it out a bit to show you how I record. I walked through each of the initial parts, laying out the track, and then recording a bit of extra jeuge. Towards the end of the video you can hear the finished result."

Unboxing a Korg Arp 2600 FS (Full Size)

Unboxing my Korg Arp 2600 FS (Full Size), Part One: Unboxing

Voices of Echo

"In this video I'll unbox my new Korg Arp 2600 FS (Full Size) with you in real time. It took a really long time to ship, around 5 months from when I purchased it, but it finally got here! I've split the video into two parts: In part one I get the Korg Arp 2600 FS out of the box and walk you through my initial thoughts. In part two, I've recorded a high quality demo so that you can hear how it sound."

Unboxing my Korg Arp 2600 FS (Full Size), Part Two: Sound Demo


"In this video I'll unbox my new Korg Arp 2600 FS (Full Size) with you in real time. It took a really long time to ship, around 5 months from when I purchased it, but it finally got here! I've split the video into two parts: In part one I get the Korg Arp 2600 FS out of the box and walk you through my initial thoughts. In part two, I've recorded a high quality demo so that you can hear how it sound."

A little jam with my Arp 2600, TT 606, Juno 106, and an MS-1


"Here's a quickly recorded jam with my Arp 2600, TT 606, Juno 106, and and MS-1. Everything runs through my patch bays that you see on my desk. I used an Eventide Eclipse for delays and a cheapo TC Electronic box for its Living Room reverb, which I love. Feel free to ask any questions!"

YAMAHA VSS-200 Sampling Keyboard (1988) Stay The Fuck At Home - Corona Beat

Published on Apr 14, 2020 RetroSound

"(c)2007-20 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

all sounds: YAMAHA VSS-200 Sampling Keyboard (1988)
For the sounds I have sampled my old YAMAHA DX7 II FM Synthesizer
(check my VS-200 How to video on this channel)
recording: multi-track played by hand
fx: reverb, delay, noise and hum reduction and more

VSS-200 spec:
Polyphony: 4 voices;
Sampler: 8-bit, 1,9 seconds; built in microphone; 100 FM tones; ADSR; 9 DSP effects: loop, u-turn, reverse, FM, AM, fuzz, echo, level and pitch;
Keyboard: 49 mini-keys; Sequencer;
Memory: loses sample memory when turned off
We life in a strange time. In deeply respect. Stay at home.

RetroSound synthesizer demo videos since january 2007.
All is for free. If you like my work, so can you support me with a donation or a purchase of my music albums. Thank you!

Donations: https://www.paypal.com/cgi-bin/webscr..."

Octave Kitten Roar

Note: Auction links are affiliate links for which the site may be compensated.
Published on Nov 30, 2013 Nels Truesdell

"Playing with the kitten's wicked filter. listen to it roar :)
Echo is coming from a 1964 ep-2 echoplex"

Rusty sounds for a rusty synth. Cool cat.

via this auction

"Octave Kitten monophonic analog synthesizer in fair condition with some rust on the front panel. This unit is mostly working except for a few minor functional issues, please read full description. Comes with hand drawn schematic for repairing!!

I originally got this from a friend who said it had lived in a basement for ~30 years. I cleaned all the keyboard contacts of any rust and got the synth fully working for awhile. Then it crapped the bed and I had to bring it back to life for a second time. Since then it has acted a bit estranged and I haven't had much time to work on it. Im mainly trying to sell this since I moved into modular gear, but I used this unit for bass lines in many of my songs. Overall it has a vast sound selection for anyone looking for a vintage synth. Even with its altered function I find that I am still able to get a lot of amazing sounds from this device.

Several knobs have lost their intended travel however still retain their function and can act strange depending on their setting. I will list any issues that I have noticed thus far for anyone interested in obtaining this synth to refurbish. I will also try to fix the easy issues and take them off the list as I complete them.

CV modulation depth for the LFO and S + H has issue where the modulation is modest for most of the knobs travel and then increases depth around the last 70% of the turn.

If the sustain slider is below 3/4 of its travel, the envelope will re-trigger/loop in Attack - Decay mode for the duration of the gate signal. The lower sustain is the faster AD loops. This is a function that I believe is intentional as you can loop the ADSR with or without holding a key down however the speed aspect seems to be something that is wrong. That and the sustain travel is abnormal.

VCO modulates a VERY small amount by the envelope, just under a semitone, if the LFO is set slow or fast this is less noticeable.

All voice sliders will distort the mixing amp stage before the filter if turned up all the way. If voices are turned down a bit this does not happen.

Several keys will alter pitch after releasing, mainly due to how slow you release since the keybed is comprised of pairs of metal tines making contact with a metal bus bar for gate and CV. If the one of the tines is released before the other this is why this happens.

Some of the jacks are a bit rusty but still function 100%. I've had some moments where depending on the contact with the cable used, it may need to just be plugged in and out a few times to remove the outer layer of oxidation on the metal. Some de-oxit spray would also fix this.
Noise slider cap is missing.

Other than that the unit is still kicking and looking for a good home! I made a hand drawn schematic awhile back as well and can provide a copy when purchased to help with fixing the unit."

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Instruo Module Overviews & More

Published on Mar 17, 2020 Instruō

Playlist at the time of this post:

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Terry Riley - In C - Modular synthesizer performance using a DIY module

Published on Feb 8, 2020 joeSeggiola

"Made in February 2020 with Eurorack modular synthesizer and Minibrute 2.

The system implements five separate synth voices (shortly described further down), plus the eighth note pulse. CV/gate for every voice is provided by a custom-made module powered by Arduino (link below), which is controlled using manual buttons to advance through the 53 melodic patterns of "In C".

https://github.com/joeSeggiola/arduin...

Bass (1) is from Minibrute 2 double VCO, with both on-board VCF and VCA controlled by the on-board ADSR. Mild resonance and Brute Factor are used to shape the tone.

Mid-bass (2) is from MFB OSC-02 third VCO. It is filtered by WMD/SSF Pole Zero with an ADSR envelope from Stages, which is also used to open a VCA in Veils.

Mid (3) is from MFB OSC-02 second VCO. It is filtered by Bastl Cinnamon in band-pass mode, with slight distortion (drive plus character). The AD envelope from Pico MOD modulates the VCF and open the VCA in Veils.

Mid-high (4) is from MFB OSC-02 first VCO. Maths CH1 is used to open the first LPG in LxD, sometimes configured like a normal AD envelope, other times like a ramp LFO. The output signal is sent through Pico DSP for a tempo-synced echo effect.

High (5) is a looping stage from Stages used as a VCO. It is not filtered. The VCA in Veils is controlled by the spare AD envelope on the Minibrute 2. Notes as occasionally randomly skipped filtering gates with a Branches clone module. The output signal is sent through Pico DSP for a tempo-synced echo effect.

The eighth note pulse is ModBox Skew LFO used as a VCO, passing through the resonant LPG in LxD opened with Maths CH4 (which is also used as a master clock signal). The S&H from ModBox is scaled in Stages and used to randomly change the pulse volume in Veils.

The audio mix is sent through a couple pedals for reverb and optical compressor. A stereo-widener VST is used to process the mono signal.

Download: https://s3-eu-west-1.amazonaws.com/jo..."

Qasar Beach Fairlight CMI Clone

via Qasar Beach

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Korg SV-2: The evolution of a modern classic

Published on Jan 7, 2020 Korg

Korg SV-2 Stage Piano 1st Look

Published on Jan 7, 2020 sonicstate

"Never before has a single instrument captured the signature sound, the unique performance experience, and the aesthetic satisfaction of so many definitive keyboards as the KORG SV-2 Stage Vintage.

Ten years ago, KORG launched the Stage Vintage line to wild acclaim. The combination of an intuitive live panel, the premier keybed, the ultimate realization of coveted vintage sounds, the clarity of world-class pianos, the warmth and character of period-proper effects, and the distinctively smooth shape has inspired musicians from around the globe for over a decade. Available with either 88 keys or 73 keys, these SV-2 models are the latest additions to the Stage Vintage series, featuring more of everything that makes an SV great. More Sounds. More Memory. More Polyphony. More Presets. More Control. It is quite literally everything one could want in a performance stage piano … and more. Plus, be sure to check out the SV-2S models, equipped with an internal K-ARRAY speaker system.

More. More. More.

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New Korg Wavestate Wave Sequencing Synthesizer Revealed

Published on Jan 6, 2020 Korg

Update: Details are in... Playlist with the first user videos added below.

"Legendary synthesis, radically re-imagined. Organic, inspirational, and mind-blowingly powerful.

KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup."

Korg Wavestate User Videos

New Korg Wavestate Vector & Wave Sequencing Synthesizer - Perfect Circuit
Korg Wavestate - All Playing, No Talking! - Kraft Music
Korg Wavestate - Overview with Nick Kwas - Kraft Music
Korg Wavestate - New Keyboard! - sonicstate
KORG WAVESTATE FIRST IMPRESSIONS - BoBeats
Korg WAVESTATE // Review and full tutorial // Wave sequencing and Vector synthesis explained - loopop
Korg Wavestate Wave Sequencing Synthesizer | Reverb Demo
First Look: Korg Wavestate Synthesiser with Wave Sequencing 2.0 - Noisegate
First jam with the Korg Wavestate - Honeysmack
Korg Wavestate - Sound Design Tutorial 1 - True Cuckoo



Highlights:

"With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns–but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities."

"KORG R&D created the original Wavestation, co-created the OASYS and Kronos, and has developed fundamental technologies behind many other KORG instruments. The wavestate reflects their unique aesthetic, delivering stunning sound and deep flexibility via cutting-edge technologies.

Three of the key sound designers from the original Wavestation, John Bowen [of John Bowen Synth Design & the Solaris], John “Skippy” Lehmkuhl (Plugin Guru), and Peter “Ski” Schwartz, joined Belgian artist Airwave and the renowned KORG voicing team to create the incredible wavestate sound library."

"Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics–filter, envelopes, LFOs, effects–are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you’ll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more."

"Randomization that inspires.

Looking for even more inspiration? A dedicated front-panel button, marked by a “dice” icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.
An arsenal of effects.

The wavestate’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals."

"Choose your filter.

Add vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously.
Ample samples. 64 stereo voices.

Totaling in the gigabytes, the wavestate’s sample library is more than a thousand times larger than that of the original Wavestation. That’s a lot of great-sounding raw material for Wave Sequences. There’s a bank of samples from Plugin Guru, brand-new samples from KORG, and a selection from the Kronos and Krome libraries. Of course, KORG also provides all of the Wavestation’s samples (including all options), plus a huge library of Wavestation Wave Sequences. Play up to 64 stereo voices with pristine clarity, using KORG’s proprietary anti-aliasing sample playback technology."

"Multiply by four.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance–each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters."

"Set Lists and Smooth Sound Transitions.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
Plays well with others.

Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The wavestate supports class-compliant USB MIDI connections to Windows and Mac computers, and the wavestate librarian program is available as free download from KORG."

via https://www.korg.com/us/products/synthesizers/wavestate/

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Recovery Effects Jupiter Spirits and Dirty Murals Eurorack Demo

Published on Aug 9, 2019 recoverysounds

"Demo of the Jupiter Spirits oscillator and Dirty Murals echo and reverb modules from Recovery Effects and Devices. All sound sources and echo / delay produced with the Jupiter Spirits and Dirty Murals."

Recovery Effects and Devices "Jupiter Spirits" Eurorack Oscillator Demo

Published on Apr 12, 2019 recoverysounds

"Demo of the 'Jupiter Spirits' 4 voice Eurorack oscillator from Recovery Effects and Devices."

"Jupiter Spirits orbits around the engine of many legendary synths of the 1970s, the classic CEM3340 chip. It is inspired by our love of the oscillator sections of the Moog designed Crumar Spirit, Roland Jupiter, and SH-101.

Four independent voices produce triangle and sawtooth waveforms creating 8 total outputs, generating thick, rich, analog voices. Jupiter Spirits is the ideal tool for those looking for multiple sound sources in a small package.

Hand-wired in Seattle, Washington. 12hp, 42mm deep. Includes a limited lifetime warranty."

𝐑𝐀𝐕𝐄𝐍 𝚡 𝙿𝚎𝚌𝚔𝚒𝚗𝚐 𝙾𝚛𝚍𝚎𝚛 𝚡 ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 — 𝙴𝚌𝚑𝚘 𝙿𝚊𝚛𝚔

Published on Aug 4, 2019 birdkids

"The system is built around 𝙿𝚎𝚌𝚔𝚒𝚗𝚐 𝙾𝚛𝚍𝚎𝚛 controlling two 𝐑𝐀𝐕𝐄𝐍 voices for a total of four VCOs, three VCFs, three VCAs, five LFOs and five ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙴𝚗𝚟𝚎𝚕𝚘𝚙𝚎 𝙶𝚎𝚗𝚎𝚛𝚊𝚝𝚘𝚛𝚜. 🌃🌊🌌


• Four MIDI LFOs are converted to CV using ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙿𝚘𝚠𝚎𝚛 / 𝙼𝙸𝙳𝙸 feeding into the individual 𝙿𝚎𝚌𝚔𝚒𝚗𝚐 𝙾𝚛𝚍𝚎𝚛 groups 1-4.

• ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝚅𝚘𝚕𝚝𝚊𝚐𝚎 𝙲𝚘𝚗𝚝𝚛𝚘𝚕𝚕𝚎𝚍 𝙾𝚜𝚌𝚒𝚕𝚕𝚊𝚝𝚘𝚛 in LFO mode is feeding the Master Group of #PeckingOrder. One of the #RAVEN voices is being fed into the VCF and VCA section of ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝚅𝙲𝙾.

• All LFO speed parameters are mapped to a simple old-school MIDI controller.

• 𝙿𝚎𝚌𝚔𝚒𝚗𝚐 𝙾𝚛𝚍𝚎𝚛 is modulating, resonance, vcf exp., pwm & more."

Modor eurorack-Noisy Oscillator & Comb Filter demo

Published on Jul 15, 2019 Dziam Bass

"This video shows sound from the Noisy Oscillator and Comb filter from Modor modules eurorack.

A little added noise from the oscillator from the second voice as you see the knob mix and also subtle filtering from Comb Filter to get a partial flanger effect without too much modulation.

later we got a little more effect with Fb-feedback regulation and a larger delay type, ie a stronger effect on the longer time generated by Comb filter.

Noisy Oscillator module is and oscillator that mixes two signals: a 'regular' wave (sawtooth/square/triangle) and a 'tonal noisy' wave. This adds a special noisy layer over the sound, that adds 'air', grit or dirt, depending on the combinations you make. The MOD parameter acts on the noisy waveforms:

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Frankfurt Süd- Oberheim OB-Mx -Music Track.

Published on Jun 29, 2019 100 Things I Do

"When you first turn on the OB-Mx like many vintage analog synths, it takes a long time for the voices to stabilise. Sometimes when the voices are out of tune it can be very inspiring and this is whats happened here. I turned on the synth, found the patch.. gave it an initial tune and just let the synth drift.

The OB-Mx in many ways can sound like a CS-80, you can even do faux Ring modulation by pushing the VCA of VCO 1 and VCO 2. A magical synth that was totally out of place when it was released in the 90's! Such a shame they are going for so much money now, I would love some extra voices.

Massively inspired by Brian Eno's work on David Bowie's LOW (I was on the way to Berlin when I shot the footage)

I'm using the Valhalla Delay and Vintage Verb on this track and my home rolled Crystal Echo's patch :D"